Académique Documents
Professionnel Documents
Culture Documents
Table of Content
1.0 Introduction
1.1 Objectives
1.2 Project Introduction
1.3 Floor Plans
2.3 PSALI
2.3.1 Meeting Area (Second Floor)
2.3.2 Theatre (Third Floor)
3.0 References
1.0 Introduction
1.1 Objectives
The objectives of this project is to integrate the lighting analysis and design into our community library which is
located at Jalan Tuanku Abdul Rahman. The site selected is east-west oriented where daylighting becomes a
crucial issue to be looked into, we are required to bring in and utilize much natural lighting as possible for our
community library to reduce the consumption of energy, and natural lighting provides a better lighting condition
and produce more comfortable spatial qualities. The inadequate lighting thus required an intelligent integration
and placement of artificial lighting, to ensure a suitable and sufficient luminance in the reading spaces.
The daylight factor concept is applicable only when the sky illuminance distribution is known or can reasonably
be estimated. In this case study, the average outdoor illuminance in Malaysia is assumed according to the
standard which is 20000 lux (refer to Table 2.1.2).
At 9 oclock in the morning, the incident light came from East direction which directly penetrating on the east
fa ade, the rear spaces of the community library will face the issue of insufficient light, such as the meeting area
at second floor and leisure garden at first floor. The front fa ade is treated with sun screening louver fa ade
system to control the direct sunlight into the open garden while provides sufficient illuminance to the art plaza at
the ground floor. The culture hall will not be affected by the sunlight at this hour.
At this hour, the incident light mainly penetrates from the top of the west direction, and affects the reading area
at the rear side where there is a large openings to frame the view of the city. The issue is resolved by having a
deep recess of windows over the space stated. Louvers sun screen to be installed for the rear fa ade also
serves to reduce the heat gain from the natural light and secure the literature collections. For the ground floor,
the art plaza I will be affected by afternoon sun, but it can be overcome by the louver screening thus the interior
space will not be exposed under the sunlight directly. And the sunlight from the windows also be soften and
diffused by the plantations in the building.
To create a visual permeability to attract the passerby through the visibility of the activities happening in the
building, the community library is designed as a double frontage building where the rear fa ade is designed with
a lot openings to respond to the intention. Thus the evening sun will mostly affect the spaces at the rear of the
building as the east-west orientation of the library will cause discomfort to the users by allowing overexposed
natural light. It is crucial to provide a sun shading devices to reduce the direct penetration of the evening light.
Louvers sun screening fa ade syste4m and more plantations were used to diffuse the light and prevent the light
from directly entering these spaces. As the quiet lounge that provides serious reading should not have too much
glazing of lights in the space, the incident light is monitored by utilizing the plantations as natural buffered to
shade the interior spaces from evening light.
Daylight Contour
From the daylight contour analysis, it can identified that the light
can reach upon the corridor area but not penetrating on the
meeting table. Plantations are used to diffuse the direct sunlight
while the meeting area will be further illuminance by artificial
lightings.
Meeting Area
Afternoon 2 p.m. where sunlight penetrates from the west fa ade (rear).
Analysis
The selected space meeting area and corridor has daylight factor of 3.25% which is considered as good
distribution of light due to the sufficient openings that allow penetration of sunlight to the corridor. On the other
hand, the indoor illuminance is at 650 lux, slightly higher than MS1525 standard for a meeting room which
range from 300-400 lux. This might cause slight discomfort to the users during the meeting, and this issue is
tackled by introducing plantations between the meeting area and the openings to provide filtration and shading
from the sunlight while maintaining a degree of comfortable lighting condition for reading and discussion
activities.
E = n x N x F x UF x LLF
A
Where,
E =Average illuminance to cover the space
n =Number of lamps of each luminaire
N =Number of luminance
F =Lighting design lumens per lamp, i.e. Initial bare lamp luminous
UF =Utilization factor for the horizontal working plane
LLF =Light loss factor
A =Area of the horizontal working plane
Lumen method can also be calculated and used to determine the number of lights should be installed on the
site. To know the number of lamps, calculation of total luminance of the space need to be done based on the
number of fixtures and examine the sufficiency of light fixtures on that particular space.
N= ExA
F x UF x MF
Where,
N =Number of lamps required
E =Illuminance level required (Lux)
A =Area at working plane height (m2)
F =Average luminous flux from each lamp (lm)
UF =Utilization factor, an allowance for light distribution of the luminaire and the room surfaces
MF =Maintenance factor, an allowance for reduced light output because of deterioration and dirt
Room Index
Room Index, RI, is the ratio of room plan area to half wall area between the working and luminaire plans,
Which can be calculated by:
RI = LxW
Hm x (L + W)
Where,
L =Length of room
W =Width of room
Hm =Mounting height, the vertical distance between the working plane and the luminaire.
Where,
LLD =Lamp lumen depreciation
LDD =Luminaire dirt depreciation
ATF =Ambient temperature effects
HE =Heat extraction
VE =Voltage effects
BF =Driver and lamps factors
CD =Component depreciation
Image of fixture
Power (W) 28
First spacing for 4.35m wall will be half of the S, 1.45/2 = 0.725m
First spacing for the 10.3m wall will be 1.72/2 = 0.86m
Meeting Area
The daylight contour on the left shows the source of natural light is only from the rear openings, the natural
lighting is not sufficient enough to maintain at average lighting condition for meeting area. The diagram on the
right shows the artificial lighting contour of the meeting area, the light is well distributed to all corners around the
room.
Image of fixture
Power (W) 10
First spacing for 8.11m wall will be half of the S, 1.16/2 = 0.58m
First spacing for the 8.21m wall will be 1.17/2 = 0.585m
Theatre
The daylight contour diagram shows the interior space of the theatre received only minimal amount of natural
light as it is restricted by small openings along the wall. The frontage of the theatre may receive certain degree
of glazing from the culture hall when the curtain is opened, yet it is not sufficient for the illumination of the
theatre. The artificial lighting contour illustrates the lighting condition after the installation of track light. The light
source is well distributed to every corners around the room, and the AV equipment corners are maintained at
middle low glazing condition. LED track lighting is recommended in the theatre as it is adjustable and the
luminous level is suitable for the needs of a theatre.
2.3 PSALI
The PSALI light contour shows when lights of row 3, 4, 5, 6 are turned on during daytime when it is slightly
brighter.
The interior space of meeting area does not receive sufficient amount of natural lighting.
The meeting area is located at the rear side of the building, providing two openings to allow penetration of
natural lighting. But the glazing is constrained by specific time and it is not adequate to light up the whole
meeting area which may involve the activities of reading, discussing, and looking at the whiteboard. To provide
sufficient lights for the meeting area, the light fittings is planned in a way that row 3,4,5,6 will serve as the main
light source for the meeting area, while row 1 and 2 will serve to light up the corridor if it is overcast sky or
during the evening hours.
Serving for different amenities during the occasional activities, theatre is designed with minimum natural lighting
with the complementary artificial lighting to provide the flexibility of glazing for different scenarios. Yellow zone is
the main stage lighting, which will be turned on during a speech and off while showing a projection on screen.
Red zone is the complementary for Yellow zone if the activities such as forum, and workshop requires more
lightings focus on the stage. Green zone is lightings for the seating, and Blue zone is the lightings for the
circulation.
The theatre is isolated at a certain degree to secure the amenities from disturbing factors.
Theatre is located close to the front fa ade, which a well consideration for openings is required to control the
natural lighting and noise, thus the theatre requires the mechanical lightings to achieve its reasonable glazing.
While different scenarios imposed a planning of artificial lightings to the theatre to suit different activities to
maximize the amenities of theatre.
4.0 References
Titon, E, Bostwick, A., & Ranck, 5/ (1928). Essentials in library planning (1 st ed.). Chicago: American Library
Association.
Lighting Materials for Simulation (2016). Lighting-materials.com. retrieved 28 November 2016, from
http://lighting-materials.com/materials/563
Ecotect Lighting Analysis Tutorial. (2016). Bldgsim. Retrieved 2 July 2017, from
hyyp://bldgsim.wordpress.com/2009/02/07/ecotect-lighting-analysis-tutorial/
Winchip, S.(2011). Fundamentals of lighting (1st ed.). New York: Fairchild Books.