Académique Documents
Professionnel Documents
Culture Documents
Dr. Djamel Dilmi, Assistant Professor College of Architecture, Design and Planning
Qassim University, KSA
Email Address: djamel@qec.edu.sa /
dilmi1@yahoo.com
Abstract
The Islamic art and architecture have played a significant role in the development of historic cities in the
Muslim world; they were developed through time in response to socioeconomic and cultural needs of the
society. The paper will focus on the experience of the Islamic Arts Museum in terms of its role in raising public
awareness about Islamic art and architecture through its building that combines modernity and heritage in
unique Islamic architectural style and educational programs and activities that educate people about
conservation of Islamic heritage. The aim of this essay is to present the experience of IAMM in promoting
Islamic art and architecture in order to share experience as a successful model. To achieve this aim the
existing conditions of this museum were examined in terms of its building, decorated element, cultural
activities and conservation programs using traditional ways and modern technologies. A broad range of
information was collected from various sources and through a field survey carried out in the selected museum
from modern country leading development in the Muslim world. The collected information was analyzed with
particular regard to the special character. This paper is an attempt to address the important issues of
educational programs that raise public awareness about heritage through interior design and display of artifact
from different regions of Muslim world matters that have been raised in many museums around the world and it
is hoped that it is going to be a significant contribution to the subject of reviving Islamic architecture in the
modern world.
Keywords: Islamic art and architecture, museum, modernity and heritage, conservation programs, educational
activities.
Abstrak
Seni dan arsitektur Islam telah memainkan peran yang sangat penting dalam perkembangan kota-kota
bersejarah di dunia Muslim; dibangun sepanjang masa sebagai respon terhadap kebutuhan sosial ekonomi dan
budaya dari masyarakatnya. Makalah ini akan difokuskan pada pengalaman Museum Seni Islam dalam perannya
meningkatkan kesadaran publik tentang seni dan arsitektur Islam melalui arsitekturnya yang memadukan
modernitas dan warisan budaya Islam di dalam gaya arsitekturnya, program-program edukatif, dan aktivitas-
aktivitas yang mendidik masyarakat mengenai pelestarian warisan budaya Islam. Tujuan dari makalah ini adalah
untuk menyajikan pengalaman IAMM di dalam mempromosikan seni dan arsitektur Islam, dalam rangka berbagi
pengalaman sebagai salah satu model yang berhasil. Untuk itu, pembahasan mengenai museum ini akan
meliputi bangunannya, elemen dekorasinya, aktivitas-aktivitas kulturalnya, dan program-program konservasi
menggunakan cara-cara tradisional dan teknologi modern. Informasi yang sangat luas mengenai topik ini
diperoleh dari berbagai sumber dan survei lapangan di museum terpilih dari negara modern yang memimpin
pengembangan di dunia Muslim. Makalah ini merupakan sebuah upaya untuk merespon isu-isu penting dari
program-program edukatif yang meningkatkan kesadaran publik tentang warisan budaya melalui desain interior
dan cara menampilkan artifak dari berbagai wilayah di dunia Muslim yang telah diupayakan di berbagai museum
di berbagai belahan dunia. Diharapkan, terdapat kontribusi signifikan terhadap subjek revivalisasi arsitektur
Islam di dunia modern.
Kata kunci: seni dan arsitektur Islam, museum, modernitas dan warisan budaya, program konservasi, aktivitas
edukatif
The Architecture of the Museum Building Figure 1. The white marble walls recall the opulent
The conceptual design of the museum building monuments of Mughal and Persian Style
was created by the Italian architect, Roberto
Monsani by an imposing, geometric structure,
lightened by its use of glass paneling and lofty
dimensions, and divided into three separate wings
over a gently sloping land area. Clad in gridded
panels of white marble, the Museum is surrounded
by tropical foliage1. With its shimmering glass
windows, white faades and glittering blue domes, it
stands as a welcoming oasis of Islamic art and
culture. Its white marble walls recall the opulent
monuments of Mughal India, whilst its grand portico
and impressive size bring to mind the great mosques
and caravanserais of medieval Iran (Figure 1).
The great front portal of this building was
Figure 2. The iwan of the Islamic Arts Museum Malaysia
presented in form of iwan, which is an attractive and leaving only the rectangular framework
welcoming element for the museum visitors pass
through from the main street into its lobby. An
architectural form originating in pre-Islamic Sasanian The five turquoise-coloured domes are now a
times, the iwan served as a monumental entrance, landmark on the Kuala Lumpur skyline and they are a
this design has been used for palaces, mosques, main element in the special feature of the museum
schools, and private homes. During medieval Islamic building. These elegant domes characterize the
times, the construction of colossal entrances and interior of the museum, each exclusive in design.
The interiors of the four domes and the exterior of
Abstract
Mosque Architecture is a part of Islamic architecture. Mosque should be fused with elements of nature because its
function as a place to pray to God who created the universe. Al Markas Al Islamic Makassar mosque is used as a
center of Islamic aspirations of the people and the government to accommodate all the activities of moslems in
Makassar. Through this function, the provision of Al Markas Al Islamic mosque began from the desire of Islamic
societies in Makassar, which wants the Islamic center to be equipped with facilities and infrastructure as well as
architectural, monumental buildings and structures that can be last for hundreds of years (continuous), blend with
the environment, and also can be used by the public. Having regard to the function of a mosque especially at the
Al Markas Al Islamic Makassar mosque, then the problem that arise is how the Al Markas Al Islamic mosque can be
survived/sustainable in order to function as a place of worship and as a center of Islam. This research is a
descriptive qualitative research that is trying to generate data in the form of systematic and accurate picture of
the object of study. The sustaiprophetlity of Al Markas AL Islamic mosque can be known through the concept of
Islam in accordance with the view of Islam as well as the sustaiprophetlity of the buildings that seen in the spatial
pattern of the mosque, appearance, natural lighting, natural ventilation, and user behavior of the mosque.
Abstrak
Arsitektur masjid merupakan bagian dari arsitektur Islam. Bangunan masjid sebaiknya dapat menyatu dengan unsur
alam karena masjid difungsikan sebagai wadah dalam bersujud/sembahyang kepada Allah SWT yang menciptakan
alam semesta ini. Masjid Al Markas Al Islamic Makassar merupakan kompleks kegiatan Islam yang digunakan sebagai
pusat aspirasi masyarakat dan pemerintahan yang dapat menampung seluruh kegiatan umat Islam di Makassar.
Melalui fungsi inilah maka pengadaan masjid Al Markas Al-Islamic bermula dari keinginan masyarakat Islam di kota
Makassar, yang mana menginginkan pusat kegiatan Islam yang dilengkapi dengan sarana dan prasarana juga
bangunannya monumental yang secara arsitektur dan struktur bisa bertahan sampai ratusan tahun (berkelanjutan),
dan menyatu dengan lingkungannya serta dapat digunakan oleh masyarakat luas. Dengan memperhatikan fungsi
masjid terutama pada masjid Al Markas Al Islamic Makassar maka permasalahan yang muncul adalah bagaimanakah
arsitektur masjid Al Markas Al Islamic dapat bertahan/berkelanjutan agar dapat difungsikan sebagai tempat
beribadah dan sebagai pusat kegiatan Islam. Penelitian ini merupakan penelitian deskriptif yang bersifar kualitatif
yaitu penelitian yang berusaha menghasilkan data berupa gambaran yang sistematis dan akurat dari objek kajian.
Keberlanjutan masjid Al Markas Al Islamic dapat diketahui melalui penyatuan konsep masjid Al Markas Al Islamic
sesuai dengan pandangan Islam serta keberlanjutan dilihat pada bangunan yakni pola tata ruang masjid,
penampilan, pencahayaan dan penghawaan alami serta perilaku pemakai masjid.
Privat
Service Service
Publik
Entrance
The use of material on walls, doors, grass modification approach tailored to the
blocks and tiles on the walls of the Al Markas geographic mosque. Ventilation function is to
Al Islamic receive and keep natural meet the health and thermal comfort. Health
temperature into mosques. The grass block at needs include providing oxygen for breathing,
the entrance to the park can keep the mosque prevention of high concentrations of CO 2,
cold. Thermal comfort through natural smoke and other gases that are harmful,
conditioning requires modification approach preventing the concentration of bacteria and
to natural climate, namely18 [14]: odor suppression. The need for thermal
1. Planting Trees comfort include the transfer of heat out of
2. Night cooling the room, helping the evaporation of sweat
3. Minimize heat gain (heat gain) of solar from cooling the building structure. Thermal
radiation on the building. comfort was also obtained from the gusts of
4. Maximize heat loss in buildings. wind coming into the building. In addition to
wind or air entering the building there is also
Natural ventilation through the conditioning the effect of solar radiation on thermal
room to get natural temperature of the comfort19.
mosque can be formed by means of climate
Abstract
Direct solar radiation is considered the most important climatic element, which has direct and indirect
influences on designing buildings and open spaces. In hot arid regions, like Cairo, the main aim is to reduce the
heat load in summer, and to maximize it in winter. The aim of the present comparative study is to determine
the shaded area and the quantity of direct solar radiation (on 21 June & 21 December) fall on walls, floors and
openings of three courtyards in traditional Islamic houses in old Cairo. For this purpose a network of three
traditional courtyards houses has been selected in old Islamic Cairo. The first is Zaynab Khatun house (built
1468AD), the second is Gamal Al-Din Al-Dahaby (built 1637AD), and the third is Es-Sinnari house (built 1794AD).
Abstrak
Radiasi matahari langsung merupakan elemen iklim yang paling penting untuk dipertimbangkan dalam
perancangan, baik yang memberikan pengaruh langsung maupun tidak langsung pada perancangan bangunan
dan ruang terbuka. Di daerah kering dan panas, seperti halnya Cairo, beban panas di musim panas dikurangi
dan dimaksimalkan di musim dingin. Tujuan dari penelitian yang menggunakan tiga studi banding ini adalah
untuk menentukan daerah yang teduh dan melihat jumlah radiasi matahari langsung pada tanggal 21 Juni dan
21 Desember, yang mengenai pada dinding, lantai dan bukaan yang bersumber dari halaman rumah tradisional
Islam di kota tua Kairo. Untuk itu, telah dipilih tiga rumah tradisional di Kairo yang memiliki halaman yaitu
rumah Zaynab Khatun yang dibangun pada 1468AD, kedua rumah Gamal Al-Din Al-Dahaby yang dibangun pada
1637AD, dan yang ketiga adalah rumah Es-Sinnari yang dibangun pada 1794AD.
Shaded area ratio of the investigated courtyard courtyard is over 82% shaded and over 77% of its
facades are shaded in summer (21 June). While Al-
The calculations of the shaded area showed Dhaby and Es-Sinnari courtyards show lesser
that the ground surface of Zaynab Khatun
10 am., on 21 June
12 a.m., on 21 December
Figure 2a. Curves of solar radiation amount received by Zaynab Khatun courtyard surfaces
on 21 June and 21 December and some photos in particular time (The researcher)
12 a.m., 21 June
14 p.m., on 21 December
Figure 2b: Curves of solar radiation amount received by Es-Sinnari courtyard surfaces
on 21 June and 21 December and some photos in particular time (The researcher)
13 p.m., on 21 December
Figure 2c. Curves of solar radiation amount received by Al-Dhaby courtyard Surfaces
on 21 June and 21 December and some photos in particular time (The researcher)
Because the investigated courtyards differ in Table 2. Average amount of solar radiation per unit
size and orientation, the amount of solar radiation area received by the courtyards surfaces on 21 June
and 21 December (The researcher)
per unit area was used to compare them. From
table 2, the following was observed:
- On 21 June, the ground surface of Zaynab Khatun
courtyard receives the smallest amount of solar
radiation and the ground surface of Es-Sinnari
courtyard receives the largest amount. The
facades of Al-Dhaby courtyard receive the smallest
amount of solar radiation, because they have the
largest ratio of projections when compared with
the other two courtyards. Es-Sinnari facades
receive the largest amount of solar radiation
because they did not have any projections.
- On 21 December, Al-Dhaby courtyard receives the
largest amount of solar radiation.
- Taking in the consideration the total amount of
solar radiation received by ground surface and the
facades together (without North faade), it was
found that Zaynab Khatun courtyard receives the
smallest amount.
Because the north facades of the three
courtyards receives the smallest amount of solar
radiation on 21 June, the summer "Meka'ad" (open Amount of solar radiation received by
reception men space in the first floor) and "Al courtyards openings
Taktabosh" (open reception men space in the
It was observed that the north facades of the
ground floor) are located in this faade.
courtyards have the largest area of openings.
The ratio of openings is 33% in Zaynab Khatun
courtyard, 69.71% in Al-Dhaby courtyard and
Figure 3. The shaded and exposed area and openings of the north facades on 21 June (The researcher)
Figure 4. The shaded and exposed area and openings of the east facades on 21 June (The researcher)
Figure 5. The shaded and exposed area and openings of the south facades on 21 June (The researcher)
Figure 6. The shaded and exposed area and openings of the west facades on 21 June (The researcher)
Conclusion
Abstract
Priangan was a region with a distinctive historical background and administrative unity. The region consisted of
7 regencies in present West Java Province. There were some old community mosques in the region. The aim of
this paper is to formulate architectural characteristics of Priangan old community mosques and their overall
development. The mosques are no longer observable today. Therefore, the study is referring to old
documentations. The oldest available documentations of such mosques were presented in the form of photos
from Dutch colonial era, after the ethical policy. Therefore, the study is limited from the year 1900 to 1942.
Based on the photos, the mosques were resketched by outlining the intended variables, which are building
mass, transitional space, and roof. There were some common architectural characteristics that can be
concluded from Priangan old community mosques. The common characters are single mass, surrounding
verandah, and two stacked pyramidal roof. On the overall development, the mosques showed the peak of
architectural characteristics variations on the photos that were taken in the year 1925.
Abstrak
Priangan merupakan suatu wilayah yang memiliki kesamaan latar historis dan pernah memiliki kesatuan
administrasi. Wilayah ini meliputi 7 kabupaten di Provinsi Jawa Barat saat ini. Di wilayah tersebut terdapat
masjid-masjid komunitas lama. Makalah ini bertujuan untuk merumuskan karakteristik arsitektural masjid-
masjid komunitas lama yang ada di Priangan serta kecenderungan perkembangan keseluruhannya. Masjid-
masjid tersebut saat ini sudah tidak dapat diamati lagi di lapangan. Oleh karena itu, studi karakteristik
dilakukan melalui sumber dokumentasi bersejarah. Dokumentasi masjid-masjid tersebut mulai muncul pada
masa kolonial Belanda setelah politik etis dalam bentuk foto. Oleh karena itu, kurun waktu kajian dibatasi
antara tahun 1900 hingga tahun 1942. Dari foto-foto tersebut, masjid kemudian di sketsa ulang untuk
memperjelas variabel-variabel yang akan dianalisis, yaitu massa, ruang, dan atap. Dari hasil analisis,
didapatkan karakteristik arsitektural masjid komunitas lama di Priangan yang umum, yaitu memiliki massa
tunggal, selasar keliling, dan atap tumpang 2 tumpuk. Kemudian dalam foto masjid-masjid yang diambil tahun
1925, karakter arsitektural masjid menjadi semakin beragam.
Discussion
Researchs Aim and Method
The aim of the study is to formulate
architectural characteristics of old community
Picture 1. Seven Regencies of Priangan in 1925s (Source: mosques in Priangan from 1900 to 1942. The study
Svensson, 1991) encompasses the mosque as a whole mass to some
more detail architectural elements. The tendency of
Priangans administrative borders were not all community mosques development from time to time
static, but underwent some changes throughout will also be studied. Hopefully, this research will
history. Nevertheless, Priangan area could be contribute to the knowledge of Islamic architecture
summed up in 7 regencies that are present in todays diversity in Indonesian Archipelago.
West Java Province. The regencies are Sukabumi, This study is using historical research method
Cianjur, Bandung, Sumedang, Garut, Tasikmalaya, from the qualitative method. The method has 4
and Ciamis4. systematic steps7. The first step is data searching.
The old community mosques in Priangan were The second step is data criticizing. The third is
no longer observable in the field. Therefore, the findings interpretation. The fourth step is
study will refer to old documentations. The chronological writing of the findings. This method
accessible documentations of those mosques were has its concern on datas validity through data
started to be made around 1900. The Ethical Policy selection and critic.
was also established around that time5. By that Old community mosques in Priangan are no
policy, Dutch Colonial Government paid more longer observable in present time. Therefore, the
attention to the natives welfare, such as education study will refer to the oldest available
and health. Based on those reasons, the time frame documentations of the mosques. The
of the study were limited from 1900 to 1942 when documentations are old photographs made around
Dutch Colonial reign was ended by the Japanese 1900 1942. The photos were acquired from the
invasion. internet, mainly from KITLV (Koninklijk Instituut
Bambang Setia Budi had classified old mosques voor Taal-, Land-, en Volkenkunde) website and
under sultanates in Java into 4 categories based on from Tropen Museum through Wikimedia.
their role and setting6. First category was the great There were 14 photos that were managed to be
mosque which was located in the heart of the city obtained which showed 10 different mosques. They
and became a symbol of the rulers greatness. The were spread in 4 regencies, which are Sukabumi,
second mosque was langgar kraton mosque which Bandung, Garut, and Tasikmalaya. There was 1
was located inside the palace (kraton) complex and mosque in Sukabumi. There were 2 mosques in
especially used by the women in the palace. The Bandung, one in each Banjaran and Cibolang. In
third category was community mosque which was Garut there were 5 mosques, which were spread in
located among the society and used by them, such as Cisurupan, Tarogong, Cibatu, Garut City, and 1 other
kampung (village) mosque and pesantren (natives mosque that the specific location was not known. In
Islamic boarding school) mosque. The fourth Tasikmalaya, there were 2 mosques, which were
category was isolated mosque which was located in located in Pamijahan and Singaparna.
Photo
Photo
Istri, Pengkolan,
Location Trogong, Garut Trogong, Garut Trogong, Garut Trogong, Garut
Garut
Year 1900 1927 1900 1940 1905 1911 1925
Photographer Islam Stichting
Tropenmuseum Tropenmuseum
/Collector Leiden
Source Wikimedia Wikimedia KITLV Ansichtskarten KITLV
Photo
The mosques are then resketched based on Architectural characteristics variables were
their old photographs. Resketching was done by then formulated based on those previous studies
tracing the outline from the photos. Proposed with some considerations about the limited
outlines were also drawn for the lines of form that information that can be gained from photos. The
were not very clear or were could not be seen at all. determined variables are mass, transitional space
It was done based on logical interpretation of form. (verandah), and roof. The variables are seen from
The resketching was carried out to enhance the their kind, form, amount, position, and symmetry.
focus on certain variables or characteristics that The mosques are then compared by each variable.
were intended to be studied. The development tendencies of the variables are
Literature studies that were conducted to also mapped out.
determine the variables were about architectural
characteristics and old mosques in Indonesian Old Community Mosques in Priangan
Archipelago. Sagsoz, Tuluk, and Ozgen (2005) 8 Based on the photos that were managed to be
analyzed architectural characteristics from acquired for this paper, there were 10 old
buildings story height, symmetry, community mosques in Priangan.
horizontal/vertical accent, overhang, entrance, bay
window, and window. Those elements were seen 1. Mosque in Sukabumi (1901 1902)
from their position, dimension, form, and kind. The mosque in Sukabumi was only consisted of
There was also a study of Javanese old mosques by the main mass. It had symmetrical mass. The
Bambang Setia Budi9. He stated that the mosques mosque had verandah on the front and each side of
had square plan, pyramidal stacked roof, saka guru its main room. The mosque had 2 stacked pyramidal
columns, surrounding wall, and located near roof with opening between the stacks which was
graveyard complex. He also stated that minaret or divided into 3 modules by small columns. Each roof
tower and serambi (verandah) were additional stack had 2 angles, steeper on the upper part and
features of the mosques that were not originated sloping more gently on the lower part. It also had
from them. ornated fascia board.
The Great Mosque of Cianjur The Great Mosque of The Great Mosque of Garut The Great Mosque of
(1920 1931) Bandung (1927) (1925) Tasikmalaya (1925 1933)
Picture 10. The Great Mosques in Priangan (Source: Wikimedia and KITLV, 2012 2013)
symmetrical
mass
single mass
Banjaran
symmetrical mass
single mass
Cibolang
symmetrical mass
single mass
Garut
symmetrical
mass
single mass
Cisurupan
symmetrical
mass
single mass
Tarogong
symmetrical mass
Istri
single mass
main mass,
verandah,
Cibatu
symmetrical
mass
main mass &
Pamijahan
verandah
symmetrical
mass
verandah
symmetrical
mass
Source: Author, 2013
2 stacked
Sukabumi
pyramidal roof
2 stacked
Banjaran
pyramidal roof
2 stacked
Cibolang
pyramidal roof
2 stacked main
roof
Garut
terraces gable
roof
2 stacked
Cisurupan
pyramidal roof
2 stacked
Tarogong
pyramidal roof
pyramidal roof
Istri
with dome
2 stacked main
roof
verandahs
Cibatu
hipped roof
towers
pointed roof
2 stacked main
roof
Pamijahan
verandahs
hipped roof
2 stacked main
roof
Singaparna verandahs
hipped roof
with twin
gables
Source: Author, 2013
The mosques main and additional roof shape roof of Mosque in Garut (1925). Hipped roofs were
also formed roof characteristics. All of the mosques visible as verandahs roof on Mosque in Pamijahan
had 2 stacked pyramidal main roof with opening (1910), Cibatu (1925), and Singaparna (1925 1933).
between the stacks, except for Istri Mosque (1925) The hipped roof on the Mosque in Pamijahan had 2
which had a dome instead on its upper stack. All of sloping angles. Hipped roof of Mosque in Singaparna
the stacks had 2 sloping angles, except for the had twin gables on its sides.
Mosque in Pamijahan (1910) and Garut (1925) which Based on table 4, roof characteristics of old
only had the 2 sloping on their upper stack. The community mosques in Priangan can be summarized.
additional roof forms were pointed, gable, and All of the mosques had 2 stacked pyramidal main
hipped roof. The pointed roofs which had 2 sloping roof form, except for Istri Mosque. All of the
angles were present at the towers of Mosque in mosques showed 2 sloping angles, either on both
Cibatu (1925). Gable roof was visible as terraces stacks or on one of the stacks. Additional roof was
Abstract
God created human as caliph on this earth. Caliph means leader, care-taker and guardian. Therefore humans
have an obligation to maintain, preserve and conserve this natural for future generations. Today we see a lot of
damage that occurs in the earth caused by human behavior. Islam saw the whole of nature as a place of prayer
that must be maintained its cleanliness and purity. Therefore as Muslims we need to preserve nature as we
keep our place of prayer. The main objective of this paper is to re-questioning and re-interpreting the idea of
sustainability in Islamic Architecture through a critical analysis of first project of 2nd year architecture student
of UKM which is the Temporary Praying Platform. The discussion itself will be divided into three (3) main
parts. The first part will be discussing contemporary issues in Islamic Architecture especially in the design of
Mosques while the second part will expand the framework of sustainability in Islamic Architecture. The last
part will be analyzing some sample of design submission by 2nd year students of UKM on the temporary praying
platform project. It is expected that this paper can start a further discussion on the inner meaning in Islam and
how it was implemented in the design of praying spaces in the future.
Abstrak
Tuhan menciptakan manusia sebagai khalifah di muka bumi ini. Khalifah berarti pemimpin, penjaga dan wali.
Oleh karena itu, manusia memiliki kewajiban untuk memelihara, menjaga dan melestarikan alam ini untuk
generasi mendatang. Sekaranginikitatelahmelihat banyak kerusakan yang terjadi di bumi yang disebabkan oleh
perilaku manusia itu sendiri yang disebutkan sebagai khalifah di bumi. Islam melihat seluruh alam sebagai
tempat beribadah yang harus dijaga kebersihan dan kemurniannya, oleh karena itu, sebagai umat Islam adalah
perlu melestarikan alam seperti menjaga tempat ibadah mereka. Tujuan utama dari makalah ini adalah untuk
mempertanyakan dan menafsirkan kembali gagasan keberlanjutan (sustainable) dalam Arsitektur Islam melalui
analisis kritis tugas pertama dari mahasiswa arsitektur angkatan tahun kedua dari Universiti Kebangsaan
Malaysia (UKM), yaitu tugas perancangan " tempat beribadah sementara "atau temporary praying platform .
Kajiandibagi menjadi tiga bagian utama. Bagian pertama akan membahas isu-isu kontemporer dalam Arsitektur
Islam terutama dalam desain masjid. Kajian kedua adalah kerangka keberlanjutan dalam arsitektur Islam.
Bagian ketiga adalah analisis dari beberapa sampel pengajuan desain oleh mahasiswa. Diharapkan tulisan ini
dapat memulai diskusi lebih lanjut tentang makna batin dalam Islam dan bagaimana penerapannya dalam
desain ruang beribadah yang sustainable.
Key Issues Islamic Architecture in Nusantara Such was the house of the leader of the
This section will attempt to explain the various community at Medina. Nor did
Muhammad wish to alter these
issues that are used as the principle of the
conditions; he was entirely without
classification process within the art community of architectural ambitions, and Ibn Sa'd
Islam. These issues are very important because they records the following saying of his: "The
are used to understand and interpret the arts of the most unprofitable thing that eateth up
Islamic community, particularly in the Nusantara. the wealth of a Believer is building.2
There are at least six (6) key issues regarding the
documentation and the interpretation of Islamic Those who oppose studying the past use of
architecture in Nusantara: the history of how the historical buildings and objects have been divided
community used the product in the past; the between studying only the aspects of the
interpretation of the principles of Islamic law; the architecture and using the internal framework of
Islam using the Qur'an and the Sunnah as reference
need to be compatible with the contemporary spirit
sources. The parties useijtihad and interpretation as
and local ideas about progress; issues of symbolism;
a design deemed suitable for use in the future. The
the interpretation of the value of the object; and
use of ijtihad and interpretation derives from the
the issue of building typology.
feeling that the basic principles of Islam are not
clearly regulated in architecture because if they
were, there would be no need for further ijtihad and
Issues with the Past Use of Historical Products
interpretation, as in the following opinion from
The first issue that became the basis of various
Serageldin:
studies on Islamic architecture concerned the
historical use of the product. Some thinkers and
I do not believe that any reading of the
researchers of the Islamic architecture of the Muslim Quran, at any level, or a study of the
community believe that the history of a building is Sunna, will providea detailed
an important issue that must be studied to instructions on how to design a house in
understand the concept and philosophy of Islamic Morocco or Indonesia, or how to design
architecture. the thoroughfares of Cairo or Istanbul.
Those that have tried to derive specific
At the same time, a number of other
examples from these source are doing
researchers believe the contrary. They believe that
both themselves and the sources a
buildings from the Muslim community before the disfavour. Themselves by ignoring the
birth were a product not of Islamic thought, but, on wider context in which we live and which
the contrary, of tradition and the social-political or must provide the major givens of the
the Muslim community. These researchers saw that a problems to be addressed, and the
survey on historic Islamic buildings would not give a sources by demeaning them to the level
of a handbook or textbook rather
formula of Islamic architecture and would actually
than treating Quran as eternal message
only be an image formation. of inspiration and guidance for all times
Those who believe in accepting the use of and the Sunna of the Prophet as the
historical sources are divided in their opinions as to embodiment of exemplary behaviour. If
whether any part of Islam can be considered to God had desire to give people specific
reflect the history of Islam. Most of the historical instructions on how to build structures in
the twentieth century, He could
success of Islam during times such as Islams rise in
certainly have done so explicitly.3
Turkey and the time of SafafidUstmani is considered
a suitable reference of the history of Islam. The Figure 1 is the example of different views that
early days of Islam itself, concerning the Prophet can be seen at the Kocatepe mosque design in
and his companions, are often considered a Turkey. In the design of the mosque, it can be
Development of space
Sustainability of an ecosystem is also
determined by the arrangement of space. Space
arrangement is how to determination and division of
space must be done correctly and according
to context and use of space. Development of space
that does not consider these aspects can damage the
existence of ecosystems. Therefore, in planning and
designing of building should consider the first
arrangement of space, where there is room for the
Figure 6: Folded and re-use system praying space environment and space for building.
platform
Sources: Design from 2nd year Architecture Students Space area
temporary praying platform Space area consists of two types of space,
building space and the space is not built or natural
environment. In space there is a building built
Faculty Engineering and Built Environment (FKAB)
and a cafe building. As for the space that is not
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198198198 Journal of Islamic Architecture Volume 2 Issue 4
December 2013
built. There are two spaces. First is the land space relationship between man and woman who are not
as parks and roads, and second is water space as the mahram. Then determine the sacred space as
lakes and catchment areas. the main prayer place and dirty room or place
ofablution.