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Choros No. 1 H.

Villa-Lobos
Choro tipico
Harmonic Analysis and Voice-Leading Reduction (1887-1959)

F #7 ()
B 7 #5 Em C/G B 7/F # Em F #7 ()
B 7 #5

# 2
A & 4 # n #
# n

e: V/V V i VI V i 5th progression


E7 A7 A7 D7 G

#
# # n
6

& # n

B b7 F #7

C7 F Am B7

#
11
n n #
& b b n # n
n b
G+6/iv iv V/V V

F #7 ()
B 7 #5 Em C/G B 7/F # Em F #7 ()
B 7 #5

#
17

& # n

# # n


V/V V i VI V i
5th progression


E7 A7 A7 D7 G C7 F

# # n
n # n
22

& # b

n

B b7 Bb 7
o C 7/B b E m/B F #7 B7 Em

# n
27

# n n
& b # n
b b b n
6

G+6 i4 V/V V i

John Hall 2014 (www.johnhallguitar.com)


2
Choros No. 1
D 7/F #

G7 C7 E7 A7 D m/F C/G
33
. #
B & b # #
J 6
C: V V/IV V/vi V/ii ii V/V I4

D 7/F # B 7/D # B b7

G 7/F C/E D7 D 7/C
# #
& # b
39

n # n
b
( bVII )
4 3 3 4 3 4 3 3 4 3 3
V/V V I non-functional

F /C Ab C/G A7 D m7 G7 E m7 b 5()
& n b # n
45


(C 9)

b
b ()

IV b VI I V/ii ii V V/IV

D m/F D 7/F # C/G D 7/F # G 7/F



G C7 E7 A7 C
####
b . #
49

& # # # n
J 6
V V/IV V/vi V/ii ii V/V I4 V/V V I

E A# 7
o B7 E6 F # m/E G # aug G #7 C#m
### # n
57

C & b # #


E: I vii 7/V
o V I ii V/vi vi

F #7 B7 E
o
A# 7 B7 E6 F # m/E E aug

### # n
n
63

& # b #


V/V V V/IV
A6
o
D# 7 E/B C #7 F # 9/A # C 7/B b B7 E

### # n n n
69

& # n
#
IV vii 7
o V

I V/ii V/V G+6 I
John Hall 2014 (www.johnhallguitar.com)