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1. Hip-hop dance includes a variety of styles ranging from breaking, locking, and
popping which evolved in the 1970's by Black Americans.
3. The most influential groups are The Lockers, the Rock Steady Crew and the
Electric Boogaloos who are credited for the spread of locking, breaking and popping
respectively.
4.The dances, The Running Man, and The Cabbage Patch became main stream and
were fad dances with funk style influences.
sometimes called new style or L.A. style and jazz funk. Classically trained dancers
developed these styles to create choreography to hip-hop music and because of this
development, hip-hop is now practiced at both studios and outside spaces.
B. Internationally, hip-hop dance has had a strong influence in France and South
Korea.
1. France is the birthplace of Techtonik a style of house dance from Paris similar to
popping and breaking.
-2C. Hip-hop ranges from professional dance to make a living to competitive dance as
well as a way to keep physically fit or for a hobby.
D. The birth of breaking began in the early 1970s as people mimicked the way that
James Brown danced on T.V.
1. Clive Campbell, known as DJ Kool Herc was a Jamaican American DJ who spun
records at neighborhood teen age parties in the Bronx.
a. While waiting for records to finish, DJ Kool Herc noticed people waiting for
certain parts of the record where there was an instrumental break in the songs and
the people would get wild dancing. He zeroed in on the break of the record
dropping out the melody and chorus and just playing the instrumental break. People
wanted to hear break after break for dancing.
a. When there was an issue over territory, two warlords of the feuding gangs would
uprock and whoever won the dance battle would decide where the real fight would
be held.
b. Uprocks purpose was to moderate gang violence and because of this never made
its way into mainstream except for very specific moves used by breakers as a
variation for their toprock.
3. From toprock, breaking progresses with the formations of new moves and then
the formation of crews which were groups of street dancers who would get together
and create dance routines.
-4a. Crews are composed of friends and families and no one auditions. Rehearsals
are generally in the home or on the streets.
E. Rock Steady Crew (RSC) is the most famous breaking crew in the world and
one of the oldest along with Afrika Bambaataas Might Zulu Kings.
1. Richard Crazy Legs Coln opened a Manhattan chapter of the crew and later
made his friends co vice-presidents.
a. Rock Steady appeared in the movies Wild Style and Beat Street which are
80s films about hip-hop culture. They have also performed at the Ritz, the Kennedy
Center and appeared on the Jerry Lewis Telethon. RSC is now worldwide with
member units in Japan, the United Kingdom and Italy.
-5evidence to trace that there was an influence of this martial art form in the South
Bronx.
1. Funk originated in the 70s in California and was danced to funk music rather
than hip-hop and funk is slightly older than hip-hop and came about with the
formation of crews.
a. The Lockers were founded in Los Angeles by Don Campbellock Campbell who
created locking. The Lockers began as al black males but later women and Latinos
were added because of complaints of the lack of racial diversity. Toni Basil
belonged and was both choreographer and manager.
b. The Electric Boogaloos are another funk style crew founded in Fresno by Sam
Boogaloo Solomon. He is credited with developing popping and electric
boogaloo.
1. Popping got its name from Boogaloo Sam because when he was performing it, he
would say, pop, pop, pop as he was popping his muscles to the music.
-62. The bugal was created in New York by Cubans and Puerto Ricans and danced
to mambo, soul and Rhythm and Blues music.
3. Electric boogaloo is a dance characterized by rolling hip, knee and head
movements and popping. It lost its popularity in the 70s but is still a respected
dance form.
4. In Oakland, California, there was a style known as struttin. This style became a
fad and then faded away and never became mainstream.
a. After the year 2000, Oakland dance style was called turfing a fusion of mimin
and gliding with emphasis on story telling.
G. Breaking is considered the purest form of hip-hop and although created by Black
Americans, the Latinos have kept the momentum going.
H. Locking was created in Los Angeles by Don Campbell and introduced to the
-8country by his crew The Lockers. Modern locking looks similar to popping and
gets confused with popping, but in locking the dancer holds the position longer.
I. Popping was created by Sam Solomon in Fresno, California and performed by his
crew the Electric Boogaloos. It is based on the technique of quickly contracting and
relaxing the muscles to cause a jerk in the dancers body referred to as a pop or a hit
and each hit is synchronized to the rhythm and the beats of the music.
1. Popping is also used as an umbrella term to include a wide range of closely
related dances to add a varied performance. Some of these sub varieties are
strobing, liquid, animation and waving distinguished by the time of the pause used
for the movement or as in liquid, the body is smooth and fluid and does not appear
to look like popping at all.
2. Before the term hip-hop, each style of dancing created by a group had a name for
their movements and was specific to a region and a group and sometimes
-9called jazz and sometimes given a name based on the movement like slithering and
writhing or waving and sliding.
J. International competitions
J. Crews are still formed based on friendships and neighborhoods as well as theme,
gender, ethnicity and dance styles. It is not unusual for dancers to belong to
different crews in order to stay well rounded in technique and conditioning.
look like hip-hop is not true hip-hop because the genesis for it is not from the
streets.
a. Many hip-hop dancers see jazz dancers copying the moves of hip-hop without
knowledge of the meaning or the culture and only doing the steps.
-113. From a technical standpoint, hip-hop dance (new style) is characterized as hardhitting with flexibility and isolations of a certain body part independently from
others. The feet are grounded, the chest is down and the body is kept loose so that a
dance can easily alternate between hitting the beat or riding through the beat. New
style hip-hop is rhythmic and emphasis is placed on musicality and being able to
freestyle.
4. Jazz funk is another style created by the dance industry which is also called
street jazz and is a blending of hip-hop and jazz dance. In jazz funk, there are no
dance reference to ballet whereas classical jazz relies heavily upon ballet
movements.
5. Hip-hop classes and dancer wear is now offered on the traveling circuit that used
to only feature ballet, tap and jazz.
6. Lyrical hip-hop is unique in that the movements have to tell a story and is fluid
and uses inspired turns as well as popping but not the hard-hitting kind. Some hiphop dancers feel that the interpretive softer style is not hip-hop at all but others feel
that it is hip-hop but not different enough to be in its own category.
7. Hip-hop is now recognized by dancers and trainers as a form of exercise and
conditioning and is an excellent workout.
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