EVENTS AT THE UNIVERSITY OF BRISTOL SPRING/SUMMER 2017

Public events and

performances from Music,
Film, Theatre, Faculty of Arts,
University of Bristol.
Welcome
On behalf of the Departments of Music, Film and Theatre, its
my pleasure to introduce this Spring-Summer season of public
events at the University of Bristol. Within these pages youll find
an exciting programme of performances and research events
across Theatre, Film and Music, many of which involve our
talented students, staff and graduates.
This spring the Department of Theatre presents a season of
exciting productions including In a Thousand Pieces performed
by The Paper Birds, and Bricking It by father and daughter duo
Joanna and Patrick Griffin. The Music Department welcomes
the Kokoro Ensemble who will be performing new music
inspired by the Old Hispanic liturgy, followed in March by the
annual University Choral Society and Symphony Orchestra
Concert. Later in the season the Department of Film and
Television host the 5th Annual Conference of the British
Association of Film, Television and Screen Studies (BAFTSS).
There are also numerous research talks and masterclasses by
leading scholars and practitioners from Bristol and further afield.
We very much look forward to welcoming you soon.

Catherine Hindson Head of Subject, Theatre

Chair: Music, Film, Theatre
Sarah Street Head of Subject, Film
John Pickard Head of Subject, Music

Key to colour codes n Music n Film n Theatre

All events are free unless stated.
January/ February
n Thursday 21 April 2016 Spring 2017
Mon 12pm 4pm, Tues-Fri 9.30am 4pm
Theatre Collection, 21 Park Row, BS1 5LT
Back to Black: the iconic image
of Hamlet
An exhibition curated by History of Art MA
students from the University of Bristol using
material from the Theatre Collection archive.
Back to Black explores the image of Hamlet
through the ages, particularly focusing on the
use of black for Hamlets costume and how an
iconic look has formed and established itself
over time.
n Thursday 15 December 2016 Spring 2017
Mon 12pm 4pm, Tues-Fri 9.30am 4pm
Theatre Collection, 21 Park Row, BS1 5LT
Creating a Character: an exhibition
of make-up and personal props
This exhibition explores theatrical make-up, the
personal props that actors have used to create a
range of characters, and images illustrating the
backstage realm of the dressing room.
Make-up box and contents originally belonging to Eric Jones Evans
(Eric Jones Evans Archive, University of Bristol Theatre Collection).
n Friday 27 January, 1.15pm
Auditorium, Victoria Rooms
Octandre Ensemble
Toru Takemitsu, And then I knew twas wind
John Pickard, The Gardener of Aleppo
(world premire)
Claude Debussy, Sonata for flute, viola, harp
n Wednesday 1 February, 7.30pm
Wickham Theatre, Cantocks Close, BS8 1UP
In a Thousand Pieces
The Paper Birds
A beautifully woven patchwork of accounts,
misunderstandings, movement, text and
original music; In a Thousand Pieces sees The
Elly Hopkins
Paper Birds deliver this delicate depiction of
the violent, isolated and brutal world home to
thousands of women forced into the British sex
trade.
Based on the very real, alarming statistics of
women being illegally trafficked into Britain;
stories, events, voices and settings are packed
and unpacked from battered and bruised
suitcases by battered and bruised women;
whilst their stories fracture, reform, repeat and
take on new shapes.
In a Thousand Pieces may leave the viewers
shattered, but it is absorbing, essential and
surprisingly lovely viewing for all generations to
see.
MUST SEE The STAGE
Tickets: 9/5 concs available from
bristol.ac.uk/theatre/events
n Friday 3 February, 1.15pm
Auditorium, Victoria Rooms
Peter Hill, piano
J.S. Bach, Goldberg Variations BWV 988
Peter Hill, Professor of Music at Sheffield
University, tackles one of the all-time greats
of the keyboard repertoire, Bachs virtuosic
Goldberg Variations.
Followed by a masterclass open to the public.
February
n Sunday 5 February, 7.30pm
Auditorium, Victoria Rooms
Kokoro Ensemble
Kokoro Ensemble directed by Mark Forkgen
perform new music for chamber ensemble,
inspired by the Old Hispanic liturgy. Includes
music by Mauro Agagliate, Miranda Driessen,
David Greenhorne, Matias Vestergard Hansen
and premires of specially commissioned works
by Neal Farwell and John Pickard.
n Wednesday 8 February, 7.30pm
Wickham Theatre, Cantocks Close, BS8 1UP
Bricking It
Joanna and Patrick Griffin
Meet Patrick Griffin. 72. Irish. Builder. Father.
Stand-up?
Bricking It will see writer/performer, Joanna
Griffin swap jobs with her dad, Pat, to see what
it really means to walk in another (wo)mans
shoes. It will look at ideas of legacy, class and
the need to create. It will ask questions about
the other lives we could have led and if its
against Health and Safety to ride a wrecking
ball, wearing nothing but a pair of DMs?
We will follow comedy virgin Pat as he receives
a crash course on how to be a stand-up from
some familiar industry faces while Joanna, (who
her dad says has never done an honest days
work), will attempt to build the stage for his first
ever performance. Will Pat disappear from site
or will he bring the house down?
Warning: Will contain white vans, wolf whistling
and dad gags.
Dazzlingly intelligent and courageous - an artist
to watch Josie Rourke, Donmar Warehouse/
Channel 4
Tickets: 9/5 concs available from
bristol.ac.uk/theatre/events
n Friday 10 February, 1.15pm
Auditorium, Victoria Rooms
Bristol University Composition,
Arranging and Orchestration Society
Miniatures: a programme of short pieces by
Bristol students.
n Saturday 11 February, 7.30pm
Auditorium, Victoria Rooms
Bristol University Chamber
Orchestra
George Owen, conductor
Amanda Garcia Fernandez-Escarzaga,
piano
Dvok, Legends Nos. 1-3, Op.59
Chopin, Variations on L ci darem la mano, Op.2
and the premire of a student composition
Bristol University Symphony
Orchestra
Neal Farwell, conductor
Tchaikovsky, Symphony No.6, Pathtique,
Op.74
Bristol University Chamber Orchestra
showcases the talent of our students with the
winners of this years composition and concerto
competitions, coupled with movements from
Dvoks charming suite of orchestral miniatures.
They are joined by Symphony Orchestra,
who bring the lyricism, fire and tragedy of
Tchaikovskys final symphony, the much-loved
Pathtique.
Tickets: balcony 15/10 concs; stalls 11/8
concs/3 UoB students (with presentation of
student ID card) available from shop.bris.ac.uk
February
In Between Time
The Wickham Theatre is delighted to
host two performances that are part of
IBT17 Bristol International Festival,
produced by In Between Time.
JackOfford
n Saturday 11/ Sunday 12 February, 12pm
Wickham Theatre, Cantocks Close, BS8 1UP
With Force and Noise
Hannah Sullivan
A ceremony for anger. A woman sings, spits
and unhinges herself, laying chaos on her skin.
Informed by protest, punk and psychology,
With Force and Noise uses verbatim, song and
embroidery to explore angers strength and
futility.
A performance of deep restraint, charged with
tenderness and violence Audience member
Tickets: 10/8 concs available from
inbetweentime.co.uk
#ibt17
February
n Saturday 11/ Sunday 12 February, 2pm
A Girl and a Gun
Field and McGlynn
Wickham Theatre, Cantocks Close, BS8 1UP
Recovery
FK Alexander
with Lea Cummings and Sarah Glass
n Wednesday 22 February, 7.30pm
Wickham Theatre, Cantocks Close, BS8 1UP
A coming together in silence and noise.
FK Alexanders artistic practice shifts seamlessly A Girl and a Gun
between club and art space, employing live Louise Orwin
art, extreme vocals and noise. Recovery is a All you need to make a movie is a girl
sensitive, sensorial performance that asks if and a gun Jean-Luc Goddard
we are not all in some kind of recovery; from Last year, Louise started seeing girls and
something, someone, or even from ourselves. guns everywhere. She obsessed over them
So intense that it leads us to the inner place on YouTube, marvelled over them in music
where we find the strength to face up to the videos, felt a bit disgusted about them in video
onrushing crises of life. **** The Scotsman games, and tried not to see them in hardcore
Tickets: 10/8 concs available from porn. She began to ponder what it was about
inbetweentime.co.uk that coupling that was so attractive. And she
#ibt17 wondered whether Goddard was right.
This is a show about girls and guns. Its a
show that asks two people to take to the
stage and play out a film script in front
of you. It wonders what the difference
might be in watching something on
screen and experiencing something
live. It is a show that asks what
it means to be a hero, what it
means to be a plot device, and
what it means to watch.
This show is a challenge
to Godard, every other
film which star girls and
guns as plot devices,
and the audiences
that watch them. It is
also an admission and
manifestation of ambiguity:
Louises own confusion, as a
woman, at being simultaneously repulsed
and attracted to the kind of imagery
and archetypes the show explores.
Expect gun-twirlin, play-actin
and Nancy-Sinatra-dancin.
And me. And you.
Tickets: 9/5 concs available from
Laurie Brown
bristol.ac.uk/theatre/events
February
n Wednesday 22/ Thursday 23/ Friday 24
February, 7.30pm/ Saturday 25 February;
2pm and 7.30pm (gala)
Winston Theatre, Richmond Building, BS8 1LN
Bristol Operatic Society
Bernstein, Candide
Director, Tilly Shoul
Producer, Helena Napier
Musical Director, Will Whiting
Candide, Alex Robinson
Cungonde, Eleanor Leaper
Dr. Pangloss, Jamie Rahman
Energetic, colourful, and highly philosophical,
the operetta sees the optimistic Candide run
into all sorts of misfortune as he treks across
half of Europe and South America in order
to reunite with his true love, Cunegonde.
He encounters various characters along the
way, each contributing to the hilarity and
outrageousness of the whole fiasco.
Tickets: 10/8 students/4 BOpS members
Saturday Matinee: 8/6 students/
4 BOpS members
Saturday Gala: 15/10 students/
8 BOpS members
available from ubutheatre.com
February/March
n Friday 24 February, 1.15pm n Saturday 4 March, 7.30pm
Auditorium, Victoria Rooms Auditorium, Victoria Rooms
Helen Reid, piano Bristol University String Orchestra
Messiaen, La colombe and Wind Orchestra
Ravel, Oiseaux tristes Becky Smith and Kieran Reed, conductors
Messiaen, Petites esquisses doiseaux (selection) Karl Jenkins, Palladio
Rameau, Le rappel des oiseaux Vivaldi, Concerto in A minor
Debussy, Poissons dor Schubert, String Serenade
Dutilleux, Au gr des ondes Copland, Rodeo, Saturday Night Waltz
Debussy, Lisle joyeuse plus a student composition
The annual collaboration of the BUMS Wind and
n Friday 3 March, 1.15pm String Orchestra for a concert with a wide range
Auditorium, Victoria Rooms of repertoire.
A Cast of Characters Tickets: 5/3 concs (BUMS members free).
Andrew Shore, baritone Tickets sold by BUMS (available on the door).
Christopher Northam, piano
Baritone Andrew Shore introduces and sings
extracts from some of the many roles he has
performed during an operatic career spanning
forty years.
Originally a Bristol student, he is acknowledged
as one of the most outstanding singer/actors
currently working on the lyric stage and has
appeared at La Scala Milan, the Metropolitan
Opera New York, the Bayreuth Festival in
Germany and with all the UK opera companies.
His most recent roles with English National
Opera, (Beckmesser in Die Meistersinger,
Melitone in The Force of Destiny and Major-
General Stanley in The Pirates of Penzance)
demonstrate the diversity of his repertoire.
In 2014 he was awarded an Honorary Doctorate
in Music by Bristol University.
Followed by a masterclass open to the public.
n Friday 3 March, 7.30pm
Auditorium, Victoria Rooms
The Bristol Hornstars
Dae Hyun Lee, conductor
A free evening concert with the Bristol
Hornstars, the auditioned big band of the
University of Bristol, guaranteed to get your feet
tapping with their repertoire of swing, Latin
and funk.
March
n Friday 10 March, 1.15pm
Auditorium, Victoria Rooms
Bristol University
Loudspeaker Orchestra
Experimental contemporary music by composers
from Bristol and beyond.
n Wednesday 15 March, 7.30pm
Great Hall, Wills Memorial Building, BS8 1RJ
Bristol University Singers
David Bednall and Stephen Rice, directors
The University Singers present a programme of
music for the Lenten season, including Frank
Martins superb Mass, and penitential motets
from sixteenth-century Europe.
n Friday 17 March, 1.15pm
Auditorium, Victoria Rooms
Bristol University
Madrigal Ensemble
Will Wright, conductor
The Bristol University Madrigal Ensemble
performs a range of choral works, from Italian
Madrigals to works by Arvo Prt and
Benjamin Britten.
n Friday 17 March, 7.30pm
St Georges, Brandon Hill, BS1 5RR
Bristol University Music Society
Chamber Orchestra and Chamber
Choir
Beethoven, Symphony No. 8
George Owen, conductor
Mozart, Requiem
Will Brockman, conductor
The Chamber Orchestra and Chamber Choir
join forces to perform two masterpieces of the
classical era.
Tickets: 10/6 concs/3 BUMS members
available from stgeorgesbristol.co.uk/events
n Wednesday 22 March, 1.15pm
Auditorium, Victoria Rooms
Bristol University Chamber Choir
Will Brockman, conductor
The University Chamber Choir presents a
programme of music ranging from early
Portuguese polyphony to later music by
composers such as Robert Pearsall.
Includes works by Lobo, Cardoso, Tallis, Victoria,
Taverner, Tavener, Rachmaninov, Lindberg, and
Pearsall.
n Wednesday 22 March, 7.30pm
Auditorium, Victoria Rooms
Bristol University Composition,
Arranging and Orchestration Society
Variations on a Theme
Bristols composers combine to produce new
work based on a single musical theme.
n Friday 24 March, 1.15pm
Auditorium, Victoria Rooms
Charlotte Rowan, violin;
Charlotte Stevenson, piano
Wieniawski, Polonaise de Concert
Vitali, Chaconne in G Minor
Sarasate, Carmen Fantasy
and works by Bacewicz, Bloch and Shostakovich
Scottish violinist Charlotte Rowan is one of the
bristolsu.org.uk/groups/symphonia/events
most exciting young virtuosi in the UK. She
presents a programme of violin pyrotechnics
from the nineteenth and twentieth centuries.
Further information can be found at
charlotterowan.com/concerts
March
n Saturday 25 March, 7.30pm
Auditorium, Victoria Rooms
University Choral Society and
Symphony Orchestra
John Pickard, conductor
Eve Daniell, soprano
Kate Howden, alto
Matthew Sandy, tenor
Alexander Learmonth, bass
Elgar, Serenade for Strings
John Pickard, In Sea-Cold Lyonesse
Bruckner, Mass No.3 in F minor
The University Choral Society and Symphony
Orchestra combine to perform Bruckners
monumental F minor Mass, completed in 1868.
Declared unsingable at the time it was written,
the work is now recognised as one of Bruckners
greatest achievements. The concert also
includes John Pickards In Sea-Cold Lyonesse,
a magical evocation of the legendary sunken
town off the Cornish coast. First performed in
2015 by amateur performers across Cornwall,
all connected online, the work was shortlisted
in the 2016 British Composer Awards. This
performance features a new version for
expanded forces.
Tickets: balcony 15/10 concs; stalls 11/8
concs/3 UoB students (with presentation of
student ID card) available from shop.bris.ac.uk
n Sunday 26 March, 7.30pm
Auditorium, Victoria Rooms
Bristol University Symphonia
Emily Singh, conductor
Jess Eastwood, soloist
John Williams, Suite from Jurassic Park
Glire, Horn Concerto in B flat major
Rachmaninoff, Symphonic Dances
Tickets: 6/5 concs available from
n Wednesday 29 March, 1.15pm
St Pauls Church, St Pauls Road, BS8 1LR
Schola Cantorum
Emma Hornby, director
Bristols all-female medieval ensemble performs
a range of works from the Middle Ages and
beyond.
n Wednesday 29 March, 7.30pm
Recital Room, Victoria Rooms
Contemporary Music for All Bristol
A concert of Contemporary Music by CoMA
Bristol & MA Composition Students in the
Music department. Included will be CoMA
commissioned works by top composers plus
new works by MA students.
n Thursday 30 March, 7.30pm
Auditorium, Victoria Rooms
Bristol University Baroque Ensemble
Ronan Agnew and Callum Anderson, directors
Works by M. Praetorius, Courette, Buxtehude,
Telemann, Locatelli, and J. S. Bach.
Bristols Baroque Ensemble presents a varied
programme including Bachs Harpsichord
Concerto BWV 1052 and a concerto for no fewer
than four bassoons.
n Friday 31 March, 1.15pm
Auditorium, Victoria Rooms
Bristol University New
Music Ensemble
Michael Ellison, director
The Universitys contemporary music group,
featuring top players from around the university,
presents an ode to our embattled earth: In
Waves, featuring Per Nrgrds Prelude to
Breaking (1986), Karen Tanakas Frozen Horizon
and Post-Graduate pieces from winners of the
2016-17 NME competition.
March/April
n Friday 31 March, 7.30pm
Auditorium, Victoria Rooms
Bristol University Jazz Orchestra
Tyrell Carew, conductor
A free evening concert jam-packed with a
mixture of classic jazz, swing, pop and funk that
is guaranteed to entertain.
n Thursday 20 Friday 21 April
Department of Film and Television,
Richmond Building, BS8 1LN
British Association of Film,
Television and Screen Studies
(BAFTSS)
5th Annual Conference 2017:
Genre Studies Now
Genre, as a theoretical concept and
method of analysing a large variety of film,
television and media productions, has been
highly influential since the early 1980s. The
5thBAFTSSAnnualConferenceat the University
of Bristol, April 20-21st2017, provides an
opportunity to take stock of how theories of
Genre have evolved over the last 35 years as well
as current understandings and applications.
Further details and conference registration can
be found at baftss.org/conference-2017
n Thursday 27 April, 7.30pm
Auditorium, Victoria Rooms
The Cabinet of Dr Caligari
The 1920 silent classic film with organ
soundtrack improvised by David Bednall.
Symphonic Winds is excited to be performing
n Friday 28 April, 1.15pm
Auditorium, Victoria Rooms
Bones Apart
Helen Vollam, Lorna McDonald, Becky Smith
and Jayne Murrill, trombones
The quartet Bones Apart has established an
international reputation as one of the finest
brass groups of the present day. They perform
a mixed programme including the winner of a
composition competition judged by UoB staff
composers.
Presented in association with the Life of Breath
project.
Followed by a workshop open to the public.
Further information can be found at
bonesapart.webs.com
May/June
n Wednesday 3 May, 1.15pm
Auditorium, Victoria Rooms
Bristol Symphonic Winds
Liam Leonard, conductor
Berlioz, Grande symphonie funbre
et triomphiale
arr. Gordon Jacob, William Byrd Suite
Suite from Doctor Who
Berliozs Grande symphonie funbre et
triomphiale as well as the concert band
transcription of the William Byrd Suite.
Symphonic Winds continues its passion for
showcasing student compositions and film and
television works like Tom and Jerry and Suite
from Doctor Who.
n Friday 5 May, 1.15pm
Auditorium, Victoria Rooms
Les Laurentines
Franois Couperin: An Exploration
music by Francisco Carbonell, Euchar Gravina,
Victoire Bunel, mezzo-soprano
Charlotte La Thrope, soprano
Julie Pumir, harpsichord
Alice Trocellier, viola da gamba
Franois Couperin, Deuxime Leon and
Troisime Leon de Tnbres
Rafael Marino Arcaro, Psalm 102 (world premiere)
Robert Laidlow, Moonfall (world premiere)
Comprised of students at the Royal Academy
of Music, Les Laurentines was born out of a
love of French seventeenth century music.
This programme explores Franois Couperins
Leons de Tnbres, the composers profoundly
personal work based on the Lamentations
of Jeremiah. A contemporary response to
these pieces will be presented in the premier
performance of two works by composers R.
Arcaro and R. Laidlow.
n Saturday 20 May, 5.30pm
Bristol Cathedral, College Green, BS1 5TJ
Bristol Cathedral Choir and
Christ Church Cathedral Choir
Bristol Cathedral Choir and Christ Church
Cathedral Choir sing new liturgical compositions
inspired by the Old Hispanic liturgy. Directed
by Mark Lee and Stephen Darlington. Includes
Benedict Todd and Alison Willis.
n Thursday 8 June, 7.30pm
Auditorium, Victoria Rooms
End of Year Concert
The end-of year concert featuring Bristol
University Chamber Orchestra and Choir, and
Symphony Orchestra.
Bristol University Chamber Orchestra
George Owen, conductor
Bristol University Chamber Choir
Will Brockman, conductor
Bristol University Symphony Orchestra
John Pickard, conductor
Join us for a varied programme, including a new
work by PhD student Litha Efthymiou and Baxs
opulent and romantic Fifth Symphony a thrilling
end to the years music-making.
Tickets: balcony 15/10 concs; stalls 11/8
concs/3 UoB students (with presentation of
student ID card) available from shop.bris.ac.uk
Research Seminars Venue and booking information
n 24 January, 5.30pm n 1 March, 4.30pm Department of Music Department of Theatre

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St Georges, Brandon Hill Seminar Room, 5th Floor, Richmond Building University of Bristol University of Bristol

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lunchtime concerts. For ticketed evening organised by the Department of Theatre,

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Diary
Thursday 21 April 2016 - Spring
2017: Back to Black: the iconic
image of Hamlet
Thursday 15 December
2016 - Spring 2017: Creating
a Character: an exhibition of
make-up and personal props
January
Friday 27: Octandre Ensemble
February
Wednesday 1: The Paper Birds
Friday 3: Peter Hill, piano
Sunday 5: Kokoro Ensemble
Wednesday 8: Joanna and
Patrick Griffin
Friday 10: Bristol University
Composition, Arranging and
Orchestration Society
Saturday 11: Bristol University
Chamber Orchestra and Bristol
University Symphony Orchestra
Saturday 11 Sunday 12:
Hannah Sullivan
Saturday 11 Sunday 12: FK
Alexander with Lea Cummings
and Sarah Glass
Wednesday 22: Louise Orwin
Wednesday 22 Saturday 25:
Bristol Operatic Society present
Bernsteins Candide
Friday 24: Helen Reid, piano
March
Friday 3: A Cast of Characters
Friday 3: The Bristol Hornstars
Saturday 4: Bristol University
String Orchestra and Wind
Orchestra
Friday 10: Bristol University
Loudspeaker Orchestra
Wednesday 15: Bristol University
Singers
Research Seminars:
January
Friday 17: Bristol University
Madrigal Ensemble Tuesday 24: Alfred Brendel
Friday 17: Bristol University Music Beethovens Last Sonatas
Society Chamber Orchestra and Tuesday 31: Andrea Bohlman
Chamber Choir Overwriting Sound: Polish
Wednesday 22: Bristol University Commemoration in Concert
Chamber Choir
February
Wednesday 22: Bristol University
Composition, Arranging and
Tuesday 7: Jeanice Brooks
Listening in Paris in the Aftermath
Orchestration Society
of World War I
Friday 24: Charlotte Rowan, violin;
Tuesday 14: Composition
Charlotte Stevenson, piano
research student presentations
Saturday 25: University Choral
Wednesday 15: Dr Bridget Crone
Society and Symphony Orchestra
Flicker Time
Sunday 26: Bristol University
Tuesday 21: Ian Sapiro
Symphonia
Simple, Medium, and Shebang:
Wednesday 29: Schola Cantorum Trevor Jones and the Film-Music
Wednesday 29: CoMA Bristol Toolkit
Thursday 30: Bristol University Tuesday 28: James Cook
Baroque Ensemble Recomposing the Past/
Composing with the Past:
Friday 31: Bristol University New
Music Ensemble Early Music on Screen
Friday 31: Bristol University Jazz March
Orchestra
Wednesday 1: Dr Helen Hanson
April Looking for Lela: Finding, and
Defining, Womens Creative
Thursday 20 Friday 21: BAFTSS Labour in the Production Cultures
Thursday 27: The Cabinet of of Classical Hollywood Cinema
Dr Caligari Tuesday 14: Tolgahan oulu
Friday 28: Bones Apart Microtonal Guitar Music
Wednesday 15: Professor
May Duncan Petrie
Wednesday 3: Bristol Symphonic 1960s British Cinematography
Winds Tuesday 21: Beyond East and
Friday 5: Franois Couperin: An West Project led by
Michael Ellison
Exploration
Tuesday 28: Julian Anderson
Saturday 20: Bristol Cathedral
Choir and Christ Church Cathedral Imagined Worlds: Difference,
Choir Tones and Timbres in my music
June April
Tuesday 25: Musicology research
Thursday 8: End of Year Concert student presentations
May
Tuesday 2: Old Hispanic Office
Project Report led by
Emma Hornby