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Ma. Jiesica G.

Ledesma Grade 7-SSC Maxthon

MUSICAL INSTRUMENT OF CORDILLERA

Tongatong is a bamboo percussion instrument used by the people of Kalinga


to communicate with spirits during house blessings. It is made of bamboo cut in
various lengths. When you hit it against soft earth a certain drone reverberates
though the instrument's open mouth. When an entire set of Tongatong is played
in interloping rhythm and prolonged with the tribal chanting, it could put
the audience and the dancers in a trance.

Saggeypo it is a bamboo pipe that is closed on one end by a node with the open
end held against the
lower lip of the player as he blows directly across the top. The pipe can be
played individually by
one person or in ensembles of three or more.

A bungkaka, also known as the bamboo


buzzer is a percussion instrument (idiophone) made out of bamboo common
in numerous indigenous tribes around the Philippines such as the Ifugao,
Kalinga, and Ibaloi.

The kubing is a type of Philippine jaw harp from bamboo found among the
Maguindanaon and other Muslim and non-Muslim tribes in the Philippines and
Indonesia. It is also called kobing (Maranao), kolibau (Tingguian),
aru-ding (Tagbanwa),[1] aroding (Palawan),[2] kulaing (Yakan), karombi
(Toraja), yori (Kailinese) or Kulibaw[citation needed]. Ones made of sugar
palm-leaf are called karinta (Munanese), ore-ore mbondu or ore Ngkale
(Butonese).

A patteteg is a Filipino percussion instrument.


Patteteg is a bamboo leg xylophone in english that is made on bamboo,and an instrument of Cordillera.
Gangsa Toppaya is the idiomatical
membronic sound that cames from
cordillera has a big blongde and
biggere it is lower the pitch

Gangsa is a single hand-held smooth-surfaced gong with a narrow rim. A


set of gangsa, which is played one gong per musician, consists of gangsa
tuned to different notes, depending on regional or local cultural preferences. The number of gangsa in a set varies
with availability, and depends on the tradition of a particular ethnic group of the Luzon
Cordillera: Kalinga, Ifugao, Bontoc, etc.Among the Kalinga people in the Cordillera region of Luzon Island, the gangsa
is played in two ways. One way is called "toppaya" and the other is called "pattung." In "toppaya" style, the
musicians play the surface of the gangsa with their hand while in a sitting position, with a single gangsa resting on
the lap of each musician. In the "pattung" style, a gangsa is suspended from the musician's left hand and played
with a padded stick held in the musician's right hand. In the "pattung" style of playing, the players are standing, or
they keep in step with the dancers while bending forward slightly.
It is a traditional kind of Filipino folk music, which focuses on percussion: flat gongs are played rhythmically with sticks by eight
gong players.

Among the Kalinga people in the Cordillera region of Luzon Island,


the gangsa is played in two ways. One way is called "toppaya"
and the other is called "palook." In "toppaya" style, the musicians
play the surface of the gangsa with their hand while in a sitting
position, with a single gangsa resting on the lap of each musician. In
the "palook" style, a gangsa is suspended from the musician's
left hand and played with a padded stick held in the musician's
right hand. In the "palook" style of playing, the players are standing,
or they keep in step with the dancers while bending forward
slightly.It is a traditional kind of Filipino folk music, which focuses on
percussion: flat gongs are played rhythmically with sticks by eight gong players. It is played with a metal stick and hit
on a metal barrel to bring the sound out

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