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Substance and Shadow - Alberto Giacometti Sculptures And Their Photographs Py Peter
Lindbergh
Gagosian Gallery (NY) 2017 ISBN 9781938748448 Acqn 27627
Pb 23x30cm 122pp 40ills 25col 50

Gagosian is pleased to present an exhibition of sculptures by Alberto Giacometti, together with

photographs by Peter Lindbergh. In 2016, Lindbergh was invited to photograph bronzes and
plasters by Giacometti held in the collection of the Kunsthaus Zurichthe largest and most
important collection of Giacometti works in a museum, including one hundred and fifty sculptures,
as well as key paintings and drawings.

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Joe Bradley - Krasdale Catalogue

Gagosian Gallery (NY) 2017 ISBN 9781938748417 Acqn 27855
Hb 27x32cm 100pp col ills 65

Gagosian Gallery is pleased to present new paintings, drawings, and sculptures by Joe Bradley in
his first solo exhibition with the gallery.

Joe Bradley was born in 1975 in Kittery, Maine; he lives and works in New York City. He received
his BFA in 1999 from the Rhode Island School of Design (RISD) in Providence.

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Albert Oehlen - Elevator Paintings: Trees Catalogue

Gagosian Gallery (NY) 2017 ISBN 9781938748431 Acqn 27857
Hb 26x31cm 74pp 33col ills 65

Oehlens oeuvre is a testament to the innate freedom of the creative act. Unleashing this freedom
through self-imposed constraints, Oehlen sets rules and boundaries in order to test the breaking
point of painting itself. Through expressionist brushwork, Surrealist methodology, computer-
generated lines, and self-conscious amateurism, he multiplies the potential of visual codes
through processes of persistent accretion.

Of the two groups of works in Elevator Paintings: Trees the Tree Paintings (Baumbilder) are
permutations of an ongoing series that Oehlen began more than thirty years ago. For this
iteration, he limited his palette to predominantly black and red. On bright white Dibond, black lines
track the hands erratic ambulations, while red gradations are contained within geometric figures
of a more digital register. The black, mobile lines take on a representative function, as if
measuring their own relation to the red, still planes. Using a new technical approach, the Elevator
Paintings are all-over polychromatic oil paintings in which Oehlen stages oppositions between
clear contours and amorphous blurs. Over areas of clean, solid colour, he applies voracious
sprays, drips, and strokes in muddy greens and greys, deep reds and flesh tones, further
complicating his conflation of erasure and enhancement.

A fully illustrated catalogue, Elevator Paintings: Trees, with an essay by Andreas van Dhren will
accompany the exhibition.

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