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ADVANCED OUD COMPOSITIONS

Maqam: Kurd
Aziza
140
Iqa': Maqsum
Mohammad Abd al-Wahhab

b
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1 2 3 4 5

#
7

b
8

1 . .
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6

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bb .. j j
9 10 11 12

&

bb j j
13 14 15 16

& w n #

bb j j j j j
j
17 18 19 20

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j
bb j j .. j .23 .
21 22 24

& J
J
b j
&b . . .
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25 26 27 28

bb .
30
29 31 32

&

b j j
&b w
33 34 35 36

n #

bb j j j j j j
37 38 39 40

&

bb
j j j j .. .
41 42 43 44

&
J
1
bb . # n . b
45 46 47 48

&

b
& b n . b n b ..

52
49 50 51

bb j j
53 54 55 56

&

bb .. n n
57 58 59 60

& w
n #

b
& b # n # ..
61 62 63

U 66
bb j
64 65

&

2
Balad al-Mahbub
Muhammad Abd al-Wahab

b
tr. Issa Boulos

& b b c .. j j j . . j j .
2 3

b
& b b j . . j j
4 5 6

b
&bb
7 8 9

bbb
j ..
10 11 12

&
.

bbb j

13 14 15

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~~~~~~~~~~~~~~~~ 18
bbb
17


16

& w

j
>

bbb
19 20 21

&
j
j
.
j
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~~~~~~~~~~~~~~~~
bb
& b
22 23 24

w
j

2 Balad al-Mahbub

bbb n
25 26 27

&
>

bbb j
28 29 30

& .

bbb .
31 32 33

&
3

b
&bb
34 35 36

b
& b b b b b
37 38 39

bbb n n b . .
40 41 42

&

bbb ..

43 44 45

&
.

bb j n
& b
46 47 48

b ..
& b b .
49 50 51

. . .
Balad al-Mahbub 3

b bb .
& .
52 53 54

b n . b ..
& b b
55 56 57

bb b
. . . .j .
58 59 60

&

. 62.
bbb J
61

& . . .
Maqam: Bayati
Iqa': Masmudi Kabir
'Adani
Bint Al-Balad
90
Malfuf Muhammad Abd al-Wahhab
Maqsum tr. by Issa Boulos

b b 8 . j ..
1

. .
3

& 4 .

b 2
& b c 24
3

.

j
b
b
& b 24 .. j . . . .
7


b
&b
12
1 2

bb . ..
18 3

&
j 1 2

b
& b .. .. ..
23

b
& b .. .. n
28

b b n b 8
&b # # n n .. 4
34

b 8 .. j
3

b . ..
39

& 4 .

b
& b j . R
41


Bint el Shalabia
Makam Nahawand Re - Buselik
Second Position
%
Moderato {q = 112} Arabic Folk

b 4 j

Lute & 4

F
& b # #
4

& b #
10

&b

& b .. 24 44 . . . .
12

# #
Fine
j
& b .. . # . ..
18 1.

22 2.
%
& b #
n #
f D.S. al Fine
Cecen Kizi
Makam Huseini
Tanburi Cemil Bey,
Turkish composer, 1873 - 1916

!b b 2 .
& 4 . .
Moderato to Andante

Lute !
F
!b b
!
6

&

!b %
! . . j j
11

b
& . . .

!b j j f
..
16

&b!
.
!b .
& . j j..
!
21

b
F Fine

!b . j
25

!b
& .

!b %
& !b j . ..
30

D.S. al Fine
Dhikrayati
Nahawand
Muhammad al-Qasabji
Masmudi Saghir

% q
Trans. Issa Boulos

bb b c . j j
.
1 2 3 4 5

&
P

bbb n w A
6 7 8 9 10 11

&

bbb ..
12 13 14 15 1 16

&
2

n
w

b
&bb w A b b
18 19 20 21 22

b
& b b b .. . . . b ..
24 1 3

q120
b U
& b b . 42 ..
30 2 Adlib Solo 'Ud

. n b. n b. b n n

b
&bb A
37


b
&b b .. .. @ n
43

@ @

%
bb b
b n ..
50

&

Foq el nahal
Makam Nahawand Hassas al Sol & Hijaz
First posotion Iraqi Folk
Allegro
b # 4 %
Lute & 4
b
F
4
bb # j
& . j

bb # j
7

& .

b# j
& . j j ..
10

b
Fine

b # ..
13

& b

bb # ..
15
j
&

D.S. al Fine
Lama Beada
Mwashah
Makam Nahawand
2nd position
A Moderato % Anonimus

10 j ..
Lute & 8
b
# j #

.

j j j j
. j..
4

b
& . # # j
. #
Fine

j j j
7

b
B

& # j #

j j j
& b j . # j
j
10

j
. ..
13

&b j
# . #
Longa Nahawand
Makam Nahawand Kevser Hanum or
First Position Tanburi Cemil Bey

b b 2 ..
& 4 . . n
Presto 1873-1916
b
... ...
Lute

F
Hanna 1

6
b b n
& b n
n n

bb % - -
. . - -
11 Taslim
b
j
& - - . .
. . .

bb
j ..
16

& b

Fine

b b ..
Hanna 2
n
21

& b # . n . n
n
26
bb b n %.
& .
D.S. al Fine
Longa Riyad (Farah Faza)
Riyad al-Sunbati
Tr. Issa Boulos
A Allegro
b 2 . n
b
& 4 . # j J #

%
T

bb # j .
. .
. .
. .
.
9

& J #

bb
16

&

bb
.. ..
B


23 1. 2.

& #

b j j
& b # # n J
30

%
b j j # j
C

b .
. .
.
j j
38

& J J # #

b # #
b . ..
45 1.

& J

%
bb 3 .
. .
. # .

D

4 .
53 2. 1. 2.

&
# Fine
Mahur Bashraf
Maqam: Mahur
Gazi Giray (1554-1608)

& c . J . J . J
2 3 4 5 6

% Lazimah
11


& ..
7 8 9 10


& # ..
12 13 14 15 16

& . J . J b . b J
17 18 19 20 21 22

& j j .
23 24 25 26 27 Khana II 28

J
Fine


& #
29 30 31 32 33 34

35 36 37 38 39

40

&

%
& #
41 42 43 44 45 46

49 50 51 52 %
&
47 48
Hijaz Mandra
Maqam: Hijaz
Iqa': Dawr Turan
Traditional

b
Allegro

& b 78 .. .. .. # # # . ..
2 3 4 5 6

10 11

b b .. . .. j
# # # # . . .
7 8 9 12

&
1 2

j
15

b
16

& b n n # n .. .
13 14 17 18
1 2

bb .. n n n n n n n j.. n j A j
19 20 21 22 23 24

& J J

26 27

b b j n .
. j .. j j
25 28 29 30

& # #
1 2

# # #

bb # . .. . .. .
131 232 33 34 35 36

& # #

bb ..
37 38 39 40

& # .

Middle East Music Ensemble. University of Chicago. Issa Boulos, 2003.


Sharhoret - Morenika
Makam Kurd
Second Position Ladino

2
Andante

Lute&4
6 P Song

&
r r

%
& ..
12 1. 2.

j
.
20

&

28

& . j
3 3

b b

..
35
3 3

&
b b
Morenika a mi me yaman, Morenika a mi me yaman, Morenika a mi me yama,
yo blanka nasi. los marineros. el ijo del rey.
Y el sol del enverano, Si otra vez mi me yamen, Si otra vez a me yama,
Yo me ansi asi. me vo kon eyos. yo me vo kon el.
Chorus.... Chorus.... Chorus....

Chorus:
Morenika, grasiozika sos.
Morenika i grasiozika kon ojos pretos tu. (X2)
Sama'i Nahawand
Maqam: Nahawand
Iqa': Sama'i Thaqil
Mesud Cemil (1902 - 1963)


Moderato I
b 10 j b j b
& b b 8 . .
2 3

n n

b j
& b b b # n .
4 5 6

n . n

%7
Taslim

b
& b b .. . n b n
8 9


. n
.

b
& b b n b
. # . n
..
10 11 12

II
b j 15
&bb
b n N o b b b
13 14

J J

%
b j . b
& b b b b
16


17 18

o

III
b n n n n n j
& b b # # . n # j p n . o .
19 20 21

# J

b b %

bb j
& b p n o . b n
j b .
b j . p
22 23 24 p

Rhythm IV

bb 7 n .. n
Allegro

& b
25 29 30 31 32 33

8
4


n
36 37

b .. .. b n b
& b b b
34 35 38


1 2

Middle East Music Ensemble. University of Chicago. Issa Boulos, 2003.


b
& b b A n A
39 40 41 42 43

b .. ..
&bb n n b j
44 45 46 47 48

j
n b

b .. # n n #
&bb n
49 50 51 52 53

j
n j # n # n #

b b # n n # n j # n n j
54 55 56 57 58

& b J n # n # n

bbb # n
b n
# b j #
59 60 61 62 63

& n

%
. 69 U .
bbb n .
Molto Libero

n .
64 65 rit. 67 68

n .
66

& n

-2-

Middle East Music Ensemble. University of Chicago. Issa Boulos, 2003.


Nihavend Longa
Usulu: Nim Sofyan Muzik: Kevser Hanim

112
b j j n
& b b 42 ..
1

j j n
2 3 4 5 6


bbb n
n n ..
7 8 9 10 11 12

&

%
b
2

& b b ..
13 14 15 16 17

b
3

& b b .. .. # n
18 19 20 21 22 23

N
Fine

b %
& b b A n n n ..

24 25 26 27 28

bb j j n
4

b j j n
29 30 31 32 33 34

&

%
bb
& b n n n ..
35 36 37 38 39 40



Sama'i Bayati
Ibrahim al-'Aryan

pb
Moderato

& b 108 j j

j .


%
bp
3

& b j j .. . . .
4

pb
7 3

& b . . . . . .

bb p 1 j j j
. p .
10

.
2

& . .
3

bp j p
. .
13

b .
& a n . p .
. p

bp A % . . . p .
J p
16

& b N j
.

%
bb p A A A j 38
19

& J A

bp j
& b 38 .. j j j ..
22

p p

bp j j
j .. J
30

& b j

%
bp j j
j ..
37

& b j

Sama'i Farah Faza
TANBOURI JAMIL BEY

1
A Moderato
Transcribed by Issa Boulos

Taslim
7

10
1

13
2
B
Fin

16

19

21
C

24
1
27

29 D Allegro

35

40

46

50
1 2

2
Concert Pitch

Sama'i Muhayyar-Kurdi
Maqam: Muhayyar-Kurdi
Iqa': Sama'i Thaqil

60
Sadi Isilay

b 10 .
j

1 2

&b 8 J J J
3

% 5Taslim
3
3 3

b .
J j .
3 3 3 3 3 3

& b .
4

J
3 3

b j
& b j .
3

. j j b
3


6 7 8


j.

b . j j . j j j j
10


3 3

b .
9 3 11

& J . . J . .
3

bb j j # j
13

j
2

j b n .
12 14

&

b
3

%
. . b j
3

b b
16

b J
15 17

& J b b . .

bb . # . % 6
18 3 3

J .
3 3 19 20

& . J 8

j

90
3


3 3

b 6
21

.
4

b
& 8 .
22 23

b . . 2 . > .
24 25
26

&b . J
1 27

J J J

Middle East Music Ensemble. University of Chicago. Issa Boulos, 2003.


b j
& b j j b . b
28 29

j
30 31 32

J J
37 U%
b j j .
& b J . j b . b
rit.


33 34 35 36

-2-
Middle East Music Ensemble. University of Chicago. Issa Boulos, 2003.
Sama'i Nahawand
Maqam: Nahawand
Iqa': Sama'i Thaqil Mesud Cemil (1902 - 1963)
Tr. Issa Boulos, 2006
I
.
Moderato

& b 10
Tutti

8 . . . .
2

& o
b b # . . # n .
3 4

& b # n # n .
. . . # .
3
5 6

#
% Taslim
7 .
. .
& b . . # . n . . # j
8

# 10 #
&b
.

9

n
. . # . # n ..
1

&b
3
11 12 3

II

&b # .
$ n .
13 14

. # .
o
b N o o o J o .
& J
15 16

j 18 .
b
17

&

o o

o % # # #
. n#
III

&b . J
20
19

b # n j # . j
# $ n . o .
& #
21 22

j 24 b # b n j
& b $ # o .
23

%
. n oj .
Rhythm

n o . 78
&b
25 26 4

IV

& b 78 # .
Allegro

# .
30 31 32 33


37

& b .. # n . ..
34 35 36 1

b
38

&b .
. n n A
2 39 40 41

#
-2-
&b # . # N
42 43 44 45

&b .. .. n n b j 49
b j
46 47 48

# .

.. # # #
&b j j # # #
50 51 52 53

# . # #

54 #
b # . # # 56# # n 57# n # j
& J
55

& b # # . # # n n # j
# n
58 59 60 61

# #

& b # . # . n

62 63 64 65

# . # . .
Molto Libero

& b # .
rit.
66 67 68 69

. %
U
&b
70

-3-
Sama'i Shad Arban
60
j
Tanbouri Jamil Baiy

b 10
b # .
1 2

& 8 # . . #

bb
# . J # # . # .
3 4 5

&

b %7
& b # . . . . j
6 8

.
. .
n
b # # # . n
& b .
9 10


b
& b N ..
11 12

J # # . .

bb j # .
13 14

& # .
bb . # . # .
15 16

&
b j
b # . # .
17 18

& # .
b % 20
&b n . . b . # j
19

# . .
. J
b j .
&b # J
21 22

b . # j
& b #
23 24

bb
25 26

J #
& # . # .
102
% 6 28
bb .. j .
27 29

& # . .
. 8 . # .
j .33
bb j
30 31 32

& . # # j .

bb j .. .. n . j j . j n 39 n j
34 35 36 37 38

& # . # J J # n

&b
b n . j j n . n j n
. .. .. #
40 41 42 43 44

J J
j.
bb # # j
45 46 1 47 2 48

& # # .

#
Samai Bayat
Makam Bayat Sammi Shawa

!b b 10 j
Moderato to Andante Syrian-born Egyptian violinist

Lute & 8
Hanna 1
3
!b b j j jj
&

% 5 Taslim
!b b
Makam Bayat

& j
!b ..
7

b
&
Fine
!b b . !b j !b j j.
9 Hanna 2 Makam Rast Sol

& . J .
F %
!b b
&
11

f
!b . j
13 Hanna 3 Makam Hijaz

& # bj # b j j..
b .
F
!b b %
&
15
Samai Bayat 2

!b b
2 Hanna 4 Makam Saba
j j
17

& b . b .
P
!b b j
& b . jb
19

!b b %

&
21

F
D.S. al Fine
Sammai Rast
Tatyos Ekserciyan (1858 - 1913)
Moderato {q = 108} Tatyos Efendi,
!b b 10
j j . # j
Hanna 1
!
Armenian Turkish Composer

& 8 j .

Lute

F -
3

! !b j j j
b
& . j .

!b .. % j j
5 Taslim

!b
&
f
6
!b!b j
&
!b b j
! j . j
7 1 2

& . . .
.
Fine

!b
Hanna 2

! jb j j b n
10

& b
-
- - -
J
P
!b b jb n %
!
12

& b j
# n
p
Hanna 3
!b . .
3

!
14

& b J J
J
F
16

!
b !b b j b
& J b b

!
18

b!b j j j
& J b .
#

!b j %
!
20

& . .
b j
Allegro { q = 120}

!b!b 6 j
22 Hanna 4

& 4 . # . . . . # . . n . #
F
!b
3 3

!
24

b
& . . .
3

!b b .
3 3

! . . .
26

& . # . . .
J #.
!b
3
%
& !b . . . . . . . . .
28


D.S. al Fine
Samra ya Samra Karim Mahmud
Maqam: Nahawand Musawwar / G
Iqa': Maqsum / Zaffa / 'Adani

% 112
b
& b c .. # # #
sam-ra - ya sam - ra - mar - ra - b mar - ra - sha - gha - l ni ha - wa - ki

b b . j #
5

& J
dam - mik - khiff - aw - ta - gil - 'iff - a sha bak ni ma 'a - ki sha - bak - ni ma - 'a - ki

b j # . # .. b
Maqam Rast on G

& b J . #
9


sam - ra - ya sam - ra 'hil - wa ya sam - ra ya sam - ra ya sam - ra

90 Iqa' Zaffa
b
& b b # n n .. # b .. b
13
1 2

112 Iqa' 'Adani


b
& b b j b j b ..
17

j %
b
& b . # . # # #
21

J
Sehnaz Longa
Usulu: Sofyan Muzik: Santuri Ethem Efendi

120
bb c # j j j n # n n #
& #
2 3

%6 Teslim
b . # n .. .
5

b
& # .. #
1 2

bb n # #
7 8 9

& # #

bb N n
# #
10 11 12

& #

j . # . j . #
2. Hane
. . .
bb . .
13 14

& .
# . . . . .
1 2 15 16

. .
Fine J
j
bb . #
# n #
17 18 19

&
> > # > > J

1
bb . # . # # # .
qanun

.
20 21 22

& #
J J
% j 25
. . # .
bb
3. Hane
. # . . #
23
26 j


. # . # . J
24

&
2

J
b
& b # # # . J # . . # #
27 28 29 30

J
%
.
bb .
# # .. . #
31 Ouds 32

&
1 2

-2-
Makam Buselik
Nahawand re
Makam scale, fingers in 1st & 2nd position

b 4 b ( I)
Lute & 4
0 1 2 0 1 2 0 1
0 2 3 0 2 3 1 2

Uskudar
Second Position Makam Buselik Turkish Folk

%
Moderato

& b . J
5

0 1 2
F j

9

&b .
J

13

& b #

& b . j w ..
17

# Fine
Ya Mal Elsham
Makam Rast

%
First Position

!b 4 . .
Moderato {q = 108} Syrian Folk

& b 4 . J . . ..
!

Lute

f Fine

!b b . j
! J
5

& J

F
10

!b!b .
!! .
& . J .

!b b . b n
1.

!
15

& J .

20

!!b b b n
&

!b %
& !b
25
3

D.S. al Fine