Vous êtes sur la page 1sur 15



2:1(5
60$18$/

)NTRODUCTION
#ONGRATULATIONSONPURCHASINGONEOFTHEWORLDSBESTBASSAMPLIFIERS-ARKBASSAMPSAREBUILTTOTHEHIGHESTSTANDARDSBYASMALLTEAMOFSKILLEDTECHNICIANS
IN3AN'IOVANNI4EATINO )TALY
7EHAVESPENTMANYYEARSRESEARCHINGNOTONLYTHEHIGHEST QUALITYTECHNOLOGIESFORBASSAMPDESIGNANDCONSTRUCTION BUTALSOTHEPRACTICALNEEDSOFTHEWORKING
BASSIST4HEENDRESULTISAPRODUCTTHATCOMBINESOUTSTANDINGSOUNDQUALITYWITHINTUITIVEFEATURES ATTRACTIVEDESIGNANDEXTREMERELIABILITYALLINONE
IMPOSSIBLYLIGHTWEIGHTUNIT4HISAMPWILLALLOWYOURINSTRUMENTTOSPEAKINITSNATURALVOICE FAITHFULLYCONVEYINGYOURMUSICALIDEASTOYOURAUDIENCEWITH
STUNNINGCLARITY
9OURAMPLIFIERHASPASSEDRIGOROUSPRODUCTTESTINGANDSHOULDSURVIVEEVENTHETOUGHESTOFENVIRONMENTSONTHEROAD INCLUBS REHEARSALHALLSANDCONCERT
STAGES.ONETHELESS PLEASETREATITWITHCAREANDYOUWILLBEREWARDEDWITHMANY MANYYEARSOFGLORIOUS RICH POWERFULBASSTONE
)FTHECLARITYANDPOWEROFTHISAMPINSPIREYOUTOPLAYBETTERMUSIC WEWILLHAVESUCCEEDEDINOURMISSION'OODLUCKANDENJOYYOURNEWBESTFRIEND
3INCERELY
-ARKBASS

!7ORDFROM-ARCO$E6IRGILIIS

7HEN)BEGANTODEVELOPTHE-ARKBASSCONCEPTIN)TALYSEVERALYEARSAGO)HADONEOBJECTIVEINMINDTO
PRODUCEATOP QUALITYBASSAMPTHATWOULDMEETTHENEEDSOFPROFESSIONALBASSPLAYERSEVERYWHERE)WANTEDMYAMPS
TOBECOMPACTANDLIGHTWEIGHT YETABLETOHANDLETHELOWFREQUENCIESTHATTODAYgSFOUR FIVEANDSIXSTRING
PASSIVEANDACTIVEBASSESARECAPABLEOFPRODUCING4HANKSTOMODERNTECHNOLOGYANDTHEAVAILABILITYOF
HIGH QUALITYCOMPONENTSLIKELOW PROFILETOROIDALTRANSFORMERS NEODYMIUMSPEAKERSANDSOON )WASABLETO
ACCOMPLISHTHIS

4HE-ARKBASSAMPLIFIERCIRCUITRYISDESIGNEDSPECIFICALLYNOTTOCOLORTHESOUNDOFTHEBASSBUTTOFAITHFULLY
REPRODUCETHEUNIQUETONALQUALITIESOFWHATEVERINSTRUMENTISPLAYEDTHROUGHIT)HAVEWORKEDVERYCLOSELYWITH
MANYHIGH PROFILEPROFESSIONALBASSPLAYERSAROUNDTHEWORLDTOFINE TUNETHE-ARKBASSPRODUCTLINE

)AMCONFIDENTTHATTHE-ARKBASSLINEOFAMPSANDCABINETSISNOWREADYTOSATISFYTHENEEDSOFBASSPLAYERS
ALLOVERTHEWORLD

4HANKSFORCHOOSING-ARKBASS)HOPEYOUWILLFINDYOURNEWAMPTOBEANINSPIRINGUPGRADETOYOURSOUND
7EENCOURAGEYOUTOUSEYOUR-ARKBASSGEARINALLKINDSOFMUSICALSITUATIONS ANDPLEASEHELPUSTOCONTINUE
DEVELOPINGOURPRODUCTSBYSENDINGYOURCOMMENTSTOINFO MARKBASSIT
!NDABOVEALL

ENJOYTHEMUSIC

-ARCO$E6IRGILIIS

0$5.%$66,7$/<

ZZZPDUNEDVVLW


,ITTLE-ARK))#OMBO(EAD0RODUCT/VERVIEW
4HE,ITTLE-ARK))ISAHIGH QUALITYBASSAMPLIFIERWITHASOLID STATEPREAMPANDANANALOGPOWERAMP WHICHDELIVERS7OFPOWERINTOAOHM
CABINET OR7INTOANOHMCABINET4HE#OMBO(EADISVIRTUALLYIDENTICALTOTHE,ITTLE-ARK)) BUTDELIVERS7OFPOWERINTOAOHMCABINET
OR7INTOAOHMCABINET

,ITTLE-ARK))#OMBO(EAD&RONT0ANEL












).0543
4HEv).054*!#+ CANBEUSEDFORBOTHPASSIVEANDACTIVEBASSES
4HE"!,!.#%$).054 ACCEPTSABALANCED8,2INPUT ALLOWINGTHE,ITTLE-ARK))TOACCOMMODATEFORALLKINDSOFACOUSTICBASSPICKUPSYSTEMS9OU
CANALSOUSETHISINPUTTOPLUGINAMICROPHONEEVENWHILEYOUPLAYYOURBASSTHROUGHTHEvINPUT
'!).AND-!34%2
4HEREARETWOKNOBSONTHEFRONTPANELOFTHE,ITTLE-ARK))THATCONTROLTHEVOLUMEOFYOURBASS4HE'!). CONTROLDETERMINESHOWMUCHSIGNALIS
PASSEDTHROUGHTHEPREAMPSTAGEOFTHEUNIT WHICHINCLUDESEQUALIZATIONANDTHEEFFECTSLOOP4HE-!34%2 VOLUMEREGULATESHOWMUCHOUTPUTCOMES
OUTOFTHEPOWERAMPINTOYOURCABINET
)FPLAYINGTHROUGHTHEAMPCAUSESTHEBLUE#,)0 LIGHTTOTURNONATALL YOUSHOULDTURNDOWNTHE'!). CONTROLTOAVOIDDISTORTION
7HENYOUFIRSTPLUGINTOTHEAMP STARTWITHTHE'!). AND-!34%2 CONTROLSSETATTHEIRLOWESTLEVELS INOTHERWORDSTURNEDALLTHEWAY
COUNTER CLOCKWISE4HEN TURNYOURINSTRUMENTSVOLUMEUPTOITSFULLLEVELANDPLAYASHARDASYOUDOINYOURMOSTAGGRESSIVEMOMENTS ANDTURNUP
THE'!). CONTROLUNTILTHEBLUELIGHTSTARTSILLUMINATING.EXT BACKOFFONTHE'!). JUSTENOUGHSOTHATTHELIGHTSTAYSOFFASYOUPLAY
4HISMETHODWILLRESULTINTHEOPTIMALGAINSETTINGFORTHEBASSYOUREPLAYING$IFFERENTBASSESHAVEDIFFERENTOUTPUTLEVELS MOSTLYDEPENDINGON
THEIRPICKUPSANDINTHECASEOFACTIVEBASSES THEINSTRUMENTSONBOARDPREAMPAND%1SETTINGS
/NCEYOUVESETTHE'!). LEVEL USEYOUR-!34%2 KNOBTOCONTROLTHEVOLUMEOFYOURBASS

%15!,):!4)/.
-ARKBASSAMPSAREDESIGNEDTOFAITHFULLYREPRODUCETHENATURALSOUNDOFYOURBASS)FYOUHAVEAGOODINSTRUMENT VERYLITTLEEQUALIZATION%1 IF
ANYSHOULDBEREQUIRED"ASSGUITARSPRODUCEASURPRISINGLYWIDERANGEOFFREQUENCIESFROMEXTREMELYLOWFREQUENCIESTHATAREMOREFELTTHANHEARD
TOEXTREMELYHIGHFREQUENCIESTHATPASSTHROUGHYOURCABINETSTWEETERANDAREBARELYAUDIBLETOTHEHUMANEAR!SYOUEXPERIMENTWITHYOUR%1
SETTINGS YOUWILLNOTICETHATALLTHEDIFFERENTFREQUENCYRANGESPLAYESSENTIALROLESINMAKINGUPYOURBASSTONE
,/7FREQUENCIESCONSTITUTEMUSICSSONICFOUNDATIONTHEYGIVEPOWERTOYOURSOUND PHYSICALLYRESONATINGYOURLISTENERSBODIESANDYOURS
SOMETIMESEVENCAUSINGPEOPLETOMOVEANDDANCE
,/7-)$Sh-)$,/7vOR-ID&REQUENCY,OW MAKEYOURBASSSOUNDLOUD PROJECTINGTHESOUNDOVERLONGDISTANCES hFILLINGTHEROOMv
()'(-)$Sh-)$()'(vOR-ID&REQUENCY(IGH CONVEYTHEPITCHOFTHENOTESTHATYOUPLAY#LARITYOFTHISRANGEENSURESTHATTHEMELODIESINYOUR
BASSLINESAREHEARD)FDETAILISMISSINGINTHISRANGE YOURMELODICCONTRIBUTIONTOTHEMUSICWILLSUFFER
()'(FREQUENCIESCARRYTHEPERCUSSIVECONTENTOFYOURPLAYINGTHEATTACKOFYOURNOTES THESOUNDOFYOURFINGERORPICKPASSINGOVERTHESTRING
FRETNOISE ANDINTHECASEOFSLAPBASS THEhTICKvNOISEPRODUCEDWHENTHESTRINGSBOUNCEOFFTHEFRETS
)FANYONEOFTHESEFREQUENCYRANGESISNEGLECTEDORPOORLYREPRESENTEDBYYOURAMP YOUARENOTHEARINGANACCURATEREPRESENTATIONOFTHESOUNDTHAT
YOURBASSISGENERATING3INCETHE,ITTLE-ARK))HASBEENDESIGNEDTOGIVEYOUCLEAR DETAILEDANDMUSICALSOUNDATALLFREQUENCIES WHENTHEAMPIS
SEThFLATvWITHALL%1KNOBSATOCLOCKYOUSHOULDHEARAVERYTRUEMIRROROFTHESOUNDOFYOURBASS
(OWEVER THEFOLLOWINGCIRCUMSTANCESWILLREQUIREYOUTOUSEEQUALIZATION






4HESIGNALFROMYOURBASSISLACKINGOUTPUTLEVELINONEOFTHEFREQUENCYRANGESDESCRIBEDABOVE
4HEROOMORVENUEYOUREPLAYINGINHASPOORACOUSTICSANDEXCITESACERTAINFREQUENCY&OREXAMPLE IFYOUREPLAYINGONAHOLLOWSTAGE
CERTAINLOWFREQUENCIESMAYSOUNDDISPROPORTIONATELYLOUDOROUTOFCONTROL ANDYOUMAYNOTICETHATEVERYTIMEYOUPLAYACERTAINNOTE IT
SOUNDSMUCHLOUDERTHANALLTHEOTHERS)NTHESECASESTHEOFFENDINGFREQUENCYNEEDSTOBEIDENTIFIEDANDREDUCED
9OURESEEKINGTOALTERTHEBASICSOUNDOFYOURINSTRUMENTINORDERTOACHIEVEAPARTICULARMUSICALEFFECT

%QUALIZATIONSHOULDBETREATEDASFINE TUNING3PENDSOMETIMELISTENINGTOYOURBASSTHROUGHTHEAMPWITHALLTHE%1CONTROLSINTHENEUTRAL
OCLOCK POSITIONBEFOREYOUSTARTCHANGINGTHESETTINGS9OURELIKELYTONEEDLITTLEORNOEQUALIZATION
(OWEVER IFANDWHENEQUALIZATIONISREQUIRED YOUWILLFINDTHISAMPS%1TOBEPOWERFULANDIMPRESSIVELYDETAILED
4HE,/7%1 CONTROLISSETTOACENTERFREQUENCYOF(Z4HISMEANSTHATITEITHERBOOSTSORCUTSTHEVOLUMEOFTHEFREQUENCIESAROUND(Z TO
AMAXIMUMOFDECIBELS
4HE,/7 -)$-)$,/7  %1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(Z BYASMUCHASDECIBELS
4HE()'( -)$-)$()'(  %1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(Z BYASMUCHASDECIBELS
4HE()'(%1 CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUNDK(Z BYASMUCHASDECIBELS4HE1ONTHIS%1THERANGEOFFREQUENCYCONTROLLED
ISQUITEWIDE SPANNINGFROMABOUTK(ZTOABOUTK(Z
6,%AND60&&),4%23
4HE,ITTLE-ARK))AMPLIFIERFEATURESTWOMAGICKNOBSTHATALTERTHEEQUALIZATIONOFYOURBASSSIGNALWITHSPECIALLYFORMULATEDMUSICALRESULTS-OST
PLAYERSUSETHESECONTROLSMORETHANTHE%1SINCETHEYWEREDESIGNEDSPECIFICALLYTOMEETTHEPRACTICALNEEDSOFBASSISTS
4HE6,% 6INTAGE,OUDSPEAKER%MULATOR FILTERSOUTHIGHFREQUENCIESTOGIVEYOUAMELLOWER LESSMODERNSOUND!SYOUTURNTHEKNOBCLOCKWISE
YOUWILLFINDTHATAWIDERANDWIDERRANGEOFHIGHFREQUENCIESGETSCUTSEEPAGEFORAGRAPHOFTHISFILTERSFUNCTION 4HIS%1EFFECTIS
ESPECIALLYUSEFULFORACOUSTICANDOLDERSTYLESOFMUSIC
4HE60& 6ARIABLE0RE SHAPE&ILTER BOOSTSLOWSAROUND(Z ANDHIGHSAROUNDK(Z ANDCUTSMIDSAT(Z4HISFILTERHASVERYPOWERFUL
USESFORROCKMUSICANDISALSOAFAVORITEOFMANYSLAPBASSPLAYERSSEEPAGEFORAGRAPHOFTHISFILTERSFUNCTION 
!GAIN WERECOMMENDYOUSTARTOFFWITHTHESEFILTERSINTHEOFFPOSITION ANDDIALTHEMINGRADUALLYTODISCOVERWHATEFFECTTHEYHAVE%XPLORETHEM
SEPARATELYFIRSTBUTYOUMAYFINDTHATUSINGBOTHINCOMBINATIONCANLEADTOSOMEVERYAPPEALINGANDMUSICALRESULTS

,ITTLE-ARK))#OMBO(EAD2EAR0ANEL
















30%!+%2/54
4HE,ITTLE-ARK))CANBECONNECTEDTOONEORTWOSPEAKERCABINETS4HEHIGH QUALITY.EUTRIK30%!+/.#/-"/JACK ACCEPTSEITHERA30%!+/.ORAv
SPEAKERCABLE ANDTHESECONDSPEAKER*!#+ ACCEPTSONLYvCABLES$ONOTUSEINSTRUMENTCABLES
4HE,ITTLE-ARK))DELIVERS7OFPOWERINTOANOHMCABINET OR7INTOAOHMCABINET
"YDEFAULT THE#OMBO(EADISCONNECTEDTOTHESPEAKERCABINETHOUSEDINTHECOMBO(OWEVER YOUCANEITHERCONNECTTHEHEADTOASEPARATE EXTERNAL
CABINETUNPLUGTHEvCABLEFROMTHESPEAKEROUTJACK ANDREPLACEITBYASPEAKERCABLETHATYOUCONNECTTOTHEEXTERNALCABINET ORYOUCANUSE
BOTHTHEINTERNALCABINETANDANEXTERNALCABINETBYUSINGBOTHSPEAKERJACKS4HE#OMBO(EADDELIVERS7OFPOWERINTOANOHMCABINET OR7
INTOAOHMCABINET
,).%/54
4HISBALANCED8,2 OUTPUTSENDSABALANCEDSIGNALTOTHEMIXINGCONSOLEORSNAKEINLIVEANDSTUDIOSITUATIONS4HELINEOUTSIGNALISPOST %1
ANDPOST FILTERSWHICHMEANSTHATTHESIGNALTHATYOUSENDTOTHESOUNDENGINEERISAFFECTEDBYYOUR%1ANDFILTERSETTINGS BUTCANBEEASILY
MODIFIEDBYAQUALIFIEDTECHNICIANTOBEPRE %1IFDESIRED
'2/5.$,)&4
/CCASIONALLYWHENYOUREPLAYINGLIVEANDUSINGTHE,).%/54 THESOUNDMANWILLDETECTAHUMFROMYOURAMPSSIGNAL4HISISALMOSTALWAYSDUE
TOAGROUNDINGPROBLEMRELATEDTOYOURPOWERSOURCEYOUWILLLIKELYELIMINATETHISHUMSIMPLYBYFLIPPINGTHE'2/5.$,)&4 SWITCH
45.%2/54
4HE45.%2/54 ISANUNBALANCEDSIGNALTHATCANBESENTTOATUNER ALLOWINGYOUTOTUNEASYOUPLAYWITHOUTPASSINGYOURSIGNALTHROUGHPEDALS
WHICHCANDEGRADETHEQUALITYOFYOURSIGNAL9OUCANALSOUSETHISOUTPUTTOSENDYOURSIGNALONTOANOTHERAMP ORANYKINDOFRECORDINGUNITTHAT
DOESNTREQUIREABALANCEDSIGNAL
%&&%#43%.$!.$2%452.
)FYOUUSEEFFECTPEDALSORRACKGEAR YOUCANROUTETHEMTHROUGHTHE3%.$%&&%#4 AND2%452.%&&%#4 ONTHEREARPANELOFTHEAMP4HE

,ITTLE-ARK))#OMBO(EAD4ECHNICAL$ETAILS

).0543
).054

"!,!.#%$).054

2%452.%&&%#4




#/.42/,3
'!).


,).%/54


02%0/34%1FORLINEOUT
'2/5.$,)&4

-!34%26/,5-%

IMPEDANCE+OHM MAXVOLTAGE6PP
IMPEDANCE+OHM MAXVOLTAGE6PP
IMPEDANCE+OHM MAXVOLTAGE6PP

nD"TO D"RANGE
LEVELCONTROLONFRONTPANEL
SWITCHONREARPANEL
SWITCHONREARPANEL


%15!,):!4)/.
,/7



-)$,/7



-)$()'(


()'(


6,%6INTAGE,OUDSPEAKER%MULATOR
60&6ARIABLE0RE SHAPE&ILTER

CENTERFREQUENCY(ZLEVELD"
CENTERFREQUENCY(ZLEVELD"
CENTERFREQUENCY(ZLEVELD"
CENTERFREQUENCYK(ZLEVELD"
MAXCUTRANGE(ZnK(Z
CENTERFREQUENCY(ZCUT


/540543
3%.$%&&%#4
45.%2/54

,).%/54

30%!+%2/54




UNBALANCED MAXVOLTAGE6PPPRE %1
UNBALANCED MAXVOLTAGE6PP
BALANCED8,2 MAXVOLTAGE6PP
SPEAKON 


/4(%2
(%)'(4

$%04(

7)$4(

7%)'(4

/540540/7%2



0/7%22%15)2%-%.4







INCM
INCM
INCMCANBEEXTENDEDTOSTANDARDRACKSIZEWITHOPTIONALRACKEARS
LBSKG
72-3 OHM 72-3 OHM,ITTLE-ARK))
72-3 OHM 72-3 OHM#OMBO(EAD
666(Z


&53%
%52/0%

!5342!,)!5+
53!#!.!$!
*!0!.




!64X
!64X
!64X
!64X




#OMBOS4ECHNICAL$ETAILS
#/-"/3%2)%3

#-$0

#-$(

-).)#-$0

#-$(

-).)#-$0

X

X

X

X

3PEAKER3IZEINCHES

X

4WEETER

0IEZO4WEETER

(&#OMP$RIVER 0IEZO4WEETER

(&#OMP$RIVER

0IEZO4WEETER

#ROSSOVER&REQUENCY

K(Z

K(Z

K(Z

K(Z

K(Z

#!"0OWER(ANDLING

72-3

72-3

72-3

72-3

72-3

(ZTOK(Z

(ZTOK(Z

(ZTOK(Z

(ZTOK(Z

(ZTOK(Z











!%33TANDARD
&REQUENCY2ESPONSE

#ABINET3ENSITIVITYD"30,

#ABINET)MPEDANCE









2EFLEX

2EAR

2EAR

2EAR

2EAR

2EAR





















7EIGHTKG
7EIGHTLBS

7IDTHMM











7IDTHINCHES































(EIGHTMM

(EIGHTINCHES

$EPTHMM











$EPTHINCHES











0REAMP

3OLID STATE

3OLID STATE

3OLID STATE

3OLID STATE

3OLID STATE

0OWER!MP

!NALOG

!NALOG

!NALOG

!NALOG

!NALOG

0OWER3UPPLY

!LLMODELSAREEQUIPPEDWITHCUSTOM DESIGNED-ARKBASSDIGITALPOWERSUPPLIES

,ITTLE-ARK))#OMBO(EAD3CHEMATICS

(48$/,=(5
93)9/(

$PS

3CHEMATICS ,ITTLE-ARK))#OMBO(EAD

,-+0RODUCT/VERVIEW
4HE-ARKBASS,-+ISAHIGH QUALITYTWO CHANNELBASSAMPLIFIERWITHASOLID STATEPREAMPANDANANALOGPOWERAMP WHICHDELIVERS7OFPOWERINTOA
OHMCABINET OR7INTOANOHMCABINET

,-+&RONT0ANEL





























 

).0543
4HE,-+SUNIQUETWO CHANNELDESIGNENABLESYOUTOUSEEITHERTWODIFFERENTBASSESEACHWITHITSOWNCHANNEL ORTWODIFFERENTCHANNELSFORONE
BASS"OTHINPUTJACKSCANBEUSEDFORBOTHPASSIVEANDACTIVEBASSES7HENUSINGONEBASS PLUGITINTO)NPUT!-ASTER 5SINGTHECHANNELSWITCH
ORTHEFOOTSWITCH YOUWILLBEABLETOCHOOSEWHICHCHANNELANDCORRESPONDINGLEVEL %1ANDFILTERSETTINGS YOURUNITTHROUGH
7HENUSINGTWOBASSES PLUGONEINTOEACHINPUTTHEBASSIN)NPUT! WILLAUTOMATICALLYRUNTHROUGH#HANNEL ANDTHEBASSIN)NPUT" WILL
AUTOMATICALLYRUNTHROUGH#HANNEL4HISISAVERYPRACTICALSOLUTIONFORBASSISTSWHOSWITCHOFTENBETWEENTWOVERYDIFFERENTBASSES FOREXAMPLE
ANACOUSTICANDANELECTRIC
#(!..%,37)4#(
7HENONEBASSISPLUGGEDINTOTHE,-+ THECHANNELSWITCHALLOWSYOUTOCHOOSEWHETHERYOURSIGNALISROUTEDTHROUGH#HANNEL #HANNEL ORBOTH
hMIXv )FTWOBASSESAREPLUGGEDIN THISSWITCHALLOWSYOUTOEFFECTIVELYMUTETHEUNUSEDBASSOR IFYOUCANPLAYBOTHBASSESATONCE SIMPLY
SETTHE37)4#( TOhMIXv"LUEINDICATOR,%$S#(  AND#(  ONTHERIGHTSIDEOFTHEFRONTPANELILLUMINATETOSHOWWHICHCHANNELIS
BEINGUSED7HENTHEFOOTSWITCHISPLUGGEDINTOTHEREARPANEL THENFRONTPANELCHANNELSWITCHISDISABLED

,%6%, ,%6%,AND-!34%2
4HEREARETHREEKNOBSONTHEFRONTPANELOFTHE,-+THATCONTROLVOLUME
,%6%, ISTHEGAINCONTROLFOR).054! ,%6%, ISTHEGAINCONTROLFOR).054" ANDTHE-!34%2 CONTROLISTHEOVERALLOUTPUT
VOLUMEOFTHEAMP
4HE,%6%,  GAIN CONTROLSDETERMINEHOWMUCHSIGNALISPASSEDTHROUGHTHEPREAMPSTAGEOFTHEUNIT WHICHINCLUDESEQUALIZATIONANDTHE
EFFECTSLOOP4HE-!34%2 VOLUMEREGULATESHOWMUCHOUTPUTCOMESOUTOFTHEPOWERAMPINTOYOURCABINET
)FPLAYINGTHROUGHTHEAMPCAUSESTHEBLUEh#,)0v LIGHTTOTURNONATALL YOUSHOULDTURNDOWNTHE,%6%,CONTROLOFTHECHANNELBEINGUSED
OTHERWISEYOURSIGNALMAYDISTORT
7HENYOUFIRSTPLUGINTOTHEAMP STARTWITHTHE,%6%,  AND-!34%2 CONTROLSSETATTHEIRLOWESTLEVELS INOTHERWORDSTURNEDALLTHEWAY
COUNTER CLOCKWISE4HEN TURNYOURINSTRUMENTSVOLUMEUPTOITSFULLLEVELANDPLAYASHARDASYOUDOINYOURMOSTAGGRESSIVEMOMENTS ANDTURNUP
THE,%6%,CONTROLUNTILTHEBLUELIGHTSTARTSILLUMINATING.EXT BACKOFFONTHE,%6%,JUSTENOUGHSOTHATTHELIGHTSTAYSOFFASYOUPLAY4HIS
METHODWILLRESULTINTHEOPTIMALGAINSETTINGFORTHEBASSYOUREPLAYING$IFFERENTBASSESHAVEDIFFERENTOUTPUTLEVELS MOSTLYDEPENDINGONTHEIR
PICKUPSANDINTHECASEOFACTIVEBASSES THEINSTRUMENTSONBOARDPREAMPAND%1SETTINGS

/NCEYOUVESETTHE,%6%,CONTROLSSOTHATTHEVOLUMESOFYOURTWOBASSESAREEVEN USEYOUR-!34%2 KNOBTOCONTROLTHEOVERALLVOLUME

,).%/54
4HIS,).%/54 KNOBCONTROLSTHEVOLUMELEVELOFTHEREAR,).%/548,2 WHICHISCONNECTEDTOTHEMIXINGCONSOLEINLIVEORSTUDIO
SITUATIONS
%15!,):!4)/.
-ARKBASSAMPSAREDESIGNEDTOFAITHFULLYREPRODUCETHENATURALSOUNDOFYOURBASS)FYOUHAVEAGOODINSTRUMENT VERYLITTLEEQUALIZATION%1 IF
ANYSHOULDBEREQUIRED"ASSGUITARSPRODUCEASURPRISINGLYWIDERANGEOFFREQUENCIESFROMEXTREMELYLOWFREQUENCIESTHATAREMOREFELTTHANHEARD
TOEXTREMELYHIGHFREQUENCIESTHATPASSTHROUGHYOURCABINETSTWEETERANDAREBARELYAUDIBLETOTHEHUMANEAR!SYOUEXPERIMENTWITHYOUR%1
SETTINGS YOUWILLNOTICETHATALLTHEDIFFERENTFREQUENCYRANGESPLAYESSENTIALROLESINMAKINGUPYOURBASSTONE
,/7FREQUENCIESCONSTITUTEMUSICSSONICFOUNDATIONTHEYGIVEPOWERTOYOURSOUND PHYSICALLYRESONATINGYOURLISTENERSBODIESANDYOURS
SOMETIMESEVENCAUSINGPEOPLETOMOVEANDDANCE
,/7-)$Sh-)$,/7vOR-ID&REQUENCY,OW MAKEYOURBASSSOUNDLOUD PROJECTINGTHESOUNDOVERLONGDISTANCES hFILLINGTHEROOMv
()'(-)$Sh-)$()'(vOR-ID&REQUENCY(IGH CONVEYTHEPITCHOFTHENOTESTHATYOUPLAY#LARITYOFTHISRANGEENSURESTHATTHEMELODIESINYOUR
BASSLINESAREHEARD)FDETAILISMISSINGINTHISRANGE YOURMELODICCONTRIBUTIONTOTHEMUSICWILLSUFFER
()'(FREQUENCIESCARRYTHEPERCUSSIVECONTENTOFYOURPLAYINGTHEATTACKOFYOURNOTES THESOUNDOFYOURFINGERORPICKPASSINGOVERTHESTRING
FRETNOISE ANDINTHECASEOFSLAPBASS THEhTICKvNOISEPRODUCEDWHENTHESTRINGSBOUNCEOFFTHEFRETS
)FANYONEOFTHESEFREQUENCYRANGESISNEGLECTEDORPOORLYREPRESENTEDBYYOURAMP YOUARENOTHEARINGANACCURATEREPRESENTATIONOFTHESOUNDTHAT
YOURBASSISGENERATING3INCETHE,-+HASBEENDESIGNEDTOGIVEYOUCLEAR DETAILEDANDMUSICALSOUNDATALLFREQUENCIES WHENTHEAMPISSET
hFLATvWITHALL%1KNOBSATOCLOCKYOUSHOULDHEARAVERYTRUEMIRROROFTHESOUNDOFYOURBASS
(OWEVER THEFOLLOWINGCIRCUMSTANCESWILLREQUIREYOUTOUSEEQUALIZATION






4HESIGNALFROMYOURBASSISLACKINGOUTPUTLEVELINONEOFTHEFREQUENCYRANGESDESCRIBEDABOVE
4HEROOMORVENUEYOUREPLAYINGINHASPOORACOUSTICSANDEXCITESACERTAINFREQUENCY&OREXAMPLE IFYOUREPLAYINGONAHOLLOWSTAGE
CERTAINLOWFREQUENCIESMAYSOUNDDISPROPORTIONATELYLOUDOROUTOFCONTROL ANDYOUMAYNOTICETHATEVERYTIMEYOUPLAYACERTAINNOTE IT
SOUNDSMUCHLOUDERTHANALLTHEOTHERS)NTHESECASESTHEOFFENDINGFREQUENCYNEEDSTOBEIDENTIFIEDANDREDUCED
9OURESEEKINGTOALTERTHEBASICSOUNDOFYOURINSTRUMENTINORDERTOACHIEVEAPARTICULARMUSICALEFFECT

%QUALIZATIONSHOULDBETREATEDASFINE TUNING3PENDSOMETIMELISTENINGTOYOURBASSTHROUGHTHEAMPWITHALLTHE%1CONTROLSINTHENEUTRAL
OCLOCK POSITIONBEFOREYOUSTARTCHANGINGTHESETTINGS9OURELIKELYTONEEDLITTLEORNOEQUALIZATION
(OWEVER IFANDWHENEQUALIZATIONISREQUIRED YOUWILLFINDTHISAMPS%1TOBEPOWERFULANDIMPRESSIVELYDETAILED
4HE,/7%1  CONTROLONTHE,-+ISSETTOACENTERFREQUENCYOF(Z4HISMEANSTHATITEITHERBOOSTSORCUTSTHEVOLUMEOFTHEFREQUENCIES
AROUND(Z TOAMAXIMUMOFDECIBELS
4HE-)$,/7%1  CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(Z BYASMUCHASDECIBELS
4HE-)$()'(%1  CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(Z BYASMUCHASDECIBELS
4HE()'(%1  CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUNDK(Z BYASMUCHASDECIBELS4HE1ONTHIS%1THERANGEOFFREQUENCY
CONTROLLED ISQUITEWIDE SPANNINGFROMABOUTK(ZTOABOUTK(Z
6,%AND60&&),4%23
4HE,-+AMPLIFIERFEATURESTWOMAGICKNOBSTHATALTERTHEEQUALIZATIONOFYOURBASSSIGNALWITHSPECIALLYFORMULATEDMUSICALRESULTS-OSTPLAYERS
USETHESECONTROLSMORETHANTHE%1SINCETHEYWEREDESIGNEDSPECIFICALLYTOMEETTHEPRACTICALNEEDSOFBASSISTS
4HE6,% 6INTAGE,OUDSPEAKER%MULATOR FILTERSOUTHIGHFREQUENCIESTOGIVEYOUAMELLOWER LESSMODERNSOUND!SYOUTURNTHEKNOBCLOCKWISE
YOUWILLFINDTHATAWIDERANDWIDERRANGEOFHIGHFREQUENCIESGETSCUTSEEPAGEFORAGRAPHOFTHISFILTERSFUNCTION 4HIS%1EFFECTIS
ESPECIALLYUSEFULFORACOUSTICANDOLDERSTYLESOFMUSIC
4HE60&  6ARIABLE0RE SHAPE&ILTER BOOSTSLOWSAROUND(Z ANDHIGHSAROUNDK(Z ANDCUTSMIDSAT(Z4HISFILTERHASVERY
POWERFULUSESFORROCKMUSICANDISALSOAFAVORITEOFMANYSLAPBASSPLAYERSSEEPAGEFORAGRAPHOFTHISFILTERSFUNCTION 
!GAIN WERECOMMENDYOUSTARTOFFWITHTHESEFILTERSINTHEOFFPOSITION ANDDIALTHEMINGRADUALLYTODISCOVERWHATEFFECTTHEYHAVE%XPLORETHEM
SEPARATELYFIRSTBUTYOUMAYFINDTHATUSINGBOTHINCOMBINATIONCANLEADTOSOMEVERYAPPEALINGANDMUSICALRESULTS
.OTETHAT#HANNELFEATURESBOTHTHE6,% AND60& FILTERS WHEREAS#HANNELONLYINCLUDESTHE60& 


,-+2EAR0ANEL

















30%!+%2/54
4HE,-+CANBECONNECTEDTOONEORTWOSPEAKERCABINETS4HEHIGH QUALITY.EUTRIK30%!+/.#/-"/JACKACCEPTSEITHERASPEAKON ORAvSPEAKER
CABLE ANDTHESECOND30%!+%2*!#+ ACCEPTSONLYvCABLES$ONOTUSEINSTRUMENTCABLES
4HE,-+DELIVERS7OFPOWERINTOANOHMCABINET OR7INTOAOHMCABINET
.OTETHATTHISISATWOCHANNELAMP BUTITISNOTAhSTEREOvAMPTHEREARENOTTWODISCRETEOUTPUTSFOREACHCHANNELINPUT)FYOUCONNECTTWO
SPEAKERCABINETSTHEYWILLEACHRECEIVETHESAMESIGNAL
,).%/54
4HEBALANCED8,2 OUTPUTALLOWSYOUTOCONNECTYOURAMPLIFIERDIRECTLYTOAMIXINGCONSOLEEITHERINLIVESITUATIONSORINARECORDINGSTUDIO
WITHOUTTHENEEDOFA$)BOX3IMPLYCONNECTASTANDARD8,2CABLEFROMTHISOUTPUTTOTHESOUNDBOARDMIXINGCONSOLE ORASNAKECONNECTEDTOTHE
BOARDCONSOLE)FTHESOUNDMANENGINEERNEEDSMOREORLESSSIGNALFROMYOU SIMPLYTURNTHEFRONTPANEL,).%/54 CONTROLUPORDOWNAS
NECESSARY
4HELINEOUTSIGNALISPOST %1ANDPOST FILTERSWHICHMEANSTHATTHESIGNALTHATYOUSENDTOTHESOUNDENGINEERISAFFECTEDBYYOUR%1ANDFILTER
SETTINGS 
'2/5.$,)&4
/CCASIONALLYWHENYOUREPLAYINGLIVEANDUSINGTHE,).%/54 THESOUNDMANWILLDETECTAHUMFROMYOURAMPSSIGNAL4HISISALMOSTALWAYSDUE
TOAGROUNDINGPROBLEMRELATEDTOYOURPOWERSOURCEYOUWILLLIKELYELIMINATETHISHUMSIMPLYBYFLIPPINGTHE'2/5.$,)&4 SWITCH
45.%2/54
4HE45.%2/54 ISANUNBALANCEDSIGNALTHATCANBESENTTOATUNER ALLOWINGYOUTOTUNEASYOUPLAYWITHOUTPASSINGYOURSIGNALTHROUGHPEDALS
WHICHCANDEGRADETHEQUALITYOFYOURSIGNAL9OUCANALSOUSETHISOUTPUTTOSENDYOURSIGNALONTOANOTHERAMP ORANYKINDOFRECORDINGUNITTHAT
DOESNTREQUIREABALANCEDSIGNAL
%&&%#43%.$!.$2%452.
)FYOUUSEEFFECTPEDALSORRACKGEAR YOUCANROUTETHEMTHROUGHTHE3%.$%&&%#4 AND2%452.%&&%#4 ONTHEREARPANELOFTHEAMP4HE
EFFECTSLOOPISWIREDINPARALLELTHISMEANSTHATIFSOMETHINGHAPPENSTOYOUREFFECTSCHAINABATTERYDIESORACABLEGIVESOUT FOREXAMPLE WHILE
YOUREPLAYING YOUWILLNOTLOSEYOURMAINSIGNAL)FDESIRED HOWEVER THEEFFECTSLOOPCANBEEASILYMODIFIEDBYAUTHORIZEDSERVICEPERSONNELTO
OPERATEINSERIES
&//437)4#(
4HE,-+SOPTIONAL&//437)4#(ALLOWSYOUTOHAVEFULLCONTROLOVERCHANNELSELECTIONSEEh#(!..%,37)4#(v INFRONTPANELSECTION %ACHSWITCH
ISANONOFFSWITCH#HANNELONOFF AND#HANNELONOFF 4OSWITCHCHANNELSWITHONECLICKASSUMINGYOUVETURNEDONECHANNELONANDTHE
OTHEROFF STEPONBOTHBUTTONSSIMULTANEOUSLY+EEPANEYEONTHEFRONTPANELh#(v ANDh#(v ,%$STOMAKESUREYOUHAVETHERIGHT
CHANNELSELECTED
7HENBOTHCHANNELSARETURNEDOFF YOURSIGNALWILLSTILLPASSTOYOURTUNER SHOULDYOUHAVEONEPLUGGEDINTOTHEREARPANEL



,-+4ECHNICAL$ETAILS

).0543
).054!-!34%2

).054"


2%452.%&&%#4

#/.42/,3
,%6%,'AIN #(
,%6%,'AIN #(
,).%/54

'2/5.$,)&4
-!34%26/,5-%



IMPEDANCE+OHM MAXVOLTAGE6PP
IMPEDANCE+OHM MAXVOLTAGE6PP
IMPEDANCE+OHM MAXVOLTAGE6PP




nD"TO D"RANGE
nD"TO D"RANGE
LEVELCONTROLONFRONTPANEL
SWITCHONREARPANEL


%15!,):!4)/.#(
,/7



-)$,/7



-)$()'(


()'(


6,%6INTAGE,OUDSPEAKER%MULATOR
60&6ARIABLE0RE SHAPE&ILTER

%15!,):!4)/.#(
,/7



-)$,/7



-)$()'(


()'(


60&6ARIABLE0RE SHAPE&ILTER


/540543
3%.$%&&%#4

45.%2/54


,).%/54


30%!+%2/54

CENTERFREQUENCY(ZLEVELD"
CENTERFREQUENCY(ZLEVELD"
CENTERFREQUENCY(ZLEVELD"
CENTERFREQUENCYK(ZLEVELD"
MAXCUTRANGE(ZnK(Z
CENTERFREQUENCY(ZCUT

CENTERFREQUENCY(ZLEVELD"
CENTERFREQUENCY(ZLEVELD"
CENTERFREQUENCY(ZLEVELD"
CENTERFREQUENCYK(ZLEVELD"
CENTERFREQUENCY(ZCUT

UNBALANCED MAXVOLTAGE6PPPRE %1
UNBALANCED MAXVOLTAGE6PP
BALANCED8,2 MAXVOLTAGE6PP
SPEAKON 


/4(%2
(%)'(4

$%04(

7)$4(

7%)'(4

/540540/7%2
0/7%22%15)2%-%.4






INCM
INCM
INCMCANBEEXTENDEDTOSTANDARDRACKWIDTHWITHOPTIONALRACKEARS
LBSKG
72-3 OHM 72-3 OHM
666(Z


&53%
%52/0%

!5342!,)!5+
53!#!.!$!
*!0!.




!64X
!64X
!64X
!64X






,-+3CHEMATICS

(48$/,=(5
93)

3RZHU
$PS

(48$/,=(5
93)9/(

3CHEMATICS ,-+



,ITTLE-ARK))#OMBO(EAD,-+&ILTERAND%1'RAPHS
/2:



+,*+











G%

G%






























)UHTXHQF\+]







)UHTXHQF\+]
0,'/2:



0,'+,*+











G%

G%




























)UHTXHQF\+]







)UHTXHQF\+]

9/( PLQPD[





93) PD[

G%



G%



G%

G%

G%


G%



G%



G%









)UHTXHQF\+]





G%
+]

+]

N+]

N+]

.+]



)MPORTANT3AFETY)NSTRUCTIONS




















2EADTHESEINSTRUCTIONS
+EEPTHESEINSTRUCTIONS
(EEDALLWARNINGS
&OLLOWALLINSTRUCTIONS
$ONOTUSETHISAPPARATUSNEARWATER
#LEANONLYWITHDRYCLOTH
$ONOTBLOCKANYVENTILATIONOPENINGS)NSTALLINACCORDANCEWITHTHEMANUFACTURERSINSTRUCTIONS
$ONOTINSTALLNEARANYHEATSOURCESSUCHASRADIATORS HEATREGISTERS STOVES OROTHERAPPARATUSINCLUDINGAMPLIFIERS THATPRODUCEHEAT
$ONOTDEFEATTHESAFETYPURPOSEOFTHEPOLARIZEDORGROUND TYPEPLUG!POLARIZEDPLUGHASTWOBLADESWITHONEWIDERTHANTHEOTHER!
GROUNDINGTYPEPLUGSHASTWOBLADESANDATHIRDGROUNDINGPRONG4HEWIDEBLADEORTHETHIRDPRONGAREPROVIDEDFORYOURSAFETY)FTHE
PROVIDEDPLUGDOESNOTFITINTOYOUROUTLET CONSULTANELECTRICIANFORREPLACEMENTOFTHEOBSOLETEOUTLET
0ROTECTTHEPOWERCORDFROMBEINGWALKEDONORPINCHEDPARTICULARLYATPLUGS CONVENIENCERECEPTACLES ANDTHEPOINTWHERETHEYEXITFROMTHE
APPARATUS
/NLYUSEATTACHMENTSACCESSORIESSPECIFIEDBYTHEMANUFACTURER
5NPLUGTHISAPPARATUSDURINGLIGHTNINGSTORMSORWHENUNUSEDFORLONGPERIODSOFTIME
2EFERALLSERVICINGTOQUALIFIEDSERVICEPERSONNEL3ERVICINGISREQUIREDWHENTHEAPPARATUSHASBEENDAMAGEDINANYWAY SUCHASPOWER SUPPLY
CORDORPLUGISDAMAGED LIQUIDHASBEENSPILLEDOROBJECTSHAVEFALLENINTOTHEAPPARATUS THEAPPARATUSHASBEENEXPOSEDTORAINORMOISTURE
DOESNOTOPERATENORMALLY ORHASBEENDROPPED
7ARNINGTOREDUCETHERISKOFFIREORELECTRICSHOCK DONOTEXPOSETHISAPPARATUSTORAINORMOISTUREANDOBJECTSFILLEDWITHLIQUIDS SUCH
ASVASES SHOULDNOTBEPLACEDONTHISAPPARATUS

0RCAUTIONSDgEMPLOI





















,IRECESINSTRUCTIONS
#ONSERVERCESINSTRUCTIONS
3UIVRETOUSLESCONSEILSDgUTILISATIONS
3UIVRETOUTESLESINSTRUCTIONS
.EPASUTILISERCETAPPAREILAUBORDDELgEAU
.ETTOYERUNIQUEMENTAVECUNCHIFFONHUMIDE
.EPASBLOQUERLESYSTMEDEVENTILATION)NSTALLERCONFORMMENTAUXINSTRUCTIONSDUFABRICANT
.EPASINSTALLERLgAPPAREILPRSDgUNESOURCEDECHALEURTELQUgUNRADIATEUR UNFOURNEAU OUBIENUNAUTREAPPAREILQUIPRODUITDELACHALEUR
.EPASMODIFIERLESYSTMEDESCURITDELAFICHEPOLARISEOUDEDELAFICHEPOURLESPRISESDETERRE5NEFICHEPOLARISEADEUXBROCHES
LgUNETANTPLUSDISTANTEDELgAUTRE5NEFICHEPOURPRISEDETERREADEUXBROCHESETUNEPOINTEPOURLAMASSE,ABROCHEPLUSDISTANTEETLA
POINTEPOURLAMASSEONTTINSTALLESPOURVOTRESCURIT3ILAFICHEFOURNIEDERENTREPASDANSVOTREPRISEDECOURANTCONSULTERUN
LECTRICIENPOURLASUBSTITUTION
0ROTGERLECORDONDgALIMENTATIONAFINQUgILNESOITPASPITINOUCRASTOUTPARTICULIREMENTAUNIVEAUDESFICHES DESPRISESDECOURANT
FEMELLES ETDESPARTIESQUISORTENTDELgAPPAREIL
5TILISERUNIQUEMENTLESACCESSOIRESRECOMMENDSPARLEFABRICANT
.EPASBRANCHLgAPPAREILENCASDgORAGEACCOMPAGNDgCLAIRS,EDBRANCHERENCASDENONUTILISATIONPROLONGE
3gADRESSERUNSERVICEASSISTANCEAGRSILgAPPAREILASUBIDESDOMMAGES SILECORDONDgALIMENTATIONOULAFICHEATENDOMMAG SIUN
LIQUIDEATRENVERSSURLgAPPAREILOUBIENSIUNOBJECTESTTOMBDANSLgAPPAREIL SICEDERNIERATEXPOSLAPLUIEOULgHUMIDIT
SgILNEFONCTIONNEPASCORRECTEMENTOUSgILESTTOMB
!VERTISSANTPOURRDUIRELERISQUEDUFEUOUDEDCHARGELECTRIQUE NgEXPOSEZPASCETAPPAREILLAPLUIEOULgHUMIDITETLESOBJETS
REMPLISDELIQUIDESTELSQUEDESVASES NEDEVRAIENTPASTREPLACSSURCETAPPAREIL

-OREINFORMATION
&ORWARRANTEEANDSERVICEINFORMATION PLEASECONTACTYOURLOCAL-ARKBASSDISTRIBUTORCONTACTINFORMATIONAVAILABLEATWWWMARKBASSIT
&ORMORETECHNICALINFORMATION PLEASEVISITUSATWWWMARKBASSITANDFILLOUTTHEFORMONTHE#ONTACT5SPAGE
7EHOPEYOUENJOYYOURAMPANDUSEITTOMAKEGREATMUSIC

7KH/LJKWQLQJ)ODVKZLWKDUURZKHDGV\PEROZLWKLQDQHTXLODWHUDOWULDQJOH
LVLQWHQGHGWRDOHUWWKHXVHUWRWKHSUHVHQFHRIXQLQVXODWHGGDQJHURXV
YROWDJHZLWKLQWKHSURGXFWHQFORVXUHWKDWPD\EHRIVXIILFLHQWPDJQLWXGHWR
FRQVWLWXWHDULVNRIVKRFNWRSHUVRQV

7KHH[FODPDWLRQSRLQWZLWKLQDQHTXLODWHUDOWULDQJOHLVLQWHQGHGWRDOHUW
WKHXVHUWRWKHSUHVHQFHRILPSRUWDQWRSHUDWLQJDQGPDLQWHQDQFH
VHUYLFLQJ LQVWUXFWLRQVLQWKHOLWHUDWXUHDFFRPSDQ\LQJWKHSURGXFW



Vous aimerez peut-être aussi