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RIES S SPON SOR S SERIES SPONSOR
TANGER OUTLETS SE RICE TOYOTA SERIE TANGER OUTLET
31
September 29 & October 1, 2016 HANDEL
Dmitry Sitkovetsky, violin Sonata No. 4 in D Major
69 81
BEETHOVEN
Archduke Trio November 19, 2016
35
MAGIC OF MOZART The Texas Tenors:
Dmitry Sitkovetsky, violin
November 3 & 5, 2016 Back for the Holidays
71
Debra Reuter-Pivetta, flute
83
November 4, 2016
Debra Reuter-Pivetta, flute December 31, 2016
Some Enchanted Evening:
RUSSIAN ROMANTICS Mozart Wind Serenade K.388
39
A Webber and Rodgers &
January 19 & 21, 2017 C minor for 8 winds
Hammerstein Broadway Celebration
Dmitry Masleev, piano Mozart Flute Quartet
73 85
January 20, 2017 February 14, 2017
Dmitry Masleev, piano Dave Bennett: From the King of
THE ONE TENOR CONCERT Swing to Rock and Roll!
43
Tchaikovsky Piano pieces op.72
February 23 & 25, 2017
87
Shostakovich Piano Quintet
Ren Barbera, tenor April 29, 2017
75
April 8, 2017 The Symphony Strikes Back!
Lucas Debargue, piano
47
GERMAN GIANTS
Mozart Sonata for violin & piano
April 6 & 7, 2017 K.380 E flat Major
Lucas Debargue, piano Tchaikovsky Piano Trio
&
ZUILL BAILEY PLAYS ELGAR
May 5, 2017
Zuill Bailey, cello
77 MILY
May 4 & 6, 2017
Zuill Bailey, cello
51 Bach/Sitkovetsky Sinfonias for string trios
Brahms Serenade op. 11
HOLIDAY & FA
December 9, 2016
Fox 8/Old Dominion
89
Holiday Concert
Dmitry Masleev, piano Williams High School, Burlington
89
December 16, 2016
Fox 8/Old Dominion
GSYO
EDUCATION & Holiday Concert
Greensboro Coliseum
Keep Kids In Tune
Education Programs 61
Greensboro Symphony
Youth Orchestra 65
www.GreensboroSymphony.org 5
BEHIND THE SCENES
We honor the Centennial of GSO RESOURCES, PROGRAMS, AND CONTRIBUTORS
Board of Directors 11 Contributors 54
American Field Service Chairman of the Board 11 Endowment Fund 57
President & CEO 13 GSO Guild 60
Music Director 15 Preludes 63
(and related organizations) Resident Conductor 19 Music at Midday Series 63
Concertmaster 21 Youth Orchestra 65
Ambulance Drivers Orchestra Personnel 23 Restaurant Specials 92
GSO Musicians 24-27 Advertiser Index 95
who volunteered in 1916 and Corporate Contributors 53
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Year: 2014
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boundaries and
*Ex-Officio
sensation Zuill Bailey and rising operatic star
Ren Barbera.
The Tanger Outlets POPS Series, under the explore something
BOARD OF DIRECTORS
Dennis Askew Ryan Homer Carole L. Moore
dynamic direction of Nate Beversluis, is one of new with the Lisa Bullock Shawn Houck Anne Mueller
the best in years, with the return of The Texas
Tenors, Broadway, Swing and more. GSO this year. Charles Calkins
Myrna Carlock
DK Jeong
Suzanne Johnson
David Parker
Phil Petros
Finally, I encourage you to attend Dima and Vanessa Carroll Bob Jones Dale Phipps
Chip Compton Kim Jones Carol Rauch
my beloved Rice Toyota Sitkovetsky & Friends Chamber Series for a more Amy Conley Orton Jones Garson Rice, Jr.
intimate experience. Gustav Mahler himself once said: In its beginnings, Betsy Craft Sharon Kasica Peter Rogers
music was merely chamber music, meant to be listened to in a small space Bert Davis, Jr. Ches Kennedy Susan Schwartz
Don DeRosa Bob Klepfer Anne Smith
by a small audience. I invite you to come and experience art as it was always Scott Duggan Katie Klod Tim Smyth
intendedas an intimate, highly personal celebration. Eric Eley Andrea Knupp Dennis Stearns
Music is just like each of usit is diverse, it is unique and all of it is Peggy Follin Ann Kroupa Steven Thaggard
Robert Green Sveta Krylova Dorry Tooke
interesting as well as worthwhile. I challenge you to stretch your boundaries
Patrick Guido Joe LeBauer Bernadette Trinidad
and explore something new with the GSO this year. As my father once told Fred Guttman Sam LeBauer Margaret White
me, arts in a community define the difference between truly living and merely Holt Gwyn Kim Littrell Myron White
existing. The arts, and in particular our Symphony, help create a vibrant, Peggy Hamilton Lisa Lloyd Kathleen Whitmire
Bob Harris Bernie Mann Corey Williams
stimulating life for each of us that can be wholly transformative. Kathy Manning
So this year, while attending any of our performances, I encourage you to
listen not only with your ears, but also with your heart. PAST BOARD CHAIRS
Miles H. Wolff 1959-67 Robert O. Klepfer, Jr. 1993-95
Sincerely, Douglas M. Orr 1967-72 David F. Parker 1995-97
L.L. Weltner 1972-74 Joyce Kiser 1997-98
Charles L. Weill 1974-75 John O.H. Toledano 1998-00
Miles H. Wolff 1975-76 David Routh 2000-02
Samuel G. Wilson 1976-80 Ann E. Kroupa 2002-04
Garson Rice, Jr. Joy Morrison 1980-83 Carole Lineberry-Moore 2004-06
Chairman of the Board Bernard Mann 1983-85 Robert Braswell 2006-08
Albert S. Lineberry, Sr. 1985-87 Dennis Stearns 2008-10
Anne Daniel 1987-89 Robert Harris, Jr. 2010-12
Lewis R. Ritchie 1989-91 Susan Schwartz 2012-14
Robert E. Lavietes 1991-93 Robert Green 2014-16
www.GreensboroSymphony.org 11
Pursuing passions
Lisa Crawford
Dear Symphony Supporter, music matters so deeply. In todays world, perhaps it is the most
important reason.
Music communicates in powerful The Greensboro Symphonys mission is centered on providing
ways when language often fails. just this kind of environment for creating a community space
In isolation, music cannot stop to open minds. We achieve it through our Masterworks and
terrorism, heal the environment, or Chamber series, reaching back to view the world through the
solve the world's other great problems; lenses of Mozart, Brahms, Beethoven, and others. We engage the
but it can open a dialogue to help music of today with our POPS Series, be it Broadway or Beatles.
listeners gain a new understanding or Through our educational programs, we shape the leaders of
feel a touch of compassion. tomorrow. Most importantly, we bring people together to share a
Composer John Cage once wrote: live performance and create social capital.
"Changing things radically is simple. You merely change your Lets experience the Greensboro Symphonys season together
mind. Music alone may not and discover our common ground through the language of music.
accomplish this, but it does make
minds more susceptible to change.
Music Sincerely,
Music creates a space for people communicates
of differing cultures, religions, and in powerful ways
mindsets to share experiences,
to engage with a language that when language Lisa Crawford
transcends boundaries. This is often fails. lcrawford@greensborosymphony.org
one of the many reasons why 336.335.5456 ext. 222
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Dmitry Sitkovetsky
As an artist whose creativity defies categorising, Dmitry has built up an active and
successful career as a violinist, conductor, arranger, festival director & also a TV presenter.
A renaissance man and a magnetic creative force, Dmitry Sitk- Yefim Bronfman, Gary Graffman, Sir Antonio Pappano, and others.
ovetsky has made a considerable impact on every aspect of musical life Addressing them as a life-long friend and a musical collaborator, Mr.
and has been successful as a performer, creator and facilitator for over Sitkovetsky achieved unprecedented candour and intimacy in these
four decades. His enviable career as a violin soloist is documented in conversations. The series has been picked up by Medici.tv for world-
several hundred recordings of all major concertos and a wide selection wide streaming, and plans are underway for international TV distribu-
of chamber repertoire. Among the recent releases are the complete tion.
Mozart Violin Sonatas with Antonio Pappano and Konstantin Lif- The same agenda of returning classical music into the realm of
schitz (Hnssler Classic) and Dutilleuxs LArbre des Songes with the cultural relevance is at the heart of Mr. Sitkovetskys collaborations
Concertgebouw Orchestra and Mariss Jansons (Concertgebouw Live). with star dancers, writers, and
In October 2016, Dmitry Sitkovetsky will inaugurate a new cham- actors, including his work with
ber music series in New York City, presented by the Aspect Foundation the multiple Emmy winner
for Music and Arts. The coming season will also have a particular focus Peter Coyote on Copland Lin-
on maestros home town, starting with a special concert celebrating coln Portrait, Brittens Young
the 150th anniversary of his alma mater, the venerable Moscow Con- Persons Guide to the Orchestra
servatory. He will return to play the Beethoven Violin Concerto with and Griegs Peer Gynt.
the Tchaikovsky Symphony Orchestra and Vladimir Fedoseyev, the As a conductor, Mr. Sit-
Berg Violin Concerto with the Moscow Symphony and Pavel Kogan, kovetsky has held artistic
and to play and conduct Yuri Bashmets New Russia orchestra in a pro- leadership positions with the
gramme of Brittens Four Sea Interludes, Bernsteins Serenade for Vio- Ulster Orchestra, the Russian
lin and Orchestra and Mendelssohns music for Midsummer Nights State Orchestra, and Orquesta
Dream. Mr. Sitkovetsky is also looking forward to a month-long tour Sinfonica de Castilla y Leon. In
of Japan, which will include a residency at the Tokyo University of the 1990, he founded the New Eu-
Arts (Geidai) and a compelling programme of music by John Cori- ropean Strings orchestra (NES),
gliano, John Adams, and Ottorino Respighi with the Japan Century bringing together the most distinguished string players from the top
Orchestra in Osaka. A collaboration with the musicians of Staatska- European ensembles for special touring and recording projects, most
pelle Dresden at the Shostakovich Festival at Gohrisch, exploring and recently at the Enescu Festival. As a guest conductor, Mr. Sitkovetsky
illuminating the art of transcription, will wrap up this extraordinary recently collaborated with San Francisco Symphony, Minnesota Or-
season. chestra, London and Royal philharmonic orchestras, NDR Hannover,
Mr. Sitkovetskys name is inextricably linked to the iconic Gold- Ensemble Orchestral de Paris, Moscow Philharmonic, Tokyo Metro-
berg Variations, which he has transcribed for a string orchestra and a politan Orchestra, China Philharmonic, Shanghai Symphony, among
string trio. This work has taken on a life of its own, enjoying regular others. He is looking forward to his 14th season as the Music Director
performances and acclaimed recordings by the worlds best musicians. of the Greensboro Symphony Orchestra in North Carolina, where he
Inspired by its unqualified success, Mr. Sitkovetsky went on to arrange has served as an artistic catalyst for the creation of Steven Tanger Per-
over 50 works by Haydn, Beethoven, Brahms, Bartk, Tchaikovsky, forming Arts Center, designed to become the orchestras new home.
Shostakovich, Stravinsky, and Schnittke. Since 2013, thousands Given his unique ability to turn any project into an extraordinary
have enjoyed the Medici broadcast of his arrangement of the Chopin and highly anticipated artistic event, Mr. Sitkovetsky has been invited
Preludes, commissioned by the Verbier Festival for its 20th anniver- to create, develop and lead a number of festivals throughout his career,
sary and performed by Yuri Bashmet, Leonidas Kavakos, Gauthier most notably the Korsholm Music Festival in Finland in the 1980s,
Capuon, and other stars. Earlier this season, Mr. Sitkovetsky unveiled the Seattle International Music Festival and the Silk Route of Music
his transcription of Stravinskys Le baiser de la Fee, which was com- Festival in Baku in the 1990s, as well as the Festival del Sole in Tus-
missioned by the Orpheus Chamber Orchestra and premiered by cany, where his NES orchestra was in residence from 2003 to 2006.
Augustin Hadelich at Carnegie Hall, effectively adding a new violin Since the vitality of classical music relies on the immediate and
concerto to Stravinskys legacy. active connection between the composer and the performer, Mr. Sitk-
Driven by desire to share the fascination of music and musicians ovetsky has cultivated strong partnerships with people like Dutilleux,
with the widest possible audience, Mr. Sitkovetsky created a compel- Penderecki, Schnittke, Prt, and Rodion Shchedrin, who has written
ling series of 11 episodes for Russian national TV (Kultura) profiling several works for him as conductor and violinist. His repertoire in-
the worlds most extraordinary musicians: Evgeny Kissin, Barbara cludes concertos composed for him by John Casken, Krzystof Meyer,
Hendricks, Mischa Maisky, Bella Davidovich, Sir Neville Marriner, Nimrod Borenstein, and Jakov Jakoulov.
www.GreensboroSymphony.org 15
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RESIDENT CONDUCTOR, MUSIC DIRECTOR OF THE GREENSBORO SYMPHONY YOUTH ORCHESTRA
Nate Beversluis Nate Beversluis leads the GSO Pops series, conducts a variety of holiday and
special events concerts, and serves as musical assistant and cover conductor to Maestro
Dmitry Sitkovetsky. He has recently been seen on the Masterworks series covering an
all-Tchaikovsky program, and well as conducting Brahms, Beethoven, and Shostakovich
violin concertos with Dmitry Sitkovetsky. Nate has also developed his own brand of
riotously entertaining concerts for children which reach 50,000 students in Guilford and
surrounding counties annually through school and Family concerts.
Nate loves working with young orchestras and currently serves as Music Director of
the Greensboro Symphony Youth Orchestra (www.gsyo.org). Under his direction they
recently recorded Taking it Home, an album of American and North Carolina-oriented
music, available at CDBaby.com, featuring Nate as pianist and conductor. He has also
guest conducted all-state and youth orchestras of Indiana, Ohio, North Carolina, and
Florida.
Nate is also active as a pianist and composer in multiple genres. His compositions have
won awards from ASCAP and BMI, his arrangements have been performed by Colorado
Symphony, Orlando Philharmonic, The Florida Orchestra, North Carolina Brass Band, and
Greensboro Symphony Orchestra, and premieres this season include Purdue University
Wind Ensemble and Indiana Wind Symphony. In additional to writing original music,
Nate enjoys creating unique contemporary arrangements of American songbook classics
for jazz artists as well as transcribing existing classical music for other instrumentations
and ensembles. His catalog and other information can be browsed online at
www.natebeversluis.com.
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B U R L I N G TO N N C
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CONCERTMASTER
Marjorie Bagley
North Carolina native Chile. She enjoys working with living composers to perform and
Marjorie Bagley has per- record contemporary music (published by the VOX, Albany, Equi-
formed around the world librium, and Summit labels).
since beginning her career at Marjorie studied under Stephen Shipps, Joseph Gingold, and
age nine as a soloist with the Pinchas Zukerman, and received chamber group coaching from
Winston-Salem Symphony, the Tokyo and American Quartets and Isidore Cohen of the
and then at fourteen with the Beaux Arts Trio. She has performed with Joseph Silverstein, Ani
North Carolina Symphony. Kavafian, members of the Emerson and Borromeo Quartets, and
After two decades elsewhere, harpsichordist Kenneth Cooper.
she happily returned in 2009 Currently Professor of Violin at UNCG, Marjorie has held fac-
to teach at UNCG and be ulty positions at Ohio University and Utah State University. She
closer to her family. She plays teaches and performs as co-concertmaster at the Brevard Music
a violin crafted in 1708 by Festival in western North Carolina, and plays with the Berk-
Milans Giovanni Grancino. shire Bach Society in western New England. She has taught and
As a founding member performed at the Perlman Music Festival, the Green Mountain
and first violinist of the Ar- Chamber Music Festival, and the International Music Academy
Photo credit:
Rick Buchanan cata String Quartet for a de- in Plzen, Czech Republic.
cade, Marjorie performed in Marjorie lives in Greensboro with her husband, UNCG phys-
Wigmore Hall (London) and Carnegie Halls Weill Recital Hall (New ics professor Ian Beatty, their energetic toddler Eleanor Rose,
York). Shes indulged her taste for foreign travel and adventure while and infant twins, Lee Edwin and Josephine Ingeborg. When not
performing solo recitals and concertos in Korea, Moldova, South busy teaching, they enjoy traveling, cooking, and adventuring
Africa, and Namibia, and teaching master classes in Argentina and outdoors, all of which is a bit different now with three little ones!
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www.GreensboroSymphony.org 23
Up Close: GSO Musicians
Mara Barker Catherine Box
Bass Viola
UNCG School of Music- MM UNCG - MM
Ball State - BM Baylor University - BME
Hobbies: Cooking and baking, Hobbies: Cooking, watching
reading, hiking, herpetology Rangers baseball, Baylor
basketball, and US soccer
Quote: Where words fail,
music speaks. Quote: It's the job that's never
Hans Christian Andersen started as takes longest to finish.
Samwise Gamgee
24 www.GreensboroSymphony.org
Up Close: GSO Musicians
Andrew Emmett Noah Hock
Violin I Viola
Eastern New Mexico University University of Puget Sound - BM
UNC School of the Arts UNCG School of Music - MM
Hobbies: Travel, food, Hobbies: Disc golf, homebrewing
philosophical conversations, folk
Quote: You may say I'm a
music from different countries
dreamer, but I'm not the only
Quote: Do unto others as you one. I hope someday you'll join
would have them do unto you. us, and the world will live as one.
John Lennon
www.GreensboroSymphony.org 25
Up Close: GSO Musicians
Eric Koontz Ruth Metheny
Associate Principal Viola Violin
UNCG School of Music - DMA Austin Peay State University - BS,
Yale University of Music - MM UNCG MM
Cincinnati College Conservatory
of Music - BM Hobbies: Spending time outdoors,
hiking, bicycling, and reading
Hobbies: Reading, poetry, cooking,
and hiking Quote: When I admire the
wonders of a sunset or the beauty
Quote: Facts bring us to knowledge, of the moon, my soul expands in
but stories lead to wisdom. the worship of the creator.
Dr. Rachel Naomi Remen Mahatma Gandhi
26 www.GreensboroSymphony.org
Up Close: GSO Musicians
Lee Richey Bu Scherf
Cello Bass
University of Wisconsin-Madison - DMA Boston University - MFA
Southern Methodist University - MM UNC School of the Arts - BFA
UNC School of the Arts - BM
Hobbies: Cooking for my friends
Hobbies: Reading, writing, tennis, and family; Playing the accordion;
cycling, hiking swimming, and Studying Indo-European languages;
figure skating feeding stray cats
Quote: "Performance is the art of Quote: Law is the Ultimate Science
controlled ecstasy."
Elaine Lee Richey
www.GreensboroSymphony.org 27
FLOW LEXUS
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GREENSBORO SYMPHONY
LEXUS ES 350
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3RD ANNUAL GREENSBORO DANCE FILM FESTIVAL CREATING PEACE: SCULPTING WAR IN
Sept. 17, 7:00 p.m. MOZAMBIQUE
Geeksboro Nov. 15, 6:00 p.m.
WAR AND PEACE REIMAGINED Weatherspoon Art Museum
Sept. 29, 8:00 p.m.
UNCG Auditorium
FALL DANCES
Nov. 18 & 19, 8:00 p.m.
CAROLINE, OR CHANGE Dance Theater
Opens Sept. 29, 7:30 p.m.
Taylor Theatre
LYNN HARRELL
Dec. 3, 8:00 p.m.
ACHIEVING ACCOUNTABILITY FOR TORTURE Recital Hall
Oct. 6, 2:00 p.m.
Faculty Center
warandpeace.uncg.edu
30 www.GreensboroSymphony.org
2016-2017 SEASON
SEASON SPONSORS
www.GreensboroSymphony.org 31
PROGRAM NOTES GUEST ARTIST BIOS
continued from previous page
Sergei Prokofiev (1891-1953)
Violin Concerto No. 1 in D major, Op.19 Geraldi
In order for Prokofiev to compose during this performance was delayed. By the time discs. A proponent of contemporary mu-
the strife of World War I, the composer of the first performance in Paris in 1923, sic and chamber music, he has commis-
and his mother moved to a small town Prokofiev had difficulty finding a well-known sioned and premiered numerous compo-
in Caucasus, a region of Russia between violin soloist. Sergei Koussevitzky conducted sitions and published articles in leading
the Black and Caspian Seas, where the 24- the premiere and Marcel Darrieux, his journals. His compact disc leading the
year old Prokofiev fell in love with Nina concertmaster, played the solo. Minerva Chamber Ensemble, featuring
Meshcherskaya. Unfortunately, her family Parisian audiences in the 1920s were fond nonets by Johannes Brahms and Louise
refused to allow the romance to continue of music that pushed established boundaries. Farrenc, is available on the Centaur Re-
and ended the relationship. During this time, After all, they had heard Stravinskys Rite cords label.
in 1915, the composer decided to write a of Spring a little more than a decade earlier. Dr. Geraldi holds his Doctor of Mu-
concertino for violin and orchestra. Many However, Prokofievs Violin Concerto was sical Arts and Master of Music degrees
writers believe that the opening theme of the considered somewhat too romantic for the in conducting from the University of
work was influenced by Prokofievs romance. audiences taste. It was not until Hungarian Michigan where he studied with H. Rob-
Other compositions then took precedence violinist, Joseph Szigeti, began performing ert Reynolds and Michael Haithcock. He
for Prokofiev, especially his opera, The the work that Prokofievs Violin Concerto received his Bachelor of Music Education
Gambler. When he returned to the work for began to be noticed. degree from Illinois Wesleyan University,
violin and orchestra, he enlarged the one- where he studied conducting with Steven
movement concertino into a three-movement Eggleston. Dr. Geraldi is a recipient of the
concerto. The premiere was planned in St. Thelma A. Robinson Award, presented bi-
Petersburg, then Petrograd, in 1917, but ennially by the Conductors Guild and the
National Federation of Music Clubs. He
is a member of the Conductors Guild, the
College Orchestra Directors Association,
Dmitri Shostakovich (1906-1975) the College Band Directors National As-
Symphony No. 8 in C minor, Op.65 sociation, Music Educators National Con-
Shostakovichs life held many challenges and beauty will triumph. ference, Pi Kappa Lambda, Phi Mu Alpha
because of the tension between the music Later, the composer gave a different Sinfonia, and a National Arts Associate of
he wished to compose and the often harsh interpretation of his music. He said it was an Sigma Alpha Iota.
reaction of the Communist authorities. Some attempt to reflect the terrible tragedy of war.
of his music compositions were well received; In a brutally honest statement, he added: I
others were severely criticized. As one can
imagine, the years of World War II added
feel eternal pain for those who were killed by
Hitler, but I feel no less pain for those killed on
UNCG Orchestra
significant stress to the composer because all Stalins orders. I suffer for everyone who was with organizations like the North Caroli-
creative artists were encouraged to support tortured, shot, or starved to death. na Symphony and North Carolina Opera,
Soviet propaganda through their works. Symphony No.8 was written in just a little and graduates have gone on to success-
Shostakovichs Symphony No.7, the more than two months in the summer of ful careers in major orchestras, military
Leningrad, was a tremendous triumph 1943. The first performance was by the USSR bands, university teaching positions, and
because it memorialized the long takeover Symphony Orchestra conducted by Yevgeny public school music education positions.
of the city by the Germans. As victory in the Mravinsky. The audience reaction was very The UNCG Symphony Orchestra pe-
war was apparent, the authorities had hoped positive, but, within five years, the work was riodically tours the state and region, and
that the composers Symphony No.8 would be withdrawn from the repertoire by the Soviet a recent review in the Classical Voice of
more optimistic. They were disappointed by authorities. North Carolina described the orchestra's
the gloom they interpreted from the music. The Symphony has five movements and is performance as, "dramatic and incisive,"
Shostakovich did not feel this music was scored for a large orchestra with a prominent and "beautifully done."
pessimistic. Rather, he described the new percussion section. In 2015, the orchestra performed
symphony as an optimistic, life-asserting with Nadja Salerno-Sonnenberg, and
work ... [whose] philosophical conception will perform with Lynn Harrell in De-
... can be summed up in three words: life is cember 2016. Other featured soloists
beautiful. All that is dark and evil will rot away, include members of UNCGs world-class
artist faculty, as well as winners of the
annual Student Artist Competition. In
addition to the performances of stan-
I always try to make myself as widely understood as possible, dard orchestral literature, the Symphony
Orchestra collaborates annually with the
and if I don't succeed I consider it's my own fault. UNCG choirs to present a major choral/
orchestral work. In February 2017, this
collaboration will be the Verdi Requiem,
Dmitri Shostakovich
featuring four alumni soloists.
32 www.GreensboroSymphony.org
LETS SUPPORT A THRIVING COMMUNITY TOGETHER
Expanding
Community Giving
WellSpring
From the basketball court to business and
community, I believe the more you put into
life, the more you get out of it. Im happy
to have found teammates at WellSpring
that share my passion for life.
www.well-spring.org
4100 Well Spring Dr., Greensboro, NC 27410
(800) 547-5387 (336) 545-5468
Hayes Clement
Resident since 2011 A member of
WellSpring Services, Inc.
CARF/CCAC ACCREDITED SINCE 2003
2016-2017 SEASON
Magic of Mozart
CONCERT PROGRAM
GUEST ARTIST
INTERMISSION NOVEMBER ,
Debra Reuter-Pivetta, flute Dana Auditorium
Hailed for her breathtaking technical skill, intoxicating Symphony No. 39 in E-flat major, K.543 8:00 p.m.
musicality, and deep interpretational understanding, flutist Adagio Allegro SPONSORED BY
Debra Reuter-Pivetta enjoys a diverse career as soloist, chamber Andante con moto
artist, orchestral player, and teacher. A winner in the 1999 Menuetto (Allegretto) - Trio
Concert Artists Guild Competition, she also holds top prizes in Allegro
the Louise D. McMahon International Music Competition, the
National Flute Associations Young Artist Competition, and the
Flute Talk Competition.
Ms. Reuter-Pivetta has performed as concerto soloist with
many orchestras across the United States and Europe. She is NOVEMBER ,
a founding member of the critically acclaimed flute, viola, and Dana Auditorium
harp trio, the Fire Pink Trio. Their debut CD, Poetry in Motion, 8:00 p.m.
was released in 2015 on the MSR Classics label. Dedicated to
SPONSORED BY
the performance of contemporary music and rarely heard works,
Ms. Reuter-Pivetta has given many premieres both as soloist Norman B. Smith, L.L.B.
and chamber artist, including the North Carolina premiere of
Gabriela Franks Sueos de Chambi, the world premiere of The Carolyn Turner Smith, Ph.D
Fourth Angel for flute, bass trombone, and electronic sounds by
Dr. Thomas Clark, as well as chamber works by Margaret Vardell
In honor of the
Sandresky, Robert Dick, and Lawrence Dillon. She has recorded American Field Service
chamber works by Undine Smith Moore, William Banfield, and Ambulance Drivers
Anthony Kelley on the Albany label.
Debra Reuter-Pivetta has recorded works by Bhm, Bozza,
Saint-Sans, Guiot and Burton with her husband, pianist
Federico Pivetta. Their critically acclaimed CD, Passion and
Romance, has aired frequently on public radio stations across
the country. Performance highlights for the Pivetta Duo include
concerts in Chicago, New York City, Italy, and an extensive
concert tour performing in over 75 cities nationwide. PRELUDES
Learn more about this evening's music
Debra Reuter-Pivetta is the principal flutist with the with Dr. Gregory Carroll. Preludes begin at
Greensboro Symphony Orchestra and the flute instructor at 7:15PM Thursday and 7:00PM Saturday in
Salem College. the Moon Room.
SEASON SPONSORS
www.GreensboroSymphony.org 35
PROGRAM NOTES
Mozart wrote his Oboe Concerto, was later reworked for flute, becoming dard three-movement concerto form with
K.314, in 1777 and his Flute Concerto, the Flute Concerto, No.2. Today, the lat- a fast first movement, a slow second move-
K.313, the following year. The discrepan- ter concerto is performed by both instru- ment, and a fast third movement with a re-
cy between the order of composition and ments. Both flute concerti were written for peating theme.
Kchel numbers is because of revised dat- the Ferdinand De Jean, a Dutch surgeon
ing of the pieces after the Kchel catalog who was an amateur flute player.
was first published. The Oboe Concerto Flute Concerto No.1 follows the stan-
36 www.GreensboroSymphony.org
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2016-2017 SEASON
Russian Romantics
CONCERT PROGRAM
Igor Stravinsky
Divertimento from the ballet MASTERWORKS
The Fairys Kiss
SERIES SPONSOR
Sinfonia
Danses Suisses
Scherzo
Pas de Deux: Adagio.
Variation. Coda
JANUARY ,
Sergei Rachmaninov
Dana Auditorium
Rhapsody on a Theme of Paganini,
8:00 p.m.
Op.43
SPONSORED BY
GUEST ARTIST Dmitry Masleev, piano
Dmitry Masleev, piano Winner of the 2015 International
Tchaikovsky Competition
The triumphant winner of the XV International Tchaikovsky
Competition held in 2015, Dmitry Masleev was awarded both
the first prize and the gold medal, emerging as a major discovery INTERMISSION JANUARY ,
from this prestigious music competition. Both the audience and Dana Auditorium
the media approved the unanimous contest panel decision, a 8:00 p.m.
Pyotr Tchaikovsky
rare occurrence in music competitions. SPONSORED BY
Symphony No.6 in B minor, Op.74,
Describing the creative character of this pianist, music critics Pathetique
have noted the accuracy of his performance; the impeccable
Adagio Allegro non troppo
technique and sense of form ("Neva time"), brilliance, lyricism,
Allegro con grazia
confidence and spontaneity of style ("Kommersant"), all
Allegro molto vivace PUBLIC OFFICIALS NIGHT
encapsulated in the Jurys verdict: "The Piano Panel decisions
Finale: Adagio lamentoso
were quite honest and uncompromising. Hardly could it have Andante
been possible to make a more accurate and fair choice (Neva
Special appearance by ENCORE PERFORMANCE
time"). JANUARY ,
Masleev is a graduate of the Moscow Conservatory (class of Charles Calkins, percussion
High Point University
Professor Petukhov). While still a student, he was the winner of 7:30 p.m.
many international competitions. Among them was the 2011 Note: Rachmaninov and Tchaikovsky only
Chopin Piano Competition where he was awarded the first prize,
a piano and an engagement to tour Italy. Distinguished
Masleev has also performed in Russia, France, Romania, and Guest Artist Piano Chair
Germany. He is a graduate of the Moscow Conservatory, class of In Honor of Linda M. Jones
Professor Mikhail Petukhov.
In the 2014 2015 season, Dmitry Masleev trained at the
International Music Academy at Lake Como (Italy). PRELUDES
Learn more about this evening's music
with Dr. Gregory Carroll. Preludes begin at
7:15PM Thursday and 7:00PM Saturday in
the Moon Room.
SEASON SPONSORS
www.GreensboroSymphony.org 39
PROGRAM NOTES
Stravinsky took music attributed to the Italian composer, composer took short parts of Tchaikovskys music and then
Giovanni Pergolesi (1710-1736), and adapted it for his 1920 continue[d] quite fluently in the same vein where Tchaikovsky
ballet, Pulcinella. When the Russian dancer, Ida Rubenstein had left off....The result was that although the major part of the
commissioned Stravinsky to write a ballet for her in 1927, score of The Fairys Kiss consists of authentic borrowings from
Stravinsky recalled the success of Pulcinella, returned to his Tchaikovsky, there are also numerous passages and fragments
Russian roots, and decided to utilize the music of perhaps the of his own invention.
most famous of Russian composers, Pyotr Tchaikovsky, in his The ballet premiered in Paris on November 27, 1928. In
new composition. 1934, Stravinsky created a suite of movements for concert per-
Stravinsky studied Tchaikovskys non-ballet music and chose formance, the music being performed tonight. The suite was
some early piano works and songs for this composition. In his revised in 1949.
biography of Stravinsky, Eric Walter White described how the
In addition to being one of the most celebrated violin vir- slow (variations 11-18), fast (variation 19-end) organization
tuosos of all time, Niccol Paganini (1781-1840) was also a of a concerto. It is unusual for the first variation to appear
composer. His 24 Caprices for Solo Violin are frequently per- before the presentation of the theme, though it is something
formed and are a staple in most violinists repertoire. The last that Beethoven did in the fourth movement of his Symphony
of the caprices has a particularly noteworthy melodyone No.3.
which many composers have used to create sets of variations. Rachmaninov wrote his Rhapsody on a Theme of Paganini
Just a few of these composers are Johannes Brahms, Benny in the summer of 1934 in Switzerland and was the piano solo-
Goodman, Franz Liszt, Andrew Lloyd Webber, George Roch- ist at the works premiere on November 7 in Baltimore with
berg, Karol Szymanowski, and, of course, Sergei Rachmaninov. the Philadelphia Orchestra conducted by Leopold Stokowski.
Rhapsody is actually a theme and 24 variations that
broadly follows the fast (beginning through variation 10),
40 www.GreensboroSymphony.org
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WEEKEND MUSIC
Its all hear.
Gioachino Rossini
Overture to Il signor Bruschino MASTERWORKS
Gaetano Donizetti SERIES SPONSOR
Ah! mes amis from La fille de rgiment
Una furtiva lagrima from Lelisir damore
Georges Bizet
Avec la garde mentante from Carmen
Je crois entendre encore from
The Pearl Fishers
Gaetano Donizetti FEBRUARY ,
GUEST ARTIST
Spirto gentil from La Favorita Dana Auditorium
Ren Barbera, tenor Pietro Mascagni
8:00 p.m.
Tenor Ren Barbera, a graduate of Lyric Opera of Chicagos Intermezzo from Cavalleria rusticana SPONSORED BY
Patrick G. and Shirley W. Ryan Opera Center, has swiftly
established himself as a dominant presence in the opera world. Paolo Tosti
In Placido Domingos Operalia 2011, he was awarded First Prize Ideale
for Opera, First Prize for Zarzuela, and the Audience Prize. He Non tamo piu
is the first artist to be the sole recipient of all three awards since
Eduardo di Capua
the competition began in 1993. Of his 2014 performances with
O sole mio
Opera Theatre of Saint Louis, as Nemorino in Lelisir dAmore, the
St. Louis Dispatch raved: tenor Ren Barbera, born to sing bel FEBRUARY ,
canto, has gone far since his 2011 OTSL debut in The Daughter INTERMISSION Dana Auditorium
of the Regiment, performing all over the world. On Saturday 8:00 p.m.
night he brought out Nemorinos innate lovability while singing Giuseppe Verdi SPONSORED BY
with melting beauty and an effortless high range. Its no wonder Sinfonia from Luisa Miller
Adina comes around.
In addition, Mr. Barbera is thrilled to announce his Naxos Parmi veder le lagrime from Rigoletto
release of William Bolcoms Canciones de Lorca / Prometheus, in Possente amor mi chiama from
which he is the featured soloist. Rigoletto
Recently, he performed the role of Iopas in Berliozs Les Troyens Gioachino Rossini
with great success at San Francisco Opera, Tonio in La Fille Du La Danza from Soires musicales
Regiment at Greensboro Opera, Nemorino in LElisir dAmore
with Opera Theater of St. Louis and Austin Lyric Opera, Il Duca Giacomo Puccini
di Mantua in Rigoletto with Opera Colorado, and Ernesto in Don Intermezzo to Act 3 of Manon Lescot
Pasquale with Lyric Opera of Chicago.
Reveriano Soutullo and Juan Vert
Some of Mr. Barberas notable engagements include Almaviva
Enamorada
in Rossinis Il Barbiere di Siviglia with Teatro DellOpera di Roma
(Caracalla) and Teatro San Carlo. In Rossinis La Cenerentola, he has Agustn Lara
taken on the role of Don Ramiro with the San Francisco Opera, Granada Adagio
Los Angeles Opera, and Seattle Opera. He made his company and PRELUDES
role debut as Elvino in La Sonnambula with Washington Concert Learn more about this evening's music with
Dr. Wendy Looker. Preludes begin at 7:15PM
Opera and made his Santa Fe Opera debut as Rodrigo in Rossinis Thursday and 7:00PM Saturday in the Moon
La Donna del Lago. Room.
SEASON SPONSORS
www.GreensboroSymphony.org 43
PROGRAM NOTES
Tonights One Tenor Concert not only showcases Ren Barbera but is also a lesson in Italian opera.
From Rossini to Mascagni, practically all of the major Italian opera composers are featured.
44 www.GreensboroSymphony.org
The Artery Gallery
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Monthly Art Exhibitions
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{}
North Carolinas
Musical Treasure
www.EasternMusicFestival.org
2016-2017 SEASON
German Giants
CONCERT PROGRAM
Robert Schumann
Overture, Scherzo & Finale MASTERWORKS
Overture: Andante con moto
SERIES SPONSOR
Scherzo: Vivo
Finale: Allegro molto vivace
SEASON SPONSORS
www.GreensboroSymphony.org 47
PROGRAM NOTES
48 www.GreensboroSymphony.org
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of our images are read locallyby specialists who are able to sit down and talk with you about whats
going on in your life. Our commitment to Triad residents is what sets us apart. Want to know that your
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greensboroimaging.com 336.433.5000
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Direct Line: 336-420-2836
Email: tomchitty@tomchitty.com
Website: www.tomchitty.com
2016-2017 SEASON
Richard Wagner
Overture to Tannhuser
(Dresden Version)
MASTERWORKS
SERIES SPONSOR
Edward Elgar
Cello Concerto in E minor, Op.85
Adagio Moderato
Lento Allegro molto
Adagio
Allegro Moderato Allegro,
ma non troppo Poco pi lento
Adagio MAY ,
GUEST ARTIST
Dana Auditorium
Zuill Bailey, cello
Zuill Bailey, cello 8:00 p.m.
SEASON SPONSORS
www.GreensboroSymphony.org 51
PROGRAM NOTES
My idea is that there is music in the air, music all around us, the world is full of it,
and you simply take as much as you require.
Edward Elgar
52 www.GreensboroSymphony.org
CORPORATE SPONSORS
W E T R E AT Y O U R I G H T
COLLISION CENTER
W E T R E AT Y O U R I G H T
M O T O R C O M PA N Y
W E T R E AT Y O U R I G H T
REGANESS
WEALTH MANAGEMENT GROUP
of Wells Fargo Advisors
GOLD CIRCLE
,, Pratt Family Foundation
BRONZE CIRCLE Ambleside Gallery Elements Gallery The Hub, LTD Thermal Resources Sales, Inc.
$
www.GreensboroSymphony.org 53
2016-2017 SEASON
William F. Black Laura and Leslie and Kathy Manning and Carolyn and
Robert Green Robert Ketner Randall Kaplan Norman Smith
Mr. Joseph M. Bryan, Jr. Clem and Hayes Clement Barbara Cone
Marion and Peggy Follin Susan and Bill Fraser Roberts Family Foundation
54 www.GreensboroSymphony.org
2016-2017 SEASON
www.GreensboroSymphony.org 55
2016-2017 SEASON
FRIENDS > UP TO
Anonymous Kathryn F. Eskey Pat Hurley Joan N. Poole
Jim and Betty Allen Mary Carlan Eubanks Patricia J. Jacobs Helen Preston
Carolyn and Donald Allen Stephen Farr Gene and Karen Johnston Melody and Josh Rose
Betty Angel Sawyer Exterminating, Inc. Kathy L. Joyce Marnie Ross
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Jerome and Colleen Assal Bill and Alane Frakes Ann Kyle Harold and Ann Shelton
Ouida B. Brown Mrs. Nancy G. Gates Flora Landwehr Bill Sims, Jr.
Becky and Julian Bullock Felice Gavin Robert Law Ken and Catherine Sisk
Nancy R. Bulmer Carrington Gowen Ann R. Lineweaver Leslie Scher Smith
Ed and Irene Burgess Sarah Gramley Andrew Long, Jr. Diane Taylor
Robert and Carol Burklin Brenda and Daniel Green Karen Marshall Gary and Kaye Tesh
Elizabeth F. Campbell Carolyn Gribnau Sandy and Jim McCall Rosemary Troxler
Mr. and Mrs. Robert Coble Patricia Gutzwiller and Alan Spiewak Gerald D. Miller Ruth Van Lehn
Sue A. Cole Mary and Kevin Haggerty Dr. and Mrs. Robert Mowry Richard Walters
Edward and Edith Conners Max and Cathy Harless Walt and Barbara Mueller Irene Waters
Scott and Nancy Culclasure Ms. Karen Hogarth Charles and Mary Lou Murphy Lynne and William Watson
Keith Cushman and Deb Bell Kathy and Phil Homiller Floyd Nesbitt Jean Young
Ms. Kay Doost Anne and Mike Honer Mariana Newton
Sally Earnest Dwight and Requel Howard Janet Plummer
Our sincere appreciation to supporters of the 2016-2017 Annual Campaign. This list is current as of September 13, 2016. If you would like to be a part of this years campaign, please
contact Daniel Crupi: 336.335.5456, ext. 239 or dcrupi@greensborosymphony.org
56 www.GreensboroSymphony.org
ENDOWMENT
The Fund
TRUSTEES
Lisa Bullock, Robert Harris, Jr., A. Robinson Hassell, Ann Elizabeth Kroupa
Lee Lloyd, Lewis R. Ritchie, William R. Rogers, Ph.D., Jonathan Smith
www.GreensboroSymphony.org 57
ENDOWMENT
Chairs by Section
Unavailable Available
Violin Percussion Flute Clarinet Bassoon Horn Timpani Viola Cello Tuba Bass Conductor
Giving Options
$275,000 $80,000 - $100,000 $60,000 $40,000 $10,000 - $39,999
Youth Orchestra Principal Chairs (11) Associate & Assistant Section Chairs (8) Named Funds (unlimited)
Conductors Chair (1) Principal Chairs (2)
58 www.GreensboroSymphony.org
ENDOWMENT
The Chairs
Patrons of chairs receive permanent listing in the playbill, public recognition and preferential parking. The Greensboro Symphony is
grateful for their generous support in building the Endowment Fund. For more information on how you may play a part in the continuation
of the Symphonys great music and education programs, please call co-chairs Cathy and Garson Rice at 336-273-1426.
MAESTROS PODIUM $, ASSOCIATE AND ASSISTANT Lucy and Clark Dixon Barbara B. and Robert E.
Endowed by bequest PRINCIPAL CHAIRS $, Memorial Chair Lavietes Chair
Kay Bryan Edwards Chair by Jack C. Dixon
MAESTROS PODIUM EMERITUS by Joseph M. Bryan, Jr. C. Scott Lee Chair
CHAIR $, Marie C. and Ed Faulkner Chair by Caroline M. and N. Clayton Lee
Milton J. Jackson Memorial Chair Jeanne Maxwell Hassell Chair by Marie C. and Ed Faulkner
by Lenora W. Jackson by Charles M. Hassell Alice Mae and William M. Lineberry
Dorothy G. Frank Chair Memorial Chair
YOUTH ORCHESTRA Carolyn J. Maness Chair by Stanley M. Frank by Helen H. and Albert S. Lineberry, Sr.
CONDUCTORS CHAIR $, by John R. Maness
1 CHAIR AVAILABLE Hughlene Bostian Frank and R. Bradford Lloyd Chair
Garson L. Rice, Jr. Chair William Allen Frank Chair by Mary Ruth and Robert B. Lloyd, Jr.
CONCERTMASTERS by Catherine G. Rice and Children
James Autha Freeze The Michael and Anna Lodico Chair
CHAIR $,
SECTION CHAIRS $, Memorial Chair by Flo and Bill Snider
Greensboro Symphony Guild by J. Thurman and Peg Freeze
Austin Family Chair Joy C. Morrison Chair
THE DISTINGUISHED GUEST by Patricia Austin Sevier Greensboro Opera Company Chair by William H. Morrison, Jr.
ARTIST PIANO CHAIR $, by Peggy and Phil Johnson
Richard Kelly Bowles, Jr. Carole Swope Monroe Chair
In honor of Linda M. Jones
Memorial Chair Lynn Carroll Haley Chair by Edwin Brent Monroe
by Louise H. and R. Kelly Bowles by Michael W. Haley
THE YOUTH PHILHARMONIC
Family Foundation Alice Wilson Pearce Chair
CHAIR $,
In honor of Dr. Jean B. Brooks. Joan T. and William L. by Woody Pearce
Brough-Webber Chair Hemphill Chair
by Elizabeth Brough Webber Ethel Clay Price Memorial Chair
ASSOCIATE CONCERTMASTERS and William R. Webber Sally London Hobbs by Kathleen Price Bryan Family Fund
CHAIR $,
Memorial Chair
In Honor of Caroline M. Lee Lillian Daley Brown Memorial Chair by Johnnye and J. T. Hunter Lynn R. Prickett Memorial Chair
by the Massey Trust through by the Lynn R. and Karl E. Prickett Fund
ASSISTANT CONCERTMASTERS Nancy C. and Alex S. Brown, Jr. Rachel Smothers Hull and
CHAIR $, Worth Brantley Hull Chair Royce O. Reynolds Chair
Beverly Cooper Moore and Willie and Lisa Bullock Chair by Jane W. Reynolds
Irene Mitchell Moore Chair by Willie and Lisa Bullock Linda B. and Maurice
Jennings Chair Dr. William R. and Beverley C.
Mr. Lenoir Chambers Rogers Chair
LILLIAN RAUCH BEGINNING
STRINGS PROGRAM Memorial Chair Jimmie Irene Johnson
$, by Mr. Lenoir Chambers Wright Memorial Chair David Vincent Sherman Chair
by Dr. Harry W. Johnson and Family by Ann, Beth and Becky Sherman
John E. and Martha S.
PREMIUM PRINCIPAL CHAIRS Sidney J. Stern, Jr. Memorial Chair
$, Chandler Chair Mary Ellen and Elizabeth
Anne Kavanagh Chair by Katherine G. Stern
Fraser Family Chair Barbara S. and Herman
by Susan and Bill Fraser by Ellen C. and B. John Kavanagh Ellen and Gary Taft Chair
Cone, Jr. Chair
Eleanor Downes Mewborn Chair by Donna M. and Herman Cone III Preston Wylie Keith and Martha Richard W. and Carlotta M.
In Memory of Carolyn Riddle Downes Elizabeth Allred Keith Chair Treleaven Memorial Chair
Elaine Wolf Cone Memorial Chair by Dr. Preston Keith and Marty Keith
by Barbara S. and Herman Cone, Jr. by Carl W. and Lina Z. Treleaven
PRINCIPAL CHAIRS $,
Janie C. and E. Kemp Reece Chair Frederick Kent Wilkins
Kathleen Price Bryan Richard and Danahy Family Chair
Memorial Chair by Mary C. Richard Danahy and Patrick Walter W. King, Jr. Memorial Chair Memorial Chair
by Kay Bryan Edwards and Family Danahy by Elizabeth Yates King by Kaye Andrews Wilkins and Children
Peter B. Bush Memorial Chair George W. Dickieson Chair Joyce C. Kiser Memorial Chair Betty F. and Robert P.
by Mary Ann Bush and Children GSO Conductor 1951-1963 by Mose Kiser, Jr. and Family Williams Chair
by Anna B. Dickieson
Irene Mitchell Moore and Kroupa Family Chair Thomas E. and Elaine R.
Beverly Cooper Moore Chair by Bob and Ann Kroupa Wright Chair
www.GreensboroSymphony.org 59
Music Education Transforms Lives
A Message from Greensboro Symphony Guild President, Sharon Kasica
It is with tremendous excitement that the Greensboro Symphony Guild welcomes the Greensboro
Symphony Orchestras 2016-2017 Season. The Masterworks and Chamber Series, under the direction
of Maestro Dmitry Sitkovetsky, will delight patrons with beautiful music from some of the worlds
greatest composers. The POPS Series, under the direction of Resident Conductor Nate Beversluis, will
showcase music loved by the masses, from holiday and Broadway favorites to rock and roll and Academy
Award winning scores.
Music Education Transforms Lives, our theme for 2016-2017, reflects the Greensboro Symphony
Guild's work in support of music education and appreciation in our community. Since our founding in
1964, we have raised more than $2,000,000 for the Greensboro Symphonys endowment and music
education programs. We are proud that our volunteer and fundraising efforts have been recognized and
honored by the League of American Orchestras and by President Ronald Reagan, who in 1985 awarded
the Guild the Presidents Volunteer Action Award. Each year our efforts touch the lives of more than
2016-2017 50,000 students in the Triad. This year we will continue the Guild Education Fund to assist students in
Executive Committee financial need with costs of music instruction and tuition.
In 2016-2017 the Greensboro Symphony Guilds primary focus will be on Community Outreach
President and Collaboration. This year we are striving to grow our organization through community outreach
Sharon Kasica
efforts to attract more diverse members. A large, diverse organization is vital to the future support of
President Elect the Greensboro Symphony and to the success of the planned Tanger Center for Performing Arts. Please
Dorry Tooke plan to attend one of our New Member Socials for the opportunity to get to know our members while
enjoying a cocktail reception and entertainment.
VP Education On September 24, 2016, our first annual fundraiser, Feast and Follies, kicked off the year in
Olivia Gillespie spectacular fashion with a performing arts showcase in the new LeBauer Park in downtown Greensboro.
The showcase was made possible through a collaboration between the Greensboro Opera, performing
VP Fundraising Bizets Carmen; the Greensboro Ballet, performing A Midsummer Nights Dream; and the Greensboro
Kim Jones Symphony, with performances by vocalists Mr. and Mrs. Daniel Crupi and Giannani Brass ensemble.
The evening began with a cocktail hour and silent auction, followed by a seated dinner and one hour
VP Marketing performance in the amphitheater on the great lawn in LeBauer Park. It was a very memorable night!
Ann Mueller
The remainder of our year promises to be equally exciting with a variety of fun and affordable
VP Operations events. Please take a moment to review the Guilds Calendar of Events so you may join us. Each year
Laura Green our success is made possible through the generous support of our corporate and individual sponsors.
We cannot thank them enough for their support and belief in our mission to transform lives through
Secretary music education. Like us, our sponsors understand that Music Matters!
Vanessa Skenes For more information about the Guild, membership, or to purchase tickets to our events, please visit
our website at www.gsoguild.org. To contact us directly, you may e-mail us at greensborosymphonyguild@
Treasurer gmail.com or call our office at (336) 370-6336. Thank you.
Pam Stearns
Sincerely,
Past President
Andrea Knupp
Sharon Kasica
President, Greensboro Symphony Guild
60 www.GreensboroSymphony.org
MANY THANKS TO OUR - GUILD SPONSORS
MAESTRO - $,
GUILD
- GUILD
CALENDAR OF EVENTS
February 4, 2017
An Elevated Evening, A Tasting of
Sharon and Ken Kasica Wine, Beer and Art
Event Co-Chairs: Gayle Koonce, Brenda Glenn,
Brenda Frizzell and Mitzi Weatherly
QUARTET - $, Roy and Vanessa Carrolls Ballroom at Center
Pointe, 7:00pm-11:00pm
Ad Press Printing Contemporary Lady Wolfe Homes Stearns Financial
DLM Builders, Inc. Southern Engraving Spring Garden Storage
March 17, 2017
Botanica Flowers & Gifts Kim & Robert Jones Peggy and Marion Follin
Lets Get Shamrocked
Charisse & Phil Kleinman in Honor of Phil & Frances Daly Addison Riddleberger
Event Co-Chairs: John & Ashley Nosek;
John Nosek, Realtor, Allen Tate Zeto Wine & Cheese Shop
Kim & John Riley; Laura Smith
Robert Rose & John Riley Group of BB&T Scott and Stringfellow
Greensboro Historical Museum, 6:00pm-10:00pm
www.GreensboroSymphony.org 61
Keep Kids in Tune
The Greensboro Symphony Orchestra education programs offer the experience, excitement and understanding of classical music to the whole community.
Education programs include presentations by small ensembles, performances by the full orchestra, student performance programs, and more!
ORKIDSTRA
Concerts for three- to five- year olds and their families.
Annual Performances for 600+ children in the Guilford Child
Development Head Start program
Public performances at venues including the Greensboro Science Center
and the Greensboro Childrens Museum
Each OrKIDStra concert includes childrens books narrated by local
storyteller Logie Meachum with illustrations and text projected for easy
reading, performances by GSO Percussion Ensemble, and movement
activities and sing-alongs
62 www.GreensboroSymphony.org
MUSIC IN THE MIDDLE PRELUDES EDUCATION
Full orchestra concerts serve over 6,000 Guilford Distinguished speakers share insight into
Get
County Middle school students annually. Masterworks series programs.
Combinations of traditional and contemporary Preludes take place in the Moon Room at Dana
Involved!
music for orchestra Auditorium and in the Lower Lobby of UNCG
Theme for Fall 2016 is Brass Attacks combining the Auditorium
science of sound (including live on-stage oscilloscope Guest speakers begin 45 minutes prior to
displays) with the history of brass instruments in the Thursday Masterworks concerts
orchestra, featuring Greensboro Symphony Principal Saturday evening Preludes are joined by Music
Trumpet Anita Cirba Director Dmitry Sitkovetsky and guest artists,
For both Music in the Middle and the Elementary one hour prior to the beginning of the concerts STUDENTS:
Concerts, teachers and students receive preparatory Hear members of the GSO live
materials at the beginning of the school year at your school!
Sign up for free High School
tickets!
Get Student Tickets, just $6
for all Masterworks concerts!
Attend a free Youth Orchestra
concert!
Audition for Youth Orchestra!
www.GreensboroSymphony.org 63
At Lincoln Financial Group, we believe in helping people face their futures with confidence. It began over a
century ago when we adopted Lincolns name. His legacy of honesty, integrity, and respect has helped shape
our business as well as how we dedicate our resources to help the community around us. Its also why we
established the Lincoln Financial Foundation: To carry on our rich tradition of giving by supporting the hopes
and dreams of Greensboro with the tools it needs to lay the foundation for a better tomorrow.
Lincoln Financial Group is the marketing name for Lincoln National Corporation and its affiliates. 2016 Lincoln National Corporation. LCN-1540831-070716
Greensboro Symphony YOUTH ORCHESTRA
2016-2017
Youth Orchestra Performances
The mission of the Greensboro Symphony Youth Orchestra (GSYO) is to provide a professionally directed
environment for young musicians to study, prepare, and perform music, November 20, 4:00 p.m.
to serve the community at large by providing high quality, free performances, Greensboro Day School
to complement school music programs,
and to encourage and advocate the arts, music, and music education in the Piedmont Triad region. March 12, 4:00 p.m.
GSYO Music Director Nate Beversluis leads the program into its 46th season. For Fall 2016, the Youth Dana Auditorium
Orchestra will be conducted by Dr. Rebecca MacLeod, Associate Professor of Music Education at UNCG.
May 21, 4:00 p.m.
Page High School
ENSEMBLES: Beginning originally as a single ensemble, Auditorium
the GSYO program has grown to include multiple
groups with progressive educational goals, offering
opportunities for young players through advanced
high school students. The GSYO program includes
students up through grade 12 from Greensboro,
Burlington, Chapel Hill, Southern Pines, Salisbury,
and Southern Virginia. Students take part in TICKETS:
weekly rehearsals and sectionals, two to five public
performances per year, domestic and international GSYO performances are free
performing trips, chamber music, and various related and open for the Greensboro
social and cultural activities. Students are placed
into ensembles by audition. For information on each
community!
individual ensembles educational focus and entry
requirements, see the Youth Orchestra website,
www.GSYO.org. Call 336-335-5456
or email education@
TOURS: The GSYO has a track record of successful
regional performances including Wilmington, Elizabeth greensborosymphony.org for
City, Albemarle, and Tryon, NC, and the Piccolo Spoleto more information.
festival in Charleston, SC. The GSYO has also toured
Chicago (2014), New York (2007), and Salzburg,
Vienna, and Munich (2010).
www.GreensboroSymphony.org 65
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Tonights concert is performed in loving memory
of Tobee Wynne Kaplan, a devoted wife, mother,
grandmother, and philanthropist, as well as a steadfast
friend of the Greensboro Symphony family.
Tobee was beloved for her graciousness, strength of spirit, positive approach to life and incredible generosity to her community. A
longtime donor and subscriber to the Symphony, Tobee and her husband, Leonard, were bedrocks of Greensboros arts community,
recently making a leadership gift toward the Steven Tanger Center for the Performing Arts, the future home of the Symphony, and
paving the way for further philanthropy from other city leaders. Her legacy will live on, not only through the countless structures and
programs she helped to build, but in the memories of those she loved and who loved her.
Thank you, Tobee, for the gift of music you have given to so many in our community.
You will be deeply missed.
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SEPTEMBER ,
UNCG School of Music,
Recital Hall
Dmitry Sitkovetsky, violin Inara Zandmane, piano Alexander Ezerman, cello 8:00 p.m.
1
Violin Sonata No.4 in D major, Handels Violin Sonata in D major, undeniably one of the composers Adagio
HWV 371 finest chamber works, is also the latest of his violin sonatas and one Allegro
of his best-known compositions. The Sonatas four movements are Larghetto
George Frideric Handel in the traditional slow-fast-slow-fast sequence of Italian sonata da Allegro
(1685-1759) chiesa form, the slow movements dignified and regal, and the fast
movements fugal and representing common dance forms.
Dmitry Sitkovetsky, violin
This Sonata is particularly significant to Dmitry Sitkovetsky, since in Inara Zandmane, piano
September, 1966exactly 50 years ago this monthhis performance
of the Handel made him the youngest-ever first prize winner of the
Prague Concertino Competition for Young Musicians.
2
Piano Trio, Op.97, Beethoven often dedicated his music to the royalty or nobility who Allegro moderato
Archduke supported him as a means of staying in favor with them. The Archduke Scherzo (Allegro)
Trio was dedicated to the Archduke Rudolf of Austria, one of the children Andante cantabile ma per con moto. Poco piu
Ludwig van Beethoven of Emperor Leopold II. Rudolf was an avid amateur musician and a patron adagio
(1770-1827) and student of Beethovens. The great composer dedicated fourteen works Allegro moderato Presto
to the Archduke.
www.GreensboroSymphony.org 69
Welcome to our
world of music
TheClassicalStation.org
Inspiration
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Greensboro Symphony Orchestra
Jason K. Turner
Director, Branch Manager
336-854-7000
jason.turner@ubs.com
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After Hours
with Dima!
Serenade No.12 for Winds in Mozarts Serenade in C minor shares these characteristics. Allegro
C minor, K.388 Serenades are usually considered light and tuneful music, but this Andante, E-flat major
serenade begins with a powerful and dramatic movement. Menuet & Trio
Mozart Allegro
The Minuet and Trio are practically a tribute to Bach. This movement
is filled with compositional devices, such as canons and inversions,
Ashley Barrett, oboe
that would have made the Baroque master proud. The finale, a theme
and variations, is where the pathos of the C minor finally gives way Anna Lampidis, oboe
to the joyfulness of C major. Kelly Burke, clarinet
Ed Riley, clarinet
Mozart composed the serenade in 1782 or 1783. Along with his Carol Bernstorf, bassoon
Serenades No.10, K.361 and No.11, K.375, these three works are Mark Hekman, bassoon
some of the most important compositions for small wind ensemble. Bob Campbell, horn
Lynn Beck, horn
Dmitry Sitkovetsky, conductor
SEASON SPONSORS
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Dmitry Masleev, piano Dmitry Sitkovetsky, violin Marjorie Bagley, violin Scott Rawls, viola Alexander Ezerman, cello JANUARY ,
UNCG School of Music,
Recital Hall
8:00 p.m.
1
Piano Pieces op.72 Although Tchaikovsky is primarily known for his large symphonies No. 14 Chant lgiaque
and ballets, he also composed some lovely works for piano or No. 16 Valse cinq temps
Pytor Tchaikovsky chamber ensemble, such as the Piano Pieces, Op.72. In 1892, shortly No. 15 Un poco di Chopin
(1840-1893) before his death, the composer wrote 18 short pieces for piano. Some No. 18 Scene dansante: Invitation au Trpak
are dance-related, two are homages to Schumann and Chopin, and
several have very picturesque titles. The 18 pieces are free standing,
Dmitry Masleev, piano
meaning that they can be played as one composition or one or more
movements can be made into a shorter suite.
Piano Quintet in G minor, 1n 1922 and 1923, four graduates of the Moscow Conservatory Prelude: Lento
Op.57 formed a quartet that they later named the Beethoven Quartet. This Fugue: Adagio
important ensemble performed for more than fifty years. As one Scherzo: Allegretto
Dmitri Shostakovich might expect, they performed many pieces by Russian composers. Intermezzo: Lento
(1906-1975) They worked very closely with Shostakovich, whose music they Finale: Allegretto
admired. In 1940, after having performed many of Shostakovichs
quartets, they asked him to write a piano quintet in which the
composer would play the piano part himself. The result was one of
Shostakovichs finest pieces of chamber music, the Piano Quintet in Dmitry Masleev, piano
G minor. Dmitry Sitkovetsky, violin
Marjorie Bagley, violin
The quintet was so well regarded that Shostakovich was awarded the Scott Rawls, viola
Stalin Prize. This cash prize was the largest amount ever given for a Alexander Ezerman, cello
piece of chamber music. The timing of the quintet, at the early days
of World War II, caused violinist Rostislav Dubinsky to write, The
Quintet remained in the consciousness of the people as the last ray
of light before the future sank into a dark gloom.
SEASON SPONSORS
www.GreensboroSymphony.org 73
SEASON 67
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Sept. 16- Oct. 2
Amazing Musical Adventures in
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SPECIAL
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Led by Dr. David Nelson, UNCG Professor of Oct. 28-Nov. 13
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APRIL ,
UNCG School of Music,
Recital Hall
8:00 p.m.
Lucas Debargue, piano Dmitry Sitkovetsky, violin Alexander Ezerman, cello
1
Violin Sonata No.28 in E-flat In the first ten years of his life, the violin-playing Mozart wrote Allegro
major, K.380 (374f) 16 sonatas for violin and piano. Twelve years later, when he was 22, Andane con moto
Mozart returned to these instruments. Over the next ten years, he Rondeau (Allegro)
Wolfgang Amadeus Mozart composed 20 more sonatas. Sonata No.28 was written in Vienna in
(1756-1791) the summer of 1781.
Dmitry Sitkovetsky, violin
Lucas Debargue, piano
2
Piano Trio in A minor, Op.50 Tchaikovskys Piano Trio was dedicated to Nikolai Rubenstein, the Pezzo elegiaco (Moderato assai
composers friend and mentor, and a virtuoso pianist. Rubenstein Allegro giusto)
Pyotr Tchaikovsky had died in March 1881. Tchaikovsky composed this work in the Tema con variazioni: Andante con moto;
(1840-1893) following December and January. Variazione Finale e coda
The Trio is the composers only music for violin, cello, and piano.
Tchaikovskys letters to his patroness, Nadezhda von Meck, show
Lucas Debargue, piano
his changing attitudes towards this combination of instruments. In
1880, he wrote: I simply cannot endure the combination of piano Dmitry Sitkovetsky, violin
with violin or cello. To my mind the timbre of these instruments will Alexander Ezerman, cello
not blend. The following year, he softened a little: I am thinking
of experimenting with this sort of music, which so far I have not
touched. I have already written the start of a trio. Whether I shall
finish it and whether it will come out successfully I do not know, but
I would like very much to bring what I have begun to a successful
conclusion. Finally, by 1882, he embraced the ensemble: The Trio is
finished ... now I can say with some conviction that my work is not
all bad.
SEASON SPONSORS
www.GreensboroSymphony.org 75
Music Education
Transforms Lives!
A Special Thanks to Our 2016-2017 Maestro-$10,000 Corporate Sponsors
Greensboro music lovers are encouraged to apply for membership in the Greensboro Symphony Guild. Visit www.gsoguild.org for details.
Dmitry Sitkovetsky, violin Scott Rawls, viola Zuill Bailey, cello John Spuller, double bass Debra Reuter-Pivetta, flute
Maestro Sitkovetsky drives a
Toyota-sponsored vehicle
MAY ,
UNCG School of Music,
Recital Hall
8:00 p.m.
After Hours with Dima!
Immediately following the concert, join us at
WP Kitchen + Bar with Dmitry Sitkovetsky
Kelly Burke, clarinet Ed Riley, clarinet Carol Bernsdorf, bassoon Bob Campbell, horn and Chamber Concert Musicians.
Complimentary appetizers sponsored by WP Kitchen + Bar
1
Fifteen Sinfonias, BWV 787-801 Bachs Inventions and Sinfonias comprise a collection of thirty Dmitry Sitkovetsky, violin
short works for keyboard. The Inventions are in two parts; the Scott Rawls, viola
Johann Sebastian Bach Sinfonias are in three parts. These, when combined with the Well Zuill Bailey, cello
(1685-1750) Tempered Clavier, are exemplary examples of Bachs contrapuntal
Arranged by Dmitry Sitkovetsky style. They have been played by practically anyone who has
studied piano and/or countless university theory classes. Dmitry
(b.1954)
Sitkovetskys well-known arrangement of the Sinfonias for string trio
is true to Bachs intent, making this music available to a different set
of performers.
2
Serenade No.1 in D major, Op.11 In 1858, Brahms wrote his First Serenade. His Second Serenade Allegro molto
(Version for Nonet) was written the following year. These were the German composers Scherzo. Allegro non troppo Trio. Poco
first foray into writing for orchestra. It was not until 1876, when he pi moto
was 53, that he completed his First Symphony.
Johannes Brahms Adagio non troppo
(1833-1897) Menuetto I Menuetto II
Serenade No.1 was originally a nonet for winds and strings, but
Brahms was not satisfied with it. He added two additional movements, Scherzo. Allegro Trio
arranged the music for full orchestra, and destroyed much of the Rondo. Allegro
nonet. In 1980, composer Alan Boustead reconstructed what was left
of the original music so that Brahmss initial conception of the piece Dmitry Sitkovetsky, violin
could be performed. That is the version on tonights program. Scott Rawls, viola
Zuill Bailey, cello
John Spuller, double bass
Debra Reuter-Pivetta, flute
Kelly Burke, clarinet
Ed Riley, clarinet
Carol Bernsdorf, bassoon
Bob Campbell, horn
SEASON SPONSORS
www.GreensboroSymphony.org 77
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The Texas Tenors:
Back for the Holidays!
POPS
SERIES SPONSOR
NOVEMBER ,
The Texas Tenors return to Greensboro with Home for the Holidays. The number one vocal Westover Church
8:00 p.m.
group in the history of Americas Got Talent brings holiday cheer in a fun-filled show that is guaranteed
to warm your heart! From White Christmas to O Holy Night, The Texas Tenors will bring a unique blend of
CO-SPONSORED BY
country, classical and holiday favorites to the stage with the Greensboro Symphony.
Nate Beversluis, conductor
GUEST ARTISTS
Marcus Collins
Marcus Collins was born is a small town and began to sing at the age of 4. He
first learned how to sing by emulating his favorite radio artists like Garth Brooks
and George Michael before training classically in college. Along with numerous
talent shows, fairs, and cruise ships, Marcus has also performed in New York City
with the cast of Hairspray, Off-Broadways Altar Boyz as Matthew, Joseph and
the Amazing Technicolor Dreamcoat, and as Jinx in Forever Plaid.
John Hagen
John Hagen has been described as astonishing... a superb tenor of deep musi-
cality making his Lincoln Center debut in New York City in Teatro Grattacielos
mounting of Mascagnis Gulglielmo Ratcliff. Mr. Hagen created 3 tenor roles in
the world premier of The Lost Dauphane for Pamiro Opera airing on PBS.
John has performed a vast array of operatic roles ranging from Alfredo in La
Traviata to the title role of Otello for Cleveland Opera on tour.
JC Fisher
JC Fisher has entertained audiences around the world for the past 15 years. In
high school, he had a passion for sports and also enjoyed singing in church. He
discovered a deeper love of singing at Wichita State University where he earned
his Bachelors Degree in Music.
JC performed various roles including Rodolfo in La Boheme, Tamino in The MEDIA SPONSOR
Magic Flute, Ernesto in Don Pasquale, Henrick in A Little Night Music and even
Miss Americas duet partner at the 1997 Miss Kansas Pageant.
SEASON SPONSORS
www.GreensboroSymphony.org 81
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POPS
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DECEMBER ,
Westover Church
8:00 p.m.
SPONSORED BY
Ring in the New Year with the GSO and Broadway soloists, Ron Bohmer and Sandra Joseph, as we bring
you the music of Andrew Lloyd Webber and Rodgers & Hammerstein. Popular songs from Cats, Phantom
of the Opera, Evita, and much more come to the stage for this thrilling tribute to Broadway.
Nate Beversluis, conductor
Blue Bell
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Dave Bennett:
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POPS
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FEBRUARY ,
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8:00 p.m.
Spend Valentines Day with the GSO and the extraordinary multi-instrument phenomenon, Dave Ben- CO-SPONSORED BY
nett, and relish the eras from Swing to Rock n Roll. Dave will have plenty up his sleeve as he thrills the
audience with songs like Sing, Sing, Sing and Blue Suede Shoes. Be wowed with the music of the legend-
ary Benny Goodman, Count Basie, the Beatles and more in one night!
Nate Beversluis, conductor
GUEST ARTIST
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APRIL ,
Westover Church
8:00 p.m.
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Take an epic journey to a galaxy far, far away as Nate Beversluis and the Greensboro Symphony
guide you through space and time. You will not want to miss sci-fi favorites like Star Trek,
Close Encounters of the Third Kind, 2001 A Space Odyssey, and the all-time classic Star Wars,
including the latest in the series, The Force Awakens!
Special Guest Appearance: Anne Jakubek, percussion
Nate Beversluis, conductor
MEDIA SPONSOR
SEASON SPONSORS
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