J K.

slick
book

f
 ) )

z PTmelodiernaI
sangbara
Framfor allt i balladerna ar melodierna valdigt
sangbara och landar ofta pa ters ellor sjua pa
de betonade taktdelarna eller pa nagon fargande
ton. Tonmaterialet ar i huvudsak hamtat fran ton-
artens egna toner.
EXEMPEL pa mycket sangbara melodier:
- Just once (Quincy Jones - "the Dude")
- Smile again (Manhattan Transfer - "Mecca for
moderns"
- Through the fire (Chaka Kahn - "I feel for you")

(b> KOMPPRYLAR"
Manga melodier, speciellt i refrangerna ar nara-
pa mer en sorts kompfigur an en melodi. Ry tmen
och tonernas harmoniska funktion ar ofta v ikt iga-
re an den melodiska aspekten.
EXEMPEL pa refranger uppbyggda av "kompfig urer" :

- All right (Christopher Cross - "Another page" )

- Look who's lonely now (Randy Crawford - "Secret

combination" "Bill Labounty")
.

- Trouble in paradise (Al Jarreau - "Jarreau")

- Mornin ' (di to

(c) SEKVENSBASERADE
En fras eller ett motiv upprepas (mer eller mindre
exakt) i ett annat lage. Hela latar eller refrang-
er kan vara uppbyggda av sekvenser.
EXEMPEL pa refranger som ar sekvensbaserade :

- Llyin'inside myself (Gino Vannelli - Night-

walker )

b
> to

- Never gonna let you go ("Sergio Mendes")

Dionne Warwick - "Friends
(

in love")
- After the love has gone ("Airplay". EW&F -"I am")
 :

( inn ] o() i r, r na f o r t. )

Q
Uiikiim
Nl
"niidiiie I o(l in
1)1) I

k;in
l(

finna on annan m;in of't;i

me 1 od i Den kan vara ett snabbt riff i t.ex.

blaset. Isafall fungerar
^
den nas t an mer som en

sorts kompfigur. Mycket vanliga ar ocksa de la nga

linjer som loper i strakar, bias, eller bakgru nds
kbren. Linjerna ror sig mellan harmoniskt vik
tiga och snygga toner. De arbetar garna kontra
punktiskt gentemot melodin genom att rora sig at
motsatt hall eller ligga still dar melodin ror
sig oeh vice versa.
EXEMPEL pa lines:
- Trouble in paradise (Al Jarreau "Jarreau" )

XL A I Hi'i XL.

f^^t^^ps i^n

Just once (Quincy Jones - "The Dude")

Secret combination (Randy Crawford - "Secret c
 2
_
ackord!* - -

De t vanligaste sattet att beteckna ackord ar

de n s.k. gi tarranal ysen (C, G7, Fmaj7, Hm etc)
G/ F bet'yder da Gdur med F som baston.
Et t annat skrivsatt som inte ar sa vanligt i
5v erige ar " POL YTONE" som f.o. har gett namn(

at en fcirstiirkare).
_D_
betyder ett C7 med en bverlagrad D-durtre-
C7
klang pa topp. For att skilja det fran det
va nliga skrivsattet skiljer man pa rakt och
sn ett brakstreck .

G/F = G-dur med F som baston

Q
p = F-dur med G-dur som overlagrad treklang

Eftersom skrivsattet ar tamligen okant i Sve-

rige stammer inte detta med rakt/snett brak-
streck alltid. Vi har dock fbrsbkt att ga in
for det

Angaende 11-ackordet rader det lite oklarhet

om hur man skall beteckna det. I Sverige menar
vi att ett C13 ar samma sak som ett C7add6. Och
ett C11 a r ett B*' -ackord med C som baston.
I USA ar daremot ett C13 ett B^maj? med C som
baston. Det vi kallar 13 heter C7add6.
Vi har valt att gbra pa fbljande satt :

B^/C kallar vi for C11

Btmaj7/C kallar vi for C11add13
C7add6 kallar vi for C13

TRF ACKORDKATEGORIER

I princip bestar alia ackord inom slickmusiken av

treklanger eller sammansattningar av treklanger.
De tre huvudkat egorierna av ackord behandlas pa
f ol j ande satt.

DURACKORD
(T)

Blir ofta maj7, !

9
ma j eller
9 ( ^
=-
U ^ ) a dd9.
Cdurtreklang
i

Add9 laggs valdigt ofta med tersbas.

(r m /r)
(ackord forts s
MOLLACKORD
(2)
Forekommer nastan uteslutande med liten 7:a.
Blir ofta 9 eller m 1
rn 1 .

m7-5 forekommer oftast i grundform. (Har i huvud-

sak 2 funktioner. a/ Frsatter m7 i en II-V-I.
b/"dimfunktion" dvs genomgangsackord vid kromatiska
baslinjer och vid modul at ioner .

FWV5- g/f cj e A

(5) DOMINANTSEPTIMACKORD
Blir valdigt ofta 11- ackord.
Overlagras friskt med olika treklanger
 1 t .

lTTlARHONilKEN'Jy

()m man RiiHnr slick h.-in.mnik p;", "5ov du 1 i 1 ] ;, vi-

deunq" k;,n del t.ex. Kit;, pa fdljande siitt:
Traditione.il harmonik

A^ DT- 6
^ j- J
I
J^^ ^
eta
Slick harmonik

rcif^-T^j-^.,.-.-,-^-
S/c M^ S W C FAS

&Tr A
tfy-f Ail {*" S^9 gii &- a^^miCa?
mmf^pl
d) Harmoniserinq av durskalan
Ilikhet med den mesta vas t er andska musiken bygger
den "slicka" harmoniken pa durskalan. Men jamfdrt
med t.ex. visgenren anvander man 4- och 5-klanger
istallet for 3-klanger.
Fdljande ackord far vi av C-durskalan:
^

--"-_- -.twl:

CM, 'J Dm 7 fm7 Kin n j Q7 Am 7 Um7-'j

Av dessa bildas sedan II-V-I och langre

rundgangar
som ligger till grund for atskilliga s
andardl at ar
U.ex. All the things you are, Autumn leaves)
"If that what it takes" (Michael McDonald)
innehal-
ler en kadens hamtad fran detta schemat.
Laten qar
i B'-djr.

AMV--fo
r r r
l_-j^uJ
 (harmoniken forts.) T*
(b)Harmoniserjn'i av durskalan med frammande ackord
Valdigt typiskt for stilen a r att melodin a r inom
tonarten men att ackorden ar "frammande" eller an-
dra former (fargningar - dur byts mot moll etc.).
Typiskt a r ocksa ovantade kadenser inom tonartens
ram .

EXEMPEL :

-Tbrough the fire (Chaka Kahn - "I feel for you")

Tonight Tonight (Bill Champlin - "Runaway")

P 6*if F H3t ^ i)b

- Graceful (Koinonia -"More than feelin'")

- Love is not enough (David Sanborn)
 ,

(harmoniken forts.)
8
(c}Harmoniserinq styrd av lines
Melodin eller motmelodin ror siq mellan s a
fargande toner att harmoniken styrs d a r a v Det .

kan modulera friskt.

EXEMPEL:

- Mornin (Al Jarreau -"Jarreau")

r-j

-MTT
pa ^7 fa 6a9 (Jr 6 ti) &**
^^ 5
Tin &- X

(d)1 1-ackordet

Benagenheten att stoppa in 11-ackord i tid och

otid ar stor. Den grundl aggande harmoniska skill-
naden mellan slick och jazz ar att dar jazzmusi-
kern spelar A9 eller A13 spelar slickmusikern A11,
11-ackordet ar oftast nagon sorts mell andominant
varvid mediantik brukar uppsta.
I kadenser kan man lata 11 folja pa 11. Detta
anvands flitigt av bl.a. Maurice White och George
Duke. Det gar till och med att hitta hela latar
som ar uppbyggda av 11-ackord.
(Mer om 11-ackordet i kapitlet "kryddor")
 . .

(Harmoniken forts.)
EXEMPEL pa 11-ackordet:
- Look what you find (George Duke- "Master of
the game" )

1-

I^^EgItE3^^fcd^F-4^g^^^g^^te^i
1

)
* kompprylarIi

Rubriken avser den typ av figurer som ligger i

gitarr eller synth for det mesta. Den syftar ocksa
pa blasriff och i viss man korstammor.
Det Mr vanligt att keyboarden ligger med klanger
( Elpiano/f lygel ar allt som oftast dubbat) medan
gitarren har en kompfigur. Alternativt byter man.
Nedan foljer nagra vanliga kompfigurer.

(} 2- eller 3-klangs figurer

Den allra vanligaste rundgangen ar T-Tp-Sp-D.
Om vi utgar fran den ser mbnstret ut som foljer.
I takt 1+2 bestir kompfiguren av T och D ( I andra
takten byts baston). I takt 3+4 bestar figuren av
T och S

Detta monster finns med smarre variationer i 100-

tals latar
EXEMPEL:
All right (Cristopher Cross - "Another page")
-
- Ride like the wind (C Cross - "Navegando")
- Mornin'(Al Jarreau - "Jarreau")

Monstret kiinns igen aven i latar dar harmoniken

ar lite annorlunda.
 (kompfigurer forts)
I& EXEMPEL:
- Mr Briefcase (Lee Ritenour "Rit")

- Trouble in paradise (Al Jarreau - "Jarreau")

- You need a hero (Pages)
- Who's right - who's wrong (Kenny Loggins - "Keep
the fire". Pages - "Future street". Al
Jarreau & Randy Crawford "Casino light")
- Through the fire (Chaka Kahn - "I feel for you")

(b)Hammarklaver-"pumpbas"
Snabba attondelar eller sextondelar i diskanten pa
pianot pa gammalt rockman^r.
EXEMPEL:
- Hold the line (Toto)
- Cryin' all night (Airplay)
- You oughta know by now (Ray Kennedy)

Lika vanligt ar det att basen har attondelar som

pumpar. Gitarren dubbar ofta.

(c)Entonsprylar/Riff
Blasarna har ofta genomgaende riff som ligger i
bakgrunden .

EXEMPEL:
- Booqie down (Al Jarreau- " Jarreau ")
- Roofgarden (Al Jarreau - "Breaking away")

T.ex. gitarren kan ocksa ha ett "entonsriff"

EXEMPEL:
- We're in this love together (Al Jarreau -"B.A.")

GD Brutna ackord
Speciellt vanligt i introna. Oftast pa piano.
EXEMPEL:
- Smile again (Manhattan ransfer -"Mecca for moderns")
- You (Earth, wind & fire - "Faces")
- Just once (Quincy Jones - "the Dude")
Formen pa "si ick " 1 at arna ar oftast en utvecklad
schlager form De borjar ofta soft och by:jgs undan
.

for undan upp. Att vaxla mellan tonarterna ar po-

pulart si att refr gar i annan tonart an versen
t . ex .

Nedan fdljer ett recept pa den optimala slicklaten

INTRO Brutna ackord i piano. Rundgang pa 4

takter. Den tas i repris ett tonsteg
hbgre - da med en straklinje till.

VERS 1 Sang. Kompas av piano-elpiano som spe-

lar identiskt och lagger ackorden.

VERS 2 Bast rumma/Bas kommer in pa efterslag.

BRIDGE 1 L~ vannan tonart. Borjar f.ri. med

. i
ett 11-ackord. Blasarna spelar vackra
lines. Det hela borjar ta fart.

REFR 1 Kdrstammor. Blaset spelar fills pa de

stallen dar sangaren andas. Gitarren
har nu antligen hittat sin komppryl.

INTERLUDE Liknar introt. Modulerar med hjalp av

minst 4 11ackord i rad pa ett under-
bart satt till en ny tonart.

VERS 3 Kantslag pa virveln. I takt 4 en annor-

lunda rundgang an i vers 2.

BRIDGE 2 Som Bridge 1 fast den modulerar till

tonarten tersen over fbrra refr.
REFR 2 Ettorna i takt 1,3,5,7 pushas i bas-
bastrumma .

GITARR- Borjar med en valdsamt hog ton som

SOLO snabbt dalar. Darpa byggs solot upp
och blir fbrst 2-stammigt - darefter
3-, 4- och 9-stammigt.
Solot svettas fram under 18 timmar i
en varm studio.
OBS: FAR EJ IMPROVISERAS.
Allt for att undvika likheter med jazz.
Solot modulerar till tonarten en ters
ovanfor refr 2

REFR 3 Mer kor. Mer vrak i solordsten. Gitarren

fy Her
allt efter producentens tycke
i
och smak. Blasarna spelar nu dubbelt sa
fort som tidigare.
Hela smeten fdrsvinner sa i fjarran...
 : . "

\t
Sarskiida kadens e
Nagot som an vand s flitigt ar "in-u t-in "mbns t-
IN-UT-IN"

ret i kadens en s om fbregar t.ex. versen eller

refrangen. " In-u t-in" betyder att man fran den
tonart man b e f i n ner sig i gbr en utflykt till
nagon annan tona rt for att atervanda. Man okar
den harmonis ka s panningen for ett bgonblick
efter det ka' nd a mbns tret "spanning-avspanning".
Det t a kan sk e i olika hog grad. Ar man i C-dur
sa ar ett "b es ok " i G-dur inte lika "spannande"
som ett beso k i F -dur. F - dur ar mer "Ut"
(eller"out") an G -dur .

Vi har valt ut n agra t/piska "si i ck -vari ant er

pa "in-ut-in "-mo nstret .

Dominanten for egas a v ackordet en halvton

eller even tuel It en hel ton upp
EXEMPEL :

- Smile ag ain (Manhattan Trans fe r )

jr A A> H/ A/E M9
'^rrrmm ^8 m^ ^s

- Trouble in paradise (Al Jarreau)

* Dito - fast fler ackord ar utanfbr tonarten.

EXEMPEL:
- You (Earth, wind & fire)
Hkt?- &*,? FA Ejl

^j^

Dominanten ersatts av ackordet en helton

under Tonikan.
EXEMPEL :

- Lost in the hurrah (Marc Jordan - "Blue desert")

 (kryddor forts.)
7
Dominanten foregas av ackordet en halvton over
II i tonarten.

EXEMPEL :

- You (Earth, wind & fire)

Rundgangar som ar varianter pa de tidigare

EXEMPEL :

- Reach out (George Duke)

F-dur: C11jAm7 Dm7 G11 g|c11

- We're in this love together (Al Jarreau)

- Who's right - who's wrong (_Pa_g_e_Sjl K Loggins)

Cua(Hi<L

'ytmiska markeringar
EXEMPEL;
Without you (Bill Champlin)

CAM NO LOMC-CR TAK'F x

AM I'm FikIDIW ir HARo To
Hc.w) eCKl'J
\
.SHAKfc DC
CAtl'rrf .u. MthEaCT what ror>o
GrwMA h^t TO MAXP
1

I'M
,T
' NEVER TVWU,<r V^p 6^ ,',
'

fcLrr
iit
-<ou
iT
gftf
8Toe without ToU
Yr<>- Lr>J i si Two
b
A mt/t
 )

( k r yddor forts.
jij EXEMPtL:
- Fearless (

i
- Whatever we imagine (James Ingram)
- If that'swhat it takes (Michael
- McDonald)
l-unky bumpkins (Koinonia)

(c "instrumenLerinq "
-Att lata fly"iT7El piano spela samma sak har
redan tidigare namnts. Det ger en
fyllig klang
med bra a tack. Ofta - specieilt
har man alltmer bytt ut det ena p/senare ar
eller baqge
mot s'ynthar rned liknande sound.
Cenom midi-
koppling kan man ju spela bada
samtidigt
y pa ett
keyboard. h

- Bas/Bastrumma fdljs sa gott som alltid

at och
markerar samma synkoper och accenter.
dubbar man basen med s-ynthbas. Ibland

- Nar basen har en harmonisk linje

eller ett
riff som aterkommer ar det vanligt
att gitarren
dubbar en oktav upp. Sana har figurer
ar ofta
med som ett sorts svar till melodins
Uvs. Sangen sjunger ett kort motiv
"fraqa"
Bas/gi tarr
harmar eller kontrar.

Blasriff/fills ligger nastan uteslutande i

halen". Alltsa dar sangen gor uppehall.
rift ar sallan nagra vackra melodier
Dessa
utan har
mer en rytmisk funktion. (De vackra
melodierna
kallas lines ) .

2- eller 3-stammiga gitarrsolon, intron och

tills ar kanske det allra mest typiska
for
den "slicka" genren. Det ar sallan
nagra lanqa
solon med snabba rakor utan ofta bara 4
langa och coola. Vanligt ar ocksa att takter
solona
i pnncip ar melodin pa refr eller vers med
smarre variationer (garna i en annai t
onar t ) .

Percussion ar en viktig krydda. En

trianqel
t.ex. ger en valdig lyster at soundet
En
cabassa kan oka svanget atskilligt
taget ar olika percussi oni nsl
Overhuvud
ag bra for varia-
t ionen .

- Man jobbar mycket med att variera

tion^ instrumenta-
soundet, tonarten, harmonierna mellan
de olika delarna.
 , )

SKIVLISTA
(STORA BOKSTAVER - SUPERSLICKT
sma bokstaver - slickt) /r
Artist/grupp titel (producent - skivnr - utg.ar)
A

AIRPLAY - AIRPLAY (J Graydon-D Foster - RVP 6456 - 1980)

Allen, Peter - Bi-Coastal (D Foster - SP 4825 - 1980)
- Not the boy next door (R Landis -
Arista 205 198 - 1983)
Alessi - Driftin'Uouis Shelton - AMLH 64713 - 1978)
- Long time friends (C Cross-Michael Ostin -
QW K 56 999 - 1982)
America Perspective (McCauley/Zito/Burgess - 064 24 0216
- 1

- 1984)
ANKA, PAUL - Walk a fine line (D Diante - CBS 25259 - 1983)
Attitudes - Good news (Jay Lewis - DH 3021 - 1977)
AUSTIN, PATH - Every home should have one (Quinsy Jones -
5693 - 1981
QWK
PATTI AUSTIN (Q Jones m fl - 923 974-1
- - 1984)
- GETTING AWAY WITH MURDER (dito -
925 276-1 - 1985)
Average white band - Shine (D Foster - AL 9523 - 1980)

B
Bailey, Philip Contin uation
The wo nders of his love (PB - 92 3744 1-1984)
-
- Chines e wall ( P Collins - CBS 26161 - 1984)
Benson, Georg e - Li vin inside y our love (T LiPuma
2BS K 3277 - 1 979)
- In you r eyes ( A Mardin - 92 3744 1 - 1 983
- 20/20 (R Titel man - 925 178-1 - 1985)
- Give m e the ni ght (Q Jones - HS 3453 - 1980)
- Weeken d in LA (T LiPuma - WB 3139 (197 8)
Berger, Miche 1 - Dreams in st on e (MB-Philippe Rault -
WE A K 99228 - 1982)
Breckei;r Broth ers - Dete nte (G D uke - AB 4272 - 1980)
Bright orange - Bright Orange ( L Wellander - KS 80036 1983)
Broom Bobby - Clean sw eap (Dav e Grusin/Larry Rosin -
Ari sta CRP 55 04 - 198 1)
Brown Sheree - the Mus ic (ST - 122 29 - 1978)
Br y son ,Peabo - Take no prisone rs (A Mardin+T LiPuma -
WB 960 427-1 - 1985)

Carlton, Larry - (LC -.BSK 3221 -.1978)

Larry Carlton
3~35.Live in Japan (LC - WB 56721 -
- Mr 1979)
- Strikes twice (LC - BSK 3380 - 1980)
- Sleepwalk (LC (LC - WBK 56974 - 1982)
- Friends (LC - WEA 92 3834 1 - 1983)
Casiopea - Casoipea (ALR 6017 - 1980)
- Mint Jam (ALR 2002 - 1982)
- Brush stroke
 SKIVLISTA(Rlad 2)

II Casiopea - Jive jive (ALR 28052 - 1983)

- Thunder live (ALR 6037)
- Make up city (ALR 28007 -
1980)
- Eyes of mind (ALR 28016)
- cross point (ALR28029 - 1981)
- Photographs (ALR 28049 - 1983)
-4x4 (ALR 28045)
~ the sound of grapby'(saml-LP)(ALR 28055)
.

gn
mt r
rH?rSrn - XVI (D !Foster
LH11AC0
- XVII
h art (C ~ neor ge Massenburg
f
- WEA K 99235 -
1982)
(D foster- WEA 925 060-1 - 1984)
CBS 25038-1983)

CHAMPLIN, BILL - Single (D Foster FULL MOON

JE35367 - 1978)
~ Runaway (D Foster - ELEKTRA 5E-563 - 19811
CRAWFORD, RANDY - Secret combination
(T LiPuma -
WEA - BSK 3541 - 1981 )
- Windsong (T LiPuma - WB K 57011 -
1982)
Nightline (T Li P uma ~ WEA 92-3976-1 - 1983)
rBn
CROSS, ruRTCTnDurn
CHRISTOPHER - Navegando (M 0'Martian - LWB
5447-1981)
- Another page (MO - WEA 923757-1 -
1983)
- Every turn of the world (MO -
WEA 925
WEA 925 341-1 - 1985)
Crouch, Andrag - I'll be thinkin' of
y*,u (Bill Maxwell-
LS-7052 - 1979)
- Don't give up(BM - WB K 56949 -
.

Casino light (saml. LP A Jarreau, R Crawford, 1981)

Yellow j ackets
U Sanborn m f 1 ) (T LiPuma
. . -WB 92.3718-1 - 1982)

D
DaCosta, Paulinho
Happy people (PD - 2312 102 -1979)
-
Sunrise
- PD - 2312 143 - 1984)
(
DeBarge - Rhythm of the night (J Gray don-DeBarqe -
ZL72340 - 1983)
Diggs, David - Realworld (Bob Edmondson -
PA 8037 - 1983
Doobie Brothers - Takin it to the streets (Ted
Templeman -
BS 2899 - 1976)
- Livin on the faultline (TT - KBS
3045-1977)
- Minute by minute TT - BSK 3193 - 1978)
(

- Farewell tour 2L P "1 i ve " ( T T- WEA 923772-1

( )
1983)
DUKE, GEORGE - Follow the rainbow (GD - EPC 8336 -
1979)
- Dream on (GD - EPC 85215 -
1982)
- Guardian of the light (GD - EPC 25262 -
1983)
- Rendezvous (GD - EPC 26059 - 1984)
- Thief in the night (GD 960 398-1 -
1985)
Delta - Delta (M McDonald - WB 252 561-1 - 1985)
Dakota - Runaway (Danny Seraphine - MCA 5502 - 1984)

E
Eagles Hotel California (Bill Scymczyk - AS 7E
-
1084-1976)
Eagles live (BS - AS 62 032 - 1980)
-
Earth, wind & fire - That's the way of the
world (Sig Shore-
CBS 32054 -1975)
- Spirit (Maurice White & Charles Stepney
CBS 81451 - 1 976 )
SKIVLISTA(Blad 3)
f*
Earth, wind & fi re 977)

- 1983)
Easton, Shena - A p 0229-1
1984)
y84
I
J

Best kept
k -secret (GM+J Graydon
1077951 - 1983)
EMI
Edwards, Dennis - Don't look any further (Dennis L a m b e r t
GORDY /I.72U8 - 1984)
Eye to eye - Eye to eye (Gary Katz - WAN 56940 - 1982! )

- Shakespeare stole my baby (GK - WEA 239V.9-1

1983)

FORD, ROBBEN Schizophonic (Kris Huston -MCE 3028 - 1976)

-
The inside story (Steve Cropper - ELEKTRA
-
P-10625E - 1979)
- Love's a heartache (Kazu Matsui - 28MM-0253
1984)
Witherspoon, Jimmy - Live JW & Robben Ford (Mike Verner -
LArecords GG 58003 - 1977)
FAGEN, DONALD - The nightfly (Gary Katz - WEA 92-3696-1
1982)
Ferguson, Jay - White noise (Michael Verdick+JF - CAPITOL
064-400 077 - 1982)
Ford, Dwayne - Needless freaking (D Foster mfl - EPIC
85897 - 1982)
FOSTER, DAVID - The best of me (DF+Taka Nanri - S00ND
DESIGN 1342-9 - 1983)
FRANKS, MICHAEL - The art of tea(T LiPuma WEA REP 54048X
1975)
- Burchfield nines (WB 56479 - TL - 1978)
- One bad habit (WB 56814 - TL+A Fischer
1980)
With crossfire(live) (MF WB-56922 - 1980)
-
Objects of desire (WBK 56973
- Michael
Colina+Ray Bardani- 1982)
- Passionfruit (Rob Mounse - WEA 92-39621
1983)
- Skin dive (RM - WEA 925275-1 - 1985)
Friendship - Friendship (Lee Ritenour+Don Grusin - ELEKTRA
6E-241 - 1979)
- Friendship/L Ritenour
Front, the - the Front (RMLP 018 (1985)
Franklin, Aretha - Love all the hurt away (A Mardin -
AL 9552 - 1981 )
 )

(f SKIVLISTA (Bind 4)
G
Gronenthal, Max - Whistling in the dark (Michael James
Jackson - CHR 1231 - 1979)
GRUSKA, JAY - Which one of us is me (JG - WEA 923923-1 1984)

H
Hall, Lani - Blush (Allee Willis - AMLH 64 829 - 1980)
Henderson, Finis - Finis (Al McKay - Bellaphon 260-15-058
1983
Holliday Jenni f er
, -

y ou love me (T LiPuma, M Jacksonmfl

- Say
SCBS 26564 - 1985)
Hyde, Paul & the Payolas - Here's the world for ya
(D Foster - A&M 395 025-1 - 1985) ^
Hall & Oates - Along the red ledge (D Foster - INTS 5258
1978)

I-ten - Taking a cold look (Keith Olsen+Steve Lukather

CBS 25637 - 1983)
INGRAM, JAMES - It's your night (Quincy Jones - WEA
923970-1 - 1983)

Jackson Michael - Off t he wall (Quincy Jones - EPIC

,

83468 - 1979)
- Thril ler (QJ -EPIC 85930 - 1982)
Jacksons - Destiny(EPIC 83200 - 1978)
JARREAU, AL - Glow T Li Puma - REP 54 073 - 1976)
(

This time (J Graydon - WB 56 804 - 1980)

Breakin 'aw ay( JG WB 56917 - 1981
Jarreau (J G - WB 25 0070-1 - 1983)
High crime (JG - WB 250 807-1 - 1984)
In London( live) (T LiPuma - WB 252 369-1-1985)
JONES, QUINCY - Mel low m adness ( A&M SP-4526 - 1973)
- I heard that (A&M SP 3705 - 1973-76)
- Sounds and stuff like that (A&M SP4685
. .

1978)
The Dude (A& M AMLH 63721 - 1981
-
)

JORDAN, MARC - Mannequin (Ga ryKatz - WEA BSK 3143 - 1978)

- Blue Dese rt Jay Graydon - WEA P-10774W - 1979)
(

- Hole in t he wall (MJ+Don Murry - S0UNDDESIGN

1342-0 - 1983)
5KIVLISTA (Blad 5) JO
K '-*#.

Kennedy, Ray - Ray Kennedy (D Foster - CBS 25AP 1884 - 1980)

KCB - Motion R Kennedy: sanq) (Kenny Kerner+Riche
( Wise
MCA 2221 - 1V76)
Khan, Chaka - Chaka (A Mardin - WEA BSK 3245 - 1978)
- Naught^(AM - WB 3385 - 1980)
- What cha' gonna do for me (AM - WB 56888 - 1981)
- Chaka Khan (AM - (AM - WB 923729-1 - 1982)
- I feel for t^ou (AM, D Foster, R Titelman m f 1
WB 925162-1 - 1984)
KIPNER, STEVE - Steve Kipner (J Graydon - ELEKKTRA 6E-202
1979)
Koinonia - More than a feelin'(Bill Schnee - RMLP 009 - 1983)
- Celebration (Bird 156 - 1984)

L
LaBounty, Bill - Bill Labounty (R Titelman - WB K 56988 -1982)
LARSEN-FEITEN BAND - Larsen-Fei t en band (T LiPuma - BSK 3468
1980)
Full Moon/Featuring L arsen/Fei ten WB K 56933 - 1982)
(

Larson, Nicolette - Radioland (T Templeman - BSK 3502 - 1980)

Lava - Crusin (L - PGR 2382 120 - 1981)
- Prime time (L - PGR 2382 134 - 1982)
- Fire (L - PGR 821 631-1 - 1984)
Loggins, Kenny - Celebrate me home (P Ramone+B James -
CBS 81882 - 1977)
- Nightwatch (B James - CBS 35387 - 1978)
- Keep the fire (Tom Dowd - CBS 83869 - 1979)
- Alive (CBS - 88500 - 1980)
- High adventure (KL+Bruce Botnick - CBS 05932
1982)
- Vox humana (KL - CBS 26221 - 1985)
Lorber, Jeff fusion - Galaxian (JL+Rik Pekkonen - AL 9545
1981 )

Lorber, Jeff- It's a fact (JL - AL 9583 - 1982)

- In the heat of the night (JL-ARI 90100 - 1984)

M
Madagaskar - Spirit of the street (John Barnes -AL 9565-1981)
McDONALD, - If that'swhat it takes (T Tempi eman + Lenny Waronker-
(M1CHA6O WB 57018 - 1982)
- No lookin'back (MM+TT-'WB 925291-1 - 1985)
Manhattan Transfer Extensions (J Graydon - ATL 50674
- - 1979)
Mecca for moderns J (ATL 50789 - JG
- - 1981)
- Bodies and souls (Richard Rudolph -
ATL 78-0104-1 - 1983)
Mathis, Johnny - A special part of me (Denny Diante -
CBS 25475 - 1984)
MAXUS - Maxus (M 0'Martian - WEA P-11141 - 1981)
Mendez, Sergio - Sergio Mendez (SM - AMLH 64937 - 1983)
 SKIVLISTA (Blad 6)
v>
Miller, Marcus - Suddenly (MM+M Colina+R Bardani -
WEA 92-3806-1 - 1983)
- Marcus Miller (MM+RB - WEA 925 074-1 - 1984)
Mathison, Greg, project - Baked potato super live (CBS
25AP 2315 - 1982)

N
Newton, Juice - Can't wait all night (Richard Landis -
RCA PL84995 - 1984)
- Dirty looks (RL - 064-712294 - 1983)
NIELSEN-PEARSON - Nielsen-Pearson (R Landis - CAP ST12101
1980)
- Nielsen-Pearson band (EPIC 34984 - 1978)
- Blind luck (Bill Schnee - EMI ST-12176-
1983)
Night - Night (Richard Perry - PLA P2 - 1979)

'
Marti an Michael - White horse (MO - MYRA 1048 - 1974)
- Adam again (M0 - MYR 1058 - 1977)
- Seasons of the soul (M0 - MYR1 073-1 979
- The Builder (M0 - MSB-6636 - 1980)

P
PAGES Pages (Bobby Colomby - JE 35459(CBS) - 1978)
-
Future street (BC - EPIC 83816 - 1979)
-
- Pages (J Graydon - CAP 1A 062-86350 - 1981)
MR Mister - I wear the face (Peter Mclan - RCA PL84864 -1984)
- Welcome to the real world (MM+Paul DeVilliers -
RCA PL89647 - 1985)
Perry, Steve - Street talk (SP CBS 25967 - 1984)
Phillinganes, Greg - Significant gains (PLANET P17 - 1981)
- Pulse (Richard Perry - PLA FL84698-1 984
Preston, Billy - Pressin'on (BP+R Benetar+G Senogles -
Bellaphon 260-15-041 - 1982)
 )

SKIVLISTA (Blad 7)
Zl
Rhythm Heritage - Disco fied (Steve Rarri+M O'Martian -
ABCD-934 - 1976)
- Sky's the limit (SB+MO - ABC-1037 -1978)
- Last night on earth (SB+MO - ABC987-1977)
Rite on time - Rite on time (Rot - PHILIPS 812045-1 - 1^83)
Ritenour, Lee - Captain fingers (Skip Drinkwater - EPIC
34426 - 1977)
- The captain's fingers (LR+Dave Grusin -
ELK 52 094 - 1978)
- Eeel the night (ELEKTRA 6E 192 - 1979)
- Rit (Harvey Mason-D Foster-LR - ELK 52273-
1981 )

- Rit 2 (H Mason-LR - ELK 960186-1 - 1982)

- Banded together (G Mathison-Tre vor Veiteh-
LR - ELK 960 358-1 - 1984)
ROBERTS, DAVID - All dressed up (G Mathieson - ELK K 92011-
1982)
Richie, Lionel - Can't slow down(LR+James Anthony Carmichael
MOTOWN ZL 72020 - 1983)
Ruff, Michael - Once in a lifetime (T LiPuma - WEA 925 159-1
1984)
Ross, Diana- Why do fools fall in love (DR - RCA AFL1-
4153 - 1981 )

- Ross (G Katz/DR/Ray Parker Jr - EMI 1C 064-

1983)
RUFUS - Party til you're broke (R+John Stronach - MCA-5159-
1981 )

RUFUS & CHAKA KAHN - Camouflage (MCA 5502 - 1981)

- Stompin at the Savoy(live) -
Titelman - MCA 92 3679-1 - 1983)
(R
Russell, Brenda - Brenda Russell (Andre" Fischer - A&MSP3174
1979)
- Two eyes (T LiPuma - WB 923839-1 - 1983)

Seawind Lig ht the light (T LiPuma - HORIZON SP-31 73 - 1 979

-
Sea win d (G Duke - AMLH 64824 - 1980)
-
- Sea win d (H Mason - CTI 5002 - 1976)
Bob & Pauline Wi lson - B & P Wilson (BW - MYR 1102 - 1981)
SCAGGS, B0Z - SI ow dancer (Johnny Bristol - CBS 32760-1974)
Do wn two then left (Joe Wissert - CBS 86028 -
197 7)
Si Ik degrees (JW - CBS 81193 - 1976)
Mi ddle man (Bill Schnee - CBS 86094 - 1980)
Ur ban cowboyC (B Schnee/D Foster - 1980)
SENDER (Ross Van nelli mfl) - Exiled on earth - KKL I -0547-
198 4)
Sanborn, Davi d - As we speak (WB K 56975 -1982)
Sembello. Mic hae 1 - Bossa nova hotel (Phil Ramone -
WB 92- 3920-1 - 1983)
SCOTT, TOM - Blo w j out (TS + Hank Cicalo - EPIC 34966 -
:

197 7)
App le juice (TS+HC - CBS 37419 - 1981)
Des ire (Jeffrey Weber - MUS K 52 411 - 1982)
Tar get (WB 78-0106-1 - TS - 1983)
a SKIVLISTA (Blad 8)
Seals, Dan - Harbi nger (Kyle Lehning - SD 19336 -
1982)
Snow, Tom - Hungry nigh ts (Dean Parks -ARISTA
Steely Dan - Can't buy a thrill (Gary Katz MCA
AL9600-1982)
- Count down to ecstasyT
37040-1972)
(GK - MCA 37041 - 1973)
- Pretz el lo gic (GK - MCA
37042 - 1974)
- Kafcy lied (GK - MCA
37043 - 1975)
- the R oy^l scam (GK -
AB 931 - 1976)
- Aja ( GK - MCA AA 1006 -
1977)
- Gauch o (GK - MCA 6102 -
1980)
Sons of Champlin - the Sons (CAPITOL SM-332)
Lods en up naturally (2LP - CAP SWBB-200)
Lovi ng is why (Christopher Bond -
Ariola A m. ST 50017 - 1977)
Sorrenti, Alan - L A NY (J Gray-don mfl - SLP3055 -
1979)
- N on 50 che darei (G
Mathieson - SLP 3065
1980)
STALLONE, FRANK - Frank Stallone (FS+Vince Dicola -
821 237-1
1984)
Summer, Donna - Do nna Summer (Q Jones - WEA
K 99163 - 1982)
- Sh e works hard for the
money (M 0'Martian -
LPR 1908 - 1983)
- Ca ts without claws (M0 -
WEA 250 806-1 -1984)
Simmons, Patrick - Arcade (John Ryan - ELEKTRA 96-0225-1
1983)
St. Elmo's fire(fi lmmusik) (D Foster -
Atlantic 781261-1
1985)

T
Taff Russ Walls of glass (Bill Schnee - MYR 1121
- - 1983)
Medals (RT+Jack Joseph Puig - MYR 1173
-
- 1985)
T0T0 - Toto (T - CBS 32165 - 1978)
Hydra (T+Tom Knox - CBS 83900 - 1979)
Turn back (T+Geoff Workman - CBS 84609 - 1981
)
IV (T - CBS 85529 - 1982)
Isolation (T - CBS 86305 - 1984)

VW
WAGNER, JACK - All i need (Glen Ballard/Clif Magness -
QWEST 925 089-1 - 1984)
- Lighting up the night (GB/CM Q 925318-1 -
1985)
VANNELLI, GIN0 - Crazy life (H Albert - A&M SP3139 -
1973)
- Powerful people (G & Joe V - A&M AMLS
63630
1 974 )

- A pauper in paradise (G&JV - A&M

AMLH 64664
1977 )
- the Gist of the Gemini (G&JV - A&M AMNP
103 - 1976)
- Brother to brother (G&J&Ross V -
AMLH 64722
19 7 8)
- Nightwalker (G&J&R V - AL 9539 - 1981)
- Black cars (G&J&R V - PGR 825 108-1 - 1984)
SKIVLISTA (Blad 9)
Watanabe, Sadau - Maisha (SW - WB 252 914-1 - 1985)
^
^T
WATTS, ERNIE - Chariots on fire (Q Jones - QW K 56 982-
1982)
- Musician (EW+Don Grusin - WB 925 283-1 - 1985)
Waybill, Fee - Read nyytlips (D Foster - 2402511 - 1984)
Webb, Jimmy - Angel heart (Matthew McCauLey- Fred Mollin -
F C 37695 - 1982)
Wells, Cory - Touch me (David Anderlee - A&M SP-4673 - 1978)
Williams, Deniece - Let's hear it for the boy (DW+G Duke
CBS 26010 - 1984)
- When love comes calling (D Foster 1979)
Wilson, Carl (Beach boy.s)- Carl Wilson (Jeff Baxter -
CRB 25225 - 1982)
Woods, Steve - Take me to your heaven (Jack White - 204
235-320 - 1981 )

Wolfer, Bill - Wolf (BW - WEA 960187-1 - 1982)

Wonder, Stevie - Music of my mind (SW - STMA 8002 - 1972)
- Talking book (SW - TAMLA T319L - 1972)
- Fulfillingness'first flight (SW - T 332
1974)
- Inner-visions (SW - STMA 8011 - 1973)
- Songs in the key of life (SW - MOTOWN
2-48001/2 - 1976)
- Hotter than July (SW - MOTOWN 062-64121
1980)
- The woman in red (SW - MOTOWN ZL72285
1984)
- In square circle (SW - MOTOWN ZL72005
1985)
Voudoris, Roger - Roger Voudoris (M 0'Martian -
WB BSK 3154 - 1978)
- On the heels of love (Charles Calello
BOARDWALK NB1-33233 - 1981)
Warwick, Dionne - Friends in love (J Graydon - Arista
90028 - 1982)

YELLOWJACKETS - Yellow jackets (T LiPuma - WB BSK 3573 -

1981 )

- Mirage a trois (TL - WB 92-3813-1 - 1983)

- Samurai Samba (TL - WB 925 204-1 - 1985)
4
KOMMENTAR TILL SKIVLISTAN
Det svaraste i arbetet med skivlistan ar att veta
var man ska dra gransen nagonstans. Bedomningen
blir
givetvis valdigt subjektiv och gransdragningen kan
klart diskuteras. Namn som SPYRO GYRA, MEZZOFORTE,
BOB JAMES, /STUFF, DAVE GRUSIN, CRUSADERS, LITTLE TEAT.
RAY CHARLES, HERBIE HANCOCK ,, JONI MITCHELL, TUBES,
JEFFREY OSBORN, MAYNARD FERGUSON kanske vi borde haft
med men vi valde att lamna dem vid sidan om.
Naturligtvis finns det ett stort antal plattor som
vi inte ens har hdrt talas om som saknas. Upplysning*.
ar av den typen tar vi garna emot.
Manga i skivlistan finns bara representerade med ett
fatal skivor. Det galler t.ex. GEORGE DUKE, BRECKER,
GEORGE BENSON, CHICAGO, DOOBIE BROTHERS, BOZ SCAGGS.
Vi tog med det vi upplevde som "slick".
Bedomningen i slick/SUPERSL ICK ar kanske annu mer
subjektiv. Syftet med det ar att valja ut ett litet
begransat antal framfdr allt for den som inte ar sa
bekant med musikstilen. For den insatte kan det tjana
n^.tta genom att visa pa vad vi varderar som "slickast",

Anskaffninq av skivor
Manga av dessa skivor (for att inte saga de fiesta) ai
oerhort svara att fa tag pa. Ett flertal finns over-
huvud taget inte utgivna i Sverige. Och finns de ut-
givna sa gdrs det valdigt dalig reklam. Man kan finna
my'cket bra om man bladdrar i rea-backar. Titta
p5
musikerlistan pa baksidan.
Ar man en riktig entusiast sa kan man skicka efter
ifran Japan eller USA. En del skivaffarer har specia-
liserat sig pa att importera skivor.
 )

DEL II

Tnnehall
o
all
V-irftf ter
After the love has gone 4
All behind us now 8
All in the name of love 10
All right 12
And the melody still lingers on
(A night in tunisia) 14
^Anthem (from Chess) 18
Anyway you can 20
(Synth solo: David Pack)
Appaloosa 22
Automatic man 24

Back on the road 26

(Guitar solo: Steve Lukather)
Best of me, the 28
Black and blues 30
(Guitar solo: Jay Graydon)
Boogie down (horn arr) 33
Boogie down 34
Black cars 36
Born to love you .. 38
Broken wings 40

Cryin' all night. 42

Divina 44
Do be do be 46
Do you love me 48
Don t look any further
' 50
Don t s low down
' 52
Don t stop
' 54
Don t try to s top me now
' 56
(Guitar solo: Michael Landau)

H-Easy ,
58
(Vocal scatsolo: Al Jarreau, Synth solo:
Larry Williams)
Echoes of love 61
Ending, the (Guitar solo by: Jay Graydon) 64
Endless 66
Eye to eye 68

Fadeaway 70
(Guitar solo: Steve Lukather)
Fearless 72
(Guitar solo: Jay Graydon)
Freetime 74
Frontline 76
Funkabilly swing 78
Funkabilly swing (Horn arr .
80
Funky Bumpkins 82
 Gazoot. . .
tm
*:Glory of love , the
8fi
Gotta get back to love. .'.'.'.[
oo
Gospel 88
;;;;;;
Graceful . oi

Happy face _
Homecoming song ......'.* qr>
Homecoming '.
. . . . qa
Hold me til the mornin comes
' '.'.'.[ * ." ."
'.
'.'.'.'.'.'.'.'.',
96
(Guitar solo: Steve Lukather)
-*Hold the line QP
Horus ;l
100
believe
I
I gotta try [[ [[ '///.]" '/[ "/
,
n
_
'
"
[[][[
I just wanna stop *i g
*

I never gonna let you go !..".".!!!!!.".'!.".*""

108
(Synth solo: Robbie Buchanan)
I 11 supply the love
'
112
I d like to go back home again ...!!.."!!.!!!."]."!
'

If she loves 114

*116 ]
I f that s what it takes ......'...'.'.'.'.'.'....'.
'
118
Imagination !!!!!! 120
Imagination (Horn arr .)....'......'...'.........,'/
122
In the stone !!!!!*! 124
In the stone (Horn arr) .*!.*!.*.*.!.'!.'.'.*.*!."*
126
^ arreau
128
Jum P
130
(Synth solo: Eddie van Halen)
Just let me wait
132
^Just once. !!!!!!! 136
Kvrie
..140
Last nite -,
2
^Lately
] 144
Learn to love again 14 6
*
Let's start all over
14 g
Life on the wire
150
Living inside myself
nyself 152
!
Livin' it up !!!!!!!!!!
i i i 154
Lonelv
T .,
weekend
"7. -,i
Lite till
u
1DD,
,
5g
Look what you find
160
Look what you find (horn arr) ..!.!...!."!.*![.'.*.'
163
Look who's lonely now !!!!!!!!!!!"*" *164
Lost in the hurrah !!!!!!!!!!!!!"** 166
(Fliigelhorn solo: Jerry Hev)
~
Love is not enough
16g
Love at second sight !!!!!! 170
(Synth solo: David Foster)
Love is waitinq 77
,

Y<Lush life \ !.*!."!!!!!.* !!."

i i
174
Maniac , _
fi
(Guitar solo: Michael Sembello)
Monmouth college fight song
178
(Guitar solo Robben Ford) ....".*.' .'
* .*.".'
181
." .' .'
: \
\
Mornin '
IB 2
(Synth solo: David Foster)
Maxine (vocal arr) 185
Mr Briefcase 188
My babv 19
(Guitar solo: David Pack)

Normalisation 194
Not like this 195

One hundred ways 196

Only one, the (You turned me inside out) 198
Oops 20 2
Overjoyed .206

Pass it on 208
Please hold on 211
Pools 214
Put the weight on my shoulders 216
(Guitar solo: Mike Miller)

Ouasimodo 219

Raging waters 220

Reach out 222
Read my lips 224
Ride like the wind 226
Roadsong 228
Reasons 229
Roof garden 232
^Rosanna i. 234
(Synth solo: Steve Porcaro, Guitar solo:
Steve Lukather)

Sara 238
/Savin all mv love for vou 240
Search, the. 242
September 244
Shadows in the rain 246
Shaker song 248
Should we carry on 250
Shout ~ 252
Shout (Horn arr.) 254
Silverlake 256
Singasong 258
Smile again 260
Song for Katie 262
Storm 264
Sweet lucy 26 5
Super blue 266
Sure enough 26^
(Sax solo: Tom Scott)
Sweat it out 270

Take i t uo town 27"

Talk ~ 274
Thank you 276
(Synth solo: Greg Mathieson) 278
.That's what friends are for 280
There s no easy way
' 282
Through the fire 284
-Tonight, tonight 286
Too young 288
Trains 290
Trouble in paradise 292
They danced 29 4
(Guitar solo: Michael Landau)

United blues 297

Valentine 298

We're in this love together 300

^We are the world 302
We can work it out 306
We can work it out (Horn arr .
308
What a fool believes 310
Weekend in LA 313
^Whatever we imagine 314
Wheels of life 316
When I loose my way 318
Without you 320
Who s right who s wrong
' ,
' 322

You 324
You and I 328
You bring the sun out 330
You might need somebody 332
You need a hero 334
-^You're the inspiration 336
 k.

slick
book

f
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5LICKA PRODUCENTER:
QUINCY JONES
Bbrjade som jazztrumpetare pi 50-talet. Arran-
gerade at bl.a. Ray Charles, Dizzy Gillespie,
Count Baise pa 60-talet. Har skrivit och pro-
ducerat mangder med filmmusik. T.ex. ROOTS
("Rotter" efter A Haleys bok). Ar idag en av
de mest betydelsefulla producenterna vi kan
tanka oss. Har producerat bl.a. Michael Jack-
son's "Thriller" (Varldens mest sSlda platta),
Donna Summer, Patti Austin, James Ingram. Han
har utgivit ett stort antal plattor under eget
namn ("the Dude" ar den senaste). Producerade
band-aid-llten "We are the world".

JAY 6RAYD0N
Gitarrist och producent. En av forgrundsgestal-
terna vad det galler utvecklingen av ett slickt
gitarrspel - slval komp som solo, fir mastare pi
att spela 2- eller 3-stammigt.
Producent for bl.a. Al Jarreau, Marc Jordan,
Manhattan Transfer, Pages, Airplay och Dionne
Warwick.

TOMMY Li PUMA
Bb'rjade som jazzproducent pi 60-talet. Ar idag
en av de stbrre prod, ol Warner bros.
Har producerat bl.a. George Benson, Al Jarreau,
Michael Franks, Randy Crawford, Yellowjackets,
Brenda Russel, Seawind, Larsen-Feiten-band.

DAVID FOSTER
Lltskrivare och keyboard-player. En forgrunds-
gestalt kanske mer an nlgon annan. Hans lltar
och slingor (aven strlk/bllsarr. ) finns med pi
i princip allt bra frln USA.
Viktiga produktioner: Earth.Wind & Fire, Bill
Champ! in, Chicago, Airplay, Lionel Richie,
Chaka Kahn, Boz Scaggs, Average white band.

Andra producenter av vikt:

GARY KATZ (Steely Dan, Marc Jordan m.fl.)
MICHAEL 0-MARTIAN ( Maxus, Christopher Cross, Donna
Summer plus egna soloplattor).
ARIF MARDIN (Chaka Kahn, Aretha Franklin m.f.).
TED TEMPLEMAN (Doobie brothers, Michael McDonald)
MAURICE WHITE (Earth, Wind & Fire, Jennifer Holliday)
GLEN BALLARD (Jack Wagner, Patti Austin m.fl.).
BJU^_SCHNEE_ (Nielsen-Pearson, Russ Taff )

Mlnga producerar aven siq sialva-

GINO VANNELLI
KENNY LOGGINS
TOTO
GEORGE DUKE
LEE RITENOUR
LARRY CARLTON
STEVIE WONDER
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Michael Sembello, Robben Ford, Buzz Feiten,
Dean Parks, Carlos Rios.

Trummisar och percussionlirare:

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Vinnie Colaiuta, Lenny Castro, Alex Acuna,
John Robinson, Rick Marotta, Paulinho DaCosta.

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Marcus Miller, Nathan East, Abraham Laboriel,
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Stanley Clarke.

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Greg Mathison, Don Grolnic.

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Jerry Hey, Bill Reichenbach, Larry Williams,
James Pankow, Chuck Finley.

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Bill Champlin, Tommy Funderburk, Richard Page,
Steve George, Michael McDonald, James Ingram,
Tom Kelly, Cristopher Cross, Patti Austin, Carmen
Twillie, Brenda Russell, Maxine Williard Waters,
Venette Gloud.

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"Desire" och "Tar-
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get" ar inspelade
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naler for att fa en
Richard Page - en av de mest akt a kansl a .

anlitade s tudiosangarna hade

under slutet av 70-talet grup-
pen PAGES t i 1 lsammans med Steve
George. Ombildade gruppen till
MR MISTER som under1985 fick
stora f ramgangar .. Han valde tyd
ligen ratt nar han satsade pa
den egna musiken istallet for
att tacka J A Till erbjudanden att
bli sangare i saval TOTO som
CHICAGO. V.
DAVID FOSTER ar mycket for
i BJO'RN SKIFS och 1 a r ha a
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iwyrHM
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Jay Gray don
(Brenda Russell om Al Jarreau) Michael 0' Martian
Ernie Watts
och Ed Greene
QUINCY JONES LP "the Dude"
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nya artist, baste manlige lem i Ch icago)
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aven p"
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