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003
memory, and
work.
... to suggest during a trance the appearance of a secondary personage
with a certain temperament and that secondary personage will usually
give itself a name. One has therefore to be on ones guard in this matter
against confounding naturally double persons and persons who are simply
temporarily endowed with the belief that they must play the part of being
double.
Prince, 1890 (William James comments upon Morton Princes paper)
After all,
dissociated
woman,
not so
Morton Prince, 28
It
was
wrote
the first
fully
case
Paper
of
multiple
personality (The
other
cases
unity under the multiplicity. Starting with almost exactly the same suppositions
as Ribot, he concludes that there must be a transcendental ego. Who is right,
Ribot or Braude? One possibility is that one of the two men is right. The other
are wrong, no conclusions about the self can be derived from the
of
phenomena multiple personality. I take the latter view.
is that both
because the paper she and Dr Cornelia Wilbur had prepared for that purpose
had been turned down on several occasions. Flora knew I was doing research
on the language of the mentally ill at the New York State Psychiatric
Institute. With this in mind, she handed me a bag of cassette tape recordings
that she described as good material for you to do a study on. I remember
having played one or two of the tapes to test the amount of background noise
that was present in the recordings and abandoned the project because the
tapes were too noisy. Our study had to do with pause time and phonation
time in the dialogue of conversation. I believe Floras motivation in giving
me the tapes was to obtain scientific publication in a good journal in order to
support the legitimacy of the Sybil case. I stashed away the tapes in one of
my desk drawers for many years and believe I must have thrown a number of
the tapes out because they were out of their cassette box and I assumed they
were not worth keeping for re-use.
At any rate, I had completely forgotten about the tapes until the spring of
1997 when Dr Herbert Spiegel, a colleague of mine, was discussing an
interview which was conducted with him about the Sybil case (New York
Review of Books, article by Borch-Jacobsen 1997). It was during that occasion
I remembered that I probably had some tapes Flora had given me concerning
the Sybil case. A search through my office desk drawers revealed two onehour tapes consisting of a dialogue between Wilbur and Schreiber regarding
the writing of their book. After having recently listened to the recordings for
the very first time, I was shocked to hear how much important information
was contained therein that would help us understand the real story behind
Sybil
as a
multiple personality.
personalities
are
said
to
be free
to come
forth,
no matter
who
The original cassette tape recordings and complete transcripts of the protocol of these
recordings will eventually be deposited in the Oskar Diethelm Library for the History of Psychiatry,
Department of Psychiatry, New York Hospital-Cornell University Medical College.
the body. Wilbur states, Then she [Sybil] went on, uh, and told me
about Peggy Lou and Peggy Ann. And then I said to her ... I wanted all of
them to feel free to come during the appointment hours, no matter who was
using the body. I wanted all of them to feel free to come. Wilbur then
indicates she will tell Sylvia that she was a multiple personality.
uses
...
Inventing the primal scene, the grand illusion of an explanatory principle, and
making the punishment fit the crime in the book
The Freudian idea of the primal sexual scene and sexual abuse are obviously
topics that will make any book both sensational and sexy. In keeping with
these themes, Dr Cornelia Wilbur states, And this business of the primal
scene. And being forced to sleep in the same bedroom with her fucking
parents. And I mean they were... is a very large thing you see. And this thing
you see, that constantly drove Mary to want to have her own house. Flora
Schreiber replies, Connie ... Did Mary carry the burden of the primal
scene? I thought it was Peggy who did.
At this point, Wilbur begins to discuss the story in the first chapter of the
book. Here she brings up the details of the primal scene, during which Sybil
is only a few years old. Assuming literary license, Flora elaborates by
remembering for Sybil as she would imagine it to be. Wilbur explains, They
screwed in front of her. She could see because her crib was here, the window
was there, and the streetlight was right outside. She could see her father
having an erection and putting it in her mothers vagina ... Did you know
3.
that?
4.
there is
madness in
topic of conversation. Wilbur says that she heard Franz Alexander allowed
himself to get personally involved with his patients in order that he might
help them. Wilbur states, So because I became involved enough ... in the
multiple personalities so that when trouble arose, I, there wasnt anybody
else had to go to bat for her. She had no family. And if anybody was going to
keep track of her, I had to. Well, now this, according to the formalist, in
psychoanalysis, is stepping outside. But I leamt this trick from a very, very
fine source. I learned it from Franz Alexander. And uh, uh, the reason was,
because I respected these people a great deal.
Schreiber replied, Had you worked with them? Wilbur answered, No, I
had not. But I knew a great deal about their work and knew that, uh, they
were not beyond experimenting in terms of their relationship with patients.
Manufacturing Sybils memories
One must remember that memories, especially in DID
5.
...
...
...
...
...
these other
was a
sure ... there is a connection between you and these other states. And you
need to find that connection ... to build a bridge between you and these
other states.
Sybil becomes confused about her personalities, especially whether they are
aware of each other
At this point it is important for Schreiber and Wilbur to work out who is who
in the line-up of multiple personalities. Wilbur begins the discussion by
mentioning the following: She [Sybil] said, I can explain it to you but it is
very difficult. She said, here on this side is Sylvia. And here on this side is
me, Peggy and, I guess, some others. Wilbur goes on to say, See, I knew
about Peggy and Vicky at this point but I didnt know much about the
others. And she said, that there isnt any connection between us at all
Except way underneath ... And she stuck her hand under her leg like this.
Yep. She said, except way underneath. And she said, there isnt really a
connection, theres just a possibility of a connection ... Well, Ive thought
about this many, many times. And I think that what she was trying to say,
was that, if you consider all the altered states of consciousness, say in layers
that up here ... There isnt any real connection between Sylvia, and us.
But way down deep, there is a connection.
7.
...
...
We
...
9. The amnesia wears off and Sybil admits to her false confession
It is typical for hysterics as well as some Dissociative Identity Disorder
individuals to have an amnesia effect and then for it to wear off, thus making
them look as if they are inconsistent in their understanding of what happened
to them. Sybil gives us a beautiful illustration of the amnesia effect. For
example, Flora Schreiber states, And there is one thing you mustnt forget
is Sylvias fantastic letter ... In which Sylvia said it was all a hoax. You
...
10
know, that she never was a multiple personality. And, her mother
good to her, and everything. It was a total denial.
was
very
10.
11
persist until
we cease to
be proud
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