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CHAPTER 1
INTRODUCTION
Biomimetic architecture
CHAPTER - 2
LITERATURE REVIEW
Architectural narratives mainly stress on functional and aesthetic qualities of space but
in reality architecture is the physical manifestation of the existential sphere of life.While in
space, the users sense of self merges with the space through multisensory experiences.This
feeling of oneness with the space is also the essence of stainability.In this way the spatial
features that stimulate the senses of user forms an inherent part of sustainable
development.This paper stresses the fact that sustainability is not only about constructing low
impact efficient design but also about keeping them in existence and maintaining them over
long period of ti,me and without the passive benefits to the users and their associated
attachment people rarely feel obligated or responsible to da so.Technological interventions can
bring best results only when the user has sensory interaction with the built environment.This
approach to sustainable design is best reflected by incorporating biophilic traits in design
practice. This paper also explores biophilic architecture as interpreted by different human
senses as a tool to achieve sustainable environment by looking into residential township in
Haryana,India and aims to establish this approach as a cost-effective and easily incorporable
tool to bring sustainability into peoples life.
Biological organisms refined and developed by natural selection over a billion year research
and development period can be seen as embodying technologies, functions, and systems that
are solutions to the problem of surviving in nature. These problems are often equivalent to
those encountered by humans as we seek new ways to design and live sustainably, and in many
cases have solved the same problems with a far greater economy of means. This paper aims at
revealing how radical increase in resource efficiency can be achieved by looking to the nature
for inspiration. Exploring the application of Biomimicry in current architectural design,
resulting in a set of design approaches, levels and principles. The paper also discuss about the
architects work inspired by nature.
Biomimetic architecture
CHAPTER 1
INTRODUCTION
Biomimetics is the term used to describe substance equipment mechanism systems which
humans imitate natural systems and designs.Biomimicry originates from two Greek
words:bios life,mimises imitate.
Biomimicry from bios, meaning life, and mimesis, meaning to imitate is a new
disciplinethat studies nature's best ideas and then imitates these designs and processes to
solve humanproblems. Studying a leaf to invent a better solar cell is an example, it as
"innovation inspired bynature." The core idea is that nature, imaginative by necessity, has
already solvedmany of theproblems grappling with. Animals, plants, andmicrobes are the
consummate engineers. Theyhave found whatworks, what is appropriate, and most
important, what lasts here onEarth. Thisis the real news of Biomimicry: After 3.8 billion
years ofresearch and development, failures arefossils, and what surrounds us isthe secret to
survival. Biomimicry is a new science that studiesnaturesmodels and then emulates these
forms, process, systems,andstrategiestosolve humanproblems sustainably. Biomimicry
uses an ecological standard to judge the sustainability of ourinnovations. After many years
of evolution, nature has learned what works and what lasts.
Biomimicry is a new way of viewing and valuing nature. It introduces an era based not on
what we can extract from the natural world, but what we can learn from it.
Chapter 2
EVOLUTION
2.1 The term biomimicry appeared as early as 1982 and was popularized by scientist and
author Janine Benyus in her 1997 book Biomimicry: Innovation Inspired by Nature.
Biomimetic architecture
Biomimicry is defined in her book as a "new science that studies nature's models and then
imitates or takes inspiration from these designs and processes to solve human problems".
Benyus suggests looking to Nature as a "Model, Measure, and Mentor" and emphasizes
sustainability as an objective of biomimicry. But critics and philosophers since ancient Greece
have looked to natural organisms as offering perfect models of that harmonious balance and
proportion between the parts of a design which is synonymous with the classical ideal of
beauty. The qualities of wholeness, of integrity, of a unity in structure such that the parts all
contribute to the effect or purpose of the whole, and no part may be removed without some
damage to the whole these are central concepts in the aesthetics and in the natural history of
Aristotle, and are characteristics in the Aristotelian view both of living beings and of the best
works of art. Architects and designers have looked to biology for inspiration since the
beginnings of the science in the early nineteenth century. They have sought not just to imitate
the forms of plants and animals, but to find methods in design analogous to the processes of
growth and evolution in nature. Biological ideas are prominent in the writings of many modern
architects, of whom Le Corbusier and Frank Lloyd Wright are just the most famous. Le
Corbusier declared biology to be the great new word in architecture and planning.
The trouble with biological analogy in architecture in the past is that much of it has been of a
superficial picture-book sort: artistic photos of the wonders of nature through a microscope,
juxtaposed with buildings or the products of industrial design. But analogy at a deeper level
can be a most fundamental source of understanding and of scientific insight, as many writers
on that subject have pointed out. Although there is much that is completely new in recent
biological developments in the practice and theory of design, this work does nevertheless
often tend to echo or reinterpret ideas in the earlier history of biological analogy.
Biomimetic architecture
2.2 TRANSITIONS
There is a clear transition from nature to the present innovations.one such example is
the Flight of a bird inspired from that the first flying machine of Leonardo Davanci ,wright
brothers first prototype to the modern aeroplanes.
The cris cross arrangements of the straws in a birds nest was the inspiration of roofs of ancient
kacha houses and tents of the tribals.
Chapter 3
APPROACHES TO BIOMIMICRY
Approaches to biomimicry as a design process typically fall into two categories: Defining a
human need or design problem and looking to the ways other organisms or ecosystems solve
this, termed here design looking to biology, or identifying a particular characteristic, behaviour
Biomimetic architecture
or function in an organism or ecosystem and translating that into human designs, referred to as
biology influencing design (Biomimicry Guild, 2007).
There are two approaches to biomimetic design:
DESIGN to BIOLOGY
BIOLOGY to DESIGN
The approach where designers look to the living world for solutions, requires designers to
identify problems and biologists to then match these to organisms that have solved similar
issues. This approach is effectively led by designers identifying initial goals and parameters for
the design.
The Bionic Car (fig. 1) illustrates the point. It is more efficient in terms of fuel use because the
body is more aerodynamic due to the mimicking of the box fish. It is also more materials
efficient due to the mimicking of tree growth patterns to identify the minimum amount of
material need in the structure of the car. The car
itself is however not a new approach to transport. Instead, small improvements have been made
to existing technology without a re-examination of the idea of the car itself as an answer to
personal transport.
Designers are able to research potential biomimetic solutions without an in depth scientific
understanding or even collaboration with a biologist or ecologist if they are able to observe
organisms or ecosystems or are able to access available biological research. With a limited
scientific understanding however, translation of
such biological knowledge to a human design setting has the potential to remain at a shallow
level. It is for example easy to mimic forms and certain mechanical aspects of organisms but
difficult to mimic other aspects such as chemical processes without scientific collaboration.
Biomimetic architecture
Despite these disadvantages, such an approach might be a way to begin transitioning the built
environment from an unsustainable to efficient to effective paradigm (McDonough, 2002).
Leading thinkers on regenerative design such as William Reed and Ray Cole argue however
that a shift from a built environment
that ultimately is degenerating ecosystems to one which regenerates capacity for ecosystems to
thrive and restore local environments will not be a gradual process of improvements but will in
fact require a fundamental rethinking of how architectural design is approached (Reed, 2006,
Cole et al., 2007).
When biological knowledge influences human design, the collaborative design process is
initially dependant on people having knowledge of relevant biological or ecological research
rather than on determined human design problems. An example is the scientific analysis of the
lotus flower emerging clean from swampy
waters, which led to many design innovations as detailed by Baumeister (2007a), including
Stos Lotusan paint which enables buildings to be self cleaning.
Fig.4:Biology to Design
Biomimetic architecture
Although Hawken (2007) points out that humans as a species have been around for longer than
the oldest living forest and are undoubtedly a learning and adaptable species, similarities
between human design solutions and tactics used by other species, have a surprisingly small
overlap considering they exist in the
same context and with the same available resources (Vincent et al., 2006, Vogel, 1998). An
advantage of this approach therefore is that biology may influence humans in ways that might
be outside a predetermined design problem, resulting in previously unthought-of technologies
or systems oreven approaches to design
solutions. The potential for true shifts in the way humans design and what is focused on as a
solution to a problem, exists with such an approach to biomimetic design. (Vincent et al.,
2005).
A disadvantage from a design point of view with this approach is that biological research must
be conducted and then identified as relevant to a design context. Biologists and ecologists must
therefore be able to recognise the potential of their research in the creation of novel
applications.
Biomimetic architecture
Chapter 4
PRINCIPLES OF BIOMIMICRY
Biomimetic architecture
the swift moving fog that moves over the desert by tilting its body into the wind. Droplets form
on the alternating hydrophilic hydrophobic rough surface of the beetles back and wings and
roll down into its mouth (Parker and Lawrence, 2001). Matthew Parkes of KSS Architects
demonstrates process biomimicry at the organism level inspired by the beetle, with his
proposed fog-catcher design for the Hydrological Center for the University of
Namibia (Killeen, 2002). Ravilious (2007) and Knight (2001) discuss a more specific material
biomimicry at the organism level, where the surface of the beetle has been studied and
mimicked to be used for other potential applications such as to clear fog from airport runways
and improve dehumidification
equipment for example.
Nicholas Grimshaw & Partners' design for the Waterloo International Terminal demonstrates
an example of form and process biomimicry at the organism level. The terminal needed to be
able to respond to changes in air pressure as trains enter and depart the terminal. The glass
panel fixings that make up the
structure mimic the flexible scale arrangement of the Pangolin so they are able to move in
response to the imposed air pressure forces (Aldersey-Williams, 2003).
Mimicking an organism alone however without also mimicking how it is able to participate in
and contribute to the larger context of the ecosystem it is in, has the potential to produce
designs that remain conventional or even below average in terms of environmental impact
(Reap et al., 2005). Because mimicking of
organisms tends to be of a specific feature, rather than a whole system, the potential also
remains that biomimicry becomes technology that is added onto buildings rather than being
integral to them, particularly if designers have little biological knowledge and no not
collaborate with biologists or ecologists during the early design stages. While this method may
result in new and innovative building technologies or materials, methods to increase
sustainability are not necessarily explored.
A great number of organisms encounter the same environmental conditions that humans do and
need to solve similar issues that humans face. As discussed, these organisms tend to operate
within environmental carrying capacity of a specific place and within limits of energy and
material availability. These limits as well as
pressures that create ecological niche adaptations in ecosystems mean not only well-adapted
organisms continue to evolve, but also well-adapted organism behaviours and relationship
patterns between organisms or species (Reap et al., 2005).
Organisms that are able to directly or indirectly control the flow of resources to other species
and who may cause changes in biotic or abiotic (non living) materials or systems and therefore
habitats are called ecosystem engineers (Jones and Lawton, 1995, Rosemond and Anderson,
2003). Ecosystem engineers alter habitat either through their own structure (such as coral) or
by mechanical or other means (such as beavers and woodpeckers). Humans are undoubtedly
effective ecosystem engineers, but may gain valuable insights by looking at how other species
are able to change their environments while creating more capacity for life in that system.
Several authors provide examples and details of organisms altering their own habitats while
facilitating the presence of other species, increasing nutrient cycling and creating mutually
beneficial relationships between species. The building behaviour of other species is often
termed animal architecture(von Frisch and von Frisch, 1974, Hansell, 2005) and may provide
further examples of such ecosystem engineers.
The example of the North American beaver (castor canadensisdemonstrates how through its
altering of the landscape, wetlands are created and nutrient retention and plant and animal
diversity is increased, helping in part to make the ecosystem more resilient to disturbance
(Rosemond and Anderson,
2003).
Biomimetic architecture
In behaviour level biomimicry, it is not the organism itself that is mimicked, but its behaviour.
It may be possible to mimic the relationships between organisms or species in a similar way.
An architectural example of process and function biomimicry at the behaviour level is
demonstrated by Mick Pearces Eastgate
Building in Harare, Zimbabwe and the CH2 Building in Melbourne, Australia (fig.6). Both
buildings are based in part on techniques of passive ventilation and temperature regulation
observed in termite mounds, in order to create a thermally stable interior environment. Water
which is mined (and cleaned) from the sewers
beneath the CH2 Building is used in a similar manner to how certain termite species will use
the proximity of aquifer water as an evaporative cooling mechanism.
Behaviour level mimicry requires ethical decisions to be made about the suitability of what is
being mimicked for the human context. Not all organisms exhibit behaviours that are suitable
for humans to mimic and the danger exists that models of consumption or exploitation could be
justified on the basis of how another species behaves.
Biomimetic architecture
For example, mimicking the building behaviour (and outcome of that) of termites might be
appropriate for the creation of passively regulated thermally comfortable buildings. Mimicking
the social structure of termite colonies would not be suitable however if universal human rights
are valued. It may be more appropriate to mimic specific building and survival behaviours that
will increase the sustainability and regenerative capacity of human built environments rather
than mimicking that could be applied to social or economic spheres without careful
consideration. It may be more appropriate to mimic whole systems rather than single
organisms in this regard. An example is Benyus (1997) assertion that we should do business
like a redwood forest.
The project uses estimations of how the ecosystem that existed on the site before development
functioned, termed by them Predevelopment Metrics to set goals for the ecological
performance of the project over a long time period.
An advantage of designing at this level of biomimicry is that it can be used in conjunction with
other levels of biomimicry (organism and behaviour). It is also possible to incorporate existing
established sustainable building methods that are not specifically biomimetic such as interfaced
or bio-assisted systems, where human and non-human systems are merged to the mutual
benefit of both. An example is John and Nancy Todds Living or Eco Machines where the
process of waste water treatment in ecosystems is mimicked and also integrated with plants
(Todd, 2004, Todd and Josephson, 1996). The Australian developed Biolytix system mimics
soil based decomposition to treat grey and black water and again integrates actual worms and
soil microbes into the process (Allen, 2005, Baumeister, 2007a).
A further advantage of an ecosystem based biomimetic design approach is that it is applicable
to a range of temporal and spatial scales (Reap et al., 2005) and can serve as an initial
benchmark or goal for what constitutes truly sustainable or even regenerative design for a
specific place as demonstrated by the LloydCrossing Project .
Fig.9
Biomimetic architecture
The most important advantage of such an approach to biomimetic design however may be the
potential positive effects on overall environmental performance. Ecosystem based biomimicry
can operate at both a metaphoric level and at a practical functional level. At a metaphoric level,
general ecosystem principles
(based on how most ecosystems work) are able to be applied by designers with little specific
ecological knowledge. Several authors have offered such general principles (Benyus, 1997,
McDonough and Braungart, 2002, de Groot et al., 2002). A set of ecosystem principles derived
from comparing these cross disciplinary
understandings of how ecosystems function is detailed by Pedersen Zari and Storey (2007). If
the built environment was designed to be a system and was expected to behave like an
ecosystem even if only at the level of metaphor, the environmental performance of the built
environment may increase (Korhonen, 2001). On a functional level, ecosystem mimicry could
mean that an in-depth understanding of ecology drives the design of a built environment that is
able to participate in the major biogeochemical material cycles of the
planet (hydrological, carbon, nitrogen etc) in a reinforcing rather than damaging way (Charest,
2007). That a greater understanding of ecology and systems design is required on the part of
the design team is implicit.Also required would be increased collaboration between disciplines
that traditionally seldom work together such as architecture, biology and ecology. Such an
approach challenges conventional architectural design thinking, particularly the typical
boundaries of a building site and time scales a design may operate in.
Chapter 5
BIOMIMICRY TO INCREASE SUSTAINABILITY
Biomimetic architecture
One of the earliest examples of Biomimicry was the study of birds which enabled humans to
gain the technology of flight. Though, it could be argued that our ancestors mimicked the
techniques of the animals around them to become more successful hunters or gatherers, or to
create better shelter. Sustainable development is moving to a new level where buildings are
integral to nature, supporting natures work rather than interfering with life-sustaining
ecosystems. Nature has been
offering immense ideas and inspirations to designers for creating architecture.
Venus flower Basket sponge sits in an underwater environment with strong water currents and
its lattice like exoskeleton and round shape help disperse those stresses on the organism.
Architect Norman Foster inspired by this Venus flower designed Gherkin tower which has
hexagonal skin.
Biomimetic architecture
From an architectural point of view it is an exciting to watch the construction of amazing new
stadium like the Birds Nest (Fig.4) and water cube. These buildings are not only energy
efficient and eco-friendly but also inspired by the nature. The Watercubes architectural design
is based on water bubbles in foam, this structure is derived from principles of geometry and
crystaline systems. The buildings structure is framed in steel, while the bubbles themselves are
made from Ethylene tetrafluoroethylene pillows. The membrane lets in more light and heat
than traditional glass does, which keeps all 5 pools warmer, thus reducing energy costs by
30%.Rainwater from the roof is collected and recycled with efficient filtration and backwash
systems.
Biomimetic architecture
Chapter 6
Biomimetic architecture
A CASE STUDY
Termites in Zimbabwe build gigantic mounds inside of which they farm a fungus that
is their primary food source. The fungus must be kept at exactly 87 degrees F, while the
temperatures outside range from 35 degrees F at night to 104 degrees F during the day. The
termites achieve this remarkable feat by constantly opening and closing a series of heating and
cooling vents throughout the mound over the course of the day. With a system of carefully
adjusted convection currents, air is sucked in at the lower part of the mound, down into
enclosures with muddy walls, and up through a channel to the peak of the termite mound. The
industrious termites constantly dig new vents and plug up old ones in order to regulate the
temperature.The Eastgate Centre, largely made of concrete, has a ventilation system which
operates in similar way. Outside air that is drawn in is either warmed or cooled by the building
mass depending on which is hotter, the building concrete or the air. It is then vented into the
buildings floors and offices before exiting via chimneys at the top.The complex also consists of
two buildings side by side that are separated by an open space that is covered by glass and open
to the local breezes.
Fig.14:Termite structure
Biomimetic architecture
Air is continuously drawn from this open space by fans on the first floor. It is then pushed up
vertical supply sections of ducts that are located in the central spine of each of the two
buildings.The fresh air replaces stale air that rises and exits through exhaust ports in the ceilings
of each floor. Ultimately it enters the exhaust section of the vertical ducts before it is flushed out
of the building through chimneys.The Eastgate Centre uses less than 10% of the energy of a
conventional building its size. These efficiencies translate directly to the bottom line: Eastgates
owners have saved $3.5 million alone because of an air-conditioning system that did not have to
be implemented.Outside of being eco-efficient and better for the environment, these saving also
trickle down to the tenants whose rents are 20 percent lower than those of occupants in the
surrounding building
CHAPTER 7
CONCLUSION
These kind of nature inspired projects are allowing architects and designers to develop eco-
performance principles that can be used by industry professionals worldwide .In fact, under
Biomimetic architecture
this new order of sustainability, buildings , outdoor art and other manmade structures would
function like trees, meadows, flora and fauna,capturing, cleaning and storing rainwater;
converting sunlight to energy and carbon dioxide to oxygen; protecting soil from erosion;
disseminating seedlings; and eliminating waste. There is need for future young Architects and
designers to Create bio-inspired design adaptations that emulate natures best ideas, so that all
futuristic buildings will be sustainable.
REFERENCES
www.wikipidiea.com
Slideshare
Indian concrete journals
Biomimetic architecture