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To realize Mike Johnson’s musical conceptions, the musicians in his band Thinking Plague—

like members of a contemporary music ensembleread from fully notated scores. Because of its instrumentation and volume, it still sounds somewhat like rock but it is light years away from popular music. In this video presentation by Molly Sheridan, Mike Johnson explains to Frank J. Oteri why he wanted to infuse the world of the Rolling Stones and Yes with the harmonic vocabulary of Shostakovich and William Schuman and describes the ups and downs of Thinking Plague's now 35-year history. To read the entire transcript of their conversation, go

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 Categoría o <a href=Música  Licencia o Licencia de YouTube estándar MOSTRA R MENOS COMENTARIOS • 1 Añade un comentario público… Mejores comentarios FunerealObsession Hace 2 meses Their last two albums are incredible. Responder To realize Mike Johnson’s musical conceptions, the musicians in his band Thinking Plague — like members of a contemporary music ensemble — read from fully notated scores. Because of its instrumentation and volume, it still sounds somewhat like rock but it is light years away from popular music. In this video presentation by Molly Sheridan, Mike Johnson explains to Frank J. Oteri why he wanted to infuse the world of the Rolling Stones and Yes with the harmonic vocabulary of Shostakovich and William Schuman and describes the ups and downs of Thinking Plague's now 35- year history. To read the entire transcript of their conversation, go to: http://www.newmusicbox.org/articles/m ...  Categoría o Música  Licencia o Licencia de YouTube estándar " id="pdf-obj-0-43" src="pdf-obj-0-43.jpg">

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 Categoría o <a href=Música  Licencia o Licencia de YouTube estándar MOSTRA R MENOS COMENTARIOS • 1 Añade un comentario público… Mejores comentarios FunerealObsession Hace 2 meses Their last two albums are incredible. Responder To realize Mike Johnson’s musical conceptions, the musicians in his band Thinking Plague — like members of a contemporary music ensemble — read from fully notated scores. Because of its instrumentation and volume, it still sounds somewhat like rock but it is light years away from popular music. In this video presentation by Molly Sheridan, Mike Johnson explains to Frank J. Oteri why he wanted to infuse the world of the Rolling Stones and Yes with the harmonic vocabulary of Shostakovich and William Schuman and describes the ups and downs of Thinking Plague's now 35- year history. To read the entire transcript of their conversation, go to: http://www.newmusicbox.org/articles/m ...  Categoría o Música  Licencia o Licencia de YouTube estándar " id="pdf-obj-0-52" src="pdf-obj-0-52.jpg">

FunerealObsessionHace 2 meses Their last two albums are incredible.

Responder

To realize Mike Johnson’s musical conceptions,

the musicians in his band Thinking Plaguelike members of a contemporary music ensembleread from fully notated scores. Because of its instrumentation and volume, it still sounds somewhat like rock but it is light years away from

popular music. In this video presentation by Molly Sheridan, Mike Johnson explains to Frank J. Oteri why he wanted to infuse the world of the Rolling Stones and Yes with the harmonic vocabulary of Shostakovich and William Schuman and describes the ups and downs of Thinking Plague's now 35- year history. To read the entire transcript of their conversation, go to: http://www.newmusicbox.org/articles/m ...

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To realize Mike Johnson’s musical conceptions, the musicians in his band Thinking Plague— like members ofhttp://www.newmusicbox.org/articles/m ...  Categoría o Música  Licencia o Licencia de YouTube estándar MOSTRA R MENOS COMENTARIOS • 1 Añade un comentario público… Mejores comentarios FunerealObsession Hace 2 meses Their last two albums are incredible. Responder To realize Mike Johnson’s musical conceptions, the musicians in his band Thinking Plague — like members of a contemporary music ensemble — read from fully notated scores. Because of its instrumentation and volume, it still sounds somewhat like rock but it is light years away from popular music. In this video presentation by Molly Sheridan, Mike Johnson explains to Frank J. Oteri why he wanted to infuse the world of the Rolling Stones and Yes with the harmonic vocabulary of Shostakovich and William Schuman and describes the ups and downs of Thinking Plague's now 35- year history. To read the entire transcript of their conversation, go to: http://www.newmusicbox.org/articles/m ...  Categoría o Música  Licencia o Licencia de YouTube estándar MOSTRAR MENOS COMENTARIOS • 1 Añade un comentario público… Mejores comentarios " id="pdf-obj-0-105" src="pdf-obj-0-105.jpg">

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<a href=FunerealObsession Hace 2 meses la t t oal u a T c d l R o d a cd g o el 30 may. 2016 for orchestra Klangforum Wien Johannes Kalitzke, conductor o el 30 may. 2016 for orche stra Klangforu m Wien Johannes Kalitzke, conductor o el 30 may . 2016 for orchestra Klangforum Wien Johannes Kalitzke, conductor o el 30 may. 2016 for orchestra Klangf o rum Wien Johannes Kalitzke, conductor o el 30 may. 2016 for orchestra Klangforum Wien Johannes Kalitzke, conductor I don ’ t wanna be the " id="pdf-obj-1-2" src="pdf-obj-1-2.jpg">
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for orchestra

Klangforum Wien Johannes Kalitzke, conductor o el 30 may. 2016 for orchestra

Klangforum Wien Johannes Kalitzke, conductor o el 30 may. 2016 for orchestra

Klangforum Wien Johannes Kalitzke, conductor o el 30 may. 2016 for orchestra

Klangforum Wien Johannes Kalitzke, conductor o el 30 may. 2016 for orchestra

Klangforum Wien

Johannes Kalitzke, conductor

I dont wanna be the

American idiot dont wanna be the fuckin fucker fucked

I dont wanna be the American idiot dont wanna be the fuckin fucker fucked

  • I dont wanna

be the American idiot dont wanna be the fuckin fucker fucked

  • I dont wanna

be the

American idiot dont wanna be the fuckin fucker fucked

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