Amateur Photographer - 2016-12-17

Saturday 17-24 December 2016
great tips for 2vi0ce17

33 A years worth of ad -out
in our 12-page pull
Passionate about photography since 1884

Bumper issue
Christmas
L SPECIA
Top stories, pictures &
products of the year
Our favourite gear
The best images
Key news stories
and more
A decade of
award-winning
landscapes
Charlie Waite chooses his
favourite LPOTY winners
Terry ONeill Josef Koudelka Books of the Year Roger Hicks Xmas Quiz
7days
COVER PICTURE ELENA PARASKEVA JOHN PARMINTER MATT PARRY
A week in photography
It is a privilege, as Editor, to cameras and accessories we have used, the
oversee the creation of a new most arresting images we have seen, or the
issue of AP every week, and most useful tips we have been given. And what
ensure that each one contains a year 2016 has been! Our Christmas front
enough of the magic fairy cover shot, which as usual is chosen from an
In this issue dust that makes it the best photography open competition, is a real cracker this year,
4 Leading from magazine in the world (Im biased, I know). and it sets a standard that continues right
the front But the Christmas issue is always my favourite through to the back page. On behalf of the
Your images that were to put together, because it gives us the team I hope you enjoy it, and that well be
shortlisted for the cover opportunity to select our highlights from the seeing you in 2017!
15 In the frame previous year, whether its the most interesting Nigel Atherton, Editor
AP staff on their favourite
images they took in 2016 JOIN US amateurphotographer. Facebook.com/Amateur. ickr.com/groups/ amateurphotographer
ONLINE co.uk photographer.magazine amateurphotographer @AP_Magazine magazine
20 Champions
League
The best photos from this ONLINE PICTURE OF THE WEEK
years big competitions
28 Our images
of the year
Our pick of the images
published in AP this year
34 Star man
Terry ONeill talks about
his portraits of the stars
42 The eyes have it
Reections on the 2016
Taylor Wessing Prize
45 Conquering Rio
Picture editors pick their
IMAGES MAY BE USED FOR PROMOTION PURPOSES ONLINE AND ON SOCIAL MEDIA
best Rio Olympics images
48 Shooting
Holy Land
Photographer Gilad Baram
on working with Magnum
legend Josef Koudelka
53 Top tips for 2017
Whatever your genre, this
pull-out will be invaluable
C GANDER
68 Young gun
Gideon Knight, the Young
WPOTY winner, talks to us Christmas Spirit
70 Paths of glory by C Gander
Stunning images from Canon EOS 1100D, 50mm, 1/250sec at f/3.2, ISO 100
Win!
*PLEASE ALLOW UP TO 28 DAYS FOR DELIVERY
Each week we choose our favourite

10 years of Landscape Around November and December found on Flickr. This image was picture on Facebook, Instagram,
Photographer of the Year we see a lot of Christmas-themed created using a snip of holly with a Flickr, Twitter or the reader gallery using
83 The best of 2016 photography such as this beautiul berry, and slipping it into a clear #appicoftheweek. PermaJet proudly supports
Photo kit of the year example. It really sums up the glass ornament. It was an especially the online picture of the week winner, who will
aesthetic and sprit of the season. cold morning there were little ice receive a top-quality print of their image on the
92 Christmas Im a hobbyist photographer, crystals everywhere. I decided to finest PermaJet paper*. It is important to bring
conundrums which involves me creating little shoot into the light and this gave me images to life outside the digital sphere, so we
Photo puzzles scenes for my photography, says the wonderful background bokeh encourage everyone to get printing today! Visit
C Gander about this image we you see here. www.permajet.com to learn more.
Regulars
3 7 days Send us your pictures If youd like to see your work published in Amateur Photographer, heres how to send us your images:
24 Inbox Email Email a selection of low-res images (up to 5MB of attachments in total) to appicturedesk@timeinc.com.
76 Reader Portfolio CD/DVD Send us a disc of high-resolution JPEG, TIFF or PSD images (at least 2480 pixels along its longest length), with a contact sheet, to the address on page 25.
114 Final Analysis Via our online communities Post your pictures into our Flickr group, Facebook page, Twitter feed, or the gallery on our website. See details above.
Transparencies/prints Well-packaged prints or slides (without glass mounts) should be sent by Special Delivery, with a return SAE, to the address on page 25.
CHRISTMAS COVER COMPETITION
Leading
from the JIRI M. DOLEZEL
front
ANDREA HERIBANOVA
KATY SUTTON
Photocrowd
winner
This still life caught our eye, but once cropped to This was our favourite of all the landscape images Its a great example of a popular subject, but once
portrait format it lost some of its impact submitted, but it didnt shout Christmas cropped doesnt leave much room for cover lines
P
roducing a weekly magazine than a century of experience means that
means creating 51 covers a we know our audience pretty well.
year (dont worry, we havent As a result, its always slightly
drunk all the sherry the nerve-racking when we hand this job
festive issue is available for a fortnight). over to somebody else in this case, you
In 2016, landscapes, models, birds, guys! Thankfully, you never let us down.
buildings and even a tent earned This year we received more than 800
their place on the cover, but for the entries to our Christmas Cover Star
Christmas issue we handed that Competition, ranging from the sublime
responsibility over to you, the readers. to the downright wacky (you know who
When we choose a cover shot, we you are). Landscapes, portraits, ora
generally look for a portrait-format and fauna, trees festooned with fairy
picture although if the quality is high lights, and carefully wrapped Christmas
enough were not opposed to cropping. If gifts were among the subjects covered.
the image features a model, we look for
eye contact (although this years winner The prizes
is an exception). Its also imperative that This year, we teamed up with
there is enough space for the magazine Photocrowd and PermaJet, which
furniture masthead, cover lines and enabled us to offer two main prizes: the
graphic devices we use to describe overall winner (as judged by the AP
whats in the issue. Busy images with team) graces the cover of this issue, and
lots of detail are generally unsuitable receives a top-quality A3 print of the
as they make text hard to read. nished design courtesy of Permajet
While the picture must be striking, (www.permajet.com), plus 100. The
and sum up our brand values, it must second winner (awarded via Photocrowd,
also have shelf shout that certain www.photocrowd.com) receives an A3
something that makes people want to print of their image, plus 100. The AP
pick it up and head to the tills with it. winner (as judged by the AP team) was
Dening exactly what this shot by Elena Paraskeva, and the winner
something is can be tricky, but more of the crowd vote was by Katy Sutton.
4 17-24 December 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 1113

Elenas heart-
warming shot is a
clear winner
ELENA PARASKEVA
EMILIANO JOANES
ELENA PARASKEVA
The AP winner
This is a great image, but for a front cover
we really need to see the childs face
The light on the face is evocative but this
superb image is not Christmassy enough
Elena Paraskeva
I ONLY bought my rst DSLR, a Nikon
D5200, two and a half years ago, says
PAUL GREENHALGH
PER ERIK BERGH
Elena. I am completely self-taught. I

initially started with landscapes, but soon
ELENA PARASKEVA
realised that I wanted to put the stories

and ideas I had in my head to use, so I
started focusing on portraiture and
editorial fashion photography. This picture was one of my very
early ones, so it was shot with the Nikon D5200. I now shoot
with the Nikon D810. I use various lenses including the Nikkor
16-35mm, Sigma Art 35mm f/1.4, Nikkor 85mm f/1.4G and
Nikkor 50mm f/1.4G. For this image I used the 50mm f/1.4G.
This girls mother wanted to create a Christmas card for
her family, so she invited me to her house in the mountains to
take some pictures. I wanted a winter feeling with something
heartwarming, so I took along a little bird, in the hope that
she wouldnt be too scared to hold it.
The sun was bright but soft. I wanted an uncluttered
background and tons of separation, so I placed her on top of
a rock with the mountains behind her far away.
The light was hitting her right side more, so I used a
This picture of a herd of reindeer is The bokeh in this shot is great, but it reector to even out the exposure. I spotmetered for the
great, but once enlarged was a little soft would be hard to read the cover lines face, which is important because centreweighted metering
with all that white would have muddied up the image. When
DAVE BROWNE
GORDON ROBERTS
I spotmeter, I often drop down the exposure compensation

by -0.3 to avoid clipping the highlights.
In Photoshop, I cooled down the scene considerably, got
rid of the yellows and darkened the background to give a
nocturnal feel. I then selectively dodged and burned to bring
more focus on the face, and added a vignette.
If youre going to take a portrait my biggest tip is to use a
wide aperture to separate your subject from the background.
Placing the model at some distance in front of a tree, for
example, with the sun coming through is another idea.
The bokeh created will give the image a dreamy look. Just
make sure to use a reector to bring some light back into
your models face and even out the exposure. It still wont be
100% sufcient, but if you are shooting raw, it will be easy to
boost the exposure selectively. If you do use off-camera ash
for outdoor portraits, another good tip is to pump your white
balance to a number that will make the image very warm
(almost orange), and then put a CTB blue correction gel in
front of your light to cool down your subjects skin tone. This
This tree cocooned in lights has a magical Board games are a Christmas staple, but leaves you with amazing backlight.
feel, but isnt quite Christmassy enough the picture is a touch too busy for a cover For more on Elena, see www.elenaparaskeva.com
subscribe 0330 333 1113 I www.amateurphotographer.co.uk I 17-24 December 2016 5

366 days News review 2016
A year in photography
News review 2016

Geoff Harris and Liam Clifford look back at the photographic highs and lows
CHRIS CHEESMAN
January February
Reuters news agency confirms it has After years of will-it-wont-it
banned freelance photographers from speculation, Pentax reveals its first
sending in shots as raw files. 35mm full-frame DSLR, the K-1.
Separately, Don McCullin speaks out
against digital photography, saying it
Plans to relocate the historic
RPS Collection from the National Whats
can be a totally lying kind of experience.
Nikon unveils its new DSLR flagship, the D5, capable
Media Museum in Bradford to the
V&A in London spark an outcry,
up
of extreme low light images via a max ISO of 3,280,000. which goes as far as Westminster. Mirrorless camera autofocus
Dual camera smartphones
March April
APs late Chris Cheesman teams up with BBC There are signs of an anti-drone backlash after a In-body + in-lens dual
consumer rights show Fake Britain to capture peoples demonstration of a security cannon designed to knock image stabilisation systems
experiences of buying fake them out of the sky generates huge interest. Starlings and school uniforms
camera gear. Nikon is forced to
Canon unveils a new apologise for a gaffe by its Camera and lens prices as the
entry-level DSLR, the EOS 1300D, marketing team when one of pounds value uctuates
featuring an 18MP APS-C sensor its posters features a Fuji
for just 289.99 (body only). X100 by mistake. Ouch.
May June
Camera production by the big Japanese makers hits a Astronaut Tim Peake, a keen photographer, chooses
speed bump after Kumamoto Prefecture, a key his best images taken from space but says it would
manufacturing hub, is hit by have been quite unfair to enter them in competitions. High ISO. The above image
an earthquake. Nikon announces its latest was taken on the Nikon D5 at
The first Polaroid-format ambassadors including Game of 8000 and is very usuable
HELEN SLOAN/HBO
camera in 20 years is Thrones principal stills

ANDY WESTLAKE
revealed by The Impossible photographer Helen Sloan, and

Project. AP regular, Jeremy Walker. Small-sensor compacts are
now an endangered species
July August DSLR innovation, apart from
Following the vote to leave the EU, experts predict American photographer Carol Highsmith attempts
camera price rises of up to 15% as the pound plummets to sue Getty Images to the tune of better high ISO performance
against other currencies. $1 billion for the gross misuse of Samsung, which pulled out of
Fujifilm announces the 18,755 of her images. the camera business and had a
X-T2, the successor to its Nikon announces that it has few smartphone problems, too
widely admired X-T1, featuring made 100 million Nikkor lenses since
improved Continuous AF and the first one rolled off the production
other powerful upgrades. line in 1933.
September October
Key announcements at the Photokina trade fair in Sony reveals updates for its RX camera range and
Cologne include the Fujifilm GFX 50S medium-format Alpha camera line, the
camera and the Olympus OM-D RX100 V and A6500.
E-M1 Mark II. Wolfgang Suschitzky, GoPro, hit by falling sales and
Canon announces the known for his vivid, gritty forced to cut its workforce
EOS M5 featuring 24MP Dual depictions of London life
GEOFF HARRIS
Pixel APS-C CMOS sensor and in the 1930s and 40s,

Camera sales generally,
7fps shooting. passes away at 104. according to CIPA; the digital
boom of 2007-2012 is over and
November December sales are back to 1999 levels
Sharbat Gula, better known as Steve McCurrys British photographer David Hamilton, famed for his
Afghan Girl is deported to Afghanistan after being soft-focus portraits of Whats
down
ULRICH PERREY/AFP/GETTY IMAGES
charged with living teen girls, was found

PIERRE GUILLAUD/AFP/GETTY
illegally in Pakistan. dead after apparently

Londons Tate Modern committing suicide.
hosts an exhibition A portrait of a
drawn from Sir Elton schoolboy won the
Johns private collection. Taylor Wessing prize.

McCullin: Digital cant be trusted

AT AN event to promote Photo London
2016, legendary documentary
photographer Don McCullin claimed that digital
cant be trusted. Speaking earlier, he had
explained that his decision to return to the Iraq
war zone a few years ago enabled him to see
events rst hand, rather than having to rely on
images published by the media.
McCullins comments received a mixed
response on the AP forums. Forum user
RogerMac pointed out that lm images were
not immune to manipulation, either. The only
thing that seems to have changed is that with
digital it has become easier, he wrote.
Meanwhile, Benchista posted: Hes quite right
about digital photography. Hes simply omitted
to say the same thing about lm photography.
McCullins comments came soon after
Reuters conrmed it had banned freelance
photographers from sending images as edited
raw les and would now only accept out-of-
DON MCCULLIN
camera JPEGs. A Reuters UK spokesman told

AP: As eyewitness accounts of events covered
by dedicated and responsible journalists,
Reuters Pictures must reect reality. One of Don McCullins hard-hitting images: A Palestinian returning to her ruined house in Beirut in 1982
Anti-drone bazooka demo is big hit

increasingly used for aerial
photography. However, there have
been growing safety fears
surrounding drones, including
several reports of near-misses
with commercial aircraft. In
2015, for example, a drone
enthusiast who ew his device
over Buckingham Palace, the
Houses of Parliament and some
football stadiums was banned in
the rst prosecution of its kind
in the UK.
In response to the growing
The SkyWall100 uses a parachute to target drones that pose a safety threat number of incidents involving
drones, last summer the Civil
A HANDHELD launcher that privacy, security concerns and Aviation Authority, the pilots union
res a net into the skies to terrorist threats. BALPA and air trafc control
immobilise and capture drones The launcher res a gas- company NATS launched a drone
that pose a safety threat attracted powered projectile armed with a safety campaign. The SkyWall100 anti-drone device is
huge interest after being shown net to intercept a problem drone, The SkyWall100 is the rst designed to be used by authorities
to UK police and security before using a parachute in order of a series of anti-drone devices
companies. The man-portable to bring the offending device safely that are aimed at tackling the civil such as the police, it rst uses a
SkyWall100, which went on sale back to Earth. drone threat. laser rangender and on-board
this year, is designed to counter Fuelled by improvements in Built by UK rm OpenWorks computer to calculate the speed
public nuisance, invasion of technology, drones are Engineering for use by authorities and position of a drone.
THE YEAR IN NUMBERS
4 billion 220,000
average number of
95 million 141,822
photos shown in the worlds
25 years
people worldwide taking number of photos and how long Sir Elton John
photos, following the big photos stored on a videos uploaded to largest photo exhibition in has been building his
rise in smartphone usage persons devices Instagram each day Hong Kong in 2010 private photo collection

News review 2016 366 days A year in photography
DAVID SLATER
Fake camera risks
exposed by AP poll
AN AP reader warned of the
dangers of buying cheap, grey
market camera gear after he was told
that his 1,500 Canon EOS 7D had a
fake serial number.
Tristan Findley was among those
Judge rejects readers responding to an AP survey
about counterfeit kit, launched in
copyright conjunction with BBC consumer rights

show Fake Britain.
Tristan, 31, unwittingly purchased
REMEMBER the the Canon EOS 7D digital SLR from
monkey sele, an Simply Electronics back in 2010.
amusing image that ended He paid nearly 1,500 for the
up sparking a copyright 18-million-pixel 7D, saving more
storm? Back at the than 200 on the list price.
beginning of the year, the However, the trouble began when he
British photographer who sent the camera off to Canon for a
set up the shoot welcomed routine health check, prior to a
a US ruling that a monkey planned trip to Yellowstone National
cannot own copyright. The Park in the US. Canon refused to
lawsuit, launched in 2015 service the EOS 7D, telling him that
by animal rights charity the serial number on the cameras base There was a fake
People for the Ethical plate did not match the correct one serial number on
the bottom of a
Treatment of Animals revealed in the EXIF le data of
readers camera
(PETA), challenged Tristans photographs.
photographer David
Slaters rights over the
image in a San Francisco
federal court. Camera makers shaken by Japan
But US District Judge
William Orrick said that
while Congress and the
earthquakes
President can extend the FOR several Japanese camera
protection of law to makers who were struck by
animals as well as humans, devastating earthquakes in April,
there is no indication they 2016 was a year to forget. The
did so in the Copyright Act. quakes affected Kumamoto, a
Slater told AP: I have region that is a manufacturing hub
always owned the for companies including Nikon,
copyright I chose the Canon, Sony and Panasonic. At least
lens, the exposure settings, 42 people were reported killed and
even put a ashgun on the about 3,000 injured.
camera and mounted it on Canon told AP it was forced to
a tripod with the halt production of some products
composition set and the owing to the effect of the
light direction xed. This is earthquakes on infrastructure and
what confers authorship on the companies that supply Canon
the creative intent and with parts. It stressed that there Nikons DL-series compacts were delayed due to image-processor problems
actions before a button is were no serious injuries to Canon
pressed. The button- employees or their families, and no its factories supplying components the earthquakes had damaged its
presser merely xes the signicant damage to the companys for its digital-imaging products were main site for image-sensor
intangible idea onto a buildings or facilities. also damaged. manufacture, the Kumamoto
sensor (in digital terms). Meanwhile, Panasonic stated that In addition, Sony conrmed that Technology Centre.
3,500
average number of Rio
191,000 120 million 230,103 number of Canon EF
33,758
number of submissions to the amount photographer
number of people who
Olympics photos led visited Photokina 2016 in lenses produced the 2016 Sony World Wolfgang Tillmans donated
daily by Associated Press Cologne, Germany since 1987 Photography Awards to the EU Remain campaign

News of
the worldTHIS year has seen some major shifts in the
political and social climate of the UK and the rest
of the world. Thankfully, photographers were on hand
to capture them. We pick some of the best
SERGEY PONOMAREV
European Migrant Crisis

Sergey Ponomarev
Skala, Greece
Both this year and last saw the migrant crisis reach
epic proportions as ISIS displaced thousands of
men, women and children. Many arrived on European
shores hoping to escape persecution and nd a new life.
Black Lives
Matter
Jonathan Bachman
Louisiana, US
Reuters photographer
Jonathan Bachman captured a
JONATHAN BACHMAN/REUTERS
powerful and instantly iconic

shot of Ieshia Evans standing in
a street as two police ofcers in
riot gear approach to arrest her.
MARK WALLHEISER/GETTY IMAGES

MAHMOUD RASLAN
Trump elected Britain Airstrikes

US President votes Brexit on Syria
Mark Wallheiser Stefan Rousseau Mahmoud Raslan
Alabama, US London, UK Aleppo, Syria
Despite those poll Michael Gove speaks This image featuring a boy
predictions for a Clinton during a press conference in an ambulance, pulled
win, businessman and reality at Westminster Tower next to a from rubble following an
TV star Donald Trump was serious-looking Boris Johnson, airstrike, went viral across the
elected as the next President following the surprising result world. It has become a symbol
of the United States. of the EU referendum. of a desperate civil war.
STEFAN ROUSSEAU - WPA POOL/GETTY IMAGES

Chris Cheesman 1965-2016 Amateur Photographer was directly hit by tragedy in

During his 17 years
on AP, Chris was October when Chris Cheesman, its news editor, died
tireless in his pursuit suddenly and unexpectedly after a short illness. Here
of the truth for the
service of the readers the magazines staff pay tribute to Chris, the man
they and his many friends knew simply as Cheeso
CHRIS CHEESMAN was APs news Instead, Chris was quiet, modest
editor for 17 years, during which and very well liked by all who were
time he made an immeasurable privileged to know him.
contribution to the magazine. He In September, Chris and four
secured more scoops and broke other AP staff travelled to Cologne
bigger stories than any other in Germany to cover the Photokina
journalist in the industry, and trade show for the magazine. At
gained a worldwide reputation the time, Chris commented that
for his tenacity and determination. hed been struggling to shake off a
But he was also a man of virus and wasnt feeling great, but
honesty and integrity, and a ever the professional, he gave
journalist who, in his pursuit of the 100% in his quest for stories.
truth, never forgot he was on the On his return to the UK, he
side of the reader. visited his doctor who immediately
No other journalist in the referred him to the local hospital.
UK worried the industrys Tragically, he died there just four
spokespeople as much as Chris. weeks later.
One PR told us that whenever they Here we share some of the
saw a call coming in from him, they tributes paid to him by his friends
were terried. This makes him and colleagues, and the wider
sound like a tyrant. He wasnt. photographic industry.
I had the great pleasure of working with Moving to London in 2011

Chris for the past four years. In that time, I to forge a career was a
appreciated his friendship greatly. He would huge step for me, and one
ask me lots of questions about my personal of the hardest things Ive
performances in cricket after each weekend. ever had to do. But working
To me, this perfectly illustrates his caring and at AP very quickly gave me
thoughtful interest in other people. Chris was a family away from home,
When I was the advertising manager on AP, Chris frequently made a dedicated, hardworking man who always and Cheeso was a huge
life tricky for me and provided a fair few headaches. You see, when put 100% into whatever he did. Ill never part of that. I think thats
he got a sniff of a story, he would be on it like a dog with a bone, forget playing a round of golf with him where, probably the same for
whether it upset an advertiser or not. His unwillingness to to his delight, he made an excellent, if not everyone who has either
compromise any of his journalistic instincts in his quest to provide the slightly fortuitous, par on a tricky hole worked at AP in the past or
readers of the magazine with the complete picture of any stories that something we always joked about and which is there now. Cheeso was a
might affect them, sums the man up. I had a huge amount of respect would bring a smile to his face. Chris, Ill man of true integrity. A
for Chris and I am devastated we wont ever share a joke or an always remember you as a close friend and really wonderful guy.
anecdote again. RIP Cheeso. You will be missed, but never forgotten. colleague, and will never forget you. Oliver Atwell, senior
Dave Stone, former advertising manager Mike Topham, deputy technical editor features writer
Chris in a
rare off-duty
moment with AP Chris being interviewed about
deputy editor one of the many stories he
Richard Sibley broke as news editor

Former AP editor
Damien Demolder
with Chris, the
magazines
newshound
Whether grilling industry figures

Former AP editor Damien Demolder
such as David Parry of Canon UK worked closely with Chris Cheesman for
or chasing down a scoop, Chris longer than anyone. He pays his tribute
gave the job 100%
I WAS lucky enough to work with Chris for most of the
I spent three years working opposite Chris. He was an Chris was one of Caf Arts time he was at AP, and during those years I either sat
incredible journalist with a ruthless attitude when it came biggest supporters, serving next to him or worked closely alongside him in his role
to following a good news story. I overheard him make on our judging panels in as news editor. He was a properly trained, hard-nosed
many phone calls, trying to get the answers he wanted, 2015 and 2016 and journalist who would gather evidence, investigate and
while I was at my desk. Working on a weekly magazine is writing about us. It was piece together a collection of details to create a juicy
an intense process and it takes a strong team to do it. his article in Amateur story. He was meticulous and took his job seriously.
Truth is, its more like a family than a team of colleagues. Photographer in August During his time with AP Chris must have produced
I feel immensely saddened by the passing of Cheeso. He 2015 that propelled us news for almost 1,000 issues, and whether he was
was a brilliant man and a fantastic friend. into the stratosphere. We interviewing the runner-up of Dog Photographer of
Callum McInerney-Riley, former technical writer went viral in the US within the Year or the general manager of a camera
hours of Chriss story being manufacturer, he always took the task seriously and
He was the one to look He was a genuinely nice guy published. PetaPixel, worked hard to tease out what the readers would want
out for if you wanted with a dry sense of humour Buzzfeed, Bored Panda to know. We called him the newshound for his ability
to know where the and a commitment to hard and even the Today Show to sniff out a story, and through his reputation and his
interesting news stories work that always impressed in New York asked for our persistence he published countless signicant scoops.
were. If you stayed me. Jamie Harrison, story. In Europe, news Not everyone was a fan of the news he reported, or
close to him, you former technical writer organisations in Germany, the questions he asked, but Chris seemed to have a
usually found out Spain and Italy were in built-in lie detector and when it went off, his turbo-
something no one Always honest, always touch. We are a very small drive would kick in.
else did. He was an committed and always social enterprise and could Chris brought to the magazine a perspective unique
inspiration. Matt professional. A tragic loss to not succeed without the in our industry, and the stamina for a long-running
Grayson, technical AP and to his many friends. support of dedicated story. It is no exaggeration to say that his actions and
writer, ePhotozine Joel Lacey, former people such as Chris. perseverance brought about signicant change in the
2007-2009 technical editor Caf Art way police ofcers are educated about the publics
right to take pictures in public places. There were
I rst met Chris who many of us fondly knew as Cheeso when he started working other people and agencies involved, but it was Chris
for AP as a freelance writer in the late 1990s. He took over from me as news editor in who drove the Photographers Rights campaign
1999. He was very gracious and humble about securing that position, and thanked me through his news pages, and it was Chris who went to
for training him. The truth is I did very little, and quite quickly it became apparent that the Home Ofce and put chief constables in their
he had taken the role to a whole new level, which he subsequently reinforced week place without shrinking in front of uniforms and titles. It
after week for more than 17 years in print, online and on lm. was Chris who took the calls from readers who had
Steve Fairclough, former news editor been stopped, searched and sometimes arrested, and
it was Chris who followed their cases, pressed police
departments for explanations and apologies, and who
publicised what so many professionals and enthusiasts
were going through. He made a huge difference and
he kept going until the number of calls fell away as the
chief constables educated the bobby on the beat that
taking pictures in a public place is not an offence.
Chris earned worldwide recognition for his
reporting of the Olympus nancial scandal, when
almost $5 billion disappeared from the companys
books. By gaining the trust of whistleblower Michael
Woodford, he was able to conduct a series of exclusive
APs Michael Topham interviews. While he was often accused of being out
fondly recalls Chriss for blood and of going too far (usually by those in the
caring and spotlight), in everything he did he had the interests of
thoughtful interest in the readers at heart and was uninching in his pursuit
other people
of the truth. That alone earned him the respect of the
entire photographic industry and community.
13

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OUR FAVOURITE IMAGES
In the We dont just write about
frame
photographs. On occasion
we actually like to take
them ourselves. Here,
seven of the AP staff talk
about their own favourite
images from 2016
LARS REHM
Oculus Building, New York City the bright tones and cool illumination make the scene
Lars Rehm look like its the set of a science ction movie. I also like
the contrast between the steady stream of fast-moving
Contributor commuters at rush hour, and the few stationary gures
iPhone 7 Plus, 3.9mm f/1.8 lens, 1/30sec at f/1.8, ISO 25
that appear to be waiting for something or somebody
I took this interior shot of the Santiago Calatrava while everybody else is rushing past. The image was
designed Oculus building in New York City with captured spontaneously while I was waiting for a friend
the Apple iPhone 7 Plus, only a few days after I had whom I had not seen in years. Thats another reason for it
gotten hold of the device and was testing it. I love how being one of my favourites in 2016.

1 2 3
GEOFF HARRIS
Beltane festival celebration and portrait photographer such as myself. The doubtless helped by copious amounts of cider
Geoff Harris festival is an obvious attraction, but another and mead, so I tried hard to capture some of
Deputy editor big highlight is the 1 May celebrations to mark the more interesting-looking people with my
1 Nikon D800, 24-70mm f/2.8 lens, the ancient festival of Beltane. Visitors from all battle-scarred Nikon D800 and the
1/80sec at f/2.8, ISO 100 over the UK (and indeed the world) gather on outstanding Tamron SP 24-70mm f/2.8 zoom
2 Nikon D800, 24-70mm f/2.8 lens, 1/1600sec at Glastonbury Tor to watch the sun rise, and as lens. Its quite heavy but
f/3.5, ISO 800 you can imagine, there are some great something of a bargain, considering that its
3 Nikon D800, 24-70mm f/2.8 lens, 1/200sec at characters. From druids to morris men to also stabilised. The biggest challenge was
f/4.5, ISO 140 puzzled tourists, Beltane is where the action is, actually staying warm, because the top of
and the shenanigans go on all day. This years Glastonbury Tor is very exposed. It was well
Im lucky enough to live on the edge of Beltane dawn was very cold but bright, and we worth the chill and the pain of getting up at
Glastonbury, which, as you can imagine, were rewarded with a wonderful sunrise. As 4am to catch the sunrise, however. Hope to
is full of inspiration for a keen documentary the sun rose, everybody got into the spirit, see you on 1 May next year!
Ouaisne Tower, Jersey

ANDY WESTLAKE
Andy Westlake
Technical editor
Olympus OM-D E-M5 Mark II, M.Zuiko Digital ED
12-40mm f/2.8 PRO at 12mm, 1/2500sec at f/5.6,
ISO 200
I take a lot of pictures every year its the
nature of my job testing cameras and
lenses. Because of this, I nd it difcult to pick
a favourite; there are just too many to choose
from. Ask me on ve different days and Ill
likely select ve different pictures, if not six.
The one I nally settled for was shot on a late
August break to Jersey. Unusually, I wasnt
testing either a camera or a lens at the time, so
this was taken with my own trusty E-M5 II and
12-40mm zoom. Situated off the Normandy
coast, but with its allegiance pledged to the
English crown, the small islands coastline is
encrusted with fortications. Ouaisne Tower
was one of a series built in the 1780s, to
protect the island from French invasion.
On a sunny Monday morning, the towers
distinctive red-and-white paintwork stood out
strikingly against the blue sky, and I made a
whole series of different compositions with
lenses ranging from long telephoto to
wideangle. In this version, I stripped out the
colour that rst attracted me to the scene by
selecting the cameras Grainy Film art lter,
and ended up with a graphic monochrome
Ask me to pick a favourite on five different days and Ill shot of tower and clouds that I nd pretty
likely select five different pictures, if not six much perfect, straight out of the camera.

Kasuga Taisha Shrine, Nara

Michael Topham
Deputy technical editor
Canon EOS 5D Mark III, Sigma 85mm f/1.4
EX DG HSM lens, 1/6400sec at f/1.4, ISO 200
Looking back on my photographic year,
theres one week that sticks out in my
mind, and thats my rst ever trip to Japan.
Travelling to the Far East with my camera is
something I have always wanted to do, and I
was very fortunate to tick this off my bucket list
when I was invited as a member of the press to
visit Sigmas lens production facility. Watching
the manufacturing processes was fascinating
and its something I feel very privileged to have
experienced. It really hit home just how much
time, effort and precision goes into the glass
we couple to the front of our cameras.
My trip presented numerous photo
opportunities, but one image Ill always
treasure is the spur-of-the-moment shot I
took at Kasuga Taisha Shrine. I noticed there
was an opportunity to photograph a woman
wearing traditional Japanese dress walking
beside a column of pillars bathed in a pool of
sunlight. After missing the shot rst time
around as I faffed with my camera settings, I
knew Id regret it if I walked away, so I patiently
waited for her return. Out of the blue, she
brushed past my right shoulder and retraced
her steps. With my 85mm f/1.4 coupled to my
Canon EOS 5D Mark III, I rattled out eight
frames in the portrait orientation as she walked
into the distance. The moment was gone in a
ash. I risked missing my bus back to Kyoto, but
it turned out to be a risk worth taking.
To me, the image typies traditional Japan
and its fascinating culture, and Ive since had it
printed and framed in my ofce. It proves that
sometimes our best images are those we
capture spontaneously. The shot shows the
importance of always having your camera set
MICHAEL TOPHAM
up and ready to use at a moments notice. As

many photographers will tell you, its rare that
youll get a second bite at the cherry.
Farnborough Airshow
Nigel Atherton
Editor
iPhone 6 Plus, 4.15mm f/2.2 lens, 1/2500 at f/2.2, ISO 32
At Easter, Amateur Photographer moved
its ofces to Farnborough Business Park,
adjacent to the airport. This gave us a birds
eye view of the Farnborough Airshow in July
but sadly I was too busy to take full advantage
of the opportunity. But one lunchtime I was
standing outside our ofce chatting to a
colleague when I heard a plane coming in to
land behind the buildings at the far end of the
arch that stands outside APs HQ (the arch is
actually a 1910 airship hangar). I instinctively
plucked my iPhone from my pocket, and was
presented with this split-second moment with
the plane perfectly framed within the arch. I
red off one shot and this was it. It has had no
NIGEL ATHERTON
Photoshopping apart from my usual Snapseed

app processing and, in this version, a b&w
conversion. Its unlike me to be so lucky!

RICHARD SIBLEY
Stave Lake,
British Columbia another nearby lake.
It was taken at Stave Lake
Richard Sibley in British Columbia, Canada.
Contributor After driving down a logging
Sony A7R, FE 24-70mm F4 ZA road, we came across this
OSS at 60mm, 1/500sec at f/6.3, vista. In the distance was a
ISO 80 peninsula that looked like an
This shot is proof that island, and the sun was still
sometimes everything rising behind the nearby
just works out. A park mountains. A sliver of mist
keeper, who wouldnt open a hovered above the trees,
road gate to a provincial park and for a few minutes it was
a few minutes early, had lit by the sun. A short time
foiled my planned shot. He later, the sun had fully risen,
insisted we walk the 11km to lighting the peninsula and
the lake, which meant that removing it from the
I would miss the sunrise. shadows. It was my favourite
Instead, my Canadian shot of the trip, and my
friend quickly drove us to favourite landscape of 2016.
as fungi, leaves and acorns.

Cluster of fungi When I visited Eyeworth
Tracy Calder Pond in November, the
Technique editor conditions were nothing
Fujifilm X-T2, 18-55mm f/2.8-4 R short of perfect: ducks
LM OIS, ISO 400, 1/4sec at f/13, cruised the water, deer
tripod seemed to appear from
Autumn in the New behind every tree, and the
Forest is a glorious light painted everything
sight: donkeys, pigs and, of gold. But, as ever, I was
course, ponies make the drawn to the less obvious
most of the acorns, apples spectacles in this case a
and berries littering the cluster of fungi at the base of
ground, framed by a wash of a rotting tree stump.
russet leaves. But The 18-55mm kit lens on
photographing these sights is my XT-2 has a minimum
tricky for me: Im a close-up focusing distance of 30cm
photographer at heart, and (at the widest end), which
TRACY CALDER
while I appreciate the allowed me to frame the

broader views, Im much fungus nicely while including
happier shooting details such plenty of its natural context.

COMPETITIONS 2016
Champions
Environmental
Photographer of the Year
Sara Lindstrm, Sweden
Wildlife in the Canadian Rockies
Sara Lindstrm took the rst prize at the 2016
Environmental Photographer of the Year with
her incredible and awe-inspiring image of re
sweeping through the Canadian Rockies
landscape. I remember thinking there was so
much beauty and horror in the scene at the
same time, says Sara. For whatever time that
passed, I stared at it with fear, awe and extreme
fascination. It made me realise how helpless we
actually are when Mother Nature decides to
show her true powers.
US LPOTY
ALEX NORIEGA
Alex
Noriega, US
Mount
Rainier
The US
Landscape
Photographer of
the Year 2016,
Alex Noriega, took
the overall prize
with this sublime
scene of Mount
Rainier seen from
high above Tipsoo
Lake, Washington,
as it reveals itself
bathed in the light
of sunrise.
20
COMPETITIONS 2016
League
Throughout the
year, the worlds
photography
competitions
played host to some
of 2016s most
challenging and
SARA LINDSTRM
RPS Print Exhibition 159
Carolyn Mendelsohn, UK groundbreaking
Portrait of Alice
Carolyn Mendelsohn took the gold
images. We take a
award for her gentle portrait of a look back at a year
10-year-old Alice, which looks at the
transition between child- and adulthood. in competitions
CAROLYN MENDELSOHN
KEI NOMIYAMA
Sony World Photography, Open Category

Kei Nomiyama, Japan Fireflies, Shikoku Island, Japan
In Japan, the rey season comes alive at the beginning of the rainy season.
Kei Nomiyama captured this enchanting night-time spectacle when he
ventured out into the dense back country close to where he lives.
21
WILDLIFE PHOTOGRAPHER OF THE YEAR 2016
Wildlife Photographer of the Year

Tim Laman, US
Orangutan in Indonesian Borneo
This was the standout image in the adult category of the
Wildlife Photographer of the Year. It took Tim three days
of climbing up and down the tree by rope to place in
position several GoPro HERO4 Black cameras. He
triggered them remotely from the ground, to give him
a chance of getting a wideangle view of the forest below,
and also a view of the orangutans face from above.
Astro POTY
Yu Jun, China
Stacked solar
eclipse
Yu took a series of
photos of the 2016
total solar eclipse and
stacked them to show the
dramatic Bailys beads
formation. Bailys beads
[named after English
astronomer Francis Baily]
occur as the moon passes
in front of the sun. From
Earth, it seems as if the
sunlight around the edge
of the moon is broken into
fragments because of the
uneven lunar surface. This
creates the illusion of a
string of bright beads
encircling the moon.
YU JUN

TIM LAMAN
WILDLIFE PHOTOGRAPHER OF THE YEAR 2016
Landscape
Photographer
of the Year
Matthew Cattell, UK
Starlings in Brighton
Matthew Cattells winning image
has so much going for it: wildlife,
landscape and action. In the background
we see Brightons burned-out West pier
and below it the tumultuous waves. Head
MATTHEW CATTELL
judge Charlie Waite described this as
emotionally moving, with good reason.
British Wildlife
Photography Awards
George Stoyle, UK
Lions Mane Jellyfish
George found this incredible specimen when he was
diving around St Kilda, off the Island of Hirta, Scotland.
It was the largest jellysh hed ever seen. As he
GEORGE STOYLE
approached, he noticed that a number of juvenile

sh had taken refuge inside the stinging tentacles.
Scottish Landscape
Photographer
of the Year
Ian Cameron, UK
Awakening Ben Loyal
On a beautiful and serene summer
morning, with just a slight chill in
the air, Ian worked his way around Loch
Hakel towards a small reed bed at the
southern end. He already had a perfect
reection, but as the rst rays of light
struck the mountain, he saw greater
opportunities as a thin veil of mist lifted
off the loch with the clouds still full of
colour from the sunrise. He waited for
light to strike the peak and eventually
captured this beautiful scene.
IAN CAMERON

D E
Inbox
C
B A
Email amateurphotographer@timeinc.com and include your full postal address. Write to Inbox, Amateur Photographer,
In AP 26 November we asked Time Inc. (UK), Pinehurst 2, Pinehurst Road, Farnborough Business Park, Farnborough, Hants GU14 7BF
Have you ever customised your
camera? LETTER OF THE WEEK
You answered
A Yes, its the rst thing I do out of the box
B Yes, but I just assign custom buttons and dials
57%
25%
LETTER OF THE WEEK WINS A 16GB SAMSUNG SD CARD. NOTE: PRIZE APPLIES TO UK AND EU RESIDENTS ONLY Tempting traps
Some love it, others hate it: Black Friday always wary about reacting to the dazzle of
C Yes, but I just tweak AF options 4% seems ne for those with planned target bargain-offer tags. Its not so much about
D No, as I dont want to foul up the camera 4% buys in sight, but for many there are knowing where to start but knowing where
tempting traps. Buying something because to stop. A close relative is a good example
E No, as I dont see the point it works ne as it is 10% its on offer at a cheaper price than usual he now has eight decent digital compact
What you said is a questionable step, unless money is cameras with three still unboxed. They
I get the impression that a lot of the stuff on modern not an issue. were too good to miss, he says. Sounds like
digital cameras is there to appeal to computer geeks, Having learned the hard way about the temptation won, again. Pity his photography
and I dont regard myself as being one of them. difference between want and need, Im didnt. Tim Arnold, via email
Its the rst thing I do after charging the battery.
I always customise the camera. I turn off the bleep.
Win!
For high-quality photos and 4K UHD video recording, the Samsung
I set the date. I set it to record raw. Ill set a default AF 16GB PRO SDHC Class 10 card offers up to 90MB/s read and
mode. Ill turn off the LCD review function. Ill set the 50MB/s write speeds.
Visit www.samsung.com
default information on image playback and Ill set it to
use a single AF point. After that, I may make changes
on an as-needs basis usually the only thing Ill go
into a menu for is to set portrait and landscape AF Invercone to dome diffuser dome an than those from Fujilm. Its a
point positions if I am shooting people and want the While visiting the AP website Invercone is that Weston shame that brand snobbery is
AF point nearer face height than chest height. (www.amateurphotographer. Meters are iconic and in still out there.
The only true customisation I have made is to reassign co.uk), I came across a many respects the best Keith Jones, via email
button focusing. Everything else I would just class as round-up of six of the best classic light meter of all
altering settings as needed. light meters. The word time. I used the term Call for balance
Invercone occurs three times Invercone in the same way Ive been reading AP since
This week we ask in respect of three different as people referring to about 1969, and as someone
What photo kit would you most like meters on this page, referring
to objects that are neither
vacuum cleaners use Hoover
so familiar that most
who shoots on both lm and
digital I still nd its the best
to get for Christmas? conical nor inverted, but photographers would read of all the magazines.
approximately hemispherical. understand what the However, of late I feel Im
An actual Invercone is a very term means Andrew reading not Amateur
Top news stories different, very sophisticated Sydenham, studio manager Photographer but Fujilm
design, that exists only for use Photographer! Your endless
with Weston Master or Euro Brand snobbery plugging in editorials and
Top 5 articles this year Master models, and is a trade After reading the My life in answers to readers letters is
name registered by Weston. I cameras feature in AP 26 just a little tedious. Ive no
can understand not using the November by Oliver Curtis, I doubt the product is an
word photosphere or was compelled to write to you. excellent one, but I fear your
lumisphere as they dont have Oliver mentions that in 2012 coverage is becoming a little
the necessary cachet, but what he had the Fujilm X-Pro1 unbalanced! Apart from that,
is wrong with dome? and suggested it could be a its still a great read and its
Peter Davidson, via email poor photographers Leica. good to see your occasional
Well, Ive owned Leica and nods in the direction of lm!
Well spotted and a very Fujilm cameras, and my Paul Putnam, Wiltshire
accurate observation, Peter. opinion is that recent digital
The reason for calling the Leica cameras are no better Were delighted to hear
1 Scratched photo wins Fujilm that you consider Amateur
Student Photographer of the Photographer the best of
Year 2016 The Fujifilm all the magazines on the
2 Leica releases rmware update X-Pro1 has a market. Here at AP we
2.0 for the Leica Q 16MP APS-C- always report on topical
sized X-Trans
3 Nikon 105mm f/1.4E ED set for CMOS sensor,
matters, whether that be as
August debut 3in LCD monitor part of our news coverage
4 Jessops poised to make historic and an ISO or our in-depth impartial
return to Leicester roots sensitivity of reviews. As Im sure youre
5 New Insta360 Nano camera plans 100-25,600 well aware, 2016 has seen
to bring VR to iPhone users (extended) an inux of new cameras

INBOX
and lenses arrive from all Lumix DMC-FZ200. I nd it viewnders, however Contact
Amateur Photographer, Time Inc (UK) Ltd, Pinehurst 2,
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Michael Topham, deputy has been destroyed by the Camera makers are Deputy Editor Geoff Harris
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Pixi preferences point about barely attractive to buyers, but Technique Editor
Senior Features Writer
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Oliver Atwell
While reading the mini anything left in the have to balance this against News editor Hollie Latham Hucker
camera supports article sub-250 bracket keeping costs down. The News assistant Liam Clifford
Production Editor Lesley Upton
in AP 19 November, I for zoom demise of the optical Chief Sub Editor Jolene Menezes
noticed that one useful compacts is viewnder is a classic Senior Sub Editor Amanda Stroud
feature of the Manfrotto conrmation that example of manufacturers Art Editor Sarah Foster
Senior Designer Robert Farmer
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COMPETITION
WIN a share Create an image that celebrates the

lives of the older people around us
and you could win a fantastic prize
of prizes worth
more than 2,600*
estminster
Send us your photographs celebrating Courtesy of Grays of W
the lives of the silver generation and
you could win a Nikon camera and lens package and
have your image printed in Amateur Photographer
When Tuesday comes around, Im looking
at the clock waiting for when I know I will
have a lovely chat with my Silver Line
Telephone Friend, says Heather
been of ordinary people. They offer an

insight into the individual and their lives
through the pictures composition, use
of shades and tones, and even the
background. Great portrait subjects can
be found everywhere - in shops, the
workplace, or even among your own
friends and family.
THE SILVER LINE Helpline has fascinating lives, led businesses also provide a clue as to why Capturing the joy of a lifetimes
joined forces with Amateur and voluntary groups, served you think they deserve to be experience through your lens is a great
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Westminster to offer one lucky generations behind them, and opportunity to showcase your remind everyone of their achievements.
reader the chance to win a rst provided the community glue photography winners and Why not add clues to the portrait that
prize of a Nikon D3400 with that held neighbourhoods selected entries will go on give us an extra insight maybe in the
18-55mm and 55-300mm together. But too often their display in central London background setting, or perhaps your
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Jermyn Street bag and a and their images rarely seen. audience, and help to overturn such as medals or trophies.
one-year subscription to Nikon Heres your chance to help the often negative portrayal
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Many older people have had passion of an older person, but most compelling portraits have 26 February 2017.

COMPETITION
Heathers smiling again

Keen painter Heather (pictured) is a
74-year-old from Merseyside, who left
her job in the civil service to care for
husband Ken. After he sadly died, she
FOUNDED by Dame Esther returned to the groups and classes that
Rantzen (inset), The Silver Line shed stopped attending while looking
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helpline, offering information, loneliness. She said: People often dont
friendship and advice to older understand me when I say I am lonely.
people. Dame Esther says: The You feel that feeling lonely is your fault. I
most revealing question we ask couldnt sleep one night, it was about
when we suspect that a caller is 2am and I felt lonely, but then I found
isolated or lonely is: When is the The Silver Line number. I called and had
last time you had fun? We think a chat with a man who told me all about
everyone has the right to have The Silver Line. Its a great service.
fun, so if you visit our helpline or Heather now speaks to her Silver Line
listen in to our group calls, the sound you Telephone Friend every week. She said:
will hear is laughter. The Silver Line has We have been talking for about four
trained around 3,000 volunteers. To nd months now and we chat about
out about volunteering or to make a everything. Knowing that The Silver Line
donation, visit www.thesilverline.org.uk. is there for a chat is very important.
TEL 0800 4 70 80 90 OR VISIT WWW.THESILVERLINE.ORG.UK
GRAYS of Westminster is not just

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The prizes NIKON D3400 and
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nd and 3rd prizes

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KEV PEARSON
IMAGES OF THE YEAR
Nigel Atherton
Our
Editor
Goafoss Waterfall by
Markus Van Hauten
images
To even qualify for my shortlist
of favourite image of the year it
needs to have stopped me in my tracks.
It can be beautiful, funny, sad, shocking,
thought provoking, but it needs to move
me and preferably be unlike anything
Ive seen before. So no pressure then.
This year Ive gone for a classic
of the year
landscape. As someone who hates the
cold Im a lot more at home in places
like Mexico or India than anywhere north
of well, London really. So Im grateful to
photographers like Markus van Hauten,
who ventured into what in this case is
quite literally the frozen north to record
this awe-inspiring image of Icelands
AP STAFF CHOICES most famous waterfall, Goafoss,
encased in winter ice, so I dont have to.
We published this image in AP 7 May
Over the next four pages, the staff of as part of our feature on the Sony World
Amateur Photographer choose their Photography Awards and it jumped off
MARKUS VAN HAUTEN
the page. The blue-and-white colour

favourite shots from the amazing selection palette, plus the motion blur on the water,
have created an image of supreme calm
published in the magazine during 2016 and serenity. www.van-hauten.eu.

IMAGES OF THE YEAR
Geoff Harris
Deputy editor
Dawn at Burrowbridge,
by Kev Pearson
Many of my images of the year
were news or competition-related,
which is covered elsewhere in this issue,
so Ive chosen a landscape. I see a lot of
landscape photography and can get
dispirited by how predictable and
overcooked much of it tends to be.
What I like about this image, from
Glastonbury-based photographer Kev
Pearson, is that its evocative and quite
low key, while also being technically
accomplished. I know this part of
Somerset well, but I love the way Kev
has shot the familiar landmark of the
Burrow Mump church from a fresh
angle. The water leads in the eye, and
there are lots of graphically pleasing
shapes before you even get to the
famous ruin. Everything feels fresh and
summery, but never contrived or cloying.
There is some editing wizardry, but
not much. The image is a panorama
comprised of six stitched images (three
for the foreground, three for the
background). Kev also bracketed these
(-1, 0, +1) and applied gradient masks
in Photoshop to blend the sky exposure
with the scenery. After that, it was just
basic shadow and highlight adjustments.
Kevs picture proves you can still
make interesting images of well-known
landscapes with a bit of thought and
creativity. For more on Kev and his
courses, see www.kevpearson.com.

IMAGES OF THE YEAR
Andrew Sydenham
Studio manager
Eritrean-Ethiopian Disco
Bar, Calais Jungle, by
Giulio Piscitelli
As a very different take from most
of the news images at the time,
this picture, from a series taken in the
Calais Jungle, really captured my
imagination. It wasnt published widely
until this year but was taken towards the
end of 2015. Its a great image in its
own right, quite apart from being a
document of positivity arising out of
total squalor.
Piscitelli photographed the markets,
bars and other meeting places that
sprung up; the work of entrepreneurial
migrants who sought to create a small
helping of normality in the midst of a
crisis. Although this shameful and sad
chapter in the story of human
degradation has largely been consigned
to history, Im relieved that the Jungle
has been accurately documented to
serve as a salutary warning.
The image has an unjustiable beauty
to it; a technical tour de force on one
hand, carefully lit and composed but still
having a spontaneous feel. It represents
a chapter in a hostile environment being
JULIEN MAUVE
repeated in refugee camps all over the

world. Gone for now, but not forgotten.
giuliopiscitelli.viewbook.com.
GIULIO PISCITELLI/CONTRASTO AGENCY

IMAGES OF THE YEAR
Andy Westlake Tracy Calder

Technical editor Technique editor
Greetings from Mars, Spawning frogs,
by Julien Mauve by David Tipling
Over the past few years, the Sony Natural history photographers and
World Photography Awards has lmmakers will go to extraordinary
grown into one of the largest and most lengths to capture rarely seen aspects
inspirational events in the industry. With of an animals behaviour. (If youve ever
a huge number of both professional and watched the behind the scenes clips at
amateur photographers taking part this the end of each episode of Planet Earth
year, the standard of entries was youll know exactly what I mean.) But
incredibly high and something pretty this photograph by David Tipling is proof
special was required to win an award. positive that you dont have to travel far,
Julien Mauve, from France, provided or locate a rare species, to produce a
just such a series to win rst place in striking, and highly memorable, image.
the Professional Conceptual category. David located a spring-fed pool of
His 10 photos imagined how humans spawning frogs close to his home in
might behave as tourists on Mars, with Norfolk and began experimenting with
the photographer and his girlfriend a waterproof compact, before
posing as white-clad astronauts in eventually investing in a dome port. His
otherworldly, red-tinged landscapes. initial set-up involved attaching his
The series is fantastical, beautiful and (protected) Nikon D800 to a pole, but
oddly touching, with this shot being the the results were quite disappointing. So
pick of the bunch. Its not often that a to allow him to trigger the shutter by
photographer comes up with a hand, and keep everything nice and
completely new idea that you havent steady, he joined the frogs in the water,
seen before and executes it to immersing himself (quite literally) in
perfection, but that is exactly what their habitat. The image is one of a
Julien has achieved here. series that appeared in AP 19 March,
www.julienmauve.com. and, for me, shows just what can be
The 2017 Sony World Photography achieved when you refuse to settle for
Awards is free to enter and open for a record shot and really spend time
entries until January 2017 via getting to know your subject.
www.worldphoto.org. www.davidtipling.com.
DAVID TIPLING

ANUAR PATJANE FLORIUK
IMAGES OF THE YEAR
Michael Topham
Deputy technical editor
Whale Whisperers, by
Anuar Patjane Floriuk
Each year I look forward to seeing
the award-winning photographs
from the World Press Photo Contest.
This years judges had the difcult task
of riing through 82,951 photos taken
by 5,775 photographers from 128
different countries. Although the image
Ive selected narrowly missed rst prize,
it deserves the praise it received for
coming second in the nature category.
It portrays a humpback whale
RICHARD SANDLER/THE EYES OF THE CITY
swimming with her newborn calf near

Roca Partida, off the Pacic coast of
Mexico. Anuar Patjane Floriuk, an
experienced diver and passionate
photographer, embraced the difculties
of shooting underwater using his Sony
RX100 encased in an underwater
housing. To me this image captures the
beauty of what lies beneath the surface Oliver Atwell 40.65), by Richard Sandler. It Towers. I adore this image taken
of the ocean, and the fascination Senior features writer was a revelation. in the waiting line at Studio 54.
humans have for studying animals in Waiting Line, Studio Richard Sandler is one of Its the fashion, the wide-eyed
their natural environment. those photographers who seems shock at the ash, and the
The sheer size of the subject, and the
54, NYC, 1981, by to have been operating in near stories I invent about who they
risks in shooting from this position, Richard Sandler secret, known only to those who were and who they are now.
make you truly appreciate the danger One of the great things worked with him or fell across his Richard Sandler is a true master
photographers will face to get an image about working at AP is photography by accident. of street photography who can
like no other. If you havent seen Anuar coming across a book that Within Sandlers work we nd easily hold his own against the
Patjane Floriuks incredible imagery opens up a whole new world. a three-decade study of New greatest masters of the genre.
before, check out his underwater realm This year saw the release of The York City, right up until the days Its time he got some credit.
gallery at www.anuarpatjane.com. Eyes of the City (Powerhouse, before the attack on the Twin www.richardsandler.com.

COMPETITION
Rosie Barratt space at the top of the image. Also, Bowie is of thought and emotion, and instils within me
Picture researcher very close to the lens and the overall tones a strangely melancholy feeling, coupled with
David Bowie, by Jimmy King are quite subdued, maybe even clinical. a pure sense of wonderment. It makes me
What I particularly like is that hes not ask the questions, Whats out there when
Jimmy King took this image of his friend, the looking at the camera. Im also fond of the we die? What happens next?
late David Bowie, during the making of the fact that hes standing in front of a wardrobe Theyre big questions, and important
video for Lazarus, a song from Bowies nal door thats slightly ajar almost like Narnia. ones. Any imagery, music or video, that
album, Black Star. Music and imagery go hand The outt hes wearing is the same as one makes us focus and contemplate can
in hand for me. Together they can connect he used in his early career, as if hes making surely only be a good thing.
with the viewer on a very human level. a reference to early parts of his life. www.reddit.com/r/OldSchoolCool/
The overall composition of this portrait may This photo had an enormous impact comments/40zhol/david_bowie_
not sit well with some people. Theres lots of on me. It triggered an overwhelming torrent lazarus_1976_2015.
JIMMY KING

ALL PICTURES XYXYXYXYYXYXYXXYYXYX
TERRY ONEILL
Star man
TERRY ONEILL
Terry ONeills new book Every Picture Tells A

Story showcases many of his most famous portraits
and the stories behind them. He spoke to
Steve Fairclough about his stellar career
I
f you named a major
celebrity from the early
1960s onwards from the
worlds of music, cinema,
sport, politics, fashion or royalty
the chances are that Terry ONeill
will have photographed them.
For the rst time a compendium
of his most striking imagery has
been brought together in one
volume Every Picture Tells A
Story that gives a unique insight
into his creative process and the
personalities of the superstars he
shot. ONeill recently took time out
to talk to Amateur Photographer
about some of the photographs in
what he describes as a book of all
my best pictures, telling the full
story of how they were done the
whole shebang behind them all.
Elton John
Dodger Stadium, Los Angeles,
October 1975
There are only a few people Id call
a genius. Frank Sinatra was a
genius and Bowie certainly was.
Elton John, in my opinion, will be
regarded in the same breath as
Beethoven. He is an incredible
showman but as a composer,
songwriter, singer and piano player
his music will live on for hundreds
of years. Arguably his most famous
concert was his two-day
performance at Dodger Stadium,
Los Angeles in 1975. More than
100,000 people were there and I
was the ofcial photographer. I ran
around like crazy for those two days
trying to get every imaginable shot
and angle, and Elton was on true
form. People forget how big he was
in 1975 he was having number-
one hits, number-one albums and
selling out stadiums. All the times I
worked with Elton are some of the
most memorable moments of my
career. To have that sort of close
relationship between photographer
and subject it just doesnt happen
now. Everything is too controlled.
Back then we were all just working
hard and tried to have a bit of
fun when we could.

TERRY ONEILL
Brigitte Bardot
On the set of The Legend of
Frenchie King, 1971
It was a windy day and Bardot was
standing and waiting to lm a
scene. I was just wandering around
the set looking for opportunities
and taking a few photos here and
there. I noticed she kept brushing
the hair out of her eyes. I thought if
I could get a close-up of that
moment when the wind would blow
her trademark hair into her eyes,
combined with the cigarette
dangling from those lips, that it
would capture how sexy, strong and
wild her image was. I didnt have
many frames left, so I went in
close but no wind. Then, on the
last shot of the roll, the wind blew
and I clicked the shutter. Magic
pictures happen when the
combination of an idea, patience
and luck occur at once. This was
decades before digital photography
so I had no idea if that image would
match the photo I had in my mind
until the lm was developed. Even
now I still get chills just
remembering the rst time I saw
these images. Im certain I was in
love with her but she couldnt speak
a lick of English and I didnt speak
French. So, regrettably, our
relationship was only between my
camera and her beauty.
Nelson Mandela
London, June 2008
To be asked to take photos at Nelson
Mandelas 90th birthday celebration at Hyde
Park, London, in 2008 was one of the
greatest honours of my life. I met Nelson
Mandela at his hotel and I took some
beautiful candids of him relaxing and a
wonderful portrait with his wife, Graa
Machel. It was all such a whirlwind. I knew
I was privy to a historic moment and I was
with one of the most important people alive.
You could just feel his presence in the room.
I tried hard to remember I was there with a
job to do! As guests arrived I took more
photos, including President Clinton, Oprah
Winfrey, David Cameron, Gordon Brown
and other larger than life gures. When it
was time to leave, and we said our goodbye, I
nearly burst into tears. I realised that I was
with one of the greatest human beings of the
past 100 years [maybe] 1,000 years. It was
a very emotional moment for me.

Frank Sinatra
On set, backstage and in concert
I started to work with Frank as a
set photographer on several of his
lms, starting with Lady in Cement
in 1968. I cant tell you how nervous
I was to be working with him but
afterwards he said, Right, youre
with me. I was suddenly granted
access to his world. For the rst few
weeks he completely ignored me
and that was the best education
I could ever have had. I realised
that was the secret a great
photographer is never seen working.
It all needs to look effortless. I also
had the opportunity to take shots of
Frank backstage and performing.
What I especially love about these
shots, including this one, is not how
all eyes are on Frank but how the
spotlights are perfectly placed an
audience in rapture with the lights
shining from above. Sinatra gave me
a great gift time and access. It was
incredible being with him and I
treasure the moments and the
photos that I was able to take.
Frank taught me how to be a
photographer he was a
fabulous bloke to work with.
TERRY ONEILL
Muhammad Ali This was before digital so I had no idea if the image would
Dublin, 1972 match the one I had in my mind until the film was developed
Muhammad Ali was in Dublin
training for a ght against Alvin
Lewis. I ew over to take
photographs and interview him for
the Daily Express. Ali was a funny
type of bloke either all giving or
saying nothing. When I started to
ask questions, he swore and said,
Are you writing a book on me? His
brother said, No, hes just asking
really interesting questions. I was
asking what type of music and
books he liked but he was suspicious
because no one had asked him those
type of questions before. He was a
magnetic character in person;
already a legend they just dont
make them like that any more.
Faye Dunaway
Los Angeles, 29 March 1977
We met a few weeks before and
struck up a friendship. She was
favourite to win an Oscar for her
performance in Network. I knew
this type of opportunity would be
rare and I was given the chance to
create an image of a strikingly
beautiful, immensely talented actor
on the cusp of a career-dening
moment, and a life-changing event.
These were the days before a dozen
press agents would have gotten in
the way. I wanted to capture that
moment when the star wakes up
and it dawns on them that,
overnight, theyve not only become a
star, but also a millionaire. This is
that moment of realisation.

TERRY ONEILL
Raquel Welch
Hollywood, 1966
In 1966 I went to the lming of One
Million Years B.C. Raquel was still a
bit shy about being lmed in her
now infamous fur bikini and told
me she thought that shed be
crucied by the press for it. I
thought, Thats it! I somehow got
20th Century Fox Studios to set up
a giant crucix for me and I took a
series of shots, in colour and
black-and-white, from different
angles. They were beautiful shots
but we both looked at them once the
lm was developed and got a little
nervous. I was brought up Catholic
and studied to be a priest for a
while. I feared people might think
the wrong thing so I decided not to
publish the photos About 30 years
later Robin Morgan, editor of The
Sunday Times Magazine, found
these photos in a box in my studio
he thought they were
extraordinary, so we decided to use
them. This is now one of my most
reproduced [set of] images. A lot of
people forget that, unlike today, the
photo you see is the photo we took.
Steve McQueen
An awkward meeting in Hollywood
I am always asked, Who was the worst person you have
photographed?. Ive been lucky in my career and I would
never say anything really negative about anyone except in
the case of Steve McQueen! Hes a great actor and maybe
I just caught him at the wrong time. Id arranged to do a
photo shoot with him at his ofce in Hollywood. I turned
up at the building, met the PA and in we went. As soon as
we opened the door to his ofce I could tell this wasnt
going to go well. Instinct kicked in and I started snapping!
Apparently, he didnt know I was going to come that day
and sure enough he started yelling at us to get out. I was
just taking photos of anything I could get in focus. I had a
lot of colour lm so I was just trying to zoom in on his
hands, eyes, ears whatever I saw through the lens.
I left in a hurry and didnt get too many shots.
The book Every Picture Tells A Story by Terry ONeill, which includes many previously unseen photographs, is published by ACC Editions (ISBN: 978-1-85149-833-8), with an
RRP of 30. To nd out more visit www.accartbooks.com
Since the early 1960s Terry ONeill has shot unique portraits of many of the worlds most famous people. While working for an airlines photographic unit his career took
off when his picture of a sleeping politician was published in The Daily Sketch. He moved into newspapers and documented the explosion of 1960s youth culture, including
the rise of The Beatles and The Rolling Stones, as well as photographing major names from the worlds of cinema, politics and sport. His photographs have been exhibited
around the world and, now aged 78, he is still busy working on his archive, books and exhibition projects. To nd out more, go to www.iconicimages.net

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ANNA KRI
COMPETITION
The eyes
ANDY LO P
have t This years Taylor Wessing Photographic
Portrait Prize raises many questions
about the role of portraiture and
photography, reports Gemma Padley
I
n this age of smartphones, international law rm Taylor
where seles reign supreme, Wessing, is open to everyone
we have become so used to over the age of 18. It awards four
casually taking photographs photographers cash prizes ranging
of ourselves and others that we from 2,000 to 15,000 for
barely give our actions a second portraits taken on commission or
thought. What is the point as part of a personal project.
of considered, photographic Although not without its critics, Top: Nurse Midwife allowed photographers to submit
portraiture in such a disposable, who bemoan the competitions Sada in the labour prints created using a variety of
image-sharing culture? perceived tendency to play it safe, ward. Chake Chake photographic processes and
hospital, Pemba
One look at the selection of the Prize seems as popular as ever. techniques [see opposite]. The
Island, Zanzibar,
portraits at the annual Taylor The panel of industry professionals Tanzania, by competition saw a range of entries,
Wessing Photographic Portrait who judged the competition blind Anna Kri from colour coupler prints (full-
Prize exhibition should persuade from original prints, sifted through colour prints printed from colour
you of the value of skilfully more than 4,000 submissions negatives or transparencies) to
produced portraits. Not only entered by almost 2,000 digital silver gelatin prints and
that but their quality should help photographers from 61 countries. tintypes. In fact, the second prize
ensure the craft of photographic went to a large-format tintype
portraiture lives on, and that it Variety of processes portrait by Joni Sternbach.
goes from strength to strength. This year the organisers, Above: Simon The winning images pose
The competition, sponsored undoubtedly keen to keep the Callow, by Andy questions about the nature of
for the ninth year running by competition relevant and fresh, Lo P portraiture; for example, the

TAYLOR WESSING PORTRAIT PRIZE
The overall winning

image: Katlehong
Matsenen, 2016,
by Claudio Rasano
PAUL STUART
CLAUDIO RASANO
Above: John directional lighting highlights

Harrison
36,852 days old, Harrisons features, giving his eyes a
by Paul Stuart sparkle vital if a portrait is to sing.
narrative power of the single Aside from the eye-catching In The strength of the portrait also
portrait versus a series, how Focus section, which this year lies in Stuarts ability to put his
portraits can function as portals features prints from a new body of subject at ease. Harrison looks
into other cultures, and the work by Spanish photographer comfortable in an image that is a
question of whether a portrait Cristina de Middel, standouts reminder of the unique and elusive
can tell the viewer anything include Anna Kris compelling connection between photographer
about the subject at all and portraits of midwives in Tanzania, and subject present in the best
if so, what? Jordi Pizarros vibrant images of portraits. In an age of quickly shot
Swiss photographer Claudio twins in the village of Kodinhi in images, it shows there will always
Rasanos rst-prize image of a southern India, and Julia Gunthers be a place for portraits crafted
Johannesburg schoolboy from the inspiring shots of members of The with care and skill.
series Similar Uniforms: We Refuse Black Mamba Anti-Poaching Unit
to Compare prompts all of these seen patrolling Balule Nature
questions. Katlehong Matsenen Reserve in South Africa.
PROCESS PROGRESS
is pictured against a plain Third prize went to Kovi For the first time, the organisers of the Taylor
background and lit using daylight, Konowiecki for his portraits of Wessing Photographic Portrait Prize invited
his gaze xed rmly to camera. sisters Tilly and Itty, and their entrants to submit prints made using a range
He looks slightly uncomfortable father Shimi, from Konowieckis of processes. Here are a few they used:
and his body language is awkward. series about orthodox Jewish
Although we can make families. While a single portrait
Colour coupler Colour prints made by using
assumptions about his character must be visually compelling enough
chromogenic materials and processes, printed
and background, ultimately he to stand alone, successful series
from a colour negative or transparency. Prints
remains unknowable. This doesnt must convey a narrative and sit well
are known as C-type and R-type.
stop the portrait from captivating together. Whether these selections Digital colour coupler Printed from a digital
the viewer, however, and it is do this or not is, ultimately, up to file, these prints are also called Lambda or
difcult to pull your eyes away the viewer. LightJet prints. In this process, RGB lasers
from the boys gaze. The selection also reects other expose photographic paper, which is then
Elsewhere in the wider selection, discussion points such as developed using conventional chemicals.
photographers Charlie Clift and photographic portraitures links to Digital silver gelatin An adapted paper
Andy Lo P show politician Nigel historical painting evidenced, not processor exposes black & white photographic
Farage and actor Simon Callow, least, by Tamara Deans evocative The Taylor Wessing paper, which is then developed using
whose professions require they pastoral scene. Her subtle use of Photographic Portrait traditional silver halide chemistry.
put on a face. light and shadow contribute to the Prize 2016 is at the Inkjet A computer printing method that
atmospheric feel of the image, National Portrait recreates a digital image using droplets of
Series submission which invites comparison with the Gallery until 26 February ink on paper. Known as Iris or Gicle prints.
If there is a limit to how much we painted portraits of the 17th- 2017 (visit npg.org.uk).
can learn about a person through century Dutch artist, Vermeer. Photogravure A mechanical printing process
It tours to Sunderland that combines photography and intaglio
a single portrait, perhaps there is Elsewhere, in a moving portrait
Museum and Winter printmaking. The negative is chemically
more to be gleaned through a by Paul Stuart, we are reminded of
series of images. For the second photographys enduring ability to
Gardens from 18 March etched onto a metal plate, which is then inked
year running, the competition, stop time. Using low-key lighting to to 4 June 2017, and to The and pressed onto paper.
which began in 1993, invited allow his subjects face to emerge Beaney House of Art and Tintype A technique using a thin sheet of iron
photographers to submit works from the dark background, Stuart Knowledge, Canterbury and also known as a ferrotype. The iron is
as a series, and throughout the captures John Harrison, aged from 8 July to 29 October coated with dark varnish, and a layer of
exhibition there are multiple 36,852 days (more than 100 years 2017. The catalogue for photosensitive emulsion is added. The image
portraits by a photographer. old) in June 2015. The strong the exhibition costs 15. is a negative but appears positive.

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ANDRE CAMARA
Conquering Andre Camara
The Times
The rst time that I
photographed Usain Bolt, he
had just won the 100m nal.
Rio
However, he didnt celebrate that
much as he crossed the line just a
serious expression while holding one
nger up, followed by a very quick
bang on his chest, which didnt
produce much emotion.
The next time I photographed him
was in the 200m nal, when he
really celebrated as he crossed the
line, and I was straight onto him. This
powerful moment that I captured
formed only a fraction of a second
among others that I caught, but it was
at the peak of his jubilation.
Afterwards I watched the line
Andy Blackmore, former picture editor of the Metro, crossing again on TV and was
amazed by how quick this moment
asks five sports photographers and picture editors to was, and how lucky I was to catch it.
Despite me being in the very right
choose their favourite image from the Rio Olympics place (a little to the side), him turning
face on to me, and having the best
I
t might seem improbable, but in recent endured rather than enjoyed. sports camera with the best 600mm
years, I havent really enjoyed the However, this time I was relegated to the lens, I was lucky I caught the magic.
Olympics. Yes, I watched them sidelines and it was a blessing in disguise. Practice, experience and technique
I had to but for me the spectacle has I had an epiphany. Not only did it give me a were certainly essential, but a
merely been part of the job. chance to view the event anew and discover good photographer is a lucky
Its a challenging task being a picture an enthusiasm for sports I never knew photographer. So this image is one
editor, constantly juggling agendas, coping existed, it also gave a budding armchair of my favourites.
with disorientating time differences, losing athlete the chance to savour the stunning
hair over the often accelerated deadlines, photographs from Team GBs best games in Andre Camara is a freelance photographer who
amd all the while dealing with hundreds of more than 100 years. Whats more, I even had works for The Times. You can see more of his work
thousands of images. The Greatest Show on time to ask some of Fleet Streets nest at www.andrecamara.com and
Earth can be quite a marathon one thats to pick their favourite shots www.instagram.com/andrepix
SPORTS PHOTOGRAPHY
Stuart Robinson
Express Newspapers
My Olympic photographic career
started in Atlanta in 1996 and
ended in London 2012. Now, as sports
picture editor at Express Newspapers, I
had to sift through the thousands of Rio
2016 images sent out every day from
the agencies. Sports photography
should illustrate events and record
performances, but it should also amuse
and entertain. My job is to make the
readers stop, look and then read the
newspaper copy. This frame of Team
GBs Rebekah Tiler in the 69kg
weightlifting nal, by Reuters
photographer Stoyan Nenov, just hit the
spot. It is a little bit left eld and a nice
distraction from the repetitive nish line,
gold medal and crying pictures that ll
REUTERS/STYOYAN NENOV
the computer screens 24/7.
Stuart Robinson is a former photographer who is

now sports picture editor at Express Newspapers
ADRIAN DENNIS/AFP

SPORTS PHOTOGRAPHY
Kevin Hayes
The Sunday Times
I was picture editing the paper the
rst weekend of the Olympics, and
this shot of Gisele among the crowds in
the stadium, by Fabrice Coffrini, stuck
out. We wanted to do a spread on the
opening ceremony. By the time I got to
the ofce at 7am, over 10,000 pictures
of the ceremony had been led to us by
the wire agencies, and I whittled it
down. All the Saturday papers had run
shots of Gisele on the catwalk; this gave
a fresh perspective. Its not a perfect
picture technically, but the colours,
chaotic energy, and the people taking
seles engaged me. As so often with
picture editors favourite images, it
FABRICE COFFRINI/AFP/GETTY IMAGES

didnt make the paper, and we ran the
oiled-up Tongan ag-bearer who
became a Twitter sensation.
Kevin Hayes is deputy picture editor of

The Sunday Times
REUTERS / MATTHEW CHILDS
Adrian Dennis Paul Stewart

Agence France-Presse Daily Express
Shooting an Olympic Games is the pinnacle This was my third Olympics on the picture
for a sports photographer. However, its not desk. One image that stood out was this one
easy! At Rio 2016 the hours were long, it was hot of Laura Trott seconds after winning gold and
and we were lugging tons of gear around. Picking becoming Britains most successful female
my best image is hard, and it was ages before I Olympian. The image from Matthew Childs of
had a chance to look at most of my work. As soon Reuters contains the raw emotion of the win. She
as I shot 30-40 images at the track, I would is staring straight down the barrel and this is the
transmit them to an editor who would crop and sort of picture that connects to the readers. Our
caption them and send them to our clients deadline is 10pm. The race nished at 9.45pm
worldwide. The pole vault picture is fairly decent. It and images then had to be edited, captioned and
is simple, with no distractions. Isolating the subject wired halfway round the world. We had an image
was difcult, as the stadium had loads of white on the page, but at 10.01pm this dropped in. I
railings and concrete. even got to shout, Hold the front page!
Adrian Dennis is a staff photographer with Agence France-Presse. Paul Stewart is the night picture editor of the Daily Express and
You can see more of his work at www.adriandennis.com shoots news/feature pictures. www.paulstewartphoto.co.uk

JOSEF KOUDELKA
Shooting
and Nick Waplington.
Gilad explains: Koudelka was
the rst photographer from the
group to begin his work in Israel and
Palestine, and I was the rst student
to be picked out from my year as an
assistant there was a co-operation
between my department and the
Holy Land
project. We were just kind of thrown
together and had no clue what it was
going to be like.
He adds: Years earlier, Koudelka
had been one of the rst
photographers we studied. The head
of my department Miki Kratsman,
an acclaimed Israeli photographer
showed us his work in a slideshow. I
Photographer and filmmaker Gilad Baram spoke to went to the library because I was so
Steve Fairclough about working with Magnum legend fascinated by the photographs I saw
on the wall, opened Koudelka books,
Josef Koudelka as he photographed Israel and Palestine and was blown away.
Koudelka rose to fame in the late
G
ilad Baram was a young brainchild of French photographer 1960s, most notably when he
third-year photography Frdric Brenner. Brenners idea recorded the military forces of the
student at the Bezalel was to get 12 internationally Warsaw Pact as they invaded Prague
Academy of Arts acclaimed photographers to explore in his native Czechoslovakia. The
JOSEF KOUDELKA/MAGNUM PHOTOS
and Design in Jerusalem when the complex nature of Israel and resulting pictures were smuggled out
he got a unique opportunity to the West Bank, as a place and of Prague to Magnum Photos and
work alongside the world-famous metaphor, through their own eyes. published anonymously in The
photographer Josef Koudelka. The The 12 photographers involved Sunday Times Magazine under the
chance arose thanks to a project form an impressive list that includes initials PP (Prague Photographer) to
called This Place, which was the Koudelka, Jeff Wall, Gilles Peress protect Koudelkas safety.

JOSEF KOUDELKA
GILAD BARAM
Student meets master Above: Kalia
The process of student meeting Junction, Dead
master was one that didnt go Sea area, Crusader
map mural
smoothly, as Gilad reveals. There
was a process of getting to know
each other, which was a very long
process, as hes not the easiest guy.
First of all, hes one of these
characters who goes around the
world and meets so many people,
so youre just [another] one of the
people he meets. Also, I think he
was very suspicious towards
Brenners project. It was a very long
time before he actually agreed to Right: Josef
sign a contract. Hes extremely Koudelka in
cautious with what he takes on. East Jerusalem
He adds: The most important
thing for Josef is not to be went well, with Gilad describing person; he was quiet and reserved.
manipulated and not having his Koudelka as delightful. They met I tried to make conversation in the
work manipulated. In fact, Josef in a small Jerusalem hotel, with car and kind of hit a brick wall. He
and his work are so bound together Kratsman and Brenner. Koudelka said, Please dont ask me all these
they are almost inseparable. I think had a bottle of brandy and we all questions. I already gave all the
he was very suspicious, as he didnt kind of got drunk, and everything answers, which you can read in
really know who I was I was just was great, says Gilad. interviews, so lets not talk about that
this guy who was presented to him It was only after this that it became any more.
and I think he had an idea that I clear things might not be as Koudelka: Shooting Holy Land
might be there to keep an eye on straightforward as they had rst didnt start as a lm, but morphed
him. It took a while until a sense of appeared. The next morning we met into one, for practical reasons as
trust started building between us. at 6.30am he starts when the sun is much as anything. As Gilad
All this came as something of a up and nishes when the sun goes explains: The interaction with
surprise, because their rst meeting down and he was a different him was so cold and limited at

JOSEF KOUDELKA
rst. It became clear to me that to use it while Im working. Top: Al Eizariya work, Gilad found himself
I just had to nd something to Understandably, Gilad was upset. (Bethany), East hypnotised. He goes into this
do myself. We nished at that location and Jerusalem almost trance when he seeks a
As a student of photography, it moved on. There was silence in the frame, and his body starts moving
Above: Shufat
was only natural for Gilad to bring car. I was thinking to myself, OK, refugee camp, in a strange way. He does this kind
his camera with him. The rst time this is probably the end for me. Then overlooking Al of photography choreography that is
I took out my camera was when we I just thought, F*** it, Ill just try Isawiya, East today an integral part of the lm a
stopped somewhere north of the again and if he says no, then Im Jerusalem bit like a bizarre and lengthy dance.
West Bank, and the minute we stop nishing. So I did, and he saw me. I This was not how I imaged Josef
he zooms out of the car and starts think he thought it was quite cheeky, Koudelka from the work I knew,
walking, Gilad recalls. So he but he didnt say anything. It is then and I was fascinated by that.
followed Koudelka, and started to that something started happening Gilad was using his then-new
take pictures of the area. However, At rst, he took only stills Canon EOS 5D Mark II (this was
the photographer turned back and photographs, not even of Koudelka, 2009), and he began to play with
said to the student: Listen, leave the but of the places they visited. the cameras video mode, lming
camera in the car, youre not going However, once Koudelka started to short clips of lm. Very quickly,

JOSEF KOUDELKA
he says, I realised that the most time. At one point, he realised I was slower photographer than the one of
interesting thing was Koudelka actually doing something which was the 60s and 70s sometimes it
himself, so I started turning my not very clear to him, but frankly, he would take half an hour until he
gaze towards him. He noticed, but I didnt really care too much about it. released the shutter. I had to take on
dont think he knew that the camera The lm was shot during seven this kind of practice in order to
was capable of taking videos. He visits that Koudelka made to Israel depict him. This became the visual
did, however, realise that quite fast. and Palestine between 2009 and Josef Koudelkas language and pace of the lm.
Gilad and Koudelka came to an 2012. Gilad explains: Each visit panoramic photography
agreement that none of Gilads lasted around a month and we from Israel and Palestine Major screenings
material could be shown to anyone worked throughout from morning is in the book Wall, The edit was nished in 2015 and the
else, and that Koudelka would have until night. There were ve months published by Aperture, documentary has been screened at
full access if he wanted to do or so between each visit, during 40, ISBN 978-1-59711- various festivals in France, the USA,
anything with it. Gilad expands: which time I could sit down and 241-3. Gilad Barams Ireland, Israel, Germany and the
Basically, that was our unwritten watch the material, which was a big lm Koudelka: Shooting Czech Republic, with the UK
contract, and it lasted for a long advantage to me because Id never Holy Land will have its premiere set for February 2017 at
made a lm before. UK premiere at the ICA in the ICA in London.
I had this incredible opportunity Gilad notes: The trust and the
London on 24 February
to develop this learning process friendship that was built between
with my own material and slowly,
2017. To nd out more, Josef and myself, the development
from visit to visit, improve it or even visit www.koudelka- of the lm and my understanding of
just realise what I was doing. lm.com. what the material should be and
At rst, Gilad shot handheld, would be, and the element of
moving around Koudelka and acceptance and discussion, was a
attempting to capture him from long and gradual process. It started
different angles. However, it with Josef telling me to leave my
gradually dawned on him that, if camera in the car and not use it. It
he were to understand Koudelka ended, years after, with him asking
properly, and therefore accurately from which side of my frame he
portray him and his work, he should enter. This was also the point
FRDRIC BRENNER
would need to draw on some of where I realised I need to stop

Koudelkas own ways of operating. shooting, as he had become
Thats when I started slowing compliant. This was also the last time
Director Gilad Barma (left) and photographer down, Gilad recalls. Josef Koudelka, he was in Israel and Palestine,
Josef Koudelka, Qalandia Checkpoint in this period of his life, is a much so it was rather good timing.

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MATT PARRY
Technique
ANNA FOWLER
CRAIG ROBERTS
TRAVEL PORTRAIT
CLOSE-UP
Top
tips
ARCHITECTURE
for ROBERT CANIS
WILDLIFE
2017
MARK LITTLEJOHN
Whether you shoot landscapes,

portraits, wildlife, street, travel,
close-ups or weddings, take
inspiration from our experts as
they share their wisdom for next
ELLIOTT NEEP
LANDSCAPE year in our handy pull-out guide

LINDA WISDOM
STREET WEDDINGS
KEVIN MULLINS
Technique
1 Midground is the new foreground
Craig Roberts
Landscapes
www.craigrobertsphotography.co.uk
A typical foreground composition is made
up of three main elements: foreground,
midground and background. They provide
Our experts highlight the importance of getting to the beginning, middle and end of the
viewers journey through the picture. The foreground
know your local patch, keeping still, maximising
feature is often used to help create a sense of depth,
the middle ground, and breaking the rules but midground elements can prove effective enough to
replace a foreground feature. With a strong midground,
a picture doesnt always need a complementary
SARAH BROOKS
When Sarah saw the foreground feature to balance the image. The build-up
thick frost and clear sky,
she headed to a nearby
of the three elements can vary in size within the frame
location to make the to create an image of balance and harmony.
most of the conditions
2 Get to know your local patch Sarah Brooks

www.moonfruitphotography.co.uk
Its handy to have some local spots in mind for occasions when there isnt
time to travel far. Getting to know your immediate area, noting where the sun
CRAIG ROBERTS
will rise and set throughout the year, and keeping potential compositions in
mind, can help to make the most of favourable conditions when they occur.
3 Watch the horizon
DAVID NOTON
When you stop
Mark Littlejohn and slow down,
www.markljphotography.co.uk opportunities for
Take care not to have elements such as trees great pictures arise
and buildings coinciding with the horizon. It
can look awkward, and your image will look
more uently composed if you take the time
to align these elements correctly in the frame, by either
having them break the horizon clearly or by placing them
neatly under the horizon line.
MARK LITTLEJOHN
The trees are lower in the

frame and complement,
rather than compete with,
Langdale Pikes on the right
4 Get beneath the surface David Noton

www.davidnoton.com
Stop moving. Its easy to get sucked into thinking that a better view always
lies over the next horizon. Its often far better to stop, slow down, get beneath
the surface of a location, and observe the light and rhythms of nature over
several days. This is when the best photographic opportunities arise.

With a lack of
foreground, the
sky and distant
elements become
dominant
Photography as meditation Forget the

5 Michael Kenna
www.michaelkenna.net
6 research
Joe Cornish
Loch Scavaig on the Isle of
Skye has been photographed
extensively, but you need to
Photography is a form of meditation. I like www.joecornishgallery. form your own view
to think that I could spend a day happily co.uk
photographing without any lm in the camera. Dont do any
When I photograph, I feel that I am on a research on
treasure hunt. It is a wonderful process where we can a landscape.
use our sense of curiosity, respect, even reverence for Dont look on
the subject that is being photographed. the internet. Dont come
laden with the baggage of
MICHAEL KENNA
Cloud over Uchiumi other peoples pictures and

Sea, Ainan, Shikoku, expect to reproduce them.
Japan in 2012 Thats because, rst, it isnt
going to happen, and
second, it shouldnt happen
otherwise how are you
going to form your own
view? To be fair, its almost
an impossible task today,
but I think its a desirable
aim. Experience the
landscape in real time, in
the real world and park
your assumptions.
JOE CORNISH
Technique
Portraits
Putting your subject at ease, controlling
the light, and making the eyes sparkle
are all important skills for a portrait
photographer to master
WAYNE JOHNS
Think of your
light shapers as
paintbrushes,
and use them
like an artist
Talking to your
model before and
during the shoot
ANNA FOWLER
will help to put

them at ease
Without a
reflector, the eyes
look a little dull
7 Paint with light Wayne Johns

www.waynejohns.com
I like to think of my light shapers in the same
way as an artist would their paintbrushes.
For example, a large light shaper, such as
a softbox or an Octobox, is like a big
paintbrush that allows you to ood a scene, whereas
PHIL HALL
a small reector, such as a snoot or 7in reector with

a grid, is akin to a small paintbrush it allows you to
paint in the details of your scene.
Adding a silver
reflector has
8 Use a reflector Phil Hall

www.philhallphotos.com
Whether you need to lighten your subject or
lifted this shot
simply lift the shadows in your shot, reectors

can be a useful accessory to keep in your kit
bag. They come in a variety of surface colours,
but the three most popular are white, silver and gold. Of
the three, white delivers the most subtle results, with
silver providing a bit more punch and gold offering a
warmer look. A lot of reectors come with different
PHIL HALL
surfaces on either side, so you can have white and silver,

or silver and gold, for instance.

Natural light can be
very flattering on skin,
and really make the
eyes sparkle
Spend time with

9
LISA ALDERSLEY
your model
Anna Fowler
www.annafowler.com
Dont stop talking. If
you go quiet and start
checking every photo
11 Make the eyes sparkle
Lisa Aldersley
www.la-photography.co.uk
you have taken, the I love to shoot with top shade, with soft light
sitter might think, Oh no! Shes coming from the front. This makes the eyes
looking at the size of my thighs! sparkle and is very attering to the skin. I also
So keep talking, keep shooting, get love to shoot directly into a low sun, which is
them to change their outt and best done in the evening when the sun is setting. You
direct them all the time. You need get a lovely golden glow with lens are and a slight
to tell the person when they look overexposure, and its very romantic for couple
amazing and encourage them. If photographs. I will often arrange pre-wedding shots
they are having trouble expressing in the summer, and its always worth it.
something, be prepared to
demonstrate yourself.
JAKE SHIVERY
For some
photographers,
When it comes to portraits are
lighting your love letters to
subject, less is their subject
definitely more
10 Dont overcomplicate the lighting

Brian Rolfe
www.brianrolfe.co.uk
Keep things simple. Ive gone from Fresnel lights
to beauty dishes to light modiers used by top
photographers, and I have spent stupid money. Ive
now stripped things back and mainly work with one
12 Vary your approach Jake Shivery
www.jakeshivery.com
There are a lot of angles to a good portrait
light. I really do believe that less is more, and would rather use the image is an artefact of beauty, a record
one light and reector, and focus on the subject, than show off of the subject, a complete narrative in a single
my lighting skills. My main set-up now is one Octobox and a image, or perhaps even a totally incomplete
reector, which seems to work for just about everything. narrative in a single image and every artist approaches
the matter differently. And I do, too, depending on the
day, my mood and the subject, but the goal is always
BRIAN ROLFE
some combination thereof. To put it more succinctly,

theyre all just little love letters to my subjects.
57
Technique
Wildlife
Pro shooters stress the importance of
predicting an animals behaviour, using
the wind to your advantage, and
perfecting focus
13 Focusing
Ben Hall
on moving subjects
www.benhallphotography.com
When shooting moving subjects, I switch to
predictive focus mode (on my Canon EOS-1D
X) and use either the AF point expansion to
create a larger focusing area, or the auto For a moving subject
selection using all 61 AF points. For a moving subject against a relatively
against a relatively clean background, I opt for the clean background,
I opt for the auto-
BEN HALL
auto-selection mode. I can compose the image as

selection mode
I pan, and my DSLR automatically tracks the subject.
CHRIS WESTON
14 Shooting a series
Chris Weston
www.chrisweston.photography
When you are shooting
a series, each image
must relate to a central
thread that holds the
story together. Think about the
structure of a book, which has
a title and is separated into
chapters. Every chapter relates
to what came before and what
comes after in a structured
way and, when you put all the
chapters together, they make
When you are planning sense of the book title.
a wildlife sequence,
think about the
structure of a book
ROSS HODDINOTT
15 Respect the circle of fear
Laurie Campbell
www.lauriecampbell.com
All animals have what is referred to as a circle of fear a distance
at which they will tolerate humans before moving away. The
parameters for this vary enormously, and often depend on their
past experiences with people. Red deer in parkland, for example,
may have had few bad experiences with people, leading to ight distances
that are fairly modest. But for those on an open Scottish hillside, which are
more rigorously culled, the circle of fear can be more like several hundred
metres. In order to be a success, stalking animals requires preplanning and TTL metering may
with mammals its essential to start by noting the prevailing wind direction. be deceived when
the image area is
LAURIE CAMPBELL
Red deer, like all dominated by lots

animals, have a of light tones
circle of fear
16 Use multi-segment metering

Ross Hoddinott
www.rosshoddinott.co.uk
Its okay to rely on your cameras multi-segment
metering mode in the majority of shooting situations.
It is your cameras most intelligent mode, so its
reasonable to assume that it will also be the most useful
and reliable. Remember, your cameras through-the-lens (TTL)
metering is most likely to be deceived when the image area is
dominated by lots of very dark or light tones.
ELLIOTT NEEP
Wildlife photography
is often about
capturing fleeting
moments
Recognise
17 the signs
Elliott Neep
www.elliottneep.com
The more you
learn about
your subject,
the more you
can anticipate and predict
the animals behaviour. For
me, wildlife photography is
all about capturing those
special eeting moments
whether it is a mother
and cub coming into frame
to nuzzle, or the moment
a bird of prey takes ight.
If you can recognise the
signs and body language,
you can shave valuable
seconds off your reaction
time and be ready for
the moment.
DAVID TIPLING
Birds will both land

and take off heading
into the wind
18 Make use of the wind
David Tipling
www.davidtipling.com
Depending on its direction,
a strong wind can give rise to
some great bird pictures. In
summer, seabird colonies bustle
with life, but trying to capture a pufn
coming towards you at 30mph on a tailwind
can be frustrating. On the other hand, give
that same pufn a decent headwind to y
into and, if the light is right, ight
photography can become a breeze. Birds
will always land and take off into the wind.
Doing so gives them added control, since
they use their feet, wings and tail as air
brakes and rudders to adjust their ight.

Technique
Weddings
Getting your knees dirty, controlling the
background, and telling stories will help
you to capture unique perspectives,
according to our experts
MARTIN BEDALL
Pay attention to the
area behind your
subject, and use it
to your advantage
Use good natural light,

accurate focusing,
and imaginative
KEVIN MULLINS
composition to capture
something unique
20 Beat the competition

Kevin Mullins
www.kevinmullinsphotography.co.uk
21 Tell the story
Rob Sanderson
www.robsanderson
At almost every wedding there will be photography.co.uk
guests with camera gear to rival you The couple are not
Control the background
19 Martin Bedall
www.mcbweddings.com
and your set-up. And even if this isnt
the case, nearly everyone will have
a mobile phone with a camera or a small point-
buying a number of
images; they are
buying the story of
If you dont pay attention to the background, it and-shoot. Try to make your images different their day. The editing side of
can affect the entire picture. With reportage from the rest by using good natural light, metering the job can be very time
wedding photography, you cant manipulate accordingly (spotmetering in harsh sunlight can be consuming, so to keep things
what happens and where, so you have to deal very powerful), using low angles and thinking more running smoothly, make sure
with the likes of parked cars, re exits and advertising about your composition. Dont simply shoot from that you have an efcient
hoardings. Sometimes these elements can be included the standing position as everybody else is. Get your workow system in Lightroom
why hide the scaffolding; its part of their day. If I want knees dirty if necessary, and get the bride and or whatever I use my own
to reduce the distractions, however, I change my groom images that none of their guests would presets, but there are lots
shooting angle, aperture, lens, or all three. have even considered trying to achieve. you can buy or try for free.
Editing can be time

consuming, so make
ROB SANDERSON
sure that you have

developed an
efficient workflow

An app such as
The Photographers
Ephemeris will tell
Travel
Finding great travel images
you the suns position
when you wake up
can mean heading out after

dark, wild camping, and a
fair amount of research
our pros have the lowdown
22 Try wild camping

Anita Nicholson
www.anitanicholsonphotography.com
When deciding where to wild
camp, it pays to do some
research. The Photographers
Ephemeris is as invaluable for
choosing your wild-camp location as it is
for planning any landscape photography.
If you can nd a fell that will give you a
great view of sunset, sunrise, moonset or
moonrise, then all the better. There are
also some great hiking websites. My
favourite is www.wainwrightroutes.co.uk,
as each route map is accompanied by
lots of photographs, which helps to make
sure you dont miss great features and
viewpoints during your trip. Thanks to
this website, Ive found many beautiful
trees, waterfalls, tarns and less well-
known views to photograph. For planning
ahead and for navigation on the trip, a
waterproof version of the OS Explorer
ANITA NICHOLSON
map is always in my bag, supplemented
by using the ViewRanger GPS
smartphone app.
MATT PARRY
23 Head out after dark
Craig Roberts
One great advantage of shooting in an urban
environment is that you can continue with
your work even when the sun has gone down.
As day turns to night, streetlights and interior
lights of buildings illuminate the environment. Grab a
tripod, connect a cable to your camera and get set for
some great possibilities. Your exposures will run into
seconds or even minutes, but in that time, all sorts of
things can happen.
CRAIG ROBERTS
Having identified a photogenic

location, use Google Maps and
Street View to find an unusual angle
24 Do your research Matt Parry

www.mattparryphotography.co.uk
Having found some bargain ights and a great deal on a hotel, you can start
When the sun goes planning the photographic element of your trip. This is where Google can
down, head out come in handy. Google Maps, Street View and Google Images are all useful
with your tripod tools for helping to identify the locations you want to visit, local public
and make the most
transport, walking distances, the ideal location to base yourself and so on. I nd the
of artificial light
My Maps feature in Google Maps a particularly useful tool to plot this.

Technique
To ensure every
part of the subject
Close-ups
Our expert shooters explain why you
is sharp, use
focus stacking
shouldnt rely on autofocus, and why

its essential to have a steady support
25 Try focus stacking

Alberto Ghizzi Panizza
www.albertoghizzipanizza.com
I use focus stacking to obtain greater depth of
eld and ensure every part of the subject is in
focus. This technique consists of taking several ALBERTO GHIZZI PANIZZA
images at different points of focus, and then

using software to combine all the individual pictures and
build an image in which the whole subject is in focus.
26 Focus on different parts

Robert Canis
www.robertcanis.com
When holding ower photography workshops,
I am often asked, Where do you focus? To
me, this depends on what part of the ower
dominates the frame. If you are photographing
the whole plant and the stem occupies the greater part,
then I would focus on this. If the owering head lls the
frame, then I focus on the front petal. To be on the safe
side, focus on different parts of the ower, then see
which one you prefer when you view the images on
your computer screen at home. And dont rely on your
cameras AF. Switch to MF, activate live view, zoom in on
the area you want to appear sharp, then focus manually.
27 Invest in a good tripod

Tracy Calder
There are countless bits of kit you can buy to
perfect your close-up photography technique:
focusing rails, angle nders and bellows, to
name but a few. But the one tool no self-
respecting close-up photographer can be without is
a tripod. If possible, invest in a model with a reversible
central column that way you can get super-close to
the ground without compromising on quality. TRACY CALDER
Using a tripod with

a reversible central
column allows you to
get down low, without
sacrificing sharpness
If the flowering
head fills the
ROBERT CANIS
frame, then I focus

on the front petal
62
Architecture
Adopting a worms eye view can offer a fresh
perspective, while making use of shadows can
give pictures a cubist feeling, say our top pros
28 Shoot from low angles Craig Roberts

Like many photographers, I shoot most of my images from
standing height, but theres a whole new perspective to be had
from crouching down and shooting low. Its amazing how
different things look from down there. Use a wideangle lens to
make the most of these exciting new angles, lling the foreground with any
interesting feature you can nd. Include drainage gratings, cobbled streets,
road markings, reections in puddles after rain and even peoples legs to In this shot of Shoreditch,
ll the foreground. Use a small aperture to make the most of depth of London, crouching down
CRAIG ROBERTS
eld, and focus around a third of the way into the view to maximise this. meant filling the foreground
with features unique to the
Use your LCD screen to frame your shots, or, if your camera has Wi-Fi,
urban environment
connect it to your smartphone and use this as your viewnder.
STEVE GOSLING
Discard any ideas
about what makes
an attractive subject,
When exploring
potential shots, look
out for colour, line
29 See through fresh eyes
Steve Gosling
www.stevegoslingphotography.co.uk
and look deeper and shape To make an attractive image
from the ordinary (street signs
or road markings, for example)
requires you to develop the
ability to see the familiar through fresh eyes
to see the world around you as a child
experiencing that environment for the rst
time. As the Austrian photographer Ernst
Haas once said, I am not interested in
shooting new things; I am interested to see
things new. It is important to discard any
preconceptions about what makes an
attractive subject. You need to look beyond
the everyday function or purpose of
something to see it as a purely visual entity.
RUPERT VANDERVELL
Make use
30 of shadows
Rupert Vandervell
Shadows can
create angles and
lines that give an
www.rupertvandervell. image a cubist feel
co.uk
Im particularly
fond of
geometric
shapes created
by shadows. Their tight
angles and long lines can
have an almost cubist feel
to them. For me, these are
the building blocks, and
during springs sunny days
they have a delicate,
feathery edge that softens
them just enough. Theyll
generally need to be
balanced by a lighter area.
Technique
Street
Successful street photography requires
confidence, awareness, and expert
timing, according to those in the know
Offer a stranger a Keep your camera

switched on and
LINDA WISDOM
compliment, and
theyre more likely be ready to shoot
to say yes to being in an instant
photographed
31 Pay your subject a

compliment Gavin Mills
www.gavinmillsphotography.com
32 Timing is
everything
Linda Wisdom
Asking a complete stranger if you can www.lindawisdomphotography.
take their picture can be pretty scary. co.uk
Theres a fear of rejection, and we A fraction of a second
imagine all the terrible things they can mean the
might say. In reality, however, the fear is usually difference between
worse than the reaction itself. If someone refuses, a good photo and
its usually with a polite, No thanks. Ive never a great photo. To ensure you
encountered anybody who was angry or annoyed capture those decisive moments,
by me asking. I still feel nervous sometimes, but keep your camera switched on
the more you do, the easier it gets. A surprising and regularly check your
number of people will actually say yes (about 90 exposure settings. Ive made the
per cent). Approach subjects with a big, friendly mistake of turning off my camera
smile and be polite and condent. When I ask to save battery life and missing
someone if I can take their picture, I often pick out a shot, or making a mess of the
the thing that drew me to them in the rst place; exposure because I forgot to
it gives me a place from which to start building a check it before shooting. Also
conversation. Maybe they have a cool style, a nice avoid chimping you are
GAVIN MILLS
hat, a beautiful smile, or a great face keep it potentially missing out on

positive, as everyone loves a compliment. capturing your next great photo.
MARC FAIRHURST
Look at the
Be aware of the entire frame
environment around
your subject before
releasing the shutter
33 Marc Fairhurst
www.marcfairhurst.com
Its easy to spot a situation unfolding
before you and develop tunnel vision
where you have singled someone out
and quickly grabbed the moment without
consideration for anything else in the frame or
distance. Always consider the environment around
the subject and where you place them within it.

Where is the
best place to
buy a camera?
Who can provide you with the right information, the right products and at a
good price? The Good Service Awards aim to answer these questions by
presenting photography retailers who stand out from the rest with an award.
From this you can work out where to shop for your photography equipment
and nd out where you will be treated as a valued customer.
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%
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YOUNG WILDLIFE PHOTOGRAPHER OF THE YEAR 2016
Young
gun The Moon and
the Crow by
Gideon Knight
Canon EOS 7D,
400mm, 1/250sec
at f/6.3, ISO 500
In October, the Young

Wildlife Photographer
of the Year 2016 was announced as
Gideon Knight. He talks to Oliver Atwell
about his dreamy shot of a carrion crow
E
ach year, much of the light onto the sensor and avoid too
focus on the Wildlife much noise, but also to leave the
Photographer of the Year moon blurred. I kept the ISO at
can tend to land on the 500. This left me with a shutter
overall adult winner (this year it was speed of 1/250sec at an equivalent
Tim Laman). However, that does of 640mm (crop sensor). As a result,
a massive disservice to the always quite a few of the images werent
excellent overall youth winner, exactly sharp! When I saw the nal
which this year was announced image, I realised it was quite a
as 16-year-old nature enthusiast magical scene.
Gideon Knight. We talked to him
about his winning shot and how he What is it about studying
achieved it. the natural world that
particularly appeals to you?
Can you tell me all about your Its the beauty of the natural world,
winning shot? but also the unknown when youre
It was taken in Londons Valentines out and about in nature, you never
Park. It was only January, but this know what surprises it may throw
was already my sixth visit of the at you. We live in a technological
year I was looking for the great society where people are
light that often comes with a winter increasingly alienated from the
sunset. On this particular afternoon natural world. Wildlife photography
I had been shooting by the lake, can be used to convey to people the
which had frozen over, and was on wonder of the outside world through
my way home when I was struck by a medium that they can readily
the beauty of a carrion crow, relate to. It is, however, not just
perched among the spindly important in encouraging people to
branches of a sycamore and notice whats around them, but also
silhouetted by an almost full moon to convey conservation messages
rising through the blue twilight. It and the dangers that face wildlife.
was an image I knew I had to
capture, and so with the light fading What lessons have you picked
fast, I got into position. up over time?
I shot with my lens wide open at One of the best things to learn early
f/5.6, to not only allow the most is to photograph at your subjects
When youre out and about in nature, you

GIDEON KNIGHT
never know what surprises it may throw at you

YOUNG WILDLIFE PHOTOGRAPHER OF THE YEAR 2016
eye level this will enable you to get

it and the likelihood of success. 400mm f/5.6 L). Its a great set-up
striking and more emotive images. Occasionally, Ill plan a shot and lightweight, quick and sharp. I
The most valuable thing by far, head out with a goal in mind, but usually spend my time
though, is something you have to usually I prefer to be inspired by photographing birds, so its not
learn yourself over time how to be what I see nature is such an often even with good eldwork
creative. Look at a scene, or the way unpredictable thing, like I said, so that you need a shorter lens.
the light works, or how your subject I dont like to plan too much.
moves and be inspired. Sometimes something could happen From the rst moment Do have any accessories you cant
that is more incredible than you Gideon paid attention to live without?
How do you set about planning were hoping for. My angled viewnder. When you
nature it has never failed
an image? shoot at your subjects eye level, it
Most of my photography is done in Is there one camera/lens that
to amaze him. He aims to can mean getting quite low to the
areas Im very familiar with, be it you nd yourself using more than work in conservation as ground, so the viewnder helps me
parks or gardens. Over time you any other? a wildlife photographer to compose without getting a crick
begin to build up a prole of what Usually, I shoot on my main camera to help raise in my neck. I nd myself using
youre quite likely to see, where and body (which as of recently is the awareness. www.gideon extension tubes a lot, too, to
when. So, when I do plan images, I incredible Canon EOS 5D Mark IV) knightphotography. increase the magnication of
have a rough idea of how to go about and my telephoto lens (Canon zenfolio.com. my telephoto and macro lens.

LPOTY ANNIVERSARY
Paths of
glory
The Take a view Landscape
Awards is celebrating its 10th
anniversary. Its been a great
decade for landscape lovers

LPOTY ANNIVERSARY
S
ince 2007 Charlie Waites
Take a view Landscape
competition has become
a cherished means for landscape
photographers to display their
best images, and stand a chance of
catching the attention of Charlie
Waite and being awarded the
coveted title. The competition has
also helped to launch the careers
of a variety of photographers, even
those not declared the overall
winner, and now nearly ten years
on the competition is as strong as it
ever has been.
LPOTY is celebrating its 10th
birthday and there will be a special
edition book available next April, so
to gear us up for that we take a look
back at all the images Charlie Waite
selected as his own Judges Choice.
Visit: www.take-a-view.co.uk.
ROBERT KIRKBY
Icy abstract, Calderdale,

West Yorkshire
Robert Birkby
Commended Your view
(2013)
Canon EOS 5D Mark II, 100mm, 0.6sec at
f/16, ISO 100
A forecast of sub-zero
temperatures one day promised
some great photo opportunities, says
Robert. I spent a couple of hours out
and then found this frozen puddle.
There seemed to be some potential
here; I could see texture, patterns and
colour, which appeared striking, but I
had to study it for a few minutes to nd
the optimal composition.
Divided Glens, Scotland

John Parminter
TIMOTHY SMITH
Winner Classic view

(2009)
Nikon D300, 17-70mm, 1/15sec at f/16,
ISO 200, Lee 0.6 ND grad
Macclesfield Forest, Cheshire
You cant help but be impressed Timothy Smith
by the bulk of Buachaille Etive Commended Classic view (2014)
Mor as you travel north across
Canon EOS 5D Mark II, 24-105mm, 1/6sec at f/18, ISO 100
Rannoch Moor towards Glen Coe, says
John. It stands guard at the entrance to I had the snow-covered forest to myself, says Timothy.
JOHN PARMINTER
Glens Etive and Coe. I always get a Walking through the forest I came across a small
feeling of grandeur from it. clearing and immediately noticed the dead yellow grasses set
against the fresh snow. The conifer added to the interest.
71
Newbiggin-by-the Sea,
Northumberland
Mark Bradshaw
Commended Your view
(2010)
Nikon D300, 10-20mm, 1/3sec at f/8, ISO 200,
Lee 0.6 grad (hard)
I arrived at this seaside town on
the North East coast and, being
so early, the snow was unblemished,
says Mark. The dark wood of the
seats made a striking contrast with
the whiteness below, but it was their
MARK BRADSHAW
curve, that led to the sea and grey
beyond, that most inspired the picture.
MIKE BONSALL
Rodel Saltmarsh on Isle

of Harris, Outer
Hebrides, Scotland
David Clapp
Commended Classic view
(2011)
Canon EOS 1Ds Mark III, 35-70mm,
0.6sec, ISO 100
This wonderful rounded
mountain, Ceapabhal, was the
subject of many images on a winter trip
to the Outer Hebrides, says David.
Standing on some salt ats, it struck
me how well kept this scene was. The
grass looked mowed, fringes clipped
and there were no weeds whatsoever.
Add in the perfectly landscaped curves
DAVID CLAPP
and I was half convinced that this was

the work of a landscape architect.

Castle Cornet, St Peter
Port, Guernsey
Mike Bonsall
(2008)
Canon EOS 5D, 17-40mm, 10secs at f/11,
ISO 100, Lee 3-stop hard grad filter
A long exposure captures the cool
blue tones of dusk and the lights
illuminating the castle half an hour after
sunset, says Mike. I used the steps to
lead the eye out towards the lighthouse.
Chalk Cliffs, Durdle

Door, Dorset
James Osmond
(2007)
Canon EOS 5D, 24-105mm, 1/13sec at f/22,
ISO 100
This image works as the sinuous
JAMES OSMOND
curve of the waters edge is

mirrored in the shape of the two
headlands in the distance, says James.

LPOTY ANNIVERSARY
A Veil for the Shard,

London
Julie Hutson
Commended Urban view
(2015)
Nikon D7100, 18-105mm, 1/1000sec at f/8,
ISO 400
This net of poppies reminded me
of a veil and I tried to position it
diagonally in the frame across the base
of the Shard, says Julie. I wanted to
evoke the lacy feel of a veil and the
ephemeral nature of it and the poppies.
Beech Trees, Surrey

Craig Denford
Highly Commended
Classic view (2012)
Sony Alpha 200, 28-70mm, 1/2sec at f/22,
ISO 100, 0.6 ND grad
Early conditions were great here
but things improved even further
when the sun started burning through
the fog, giving form to the trees and
creating a beautiful range of tones, from
the warm yellows through to the cooler
complementary blues, says Craig of this
stitched panorama image.

JULIE HUTSON
SCOTT ROBERTSON
Binnein Beag through Nikon D800, 200mm, 1/2000sec at f/5.6,
Steall, Scottish ISO 100
On reaching this spot while I was
Highlands descending, a brief ray of light fell
Scott Robertson beautifully into the gorge below and
Highly Commended onto the snow-capped face of Binnein
Classic view (2016) Beag, says Scott.
CRAIG DENFORD

Reader Portfolio
Spotlight on readers excellent images and how they captured them
1 2
Steve Baker, Kent The Black Falls Gullfoss

Like most of us, Steve always owned cameras as 1 Steve found this 2 Its only after a
a child. It was in 2004 that he got his hands on scene of the Black careful look that we
a DSLR and it was then that he really began to Falls in Svartifoss, notice the ant-like
hone his skills. He quickly developed the ability Iceland. He has used silhouettes of the
to see the picture straight away and respond to a wideangle lens to people in the top
what was right and wrong on the cameras screen. In the give us a sense of the right. It gives the
following years he developed a real love of portraits and journey of the water image a real sense
landscapes, and here we see some ne examples of the Sony A7II, 17mm, of epic scale
latter taken in Iceland. Visit stevewlb.wordpress.com. 1.5secs, ISO 6400, Sony A7II, 17mm,
ND110 filter 2.5secs at f/11, ISO
50, ND110 filter
Kirkjufellsfoss
3 Icelands famous location has been
photographed many times but in
Steves image we have the added
element of a glowing cloud above the
witch hat of the mountain
Sony A7II, 28-70mm, 20 and 30secs
at f/8, ISO 50, ND110 filter
4
76
YOUR PICTURES IN PRINT
NOTE: PRIZE APPLIES TO UK AND EU RESIDENTS ONLY
The Reader Portfolio Submit your images

winner chosen every week will receive a Manfrotto PIXI Please see the Send us your
EVO tripod worth 44.95. Visit www.manfrotto.co.uk pictures section on page 3 for details
Lightweight and portable, the Manfrotto PIXI EVO boasts two different leg angles with a sliding selector enabling or visit www.amateurphotographer.
you to shoot ground-level images. Its adjustable, with two-section legs featuring ve different steps that adapt co.uk/portfolio
the footprint to uneven surfaces. With a payload of 2.5kg, you can tilt the camera 90 to capture incredible images.
Skogafoss Unknown Falls 5

Waterfall 5 This was a quick
4 This image was an grab-shot as Steve
experiment in testing was travelling by car.
the Sony A7IIs He had only a few
handheld capability. seconds before
As we can see here, the transient light
the cameras steady shifted its field of
shot function allowed illumination but
Steve to achieve a thankfully Steve
shutter speed of was quick on the
1/10sec and still draw and captured
produce a sharp shot this stunning image
Sony A7II, 28-70mm, Sony A7II, 28-70mm,
1/10sec at f/11, 1/80sec at f/8,
ISO 50 ISO 125
77
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BEST BOOKS
CHRIS STEELE-PERKINS/MAGNUM PHOTOS

Books The Teds
of the Year
by Chris Steele-Perkins
25, Dewi Lewis
IT WAS soon after the
publication of The Teds
(1979), Chris Steele-
Perkins peerless look at
the subculture of the
This year has been a stellar 12 months for new Teddy Boys, that the
photographer was asked
photography books. Oliver Atwell takes a look to join the ranks of the
Magnum Photos agency.
back at some of the most impressive Its not difcult to see why. The images in The
Teds zz with energy and the scenes in the
dancehalls are especially strong. Steele-
MICHAEL KENNA
SEBASTIO SALGADO/AMAZONAS IMAGES

Perkins leaves no stone unturned. We see
just about every aspect of the lifestyle, from
them carefully preparing their hair in the
mirror, their social engagements, relaxing in
the sun to just generally hanging out looking
a little shifty. Each and every monochrome
frame is a beauty.
PADDY SUMMERFIELD
Exodus
by Sebastio Salgado
44.99, Taschen
THE MORE things
change, the more they
stay the same. Thats the
greatest lesson to take
from this reissued
Rouge volume of Sebastio The Oxford Pictures
by Michael Kenna Salgados Exodus. by Paddy Summereld
Salgados journey
45, Prestel 30, Dewi Lewis
found him treading the
BETWEEN 1917 and ground of road, slum and camp, where he BETWEEN 1968
1928, the Ford River encountered Latin Americans entering the and 1978, Paddy
Rouge complex in US, Arabs and sub-Saharan Africans Summereld
Dearborn, Michigan, attempting to reach Europe by boat, and documented Oxford
USA, was the largest Hutu refugees, among many others. What University students in
integrated factory the Salgado is attempting to do is document the the summer terms. The
world had ever seen. commonality of the global migrant crisis and sun-drenched days began as one would
These days the area is place you, the viewer, within the context. We expect a little romance, drinking yourself
a shadow of its former all play a part in this. This is our global crisis. into a stupor, lounging by the river and on
self, and is now a place where nature and There is no us and them. There is only us. the lawns but as we can see from these
industry are engaged in a battle of wills. This These pictures may have been taken years images, the pressures of education and
is where Michael Kenna comes in. In 1927, ago, but the subjects we see in Exodus are so impending adulthood meant those heady
Charles Sheeler was commissioned to take familiar as to be uncanny. Its a small thing, days soon gave way to endless studying and
images that exalted the Rouge complex, and perhaps, to produce a photographic body of revision. The same age as the students,
Kenna uses these as his starting point. Rouge work to highlight these issues. But the fact is, Paddy reveals the extent to which uncertainty
is Kennas most conceptually fascinating no matter what you may think of him and his and loneliness seemed to dominate their
project to date. Its clear narrative is haunting work, Salgado is a photographer who is out lives. Often, I sensed a loneliness in the
and humbling, and living as we do in such there doing something. Thats more than can students I photographed, he says. We
uncertain times entirely prescient. be said for most of us. were all lonely together.

BEST BOOKS
OLIVER CURTIS
CATHERINE BALET
EDWARD BURTYNSKY
Volte-Face
by Oliver Curtis
30, Dewi Lewis Looking for the Masters in Edward Burtynsky:
LAST YEARS Ricardos Golden Shoes Essential Elements
overall winner of by Catherine Balet By William A Ewing
the Landscape 35, Dewi Lewis 45, Thames and Hudson
Photographer of the
Year competition THIS BOOK is nothing THIS IS Burtynskys rst
was Andy Farrer with short of an exhaustive career-overview book,
his image taken on Durdle Door beach in exploration of the past with themes such as
Dorset. However, rather than photographing 176 years of photography. water, the oil industry,
the famous rock arch, Andy turned 180 and In a nutshell, Balet shipbuilding, mines and
shot what was behind him. As a result, he not recreates iconic quarries. As a collection,
only walked away with an image that we photographs, the twist the book treats Burtynskys work as a whole.
rarely see, but he also bagged a major award. being that each image While many of his images are beautiful to
Keep this in mind when you ick through features long-time friend Paz standing in as behold, a more clear-headed approach
Oliver Curtis excellent book consisting of the subject. So we nd Paz adopting the skin reveals a scarred and tortured landscape.
images taken at famous landmarks. Like of the model Kiki de Montparnasse in Man The collection is timely considering our recent
Farrer, Curtis has instead chosen to show us Rays famous Black and White. In another inauguration into the so-called Anthropocene
the views we never see, whether they are in we nd him occupying the space of Willy era a geological period that carries clear
Tiananmen Square or the White House in Roniss The Little Parisian. Above all else, evidence of mans impact on the
Washington. So simple, but so effective. this book is a love letter to photography. environmental conditions of Earth.
HAMID SARDAN
ALEX WEBB/MAGNUM PHOTOS
WILLIAM EGGLESTON
Dark Heavens La Calle William Eggleston

by Hamid Sardar by Alex Webb Portraits
65, teNeues 26, Aperture 29.95, National Portrait Gallery
ACROSS THE wilds of IN THIS book, we nd EGGLESTONS
Mongolia, nomadic the fruits of a journey WORK utilises the
people live in harmony that began in 1975 and modern mythological
with the rhythm of the concluded in 2007. US vernacular that
natural world. These Specically, that of gas stations,
nomadic shamans, journey has taken Alex motels, backyards,
horse-breeders, eagle Webb around Mexico. diners and small
masters and hunters Every one of these towns and by
are as much a part of images was taken on representing them in colour, elevates their
the natural world as the vast mountains and the street and is perhaps a perfect expression seeming banality to scenes of stature. This
dirt beneath their feet, but they are a people of Webbs vibrant and layered aesthetic volume looks at the people who occupy
in decline. Dark Heavens, the result of Hamid approach to his subjects as youre likely to these spaces. The book is short but its
Sardars eight-year adventure, is more than a nd. Chaotic, almost maddening, his images enough for the photographs to get under
simple ethnographic study. Theres something are juxtaposed, layered, bursting palettes your skin. This isnt a body of work thats
deeply personal about it. While he admits to of colour, light and deep, dark shadow. attempting to delve deep into the soul; rather,
an academic motivation, he also seems to be Theyre dizzying to look at sometimes, but its a collection that revels in the surface
exploring what it means for a person to lose once your eye has acclimatised to Webbs details. Dig deeper if you like, but you do at
contact with the natural world. Sardars book way of seeing the world, youve got to the risk of losing sight of the true purpose of
is adventurous, admirable and necessary. admire his gumption. William Egglestons work.

BEST PHOTOGRAPHIC KIT OF 2016 Testbench
The best of 2016
Its been a bumper year for new launches, with Faced with topping such a considerable
achievement at Photokina in September,
most manufacturers making significant additions Fujilm then revealed the exciting medium-
format mirrorless GFX 50S. It may not be the
to their line-ups. AP staff and contributors pick rst camera of its type, pipped by Hasselblads
elegantly small X1D, but it looks set to be a
their favourite cameras and kit of 2016 really serious photographic tool.
T
his year has been a pretty eventful II. Sigmas deeply idiosyncratic sd Quattro is A cornucopia of compacts
one for new cameras. Considering also based on a long-running SLR mount Weve seen plenty of xed-lens compacts, too.
only those of core interest to AP (Sigma SA), but uses a mirrorless design. Sonys Cyber-shot DSC-RX10 III redenes what
readers essentially, anything The lower end of the interchangeable-lens we can expect from an all-in-one bridge
capable of recording raw images, and with a market saw much less excitement, with a camera, while the more recent Panasonic Lumix
sub-ve-gure price tag weve seen 40 new stream of relatively minor updates. However, DMC-FZ2000 provides strong competition.
cameras announced so far this year. The list is Chinese newcomer Yi surprised everyone Sony also brought out the latest super-fast
split more or less equally between DSLR, with its Micro Four Thirds M1. addition to its pocket camera range in the shape
mirrorless and xed-lens compact cameras, and of the RX100 V, but at an eye-watering price.
ranges from top-of-the-range professional Mirrorless surges on Canons PowerShot G7 X Mark II and
models down to budget entry-level options. On a more positive note, Canon nally got Panasonics Lumix DMC-LX15 compete in a
serious about mirrorless, with its SLR-like EOS similar space, but concentrate on providing
Top-flight DSLRs aplenty M5. Sony kept pushing relentlessly forward; rather better handling. Nikons attempt to join in
Highlights of the year included top-end not content with the sophisticated Alpha 6300 this market went sadly awry, though, with the
professional sports DSLRs from Canon and at the start of the year, it recently showed the three DL-series cameras announced in January
Nikon, in the shape of the EOS-1D X Mark II even higher-end Alpha 6500, impressively shelved pending major internal redesign.
and D5 respectively. Nikon also unexpectedly adding in-body image stabilisation without Meanwhile, Panasonic explored new ground
revealed a successor to the much-loved signicantly increasing body size. Panasonic with the TZ100 travel zoom, combining a
D300, with the D500 turning out to be the also embraced in-body IS in its GX80 and 25-250mm zoom lens and 1in sensor in a
best crop-sensor DSLR weve yet seen. G80 a good omen for its upcoming GH5. small body. Fujilms X70 went the other way,
Another from the long-awaited list is the Olympus has always used in-body IS, with its placing a xed 28mm-equivalent wideangle in
full-frame Pentax K-1, which, like its new new agship OM-D E-M1 Mark II showing a front of an APS-C sensor. Finally, the Leica
APS-C sibling the K-70, offers truly near-magical ability to keep handheld slow- X-U is a more rugged version of the rms
exceptional value for money. shutter-speed shots sharp. Earlier in the year, existing X (Typ 113) APS-C compact.
Also in the DSLR sphere, Canon provided the rm wowed us with its retro-styled Pen-F. Weve also seen lots of new lenses and
updates for enthusiast and professional Fujilm may not have in-body IS, but that accessories, and have reviewed many of them.
photographers with the EOS 80D and EOS 5D hasnt stopped it making probably the most But which did we like best? Over the following
Mark IV, while Sony kept its legacy Alpha talked-about products of 2016. The X-Pro2 pages we explore some of the kit weve
mount alive with the turbo-charged Alpha 99 was lovely, but the X-T2 is truly sensational. really enjoyed using in 2016.

Testbench BEST PHOTOGRAPHIC KIT OF 2016
AndyWestlake
Andy Westlake looks back at some fine
cameras from Panasonic in 2016 in
particular, hes enjoyed getting to grips
with the GX80, G80 and TZ100
Panasonic
Lumix
DMC-TZ100 For me, the TZ100 is the
I
f theres one camera that I really
enjoyed using this year, its the
Panasonic Lumix DMC-TZ100. It closest thing yet to the
achieves something that hasnt been ideal compact camera
done before, combining a useful 25-250mm-
equivalent zoom lens and a 20MP, 1in sensor in lots of lm and a couple of spare batteries,
a design that will slip into a jacket pocket. This and found this lens set covered most of what
makes it the rst travel zoom compact to offer I wanted to do.
the kind of image quality demanded by serious But compared to that, the TZ100s built-in
photographers. To me, thats a pretty big deal. lens offers a broader zoom range all on its
Let me explain. My rst proper camera, 25 own. True, its a smidgeon less wide, but it
years ago, was a very basic Canon EOS 1000 goes longer and doesnt have an awkward gap
35mm SLR, which I bought with 35-80mm around 28mm. Whats more, with no need to
and 80-200mm zooms. However, I quickly change lenses between shots, I nd Im far Changing settings is easy using the TZ100s Q
found that 35mm wasnt wide enough, so more likely to shoot across a wider range of menu, allowing me to quickly set the camera to
added a second-hand Sigma 24mm f/2.8. focal lengths, and therefore get a larger square format and black & white for this shot
The whole kit tted into a small shoulder bag variety of shots. When carrying a two or
and cost around 550 (with some additional three-lens kit, its naturally easier to explore I used it all the time instead. Its the rst time
accessories). I took it on a few holidays with the potential of the scene in front of you using Ive ever considered using a compact camera
the lens you have on the camera at the time, instead of an interchangeable-lens camera.
and risk missing out on the other angles. This But what about image quality? Well, on my
is especially true if changing lenses might hold return, I decided to compile my favourite
up your non-photographer travel companions. pictures of the week into a photo book. This, it
But thats not all. I used to load up my DSLR turns out, gives a rather different perspective
with Kodachrome 64 or Fujichrome Sensia on a cameras image quality compared to
100 slide lm, and once the light levels staring at pixels on-screen. In situations where
dropped even slightly, I had to use either a the TZ100s image les appear relatively weak
tripod or a ash, or stop shooting. But the most notably towards the telephoto end of
sensor used in the TZ100 (and many other the zoom the prints still look absolutely ne
enthusiast compacts) gives usable results up at 12in square, albeit with a judicious dose of
to ISO 1600 at least, and combined with the sharpening applied in post-processing.
lenss very effective optical image stabilisation, Likewise, even ISO-3200 shots can look
Panasonic has this means you can keep shooting indoors or great at 12x8in with careful noise reduction.
squeezed a 1in
sensor and 10x at dusk, and even on into the night. And this Much of the time, thats all I really need.
zoom into a slim, means you can get more interesting pictures. For me, the TZ100 is the closest thing yet to
compact body the ideal compact camera. It still has manifest
Versatile and portable limitations; its viewnder is tiny, its screen xed
The importance of all this really struck me and its relatively slow lens offers little scope
when I took the camera on a week-long trip for using shallow depth of eld as a creative
to New York earlier this year. I also took with tool. But that versatile lens means that as a
me a proper camera kit with a couple of pocket travel camera it simply cant be beaten.
high-quality zoom lenses, but found that the Best of all, at 550 it costs no more than my
TZ100s versatility and portability meant that rst DSLR kit did all those years ago.

The TZ100 delivers fine-looking
images in good light, although
colours are slightly muted
compared with images
from some other brands
Other highlights Panasonic Lumix

of the year DMC-GX80 and G80
THE PANASONIC TZ100, GX80 and G80 WITH its at-bodied rangender-style design
(see right) are by no means the only cameras and retractable 12-32mm kit zoom, the GX80
Ive enjoyed this year, of course. I loved the is small, but manages to t 5-axis in-body
Olympus Pen-Fs uniquely different take on image stabilisation, 4K video recording, a tilting
the process of photography, positively rear touchscreen and a reasonable viewnder
encouraging creativity and experimentation into a compact, lightweight body.
with image-processing looks at the time of The GX80 handles well, and is about as
shooting. Nikons D500 is an absolute tour small as a camera realistically can get while
de force and probably the nest APS-C- Olympuss Pen-F is inspired by the Leica III still having enough external controls. Indeed,
format DSLR ever made, with its astonishing in this respect its rather better designed than
autofocus system and low-light capability. the similarly sized Sony Alpha 6000, with
The Sony Cyber-shot RX10 III redenes what two well-placed electronic control dials for
we can expect from an all-in-one bridge changing settings. At around 450 body
camera, making it a very real alternative to a only or 550 with the 12-32mm lens, its
DSLR system. Finally, its clear that two reasonably priced, too.
agship mirrorless powerhouses the If you dont like the small form-factor of
Fujilm X-T2 and Olympus OM-D E-M1 the GX80, then the more recent SLR-styled
Mark II further narrow the gap with G80 is a step up in many respects. With a
conventional DSLRs to the point of larger viewnder, fully articulated LCD,
inconsequence. improved in-body stabilisation, weather-
The Sony RX10 III sports a huge 24-600mm zoom resistant construction and a much better
handgrip, its probably Panasonics best CSC
to date. It costs around 700 body only or
800 with the matched 12-60mm zoom.
Nikon surprised everyone with the D500 at the start of the year Panasonics GX80 is compact yet still handles well

Michael Topham
Michael Topham, deputy technical editor, celebrates
a glorious double from Nikon, a Leica fit for the high
seas and a small but perfectly formed compact
Nikon D500
I can confidently say
We laid our hands on the Nikon
D500 for the first time in January
its the most capable
crop-sensor DSLR The D500 carries
I have used over professional
features that exist in
Nikons flagship
A
t the beginning of the model, the D5
year, while reporting
from the CES expo
in Las Vegas in the
USA, I was invited to get hands-on
with pre-production samples of two
DSLRs that would go on to be
hugely popular with enthusiast and
professional photographers. I am,
of course, referring to the Nikon
D500 and D5. In the case of the
latter, it wasnt a great surprise to
see Nikon unveiling a brand-new
agship DSLR in the same year as
professional photographers geared
up for the Olympic Games in Rio.
As impressed as I was by the
D5s sensational spec and
tank-like build quality, it was
the D500 that received my full
attention. Having waited seven Michael Topham gets to grips with the D500,
years for Nikon to deliver the which is paired up with Nikons 14-24mm
long-awaited successor to the f/2.8 G AF-S ED wideangle zoom
D300S, I couldnt contain my
excitement at being among the
rst reviewers to use it.
Nikon has struck gold with the
D500. Having red thousands
of frames with it myself, I can
condently say its the most
capable crop-sensor DSLR I have
used. I recently used it again to
test the Tamron SP 150-600mm
f/5-6.3 Di VC USD G2 lens, and
was reminded just how fast and
accurate its impressive 153-point
autofocus system is when tracking
erratic and fast-moving subjects.
Anyone who shoots wildlife,
sport or action will fall in love with
the responsiveness and all-round
performance of the D500. Its
a sublime DSLR to use and I will
remember it as one of the most
memorable cameras of 2016.

Canon PowerShot
G7 X Mark II
ONE CAMERA Ive used regularly The 31-point AF
The G7 X Mark II is
a great choice for the
times when a smaller
camera is preferable
since its arrival earlier this year

is the Canon PowerShot G7 X system does a great
Mark II. The introduction of a new job of locking on
DIGIC 7 processor has improved
shot-to-shot times and allows it to tilted downwards as well as
shoot a continuous burst at 8fps. upwards, unlike the G7 X.
Newly developed algorithms have The large and intuitively laid out
also helped to improve image buttons and dials make it much
stabilisation, resulting in a more of a pleasure to use than
maximum compensatory effect of some other small 1in-sensor
4 stops, compared with 3 stops on compacts, while the 31-point,
the G7 X. While the Mark IIs lens contrast-detect AF system does
appears to be unchanged from an admirable job of locking onto
the G7 Xs optic, its effective focal subjects in bright conditions.
range of 24-100mm in 35mm I always shoot in raw and try to
terms gets you closer to distant use it up to or below ISO 800.
subjects than many of its rivals. Its Beyond this point Ive found detail
a fast optic, too, that has got me starts to slowly deteriorate, and
out of difculty many times when noise becomes more traceable
I have been shooting in low light. when you start to inspect images.
I cant deny there havent been For a little over 500, the G7 X
times where I would have liked Mark II represents good value,
the option to ick a switch to gain especially when you compare it
access to a pop-up viewnder, to the Sony RX100 V (999). If
much like you get on the latest youre after a user-friendly,
models in Sonys RX100 series. 1in-sensor compact that feels
However, I do love the option to good in the hand, is a joy to operate
quickly nip into the main menu and provides all the advanced
and control every setting using controls you need in a robust body,
the G7 X Mark IIs responsive you cant go far wrong with the
touchscreen. This can now be Canon PowerShot G7 X Mark II.
Leica X-U
THE LEICA X-U is a rugged I was taking in a situation that
compact that caught my eye when would have otherwise destroyed
it was announced in January. Its a non-weather-sealed camera.
nothing like an Olympus TG-4 or The Leica X-U is by no means
Canon PowerShot D30 that you perfect. I found its sluggish AF
can slip in your pocket. Instead, its speed, poor aperture control at
essentially a beefed-up Leica X close focusing distances and lack
with a xed 23mm f/1.7 lens. It of an electronic shutter all causes
features serious rubber-coated for concern during the shoot.
armour that makes it water- However, it did allow me to
resistant down to a depth of 15 capture an image for the RNLI
metres, and shockproof from 1.2m. that Ive always been meaning to
Unlike other reviewers take: a huge wave crashing over
who dunked it in the bath or the bow of a lifeboat as it plunged
submerged it in a swimming pool into the sea from a slipway.
to test its ruggedness, I went to
the extreme of testing it aboard Rubber-coated
an RNLI lifeboat out at sea. Amid
Mikes image of a wave crashing waves, seawater spray armour makes it
crashing over the bow of a and a frantic training rescue water-resistant
lifeboat as it plunges into mission, it allowed me to
the sea from a slipway concentrate 100% on the shots to a depth of 15m
Nigel Atherton
Editor Nigel Atherton finds the answer to his printer prayers
Canon Pixma Pro-10S
I
n the rst issue of 2016, if I ever happen to commit a I was stunned to find my first print
I shared my New Years murder, the box will come in
resolution to do more handy for hiding the body. to be an almost perfect representation
printing. Too many of my As its name suggests, the
favourite images lay unseen in the Pixma Pro-10S features 10 screen. This time, however, When its connected in this way,
dark recesses of my hard drive. pigment-based inks, comprising I was stunned to nd my rst it spits out a beautiful-looking A3
I do own an A4 printer/scanner the usual CMY cartridges, plus print to be an almost perfect print in under four minutes, which
but, as a family device, my kids use paler photo cyan and photo representation. I dont know is absolutely ne.
it more than I do, for printing their magenta cartridges, red and whether it was luck, or theres I dont use the Pixma Pro-10S
homework when it has ink in it. grey inks, separate matt and some magic going on inside the every week, but I have produced
I quickly decided that what I photo black pigments, and a machine. Whatever the answer, some lovely prints with it that
needed was a dedicated photo chroma optimiser cartridge that Im just happy it was so easy. have been given as gifts, been
printer of my own that would coats the prints in a transparent, Although the Pro-10S has led in my new portfolio and, in a
be off limits for printing essays protective layer. Wi-Fi, I tend to use the USB cable couple of cases, even made
about Henry VIII. Whats more, since it sits next to my computer. it into a frame on the wall.
if I was going to take the trouble Getting inked
to make prints of my best images, I worried at rst that this would The Pixma Pro 10S is a beast,
I may as well print them at a end up costing me a fortune in but is a doddle to use and
decent size and go for an A3 replacement cartridges (about delivers great A3 prints
model. And so, after some 120 for a set which is more
research, and advice from APs than my entire A4 printer cost to
experts, a few weeks later buy) but I reasoned that an A3
I opened an enormous box printer is not something you use
containing a Canon Pixma every day, and the fact that my
Pro-10S, for which I cleared a not kids would be banned from so
insubstantial space on my desk. much as looking at it would
Theres no getting away from extend the ink life tenfold.
it, at 20kg the Pro-10S is a beast. The aspect of printing I nd
I nearly gave myself a hernia most tedious is setting up the
carrying it up the stairs to my printer so that what comes out
ofce. Once in place, though, it of it bears at least a passing
wasnt going to be moved, and resemblance to what is on the

Tracy
cy
I was pleasantly surprised
by how close I could get
with the 18-55mm lens
CalderTracy Calder, technique editor, recalls

meeting her Mr Right: a new, mirrorless camera
Fujifilm X-T2
W
ithout meaning
to sound like an
advertisement for
a dating website, Ive
been waiting for my dream camera to
come into my life for a long time. So
long, in fact, that I had almost given
up hope of ever meeting it.
It isnt just about image
The last digital camera I bought quality its about how
was a Canon EOS 40D (in 2008)
a perfectly capable DSLR but,
much enjoyment I get
I think youll agree, a little long in from using it
the tooth. In my line of work, I have
been lucky enough to try out it was the one. Its small enough to t in my
countless makes and models of (non-camera) bag, but large enough to feel
camera in the intervening years, well balanced in the hand. Whats more, many
and this privileged access has of its useful features can be tweaked without
enabled me to keep an eye on the And so, a few months having to delve into the menu system.
market to see if my dream camera ago, I raided my piggy There are dedicated dials for exposure
was ever likely to become a reality. bank and purchased an X-T2 with compensation, shutter speed, ISO, and drive
Imagine my delight, then, when a few weeks 18-55mm f/2.8-4 R LM OIS kit lens. I also modes, as well as a focus-mode selector, and
after my arrival at AP, two of my colleagues, invested in a felt camera protector from a metering dial for switching between spot,
Andy Westlake and Michael Topham, began Millican, which I gured would enable me to centre-weighted, multi and average. The
waxing lyrical about a new mirrorless camera: carry my camera alongside all the detritus in aperture is adjusted via the lens aperture
the Fujilm X-T2. Overhearing them talk my bag without it getting marked. ring, which I always nd a thrill, and the
about its fast AF and excellent image quality, Since then, the X-T2 has been my constant LCD screen can be tilted, which is great
I found myself with a serious hankering for one. companion. From the moment I held it, I knew for ground-level work.
The perfect partner

My rst photographic trip with the X-T2 was
a resounding success. The camera coped
admirably when I bumped up the ISO while
shooting under a dense tree canopy. Back
home and viewing the images at 100% on
the computer screen, noise appeared well
controlled. While my colleagues were wowed
by the cameras autofocus performance,
I had other priorities. I dont shoot moving
subjects that often (my passion is for plants
and fungi), so for me it was more about the
tools the camera provided to assist me with
manual focus, and the amount of detail I
could capture with the 24.3MP sensor.
Neither disappointed.
But it isnt just about image quality here
its also about how much enjoyment I get
from using the X-T2. The controls are
perfectly positioned and the menu system
(when you nd cause to use it) is super-easy
to navigate. All in all, the X-T2 is a dream
My first trip out with the Fujifilm X-T2 resulted in some nice detail shots come true.

Geoff Harris
Deputy editor Geoff Harris finds lots to like about the
Olympus Pen-F just dont mention the menus
Olympus Pen-F The Pen-Fs Creative modes are

versatile and easily accessed
T
heres been a lot of
excitement about the
Fujilm X-T2 this year
but Im still a big fan
of Olympus mirrorless cameras.
I use the original OM-D E-M5,
one of the rst serious mirrorless
models. I love how compact the
Olympus OM-D and Pen-series
cameras and lenses are, and I
can easily t my entire Olympus
system, including a ashgun, into
a light shoulder bag. The Olympus
Pen-F is an
I have been using the Pen-F, affordable,
released at the beginning of this great-looking
year, for several months. It has and still powerful
now replaced the battle-scarred alternative to
E-M5 as my main mirrorless the Fujifilm X-T2
device. If the best camera is the
one you have with you, then you
want to have the Pen-F with you
all the time. Its rangender looks
Its one of the best, panning detection, particularly if,
like me, you nd tripods
tucked away, or relegated to
esoteric icons that would bafe an
are outstanding. My silver model and best-looking, something of a chore. Light and Egyptologist. Arguably, for me, the
is eye-catching without being subject permitting, you can easily biggest drawback is the lacklustre
bling, and it feels better in my big
mirrorless cameras go down to 1/15sec handheld and continuous AF performance
man hands than the titchy E-M5. you can buy still get very sharp results. compared with my Nikon D750.
The build quality, particularly of So what dont I like about the It simply cant keep up with
the buttons, dials and nish, size. If you are, theres always the Pen-F? Sorry, Olympus, but your comparably priced SLRs, or the
seems sturdier, too. 50-million-pixel high-res Shot menus still suck. Experience has new Fujilm X-T2. So long as you
As many mirrorless fans have mode for static subjects. Noise taught me how to work my way dont try to use the Pen-F for
noticed, some subjects are more is pretty well controlled around them, but the interface heavy-duty action or sports work,
relaxed in front of smaller throughout the range, but being and user experience are much however, its one of the best, and
cameras, too. I shoot quite a lot of quite conservative, I tend to limit trickier than they need to be. Too best-looking, mirrorless
weddings at the weekends and the auto ISO at 2000. The many powerful features are cameras you can buy.
people can tense up a bit in front 2.36-million-dot OLED electronic
of a big black SLR and hulking viewnder is a joy to use, too, so
24-70mm lens, even after a few the Pen-F feels very OM-D-like
drinks. The Pen-F, however, as youd expect from a camera
seems to make everyone more that shares many features with
relaxed. Its easier to remain the OM-D E-M5 Mark II.
discreet with the Pen for street
photography, too, particularly Customisation
when its twinned with the The Pen is highly customisable,
wonderfully compact Zuiko 17mm with some great Creative shooting
f/1.8 lens (a real modern classic). modes. And being able to shrink
Despite the Pen-F only the size of the AF square makes a
packing a 20-million-pixel Four big difference when you do a lot
Thirds sensor, its image quality is of full-body portraits and street/
generally excellent. Shoot raw documentary work. Another big
and theres bags of resolution, benet is the 5-axis image
unless you are printing billboard stabilisation with automatic Compact and discreet, the Pen-F is great for street portraits

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AXZ6
COMPETITION
Christmas
conundrums
WWW.ISTOCKPHOTO.CO.UK
If a surfeit of turkey and mince pies
have addled your brain, gee-up the
old grey matter with our Christmas
quiz, compiled by monocled photo
sage, Roger Hicks. You could even
win a smart new bag!
TWENTY 11
QUESTIONS Was the Minotar a Were unexplained
Colour images in books and magazines are normally printed using CMYK
inks. What do the letters stand for?
Why should 13/8in What are the

1 mythical beast or a
35mm f/2.8 lens?
5 variations in the speed
of George Eastmans lms
12 be a familiar gure
to all photographers?
18 dimensions of a Four
Thirds sensor?
caused by (i) cows eating
What is the link mustard or (ii) switching to What are the next What was the rst
2 between haze, senility
and the quality of out-of-
vegetarian gelatin? 13 two numbers in
this series: 2.8, 3.2, 3.5,
19 zoom lens for full-
frame 35mm cameras
focus images? For which achievement 4, 4.5? called, and when was it
6 is Steven Sasson is best
known? (i) making martial What does APS
produced?
arts movies (ii) inventing

digital photography?
14 actually stand for?
And when was it 20 Who made the rst
commercial
introduced? electronic still-imaging
What is the current camera, and when?
7 name of the Britannia
Works Company? 15 Where does the
word sepia
come from?
With what kind of
8 photographic
equipment are Welsh 16 Where
in New
gnomes especially Mexico was Ansel
NIGEL ATHERTON
associated? Adams famous

Moonrise image
Which is the odd one shot?
What famous Leica lens

9 out Elmar, Sonnar,
Nectar, Culminar, In 2011 a
3 is named after a dog? Planar? 17 photograph
by Andreas
True or false: Santorini Which former Gursky sold for
4 was an Italian
manufacturer of half-frame
10 AP contributor
was better known as a
$4.3 million.
What was it
cameras. playwright? called?

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WORDSEARCH
Find the names of 12 American photographers hidden in our wordsearch
W L X W I W B G W T Q A ADAMS
ARBUS
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<&I 2G 7777777777777777777777?A1 3B .@! .-=)977777777777777777?3B1 0(.! #+0!9 777777777777777777777777 ?;1 B'*;I B7" 77777777777777777?B'1 BI 37; 7777777777777777777777777777777777?311 %
<II 2G 7777777777777777777777?A1 2.92+ - @@@G7777777777777?;1 B"*AII A7&=<7A !9.G7777777777?3B1 A&*3II '=&7< 777777777777777777777?311
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Photo Critique
Final Analysis
Roger Hicks considers
Santa Claus School, New York, 1961, by Dennis Stock
DENNIS STOCK/MAGNUM PHOTOS
S
ooner or later, most children actors, poets, philosophers, theologians perfumed grotto in a great department
work out that there is no Santa and indeed photographers. The less store? Are waterproof trousers an essential
Claus. At least, not in the sense certain we are about things, the more we defence against overexcited children? Is
of a single person who delivers are inclined to think about them. This is there a secret handshake?
presents to every child in a single night. My probably a good thing unless you are the This is what fascinates me about this
uncharitable suspicion is that most suss sort of politician or cleric who wants picture. It tells us everything and nothing:
it out quite quickly, but keep quiet in case everyone to agree, explicitly, implicitly, we are free to project our own
it in some way interferes with the ow of unquestioningly and preferably eternally interpretation. It is at once reality and
presents. To those readers who have not yet with your specic version of the truth. illusion: we are looking at something that
worked out that there is no Santa Claus, I happened over half-a-century ago, but
apologise for shattering their illusions. A personal interpretation which is still happening today.
It may, however, be in the interest of This picture certainly raises questions. Some will smile, others will frown.
parents to keep alive an illusion of Father Who are these would-be Santas? Why are There will be those who reect that its a
Christmas, whether their childrens or they there? How were they recruited? What rum way to earn a crust, or wonder how
their own the latter qualifying, perhaps, are their motives nancial desperation children will react to the odour of cigarette
as an illusion of an illusion, or meta- or for a bit of a lark? What is the pay like? smoke, or be seized with an ambition to
illusion. It is not always good for everyone Is there a union? What are the secrets of attend Santa School. To borrow a phrase
(or perhaps anyone) to understand being a good Santa, whether existential or from the late News of the World, all human
everything, but it is good for everyone to technical? Is there a hierarchy, so can you life is here. Sources differ, and thats part
understand that illusions have their uses, work your way up, over the years, from the of the illusion. Much like Christmas
not least in providing employment for malodorous corner of a sleazy mall to a really. Have a happy one.
Roger Hicks has been writing about photography since 1981 and has published more than three dozen books on the subject, many in partnership with his wife Frances Schultz (visit his new website
at www.rogerandfrances.eu). Every week in this column Roger deconstructs a classic or contemporary photograph. In the 31 December issue he considers an image by NASA.

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