Académique Documents
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Culture Documents
Sousa often remarked that the old Scottish ballad Annie Laurie was the most beautiful of all folk
songs. He wrote this march around it in 1883, but in spite of several printings it was soon forgotten.
Paul E. Bierley, The Works of John Philip Sousa (Westerville, Ohio: Integrity Press, 1984), 43. Used by permission.
Editorial Notes
Throughout Sousas career as a conductor, he often altered the performance of his marches in specific ways without
marking or changing the printed music. These alterations were designed for concert performances and included varying
dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as
adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented
his performance techniques himself, several players who worked extensively with Sousa provided directions for his
frequently performed marches, most notably from cornetist Frank Simon. Many of the marches in Volume 2 of The
Complete Marches of John Philip Sousa were staples in Sousas regular concert repertoire and were included in the Encore
Books used by the Sousa Band. A complete set of his Encore Books resides in the U.S. Marine Band Library and
Archives and are referenced extensively by the Marine Band not only as a guide for some of Sousas special performance
practice, but also to ascertain the exact instrumentation he employed in his own performances of his marches.
The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known
sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts
of early publications; however, all remaining markings and the original scoring are preserved. Where instruments are
added to the original orchestration, it is guided by the additional parts Sousa sanctioned in his Encore Books where
applicable or based on these typical doublings. Additionally, the alterations traditionally employed by the United States
Marine Band in performance are incorporated throughout; either those specifically documented by Sousas musicians or
changes modeled on the customary practices of The March King.
The musical decisions included in these editions were influenced by the work of several outstanding Sousa scholars
combined with many decades of Marine Band performance tradition. These editions would not be possible without the
exceptional contributions to the study of Sousas marches by Captain Frank Byrne (USMC, ret.), Jonathan Elkus, Colonel
Timothy Foley (USMC, ret.), Loras Schissel, Dr. Patrick Warfield, and The March Kings brilliant biographer, Paul
Bierley.
Performance practices that deviate from the original printed indications are described below and appear in [brackets] in
the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked
with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before
rejoining the bass drum part.
Introduction and First Strain (m. 1-20): Sousa provides only two dynamics here, fortissimo and forte. The difference
between those dynamics can be emphasized a bit and altered every four bars as indicated along with the added
diminuendo into the beginning of the first strain both times. Percussion accents should follow those in the rest of the band.
Second Strain (m. 21-38): Although this entire strain is marked fortissimo, the accented half notes every four bars creates
two shades of dynamic here. Percussion accents have been added to emphasize the half notes in the rest of the band.
Trio, Part One (m. 39-54): Trumpets, trombones, E-flat clarinet, and piccolo are tacet for this short trio melody. In order
to preserve Sousas harmonies while creating this new texture, 2nd and 3rd clarinet parts and saxophone parts added by Gay
Corrie have been included, as they largely double the 2nd and 3rd cornet and trombone parts. Sousa himself included only a
solo triangle part in the percussion to accompany the beginning of this trio.
Trio, Part Two (m. 55-86): The popular tune Bonnie Annie Laurie is finally introduced in this extended trio by the
brass who rejoin at fortissimo. A percussion sfz is added before the D.C. and the introduction and first two strains are
played again without repeat to the Fine in m. 38.
March
Full Score
J
Flute/Piccolo & b C
J
ff
> > > >
bC
J
b
Oboe &
J
[optional]
#
J
# #
J
J J
# >
ff
J
J
J
>
#
J
# #
J
J J
# >
#J
J #J J #
ff
ff
[added by G. Corrie]
Eb Clarinet
#
j J > > > >
& C
ff
1st Bb Clarinet
C
&
J
ff
# >
J
ff
>
& C j
J
> > >
[optional]
ff
j
j
j
# n
>
ff
ff
[added by G. Corrie]
>
& C j J >
ff
j J > >
?
b
C
Bassoon b
[optional]
Bb Bass Clarinet
[optional]
[added by G. Corrie]
> >
f
ff
> >
ff
ff
[added by G. Corrie]
Eb Alto Saxophone
#
j J > > > >
& C
[optional]
[added by G. Corrie]
#j
j #j j #
# >
ff
ff
f
Bb Tenor Saxophone
& C J
[optional]
[added by G. Corrie]
#J
J #J J #
ff
ff
ff
ff
[added by G. Corrie]
Eb Cornet
March Tempo.
#
j J > > > >
C
&
[ ]
ff
#j
j #j j #
# >
ff
f
Solo Bb Cornet
>
& C j J > >
>
# >
#J
J #J J #
ff
ff
1st Bb Cornet
>
& C j J > >
>
J J J
>
J
ff
ff
2nd Bb Cornet
Solo F Horn
>
& C j J > >
>
ff
>
> > >
J
& b C j
j j j
#j
j #j j #
>
ff
# >
[originally Eb Horn]
ff
a2
j > > >
b
C
&
J
[originally Eb Horn]
>
ff
Baritone
? bC
j J > > > >
b
ff
# >
#
J
# #
J
J J
J
ff
ff
3rd Trombone
ff
Tuba
>
w
w
ff
j
j
? bC
b > >
> >
ff
a2
ff
w
ff
ff
ff
S.D.
Drums
Triangle
/ C
B.D./Cyms.
ff
> j
[>]
f
ff
11
12
13
# >
b
Flt./Picc. & b
b
& b
> j
#
J
14
15
16
17
[f ]
Oboe
Eb Clar.
#
&
J
J
J
#
J
# #
J
J J
# >
[f ]
# >
1st Clar.
&
> j
#J
J #J J #
&
j
n
# n
#
J
j
j
j
# n
# n
j
> j
# n
j
[ ff ]
# >
[f ]
n n b
J
[ ff ]
1.
[ ff ]
20
> j
[f ]
# >
19
[ ff ]
18
# >
# #
J
J J
[ ff ]
[f ]
Bass Clar.
&
[f ]
[ ff ]
Bssn.
?b
b
[f ]
Alto Sax.
#
&
# >
#j
# >
j #j j #
&
#J # n
[ ff ]
[f ]
Ten. Sax.
[ ff ]
#J
# >
J #J J #
[f ]
# n
j
[ ff ]
#
Bari. Sax.
&
[f ]
[ ff ]
1.
Eb Cor.
#
&
# >
#j
# >
j #j j #
Solo Bb Cor.
&
>
J
&
#J
J #J J #
&
# n
j
#
>
J J J
J
>
J
j j j
[ ff ]
[
Solo Hrns.
&b
# # n
[f ]
# >
j # n
#
[ ff ]
>
# n
j
[ ff ]
[f ]
2nd Bb Cor.
# >
[f ]
1st Bb Cor.
[ ff ]
[f ]
# >
#j
# >
j #j j #
nJ n b
[ ff ]
[f ]
& b
[f ]
# >
Bar.
? b
b
#
J
# >
# #
J
J J
[f ]
w
? bb w
? bb w
?b
b
Perc.
n b
n
J
> j
[>]
nw
w
w
w
[ ff ]
[ ff ]
[f ]
> j
w
[>]
>
w
[f ]
Tuba
[ ff ]
[f ]
3rd Trbn.
[ ff ]
[ ff ]
> j
[>]
[f ]
[ ff ]
> j
[>]
4
21
22
Flt./Picc. &
23
24
25
26
27
28
29
30
31
>
>
2.
>
>
>
>
>
>
>
>
>
>
>
>
>
>
ff
Oboe
& b >
>
ff
Eb Clar.
> >
# > >
&
>
ff
1st Clar.
&
>
>
#w
w
ff
&
>
>
>
>
#w
&
>
ff
Bssn.
>
ff
Bass Clar.
?b
b
>
>
>
>
>
>
>
>
>
>
>
>
>
>
ff
Alto Sax.
Ten. Sax.
>
#
>
&
> >
ff
&
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
ff
#
Bari. Sax.
&
>
>
>
>
>
>
>
>
ff
Eb Cor.
Solo Bb Cor.
# 2.
> >
& >
>
ff
>
>
&
ff
1st Bb Cor.
&
>
w
>
>
# >
>
>
>
>
>
ff
2nd Bb Cor.
&
>
ff
Solo Hrns.
&b
>
>
>
>
>
>
>
>
>
ff
& b
>
>
>
>
>
>
>
>
>
>
>
[>]
[>]
ff
Bar.
? b
b
? bb
>
ff
>
ff
3rd Trbn.
? bb
>
>
>
>
>
>
[>]
[>]
ff
Tuba
?b
b
>
>
ff
Perc.
ff [>]
[>]
33
34
35
36
37
38
1.
Flt./Picc.
bb
&
2.
39
40
bbb J J
TRIO.
Fine
- Picc.
Oboe
b
& b
bbb j J
p
Eb Clar.
#
&
[tacet]
J J
&
1st Clar.
e e e
e e J e e e
J
&
w
w
Bass Clar.
&
Bssn.
? bb
bbb
Alto Sax.
#
&
>
> >
.
.
.
.
Ten. Sax.
&
w
p
#
Bari. Sax.
&
1.
#
Eb Cor. &
2.
TRIO.
[tacet]
Fine
>
> >
j
J
p
w
Solo Bb Cor.
&
[tacet]
j J
p
[tacet]
1st Bb Cor.
&
j J
p
[tacet]
2nd Bb Cor.
&
Solo Hrns.
&b
bb
.
.
. .
& b
bb
Bar.
? b
b
? bb
bbb
p
[tacet]
w
w
bbb
p
3rd Trbn.
? bb
[tacet]
bbb w
p
Tuba
?b
b
bbb
Perc.
[>]
Triangle
6
41
42
43
44
b
Flt./Picc. & b b J
n
J
j
b
& b b
n
J
&
#
J
e e e e e e
J
e e e e e e
n
e ne e
J
n
J
Oboe
Eb Clar.
1st Clar.
Bass Clar.
& b eJ e
& b
b
&
Bssn.
Alto Sax.
Ten. Sax.
Bari. Sax.
Eb Cor.
?b
bb
&
&b w
&
&
. .
. .
& b J
1st Bb Cor.
& b J
e e e e e e
J
e e
J
.
.
.
.
n
J
bw
J
J
? b
bb
w
? bb w
b
. .
w
w
w
w
? bb w
b
. .
3rd Trbn.
?b
bb
w
w
.
.
w
w
. .
e
J
e e
J
b
& b
49
n
J
e e e e
48
e e e e
j
#
b
&b
Tuba
Solo Hrns.
Bar.
&b
2nd Bb Cor.
Solo Bb Cor.
bw
47
46
45
Perc.
51
Flt./Picc.
bb
& b
52
53
n
J
54
55
56
57
J J
+ Picc.
58
J J
ff
Oboe
b
& b b
#
J
j J
j J
ff
Eb Clar.
&
[Play]
J J
J J
ff
1st Clar.
e e
&b e e e
e e e e e e
n e
e e ne e e e
J
e e
J
& b
J n
J
J
J
J
ff
j J
J
J
ff
Bass Clar.
b
&
ff
Bssn.
?b
bb
ff
Alto Sax.
&
. .
ff
Ten. Sax.
&b
. .
ff
Bari. Sax.
&
ff
Eb Cor.
&
[Play]
j
#
j
J
j
J
ff
Solo Bb Cor.
&b
n
J
[Play]
j J
J
J
ff
1st Bb Cor.
&b
[Play]
j
ff
2nd Bb Cor.
&b
[Play]
j
ff
Solo Hrns.
b
&b
ff
b
& b
ff
Bar.
? b
bb
.
? bb
b
3rd Trbn.
? bb
b
ff
. .
a2 [Play]
J
ff
[Play]
. .
ff
Tuba
?b
bb
ff
Perc.
ff
8
59
60
61
b
Flt./Picc. & b b
n
J
b
& b b
n
J
#
J
n
J
& b
n
J
b
&
Oboe
Eb Clar.
1st Clar.
Bass Clar.
&
&b
?b
bb
63
bw
j J
j J
J J
J J
J
J
J
J
j J
J
J
Ten. Sax.
&
& b
&
&
j
#
&b
n
J
1st Bb Cor.
& b
2nd Bb Cor.
& b
b
&b
Solo Hrns.
b
& b
Bari. Sax.
Eb Cor.
Solo Bb Cor.
j
J
j
J
j J
J
J
? bb
b
? bb
b
3rd Trbn.
Perc.
? b
bb
?b
bb
Bar.
Tuba
Alto Sax.
67
66
J J
65
J J
64
Bssn.
62
12
b
Flt./Picc. & b b
69
n
J
70
>
71
72
73
74
75
76
[Flute 8va]
ff
Oboe
b
& b b
ff
Eb Clar.
&
#
J
n
J
n
J
>
ff
1st Clar.
&b
>
ff
& b
>
ff
Bass Clar.
Bssn.
b
&
?b
bb
> >
ff
> >
> >
>
>
> >
> >
> >
>
>
>
>
>
>
>
>
ff
Alto Sax.
&
>
>
> >
> b >
>
>
>
> b>
ff
Ten. Sax.
& b
>
ff
Bari. Sax.
&
> >
>
>
> >
>
ff
Eb Cor.
&
j
#
>
>
>
>
>
>
>
>
> n>
ff
Solo Bb Cor.
& b
n
>
J
ff
1st Bb Cor.
& b
>
ff
2nd Bb Cor.
& b
>
ff
Solo Hrns.
b
&b
b
& b
>
ff
> >
>
>
> >
> >
>
>
> b>
>
>
>
> >
>
> >
>
>
>
>
>
> >
> b>
>
> >
> >
> >
> >
>
>
>
>
>
> b>
ff
Bar.
? b
bb
>
ff
? bb
b
ff
3rd Trbn.
? bb
b
ff
Tuba
?b
bb
ff
Perc.
10
77
78
79
80
81
82
83
84
85
86
[loco]
b w
Flt./Picc. & b b
Oboe
b
& b b nw
> > > >
>
> >
>
>
>
>
>
> >
>
>
>
> >
>
>
nw
w
w
w
w
w
w
w
w
w
Eb Clar.
&
w
1st Clar.
&b
& b
Bass Clar.
Bssn.
Alto Sax.
#w
b
&
>
#>
?b
b b >
n>
&
Bari. Sax.
>
>
> > > >
>
> >
>
>
>
&
>
#>
&b
&
w
Ten. Sax.
>
>
>
D.C.
>
>
>
> >
> >
>
> > >
> > > >
D.C.
Eb Cor.
w
Solo Bb Cor.
1st Bb Cor.
2nd Bb Cor.
Solo Hrns.
b
&b w
Bar.
? b
bb
? bb n
b
? bb >
b
n>
n>
>
>
>
>
8
Perc.
w
w
w
w
?b
b b >
& b # #
b
& b #
Tuba
& b #
3rd Trbn.
&b
w
w
> >
>
>
> >
>
>
w
w
> > > >
>
> >
>
> > > >
ff
[>]
[sfz]
March
Flute/Piccolo
March Tempo.
#
> > > >
b
J
J
& b C J
f
ff
>
>
#
# #
7
# J
b
J
J
&b
#
J
J J
#
J
J J
[f ]
ff
>
> >
# #
15
1.
2. >
b
n n b
J
J
&b
J
[ ff ]
[
]
>
>
>
22
2
2
2
>
> >
b
&
ff
1.
34
b
&b
2.
bbb J J
TRIO. - Picc.
Fine
&b b J J
41
J
J J
b
J
J
J J
&b b
48
b
J
J
&b b J
55
+ Picc.
ff
b
&b b
62
J
J
>
b
J
J
&b b
J
J
68
[Flute 8va]
ff
[loco]
77
b w
&b b
>
J
J
D.C.
March
(1883)
JOHN PHILIP SOUSA
[added by G. Corrie]
March Tempo.
J
J
J
J
ff
> j
&b
> j
ff
J
J
J
J
[f ]
15
1.
> j j
n
J
&b
2.
> >
>
[ ff ]
22
b >
& b
>
>
>
>
>
ff
32
1.
2.
Fine
b
&b
bbb
TRIO.
39
b
j
&b b J
j
J
Jn w
p
46
b
&b b w
j J
j J
53
j J j J
b
& b b j
ff
60
b
& b b J n
j J
bw
j J
67
b
& b b J j
ff
77
D.C.
b
& b b nw
March
Eb Clarinet
JOHN PHILIP SOUSA
March Tempo.
#C
&
# #
J J
J J
ff
>
# >
#
#
# J J # J J
J
J
&
[f ]
ff
1.
2.
>
# >
# # n > >
#
J
J
&
J
[ ff ]
[
]
>
>
22
2
2
2
>
> >
#
>
&
15
ff
33
#
&
1.
2.
Fine
TRIO. [tacet]
n J
J
& J
41
48
&
J
J J
& J
55
[Play]
J
J J
#
J
J J
ff
J J
&
61
# J >
J
&
68
ff
w
77
&
>
J
J
D.C.
March
1st Bb Clarinet
JOHN PHILIP SOUSA
March Tempo.
# # #
# #
&
J
J
J
J
J
J
[f ]
ff
15
>
1.
# n 2. > > >
# # j
&
#
J
J
[ ff ]
[
]
>
>
22
>
>
> >
&
w
w
w
w
ff
1.
2.
w
31
Fine
& #w
w
TRIO.
e e e e e e e e e e e e e e e e e e e e e
e e J
&b
J e J
J
51
n e e e e e e e
J
J
J
& b e e e e e e e eJ ne e
ff
57
n
J
J
&b J
n
J
J
J
J
&b J
69
w
>
w
J
&
63
ff
78
&b
>
J
D.C.
March
March Tempo.
>
& C j J > >
>
J
J
J
J
f
ff
7
&
>
J
>
J
J
J
[f ]
ff
14
&
J
J
1.
# n
> j
#
J
J
[ ff ]
21
2.
>
>
ff
>
& #w
Fine
2.
>
>
1.
31
39 TRIO.
&b
n
J
p
45
&b
51
b
&
n J
J
j J
ff
57
& b J J
n
J
63
j
& b J
J
J
J n
69
>
b
J
&
#w
ff
D.C.
J
&
78
>
J
March
3rd Bb Clarinet
March Tempo.
j j j j
>
& C j J > >
>
f
ff
7
&
> j
> j
j
j
[f ]
ff
14
1.
> j j #j # n
j
j
&
[ ff ]
21
2.
>
w
ff
>
>
30
Fine
2.
> > >
b
1.
>
>
&
#w
39 TRIO.
&b
p
45
&b
51
&b
n J
J
j J
ff
57
& b J J
n
J
63
j
& b J
J
J
J n
69
>
b
J
&
#w
ff
D.C.
J
&
78
>
J
March
(1883)
March Tempo.
>
& C j J > >
>
ff
&
[f ]
ff
15
1.
&
2.
[ ff ]
22
&
>
ff
>
>
>
>
>
31
1.
&
Fine
2.
39 TRIO.
&b
47
&b
55
&b
ff
63
&b
>
>
>
71
> > > > n> > > b > > #>
>
>
79
D.C.
&b
> n
> > > > > > > > > > > > > > >
March
March Tempo.
ff
?b
b
[f ]
ff
1.
2.
15
? bb
[ ff ]
22
? b
b >
>
ff
> >
1.
2.
> >
Fine
31
? bb
bbb
TRIO.
39
? bb
b
p
47
? bb
b
55
?b
bb
ff
63
?b
bb
71
>
>
>
>
n b n
> > > > > > > > >
>
> > > > > > > n
? bb > >
b>
> > > > >
79
>
>
D.C.
March
March Tempo.
#C
&
#j j #j j
ff
f
7
& #
>
>
j
j
#
ff
[f ]
14
#
j
j
& # #
>
#J
[ ff ]
>
20
# 1. # n 2.
> >
&
> >
ff
[
]
>
>
>
27
#
w
&
>
>
35
TRIO.
1.
#
&
Fine
2.
>
> >
. w
.
.
. . .
p
43
&
. w
.
.
53
&
J
. . .
ff
62
&
>
ff
71
&
80
D.C.
& J
March
(1883)
[optional][added by G. Corrie]
March Tempo.
#J J #J J
ff
&
#
J
J
[f ]
ff
14
# #
&
J
J
>
J
j
#
[ ff ]
20
1.
# n 2.
&
[
>
>
>
>
ff
28
>
&
>
36
TRIO.
1.
&
Fine
2.
b w
. . .
. w
.
.
p
44
& b n
. w
.
.
. . .
53
j
& b
ff
61
&b w
70
>
&b
ff
D.C.
79
&b
March
(1883)
[optional] [added by G. Corrie]
March Tempo.
#C
&
ff
#
&
[f ]
ff
15
1.
2.
#
&
[ ff ]
22
#
& >
>
ff
> >
> >
31
1.
#
&
Fine
2.
39 TRIO.
&
p
47
&
55
&
ff
63
&
71
>
>
>
>
# n #
> > > > > > > > >
>
>
79
> >
>
> > > > > > > #
& >
> > > > >
D.C.
March
(1883)
March Tempo.
#C
&
j
j
j
j
j J > > > >
[ e e e ] # #
ff
f
7
& #
>
>
j
j
#
ff
[f ]
14
1.
# j j # > j
# n
#
#
&
j
#
[ ff ]
[
21
> >
# 2.
>
& >
>
ff
> >
> >
TRIO.
34
1.
2.
[tacet]
Fine
#
&
>
> >
j
J
p
41
& j J
j
#
47
& j
52
[Play]
j
& # J
J
ff
58
&
j
#
64
&
j
# J
70
& >
ff
79
D.C.
&
March
(1883)
March Tempo.
>
& C j J > >
>
[
]
ff
7
>
>
# # #
&
J
J
#J J #J J
f
# #
J J
J J
[f ]
ff
>
1.
# n 2. > > >
# # j
&
#
J
J
15
[ ff ]
> >
&
22
> >
> >
ff
31
Fine
2.
>
>
>
1.
# w
&
39 TRIO.
[tacet]
j
b
& J
J
J
n
J
p
45
&b
j J
J
J
51
&
J
[Play]
j
J
ff
57
& b J J
n
J
63
j
& b J
J
J
69
>
b
&
J n
ff
78
&b
J
J
D.C.
March
(1883)
1st Bb Cornet
March Tempo.
>
& C j J > > J J J J
>
f
[
]
ff
7
>
J
&
>
J
J
J
[f ]
ff
14
& J J
>
J
>
J
j
#
>
>
[ ff ]
20
1.
&
[
>
ff
28
TRIO.
36
1.
&
Fine
2.
[tacet]
b j J
J
J
p
42
&b
n
J
j J
bw
49
& b J J
[Play]
ff
55
& b
63
& b
>
ff
71
#
&b
78
D.C.
w
&b
March
2nd Bb Cornet
(1883)
March Tempo.
j
j
j
j
>
& C j J > >
>
f
[
]
ff
7
>
>
j
j
&
[f ]
ff
14
j
j
&
#
[ ff ]
20
1.
2.
>
>
ff
>
28
&
>
>
TRIO.
36
1.
Fine
2.
[tacet]
&
p
42
&b
49
&b
[Play]
ff
55
& b
63
& b
>
ff
71
& b #
78
D.C.
& b # nw
# n
March
[originally Eb Horn]
March Tempo.
& b #
>
>
#j j
ff
[f ]
14
1.
>
j
j
j
j
n n b
& b # # #
J
[ ff ]
21
2.
&b
1.
2.
ff
31
&b
Fine
bb
TRIO.
39
b
&b
p
47
b
&b
55
b
&b
ff
63
b
&b
70
b
&b
>
ff
D.C.
79
b
&b
March
[originally Eb Horn]
March Tempo.
& J
ff
&b
[f ]
ff
16
1.
& b n
2.
> >
[ ff ]
ff
24
>
&b
>
>
#
>
32
1.
2.
&b
Fine
bb
TRIO.
39
b
& b n
p
47
b
&b
55
b
& b n
ff
63
b
&b
71
b
&b
ff
D.C.
78
b
&b w
March
[originally Eb Horn]
March Tempo.
&b
[f ]
ff
16
1.
&b
2.
[ ff ]
>
>
ff
24
&b
>
>
>
>
32
1.
2.
&b
Fine
bb
TRIO.
39
b
&b
p
47
b
&b
55
b
&b
ff
63
b
&b
71
b
&b
ff
D.C.
78
b
& b # w
March
March Tempo.
# #
J J
J J
>
>
# # # # #
7
?b
J J
J J
J
J
b
[f ]
ff
>
1. n b
2.
# #
15
? bb
n
J
J
J
[
[ ff ]
? b >
b
22
>
>
>
ff
30
? bb > >
2.
1.
Fine
bbb
TRIO.
? bb
39
? bb
b
47
54
? b
bb
J
ff
63
? b
bb
>
ff
>
n
b n
? bb > >
b
>
> > > > > > > > > > >
D.C.
79
? bb
b
72
March
March Tempo.
#J J #J J
>
& C j J > >
>
f
ff
>
>
# # #
&
J
J
[f ]
ff
# >
15
# #
J
J
J
J
&
1.
# n 2.
j
#
J
[
[ ff ]
22
>
&
>
>
>
ff
30
1.
2. Fine
b
39 TRIO.
&b
p
47
&b
54
j
& b
ff
63
& b
>
ff
72
#
& >
>
> >
79
D.C.
> > > > > > > >
>
n
&b
> > > > > > >
This Edition in the Public Domain - 2016
As played by The Presidents Own United States Marine Band
March
ff
>
w
[f ]
ff
15
? bb
>
w
1.
2.
nw
> >
?b
b
32
? bb
1.
> >
ff
> >
[ ff ]
24
?b
b
Fine
2.
bbb
TRIO.
[tacet]
. . .
39
? bb w
b
. . .
. . .
47
? bb w
b
. . .
[Play]
J
ff
55
? b
bb
63
? b
bb
? bb n
b
71
ff
D.C.
78
? bb
b
n w
March
(1883)
JOHN PHILIP SOUSA
March Tempo.
ff
>
?b w
b
[f ]
ff
>
w
15
1.
2.
? bb
> >
[ ff ]
ff
? b > >
b
24
> >
Fine
bbb
1.
? bb
2.
32
TRIO.
[tacet]
39
. . .
? bb w
b
. . .
. . .
p
[Play]
47
. . . w
? bb w
b
J
ff
55
? b
bb
63
? b
bb
71
? bb
b
ff
D.C.
78
? bb w
b
# n
March
(1883)
JOHN PHILIP SOUSA
March Tempo.
ff
?b
b
1.
? bb
[f ]
ff
15
2.
[ ff ]
22
? b >
b
>
>
>
>
>
ff
1.
31
? bb
2.
Fine
bbb
TRIO.
39
. .
.
[tacet]
. . .
? bb w
b
47
. . . w
? bb w
b
. .
[Play]
ff
55
? b
bb
63
? b
bb
>
ff
71
>
>
>
> > > > > > > > > n>
n b
79
>
>
D.C.
March
Tuba
(1883)
March Tempo.
? bbC j j
> > > >
ff
7
?b
b
[f ]
ff
1.
2.
15
?b
[ ff ]
22
? bb
> >
ff
> >
1.
2.
> >
Fine
31
? bb
bbb
TRIO.
39
? bb
b
p
47
? bb
b
55
? bb
b
ff
63
? bb
b
71
? bb
b
> > > >
ff
79
? bb > >
b>
>
>
>
>
>
n b n
> > > > > > > > >
>
>
D.C.
>
n
> > > > > > > > > > >
March
(1883)
March Tempo.
S.D.
/C
B.D./Cyms.
> j
[>]
f
ff
ff
> j
11
/
[>]
> j
[>]
> j
[>]
[f ]
[ ff ]
>
j
1.
19
/
[>]
31
[>]
ff [>] [>]
2.
[>]
[>]
1.
Fine
2.
[>]
[>]
TRIO.
Triangle
39
47
Drums
55
12
ff
67
15
79
ff
[>]
[sfz]
D.C.