Académique Documents
Professionnel Documents
Culture Documents
by
Patrul Rinpoche
translated by
Thinley Norbu
Introduction
P a tru l R in p o c h e w a s an e m a n a t i o n o f S h a n t id e v a , w h o is
in s e p a ra b le fro m A v a lo k ite s h v a ra ( T ib . C h e n r e z ig ) . F ro m
a m o n g t h e m a n y c o m m e n t a r i e s a n d p re c io u s t e a c h in g s w h ic h
he w ro te , I th ou g ht it th e most b e n e f ic ia l to t r a n s la te
P ro p itio u s S p e e c h fro m th e B e g in n in g , M id d le and End,
w hich e x p la in s h o w to p r a c t is e w ith th e six s y lla b le s : O M M A N !
P A D M E H U M . I t r a n s la t e d th is te x t w ith m y frie n d s in o r d e r to
b e n e fit m any b e in g s , i n c lu d in g E rn ie M c C o rm ic k and P ip
N ic h o lls who asked me fo r a te a c h in g on th e b est way.
W h e n a t e x t w r i t t e n b y a s u b li m e p e rs o n is tr a n s la te d b y
an o r d in a r y p e rs o n l ik e m y s e lf, t r a n s la t i o n becom es m o re
d a n g e ro u s t h a n o r ig in a l c o m p o s i t io n b e c a u s e m a n y p re c io u s
po in ts o f v ie w ca n b e lost. T h e t r a n s la t o r is l ik e th e w e a k
trekker w h o c a n n o t c lim b to th e to p o f M t E verest an d m u s t
e x p la in a b o u t it t h r o u g h m a p s , p ic tu r e s a n d t h e v ie w f r o m t h e
base c a m p . T h e s u p e r io r t r e k k e r w h o re a c h e s t h e to p o f M t
E v e re s t can see all th e d if f e r e n t lev els w it h i n space, as
V a ir o c a n a d id . T h e a u t h o r j u s t s h o w s his o w n lu n g s , k id n e y s ,
liver, h e a r t , v e in s , g a ll b la d d e r a n d s p le e n . It d o e s n o t m a t t e r
w hether his writing is b eau tiful o r disgusting. T h e r e is no o n e
i n t e r p o la tin g .
T h e r e a r e tw o d if f e r e n t s ty le s o f t r a n s la t i o n . O n e is f r o m
w o rd to w o r d a n d th e o t h e r is f r o m w o r d t o m e a n i n g . It is b est
to d o b o th w it h o u t lo s in g w o r d s , s y n ta x , o r d e r , g r a m m a r a n d
e s p e c ia lly m e a n i n g . Y e t b e c a u s e o f d if f e r e n t sty le s s o m e t im e s
it is im p o s s ib le to t r a n s la t e lit e r a lly , so one m ust try to
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p r e d o m i n a n t l y t r a n s la t e t h e m e a n i n g . A s m u c h as p o s s ib le ,
a n d in m y o w n s ty le , I h a v e t r ie d n o t t o lose th e m e a n i n g . If
o th e r s c a n t r a n s la t e th is te x t in a d if f e r e n t s ty le t h r o u g h th e ir
o w n u n d e r s t a n d in g m i n d , t h e n it w o u l d a ls o b e b e n e f ic ia l a n d
k in d .
A c c o r d in g t o t h is t e a c h i n g , th e s e six s y lla b le s a r e th e
es s e n c e o f all s y lla b le s . T h e d e f i n i t i o n s a n d b e n e fits o f th is
m a n t r a a r e i n n u m e r a b l e . B r ie f ly , w it h a v ie w to g a in l ib e r a t io n
f r o m t h e six r e a lm s , t h e e x p l a n a t io n is:
O M c lo se s t h e d o o r to t h e s u ffe r in g o f b e in g r e b o r n in
th e g o d s r e a lm . T h e s u ffe r in g o f th e g o d s is t h e fo r e s e e in g o f
o n e s fall f r o m t h e g o d s r e a l m w h e n o n e d ie s . T h is s u ffe r in g
c o m e s f r o m p rid e .
M A clo se s t h e d o o r to t h e s u ff e r in g o f b e in g r e b o r n in
t h e w a r r in g g o d s o r A s u r a s r e a l m . T h e s u ff e r in g o f th e s e a n ti
g o d s is c o n s t a n t f i g h t i n g . T h i s s u ff e r in g c o m e s f r o m je a lo u s y .
N I closes th e d o o r to the suffering o f being reborn in the
h u m a n r e a l m . T h e s u f f e r in g o f h u m a n s is b ir t h , s ic k n e s s , o ld
a g e a n d d e a t h . T h i s s u f f e r in g c o m e s f r o m d e s ire .
P A D ( p r o n o u n c e d P E ) clo se s t h e d o o r to th e s u f f e r in g of
b e in g r e b o r n in t h e a n i m a l r e a l m . T h e s u f f e r in g o f a n i m a ls is
s t u p id i t y , p r e y in g u p o n o n e a n o t h e r , b e in g k i l l e d fo r m e a t an d
s k in s , a n d b e in g b e a s ts o f b u r d e n . T h i s s u f fe r in g c o m e s f ro m
ig n o ran ce .
M E c lo s e s t h d o o r to t h e s u f f e r in g o f b e in g r e b o r n in
t h e h u n g r y g h o s t s r e a l m . T h e s u f fe r in g o f h u n g r y g h o s ts is
h u n g e r a n d th ir s t . T h i s s u ffe r in g c o m e s f r o m g r e e d .
T h is t e x t w as t r a n s la t e d a t t h e p la c e w h e r e th e f o u r th
B u d d h a s lo tu s fe e t b le s s e d t h e la n d ; w h e r e t h e b o d h is a t tv a s
M a n ju s h r i, A v a lo k ite s h v a ra and V a jra p a n i w ere w is d o m
m e s s e n g e rs o f all t h e B u d d h a s w is d o m b od y, speech and
m in d ; w h e r e t h e y ra is e d a n d b le s s e d m a n y s tu p a s a n d g o ld e n
tiled t e m p l e s w it h t h e i r s u n s h in e w is d o m ; w h e r e t h e y p r a y e d
for all s e n tie n t b e in g s to a c c u m u l a t e m e r i t a n d b e n e fit f r o m
these h o ly sites; w he re one can p ray to re a c h s ta in le s s
c o m p a s s io n , th e s a m e as C h e n r e z ig .
T h in le y N o rb u
B o u d h a n a th , N epal
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N a m o L o k is h w a r a y a !
I, illu s o ry D h a r m a i m a g e , a m l ik e th e m a n g o fr u it o f A u t u m n ,
the o u t s id e s e e m in g ly r i p e n e d e v e n t h o u g h t h e in s id e is n o t.
M y m i n d a n d D h a r m a a r e n o t in t e g r a t e d .
T h e r e f o r e m y e x p r e s s io n o f D h a r m a is n o t c o m p l e t e .
N e v e rth e le s s , a t y o u r r e v e r e n t re q u e s t,
w ith o u t re fu s in g , h o n e s t ly I w ill s p e a k .
W it h o u t c o m p r o m i s e to t h e v u l g a r b e in g s o f t h e K a li Y u g a ,
1 will s p e a k a n d y o u s h o u ld u n d e r s ta n d .
T h e L o rd o f L o rd s , m o s t r e k n o w n e d s a g e ,
by th e p a th o f h o n e s ty a t t a in e d th e s ta te o f h o n e s ty ,
and to h o n e s t b e in g s s h o w e d t h e h o n e s t n o b le p a th .
T h e r e f o r e h e is c a lle d th e g r e a te s t h o n e s t s a g e , is n t h e ?
A las ! In t h is d e g e n e r a t e a g e , t h e t e m p e r a m e n t o f b e in g s ,
th e ir c e n t e r o f n o b le h o n e s t y , is d im in i s h e d b y t h e use o f d e c e it.
T h e re fo re th e y have c ro o k e d m in d s and c ro o k e d speech.
How can w e trust those w h o lure others minds?
A las ! M i n d is c o n fu s e d b y b e h o l d in g th e b e in g s o f th is
d eg en erate age.
A las ! W h o ca n tru s t a n y o n e s s p e e c h ?
W h ile r e m a in i n g in th is la n d o f v io le n t ra k s h a s , b e c h a r i t a b le
to y o u rs e lf.
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Previously, o u r o w n s in g le m i n d ,
w a n d e rin g a n d p u s h e d b y k a r m a , t o o k b ir th in th is w o r ld .
Now, lik e r e m o v i n g a s in g le h a ir f r o m b u tt e r ,
leave e v e r y t h in g a n d g o a lo n e .
This is im p o s s ib le w it h o u t h a v in g g o o d in t e n t i o n fo r o u rs e lv e s .
This is i m p o s s ib le w it h o u t h a v in g h o n e s t y fo r o u r s e lv e s .
By n o t a c c o m p l is h i n g t h e e s s e n c e o f D h a r m a fo r o u r o w n
b en efit, w e d e s t r o y o u r o w n d o m i n i o n b y o u r s e lv e s , d o n t w e ?
T he in t e n t io n a l a c tio n s o f p e o p l e in th e K a li Y u g a a r e so b ase ,
w h o e v e r c a n n o t b e o f b e n e f i t ju s t lures us.
It is also d if f i c u l t fo r us to b e n e f it t h e m ,
so it is b e t t e r to c u t t h e c o m m o t i o n , is n t it ?
Even if o n e is le a r n e d , th is is n o t b e n e fic ia l; it o f t e n o n ly
increases m e t a p h y s i c a l d e b a t e .
Even if o n e is a s id d h a , th is c a n n o t b e n e f i t o t h e rs ; it o f te n
only a tt r a c t s m o r e a b u s e .
Even if a h ig h p o s itio n is h e ld , it c a n n o t b e s u s ta in e d ; it
often o n ly in c ite s re v o lt.
You m u s t u n d e r s t a n d th is a g e o f d e g e n e r a t i o n a n d h a v e a
w ea ry m i n d .
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Even if e x p l a n a t io n is g iv e n , o t h e r s m i s i n t e r p r e t a n d w ill n o t
accept it as t r u t h .
Even if i n t e n t i o n is b e n e f i c i a l , c a n d id a n d f r o m t h e h e a r t,
they k e e p t h e i r m is c o n c e p t io n s .
B e ho ld th is a g e w h e n c r o o k e d - m i n d e d p e o p l e see h o n e s t
ones as c r o o k e d .
The ro p e o f h o p e a n d e x p e c t a t io n m u s t b e c u t, sin c e it
ca n n o t b e n e f i t a n y o n e .
Th e V i c t o r i o u s O n e sa id : A ll p h e n o m e n a a re lik e m a g ic .
But w h a t g r e a t e r m a g i c is t h e r e t h a n th e p r e s e n t a g e ?
E n tic in g m a g i c ia n s a re p e r f o r m in g ;
fear th e b e g u i l in g , h y p n o t i s i n g p h a n t o m s o f t h e K a li Y u g a .
T h e V i c t o r i o u s O n e said : A ll s p e e c h is l ik e an ec h o .
But n o w a m u c h g r e a t e r e c h o
is h y p o c r it ic a l s p e e c h .
Sh un th e s e lu r in g w o rd s .
If b o d ily a c tio n is in a c c o r d a n c e w it h D h a r m a , t h e n m o s t
p e o p le o b je c t.
If sp e e c h is h o n e s t, t h e n m o s t p e o p l e g e t a n g r y .
If p u re f r o m th e h e a r t, t h e n m o s t p e o p le c o n s id e r it a fa u lt.
N o w it is t i m e to h id e th e s e lf-n a tu re .
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No o n e c a n b e t r u s t e d , so h a v e a v e r s io n .
N o th in g has es s e n c e , so b e s o rr o w fu l.
W h a te v e r is w is h e d fo r, th e r e is n t t i m e to a c c o m p l is h , so
stop w is h in g .
To be a c o m p a n i o n o f t h e s e t h r e e is m o s t b e n e f ic ia l.
Now h a p p in e s s is e x h a u s t e d , t h e r e is n o t i m e fo r h a p p in e s s .
Not d e s ir in g s o rro w , e n d t h e a g e o f s o rr o w b y p ra c tis in g
D h arm a.
W h e th e r h a p p y o r u n h a p p y , k n o w t h a t it c o m e s f r o m k a r m i c
force.
Now, h a v e n o d o u b t o r e x p e c t a t io n in a n y o n e .
H o p in g in o t h e r s w ith fa ls e s m ile s ,
the self p r e t e n d s w ith e x p e c t a t io n ,
doing th is a n d t h a t w it h h o p e s a n d d o u b ts .
Now, w h e n th is o c c u rs , d o n o t h i n g .
Even if d e a t h c o m e s t o d a y , d o n o t r e g r e t le a v in g s a m s a ric
d h a rm a .
Even if 1 0 0 years are survived, still, passing yo u th is not
joy ful.
W h e th e r d e a t h o r life c o m e s , so w h a t ?
To a c c o m p lis h D h a r m a fo r t h e n e x t life is e n o u g h .
Ah ! M y so le lo r d , t r e a s u r e o f c o m p a s s io n ,
root g u r u , L o r d C h e n r e z ig ,
your six s y lla b le s o f D h a r m a a r e t h e e s s e n c e o f s p e e c h .
T h e re is n o s o u rc e o f h o p e e x c e p t in y o u .
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W h a te v e r is u n d e r s t o o d is j u s t a n u n d e r s t a n d in g t h o u g h t : no
benefit n o w .
W h a te v e r is d o n e is lost fo r th is life : n o b e n e f i t n o w .
W h a te v e r is c o n s id e r e d is los t in to d e lu s io n : n o b e n e f it n o w .
It is tim e to recite th e six syllable m a n tr a : tru e b en efit now.
The u n d e c e iv in g so le r e f u g e is t h e T r i p l e G e m .
Th e e s s e n c e o f th e T r i p l e G e m is C h e n r e z ig .
Having u n c h a n g i n g tru s t in C h e n r e z ig ,
with c o n f id e n t d e t e r m i n a t i o n , r e c ite t h e six s y lla b le s .
C o m p a s s io n is t h e ro o t o f t h e M a h a y a n a p a th .
Vast c o m p a s s io n is th e o n l y p a t h o f all th e B u d d h a s .
C o m p assio nate m in d is ins ep arab le fro m the n o b le path.
W ith s p o n t a n e o u s c o m p a s s io n to w a r d s s e n t ie n t b e in g s , re c ite
the six s y lla b le s .
F ro m b e g in n in g le s s t i m e u n til n o w w e h a v e w a n d e r e d in s a m s a ra ,
w h a te v e r w as d o n e has g o n e to sin a n d f u r t h e r w a n d e r in g .
Confess t ra n s g r e s s io n s w ith h e a r t f e l t c o n v i c t i o n ,
and with fo u r perfect pow ers (l) sp o nta ne ou sly recite
the six s y lla b le s .
T h e a t t a c h e d , g ra s p in g m i n d is t h e c a u s e o f s a m s a ra .
T h e r e f o r e , o f f e r u p to s u b li m e b e in g s a n d g iv e d o w n to p it ifu l
beings a c c u m u l a t e d v irtu e s , in c lu d in g w e a lt h a n d b o d y .
D e d ic a te s a m s a r a a n d n ir v a n a to all b e in g s .
T h r o w a w a y p r e c io u s s e n t i m e n t s a n d r e c it e t h e six s y lla b le s .
The ro o t g u r u is t h e e s s e n c e o f all t h e B u d d h a s .
His k in d n e s s is m u c h g r e a t e r t h a n t h a t o f all t h e B u d d h a s .
The ro o t g u r u a n d C h e n r e z ig a re in s e p a r a b le .
Have s t r o n g , e n t h u s ia s t ic fa it h a n d r e c ite th e six s y lla b le s .
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S am sara is ju s t s e l f- p h e n o m e n a , n o t h i n g else.
If it is k n o w n t h a t all e x is t in g p h e n o m e n a a re t h e d e it y , th is
a u to m a t ic a lly b e n e f it s o th e r s p e r f e c t ly .
With fo u r p u r e - p h e n o m e n a i n it ia t io n s (5) g iv e n to b e in g s
in s ta n ta n e o u s ly , th u s s t ir r in g s a m s a r a s d e p th s , r e c ite th e six
syllables.
Various s y s te m s o f v is u a liz a t io n c a n n o t b e c o m p l e m e n t a r y
within t h e m i n d .
If just o n e B u d d h a is v is u a liz e d it is s p o n t a n e o u s l y th e n a t u r e
of all th e B u d d h a s .
W h a te v e r p h e n o m e n a a ris e is th e G r e a t C o m p a s s i o n B o d y ,
C h e n re z ig .
P h e n o m e n a a n d e m p t i n e s s a re i n s e p a r a b le , n a t u r a l d e it y
body, so r e c ite th e six s y lla b le s .
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S u b d u e t h e e n e m y o f h a t r e d w it h lo v in g w e a p o n s .
By th e s k illf u l m e a n s o f c o m p a s s io n s u s ta in y o u r re la tiv e s ,
the b e in g s o f t h e six r e a lm s .
In th e f e r t il e g r o u n d o f f a ith g r o w th e c ro p s o f e x p e r ie n c e
and r e a liz a tio n .
To a c c o m p lis h p e r f e c tly th e s e d a i ly a c tiv itie s , r e c ite th e six
syllables.
Burn th is o ld a t t a c h m e n t c o rp s e in t h e fire o f n o n - a t t a c h m e n t .
Practise e s s e n c e D h a r m a w it h p r e s e n t p h e n o m e n a , th is
c o n tain s t h e s e v e n p e rio d s . ( 10)
A c c u m u la t e d m e r i t is a s m o k e o f fe r in g ,
p e rfe c tly d e d ic a t e d to t h e d e c e a s e d , so r e c ite t h e six
syllables.
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If it is known that all scents are unborn, this is the pith of the
completion stage.
Concepts of attachment to fragrant and foul scents are self-
liberated.
Phenomena of scent, free of attachment, is the morality of
sublime beings.
Spontaneously self-liberating scent-phenomena, recite the six
syllables.
If it is known that all tastes are gana chakra, this is the pith
of offering.
Concepts of attachment to delicious and distasteful
phenomena are self-liberated.
Phenomena of taste, free of attachment, is the favorite food
of sublime beings.
Spontaneously self-liberating taste-phenomena, recite the six
syllables.
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Life just goes further and further like the sun to the West.
Death comes closer and closer like a shadow drawing near.
Our life span is like the setting sun.
There is no more leisure tim e, recite the six syllables.
If your feelings differ from mine and you have the confidence
of high point of view and meditation,
being intelligent with sophisticated worldly dharma activities,
and rely on the plans of big organizations to benefit yourself
and others,
if you have such feelings, then I must apologize to you.
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NO TES
(1) Four Perfect Powers :
1. supportive image power : power created using an image of superior
beings in a tangible or intangible form.
2. dispelling obscurations power : with supportive image power,
obscurations are dispelled through the power of weariness and regret.
3. antidote power : with supportive image and dispelling-obscurations
power, merit is accumulated through the power of applying antidotes to
the obscurations.
4. restoring to purity p o w e r : with the three powers, purification is
attained resulting in confident action.
(6) Deity reliant mantras, obtaining mantras and activity mantras are
mantras with different concentrations and aims.
(10) Seven Periods : rituals are performed for the deceased during a period
of up to three weeks or fourty-nine days after death.
(13) This is the wisdom lineage of Kunkhyen Longchenpa and Rigzin Jigme
Lingpa.
(14) Five Fire Passions : desire, hatred, ignorance, pride and jealousy.