Académique Documents
Professionnel Documents
Culture Documents
Core Repertoire
& supplemental materials
Contents
Core Repertoire:
All of Me Limehouse Blues
Avalon Lulu Swing
Bei Dir War Es Immer So Schoen Ma Premiere Guitare
Besame Mucho Mabel
Black Orpheus Melodie au Crepuscule
Blue Skies Minor Blues (Blues en Mineur)
Blue Skies (LDDLH changes) Minor Swing
Blues for Ike Mire Pral
Blues for Mondine Paquito
Bossa Dorado R Vingt Six
Clair de Lune Recado Bossa Nova
Coquette Reverie
Daphne Rythmes Gitanes
Dark Eyes (Les Yeux Noir) (Je Suis) Seul ce Soir
Dinette Sheik of Araby
Djangology Songe D'Automne
Django's Castle (Manoir de Mes Reves) Speevey
Douce Ambiance Stompin' at Decca
Dream of You Sweet Georgia Brown
Elena's Bossa Swing 39
Estate Swing 42
Fleche D'Or Swing 48
Folie Amphion Swing 85
For Sephora Swing Gitan
Grand Village Tears
Honeysuckle Rose Troublant Bolero
I Can't Give You Anything but Love Tune Up
I've Found a New Baby Vette
I'll See You in my Dreams Webster
It Had to be You What is This Thing Called Love
Jardin D'Hiver The World is Waiting For Sunrise
Lentement Mademoiselle
Core Repertoire contd. Supplemental Materials
Some of the tunes in (Transcriptions, etudes etc.)
Standard Notation without TAB
Jack's thoughts on the function of
charts from the 2014 core repertoire
All of Me
Avalon Some Standard Jazz Manouche Chord
Blue Skies Shapes
Blue Skies (LDDLH changes)
Clair de Lune Some Solo Transcriptions
Coquette
Daphne Gonzalo Bergara 1st chorus of
Dark Eyes (Les Yeux Noir) Elena's Bossa
Djangology
Estate Django's '47 melody statement and
Fleche D'Or solo on It Had to Be You
Honeysuckle Rose Django's 46 Melodie Au Crepuscule solo
I Can't Give You Anything but Love
I'll See You in My Dreams Joscho Stephane's Melody statement
Lentement Mademoiselle and 1st chorus of Minor Blues
Limehouse Blues
Minor Swing Wawau Adler Minor Swing solo exceprt
Mire Pral starting at 2:45 from the Youtube video
R Vingt Six titled: Wawau Adler - minor swing - Hanover
Reverie january 2011
Songe D'Automne
Speevey Evan Price R Vingt Six solo
Stompin' at Decca
Sweet Georgia Brown Jo Privat's solo on Rythmes Gitanes
Swing 42
Tears Rino van Hooijdonk solo on Speevey
Tune Up
The World is Waiting for Sunrise Jamie Masefield solo on Swing Gitan
8 8 10 8 7
Guitar T 8 9
A 9 9
A7 D min
b .
# J
Gtr. &
5
Gtr. 10 8 11 10 8
9 8 9 10
1.
E7
A min
b #
Gtr. &
9
7 10 8
Gtr. 9
9 8 7 9
b
D7
. w
G7
w
J ..
Gtr. &
13
.
10 7 7
.
Gtr. 12 11 10 10 10
2 All of Me
2.
.
F maj F min C maj A7
.
Gtr. &
17
10 8 7 10 8 7 7
Gtr. 8 10
9
D min7 G7 C maj
w
Gtr. &
21
8 8 12 12 8
Gtr. 10
Avalon
Jolson, DeSylva, and Rose
C7 F maj C7 F maj
4 w
{A}
w
&b 4
8
T 8 10 11 11 10 8 8 10
A 10 10
10
10
B
w w
C7 F maj C7 F maj
& b
9
8 10 10
9 10 10 9 7 7 7 7
10
bmin
D7 G min B
w w
{B}
&b
8 10 8
10 11 11 10 8 10 11
7 7
w
F maj D7 G min C7 F maj
w w w
&b
25
8 12 10 12 10
10 11 10
10 10
10
Bei Dir War Es Immer So Schn
Ballad Emil Stern
C1 C 3 G G/B B7
# w 3 3 3
& w
7
10 8 7 8 10 10 8 7
9
7 8
9
5 A7 D7 G G7
#
& j w
8 7
9 7 9 7
10 9
C9 C G G/B B7
#w 3 3 3 3
& w
7
10 8 7 8 10 10 8 7 7 8
9
A7
13 D7 B7 E7
#
& j nw
8
9 7 10 9
10
2
17 A7 D7 G
#w
&
3
J
3
12 10 10 10
13 12 13 10 12 8
21A7 B7 3
E E(^7) E7 G7
#w
& w
3
8 7
10 8 10 7 12
9
C25 C G G/B B7
#w 3 3 3 3
& w
7
10 8 7 8 10 10 8 7 7 8
9
29A7 D7 G D7 G7 G
# 1.w 2.
& j w w w
7 7
8
9
8 8
10
Besame Mucho
Consuelo Velzquez
A-B-A
G m/B b A 7
4
b b n
A Dm Gm Gm A dim
&4
3
3 3 3
3
3
9 10 12
T 10 8 8 8 8 10 10 10 11 11 11
A 7 7 7 7 9 10
B
. b
Dm D7 Gm
&w J
3
7
10 10 10 10 8
10 11 10 8
B b7
&
Dm A7 Dm (Bb7 - A7 turnaround)
#
3 3 3 Fine
w
13
10
Fine
10 10
10 10 7 10 9 7 9 7 6 7
B Gm Dm A7 Dm
& w
D.C. al Fine
3 3 3
17
D.C. al Fine
5
8 8 8 8 6 5 6 6 6 6 5 5 5 5 5 6 8
7
Gm Dm E7 A7
& w
3 3 3 3
21
5
8 8 8 8 6 5 6 6 6 6 5 5 5 5 6 6 6
7
In the interest of space, this lead sheet does not
include the commonly played coda. It's simple. Black Orpheus Luiz Bonfa
:) ~AL
& 44 . .
Am B -7b5 E 7 Am B -7b5 E 7 Am D m7 G 7
. # w .
.
8 7 5 5 4 7 8 7 5 5 7
T 5 5 5 8
A
B
C maj7 C # dim7 D m7 G7 C maj7 F maj7
&w . j . j
8
5
5 5 6 8 5 6 8 5
7 7 7 5 5 7
.
B -7b5 E7 Am B -7b5 E 7 Am B -7b5 E 7 Am
& . j . # w
w
3
14
8 7 5 5 4 7
6 5 5 5
4 4 4 5 7
b.
B -7b5 E 7 E -7b5 A7 Dm D m D m/C B -7b5 E 7
& . . w . w
.
21
6 5 5 7
5 8 8 6 5 5 6
7 7
& # #
w .
3
w
3
28
5 4 4 7 5
5 5 5
5 5 7
Blue Skies
I. Berlin
Swing
w
E min6
E min E min(maj7) E min7
# 4 .
{A}
Guitar & 4 .
.
7 5 5 7 5 5
T
.
Guitar 5 8 8
A
B
# .
G maj E min7 A min7 D7 G maj
w
(B7)
J ..
Gtr. & J J
5
.
7
.
Gtr. 5 8
7 7
b
G maj C min G maj C min G maj D7 G maj
{B}
#
Gtr. &
9
7 8 10 11 10 8 10 8 7 7
Gtr. 8 10 10 10 8 7 8
b
G maj C min G maj C min G maj D7 B7
.
# J
Gtr. &
13
7 8 10 11 10 8 10 8 7 7
Gtr. 8 10 10 10 8 7 8 7
2 Blue Skies
w
{A} E min E min(maj7) E min7 E min6
#
Gtr. &
17
7 5 5 7 5 5 7
Gtr. 5 8 8
# .
G maj E min7 A min7 D7 G maj
w
Gtr. & J J J
21
Gtr. 5 8
7 7
Blue Skies
(Les Doigts De L'Homme changes)
I. Berlin
Swing
w
E min7(9) F 7(9) E min7(9) E 7(9)
# 4 .
{A}
Guitar & 4 .
.
7 5 5 7 5 5
T
.
Guitar 5 8 8
A
B
# .
A min7 D 7(9) G maj6
w
(B7)
J ..
Gtr. & J J
5
.
7
.
Gtr. 5 8
7 7
b
G maj C min G maj C min
{B}
#
Gtr. &
9
7 8 10 11 10 8 10 8 7 7
Gtr. 8 10 10 10 8 7 8
b
G maj C min G maj B7
.
# J
Gtr. &
13
7 8 10 11 10 8 10 8 7 7
Gtr. 8 10 10 10 8 7 8 7
2 Blue Skies - LDDLH
w
{A} E min7(9) F 7(9) E min7(9) E 7(9)
#
Gtr. &
17
7 5 5 7 5 5 7
Gtr. 5 8 8
# .
A min7 D 7(9) G maj6
w
Gtr. & J J J
21
Gtr. 5 8
7 7
7
4
### .
& 4 J w
6 7 6 7 6 7 6 7 6
7 7
7 7
7
### n . n
& J w
5
5 7 5 7 5 7 5 7 5
7 7
7 7
7 7 7 7
### . n
& J b .
9
6 7 6 7 6 5 4 2
7 7
7 7 6 5 4
Swing
Blues For Mondine
K. Barre
B min7 B min7
## 4 . n # n #
(F#7( 9 ) ) (F7( 9 ) )
& 4 . J J
Guitar
.
1 2 1 2
T
.
3 3 3 3 3 3 3 3
A 4 2
2
4 4 2
2
4
B 2 2
## # n #
E min7(9) B min7
Gtr. & J J
6 7 1 2
8 8 8 8 3 3 3 3
9 7 9 4 2 4
7 2
7 2
#7(#9) #7( 9)
C 7(13) F F B min7
(F#7( 9 ) )
n # #
## # J ..
Gtr. & J
.
7 8 9 10
.
9 10 11 12 12 12 12 12
Bossa Dorado Dorado schmitt
Dm E7
&b c # #
5 6 5
T 6 6 6 6 5 6 6 6
7
A 7 7 7 6 6 6 6 6
B
E m7b5 A7 Dm E m7b5 A7
# ..
&b
5 1. Fine
6 5 5 6 7 8 5
5
5 5 7 5 7 5
8
b. b .
Dm A m7b5 D7 Gm
b # n w J J J J JJ J
9 2
&
5 6 7 8 5 6 8
5 10
J 13J 11 10
J 13J 11 11J13J 11 11J 11
10
&b J J J J J J J
15
12
J 15
13 12
J 15J 13 13J 15J 13 13J 14
J
12
Clair de Lune
#dim7
J. Kosma
Ballad
D min D7 G min C7 F maj F
. .
optional variation after the repeat: (Amin7( 5))
4
b . J . J . . #. n #
Guitar & 4 . J J
.
10 10 8 8
T
.
Guitar 10 8 8 6 5 6 7 6 7
A 7 7 5 5
b
1.
B7
. . .
G min A7 D min A7 A7
J . J # . . ..
Gtr. &b J J J
5
.
.
Gtr. 11 11 10 10 10
9 9 7 6 7 9 9 10 10 9
b
2.
.
. .
(B maj)
J . J #
Gtr. &b J
9
Gtr. 11 11 10 10
9 9 7 7 9 10 9 7 6 7
Coquette
Swing J. Green, C. Lombardo, G. Kahn
.
D maj E min7 A7
## 4 .
{A}
J
Guitar & 4 .
.
10 7 10 7 10 7
T
.
Guitar 7 10 10 7
A
B
1. 2.
## .
E min7 A7 D maj A7 D maj
Gtr. & J w .. w
5
.
.
Gtr. 10 7 10 7 10 7
7
7 9
A min7 D7 G maj
{B}
## J J w
Gtr. &
11
10 7 10 7 10 7
Gtr. 7 10
7 9 9 7 9
#
E7 A7
##
Gtr. &
15
7 12 9 9
Gtr. 7 7 9 12 10 12
9
2 Coquette
.
D maj E min7 A7
{A}
## J
Gtr. &
19
10 7 10 7 10 7
Gtr. 7 10 10 7
## .
E min7 A7 D maj
w
Gtr. & J
23
Gtr. 10 7 10 7 10 7
7
7
Daphne
Swing D. Reinhardt, S Grappelli
. B min . B min
. J
D maj E min A7 D maj E min A7
## 4 .
{A}
J . J J
Guitar & 4 .
.
10 10
T
.
Guitar 10 10 10 10
A 9 9
B
D maj D7 G maj G
#dim7 D maj A7 D maj
## # b n # n
Gtr. & J .. n b b b
5
.
.
Gtr. 7 8 9 10 9 8 6 7
7 7 7
9
bmaj B7
b bmaj B7
b
E
. C min F min
E
. C min F min
. .
{B}
11 11
Gtr. 11 11 11 11
10 10
bmaj C min b
B7
bmaj
.
E F min E A7
. n. #
b bb J J J J nnn #
Gtr. &
13
11
Gtr. 11 11 11 11 11 13 11 10
10
2 Daphne
D maj B min E min A7 D maj B min E min A7
## . .
{A}
J . J J . J
Gtr. &
17
10 10
Gtr. 10 10 10 10
9 9
D maj D7 G maj G
#dim7 D maj A7 D maj
## # b n #
Gtr. & J
21
Gtr. 7 8 9 10 9 8 6 7
7 7 7
9
Dark Eyes
(Les Yeux Noir) Traditional
Swing
A7 D min
4 # #
Guitar &b 4
10
Guitar T 10 9 10 11 10 10 9 10 11 10 10 10
A
B
bmaj
A7
# B
Gtr. &b
5
10 9 10 12 13 12 10 10 12 13
Gtr.
G min
D min
#
Gtr. &b
9
12 10 12 13 12
Gtr. 11 10 10 9 10
# w
A7 D min
Gtr. &b
13
13 9 10
Gtr. 11 10
Dinette Django
A-A-B-A
A Ab D b7 Ab
. n . . n # . j
B dim
bb
&bb c
J
J J n
T j j j j
A 10
12 12
10 9
10 10
9 10
12 12
10 9
11 11
7
B
B bm7 E b7 Ab E b7
b b
& b bb ..
5 1
.
5
8
10 10
8
9 9 8 6 5 6 8 6 5
8 J
5 6
.
Use this ending's melody for the third A section, but use Eb7 as a turnaround if launching into another chorus.
E b7 Ab
b
C7
bb
&bb
9 2
9 9 8 6 5
8 8 6
Fm(maj7)
B
Fm F m7 Fm6 Fm B b7 Bm7 E b7
b
& b bb
12
12
Djangology
D. Reinhardt, S Grappelli
Swing
# bdim
# 4 . # . .
{A} A/C C min G/B B
b b b
Guitar & 4 .
.
7 7 7 5 5 5 3
T
.
Guitar 5 8 4 7 3 5 2 5
A 6 5 4 3
B
1. 2.
.
.
Gtr. 5 3
5 5 4 4
4 2 4 5
{B} A
bmaj E 7
b A
bmaj A maj E7 A maj
#
Gtr. & b b b b J .
J # J J .
11
Gtr.
5 6 8 8 8 6 7 9 9 9
6 8 7 9
2 Djangology
# bdim
# # . .
{A} A/C C min G/B B
b b
Gtr. & b
15
7 7 7 5 5 5 3
Gtr. 5 8 4 7 3 5 2 5
6 5 4 3
A min7 D7 G maj
#
Gtr. & .
19
Gtr. 5 3
5 5 4 4
4
Django's Castle Django
A1133 /B b 6
D 9
A 13/B b D 9 A 13/B b D 9 A 13/B b A m7
2 4
5fr. 4fr. 6 6
D9
# w w
& # c w
w
5 5 7
T 7 7 5 7 7 5
A
B
B b7 A 13/B b
6 6
G 9 A7 D 9 E7 A7
w w w
## J J n w # .
.
10 1
&
J J
10 7 5
3 532 3 7 3 5 3 2 3 6 7
B b7 A 7 A 13/B b D 9
6 6
G 9 E7
w w nw # w
##
18 2
&
10 12 14 10 13 14 10
Douce Ambiance Django
Bb
(Note: There is a common intro/outro to this song which is not included here.)
Gm D7 Gm F7
b
&b c # n .
T 3 3 3 3 3 3 3 3 3 2 3 6 4 3
3 5
A
B
Cm Gm A b7 D7
b j
& b # b w ..
5 1
1 1 1 2 3
3
j 1 1 1 1
4 4 3
5
A7 D7 Gm A bm
b.
bb b b b
J J
9 2
&
Fine
2 2 2 2 3 3
5 6 J
3 4 6
4 6 7
J
6 4
J
Am
b b b # . #
b n n J
13
& b w J
4
6 4 3 3 3 7
4
J 5 7
5 7 8 7
J
F7 E7 E b7 C #7 D7
bb > n > b > # > >
To Top, Take 2nd Ending
17
&
> > > > >
6 5 4 2 3
Dream of You
Form: AABA S. Oliver, J. Lunceford & E. Moran
#-7 #-7
Relaxed Swing
n
F B7 F B7
# ## # 4 .
Guitar & 4 . J
.7
7
T
.
9 7 9 7 9 7 9 9 7 8 7
Guitar A 6 6 6 9 9
B
E maj
n 1. j j
E maj6 E dim7 B7 E maj6 E maj6 E dim7 B 7 E maj B7
## # # b n # n
b #
3
.. n
2.
& n J
J J
Gtr.
5
.
1. 2.
7 6 5 4 4 3 2 0 2 0
.
7 5 4 2 2 2 1 0 9 1 0
6 6 5 4 4 3 2 1 6 9 2 1
Gtr. 6 5 4 2 2 2 1 2 9 1 2
5 7 5 7 5 5 7 5 7 5 5
5 5 6 6
Gtr.
n nn
A min6 B7 (To the top, take 2nd ending)
## # # n n
Gtr. & J n n
14
7 8 7
7 5 7 5 8 7 8 7 8 7
5 5 4 5 4
Gtr. 5 4 5 4
2 [Dream of You]
- Optional section that's played instead of the first 2 a sections on the head out
usually followed by improvisation over the bridge instead of the written melody:
F
#-7/B E maj6(9)
## # # .
&
Gtr.
18
5 5 5 5 5 9 5
9 9 9 4 6
Gtr.
2 4
#-7/B
F E maj6(9)
## # # . ..
1. 2.
&
Gtr.
22
.
1. 2.
7
.
5 5 5 5 5 5
9 9 9 4 6
Gtr.
2 4
# # # # b bU
E maj6 E dim7 B7 E maj6
n
& n n #
n n
J b
Gtr.
27
7 6 5 4 6
7 5 4 2 8
6 6 5 4 9 8 6 7
Gtr. 6 5 4 2 9 7 6 9 6
9 8 7 7
6
ELENA'S BOSSA (HEAD)
As recorded by Gonzalo Bergara
Transcribed by Ben Robertson Music by Gonzalo Bergara
Am F
c
1
I 44 gV V V V VVVVV W V gV V V
V VVVV
u V W V gV V e V
u
Gtr I
T
A 7
6 7 9 10 7 10 9 7 6 7 9 10 10 9 7 6 7 8
B 7 (7) 8 (8)
E7 Am E7
c k gV V V
I W gV V e V f V V P V gV V V V V V V W
z
6
T
A 9 6 7 8 9 (9) 9 7 6 7 9 10 9 7 6 7 9
B 7
Am F
c V V V V
10
I V V V V V V W V gV V V
V
u V W V gV V e V
T
A 7
10 7 10 9 7 6 7 9 10 10 9 7 6 7 8
B 7 (7) 8 (8)
E7
c
Am A7
14
I W gV V e V f V V V gV V V V V V V W gVV VV VV VV VV VV VV VV
T
A 9 9 9 9 9 9 9 9
9 6 7 8 9 (9) 7 6 7 9 10 9 7 10 11 11 11 11 11 11 11 11
B
sl.
Dm G7 C F
W V V V V V
18
I V V V V W V k V V V W V V V V V
u
T
A 10 10 9 7 9 9 7 5
10 12 10 9 (9) 9 10 9 7 (7)
B
sl.
22
I V V V V V V V V gV VV VV VV VV VV VV VV VV gVV VV gVV VV VV VV VV VV VV VV
u 3
T
A 7 5 7 5 7 5 7 7 7 7 7 7 7 5 4 5 9 9 9 9 9 9 9 9
9 7 6 9 9 9 9 9 9 9 7 6 7 11 11 11 11 11 11 11 11
B
V V V V V V k VV VV VV VV VV k VV
Dm G7 C F
26
I V V V V V V k VV VV VV VV VV VVegVV f VV VV VV VV VV VV VV VV
u u
T
A 10 10 10 10 10 9 7 (7) 7 7 7 7 6 7 9 9 9 9 7 5 (5) 5 5 5 5 5 5
12 12 12 12 12 10 9 (9) 9 9 9 9 8 9 10 10 10 10 9 7 (7) 7 7 7 7 7 7
B
`
c c
Bm7 5 E7 Am E7
30
I k V
V V
V V
V V
V V k
V gVV VV VV VV VV VV V V V V V V VV WW gUU
U
T
A 7 7 7 7 5 4 (4) 4 4 4 7
9 9 9 9 7 6 (6) 6 6 6 7 9 10 9 7 7 6
B 7 7
7
4
A min7(9) D min7 E 7( 9) A min7(9) D min7 G 7(13)
&4 w
. w .
T 5 5
A 7 7
5 5 4 4
7 7
7 7
B 7 7 8 8 7 7 8 8
b b 1.
b
(C7(9)/a ) (Cmaj/a ) (D maj/d )
B7
w .
G min7 C 7( 9) F maj7 B min7(11) E7
&w . .
.
9
.
.
8 6 5
5 5 5 7
5 5 7 7
7
{B}
b7(#11) A maj7(9) #min7( 5) G #7(13) C #min7 F #7
2.
# n # # # # w
B min7(11) B D
w # # . w .
&
15
5 5 4 4
5 5 7 9 7 9 7 7 7 5 5
9 6 5 6
b
b
(fmaj7) (E 7) (Cmaj/A ) (D maj/D )
B7
G 7(13) G 7( 13) G min7
. j . w
D min7 B min7(11) E7
C 7(9, 13) F maj7
. .
& # b . N . J
23
6 6 5 5 5 8 6 5
7 7 7 5 5 7
5 4 5 6 5 6 7 7
7
2 Estate
{C}
(E7( 9)/c )
A min7(9) D min7 E 7( 9) A min7(9) D min7 G 7(13)
&w . w .
5 5
5 5 4 4 7 7
7 7 7 7
7 7 8 8 7 7 8 8
b b
b
(C7( 9)/a ) (Cmaj/a ) (D maj/d)
B7
w w
G min7 C 7( 9) F maj7 B min7(11) E7
&w .
39
8 6 5
5 5 5 7
5 5 7 7
&
the head out, only cover a 'half chorus'.
45
For example:
5 5 7 9 7 9 Head in is played over a full chorus
9
1st soloist plays first 2 {A} sections,
2nd soloist plays {B} section and last {A} section,
3rd soloist plays first 2 {A} sections,
head out is played over the {B} section,
and last {A} section, with the coda.
Fleche d'Or
D. Reinhardt
# F 7
# F 7
B min B min
## 4 j . # # # # # # j
{A}
j
& 4 # . # #
.
9 12 10 12 10
T
.
9 10 11 9 11 12 11 9
A 8 9 11 12
9 11 12
8 9 11 12
9 11
8
B
B min
#
F 7
1.
B min
#
F 7 B min
# n n
3
n
3 # # n 3
# #
## # J
#
& # ..
.
9 8 10 8 7 9 7 8 10 8 9 11 9 8 10 8
8.
9 10 11 10 9 10 11 10 9 12
9 11 12
9 11 12
2.
B min F 7
# B min {B}
E7
n 3 # # # 3 b b
## # .. n n
&
.
7 9 7 8 10 8 9 11 9 10 12 10 12 12 10 12 12 10
.
9 10 11 12 12 12 12 12 12 11 11 12 12 12 12 11 11
10 10 9 10 10 9
G7 G 7 F7
b E7
b b b
# n n n
& # .
12 12 10 12 12 10 12 12 10
12 12 12 12 11 11 12 12 12 12 11 11 12 12 12 12 11 11
10 10 9 10 10 9 10 10 9
2 Fleche d'Or
1. 2.
E7 E7
b ww b .
## n .. n . # j
&
.
12 12 10 12 12 10
.
12 12 12 12 11 11 12 12 12 12 11 11
10 10 9 9 10 10 9
8
# F 7
#
F 7
B min B min
## # # # # # #
{A}
j j
& # #
9 12 10 12 10
9 10 11 9 11 12 11 9
9 11 12 9 11
9 11 12 8 9 11 12 8
B min
#
F 7 B min F 7
# B min
n
3
n
3 # # 3
## # # n # #
& J
9 8 10 8 7 9 7 8 10 8 9 11 9 10 12 10
9 10 11 10 9 10 11 12 12
9 11 12
9 11 12
Folie a Amphion Django
A m7 D7 B bdim A m7 E7
# .
G/B
& c J . J J
J
5 7 5 5
J J
T 5 7 8
7
5 7 8 8 5 5 5
7
5 5 5
7
A
B
A7
#
D7 Am7 D7 G Dm7 G7
& b
# b ..
.
7 1 2
. 7
.
3 2 3 4 5 8 8 5
4 4 4 3 2 5 7 4 5 7 7
5 7
A7
#
# .
C Em7 Am7 D7
b
& b J .
13 3
3
5
5 7 5 8 5 4
4 4 4 4 4 3 2 4 6 7 5
7
B bdim
# . .
Am7 D7 G/B Am7 E7
.
19
& J J
5 7 5 5
J J
5 7 8 5 7 8 8 5 5 5 5 5 5
7 7 7
B m7b5
#
E7 A7 D7 G
b . b
&
25
7 7 3
3 4 5 5 3
4 4 4 3 2
For Sephora
S. Rosenberg
Gypsy Bossa
E min9 E min(maj7) E min E min6(11)
Intro
# 4 # # j
& 4 j .. j j # # j ..
J J
Guitar
. 74 74 74 44 .
5 5
T
.5 5 5 5 .
4 4 4 5 5 5 2 2 2 2
Guitar A 4 4
5 5
4
5
4 4
5 5
4 4
5 5
4
5
4
5
4
5
B 0 0 0 0 0 0 0 0
# j #
E min6
j j j
E min E min(maj7) E min7
# 1. #
# . ..
Gtr. & . j j
5 1.
. 1212 1212 .
12 12 12 11 11 11 11 10 10 10 9 9 9 9
. .
12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12 12 12
Gtr.
0 0 0 0 0 0 0 0 0 0 0 0 0 0
E min6 E min A min7
#
# . j
2.
Gtr. & .
# # .
9 2.
8 . 7
9 9
.
12 12
12 12 9 9 11
Gtr. 7 9 9 9 7 9 7 6 7 7 9 10
10 9 9 7 6 7
0
B7 E min B7 E min
# #. j
1.
# J # b n ..
2.
Gtr. &
14 1. 2.
.
8 8 8 10 7 8 7 7 7 8 7
.
7 7 10 10 7 8 10
8 8 8 8
Gtr. 7 9 8 7 8 9
2 [For Sephora]
# # . J n
E7 A min7 D7 G maj7 C maj7
Gtr. & J J
19
7 8 7
9 8 10 12 10 8 10 8 7
7 9 7 11 9
Gtr. 9 9 10 12 10 9 7 9
#min7(5)
# # n n # #. n
F B7 E min E7
Gtr. & J
24
7 7 8 7 7 8 7
8 8 8 8 8 7 8 7 6 7 7 7 7 8 10 8 10 9 8
9 9 9 9 9 8 9 8 7 8 8 8 8 9 11
Gtr. 9
'
3
A min7 D7 G maj7 C maj7
# J J
Gtr. &
28
10 12 10 8 10 8 10 8 7
7 9 7 11 9
Gtr. 9 10 12 10 9 7 9
#min7(5)
b b3
B7
# #
F E min7 B7
#
Gtr. &
32
10 9 8 9 8 7
8 7 10 8 7 7 10 10 10 10 10 8 7 8
9 8 11 11 11 11 11 9 8 9
Gtr.
# #
E min E min(maj7)
b b3
F min7(5) B7
# # # #
Gtr. & J J J
36
10 9 8 9 8 7 12 12 12 12 12 11 11 11 11 11 11
8 7 10 8 7
9 8 9 9 9 9 9 9 8 8 8 8 8 8
Gtr.
# #
E min7 E min6 E min9 E min(maj7)
# # # # #
& J J J
J J J
Gtr.
40
10 10 10 10 10 9 9 9 9 9
7 7 7 7 7 4 4 4 4 4
7 7 7 7 7 6 6 6 6 6 4 4 4 4 4 4 4 4 4 4
Gtr. 5 5 5 5 5 5 5 5 5 5
E min(maj7)
# #
E min
n
E min E min6(11)
j
# # # . J
& . J J
J J
Gtr.
44
5 5 5 5
. 121212 12 12 12 12 11 11 11 11 11 10
.
5 5 5 5 5 2 2 2 2 2 12 12 12 12 12 12 12 12 12 12
4 4 4 4 4 4 4 4 4 4 12 12 12 12 12 12 12 12 12 12
Gtr. 5 5 5 5 5 5 5 5 5 5
Gtr. & J J J. J J w
48 1. 2. Rit.
.
10 10 10 10 10 9 9 9 9 9 12 10 10 10 10 10 9 9 9 9 9 14
.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
Gtr. 12
Grand Village
Fast Swing Form: AABA F. A. Moerman
b dim7 D dim7
#
B min7(5) E
#
A min6
b
Guitar & 44
5 4
T 5 5 8 7 6 5 5 4
Guitar A 7 5
B
A min6 A7 B
bmaj6(9) E7
# 1. b w ..
Gtr. &
5
.
1.
.
5 6 5
5 5 6 6 7 7
Gtr. 7 7 7 7 8 8
7 7 8
B
bmaj6(9) E 7 A min6 E7
2.
Gtr. & # # #
9
2.
7 10 9 7
Gtr. 10 9 6 7 7 6 6 6 6 7 9
A min6 B7 E7
. .
Gtr. & .
13
7 7 9
Gtr. 9 7 10 10 9 9 9 9 10 10
- After the Bridge play one last A with 2nd ending - On the head out play the last four bars 3X
Honeysuckle Rose
T. Waller, A Razaf
Swing
G min7 C7 G min7 C7
b
G min7 C7
4
{A}
Guitar & b 4 ..
.
8 6 5 8 6 5 8 6 5 5 5
T
.
Guitar 6 6 6 9 8 6
A 7 7 7 7
B
F maj G min7 C7 F maj (D7)
b w ..
&b J
(D 7)
Gtr.
5
.
.
Gtr. 6 6 6 6 9 8 6 6
7
bmaj
b
F7 B
#.
{B}
J J
Gtr. &b
9
6 8 6 6 9 8 6
Gtr. 6 8 9 10
. n . b
G7 C7
J
Gtr. &b
13
8 8 8 11 10 8
Gtr. 8 10 11 12
2 Honeysuckle Rose
G min7 C7 G min7 C7 G min7 C7
b
{A}
Gtr. &b
17
8 6 5 8 6 5 8 6 5 5 5
Gtr. 6 6 6 9 8 6
7 7 7 7
Gtr. 6 6 6 6 9 8 6 6
7
I Can't Give You Anything But Love
J. McHugh, D. Fields
bdim7
Swing
w b. n
G maj G/B B A min7 D7
# 4 J
Guitar & 4
Guitar T 8 7 8 7 8 10 11 12
A 9 9 9
B
bdim7
G maj G/B
B
w
A min7
.
D7
# J
Gtr. &
5
7 10
Gtr. 8 7 8 7 8 12 10
9 9
G7
#
C maj w
# #
Gtr. &
9
10 8 7
Gtr. 8 9 10 10 11 12 10
#
A7 D7
# #
Gtr. &
13
8 9 12 10 8 7 10 8
Gtr. 10 11 12 12 7
9
2 I Can't Give You Anything But Love
bdim7
w b. n
G maj G/B B A min7 D7
# J
Gtr. &
17
Gtr. 8 7 8 7 8 10 11 12
9 9 9
G7 C maj
w .
#
Gtr. & J
21
10 8 7 10 8 7 10 8 7
Gtr. 10 8
#dim7
w .
C maj C G maj E7
# J
Gtr. &
25
10 14 12
Gtr. 7 8 7 10 8 7 8
9
A min7 D7 G maj
# #
Gtr. &
29
10 8 12 12 7 7
Gtr. 8
8 9
I've Found A New Baby
Palmer/Williams
A-A-B-A
# # #
. w
A
Dm D7
&b c J
4 5 4 5 4 5 4 5 9 10 9 10
T 6 3 6
A
B
.
(A7 not played
w
G7 C7 F (A7)
&b J ..
5
before B section.)
.
.
5 8 5
10 10 8 6
# n n
B
A7 Dm
&b
9
9 7 9 7 9 7 5 7 5 5 5
8 8 6
n #
(To final A section.)
G7 C7 A7
&b
13
7 5 7 5 7 5 3 5 3 3 4 5 4 5
6 6 5
I'll See You in My Dreams
Jones, Kahn
Swing
B
bmaj B
b min
(F7)
4 b w #
b
& 4
Guitar T 6 8 10 8 9
A 10 9 8 7
B
F maj
E7
w
F maj
&b
5
8 10 12 10
Gtr. 10
D7
#
&b
9
10 8 5 8 5
Gtr. 7
7 9
G7 C7
w
(F7)
&b
13
5
Gtr. 5 6 10 8 10 8
7
2 [I'll See You in My Dreams]
B
bmaj B
b min
w #
&b
17
Gtr. 6 8 10 8 9
7
w
F maj E7 F maj
&b
21
8 10 12 10
Gtr. 10
b .
D7 A7 D min
.
&b
25
11 10 8
Gtr. 10 10 8
10 10
B
bmaj B dim7 C7 F maj
w
&b
29
Gtr. 8 10
7 10 10
It Had To Be You
G Kahn, I Jones
Swing
G maj6 E7
#
Guitar & 44 w # w #
7
T 7 7 8 7 8 9 9 10 9 10
Guitar A 7 9 7 9
B
A7
#
Gtr. & j # j # w
5
7 7 10
8 10 9 10 8 10 9 10 10 12 10 12
Gtr.
D7 B7 E min
# w
Gtr. & w
9
12 10 12 10 10
12 12 12 11 12
Gtr.
A7 D7
#
& w
Gtr.
13
12
10 12 12 10 7
12 11 12 7 9 7 9
Gtr.
2 [It Had To Be You]
G maj6 E7
# #
Gtr. & w # w
17
7 8 7 8 9 9 10 9 10 12
Gtr.
A7
# j # j # w
Gtr. &
21
10 12
8 10 9 10 12 10 9 10 12 12 12 13
12
Gtr.
10
10 10 12 13 10 12 10 8 7 7
9 11 12 9 7 9
Gtr.
A7 D7 G maj6
#
(D7)
& w
Gtr.
29
7 10 7
7 8
9 7 9
Gtr.
Jardin D'Hiver Form - Head in: AABB'
solos: AABB'
Head out: AABB'AA
Bossa Nova, Gypsy Bossa
B. Biolay, K. Ann
T .7
.
5 6 5 5
Guitar A 5 7 7 4 4 5 7 4 5
7
5 7 7
B
B min7(5) E 7(# 9) A min7(9)
..
.
2.
& J J
1.
Gtr.
J J
5 1. 2.
.
.
6 5
7 4 4 7 5 4 5 5 7 7
Gtr. 7 7
5
D min7 G7 F min/C C maj7
.
& . #
J #
J
Gtr.
10
10 10 10 10 8 6 5 4 5
2
Gtr. 7 7 7 7 5 3 2 1 2
B -7(5) E7 A min7 A7
. J .
Gtr. &
14
6 6 5 5 6 5 5 5 10
5 7
Gtr. 7
2 [Jardin D'Hiver]
'
D min7 G7 F min/C C maj7
.
& . #
Gtr.
J J #
18
10 10 10 10 8 6 5 4 5 6 5
Gtr. 7 7 7 7 5 3 2 1 2
6 5 5
4 5 7 7
Gtr. 7
- For the head out, solo through the A sections and begin the melody on the B sections.
After you have played the B sections, play the A section melody twice, and the tune is finished.
Make sure to play the pickup notes at the beginning of those last 2 A's on the head out!
(notated in parentheses above)
Lentement Mademoiselle
Django Reinhardt
bb 4
{A} B A dim7 B A dim7
&b b 4 w n w n
Guitar
J
Guitar T
A 8 7
8 6
8 7
8 6
B
b b b bmaj/C B bdim7 bmaj
1.
.
.
Gtr. 8 6
7
A {B} C min75 F7
b w 3 b
Gtr. & b bb
9
Gtr. 6 6 7 7 6
8 8 8
B
bmin6 B
bmin75 E 7
b
bb n
(D min6)
b
& b
3
Gtr.
13
Gtr. 6 6
6 8 6 8 9 9 8 6
2 Lentement Mademoiselle
A
bmaj6 F7
{A}
B
bmin B bmin7 B
bmin6 A dim7
b
Gtr. & b bb w n
17
Gtr. 6
5 6 8 8 8
8 7
6
Gtr. 8
6 8 6 7
8 7
B
bdim7 A
bmaj6
w
(E 7( 9))
Gtr. 9
Limehouse Blues
P. Braham, D. Furbur
Swing
C7
# 4 w
Guitar & 4
Guitar T 7 8 7 8 7 8
A 9 9 9 9
A7
# w
Gtr. &
5
Gtr. 7 8 7 8 7 8
9 9 9 9
# b
G B7 E min
# w
Gtr. &
9
6 7
Gtr. 7 8 10 11 10 8
7 9
b
D 7
b
A7 D7
# # n
Gtr. &
13
7
Gtr. 7 8 9 10 10 9 8 7
9 10
2 Limehouse Blues
C7
# w
Gtr. &
17
Gtr. 7 8 7 8 7 8
9 9 9 9
A7
# w
Gtr. &
21
7 7 7
Gtr. 8 10 8 10 8 10 8
10 9 10 12 10 7 8 7 8
Gtr. 10
C min6 D7 G maj
# w
Gtr. &
29
8 7 8 10 7
Gtr. 10 8
Lulu Swing Lulu Reinhardt
A-A-B-A
On this song, the melody to the A section is much clearer than that of the B section, which is interpreted in many ways, often
including the ferocious chromatic runs Django and his heirs are famous for. The first part of the B section here is drawn loosely
from a Lulu Reinhardt recording with Hans'che Weiss.
A
#
# #
D E7
& # c ..
.7
.
T 7 7
7
7
7
7 7 7
7
7
7
A 7 7 9 7 9 6 6 9 6 9
B
E b7 E b7
(On melody, D only, struck on 1st beat.
# n b b n . 2
J
E m7 D F7 E7 D D7
b n
& # n .
5 1
J7
5 7 6 5 5 4 3 3 2 1
.
.
7 7 7 7 7 6 5 5 4 3 3 2 1
7 6 4 7 5
5 7 5 4 4 6
7 5
B
## n
G Gm D
n j b n n
11
& b.
4 5 4 2
j 3 5 3 j 4 6 5 4 7
7
5 9 9 8 8
5 5 5 4 7
5 5
6 5
E b7
##
E7 (Melody improvised through end of section.) E m7
15
&
Ma Premiere Guitare Jean Broussole/Sacha Distel
A-A-B-A
A Am A7 Dm
# n
&c J .
T 5 6 5 6 5 6 5 6 5
8 7
J
5
5 8 7 6
A
B
#
E7 Am E7 E7 Am
&
.. #
5 1 2
.
5
.
7 5 4 7 5 4 7 7 5
5
7 9 7 9 7 9 7 9 7 7 7 5 7
B A7
# # b
Dm
11
# n
&
11
5 4 5 4 5 4 5 5 6 5
5 8 7 6
.
(Sometimes played as a stop chord. Sometimes only 2 bars.
.
B7 E7 Decide in advance! Soloist often improvises.)
15
&
15
To Top, Second Ending
8 7 8 7 8 7 8 10 77 7 8 7 7 7
Mabel
Swing D. Reinhardt
b
.
C dim7 G7 C maj6
b b.
& 44 .. b b. J
J
Guitar
.
11 10 8 8
T
.
7 10 10 8 10
Guitar A 5 8
4 7
B 3 6
b
.
C dim7 G7 C maj6
b b.
& b b. J ..
J
Gtr.
5
.
11 10 8 8
.
7 10 10 8 10
5 8
Gtr. 4 7
3 6
bmaj6 bmaj6
. b b b .
C maj6 D C maj6 B C maj6
Gtr. &
. b .
9
5 8 8 6 9 9 5 8 8 3 6 5 8 8
5 7 6 8 5 7 3 5 5 7
Gtr.
bmaj6 bmaj6
b
C maj6 D C maj6
b .# j n
D
b . b n
b b . b b
. J
1. 2.
Gtr. &
14
.
1. 2.
11 10 8 8 8
.
6 9 9 10 8 10 8 10 6 9 8 10 11 910 8 8
6 8 9 6 8 10 9
Gtr. 9 10
Melodie Au Crepuscule
D. Reinhardt
Guitar & 4
7 10 7
T 4 5 7 8 10
Guitar A
B
b7 C maj6(9) C #maj6(9) D maj6(9)
## J n #
E min7 E A7 D maj6(9) B7
w #
Gtr. &
5
9
8 10 6 7 10 4 5 7
Gtr. 9
b7
n n
D
w b
A7 D maj6(9)
## w
E min E min7
Gtr. &
9
7 6 7 8
8 10
Gtr.
G
bmaj6 E
b min7 A b min7 D
b7 G
bmaj6 b7 G
bmaj6
b.
D B7
## b b b bw b n
Gtr. &
13
9 6 2 5 3
9 7
8
Gtr.
2 [Melodie Au Crepuscule]
#min7(5) F # 7 C
.
E min C7 B7 E min E min7
E min7
## .
& j # n b j # n
3 3 3
n n b
Gtr.
17
0 2 5 3 0 0 2 3 2
Gtr. 2 1 2 1 0 2 1 2 1 0
4 3 3 2 1
0 0
.
B min7 E7 G min6 A7
# .
(B7)
w #
Gtr. & # J J J
21
5 9 7
3 5 7 7
9 8 9
Gtr.
#min 7(5) B7
w
E min E min7 A7 F
## w
Gtr. &
25
8 8 7 10 7 8 10
9
Gtr.
E min7
# # J
E7 A7 D maj6 G min6 D maj6
(B7)
J w
Gtr. &
29
7 10 10 7
8 7 7
9 7 7
Gtr.
Minor Blues Django
Gm
b b c
&
# #
T
A 5 7 5 5 7 5
B 5 5
3 6 2 3 6 2 3
b n # n
Cm Gm
bb b J n
5
& n
3 3
3
3 3
3 3 3
5 4 3
4 1
2 0 0 2
1 4
3 4 5 6
J 2 5 3
5 3
3
5 5 3
3
1 1 5 5 2
3 0 3
3
D7 Gm E b7 D 7 Gm D7
b j
&b #
9
5 3 5 3 2 5 3 5 3
j
4 0 0 5 5 5 5
A min D min A min D min
4
Guitar & 4 ..
.
5 5
T
.
Guitar 5 6 5 6
A 7
5 7
7
5 7
A min D min E7
w ..
Gtr. &
5
.
5
.
Gtr. 5 6 5
5 7
7
Gtr. & ..
9
.
.
Gtr.
Gtr. & ..
17
.
.
Gtr.
2 Minor Swing
.
A min D min
.
Gtr. & ..
25
.
5 5 5
.
Gtr. 5 5 5 6 6
5 5 7 7
7 7
.
1.
# #
E7 A min E7
Gtr. & ..
29
.
4 7 4 7 8 5
.
Gtr. 5 5
2.
# # #
N.C.
A min
Gtr. &
33
Gtr. 5 4 5 6 7 8 9 10
Mire Pral
M. Reinhardt, T. Schmitt
Swing q=220
.. ..
Intro G min6(9) G min6(maj7)
b 4 n # ... ...
& b 4 b n .. .. b n . . b
3 3 3
J
J
Guitar
5 5 2 2
T 5 5 3 3
Guitar A 5 4 3 2
3
5
3
5 5 4 3 2
3
2
3
2 5 4 3
B
..
G min6(9) G min6(11)
b n .. ..
. #
& b n .. .. b n ..
3
J
J J
Gtr.
5
5 5 8 8
5 5 8 8
3 3 7 7 7 8 7 6 7
Gtr. 2 5 5 5 4 3 2 8 8
7 7
# n
G min6 C min7
b JJ J JJ J J
Gtr. &b J
9
10 8 10 8 10 8 10 8 7 8
10 8 10 8 10 8 10 8 7 8
Gtr.
bmaj6 b7
w n 3 b
F7 B A min7(5) A
b #
Gtr. & b
13
13 11 13 11 10 13 12 11 10
11 13 13 10
11
Gtr. 12 10
12
2 [Mire Pral]
'
n
G min6 C min7
b #
Gtr. &b JJ J J JJ J J
17
10 8 10 8 10 8 10 8 7 8
10 8 10 8 10 8 10 8 7 8
Gtr.
A min7(5) A
b 7(# 11) G min6 D 7(9) E
b7(9) E 7(9)
. n # n
3
.
& bb J n
n # b n #
Gtr.
n b b n n
21
13 11 10 5 6 7
11 10 10 8 5 6 7
5 6 7
Gtr. 4 5 6
5 6 7
5 6 7
b b # # n n
n # b n n #
& n # #
n # # #
n b b n n
Gtr.
25
8 2 3 4 5 6 7
8 2 3 4 5 6 7
8 10 8 10 8 7 7 10 2 3 4 5 6 7
Gtr. 7 7 8 1 2 3 4 5 6
8 2 3 4 5 6 7
b
n n b b b b b 3 n
F7 B maj6
n #
3
b # b n n b b n b n n #
& b n b b n
Gtr.
29
8 12 11 10 9 8 7
8 12 11 10 9 8 7
8 10 8 10 8 7 7 10 12 11 10 9 8 7
Gtr. 7 7 8 11 10 9 8 7 6
8 12 11 10 9 8 7
8 12 11 10 9 8 7
[Mire Pral] 3
6 12 11 10 9 8 7
6 12 11 10 9 8 7
6 8 6 8 6 5 5 8 12 11 10 9 8 7
Gtr. 5 5 6 11 10 9 8 7 6
6 12 11 10 9 8 7
6 12 11 10 9 8 7
6 5 6 5 4 5 6 5
6 5 6 5 4 5 6 5
6 8 6 8 6 5 6 5 4 5 6 5
Gtr. 5 5 4 5 4 3 4 5 4
6 5 6 5 4 5 6 5
6 5 6 5 4 5 6 5
n
' G min6 C min7
b #
Gtr. &b JJ J J JJ J J
41
10 8 10 8 10 8 10 8 7 8
10 8 10 8 10 8 10 8 7 8
Gtr.
b 7(# 11)
.
A min7(5) A G min6
.
Gtr. & bb J
45
13 11 10
11 10 10 8
Gtr.
(Play last 4 bars 2x's on the Head in, 1x during solos, and 3x's on the Head out)
Paquito
Swing Form: Intro, AABA Ninine Garcia
E -7(9) F 7(9) E -7(9) F 7(13)
# 4
b
b
& 4 n n
J J
Guitar
10 10 8
T 7 7 7 8 8 7 7 7 8 8 8
Guitar A 7
5
7
5
7
5
8
7
8
7
7
5
7
5
7
5
8
7
8
7
8
7
B 0
7
0
7 7
0
8 8
0
7
0
7 7 8 8 8
E -7(9) B 7(13) E -7(9)
# # # j .. b b
& n
J
Gtr.
4
7 7
.7
.
7 7 7 8 8 7 7 8 7 7
7 7 7 8 8 9 8 7 9
Gtr. 5 5 5 7 7 8 9 6 5
7 7 7 8 7
0 0 0
# j
C7 A -7 B7
Gtr. &
8
7 7 7 7 5 4 4 4
Gtr. 10 7 7 5 7 4
1. 2.
# E -7(9) B7 E -7(9)
..
E7
Gtr. & w n w
12
1. 2.
.
Gtr. . 4
7 8
2 [Paquito]
A -7 D7 B -7 E -7
.
#
Gtr. & J
16
5 8 7 7 10 8 8
7
Gtr. 7 9
# dim7
C
# n #
B7
. .
# # # . # ... # j
& J J
Gtr.
20
10 8
12 11 10 11 12 12 8 8
9 8 8
Gtr. 11 7 8 9 9 7 7 8 9
E -7(9) C7
#
b
Gtr. & b n
24
7 7 7 8 7 7
9 8 7 9 7 7 7 7 5
Gtr. 6 5 10
8 7
A -7 B7 E -7(9)
# j
(B7)
Gtr. & w ..
28
.
.
4 4 4
Gtr. 7 7 5 7 4
R Vingt Six
Django Reinhardt
. .
Dmaj6 Bmin7 Emin7 A7 Dmaj6 Bmin7 Emin7 A7
## 4 .
{A}
J . J
Guitar & 4 J J
Guitar T 12 10 12 10
A 9 7 9 7
B
1.
b
n n #
Dmaj6 D7 G maj G min Emin7 Emin7 E 7
## . b. .
(Emin9) (E 7(9))
Gtr. & .
5
.
10
.
Gtr. 10 12 13 12 10 10 10
12 10 11 11 11 8
9 12 12 9 12
10
2.
n
G maj G min Emin7 A7 D maj
## n # n
Gtr. &
9
10
Gtr. 10 10 12 13 12 10
10 11 11 10 9 9 9
9 12 12
10
{B} #dim7
##
Gmaj6 G D maj
Gtr. &
12
Gtr.
9
#min
2 R Vingt Six
b
F B7 Emin7
# n # b n
A7
## b n
Gtr. & J J
16
Gtr. 12 10 9 10 12 10 9 7 9 11 10 9 8 10
10 11 10 9 9
12 11 10 9 9
(above is an optional line Stephane played on the head in and head out of the November 1947 recording session)
. .
{A} Dmaj6 Bmin7 Emin7 A7 Dmaj6 Bmin7 Emin7 A7
## . J . J
Gtr. & J J
20
Gtr. 12 10 12 10
9 7 9 7
## n n #
Dmaj6 D7 G maj G min D maj A7 D maj
nn b
Gtr. & J J b
24
10 10
Gtr. 10 12 13 12 10 10 10 10 10 10
12 10 11 12 11
12 12 12
- For solos, play all 'A' Sections like a normal Rhythm Changes in D
- Here is an alternate progression for the 'B' section which some players use.
bmaj bmaj
(Django and Stephane recorded this tune with the bridge below in March of 1947, and the other in November of the same year.)
2 2
B G min C min F7 B A7
b b
Gtr. &
28
2 2
Gtr.
Recado Bossa Nova
D. Ferreira
Form: AABA
Gypsy Bossa
D min A7
. w
4
& b 4 .. J J # J
T .7 6 5 6 5
.
6
A 7 6 6
B
A -7(5) D 7(9) G -7
. w
&b # #
. J J
5
5
7 7 10 8
5 7 7 5
8
G -7 A7 D min
. . #
&b J
1.
J J J
9
1.
10 8 8 6
9 6
8 8 7
E7 E -7(5) A7
&b J J n J ..
13
.
.
8
9 9 10 10 9
9
2 [Recado Bossa Nova]
G -7 A7 D min
. . #
&b J
2.
J J J
17
2.
10 8 8 6
9 6 7
8 8 7
E
b6(9) A7 D min
b b J # w
& J
21
6
8
8 8 7 6 7 9 6 7 7 10 9
D 7(9) G -7
b # J J # n # J #
& b J J #
J
25
8 7 6 7 10 8 7 8
8 7 6 7 7 8 9
E 7(9) A7
# n #
&b
# J .
J
29
10 9 8 9 10
10 9 8 9
- Tim and Paulus's Super Cool Intro/Outro and end of the B section phrase
D min
3 n 3 #
A7
#
&b J J #
3 3
33
7 8 9 10
10 11 8 10 11
10 12 6 7 9
11 7 8 10
Reverie
C. Debussy
Arr. D. Reinhardt
G min7 C7 G min7 C7
4 3
{A}
b .
& 4
3
J
T 8 8
A 7 9 10 9
10
9
10
9 7
8
7 9 7
.
F maj
C7
F maj
&b J w
3
9 10 7 10
10 7 10
10
{B}
Amin
bmaj Amin
bmaj
B B
&b 3 3
10 10
9 9 7 9 9 7
10 8 10 8
10 10
#dim7
.
G min C7 F maj C7/G G F maj/A
w
&b
13
8
7 7 7 5 5
5 8
2 Reverie
bmaj #dim7 B bmaj/D
3 b .
{C}
w
C min7 F7 F7/C B C
&b J
6 6
5 5 7 8 7
5 7 8
bmin b
A 7
w b
B E min A7
b b
(E 7)
&b .
J
21
6 8 10 9
8 10
8 10 11
3
{A'}
.
G min7 C7 G min7 C7
&b J
3
8 8 5
7 9 10 9 9 9 7 7 7
10 10 8
. . Dmin
b 3
F maj G min7 C7 A7 G7
J
(Bdim7)
& b J
29
5
5 6 5 6 8 6 5 6 8 6 5 5 4 3
5 7
& b . . .
J
w
33
5 5 5 5 5
Rhythmes Gitanes Jo Privat
A-A-B-A
A Gm Am7b5 D7 Gm Am7b5 D7
b
&b c
n b
# n
#
3
T 3 4 3 3 4 6 5 4 3 4 3 3 4 3 2
A 3 2 5 3
4
2 5 5
B
b ..
&b
5
.
5
.
2 3
3 5 3 3 2 3 5 2 3
5 5
E b7
B
Dm
b
&b
9
9
3 5 3 3 6 5 8 6 5
4 6 8 6 8 6 5 6
7
13
5 6 8 6 5 6 5 5
4 6 4 3 4 8 8 7 8
5
(Je Suis) Seul Ce Soir Paul Durand
C B7 C
j
&c
b .
3
J
3
T 8
8
J
8 8
8
7 7
10 9 8
J8
8
A 9
10
9
B
A7 D m7 G7 C
&
6 3
# n w
3
6
3
3
8 7 6 5 5 6 6 5 6 8 8
7 7
F #m7b5 B7 E m7 A7 D m7 G 7 C
& # J
# w
12
3 3
J
12 3
5 5 5 7 8 8 8
7 8 7 8 8 8
9 9
10
B7 C A7 Dm
j
& b .
19 3
# n w .
19
3
J
7 7
10 9 8 8 8 8 7 6 5
7 9 10 10
F m6 C A7 D m7 G7 C C # dim D m7 G7
. 3 w
26 3
& # n
26 3
12 10 10 8 3 5 8 10 8 7 8
8 7 6 5 6 5 6
7
The Sheik of Araby
Smith, Wheeler and Snyder
Bb Bb
b 4
B dim C m7 F7 C m7 F7
b
& 4 b
8 10 6 5
T 6 7 8 6 8 6 8 6 8 6
A
B
&b
9
9
8 6 6 5
8 8 8 8 8 6 8 6
Bb
b
B dim C m7 F7 C m7 F7 D7
&b b
17
17
8 9 10
8 6 8 6 8 6 8 6
B b B dim C m7 F 7
b
G7 C7 C m7 F7
&b
24
24
10 11 10 11 10 10 5 5 8 6
8 6
Songe D'Automne
Swing
A. Joyce
w w
Guitar & b 4w
Guitar T 8 8 6
A 5
5 8 5
B
A 7
b
w
G7 C min C min(maj7) C min7 C7
w
Gtr. & bbb w w w w
7
6
Gtr. 8
8 7 5 8
B7
b bmaj
. n n
F min7 E G7
b
Gtr. &b b J J
13
6 6 7 8 10
Gtr. 6 9 11 9 11 8 8 8 10
C min G7 C min B
bmin7 b
E 7 A
bmaj G7
{B} w w n . w w .
Gtr. & b bb J J
17
11 10 10 11 7 10 8 8 8
Gtr. 11 11 8 11 9
b
2 Songe D'Automne
A 7
b w bw w
C min C min D min7( 5)
b
Gtr. & b J
25
Gtr. 8 7 8 9 13
12
10 12 13
b
A 7
w .
J .
G7 C min C7
n
Gtr. & b bb J J
29
11 10 10 8
Gtr. 8 8 8 9 8
10 9
.
{C} F min C min
b b . J
Gtr. & b .
33
.
8 8
.
Gtr. 8
10 10 10 10 8 7 8 7 8 8 8 10 8 7
10
b
A 7
n
1.
bbb w w
G7 C min C7
Gtr. & J ..
37
.
.
Gtr. 8 8 9 8
8 7 7 5 10
5
2.
bbb w
G7 C min
..
(C7)
Gtr. &
41
.
.
Gtr.
7 7 8 5 Solos on C section only!
After solos take D.C. al coda
D.C. al Coda
Songe D'Automne 3
b
A 7
C min C min
D min7( 5)
b bb w bw w
J
Gtr. &
44
Gtr. 8 7 8 9 13
12
10 12 13
b
A 7
w .
G7
w .
b
Gtr. &b b
48
11 10 15 15
Gtr.
C min
w w (Cmaj6(9))
b
Gtr. &b b
52
20
Gtr.
.
4 5 4 5
T
A .
B
#
G 7
b
B7
## #
A7 n C7
B7
b
&
4 5 8 7 6
1.
G 7
# 2.
C 7
#
## w # w
F maj A7 D maj
& ..
.
5 4 5 9
.
#7(9)
{B}
w
D7
# C w
D 7(9)
##
&
10 11 12 10
Gmaj #
. G 7
## w #
G min6
& J J
12 12 10 10 4
12
11
12 12
2 Speevey
# G 7 G 7
#
## w # w #
{A} A7 A7
&
5 4 5 4
bB7
n C7 b
## w
A7 B7 D maj
& .. n n
.
5 8 7 6 5
# F 7
#
F 7
# F 7
# w # w #
G7 G7
& ..
.
2 3 2 3 2
.
b
B7
b
A 7
#
F 7 C 7
#
#
1. 2.
b b
G7 A7 C maj
w #
& ..
.
3 6 5 4 3 2 9
.
Stompin' at Decca
b
E 7
D. Reinhardt, S. Grappelli
. b b.
G maj
# 4 .
{A}
J j b b b J
Guitar & 4 . b
.
7 6 6
T
.
Guitar 8 8 8 8
A 5 9
7 9
5 8
6 8
B 5 7 5 6
G maj D7 G maj
#
(D7)
..
Gtr. &
5
.
7 5
.
Gtr. 8 5 8 5
5 4 7 4
7 5 5 5 5
{B} B7 E7
#
Gtr. &
9
Gtr.
A7 D7
#
Gtr. &
13
Gtr.
2 Stompin' at Decca
E 7
b
. b b.
G maj
{A}
# J j b b b J
Gtr. & b
17
7 6 6
Gtr. 8 8 8 8
7 9 6 8
5 9 5 8
5 7 5 6
G maj D7 G maj
#
Gtr. &
21
7 5
Gtr. 8 5 8 5
5 4 7 4
7 5 5 5 5
Sweet Georgia Brown
Bernie, Pinkard, Casey
# 4
{A}
# # w
E7 A7
& 4 # # # # w
9 12 9 12 9
T 9 12 9 12 12 9 8 12 8 12 12 10
A 9 11 9 9 9 11 9
#
D7
G maj B7
& w w
9
7 10 7 7
7 10 7 10 10 7
7 9 7 7 7 9 7 9 7 9 7 9
{B}
# # w
E7 A7
& # #
# # # w
17
9 12 9 12 9
9 12 9 12 12 9 8 12 8 12 12 10
9 11 9 9 9 11 9
E min B7 E min B7 G7 F
#7 F 7 E 7 A min7 D 7 G maj
# j j
(B7)
& # w
J J
25
7 7 7 7 7 7 7 7 7 7 7 10 11 12 7 10 7
10 7 10 7 8 10 8
7 9
Swing 39
Bb Bb
Django
C7
3
&c J b j b n J 3 b
3
T 6
J
6 865686
7
j 3 4 5 6
J
6 865686
7
A 8 5 5 8
B
C7 Bb D7
j
& b n J J #
7 3
j 3 4 5 6
J
6 865 6 8 6 5 6 5 5
J 5 4 5 6 5 4 5
5 5
E b7 D7 D7 G
b
& J b w .. b b w b J n
13 1 2. Fine
J . J3
.
4 4 4 34 64 34 3 4343 2
323
5
E b7
b
D7
J J b J b J n
20
&
5
J
5
J
3 4
6
J
6
J
2 3
E b7 E b7
b b
D7 D7 D7
J b b n b b n b n
24 To top, take 2nd ending
&
3
5 5
J 3 4
6
2 3
5
3 4
6
2 3
5
3 4 5
Swing 42
D. Reinhardt,
# .
C maj6 A min7 D min7 G7 C maj6 A min7 D min7 G7
4 j
{A}
&4 #
J
T 5 6 8 9 10 6 10
A 5 6 7
4 5 7 7 5 4
B
1.
# #
E min7( 5) A7 D min7 G7 C maj6 A min7 D min7 G7
& . # n ..
3
.
.
8 7 8 9 10 6 5
7 4 5 5 3 4 7 5 7 5 4
5 7
2.
C maj6 B7 E maj6 C
#min7 F
#min7 B7
####
{B}
& .
.
9
5 6 6 6 8
10 9 7 6 7 9 7 9
E maj6 C
#min7 F
#min7 B7 E maj6 C
#min7 F
#min7 B7
####
& . .
13
6 6 6 8 6 6 6 8
6 7 9 7 9 6 7 9 7 9
2 Swing 42
#### n
E maj6 G7 {A} C maj6 A min7 D min7 G7
nnnn j
& J J #
17
10 9 8 5 6 8
9 9 9 4 5 7
5 6 7
# . # #
C maj6 A min7 D min7 G7 E min7( 5) A7 D min7 G7
&
J
21
9 10 6 10 8 7 8 9 10 6 5
7 5 4 7 4 5
5
& .
25
5
Swing 48
Django Reinhardt
G m6
b b 4 . b
& 4 J
T 5 3 5 3 5 3 5 3 5 3 5 3 5 6 5 3
A 5
B
C m6 G m6
b b
& b . J
5 3 5 3 5 3 5 3 5 3 5 3 5 6 5 3
5
E b7
#
D7 G m6
bb w
& b
11 11 7 7
8 8 7 7
5 6 6
Swing 85 Titi Winterstein & Lulu Reinhardt
A-A-B-A
#
#
Am Dm E7
&c
T 5 4 5 6 5 5 6 5
A 5
7
7 7 6 7 7 5 4
B
.
Am F D m6
7
&
7
5
7 5 5 4 5 7 5 4 4 7 4 5
7
j .
.
E7 Am G7
& #.
13 1 2
j
13
3
3 6
4 5 4 4
6 7 7 5
# # . # .
C G7 C
19
&
19
3
6 5 5 4 5 4 5 3 6 6 5 5 4 5
4
5
. . w
E7 Am D m6 E7
& #
25 second ending.
25
5
4 7 7 5 5 4 5 4 5 5 5 5 5 7 5 7 4
6 7
7
Swing Gitan Traditional
Gm A7
b
&b c # J # n #
6 5
J
T 7 6 7 7 6 5 6
A
B
C m6 D7 Gm
b
&b n .
5
5 3
5 4 5 5 3 2 3
Ab Gm
b b J # w
b.
9
&
6
5
4 6
J
4 4 3 3 2 3
A7 C m6 D7
b #. n # w
b ..
13 1
&
6 5 5
.
.
5 8 8 8 7
6 7 8
A7 C m6 D7 Gm D7
b n # w
& b #
17 2
6 5
5 8 7 8
6
Tears
D. Reinhardt, S. Grappelli
C min C min/E
b D min7( 5) G7 C min C min/E
b D min7( 5) G7
b 4 .
{A}
b w w
& b 4 .
T .
A .
5 8 7 5 8 7
B
bmaj/B b
C7 F min B dim7 E
b . .
&b b J J
5
8 8 8 8 8 9 6 6 6 6 6 6 6 8
8 8
b b
A 7 G7
b
A 7 G7
A min7( 5) F min/A G7 C min
b
(G7)
b
& b . n .. n n n
J
9
.
.
8 8 8 8 8 10 7 7 8 7 8 7
9 10
bmin bmin
b b
{B} C maj E min E D min G7 C maj E min E D min G7
# #
& ..
.
.
12 11 10 12 11 10
9 9 8 9 9 9 8 9
2 Tears
b . b .
1.
. # J b J
C7 F maj D7 D7
& J ..
17
.
12 10 8 8 12 12 11 11
.
10 8 10 10 10 9 10 9 9 8 9
10
b
A 7
2.
b
G7 C min G7
& bbb
21 D.C. al Coda
9 9 9 9 8 8
10
b D 7
b b b
D 7
C min C min/E C min C min/E
b bw bw
&b b
23
5 8 6 5 8 6
b D 7
b (Cmin)
# n # n w
C min C min/E C maj
b b U #
&b b
U
27
3 2 3 4 5 6 7 8
5 8 6
Troublant Bolero
Gypsy Bolero D. Reinhardt
E 7(# 9) E 7(# 9)
# ## # 4 .
Intro
play 4x's A7 A 7(13)
Guitar & 4 . ..
T . .
Guitar A . 2212. 2212 9
B 0 0
E maj7(9) E -7 A7
## # # . w n w n #
Gtr. & .
10
. 12
.
9 10 12 8 10 12 8 10 12 10 9
Gtr.
D maj6 C7 B7 C7 B7 C7 B7 E maj7(9) E7
n . n 2.
## # # w n1.
n # J .. n w
Gtr. &
14
.
1. 2.
.
10 8 12 15 13
11 9 10 11 12 11 9 8 9 9
Gtr.
A -7 D7 G dim7 G maj6 G
# dim7
w n 3 n 3 # . n n n
## # #
J
Gtr. &
21
12 8 10 12 10 9 9 10 10 7 8 10 8 7
Gtr.
2 [Troublant Bolero]
# # # # . n J n # w n n
A -7 D7 B7 C7 B7
Gtr. & J J J J J
25
7 8 8
10 12 13 12 11 12 12 15 13 15
Gtr.
## # # w n w n #
E maj7(9) E -7 A7
Gtr. &
29
12 9 10 12 8 10 12 8 10 12 10 9
Gtr.
## # # w n
B7
D maj6 C7 B7 E maj7(9)
& J w ..
Gtr. J
33
.
.
10 8 7
9 8 9
Gtr.
fi Outro
## # # . j j j .
& . . j . .
# .
Gtr.
37 .
. .
Gtr. . 2 1 2 1 2
0 2 1 2 1 2
2 1 2 1 2
0
2 1 2 1 2 .
0 0
[Troublant Bolero] 3
Some extra's
Here's the chord figure that Django plays for the first four measures of the A section:
# # # # n n
n
3 3 3 3
&
n
#
Gtr.
41
4 4 4 4 4 3 3 3 3 2 2 2 2 2 2 4 4 4 4 4 3 3 3 3 2 2 2 2 2 2 2 2 2 2
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 2 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0
Here's Django's chord voicings for the intro of 'Troublant' from the 1949 Rome Sessions recording with Grappelli
Here's Django's chord voicings for the intro of 'Troublant' from the 1952 recording session with Fol and Guerin
E 7(# 9) A7 B
b7(5,13) B 7(9)/A
# # # # n n ww nw n n ww ww
& ww n www w w
w w b ww ww
Gtr.
53 w
3 3 3 2
3 2 3 2
1 0 1 2
Gtr. 2 2 2 1
2 0 1 0
0
Tune Up M. Davis
.
4 #w w
E min7 A7 D maj7
#
& 4 ..
T .
.
10 8
A 8 9 11
B
.
D -7
G7
w
C maj7
& #
5
12 10 9 9
11 12
bmaj7 bmaj7
w
C min7 F7 B E
bw
& b
9
10 10 8
8
8 8 10
bmaj7
w .
1.
E min7 F7 B A7
& J J ..
13
.
8
.
10 8 10 10 8 10 10
2.
w w
E min7 A7 D maj7
& J
17
8
10 8 10 10 8 10
Vette
Form: AABA D. Reinhardt
Swing
.
G maj6 C maj6 G maj6 C min6
# 4 . b. n
. J
Guitar & 4 . J J
.
10 7 10 7 7 10 10 7 10 7
T
Guitar A . 9 9 8 8 10
b
G/B D7 A min7 D7 G maj6 (D7)
# w
Gtr. & n w J ..
9
.
7 10 9 8 7 7
.
8
9 10 9 7
Gtr.
F min7 B
b7 E
bmaj6 F min7 B
b7 E
bmaj6
#
Gtr. &
17
Gtr.
Gtr.
After the bridge, play one last A section to complete the form
Webster
Swing Form: AABA D. Reinhardt
bmaj6 E
b
E dim7 F min7 B7
b b 4 . . n 3 b . n
& b 4 . J J J
3
Guitar
T . 10
A .
7 8 10 7 8 10 10 9 10 9 8 7 8 7 6
Guitar 10 9 10 9
B
b7 b7 b
3 . #
F min7 B F min7 E maj6 B
b j ..
Gtr. & b J .
b n J
5
.
.
9 7 8
7 10 8
Gtr. 8 8 8 8 7 8
10 11 10 11
b min7 bmaj6 b7
j
b n b .
B E A
b n b b
& b b n b b n b .
n b . violin line
Gtr.
9
guitar line J
10 11 10 9 7 8
9 8 7
8 9 9 8 6 8 5 8 10
Gtr. 7 6
6 7 7 6 4 6 3 6
5 4
b7 j j j j
# n .
. n b .
F7 B
b
& b b .
J violin line
Gtr.
13
guitar line
13 13 13 13 13 14 13 13
11 11 11 11 11 12 11 11
10 12 12 10 10 8 8 10 8 7
Gtr.
8 10 10 8 8 6 6 8 6 5
T .
A 8 . 8 5 5 8 6 6
B
(Dmin7(5) G 7)
G7 C maj6
& b b .. b
1. 2.
b w
1.
.
5 2.
.
8
6 5 5 8
6 7
bmaj6
(Cmin7 F 7)
F7 B
b b w
&
10
8 8 8 10 8 7 7
10 10
A
b7 G7
j
& b b
J b w b
14
5 5 5
6 6 8 6 5 8
2 [What is This Thing Called Love]
(Gmin7(5) C 7)
C7 F min6
& b b bw b
18
8 5 5 8 6 6
(Dmin7(5) G 7)
G7 C maj6
b w
& b
22
8 5
6 5 5
The World is Waiting for Sunrise
E. Lockhart, E. Seitz
4
C maj G7 C maj E7
w w
& 4 .. w w
.
8 12 10
T
.
8 10 8 8 10
A 9 9
1.
F maj C maj A7 D7 G7
&w w w #
..
9
.
8
.
10 8
9 9 7 9 7 8
2.
&w . .
w
17
8 8
10 8 8
9 10 9
All of Me
Simons, Marks
Swing
C maj E7
4
&4 #
A7 D min
& b .
# J
5
1.
E7 A min
& b #
9
D7 G7
. ..
& b J w w
13
2.
F maj F min C maj A7
& . .
17
D min7 G7 C maj
& w
21
Avalon
Jolson, DeSylva, and Rose
{A} C7
4
&b 4
F maj C7 F maj
&b w w
5
C7
&b
9
F maj C7 F maj
&b w
w
13
{B} D7
&b
G min B
bmin
&b w w
21
F maj D7
&b
25
G min C7 F maj
&b w w w w
29
Blue Skies
I. Berlin
Swing
E min E min(maj7) E min7 E min6
# 4 .
{A}
& 4 . w
j j j ..
& w
5
& 4 . w
j j j ..
& w
5
4 .
& b 4 .. J . j .
J . j . # . n #
b
1.
G min A7 D min A7 B7 A7
j j j j
& b . .
J .
. # . . ..
5
b
2.
j
(B maj)
& b . . j .
J . #
9
Coquette
Swing J. Green, C. Lombardo, G. Kahn
D maj E min7 A7
## 4 . .
{A}
& 4 . J
1. 2.
E7 A7
##
& #
15
{A}
D maj E min7 A7
## .
&
J
E min7 A7 D maj
## j
& .
w
23
Daphne
Swing D. Reinhardt, S Grappelli
D maj D7 G maj G
#dim7 D maj A7 D maj
## .. n n b b b
& # b n # j
5
E
bmaj C min F min B7
b E
bmaj C min F min
b
B7
{B}
b
& b b . J .
J
. J .
J
E
bmaj C min F min B7
b E
bmaj A7
b
& b b .
J . n. nnn##
J J J
13
D maj D7 G maj G
#dim7 D maj A7 D maj
##
& # b n # j
21
Dark Eyes
(Les Yeux Noir) Traditional
Swing
A7 D min
4
& b 4 # #
A7 B
bmaj
&b #
5
G min D min
&b #
9
A7 D min
# w
&b
13
Djangology
D. Reinhardt, S Grappelli
Swing
A/C
# C min G/B B
bdim
# 4
{A}
& 4 .. . b .
# b b
1. 2.
A
bmaj E 7
b A
bmaj A maj E7 A maj
{B}
# j j j j
&
b b b b . #
.
{A} A/C
# C min G/B B
bdim
#
& . .
# b b b
A min7 D7 G maj
# j
& .
19
Estate B. Martino, J. Siegal
{A}
4
A min7(9) D min7 E 7( 9) A min7(9) D min7 G 7(13)
&4 w
. w .
b b 1.
b
(C7(9)/a ) (Cmaj/a ) (D maj/d )
B7
w .
G min7 C 7( 9) F maj7 B min7(11) E7
&w . .
.
9
{B}
b7(#11) #
D min7( 5) G #7(13) # #
2.
C min7 F 7
# n # # # # w
B min7(11) B A maj7(9)
w # # . w .
&
b
15
b
(fmaj7) (E 7) (Cmaj/A ) (D maj/D)
B7
j . w
G 7(13) G 7( 13) G min7
.
D min7 C 7(9, 13) B min7(11) E7
F maj7
. b . N . .
& # J
23
{C}
(E7( 9)/c )
A min7(9) D min7 E 7( 9) A min7(9) D min7 G 7(13)
&w
.
w .
b b
b
(C7( 9)/a ) (Cmaj/a ) (D maj/d)
B7
w w
G min7 C 7( 9) F maj7 B min7(11) E7
&w .
39
B min7(11) B
b7(#11) - Solos over form, take coda on the head out only
# #. w
A maj7(9)
w
&
- For the arrangement above, it is encouraged that solos
and even the head out, only cover a 'half chorus'.
45
For example: Head in is played over a full chorus 1st soloist plays first 2 {A} sections,
2nd soloist plays {B} section and last {A} section, 3rd soloist plays first 2 {A} sections,
head out is played over the {B} section, and last {A} section, with the coda.
Fleche d'Or
D. Reinhardt
# #
F 7 F 7
## 4
{A} B min B min
& 4 j .. # # j # # # # j
# # #
#
1.
#
F 7
B min F 7 B min B min
## j n 3 n # #
& # # n # # # ..
n
3 3
#
2.
B min
#
F 7 B min
{B}
E7
## .. n b b
& # n # # # n
3 3
G7 G 7
b F7 E7
## b b
& n b . n n
# # b .. n b
1. 2.
& n w . j
w .
#
{A} F 7
# F 7
#
##
B min B min
j
& # # # # # # j
# #
B min
#
F 7 B min
#
F 7 B min
## j n 3 n 3 # # # 3
& # n
# #
Honeysuckle Rose
T. Waller, A Razaf
Swing
& b 4 ..
b
&b j b ..
(D 7)
w
5
{B} F7 B
bmaj
j
&b #. b
J
G7 C7
&b . n . b
J
13
&b
b
&b j b
(D 7)
w
21
I Can't Give You Anything But Love
J. McHugh, D. Fields
bdim7
Swing
# 4
G maj G/B B A min7 D7
& 4 w b. n
J
G maj G/B
b
B dim7 A min7 D7
# w . j
&
5
G7 C maj
#
& # # w
9
A7 D7
# #
& #
bdim7
13
G7 C maj
# j
& w .
#dim7
21
C maj C G maj E7
# w .
& J
25
A min7 D7 G maj
#
&
#
29
I'll See You in My Dreams
Jones, Kahn
Swing
(F7) B
bmaj B
b min
& b 44 b w #
F maj E7 F maj
w
&b
5
D7
&b #
9
G7 C7 (F7)
&b w
b b
13
B maj B min
&b w #
17
F maj E7 F maj
w
&b
21
D7 A7 D min
b .
&b .
25
B
bmaj B dim7 C7 F maj
&b w
29
Lentement Mademoiselle
Django Reinhardt
bb 4
{A} B A dim7 B A dim7
&b b 4 w
j
w n n
B B B B dim7 A A F7
b
& b bb w
n w . ..
5
A {B} C min75 F7
b
& b bb w
b
3
bmin6 b b
9
B B min75 E 7
bb
(D min6)
&b b
3
n
13
A
bmaj6 F7
{A}
B
bmin B bmin7 B
bmin6 A dim7
bb
&b b
17
w n
B
bmin B
bmin7 B
bmin6 A dim7 B
bmin B bmin7 B
bmin6 B dim7
b bbb j
& w w n
n
b bmaj6
21
B dim7 A
(E 7( 9))
b
& b bb w
25
Limehouse Blues
P. Braham, D. Furbur
Swing
C7
# 4
& 4 w
A7
#
& w
5
G B7 E min
#
& # b w
b
9
A7 D7 D 7
#
& # b n
13
C7
#
& w
17
A7
#
& w
21
& ..
w
5
& ..
9
D min A min E7 A min
& ..
17
A min D min
& ..
.
.
25
1.
E7 A min E7
. ..
& # #
29
2.
N.C. A min
& # # #
33
Mire Pral
M. Reinhardt, T. Schmitt
Swing q=220
Intro G min6(9) G min6(maj7)
b 4
& b 4 b n . |. b n . |. b
3 3 3
J J
G min6(9) G min6(11)
& bb . |. b n . j
3
n J J #
5
G min6 C min7
b j j j j n
& b # JJ J J
9
F7 B
bmaj6 A min7(5) A
b7
b w w
&b
13
A min7(5) A
b 7(# 11) G min6
b b . j
& .
21
2 [Mire Pral]
F7 B
bmaj6
b
&b
25
F7 B
bmaj6
b
&b
29
E
b7 A
bmaj6
b b
&b b
33
b b b
&
37
A min7(5) A
b 7(# 11) G min6
b . j
&b .
45
(Play last 4 bars 2x's on the Head in, 1x during solos, and 3x's on the Head out)
R Vingt Six
Django Reinhardt
& 4 . j . j j . j
.
Dmaj6 D7
1.
& .
5
2.
{B} #dim7
##
Gmaj6 G D maj
&
F
#min B7 Emin7 A7
##
& # n j # j b b n
bn
16
(above is an optional line Stephane played on the head in and head out of the November 1947 recording session)
2 R Vingt Six
- For solos, play all 'A' Sections like a normal Rhythm Changes in D
- Here is an alternate progression for the 'B' section which some players use.
(Django and Stephane recorded this tune with the bridge below in March of 1947, and the other in November of the same year.)
B
bmaj G min C min F7 B
bmaj G min C min F7
b
&b
28
B
bmaj G min C min F7 B
bmaj A7
b
&b
32
Reverie
C. Debussy
G min7 C7 G min7 C7 D. Reinhardt
4 3
{A}
b
& 4 .
3
J
.
F maj
C7
F maj
&b J w
3
bmaj bmaj
5
{B}
Amin Amin
B B
3 3
&b
#dim7
.
G min C7 F maj C7/G G F maj/A
w
&b
3 b .
{C}
w
C min7 F7 B
F7/C C
&b J
bmin b
A 7
w b
B E min A7
b b
(E 7)
&b . J
21
3 .
{A'} G min7 C7 G min7 C7
&b
J
3
25
Dmin
. . b 3
F maj G min7 C7 A7 G7
J
(Bdim7)
&b J
29
G min7 C7 F maj C7 F maj
& b . . .
J
w
33
Songe D'Automne
Swing
A. Joyce
& b 4 w w w
w w
A 7
b G7 C min C min(maj7) C min7 C7
b
&b b w w w w w
7
w
F min7 B7
b E
bmaj G7
b j j n n
&b b .
13
C min G7 C min B
bmin7 b
E 7 A
bmaj G7
{B}
b w
&b b
w n . w w . j
J
b
A 7
A 7
b G7 C min C7
b w . j J . j
&b b n
29
2 Songe D'Automne
b
A 7
1.
b j
G7 C min C7
&b b w
n ..
37 w
2.
bb
G7 C min
..
(C7)
& b w
41
D.C. al Coda
Solos on C section only!
After solos take D.C. al coda
b
A 7
C min C min D min7( 5)
b j
&b b w bw w
b
44
A 7 G7
b w . w .
&b b
48
C min
w w (Cmaj6(9))
b b
& b
52
Speevey
# #
{A} D. Reinhardt, S. Grappelli
G 7 G 7
# 4
A7 A7
& # 4 # .. w # w
G 7
# B7
b
##
A7 C7 B7
& # n b
4
1.
F maj A7 G 7
# 2.
D maj C 7
#
## .. w
& w #
7
D7 C
#7(9) D 7(9)
{B}
# w
& # w #
G maj G 7
#
##
G min6
.
& J J w #
15
G 7
# G 7
#
##
{A} A7 A7
& w # w #
A7 C7 B7
b
B7 D maj
## n .. n n
& b w
23
2 Speevey
F 7
# G7
#
F 7 G7
#
F 7
& # .. w # w #
27
G7
b
B7 A7
b
A 7 C maj
1.
#
F 7
2.
C 7
#
& b b w # .. #
32
Stompin' at Decca
b
E 7
D. Reinhardt, S. Grappelli
. b b.
G maj
# 4 .
{A}
J j b b b J
& 4 . b
G maj D7 G maj
#
(D7)
..
&
5
{B} B7 E7
#
&
A7 D7
#
&
13
b
E 7
. b b.
G maj
{A}
# b
& J j b b b J
G maj D7 G maj
#
&
21
Sweet Georgia Brown
Bernie, Pinkard, Casey
# 4E
# #
7
& 4 # #
w
#
A7
&
# # w
5
#
D7
&
9
#G maj
B7
& w
w
13
#
E7
& # # # #
w
17
#
A7
& # # w
21
# j j
E min B7 E min B7
&
J
J
25
#7
# #
G7 F F7 E7 A min7 D7 G maj
(B7)
& w
29
Swing 42
D. Reinhardt,
&4 j #
j .
#
1.
& # # ..
3
5 . # n
2.
C maj6 B7 E maj6 C
#min7 F
#min7 B7
####
{B}
& .
9
.
E maj6 C
#min7 F
#min7 B7 E maj6 C
#min7 F
#min7 B7
####
&
13 . .
E maj6 G7 C maj6 A min7 D min7 G7
#### j nnnn
{A}
& j n j
17 #
&
25
.
Tears
D. Reinhardt, S. Grappelli
b b
b 4
{A}
C min C min/E D min7( 5) G7 C min C min/E D min7( 5) G7
& b b 4 .. w w
bmaj/B b
b
C7 F min B dim7 E
&b b j j
. .
5
b b b
A 7 G7 A 7 G7
b .. n n n
A min7( 5) F min/A G7 C min
&b b j
(G7)
. n
9
{B}
C maj
b
E min E min D min G7 C maj
b
E min E min D min G7
& .. # b
#
b
1.
b j . b
# J . b J .
C7 F maj D7 D7
& ..
17
b
2.
A 7
bbb
G7 C min G7
& b
21
D.C. al Coda
b D 7
b b D 7
b
C min C min/E C min C min/E
b bb
& bw bw
b b
23
D 7
(Cmin)
U
C min C min/E
b
C maj
&b b # n w
b # #
27
Tune Up M. Davis
4
E min7 A7 D maj7
& 4 .. . # #w w
D -7 G7 C maj7
& .
# w
5
B
bmaj7 E
bmaj7
C min7 F7
& bw w
b
9
bmaj7
1.
j
E min7 F7 B A7
&w j . ..
13
2.
E min7 A7 D maj7
&w j w
17
The World is Waiting for Sunrise
E. Lockhart, E. Seitz
4
C maj G7
& 4 .. w w
C maj E7
w w
&
5
1.
F maj C maj A7
&w w
9
D7 G7
& ..
w #
13
2.
&w .
17
D7 G7 C maj
& w
.
21
Thanks for using our core repertoire for Django in June. The tunes below are intended to establish
some common ground between teachers and students, as well as make sure everyone at DiJ has a little
bit of shared repertoire for jamming. Before you begin looking through these materials, I want to share
my feelings on what these charts are, and what they are not.
A lead sheet, or chart, is a general representation of both the melody, harmony and meter, of a tune.
These charts exist as an aid for learning the compositions in our core repertoire, but they are not the
whole story. The tunes as they exist on the page, are here to provide a basic foundation. All of them
have been played and interpreted by many creative musicians. Often, those players have learned those
tunes from different sources. Even if we were to exclusively use Django Reinhardt recordings as our
reference, and listen to the compositions Django recorded multiple times, from take to take, we would
find lots of differences in the way both the melody and the harmony are played. Try listening to
Django's alternate versions of 'Honeysuckle Rose', 'Daphne', 'R-Vingt Six', 'Lentement Mademoiselle',
or countless others, if you want to hear what I'm talking about.
In the charts we've prepared for Django in June, I've tried as much as possible, to write the melodies
and chord progressions in as simple a form as possible. If you listen to any famous recordings of these
tunes, you will hear that the masters take a lot of license with what might be understood as the written
melodies for these tunes. These players often use elements of improvisation to embellish or entirely
supplant fragments of the written melody. Please take the melodic lines on the chart below as a basic
template to use when shaping your own personal interpretation of the melody. If you really want to dig
in to a tune, take a recording of one your favorite artists, and learn exactly how they play the head to a
tune. Once you really own that, take another recording of the same tune, by a different player, and learn
how they do it. This will help develop your own sense of how to embellish and interpret melodies.
In the case of a tune like 'R. Vingt Six,' or 'Stompin at Decca,' large parts of the melody are
improvised. In those cases, I've either left those spaces open for you to create your own improvisation,
or I've written down an improvised line from a classic recording. For instance, the 2nd ending of
'R. Vingt Six', includes Stephane's line from the Nov. 1947 recording session. However, on that session,
Stephane completely improvises the 3rd A section of the tune. So, for the ending on the chart I've
written down the line from the Mar. 1947 recording session. These are included as a reference, but you
do not have to play the melody with them. When learning tunes, listen to different versions of them
from the masters. This will give you insight on what is shared between the different versions, and what
is not.
With the chord symbols, once again I have tried to represent the harmony or chord progressions for
these songs in a very simple way. Often you will see a chord written as Gmaj or Dmin. When you see
these, it is important to understand these chords can often be embellished with 6th's 7th's 9th's 13th's
etc. However, just because you can embellish the chords, doesn't mean you always should. Keep your
eyes and ears open, and you will start to develop a sense of when more complex, or simpler chord
voicings are appropriate. Additionally, there are lots of passing chords, and chord substitutions you can
add to these progressions. Once again, listen to as many versions of these tunes as you can. Find video
of the masters playing these tunes, and observe what they do. Keep your ears and eyes open. Be
mindful of variations both teachers and students at DiJ use too. Soon you will develop a vocabulary of
chordal embellishments, as well as a sense of when and where they are appropriate to utilize.
I hope you enjoy these charts, they should give you a good leg up. Listen to as many different
recordings of the tunes as you can, and have fun playing. Bon courage! - Jack
Some standard gypsy jazz chords
Jack Soref
This handout is a list of chord shapes you will hopefully find helpful for playing 'La Pompe' in a
Gypsy Jazz context. The list below is by no means comprehensive, there are many other shapes
(aka voicings), but there are enough here to help you get going. If you are new to the style, all
these shapes may feel a little daunting to get under your fingers. Don't despair, you really only need
two or three of each type to begin with. A lot of the alternative shapes are the same as another, but
just re-fingered to use the thumb, or altered so that you are only playing 3 or 4 notes, as opposed to
5 or 6. This is just to give you a sense of your options, and not meant to overwhelm you. For
starters, just pick a couple major, minor and dominant shapes you can play easily, that you like the
sound of, and then refer to this sheet when you feel like you are ready for, or need another shape.
Many times, depending on the context you're playing in and your own personal taste, you have the
option of playing a maj chord, or a maj6 or maj6(9) or maj7 etc. even if the lead sheet only says:
"Gmaj". To begin with, it's probably wise to stick to simpler chord sounds, but as you continue playing
and listening, hopefully you will get a sense of when it feels right to use more complex chords as well.
Also, for those of you with smaller hands struggling with the 'thumb chords', be patient with them.
Just ease in to playing them, don't hurt yourself, and don't give up. As a player with smaller hands
I can tell you pretty much all these shapes are playable with a bit of time, gentle and gradual
stretching, and good left hand technique.
Some students also struggle with the two string barres like the one in 2nd Gmaj6 chord
(2nd row, 3rd column). The trick to these is just to put the tip of your finger (either your middle or ring
in this case) in between both strings (A & D in this case) so it catches both. This means that the first
digit of the finger will curl forward (like in a 'come here' motion), as opposed to flattening out like our
digits often do when barring more strings. I hope this handout is helpful for you, if you have any
questions about it, feel free to contact me at jack@jacksoref.com. Bon courage!
G maj G maj x
G maj x
G/Bx x
5 5 5 T 5 5 5 5 5
5 3fr. 5 3fr. 10fr. 5fr.
5 5 5 5 5 5 5 5 5
x
G/B x
G maj6
x x
g maj6 x
G maj6(9)
5 5 T T
5fr. 5 5 2fr. 5 3fr. 5 3fr.
5 5 5 5 5 5 5 5 5 5
5
G maj6(9) G maj7
x x
G maj7x
x x x
G maj7 x
5 5 5 5 5 5
5 5 5 5 9fr. 5 5 3fr. 5 5 3fr. 5 10fr.
5 5
2 Some standard gypsy jazz chords
G maj7(9) x G7 G7 G7 x
5 5 5 5 5 5 5 5 5 5
5 5 5 9fr. 5 3fr. 10fr. 5 8fr.
5 5 5 5 5 5 5
x
G7 x x
G7 x x
G7 x x
G7 x
5 5 5 5 5 5 T
5 3fr. 5 3fr. 5 5 2fr. 5 3fr.
5 5 5
5
G 7(9) G 7(9) x
G 7(13) x
Gx 7( 13) x
T 5 5 5 5 5
5 3fr. 5 5 5 5 5 9fr. 5 3fr. 5 5 3fr.
5 5 5 5
5
G 7( 9)
x x G 7( 9) G 7( 9)
x x
G 7( 9)
x x
x x
5 5 5 5 5 5 5 5
3fr. 6fr. 9fr. 5 5 12fr.
5 5 5 5 5 5
x
G 7( 9) x x
G 7( 9) x x
G 7( 9) x x
G 7( 9) x
5 5 5 5
5 1fr. 5 4fr. 5 7fr. 10fr.
5
5 5 5 5 5 5 5 5
G 7(#9) x
G 7(#9) G min G min
5 T 5 5 5 5 5 5 5
5 5 5 9fr. 5 3fr. 3fr. 5 10fr.
5 5 5 5 5 5 5
5 5
x
G min x x
G min x x x
G min x
G min6 x
T 5 5 T 5
5 6fr. 5 5fr. 5 5fr. 3fr.
5 5 5 5 5 5 5
5
Some standard gypsy jazz chords 3
G min6
x x
G min6 x x
G min6x x x
G min6 x
5 5 5 5 5
5 5 5 5 2fr. 5 5 5 2fr. 5 5 2fr. 5 5 7fr.
G min7 G min7 x
G min7 G min7
x x
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3fr. 5 10fr. 3fr. 3fr.
5 5
G min7x
x x
G min7 x x
G min7 x x
Gxmin7 x
5 5 5 5 5 5 5
3fr. 8fr. 8fr. 5 10fr.
5 5 5 5 5
5 5
G dim7
x x G dim7
x x
G dim7
x x x
G dim7 x
5 5 5 5 5 5 5 5
5 5 2fr. 5fr. 8fr. 11fr.
5 5 5 5 5 5
x
G dim7 x x
G dim7 x x
G dim7 x x
G dim7 x
5 5 5 5
5 3fr. 5 6fr. 5 9fr. 5 12fr.
5 5 5 5 5 5 5 5
Elana's Bossa- Gonzalo Bergara
Notation sounds at concert pitch Transcribed by John McGann
Am F
4 . #
&4 J
j
.
12 7 10 8 8 8 5 4 5 8 8
T 10 6 6 6
Guitar A
B
j
E7 Am E7
# #
5
&
5
j
10 5 8 7 7 7 7 5 4 5 7 7
9 5 5 5
Gtr.
j # n
Am F
& . J J J J . j
9 1/4
J
j j j j j j j
.
.
9
1/4
15 14 1315 13 12 8
15 13 12 12 10 10
Gtr. 14
10 9 10 7 7
b
E7 Am A7
. #
& j j j j j j b
13
. #
# #
j j j j j j
. .
13
9 5 4 4
9 12 12 15 14
6 10 1114
Gtr. 79 7 4 5 5 9 12 12
6 7 7 9 10 11 11 14
11 12
2 Elana's Bossa
.
Dm G7 C F
J J
17
& J J
j j j j
3
3
17
.
13 8 13 12 10 12 8 12 10 12 10 8
12 12 12 12 10 10
Gtr.
B m7b5 E7 Am A7
. # # # # # #
21
& J # #
j
21
. 8 10 10 8 7
10 11 14 13 14 14
10 10 10 10 10 10 10 10 8 7 8 0 7 8 9 8 9 12 11 12 12
10 9 12 12 12 12 12 12 12 12 10 9 10 0 9 10 11
Gtr.
Dm G7 C F
# # #
25
& J J J J J
25
j j j j j
13 13 13 13 13 12 10 10 10 10 10 10 9 10 12 12 12 12 10 8 8 8 8 8 8 7 8
15 15 15 15 15 13 12 12 12 12 12 12 11 12 13 13 13 13 12 10 10 10 10 10 10 9 10
Gtr.
j
B m7b5 E7 Am E7
29
& J # # w
29
j j
10 10 10 10 8 7 7 7 7 7 7 8 7
12 12 12 12 10 9 9 9 9 9 10
Gtr. 9 9 9
Melodie au Crepuscule - '46 Django Solo
D. Reinhardt
Walking Ballad
n n # 3
E min E min7
## 4
& 4 n # .
3
Guitar
8 7 8 7
T 7 10 6 7 10 8 10 8
Guitar A 7 8 9 10
8
9 9 9 11 14
12
n
A7 D maj
A 7(13)
##
3 3 .
&
3
Gtr.
2
14 13 12
15 12 14 12 10
12
Gtr. 14 12 11 14 12 11 11 12 11 9 9 11 9 7 7 7
b 3 3 b
E min7
3
B min A7
## n b
3
&
3
Gtr.
4
10 9 12 11 10 11 10 9
10 14 12 14 12 12
11 12 12 5 6
Gtr. 14 11 9 11 9 11 14
b7(9)
3
E D maj
## b n b
3
b n .
3
&
3
b
Gtr.
6
6 6 9 9 7
8 6 6 10 7
6 6 7
Gtr. 8 8 8 9 7 7
8 8
6 6
2 [Melodie Au Crepuscule - '46 Django Solo]
n #
E min
3
(B7)
3
E min7
## # 3
n
3
&
3
Gtr.
#
8
5 8 11 14 14 12
1 4 7 10 15 12
2 5 8 11 12
Gtr. 1 4 7 10 14 12 12
b7
3
3 b
A7 D maj A 7(13) B min D
##
3
& n #
3
Gtr.
10
14 17 14 12 7 9 10 12 10 9
12 15 12 12 12 12 11
12
Gtr. 14 11 10 11 14
bmaj b b-7
n b 3 b b n
G B min7 A
## n b
Gtr. & b n
13
13 11 13 11 9 9 13 12
11 11
10 10
Gtr. 11 8 8 11
8
b7(9) b
G maj B maj A dim
b n 3 3
D
## b b n N b 3 b b .
Gtr. & b n
14
11 13 11
12 9 11 9 10
11 11 10 9 10 10 10 13 11
Gtr. 11 10 9
b
[Melodie Au Crepuscule - '46 Django Solo] 3
G maj C dim7 E min
b n 3 n # b n b
## b b
Gtr. & n
16
11 12 13 14 11 11 17 14 15
13 11 11 13 17 15
11 11 16 12
Gtr. 13 14 12 14 10 12 10 12
# dim7 #7
A7 A dim7 C dim7
E min/D
C
#
F
## n # # n # n n
Gtr. & #
18
12 14 14 9 10
12 11 14
9 12 9 11
Gtr. 10 10 12 11 11 13 10 10 13 11 13 10 12 9 9 11
10 14 14 14 13
12
3 # #
# # 3
B min E7
#
3
Gtr. & #
21
7 9 9 7 6 7
10 7 9 7
7 7 7 7 7 7 7
Gtr. 9 8 9 8 7 6 9
G min7
b A C7
7
## n #
(B7)
b
& n
3
# n #
Gtr.
23
6 10 6
3 5 8 8 7
3 7 8
Gtr. 5 8 5 7 7 9 10
8 5 6 9
3 5 6 7 8
4 [Melodie Au Crepuscule - '46 Django Solo]
O O
O
E min
#
A7
##
3 b
3
Gtr. &
25
O O O
7 12 7 5 14 12 11 14 12 12 14
10 15 12 14 15
12 12 14 15
Gtr. 14 12 14 12 11 12
3 3 #
C maj6 B 7(13) B 7
n n.
## 3
Gtr. & J
27
15 14 15 14 12 12 15 14 15 14 12 11 14
13 13 13 12
12 12 11 11 12 14
Gtr. 14
Gtr. &
29
14 15 14
12 15 12 15 12 15 12 15 15 12 15 12 12
11 14
Gtr. 12
12
MINOR BLUES (JOSCHO STEPHANE)
Transcribed by Ben Robertson Music by Django Reinhardt
e
1
Ie 44 j j k c
gV V f V V V
j j c
gV V V
c
V V V V V V gV
Intro Gtr I
T
A
B 4 5 3 1 0 4 5 5
3 6 5 3 6 5 2
sl. sl.
e j k k
Ie V W V V W V
V V V V
5
Chorus 1
V gV V gV V
T
A 5 7 5 5 7 5
B 5 5
3 6 2 3 6 2 3
e V gV f V V V V gV V V k j gV V V V V
Ie j VVV VV V V VVVVVV
3 3
V V V u
u V
9
V VVVV
3
3 3 3
3 3
3 3
5 4 3 3 4 5 6 2 5 3
T 4 1 1 4 4 3 4 3 4 3
A 2 0 0 2 3 3
1 1 5 5
B 3 0 0 3 5
3
e c c ck
Ie V V V V V k c V V V V VV j VV VV WW k V V gV
V V
13
3 3
T
A 5 3 5 3 2 5 3 5 3 0 0 (0) 0 3 6
5 5 (5) 5 5
B 5 5
e
3 3
ck VV k t q
17
Ie V gV f V V V gV f V gV f V V V gV W V V u
Chorus 2 tr [[[[[[ N.H.
0 [5]
T 5
A 5 6 5 3 6 5 6 5 3 6 5 (6) 3
5 5 5
B
gW V fV V V V V V V V V gV f V V gV V W V V V
e
25
Ie u
M M
3 3
1/2 1/2
T 14
O
11 13 (13)
O
11 13 11 10 11
A 12 12 (12) 12 13 12 10 11 12 (12) 12
B
e
gV V V V V V V
V V V W V V V gV V V V V V V
V k V W V V V
29
Ie 3 u 3
Chorus 3
10
T 14 14 14 14 11 10 11 14 14 14 14 14 11 11
A 12 12 12 12
12 14 14 14 12 12 12
B
V V V V
e V V V V V V V V V V V V V V V V V V
k u V V V gV W
V
k u
33
Ie V fV eV V V 3 3 3
3 3
3 3
13 10 11 8 8 11 8 11 8 11 10 11 10 10
T 10 8 8 10 11
A 8 8 10 12
10 9 8 7 10 12 13 11 12
B
V V V V V V V V W V V V V V V V V V V V
e V gV f V gV k u W
37
Ie 3
3
11 11 10 11 10 11 10
T 13 11 10 13 13 11 13 11 13 13 11 11
A 12 13 12 11 14 12
B
A- b b
E7
#
& # #
#
12 13 11 13 11 10 6
7 10 9 9 12 9 12 10 9 6
6 9 12 9 10
5 8 6 7
0 4 7
b # J
D- A-
& J J 3
3
j 9 10
12 10
12 10 j 9 12
12
12 9 11 J
8
12 12 11 10 9 11 9 10
b
E7
b A-
b # #
b b
3
& b #
6 6
8 6 5
7 5
8 6 5 7 9 8 7 7 6 6 9 6
8 6 5 7 8 9 9
8 7 6 5 7 8
A-
D-
&
10
12 15 17 13
10 13 15 13 12
10 9 10 14
7 10 9 12 10 12 10 9 12 10 9 10 12 15 14 12
15
# n
A-
b b #
# #
7
E
& b
3 3 3 3 3
9 12 15
14 18 15 13 15 13 12 14 12 11 14 11 10 11 10 11
12 10 9 9 12
14 11
14 12 13
15 12 12
D-
A-
# b
&
3 3
12 13 12
15 13 12 8 7
14 14 14 12 10 9 9 9 8 7
12 10 9 12 9 10 10 7 9 7 0
# n
j
E7 j A- j
& # # j
# #
3
8 4
j j j j
8 6 5 8 6 5 4 5 4 5 4 5 4 5
7 10 7 6 7 5 7 5 5 4 4
6 9 5
# #
D-
J
A-
& #
J J # #
j
J
j
J 4 5J 6J 5J
4 5 4 5 5
4 5 4 5 5 4 5 4 5 3 3
5 5 2
3
E7
# # A- #
& b
3 3 3 3 3
#
3 3 3 3 3 3
3 1 0 41 0 3 1 0 41 0 3 1 0
3 1 0 3 1 0 3 1 0 3 1 0 3 1 0 3 1 0 2
3 2 0 2
3 2 0 2
4 4
D- A-
# n b
&
3 4 5 4 3
3 5 6 6 5 3
2 5 5 3 2
2 3 5 2 2
5 5 2 5 5 3 2
o.
5 0 0 3
7
E A-
#
J
&
# #
# J # .
# o. J
9 J J 13 10 9 5
3
7 12 0 8 8
8 8
J
7 10 7 7
8 5 6 6 9 6 6 6
5 5 8
4
R. 26 Django Reinhardt
A solo by Evan Price 2/28/2010
D6 D7 G6 G# D6 A7 D6 A7
6
D6 D7
D6 D7 G6 G# D6 A7
3
14
3
6
G6 G# D6
18
F#m7 B7 Em7 A7
22
D6 D7 G6 G# D6 A7 D6 A7
30
3 3
B
34
3 3
2
38
3
42
3 3 3
3
46
50
3
3 3
3
54
58
62
C
66
70
3 3
3
74
78
82
3
86
3
90
94
3
D
98
3
102
3 3 3
106
110
3
114
3
3 3
3
118
122
126
Rhythmes Gitanes
Jo Privat's accordion solo
transcribed by Rob Reich
q=180 G
A7(b5) D7 G A7(b5) D7
3 3 3 3 3
G A7(b5) D7 G
5
G
A7(b5)
D7
G
A7(b5)
D7
9
3 3 3 3 3
G
A7(b5)
D7
G
13
17
E
D
3 3 3 3
21 C
D7
G
A7(b5)
G D7
A7(b5) D7
25
3 3 3 3 3 3 3 3
D7
G
A7(b5) G
29
3 3 3 3 *
* Privat plays an E minor chord
here, probably a mistake.
Speevy Django Reinhardt
Rino van Hooijdonk
#7 #7 #
.
7
4
A
## j # J
n A b
7
G 7
1/2
G G
A
Guitar & 4 3
3
1/2 J
j 10 j
T
A 7 9
6 7 9
7 8
J
9 10 8 10 8
4 4 4 4
7
10 9 8 7
9 9 9
B
B b B C7 b7 #7
## F
n A
7 7 7
A G
& b n
#
6 0
3
10 9 6 5 5
10 6 6 8 5
7 6 3 3 5 5 6
7 7 7
9 7 4
7 4
#
#7 G 7
#n
A
##
A7
# G A
& #
3 3 3 3 3
# N # 3
9 14 13 12 9 7
8 11
69
5 8
4 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 3 6
b7
C7
#
## b n j #
A7
7
B7
C B
J
j
J
D
J
&
3
j j
J J J
7 14 9 10
10 10 10 11 10 10 14 15
11 14 14 12 10 13 11 16 6 7
12 12 12 17
#
# C7
D7 #
# # j
7
D
&
B
J J
j
7 7
10 9 10 11 12 15 14 10 11 12
5 5
7 6 7 7 9 12 11
J
7 7
J
9
G . j n b n G #7 #
## G-6. n n # #
& . . #
J
7 7 1313
12 10 7 13 13 10 11 12
8 5 5 13 10 11 12
J 4 J
9 7 4 13 10 11 12
5 4 2 2 12 12 9 10 11
# #7
##
A7 b n G 7 A7 G
A
& . j #
3
#
j
6 8 6 5
8 5
6 6
7 5 5 8
7 4 4 7
5 5 5 5 3 5 6
C7 n b7
## # n #
A 7 B7 B D
& b
j
3
9 14 13 12 9
8 11 12
j
9 12 10 11
12 12 11
12 13 12 10 9
12 9 10
Up Swing q = 220 Swing Gitan Traditional
Solo: Jamie Masefield
Transcription: Jordan Lewis
A Head
G-
Mandolin
G- A7 A7
3 3 3 3
6 5
5 5 5 5 5 5 4 5 5 4 4 4 4 4 4 3 4 4
Mandolin
D7
5
D7 G-
G-
Mand.
3 3 3 3
5 3 3
3 3 3 3 3 3 2 3 3 1 1 1 1 1 1 0 1 1 1
Mand.
Ab7
9 Ab7
G- G-
3
Mand.
3 0
1 6 8 6 1 5 5 1
Mand. 6 10 10 8 7 6 5 5 5
9
3
1. A-7b5
13 A-7b5
D7b9 D7b9
3
Mand.
0 1 2
6 6 6 6 6 0 3
Mand. 5 8 5 8 0 4
8 8
3
2. A-7b5
17 D7b9 G- Eb7 D7
Mand.
3
2 3
6 6 6 0 3 5
Mand. 5 8 0 4
8
B Jamie Masefield 1st Chorus
2 21 G- G- A7 A7
Mand.
0 1 3 5 4 7 4 4
Mand. 0 2 4 5 5 8 5 8
0 2 3 5
25 D7 D7 G- G-
Mand.
3 5 3 3 5 7 5 7
Mand. 4 7 0 4 7 4 5 8 4 5 8
Ab7
29 G- G-
Ab7
Mand.
6 8 6 7 7 5 7 7 5 7 5
Mand. 6 10 10 9 8 6 8 5 8 8
33 D7b9
A-7b5 D7b9
A-7b5
Mand.
0 1 0
Mand. 0 1 3 5 5 4 5 4 5 4 5 4
2 5
37 G- G- A7 A7
Mand.
5 7 5 4 7
Mand. 5 7 8 8 7 5 7 5 7 5 7
D7
41 G- G- D7
Mand.
3 2 3 5 5 6 3 6 5 3
3 5 6 5 3 5 6 5
Mand. 4 7
7
Ab7 Ab7
45 G- G-
Mand.
4 6 3 3 6 5 4 3 4 5 5 3
6 3 3 4 6 5 4
Mand.
49 A-7b5 D7b9 G- Eb7 D7
Mand.
4 3 1
Mand. 5 4 4 2 2 0 2
5 3 2 0 3
C Jamie Masefield 2nd Chorus
53 G- 3 G- A7 A7 3
3 3
3 3
Mand.
5 5 5 5 5 5 5 5 4 4 4 4 4 4
Mand. 8 8 8 7 7
10 10 10 9 9
57 D7 D7 G- G-
3 3 3
Mand.
3 3 3 3 3 5 3 5 1 1 1
Mand. 4 4 0 5 4 3 2
7 7
Ab7
61 G- G-
Ab7
Mand.
3 1 3 3 5 5 1 0
Mand. 1 1 0 1 6 5 6 5
D7b9
5
65
A-7b5 D7b9
A-7b5
Mand.
3 3 3 3
2 3 5 6 6
1 1 1 1 1 1 3 3 3 3 3 3 5 6
Mand.
69 G- G- A7 A7
Mand.
0 0 0 0 0 0 0 0 0 0
5 5 5 4 4 4
Mand. 8 8 8 7 7 7
73 D7 D7 G- G-
Mand.
0 0 0 0 0 0 0 0 0
3 3 3 1 1 1 1
Mand. 7 5 4 5 4 3 2
77 Ab7 Ab7 G- G-
3
Mand.
3 3 3 3
1
5
Mand. 0 1 3 4 5 6 5 1 5 5 5 5 5 5 5 5 5 5 8 8
7
81 A-7b5 D7b9 G- Eb7 D7
Mand.
3
0
Mand. 5 3 1 0 2
5 3 2 3 2 0 3
Webster - Django Solo
D. Reinhardt
bmaj6 b
Swing
n
E E dim7 F min7 B7
b 4 b
# #
&b b 4
3
Guitar
4 8 7
T 6 6 4 3 3 4 3 4 6 7 9
Guitar A 5 3
6 5 4
5
6
5 8
B
b b E
bmaj6 b
3 n b b
F min7 B 7 F min7 B 7 B 7
b n b j j
&b b b
3
Gtr.
5
7 6
6 9 9 7 6
7 8 7 8 7 7
Gtr. 9 8 6
9 11 10
bmaj6 b dim7
E
F
B min7 7
n
E
b
J J
Gtr. &b b
9
13
15 13 16 13 11 12
12 13 10 12
Gtr. 12 15 12 13 13 13 10 13
10 13
b7 F min7 B
b7 bmaj6
F min7 B E
b n b b 3 b b 3 .
b J
Gtr. &b b
13
11 11 14 12 11
13 11 13 11 10 11 11 13 13 11 12 13 12
Gtr. 13
2 [Webster - Django solo]
B
b min7 bmaj6 E
b7 A
b 3 b . n .
b b b b J J
Gtr. & b J n
17
11 13 11
11 13 14 13 14 12 13
10 12 13 13
Gtr. 10 11 10 11 13
13 12 13
b7
b b nw
F7 B
n 3 b
b J J J
Gtr. &b b
21
13 14 13 13 16 20 20
16 14 13 13 15 17
15 14 15 14 13
Gtr. 16 15 13 12 15
bmaj6 b
E E dim7 F min7 B7
# n # # .
b J J n b
Gtr. &b b J
25
18 18 15 16 18 16 15 13 16 14 14 14
18 16 15 14 17 14 13
14 13
Gtr. 16 15
F min7 B
b7 F min7
b
B 7 E
bmaj6
b J J
Gtr. &b b
29
15 15 15 15 15 13 15 13 15 13 13 15
16 13 16 16 16
Gtr.
What is This Thing Called Love - Django's '47 solo
D. Reinhardt
Med. Swing
G7
b b3
C7
b b
4 b
& 4 b b b
b
b
3 3
Guitar
9
T 6 9 8 9 8 11
Guitar A 3 6
4 7 9 7
8 8 10 11
11 11
B 3 4 3 2 5 10 8 10 8 7 10
3
b 3 b b b3 b
F min6 G7
Gtr. & J J
4
10 8 10 8 7
13 8 9 8 9 8 8
13 11 10 10 8 7
Gtr. 14 12 10 9
3 3
# 3 #
C maj6 C7
b
Gtr. &
8
12 12 13 15 13 15 13 12
9 12 10 8 10 8 7 8 15 13 15 13 12
8 10 14 12
Gtr. 9 10
G 3 b b
b b 3 b
3b b 3 b
F min6 7
Gtr. &
12
13 16 15 13
15 13 15 13 15 16 15 13 12 14
10 12 13 13 13 16 15 13 15 13 13 13
Gtr. 15 13 15 13 12
2 [What is This Thing Called Love - Django's '47 Solo]
b b
J
C maj6 F7
b 3 b
Gtr. & J b b
16
11 7 10 8
13 13 11 8
12 12 10 12 10 9 9 9 7 8 8 8 11
Gtr. 10 8 10 8 7 10
bmaj6 3 b7
b b b b
b b
B A
3
Gtr. & J
20
10 13 17 15 17 15 13 6 4 4
10 13 11 13 11 10 11 15 7 4 3 3
14 12 4 5 5 5 5
Gtr.
b b b3 b
G7 C7
Gtr. & # #
J
b b
24
3 3 3 6 4 6 4 3
2 2 5 6 5
4 4 4 4 5 6 5 3
Gtr. 6
b ..
F min6 G7
b
& b n b b J b b j
.
3
Gtr.
J b b.
28
4
4 4
5 5 5 5 5 4 4 4
Gtr. 5 4 5 4 5 4 3 6 4 6 4
6 4
C maj6
& #
3
Gtr.
32
3
3
2
Gtr. 5 5 3 5 3 1 2 2
3 3 3
3
Django in June - All of Me Etude Brad Brose
C maj E7
A #
4 . # b
Guitar &4 #
14 12
Guitar T 9
8 12 12 12 10 8 10 12 15 12
13
A 9 10 14 13 12
B 14 11
12 12
A7
# b
D min
# # n
Gtr. &
9 12 10 9
Gtr. 10 11 10 9 10 11
9 9 12 10 9 10
11 12
5
12 12 12 14 14
13 12 10 12 13
E7
A min
# N # .
# #
. J
Gtr. & # J
12 13 15 13 12 12 17 12 16 12 15 12 14
12 15 13 13 13 13
Gtr. 13 13 14
12 15 14 14
11 14
9
D7 G7
# b b b
# b #
Gtr. &
14 14 11 11 8 8 5 5 4 4 7 7 10 10 13 13
13 10 7 4 3 6 9 12
Gtr. 14 11 8 5 4 7 10 13
13
2 Django in June - All of Me Etude
C maj E7
.. b b b b n n b
B
. # # # # n b # n
& . b J #
Gtr. J
12 11 12 11 12 12 11 12 12
12 11 12 11 12 12 11 12 11
Gtr. 12 11 12 12 13 13 12 13 12
10 9 10 11 12 12 11 12 11
17
A7
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D min
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13 12 12 10 9 10 10
11 11 10 10 9 10 10
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11 11 10 9 8 9 9
21
10 8 8 10 8 8 10 10 8 12 10
10 9 8 10 10
Gtr.
25
# n
D min G7 C maj C maj6(9)
ww
b b b ww
Gtr. & ww
13 9 12 10 3
13 10 3
Gtr. 10 2
12 11 10 9 9 10 8 6 5 2
12 10 12 3
29 3
Django in June - Coquette Etude
Brad Brose
b b
D maj E min A7
# # 4 wo (Harmonics)
{A}
# #
& 4 w
3
Guitar
o (Harmonics) 10
Guitar T 12 11 10 9 8 7 7
A 7
7 4 7
6 7 8 11 9 11 9 8 9
B 4 5
E min
b n b
A7 D maj (A7)
## n # a 3
&
Gtr.
10 7 9 8 6 5
Gtr. 8 8 5
9 8 7 5 6 6 6 9 7 9 7 6 7
5 7 4 4 7 7 7
5
b ww
## n # n # n # n # n #
D maj E min7 A7
n
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5 5 5 5 5 7 9 7 6
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7 6
9 5 5
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# # www
E min A7 D maj
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3
Gtr.
7 9 10 9 10
Gtr. 7 8 7 8 7
7 9 7 9 7
13 5 8 7 8 7
10 10 9 10 9
2 Django in June - Coquette Etude
D7 j j G maj
##
3
{B}
& n
3
Gtr.
Gtr. 7 10 10 8 10 8 7 8 8 8 7 8 7
7 7
17 7 5
8 8 7
E7
j j
A7
j j j
# # .. n b j #
n n #
b n
& . b n
# . #
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Gtr. 5 5 5 5 2 3 4 5 6 7
4 4 4 2 3 4 5 6 7
21 2 2 2 2 3 4 5 6 7
0 0 0 5
4 4 4
#
D maj E min A7
# # #
.
{A}
&
Gtr.
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10 7 10 7 10 7
Gtr. 7 8 9 10 10 8 10 8 7 7 8 9
25 9 9
## # n b N NN www
E min 1/2 A7 D maj
b
r
& b n n b
Gtr.
J b b N a N www
E min 1/2
4 5
Gtr. 10 9 8 10 8 7 4 5
6 7 3 4
29 8 8 7 9 3 4
4 5
4 5
I'll See You in My Dreams Etude
bmaj b
B. Brose
B B min
b 4 b b
Guitar & 4 #
Guitar T 6 3 3 6 3 3 6 2 2 6 2
A 5 3 5 5 3 5 5 3 5 5 3 5 3 1 2
#
n # n
F maj E7 F maj
. #
Gtr. &b J J J
1 3 4 5 8 5 7 4 8 5
Gtr. 1 6 5 6 8 6 6 5 6 7
5 4 5 5
5
D7
j j n # j
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Gtr. 8 7 5 6 7 8 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5
9 7 7 2 3 4 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5
G7 C7 (F7)
& b #
3
bmaj bmin
n
B B
b b # # n
&b b n #
n
Gtr.
J J
6 7 8
Gtr. 3 3 6 6 7 8
5 3 5 6 6 5 6 6 5 6 7
17 3 5 5 6 7
6 7 8
6 6 7 8
F maj b n n E7 # n
F maj
b n ## b # #
&b
3
J b n n
J
Gtr.
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11 12 13 6 7 8
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10 11 12 5 6 7
21 11 12 13 5 6 7
10 11 12 6 7 8 10 10 8 10 8 7 8 10
6 7 8 8 8
n 3 #
A min7( 5) D7 A7 D min
b #
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4 5 4 5 4 5 4 5 7 8 9
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25
b
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bmaj
n b n # J 3 b
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ww
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w
Gtr.
10 8
Gtr. 11 8 8 11 9 10 8
9 9 10 10 10 9 10 9 8 8 8 8 7
29 10 9 8 9 10 8
8
6
Minor Swing Etude
B. Brose
A min D min
4 j j # n
Guitar &4 # n # # J
5 5 10 12 10
Guitar T 5 5 10 10 10
A 7
5
6 5 4
5
4 5 7
10
12
10
11 10 9
10
9
10
9
B
E7 A min
j #
(A7)
# j #
# n # j #
Gtr. & b # #
7 7 5 9 12
Gtr. 7 7 5 10
7 7 5 9 12
5 9 8 7 6 6 7 9 7 6 5 4 7 11
#
D min A min
# # # #
#
Gtr. &
10 9 10 17 16 17 12 11 12
Gtr. 10 9 10 13 12 13
10 9 10 14 13 14
9 12 11 12
#
E7 A min
# #
& #
Gtr.
16 13
Gtr. 15 12 15 12
13 13 10 13 10
13 12 12 10 9 7
7
8 7 5 4 5
2 Minor Swing Etude
b
A min D min
#
& # b # J J
Gtr.
J J
5 7 8 9 10 12 13 17
Gtr. 5 6 8 8 10 11 13 15
5 7 9 9 10 12 14 17
17 5 6 7 8 10 11 12 15
#
E7 A min
#
j
Gtr. & # #.
17 16 13 12
Gtr. 15 13 12
14 13 10 12
21 15 14 12 12
15 14 12 11 12 12 12 12
14
D min A min
j
j
b b j j
Gtr. & b b
Gtr.
13 12 10 12 10 12 13 12 10 5 7 87 5 7 5 7 87 5
25 12 12 7 7 7
j
E7 A min (E7) A Min
b ww j
> > > > # # # w
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