Académique Documents
Professionnel Documents
Culture Documents
Referencias
Bolaos, C. Origen de la msica en los Andes. Instrumentos musicales, objetos sonoros
y msicos de la regin andina precolonial. Lima: Fondo Editorial del Congreso del
Per, 2007.
Both, A. Music Archaeology: Some Methodological and Theoretical Considerations. In
Both, A., Niles, D., Lau, F., et al. (eds.). 2009 Yearbook for Traditional Music. Inter-
national Council for Traditional Music; Vol. 41, 2009: 111.
Gudemos, M. Apuntes preliminares a esta edicin. In Gudemos, M. (org.) Dossier de
arqueomusicologa andina. Revista espaola de antropologa americana. Madrid:
Universidad Complutense de Madrid, 2009: 119124.
Hickmann, E. Precolumbian Music Archaeology: an Introduction. In: Hickmann,
E.; Eichmann, R. (org). Studien zur Musikarchologie, V. Rahden/Westf: Verlag
Marie Leidorf GmbH, 2006: 251254.
Olsen, D. Music of Eldorado: The Ethnomusicology of Ancient Southamerican Cultures.
Orlando: University Press of Florida, 2002.
Valencia Chacn, A. El siku altiplnico. La Habana: Casa de las Amricas, 1989.
With her new book, Oye Como Va!, Deborah Pacini Hernandez contributes
a fresh new approach to the complex world of Latin American popular mu-
sic in the United States. The complexity is evident even in the name of her
subject: the very idea of a Latino music as differentiated from the more
common usage, Latin music, is already a step in a new direction as the
author seeks to thereby develop a coherent analysis of two musical worlds
often considered as separate, if not counter-posed against each other, i.e.,