Académique Documents
Professionnel Documents
Culture Documents
Generation Storytelling
Ask Agger
The grand stories simplified the complexity of life to something simple and meaningful.
One holistic package with explanations for all lifes questions.
There were truth and wisdom in the world. Rarely, you were in doubt about what was
expected of you, which punishments and rewards were waiting for you in this life and
the next.
You were among people with the same worldview, which you mutually helped to
confirm among you.
You were your fathers son
You were nothing in and of yourself, but only by virtue of your parent.
You were your fathers son and could never forget to honour, obey and protect the
community.
Your family name was a brand of duty and honour.
Only expulsion, perdition and hunger waited for you, should you turn your back on the
family.
Everything was determined
Life was hard and violence was a natural part of everyday life.
You were punished physically by the authorities, and as a grownup, you were expected
to punish.
Children were punished into obedience, women into submission and subjects into
apathy.
Violence drove back doubt and rebellious thoughts.
Towards the Next Era of Storytelling
We have looked at four grand stories in our outline of the history of civilisation the clan,
religion, nationalism and ideology which have succeeded each other.
This is, of course, very much a simplification.
Firstly, the grand stories have continuously been developing internally Christianity in the
Roman Empire was something completely different to Christianity during the Renaissance
and, secondly, the grand stories have influenced each other and intertwined. Both religion and
ideology have been painted in the colours of nationalism and the clan mentality is by far dead
and gone.
One might rightly argue that there are other candidates for grand stories that should have been
included, such as science, capitalism or the Enlightenment. Perhaps that is true, but in my view,
most of the candidates fall under the ideologies, which were placeholders and battlefields for
new trends during the 1700s, 1800s and 1900s.
My presentation also has been quite focused on Europe from Antiquitys Mediterranean to
Northern Europe as the hotbed for the industrialisation. Although there have been significant
developments in other parts of the world, which have followed other routes than those I have
described, Europe has, for better or for worse, dominated the development of modern society
and the creation of states worldwide.
From the spread of Christianity, via the paternalism of the colonial era to the global market of
capitalism. Europes history has become the history of the world.
What can we expect after the grand totalitarian stories?
Are they gone, or are new ones emerging, which we have not yet managed to put into words?
In the next chapter, we will delve into our postmodern times and investigate the possibilities
and the challenges that come with mental liberation from the totalitarian stories.
The great truths have collapsed and nothing is certain or given anymore.
The truth has become a battlefield, where politicians, companies and interest
organisations are fighting.
Natural science is constantly breaking new ground, which adds to the complexity of the
world.
We never experience complete certainty or absence of risk.
You are yourself
What do you want to do with your life? What are you going to study? What do you want
to do? Who do you want to love? Infinite possibilities are open to us, but nevertheless
we feel unable to do anything.
We are flooded by choice in a world of questions and only few answers.
We are constantly being held responsible for our choices, towards each other and
ourselves.
Life is empty
We are privileged and isolated from the atrocities and harsh necessities from the past.
Life is no longer a fight for survival. But what is life then?
We have to be responsible ourselves to fill up our day and inner space.
And there are no directions to help us make the right choice.
Generation III has found comfort in uncertainty and realised that they are each
responsible for how they perceive the world.
Instead of blindly subscribing to other peoples interpretations, they try to get to know
things themselves and actively make decisions.
Openness, transparency and trust are of crucial importance.
I am, what I do
They are basically naive optimists. Their childhood has been privileged and protected
against the kinds of violence, war and poverty, which always were in the background for
their ancestors.
They dare to take chances, break taboos and boldly go, where no one has been before.
For better or for worse, they are history-less.
The youth rebels and the civil rights activists in the 60s and 70s were in many ways the
predecessors of Generation III, but there are decisive differences. The hippies and other rebels
of their time had their attention firmly at the past and were confronting the authorities in
society and the social control that had survived from the totalitarian stories in the first
generation. It was a showdown with Christianitys sexual and female oppression, ultra-
liberalisms raw exploitation, Marxisms dictatorship and nationalisms racism and
warmongering. They were united by a common cause about freedom, but it was in fact more a
showdown with the past than looking forward at the future.
Generation III people do not fight against the stories from neither the first nor the second
generation, they are fighting their own struggles, turned away from history and facing the
possibilities and challenges of tomorrow. They may never entirely understand that the freedom
and the possibilities they take for granted have been gained in struggles through centuries of
generations before them. And that is fine. Nostalgia, heritage and the shadows of the past have
already taken up more than enough space in human history.
A Growing Force in Society
Quite possibly, there have been members of Generation III since the dawn of time, but it is not
until recent years that they have become a real force in society.
Where members in the past were odd idiots, heretics and misunderstood geniuses, we are now
facing a situation where Generation III is accelerating with every generation, and is slowly, but
steadily, becoming more and influential in all aspects of society. From politics and business to
citizenship and family. And it is not a Danish, European or Western phenomenon.
Generation III is possibly gaining most momentum in Asia and Africa these years, as opposed to
Europe, where the populations are already ancient, the former colonial territories are full of
youthful enthusiasm.
The Monomyth as Travel Guide
Earlier on we looked at how humans use stories as complexity-reducing maps, in order to
create meaning and overview through simplification, and in the previous chapter we got
inspiration from brain research in order to understand how the brain establishes meaning via
framing and association chains.
Within these processes, narrative structure become especially important as travel guides that
can help us understand the map and plot a viable course. We use the archetypical stories with
heroes, villains, accomplishments and redemption to understand how to act as human beings.
The knight as the Hero, the king as the Sender, peace as the Object, the country as the
Recipient, the dragon as the Opponent and the magic sword as the Helper.
The point of the model is that it is able to catch some of the underlying messages, which belong
to an intriguing story, with its more nuanced view of the enemy. Nobody cares about a story
over time if the main character is not going through an internal, personal journey that you are
able to identify with.
Luke Skywalker as the Hero, the Alliance as the Sender, a New Hope as the Treasure, the Galaxy
as the Receiver, Darth Vader as the Dragon, Obi Wan Kenobi (the light side of the Force) as the
Helper, and Fear (the dark side of the Force) as the Troll.
Via Darth Vader as the Dragon and fear (the dark side of the Force) as the Troll, we exhibit the
crossfire that Luke Skywalker is captured in, and which his father also faced before him.
Darth Vaders role is especially interesting, which brings us to the next section about
archetypes.
Archetypes and Role Models
Dramaturgy is about personal development. It is about people who face hard conflicts, make
choices, face the consequences and learn something in the process. We identify and are
engaged when we are following the main characters doubts, choices and development
journeys.
There is a special room for archetypes in the dramaturgy toolbox: the young hero, the innocent
maiden, the fortune teller, the black knight, etc. Every archetype has its own special function in
the story and a responsibility to push the plot forward. Some are role models with whom we
directly identify, while others are designed to repulse or give our hero partnership or
opposition.
Here is my take on the most central and useful ones:
The Hero (the Protagonist)
Our main character and central point of identification. Good heroes have faults and that is what
makes them human and loveable. Most heroes do not know their own full potential this is
what they have to find out in the story.
We all know numerous heroes Ulysses, Moses, Indiana Jones, Luke Skywalker, Frodo and
Wall-E and there are a number of hero variations, from the martyr to the tragic anti-hero who
populate many westerns and crime novels.
The Shadow (the Antagonist)
The shadow is the heros mirror image. Not an inhumane monster, but a black knight who
Step 1 - The Ordinary World
The beginning of the story. We meet the hero in his (sadly, classical stories are mostly featuring
men) home. We empathise with the hero and understand his background and character. We
sense that something is pent-up and tense.
A lot of American films handle this part right after the credits with a short breakfast scene with
the hero at home, where he shows his abilities as a nice family father and where you sense an
inherent tension between him and his wife.
Step 2 - Call to Adventure
There is a storm coming that threatens the harmony in the home. It is either an external threat
(Sauron has awakened in Mordor) or something fundamentally wrong in the home itself.
No matter what, it is clear that a hero is needed to solve the problems.
The first Doxa area is the First-ness, the belief. It is the sign itself, something bigger than
ourselves and which we can out words on. It is a meaning that we cannot but bow our heads to
and confess to.
If we look at how the church room is constructed, the alter has been a product developed to
precisely this kind of creation of meaning. On your knees in front of God on the cross there is
no room for discussion, doubt or objections. We are nothing and should be grateful for even to
be allowed to whisper yes and amen.
The First-ness is communication to the soul or the stomach, it is something that just feels right.
Communication within the First-ness area is often seen at people we typically call
fundamentalists. They are the saved ones who know they are right, and where practical
arguments or personal opinions are irrelevant. Rhetoricians would often use the term ethos
about the kind of appeal that belongs in this Doxa area.
The next Doxa area is the Second-ness, truth. It is a sign related to another sign. Here it is all
about logic, rationality and reasoning. It is communication to the brain, the logos of rhetoric.
The audience must be convinced through poignant parables, logical explanations and reasoned
points.
Within the church room, the pulpit is specially designed for precisely this form of
communication where the priest can stand in an elevated position and relay the truth to the
congregation. The pulpit has since become the role model for both university auditoriums,
school classrooms and the traditional conference room. What matters the most for this staging
Michael Thomsen has a background in computer programming and has been working on the
forefront of digital innovation since the early 80s, including as head of development for the
LEGO group and as head of research for Interactive Institute in Sweden.
Michael developed Thomsens Formula when he was heading LEGOs development office in
Boston, which was working closely with the digital pioneers at MIT Media Lab. The formula was
originally for digital development, but I would like to use it in a wider sense.
In short, Thomsens Formula describes the most fundamental business dynamic of capitalism:
You earn money by producing something cheap and create a large perceived value, which
customers are willing to pay for.
Where profit is the possible surplus, the virtual value describes the value perceived by the
participants: quality, authenticity, aesthetics, identification, etc. It is the symbolic added value
that is often connected to the story of a brand.
Below the fraction line we have the real value. This is the hard reality of the physical world:
materials, commodities, means of production, etc.
How do you become a wealthy merchant?
By, for example, producing spring water. The real value here is a raw material that covers 70 %
of the Earths surface. In Denmark, clean water can be poured directly from the tap for less
than 1 cent per litre. It is probably impossible to make it any cheaper below the fraction line.
Above the fraction line, you try to promote the story about how splendid the water is. You call
it spring water (where else would it come from?) and create feel-good associations to well-
being, wellness, health, etc. via design and marketing. Something along the lines of an old
spring beneath a monastery, birch trees and some Scandinavian girls in yoga clothing who look
energetic and hard working. To give the whole thing a bit more oomph, you do not add hot air,
but instead carbonic acid and perhaps a slightly green or light blue colouring of the bottle.
The first gap is the knowledge gap, which is understood as the difference in what we know
about the world and what are the facts. Perhaps we believe that the enemy has 10,000 tired
troops and plan accordingly, but in fact he has 20,000 rigorous soldiers. Our insight into the
surrounding worlds complexity is limited, especially when it comes to predicting the future.
When we try to execute the best plans we have been able to make, based on our limited
knowledge, we approach the next gulf: the alignment gap. This gap describes the difference
between the planned actions and what is actually being done in an organisation. Most people
will probably recognise situations from their working life where planned activities are not
happening, where unplanned things happen and where planned initiatives are carried out in a
completely different way than they were anticipated. There is quite a lot of play in the steering
wheel when it comes to implementation.
The third and final gulf is the effect gap. It meets us with surprise that the results our actions,
planned as well as unplanned, produce. Perhaps we assumed that the enemy would surrender
if one of our companies started to fire at them from a hilltop, but instead they might
counterattack or dig themselves in and wait for our ammunition to run out. It is very difficult
during planning to predict which concrete actions at the frontline are necessary to achieve the
desired results.
It was an attempt to close the knowledge gap by making very detailed analyses and plans to
match the complexity of the battlefield. The more information and the more detail, the better.
The attempt to solve the alignment gap was through detailed instructions. It was thought that it
would secure a precise and expected implementation if very specific orders without possible
misunderstanding or improvisation were issued.
Facing the effect gap, all disappointments over lacking results were met with detailed control.
Did the cannons have the correct powder load? Was the correct shooting formation used by the
infantry? Were the prescribed formations used during advances in the field?
After the defeat, Clausewitz and his colleagues recognised that it is of no use to try and fix the
machine by going into detail.
In facing the knowledge gap, the idea that analysis and planning can match the complexity of
the world was left behind. If it is not possible to predict the future, then do not. Old plans were
replaced by a much shorter planning horizon, where plans are simple working documents that
are constantly being updated to reflect new knowledge.
In order to solve the alignment gap, the detailed instructions were replaced by simple orders
where the local officers and non-commissioned officers had complete freedom to do what they
thought was most appropriate in terms of achieving the objectives. The Prussians went so far
that insubordination became the officers duty. If on the battlefield they deemed something
was more appropriate in relation to the strategy, their duty was to ignore their orders and
follow their own conviction. Without asking for permission first.
It was a complete departure from the armys previous no-error culture and demand for
absolute obedience. A prerequisite for Prussian platoons to be able to operate autonomously
was that everyone knew the strategy. This was a distinctive departure from previous doctrines,
where the strategy had been top secret and only shared in small pieces after the need-to-know
This is made possible by creating a clear division of labour between the strategic, the tactical
and the operational plan.
At the strategic level it is all about Why and What. What are the strategic priorities and why are
they necessary? This is also known as the Commanders Intent. Here there is a need for total
clarity and alignment across the entire organisation.