APPENDIX

AP NDICE
JUNE 2016
JUNIO 2016
Through the brilliance of an image,
the distant past resounds with echoes.

A travs del brillo de una imagen,

el pasado distante resuena en ecos.
Gaston Bachelard.

We do not remember, we rewrite

memory much as history
is rewritten.

Chris Marker.
THE FORCE AND PERSUASIVE-
NESS OF REALITY, of real life,
belong to the present and
the past aloneto the is
and the wasand to the future
belongs a reality of a different
sort, one that is more
ephemeral, a reality that when
placed in the future is deprived
of that materiality and density,
that real-life weightiness El
poder y fuerza de persuasin
de la realidad, de la vida real,
le pertenece al presente y
al pasado solamente al es y
al fue-, al futuro le pertenece
una realidad de otro tipo,
una que es ms efmera, una
realidad que al ser ubicada
en el futuro est privada
de esa materialidad y densidad,
de ese peso de la vida real.
THE FUTURE IS NOT HOMO-
GENEOUS with the present and
the past, and no matter how
much time it occupies it is
denied a basic concreteness, it
is somehow empty and frag-
mented. El futuro no es
homogneo con el presente o
con el pasado, y sin importar
cuanto tiempo ocupe, se le ha
negado una sustancia bsica,
es de alguna manera vaco y
fragmentado. IT IS THUS
ABSOLUTELY NECESSARY TO
DIE, because while living we
lack meaning, and the
language of our lives is
untranslatable: a chaos of
possibilities, a search for re-
lations among discontinuous
meanings. Es entonces ab-
solutamente necesario morir,
porque mientras vivamos
adole-ceremos de significado,
y el lenguaje de nuestras vidas
ser intraducible: un caso de
posibilidades, una bsqueda
de relaciones entre signifi-
cados discontinuos. I TRIED TO
TELL HER THIS, AS I THOUGHT
IT WOULD SOUND POETIC,
but I didnt have any of the
relevant verbs. Intent decirle
esto a ella, porque pens que
sonara potico, pero yo no
tena ninguno de esos verbos
importantes
Mikhail Bakhtin.
Pier Paolo Pasolini.
Ben Lerner.
A WAY OF BEING
NOT-HERE,
WHICH MUST BE
ANOTHER WAY OF
BEING HERE,
TOO .
 A CERTAIN KIND OF
INTIMACY IN PARTICULAR
DISTANCES

Michelangelo Antonioni.
Longing, we say, Anhelo, decimos,
because desire is full porque el deseo est lleno
of endless distances. de distancias infinitas.

Robert Hass.
Roman Jakobson.
I may desire to break my own heart
to become open to your capacity to
repair it to a state better than what it was
when I met you. But as I experience that
relation, I may sense it as love, desperation,
bitterness, ambivalence, a drive to
competence, anxiety, spaciness, and/or simply
as a pressure in my body that I need to
discharge. Puedo querer romper mi corazn y
abrirme a tu capacidad de devolverlo a un mejor
estado de aquel en el que estaba cuando te conoc.
Pero mientras experimente esa relacin, puede que la
sienta como amor, desesperacin, amargura,
ambivalencia, un impulso de competencia, ansiedad,
distraccin y/o simplemente como
una presin en mi cuerpo que necesito descargar.

Lauren Berlant.

Carly Rae Jepsen.

I write you completely whole and I feel
a pleasure in my being and my pleasure
of you is abstract, like the instant. Te escribo
en mi totalidad y siento un placer en mi ser, y mi
placer de ti es uno abstracto, como el instante. I

Clarice Lispector.
dont want what is already made but what
is tortuously in the making. No quiero lo que
ya est hecho sino aquello que est tortuosamente
haciendose.
THE ROUTINE,
I BELIEVED,
WOULD BECOME
THE MEANS
This book was composed and compiled by Jeannie Yoon and intended as a
supplement to the project June 2016, a work in gestures, epistolary poetics,
sound, video, and computer actions, realized during a residency with Fundacin
Campos de Gutirrez over the eponymous time period and first presented at
Exhibicin MIFF: Nuevos Formatos y Arte Contemporneo, which was/will have
been held at CreaLab (Centro Cultural de la Facultad de Artes de la Universidad
de Antioquia) from June 23rd to July 4th, 2016. Davd Garzn Barbosa provided
translation into Spanish. Text left untranslated may be assumed original.

WORKS CITED / FURTHER READING:

abreu, manuel arturo. List Of Consonants.
Antonioni, Michelangelo. LAvventura.
Bachelard, Gaston. The Poetics Of Space.
Bakhtin, Mikhail. Forms of time and chronotope in
the novel.
Ben Lerner & Ariana Reines In conversation. BOMB
Magazine Fall 2014.
Berlant, Lauren. Thinking about feeling historical.
Cha, Theresa Hak Kyung. Dictee.
Hass, Robert. Meditation At Lagunitas
Jakobson, Roman. Shifters and verbal categories.
Jepsen, Carly Rae. Run Away With Me
Kraus, Chris. I Love Dick.
Lerner, Ben. Leaving The Atocha Station.
Lispector, Clarice. The Stream Of Life.
Marker, Chris. Sans Soleil.
Nelson, Maggie. Bluets.
Pasolini, Pier Paolo. Observations on the long
take.
Reines, Ariana. Coeur de Lion.
Young, Dean. Poem Without Forgiveness