MAJESTICA

User Manual / Majestica

 WARNING!

All 8DIO libraries are watermarked with your

personal data and IP address using proprietary
watermarking techniques developed by 8DIO.
DO NOT DISTRIBUTE, RESELL OR TORRENT.
INSTALLATION INSTRUCTIONS
INSTALLATION:

Download and install our download utility (found in the email you received from us). We offer both PC and MAC versions of
the download tool.

1. Enter the ENTIRE serial code (found in the email you received from us)

2. The download utility will automatically download and install your library.

3. The library can be found through the regular browser in Kontakt.

TROUBLESHOOTING DOWNLOADS:

The download utility should generally work for all download purposes, however please use our manual download links if
you encounter any issues. The manual download links are generally slower downloads, but allows you to download the com-
pressed library files (.rar compression) through your browser. You can access the manual download links here:

http://8dio.net/manuallink

Please use your purchasing email address and enter ENTIRE serial code.

TROUBLESHOOTING KONTAKT:

This library does NOT use the add library function in Kontakt and all files must be access through the regular Kontakt brows-
er (upper left side of Kontakt). Please use the file browser in Kontakt and locate the program (.nki) files in the library to use it.

Please contact us at support@8dio.com - if you encounter any other unforeseen issues.

OVERVIEW
Majestica is the largest symphony orchestra ever sampled,
containing over 240 players divided over strings (100),
brasses (60), woodwinds (60) and percussion (20).
The massive 100 piece String Ensemble spread across
basses, cellos, violas and violins. The string section woodwind ensemble can penetrate even the densest of
contains legato, regular and fast spiccato, marcato, bartok,
col legno, expressive dynamic bowings and several other
articulations. The String Ensemble can both be soft & different types savage FX.
powerful. The bass (30) and cellos (30) sections are the
largest ever sampled and the gorgeous, airy sound from
the (20) violas and (20) violins just makes the entire string
section majestic.
Containing a 60 piece brass ensemble, which is the largest
ever sampled & utilising players flown in from six different
countries. The brass ensemble consists of 10 Cimbassos,
10 Bass Trombones, 30 French Horns and 10 Trumpets.
The sound is not just bigger then anything you have ever
heard it is also different. The brass ensemble contains all
the core building blocks you need from sustains to
staccato, marcato to expressive arcs, rips to note bends.
With two separate woodwind sections. A low woodwind
section comprised of 15 bass clarinets and 15 contra
bassoons & a high woodwind section comprised of 10 alto
flutes, 10 flutes and 10 piccolo flutes. The sound of the low
ensemble is unbelievably rich while the sound of the high
mixes. The woodwinds contains sustains, staccatissimo,
double tongue, expressive arcs, trills, marcato and several
With a 20 piece percussion ensemble, which takes your
boom to the next dimension. The percussion section
contains dedicated tom-tom, gran cassa, timpani
ensembles to snare, tambourine, anvil and stick
ensembles. We also recorded cymbals, tam-tam and gong
ensembles. In addition to this we created a percussion
master patch that just works straight out of the box.
PATCH DESCRIPTION CONTROL LIST

Majesitca The Main patches contain carefully CC 01 - Dynamics
selected microphone positions, this includes the
CC 11 - Expression
over all Mix, and the hall microphone stems such
as Decca & Far. We reccomend not using the Mix
along with any other positions as this could lead KEY - C8 - Round Robin Reset
to phasing.
any of the following may cause engine conflicts
CC 74 - Filter Low Pass
CC 75 - Filter High Pass
CC 76 - Filter Attack
CC 77 - Filter Decay
CC 78 - Filter Sustain
CC 79 - Filter Release

CC 82 / 124 - Causes standard keyboard functions

which may disrupt usage

Welcome to Majestica
- the largest symphony
orchestra ever sampled

articulations
The Articulations page has a very simple layout,
consisting of a few but crucial controls. The most
important of which is the articulation window. This
allows you to select what articulation is currently
playable.
SETTINGS
By selecting the settings icon you can choose how
each articulation is activated. Be it a velocity range,
a key switch, or a range within a particular MIDI CC.
You can fully customise each articulation to best
suit your personal work flow.
PURGE
You can load and unload each individual articulation
from RAM. Therefore saving valuable system
resources from being taken up by unsused sounds.
When highlighted this indicates the articulation is
loaded (or loading) and available to be played.

For global selection, use the small dropdown arrow For global purging, use the small dropdown arrow
located directly above the top cog wheel. located directly above the top purge button.
SEQUENCER
When open, the sequencer allows you to pre ARROWS - Use the relevant arrows to move forwards
determine the order of your articulation changes.
This is great for chaining sequences together with-
out having to play them in live. Simply select what
articulations you want in the sequence by clicking
the articulations names.
You can even switch between 4 different sequences
live using whatever control method you require.
Further more you can even export and import full
sequences between different patches using the
Load/Save dropdown menu.
CONTROLS
and backwards in the sequence.
REST - Select this to insert a rest into the sequence.
RANDOM [?] - This will randomise every slot.
CLEAR - This control will clear the entire sequence.
RESET - This will return the sequence back to the
begining. Use the neighbouring settings cog to
control how it is activated.
SETTINGS - By selecting the settings icon you can
choose how each page is activated.
MAJESTICA
contains multiple
microphones positions &
mixes, allowing the flexibility
to dial in the perfect sound for
you.
MIXER
The Mixer page has a very familar layout, containing
controls that allow you to alter the volume / pan / solo
/ mute for each microphone position. To adjust the
output routing, simply click on the name of the
desired microphone position and select an output
from the dropdown menu.

Further more you can even export and import mixer

settings between different patches using the Load/
Save dropdown menu.
DROPDOWN PURGE
By using the dropdown menu you can You can load and unload each individual microphone
access controls for the Stereo Spread and EQ position from RAM. Therefore saving valuable
Presence for each individual microphone position. resources from being taken up by unsused
When at the default value (CMD + CLICK) these microphone positions. When highlighted this
controls will automatically bypass in order to save indicates the position is loaded (or loading) and
on valuable resources. available to be played.

*We would recommend that when using secondary

microphone positions that you unload the MIX
position in order to avoid phasing.
OPTIONS CONTROLS
The Options page allows you to access further DYNAMICS [CC1] - allows you to crossfade between
controls that alter and customise the playability different velocities and filters.
and sound of a patch. EXPRESSION [CC11] - adjusts the overall volume of a
patch. The LINK icon links the two controls together.
OFFSET/SPEED [CC16] - adjusts the overall sample
offset, and randomisation.
RELEASE TRIGGER - alters the volume of the natural
release sounds.
ATTACK - alters the attack envelope of the patch.
VELOCITY
Use the controls available under the velocity sub
menu to alter the velocity sensitivity of the patch.
This is great for customising the patch to work with
your given controller.
We wanted to put the most
important controls right at
your fingertips. And let you
get back to making great
music even faster.

KEY MAPPING
If keyswitches are active the RED keys indicate
available articulation keyswitches while the CYAN
keys represents the currently selected articulation.

The BLUE keys represent the natural playable range.

The Effects Engine is perhaps
our most elaborate feature.
We wanted to take the
concept of chance and
extreme tweakability and
port it to our user-interface.

effects
The Effects page consists of multiple rack effects.
To scroll through the available effects you can use
the neon blue scroll bar on the far right. To auto
scroll up and down you can click on the bottom
left / right, top / left right or middle left / right, this
will auto scroll to the approriate position.
KEY CONTROL allows you to change the VOLUME, PAN, FINE & COURSE TUNE of every single sample (pitch unavailable
in Beat Machine). Simply play the sample via your MIDI controller and adjust the parameters. STRETCH takes the last played
sample and chromatically maps it accross the keybed, allowing you to tonally play any desired sound. The CHAOS control
randmises all the available parameters dependant on the included settings.

The Settings page consists of several basic parameters, ON NOTE will randomise the activated parameters upon every new
note played, RANGE alters the amount of available randomisation, and the 3 activation buttons allow you to choose what
parameters will be included and adjusted under randomisation features such as CHAOS.
SEQUENCER contains a polyphonic step sequencer. GROOVE allows you to switch between 4 user assigned sequences on
the fly. RATE alters the time signature of the played polyphonic sequence. LENGTH alters the duration of each sequenced note.
RANDOM applies human-esque qualities to the sequence, slightly nudging each note progressively out of time, and STEPS
selects the amount of available steps in the sequence.
To access the sequencer module, simply select the MAIN/SEQ tab, which will bring up the active sequencer table. The default
view shows you which velocities you are triggering for each given step in the sequence. To see what keys are being triggered,
select KEY on the lower left hand side of the SEQ module. This allows you to alter what keys are being triggered for each step
in the sequence.
ARP The arpeggiator has all the function you would expect and more. RATE allows you to alter the time siganture of the ar-
peggiations. LATCH will hold the note progression even after releasing the keys. SWING will adjust the swing amount while
OCTAVE selects the range the arp will play. REPEAT allows you to select how many times you would like each note struck, while
LENGTH adjusts the amount of time a played not will be held for. STACK (only available when GLIDE is bypassed) will underlay
any arpeggiation with the full untouched chord itself. MAIN/SEQ opens up the sequencer panel, this is used for drawing the
velocity automation for the arp. To alter the arp type simply choose from the PRESET dropdown menu.
The settings page consists of a PANNER control allows you to pan each successively played note in a different direction depen-
dant on the WIDTH value. STEPS adjusts the amount of steps available in the SEQ panel, while PRESET CC allows you to select
a CC to control the arp type PRESET list, which is a great tool for altering the direction of the arp mid sequence.
FILTER controls an independant LOW PASS [CC74] and HIGH PASS [CC75] filter. These smooth filters can be directly
controlled by the interface, or by the included ADSR envelope [CCs 76-79]. VINTAGE enables a subtle phaser affect which is
great for adding a thin resonant level of air on top of the filter. You can even automate the filter with the included sequencer,
located on the SEQ page. And Of course, you can hit CHAOS in order to randmise every relavant parameter.

The Settings page consists of the Envelope buttons which allow you to choose which filter type is controlled by the envelope,
and the Sequencer buttons which allow you to choose which filter is type is controlled by the sequencer.
We also included RATE which adjusts the speed of the sequence remaining synced to your host tempo. STEPS which adjusts
the available amount of steps in the Sequencer and ON NOTE which will restart the sequence upon every new note played.
EQ controls an 3 band Equaliser, we have included a handful of useful presets to help you in scullpting your sound. We also
have included a CHAOS control, this allows you to randmise every value, which is extremely useful for carving out new and
interesting sounds.

The Settings page consists of a few vital controls to help control the CHAOS switch. Such as MOTION, which constantly
randomises and animates every relevant parameter. RANGE which alters the amount of randomisation under both MOTION
and CHAOS. And the CHAOS / FLOW switch which changes the type of randmisation available. CHAOS is purely random based
on a value below your current settings and the RANGE, whereas FLOW analyses and adjusts your current settings depending
on your RANGE allowing you to have a more subtle evolution of randomisation.
DEGRADER consists of a BIT CRUSHER and a DISTORTION unit. Of course we also have included a CHAOS control, which
allows you to randmise every value, which is extremely useful for carving out new and interesting sounds.

The Settings page consists of a few vital controls to help control the CHAOS switch. Such as MOTION, which constantly
randomises and animates every relevant parameter. RANGE which alters the amount of randomisation under both MOTION
and CHAOS. And the CHAOS / FLOW switch which changes the type of randmisation available. CHAOS is purely random based
on a value below your current settings and the RANGE, whereas FLOW analyses and adjusts your current settings depending
on your RANGE allowing you to have a more subtle evolution of randomisation.
DELAY consists of 2 sequential delays, this allows you to build complex rhythms and sequences by simply using different time
values. Each delay has a wet MIX parameter, a tempo synced TIME control, and FEEDBACK and PAN controls to help control the
style and poer of the delay. We also went a step further, and added a a LOW and HIGH PASS filter to the end of the chain, this
allows you to filter out certain frequencies only in the feedback of the delay ensuring it doesnt conflict with your main sound.
And, you guessed it, we included a CHAOS control, so you are able to randomise every relevant parameter, creating some truly
amazing delay patterns. Both delays and the filters also work intelligently, meaning if you are not using them or they are set to
a minimal value, they will bypass themselves in order to save your CPU load.
TRANSFORM contains a powerful impulse convolution with some truly strange and wonderful presets. To change what
convolution is loaded, simply select the preset dropdown menu, and load any of our hand designed impulse responses. From
fog horns, to car crashes, engine revs to world ending drones, we have included a handful of our favourite custom recorded
and designed presets. If you are feeling indesisive, you can also select the CHAOS control, which will randomly assign a preset
for you, as well as alter the available controls for some truly esoteric results. The included controls can help you further shape
the convolution, such as MIX which alters the wet value of the insert, SIZE which stretches or compresses the impulse,
PRE-DELAY which adds a small delay before the impulse is triggered, and of course a HIGH and LOW PASS FILTER, which
allows you to shape the frequency of the impulse convolution layer.
REVERB contains a powerful convolution reverb partnered with a digital reverb. To change what convolution is loaded,
simply select the preset dropdown menu, and load any of our custom recorded impulse responses. We have included a
variety, of real acoustic spaces we use and love, such as recording studios, churches, cathedrals and halls. As well as a few not
so acoustic spaces we equally love. We have also crafted a quick and useful room positioner tool, by clicking anywhere in the
ROOM area you can access a variety of crafted presets which load custom settings ontop of your chosen convolution reverb.
This is a great tool for quickly placing your sound in designed space. Or of course you can select the CHAOS control and let the
engine do the choosing for you.
The included controls are similar as to the TRANSFORM module except REVERB has a digital counterpart. This can be bypassed
by using the DIGITAL ON/OFF switch.
8DIO GENERAL LICENSING AGREEMENT
LICENSE AGREEMENT
By downloading or installing any 8Dio sound library you accept the following product TO THE MAXIMUM EXTENT PERMITTED BY APPLICABLE LAW, 8DM DISCLAIMS ALL WARRANTIES
licensing agreement:
1. LICENSE GRANT
The license for this product is granted only to a single user. You may use this product on up to two
(2) separate computers, which computers shall be owned and used by you exclusively. If you need
more, special arrangements may be made on a case-by-case basis. All sounds and samples in this
product are licensed, but not sold, to you by 8Dio, Inc. for commercial and non-commercial use
in music, sound-effect, audio/video post-production, performance, broadcast or similar nished
content-creation and production use. SUCH DAMAGES, OR OF ANY CLAIM BY ANY OTHER PARTY.
8Dio allows you to use any of the sounds and samples in the library / libraries youve purchased
for commercial recordings without paying any additional license fees or providing source attri-
bution to 8Dio, Inc. This license is non-transferable and expressly forbids resale or lease of the
product(s).
This license also expressly forbids any inclusion of content contained within this library, or any
other 8Dio library, into any other virtual instrument or library of any kind, without our express
written consent. This license forbids any re-distribution method of this product, or its sounds,
through any means, including but not limited to, re-sampling, mixing, processing, isolating, or
embedding into software or hardware of any kind, for the purpose of re-recording or reproduc-
tion as part of any free or commercial library of musical and/or sound effect samples and/or ar-
ticulations, or any form of musical sample or sound effect sample playback system or device or
on a stand alone basis.
2. RIGHTS/WATERMARKING POLICY
The product, including accompanying documentation, is protected by copyright laws and inter-
national copyright treaties, as well as other intellectual property laws and treaties. 8Dio retains
full copyright privileges and complete ownership of all recorded sounds, instrument program-
ming, documentation and musical performances included in this product. Any rights not specifi-
cally granted herein are reserved by 8Dio.
Any unauthorized use, distribution or reproduction of the product shall not be permitted, and
shall constitute a violation of law, and shall entitle 8Dio to, in addition to any other remedy at
law or equity, injunctive relief. It is unlawful to deliberately circumvent, alter or delete technologi-
cal measures of protection and information provided by 8Dio which identies the products, its
owner and the terms and conditions for its use. Please note that the product has been imbedded
with a digital watermark specific to the serial number you have been given for this product. If
the product ends up in other peoples music, you will be held legally responsible, so we ask you
to keep this product for yourself. You further agree to take all reasonable steps to protect this
product from unauthorized copying or use.
3. REFUNDS
Downloaded libraries cant be returned, so we cant provide refunds.
Please choose your selection carefully.
4. LIMITED WARRANTY/LIMITATION OF LIABILITY
AND CONDITIONS, EITHER EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, IMPLIED WAR-
RANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, WARRANTIES OF SATIS-
FACTORY QUALITY, TITLE, AND NON-INFRINGEMENT, WITH REGARD TO THE PRODUCT. TO THE
MAXIMUM EXTENT PERMITTED BY LAW, NEITHER 8DIO, ITS SUPPLIERS, DEALERS, DISTRIBUTORS,
NOR THE AGENTS OR EMPLOYEES OF THE FOREGOING WILL BE LIABLE FOR ANY INDIRECT, CONSE-
QUENTIAL, SPECIAL OR INCIDENTAL DAMAGES OF ANY SORT, (INCLUDING, WITHOUT LIMITATION,
DAMAGES FOR LOST PROFITS, BUSINESS INTERRUPTION OR LOSS OF DATA ARISING OUT OF THE
USE OF THE PRODUCT) WHETHER OR NOT SAME HAVE BEEN NOTIFIED OF THE POSSIBILITY OF
5. TERMS
This license agreement is effective from the moment the product is installed by any means. The
license will remain in full effect until termination. The license is terminated if you break any of
the terms or conditions of this agreement. Upon termination you agree to destroy all copies and
contents of the product at your own expense. In the event of termination, the following sections
of this license will survive: 2, 3, 4 and 7.
6. NFR (Not for Resale)/EDU (Educational) Sales:
All 8dm libraries are subject to the terms of this license agreement, unless specied otherwise.
NFR and EDU copies are exempt from update or upgrades or additional discounts, sales or cou-
pons. Notwithstanding other sections of this license, any products provided to you for an EDU
purpose shall only be used by students or faculty, staff and administration attending or working
in educational institutional facilities and must not be used for commercial purposes.
GENERAL TERMS
(a). This license shall be governed by California law applicable to contracts fully negotiated, ex-
ecuted and performed therein. Only the California courts (state and federal) shall have jurisdiction
over controversies regarding this license; any proceeding involving such a controversy shall be
brought in those courts, in Los Angeles County, and not elsewhere. In the event of any claim
arising from the breach or alleged breach of the terms of this license, the prevailing party shall be
entitled to reasonable attorneys fees and court costs.
(b) You agree that this license contains the complete agreement between the parties hereto, and
supersedes all other communication, relating to the subject matter of the license.
(c) You acknowledge that you have read this license and understand it and agree to be bound by
its terms and conditions.
8DIO THANKS

THANK YOU
Thank you so much for shopping with 8DIO

The production of our libraries are not only a product of our own vision, but also a product of
patience from friends, family and of course countless discussions with a variety of great composers
and producers.

A special thanks to Tawnia, Cam, John & Petr for keeping it together and dealing with our mad brains.

If you have any questions, concerns, love-letters or hate mail feel free to send it to support@8dio.com

Love,
Troels & Colin
MAJESTiCA
BROUGHT
TO YOU by
8DIO.
8DIO
www.8dio.com
All programming, samples, images and text 8Dio 2016. All Rights Reserved.
8Dio is a registered trademark of 8Dio, LLC.