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PHYSIOGNOMY

-The science of observations

Compiled by:Ankit srivastav


B.H.M.S(Gold medalist), M.D. (PGR)
Gorakhpur, U.P., India
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1
INTRODUCTION
Physiognomy - An ancient art & a modern
scientific study of judging human characters by
facial features of face or form of body.

Physiognomy is also referred to as Face Reading,


Personology and Characterology that gives us an
understanding of humanity and human nature.

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HISTORY
Physiognomy was originated in Greek culture
and since 5,000 years it has developed both in
eastern and western culture.
In ancient India Physiognomy was called
"Mukha Lakshana Shastra" i.e. science of
reading the face.

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HISTORY

Johann Kasper
Lavator is considered as the
father of physiognomy. Aristotle,
Socrates, Plato and other
propagated it far and wide.

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DrAnkitsrivastav@copyright2014 Johann Kasper Lavator4
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HISTORY
An exact relationship exists between the soul and the body,
between the internal and the external of a manthe infinite variety
of the souls or internal nature of a man creates an infinite variety in
his body or externality...If such differences do exist then they must
be recognizable they must also be the basis for an exact science.

-Johann Kasper Lavator

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Internal Qualities shows external signs
Ancient Chinese physiognomists believed that each
face could predict owners future. In some respect,
this view is conformed by evidence that certain facial
characteristics are related to the kinds of diseases
that one is likely to develop later in life.

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Certain diseases alter the expression or appearance of
the face because the disease process is related to the
development or physiology of face and affects its
structure or behavior or both

The psyche exerts a


powerful impact on facial
expressions and has the
capacity to alter the
architecture of the face in
a permanent way.

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Frown is a good example of how emotions
disturb physiology and anatomy of the face.

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Most of these facial features have as their basis the
bony structure of the skull, on which the soft tissues lie.
These features include the shapes and positions of
major areas and landmarks of the face, such as the
forehead, eyebrows, nose, cheeks, mouth, chin.
Smaller features makes significant approach in
physiognomy.

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IN HOMOEOPATHY
CONSTITUTION
Body Built / Make up of the body
(physiognomy).
Aggregate of stable, functional morphological
characteristics of an individual heredity
factors, acquired properties through
interaction with socio-ecological environment.

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APHORISM - 5
..the most significant points in the whole history
of the chronic disease, to enable him to discover
its fundamental cause, which is generally due to a
chronic miasm. In these investigations, the
ascertainable physical constitution of the
patient (especially when the disease is chronic),
his moral and intellectual character, his
occupation, mode of living and habits, his social
and domestic relations, his age, sexual function,
etc; are to be taken into consideration.
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HEIGHT
A tall man is usually a
symbol of good
personality and Gentle
in behavior.
A short statured man
is romantic in nature,
often he/she is clever
and cunning.

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HEIGHT
TALL-constitutions :-
ph-ac. calc-p. Phos. sep. sil. sulph.
kreos. mag-p. Coff. tub.
DWARFISH-constitutions :-
BAR-C. Bar-m. borx. bufo CALC-P.
Calc. Carbn-s. Carc. Con. lyc. mag-m.
MED. merc-pr-a. merc. Ol-j. op. ph-ac.
sec. SIL. sulfa. SULPH. SYPH. Thyr.
Tub. zinc.
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HEAD
Big and a rounded head :- High skull :- Clever,
Discreetness, keeps secrets, intelligent.
perseverance and benefactor.
Wide at the top and big
Big head and wide face : -
head : Tidiness.
Impolite and heartless.
Bumps at the top of
Small sized head : Stupid, skull : Hypochondriac,
cant keep secrets. apprehension.

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HEAD
BIG HEAD :- Calc. phos, Cal. Carb, Silicea

HEAD-SWOLLEN : Scalp- Apis ARS. Bell.


caust. Cham. crot-h. cupr. Daph. dig.
euph. glon. Graph. lach. mang. merc. mez.
op. petr. phos. puls. RHUS-T. ruta.sep.
stram. sulph.

HEAD-SMALL :- acon. chel. coff. glon.


Grat. limest-b. pic-ac.
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HAIR
Thin (slim) dark hair : Sensitive heart and body,
cares about good health.
Soft hair : Obtrusive and coward. PHOS. Hep. bell. ph-
ac. mez. borx.

Fine Hair: gentile nature & keen mind, but


warns of cowardice. tub.
Blond hair : Arrogance, pride, anger, trickster.
Long, flat, thin blond hair : Low resolution.
HEAD - HAIR thin psor. sil. tub.
HEAD - THIN hair aloe sanic
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HAIR
Very dark hair : Jealous.

Muddy hair : Disposition, not shows loyalty, untrustworthy.

Dense and hard hair : Authoritarian, Hard and stubborn.

Dense and much hair : Stupid.

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HAIR
Curly hair : romantic, Dutiful. HEAD - HAIR - curly, becomes

mez.

If hair has big curls : Stubborn.

If hair can easily being combed to the left and


right side of the head : Untrustworthy.
Coarse Hair : is considered a sign of boldness, but lesser
intellectual ability. HEAD - HAIR coarse sil.
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FACE PROPORTIONS
If you divided your face to three
horizontal parts, you will find that one
of the parts is relatively larger than
the other two parts. This dominant
part can tell some information about
your personality and thinking style.
The three parts are:
1) Upper part (Starting from hairline of the face up until the eyebrows)
2) Middle part (Starting from the eyebrows till the end of the nose)
3) Lower part (Starting from the nose tip till the chin)
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indicates intelligence and a logical
approach towards problem solving.
Thus, people with dominant upper
parts will be more interested in fact
and logical thinking than others.
A wide forehead shows that the
person is intelligent but a small
forehead doesnt mean that he is not.

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are ambitious. They strive
to be better and to improve
the way their life is.
Such people may sacrifice
lots of things for the sake of
reaching their goals or
making their dreams come
true.

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May enjoy taking physical risks.

May find people from this


category to be boxers or
wrestlers.
These people are practical and
like to see how your ideas can
fit in the real physical world
rather than just hearing them.

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JOHN CENA 22
Various features of the face represents various
character of a person.
After a certain number of years, our faces
become our biographies.
There are six types of face outline viz. Oval,
Broad, Thin & Long, Round, Square, and Pear
Shaped.
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OVAL FACE
Enhances Beauty in
woman
Signifies refined
tendency in man
Friendly and Loving
Strong Individuality
Lacks driving Force

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BROAD FACE
Broadness of mind &
Steadiness
Tolerant and
Benevolent.
Forgive & Forget Policy
Laugh more-worry less

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LONG & THIN FACE

Tolerant

Stubborn

Hopeful

Hardworking

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ROUND FACE
Jovial & Humorous.
Confident & Optimistic.
Enthusiastic.
Kind & Easy living
formula.

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SQUARE FACE
Determination.

Action and Speed.

Go-getter.

Achiever.

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PEAR-SHAPED FACE
Intellectual Creativity.
Artistic Brilliance.
Sensitive and
compassionate.
Authors, Artists, Fine
Arts

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FOREHEAD
The forehead's shape determines the method of thinking
that the person uses.

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FOREHEAD
The straight forehead (The progressive thinker):
This person follows a
progressive style in his thinking;
he can't jump to the third point
without first knowing the
second.
Sometimes he is misunderstood
as a child and thought of as
dumb, but in fact he may be
very intelligent. It's just his
progressive style of thinking
that needs to be taken into
consideration.

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FOREHEAD
The slopped forehead (The fast responder):

That person builds conclusions


fast to the extent that he may
interrupt you many times while
you are talking because he
keeps on guessing what are
you about to say.
This person may get bored
when talking to someone with
a straight forehead because of
the speed difference between
them.
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FOREHEAD
The curved forehead (The creative):
This person is very creative, That
person hates restrictions and
rules.
he likes to use his imagination
and would probably hate
Mathematics and accounting but
excel in arts.

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FOREHEAD
If upper surface of the forehead is swollen :
Strong memory, High intelligence and understanding.
If central of the forehead is swollen :
Fast thinking brain.

If bottom of the forehead is swollen :


Skillful at job and in arts.
Vertical frown lines between the eyes show a logical, hardworking
and a very decisive individual.

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FOREHEAD
Narrow and low forehead :
Stubborn and not thinking brain.

Low and cambered forehead :


A person who cant decide and move on his/her own.

Fleshy forehead : Brave and nervous.

Very small forehead : Mental deficiency.

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Eyebrows
Exceedingly Heavy Thick & hard: Indicate
great strength and dictatorial nature.

Dense and soft eyebrows : Politeness,


strong mind and high intelligence.
Vertical, flat and fat eyebrows : Cold
blooded, cool and tolerant.
Thick Eyebrows: Practical & Realistic, Independent.
If eyebrows too close
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Eyebrows
Short and mixed eyebrows:

Vigilant, Critical, Good at


keeping secret and good High Eyebrows
memory. Superiority complex
Well Mannered

If eyebrows far from each other and separate forehead


to 2 parts:
Low intelligence, Easy-going And
Show someone who is influenced easily.

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Eyebrows
If eyebrows curved up at the end:
Frivolous but charming.

Soft and rare eyebrows:


Daydreamer.

Arched Eyebrows:

show Exaggerated
and strong sense of curiosity.

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Eyebrows
Dark black eyebrows :
Generally a good character.

Thin eyebrows :
Arrogance, pride.

Downward sloping eyebrows shows :


Ambition.

Frowning eyebrows :
Jealous, nervous and double faced.

FACE - WRINKLED Eyebrows HELL. LYC. ox-ac. Rheum stram.


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Eyes are the windows of ones heart
They radiate qualities such as love, amusement, sympathy & character.

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Eyes
DOWNWARD SLOPING EYES

Fault Finders & Nagging


Behavior.
Good Assessor.

Critical by Nature.

Believes in judging one


integrity through faults.

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Eyes
UPWARD SLOPING EYES
Easy to go with

Non Critical

Clear & Straightforward

Believes that All learn from

mistakes

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Eyes
SPARKLING EYES :
Fun-Living and Enthusiastic.

Source of Inspiration.

Benevolent.

Believes that Life is full of

happiness and joyful color

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Eyes
PLAIN EYES :
Apprehensive and worried.
Always Uncomfortable.
Difficult to lead a normal
life.
Believes Life is hazardous
to live.

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Eyes
Black eyes : Well-mannered.

Blue eyes : insensitive, merciless, malicious,


disinterested.
Light blue eyes : Daydreamer, artist, pure.

Green eyes : Cursed, malicious.

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Eyes
Small and sharp eyes : Active, snob and brutal.

Big and bright eyes : High intelligence and well-mannered.

Big and transparent eyes : Suspicious and cantankerous.


Fixed looking eyes : Stubborn and jealousy.

Protruding eyes : Insanity, extravagant, stubborn, brutish


emotions.

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NOSE
Eagle Nose Pointed Nose Downward Pointing Nose

-Good Personality. - Harsh & Rough.


-Prone to Cruelty. -Good Imitator.
- Selfish & Mean.
- Emotionless.
Sharp-tipped noses
- those easily provoked (like dogs)
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NOSE
Thin Nose Artistic Nose Plump Nose

Worldly Health.
Practically. Artistic Temperament. Possessor of
Dependent. Signifies originality. materialistic &
Wishes to manage spiritualistic wealth

things on self
theories. people with snub noses are vain, untruthful,
unstable, unfaithful and seducers.
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MOUTH
Size is considered
A Small mouth indicates a frugal , Sensibility, durable, merciful and
ambitious.

Very small mouth : Naughty.


Big mouth : Bad character.
Big and wide mouth: indicates extravagance, Gluttonous, liar and talkative.
Very wide mouth : Exaggeration.

Half open mouth : Low intelligence.


Split mouth : Rudeness.

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MOUTH

The curvature of the Mouth: discloses the basic temperament.


An Upward, curved Mouth: shows an agreeable nature, one who is
generally happy.

A downturned Mouth: shows a demanding and obstinate person, who


is more unhappy than another.

A Mouth that is straight across, indicates a person with self control.

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TEETH
Long front teeth: When the two front middle teeth are much
longer than the other teeth then this means that this person is
stubborn especially if his chin was pointed too.
Big distance between front teeth: this means that this
person may be a risk taker. He may rush to buy
something or to try something new.
Large Teeth: denote strength.
Small Teeth: indicate a methodical approach to life.

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Lips have language
Lips are expressive and appealing.
Communication, love, affection, determination
and friendliness can be devised from the
position, structure and movement of lips.

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LIPS
Small Lips can indicate selfishness.
Thin Lips indicate impatience, that may disregard
others feelings.
Large Lips can show generosity.
Thick Lips show one who openly expresses their
opinions.
Lips of Medium thickness indicate loyalty.
Two lips unequal in size, line of closure irregular,
raised or lowered at one corner confirm the
criminal tendencies.
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LIPS
Pressed Lips
Drooping Lips

- Gloomy - Abruptness
- Lethargic - Self seeking
nature

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UPPER LIPS
Deep groove running down
from nose to upper lip
displays modesty and tends to
check egotism.
Relatively long entire upper
lip: from nostrils to the line of
closure of mouth displays the
self-estimative propensities
like dignity, self-respect even
extravagant ideas of one's
importance.
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UPPER LIPS
A protruding upper lip: reveals a fault finder.

Upper lip pointed downward in the centre and

trying to overlap the line of closure of mouth

shows a secretive tendency, amativeness.

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LOWER LIP
Big lower lip: benevolent.
A very full and red lower lip of coarse quality
discloses a great eater and talker i.e. gourmand
and loquacity.
Lower lip curving downward and outward, just
where the canine teeth are situated, denotes
destructive and cruel tendencies.
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CHIN - ethics
A prominent Chin:
(Square or bony chin)

Indicates a firm sense


if purpose and
denotes positive
characteristics like
conscientiousness,
order, precision,
mechanical &
scientific tastes and
moral courage.
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CHIN - ethics
A Short Small, round,

soft, globose chin

reveals a yielding, sof


or infantile nature and
someone who changes
their mind often.

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CHIN - ethics
A Receding chin:
indicates lacks
firmness and
perseverance, an
impatient nature
opinions that are
easily altered.

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CHIN - ethics
Oval or muscular chin: shows talent for some form of art
like poetry, painting, action, dancing or singing.
A Long Chin: shows someone who sticks to what he say.
An undue projecting chin: points out an avarice, hoarding
up character with an active and shrewd mind.
A Pointed Chin: belongs to an out-going, positive person
who makes quick decisions.
A Wide Flat Chin: indicates procrastination.
A Cleft: in a chin shows someone who is self-centered &
with a hidden agenda.

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JAW (LOWER)
A curved or artistic jaw terminates in oval chin
and is significant of normal strength and a taste for
art and beauty.

A square jaw forming a wide chin always denotes


moral power with either mechanical or scientific
tendencies.

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CHEEKS - happiness
Round, full cheeks, sometimes hanging down in soft folds
upon neck, show gluttonous tendencies.
Dimples of the cheeks and chin are tokens of the affectional
nature and denote the active passions of amativeness and a
desire to please and attract the admiration of others.

Dimples near corners of mouth are evidences of


mirthfulness, love of fun and good humor and wit.

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EARS
Ears denotes ones control and power of
management of life.. And self.

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EARS
Round Ears Squarish Ears Haired Ears

-Materialistic -Acheiver -Strong


-Showy -Self Confidence

Pointed Earlobe Ears Pointed Ears

-Obstinate - Hard worker

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EARS
Thick Earlobes
Flat Ears

Good Natured
- -Family oriented complacency -Good Fortune
-Good Relationship
Wider In-circle Ears
Small In-circle ears
-Good
-Co-operative
Administrator
-Comprehensive

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EARS
Big ears: good listener.

small ears: a person with small ears may become


overwhelmed if you talked a lot.
Narrow, long thin, bloodless ears, set closely against the side
of the head are associated with a timid personality
Attached Earlobes or Ears without Lobes are considered to
show lack of focus and initiative.
Detached Earlobes indicate a seeking creative nature.

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EARS
Low set ears: A person with low set ears has a
lower rate of receiving information. Give him very
fast instructions and he will be totally lost.
High set ears: People with relatively higher ears
usually receive information faster than others. I
am not referring to intelligence here but rather to
the rate with which they can adsorb new
information.
Sticking out: Shows drive & originality.

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Neck

A short, thick neck


better known as willful neck shows
great resistance and aggression.

A muscular, beautiful, short neck


A long, thin neck
denotes timidity and great reflects-amativeness.
sensitivity.
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HANDS
Small Fingers and Large Palm Base :

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HANDS
Large Fingers and Smaller Palm base :

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HANDS
Small body and big hand : Artistic, Skillful, ambitious
and trickster.
Hard hand : hard working, Quarrelsome.

Cold, smooth, flat and sensitive hand : Egoist.


If the hand is pink and veins are transparent:
Benevolent, high intelligence and big-hearted.

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PHYSIOGNOMY & Materia medica (allen key notes)
Acetic Acid-Adapted to pale lean persons with lax, flabby muscles; face pale, waxy.
Causticum-Adapted to persons with dark hair and rigid fibre; weakly, psoric, with
excessively yellow, sallow complexion;
Iodum- Persons of scrofulous diathesis, with dark or black hair and eyes;
Kali Bichromicum-Fat, light-haired persons who suffer from catarrhal, syphillitic or
psoric affections. Fat, chubby, short-necked children
Kali Carbonicum-For diseases of old people, dropsy and paralysis; with dark hair,
lax fibre, inclined to obesity (Am. c., Graph.).
Lachesis-Persons of a melancholy temperament, dark eyes, and a disposition to low
spirits and indolence. Women of choleric temperament, with freckles and red hair.
(Phos.). Better adapted to think and emaciated than to fleshy persons;
Mercurius-Best adapted for light-haired persons; skin and muscles lax.

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PHYSIOGNOMY & Materia medica (allen key notes)
Nitric Acid-Especially suited to thin persons of rigid fibre, dark complexions, black
hair and eyes - the brunette rather than the blonde - nervous temperament.
Pulsatilla-Adapted to persons of indecisive, slow, phelgmatic temperament; sandy
hair, blue eyes, pale face.
Phosphorus-Adapted to tall slender persons of sanguine temperament, fair skin,
delicate eyelashes, find blond, or red hair,

Sepia-Adapted to persons of dark hair, rigid fibre,


Tuberculinum-Bacillinum-Adapted to persons of light complexion; blue eyes,
blonde in preference to brunette; tall slim, flat, narrow chest;
Thuja Occidentalis-Acts well in lymphatic temperament, in very fleshy persons,
dark complexion, black hair, unhealthy skin.

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PHYSIOGNOMY & Repertory
Rubrics related to the physiognomy: Synthesis (radar ver.10)
HEAD - SMALLER - left half retarded in growth fl-ac.
HEAD - SWOLLEN Scalp- Apis ARS. Bell. caust. Cham. crot-h. cupr. Daph. dig.
euph. glon. Graph. lach. mang. merc. mez. op. petr. phos. puls. RHUS-T. ruta
sep. stram. sulph.
HEAD - SWOLLEN Forehead- apis bell. cupr. dig. hell. ip. stann.
HEAD - WRINKLING forehead thuj.
HEAD - HAIR dark ACON. am-m. ambr. Anac. ant-c. arg-met. Arn. Ars. asar.
bell. bry. calc. cann-s. cann-xyz. caps. Carb-v. Caust. chin. clem. con. dros.
Dulc. euphr. graph. Guaj. hell. hep. ign. Iod. ip. Kali-c. lach. led. lyc. mag-m.
merc. Mosch. mur-ac. nat-c. Nat-m. NIT-AC. NUX-V. olnd. petr. PH-AC. PHOS.
PLAT. plb. Puls. rheum rhod. rhus-t. ruta sabin. sars. SEP. sil. stann. Staph.
Sulph. verat. verb. zinc.
HEAD - HAIR thin psor. sil. tub.
HEAD - HAIR coarse sil.
HEAD - HAIR soft borx. phos.
HEAD - HAIR hard Sulph.
HEAD - HAIR - curly, becomes mez.

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PHYSIOGNOMY & Repertory
HEAD - SOFT - hair hangs mez.

HEAD - HAIR soft borx. phos.

Constitutions - TALL, lean, slender - tubercular, delicate eyelashes,

soft hair PHOS.

Constitutions - LYMPHATIC, constitutions - light hair and complexion,

slow to act, muscles soft and flabby Hep.

GENERALITIES - COMPLEXION, color of eyes, face, hair - soft hair

bell. ph-ac.

SKIN - HAIR - growth of hair; excessive - fine hairs tub.

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Synthesis (radar ver.10)
FACE GREASY- agar. apis arg-n. ars. aspar. aur. Bar-c. Bry. bufo calc. carc. caust.
Chin.con. cortico. des-ac. ferr-ar. hydr. iod. lyc. Mag-c. mand. med. Merc. NAT-M.
nat-sil. nux-v. olnd. phos. Plb. Psor. raph. RHUS-T. Sel. sep. sil. stram. sulph.
thuj.Tub.
FACE - GREASY Forehead Hydr. nat-sil. Psor. symph.
FACE - GREASY Lips- am-m.
FACE - SHINY - oily; as if- Nat-m. Plb. psor. thuj.

FACE - DROPPING - Lips - Lower lip ars. calc. glon. manc. op.

FACE - EVERTED lips- APIS Bell. bry. camph. merc. phyt.

FACE - FROTHY Lips -cina op.

FACE - INVERTED lips- camph. cund.

FACE - POINTED Lips- stram.

FACE - RETRACTION of lips -ang. camph. hydr-ac. hyos. Nux-v. phyt. plb. sec. tab.

FACE - THICK Lips- bufo mez. op. plat. syph. zinc.

FACE - THIN - Lips Upper- bov. sil.

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Synthesis (radar ver.10)
FACE - WRINKLED Forehead- acet-ac. agar. alum. am-c. brom. bry.
calc-p. Caust. Cham. Cycl. equis-h. Graph. grat.
Hell. kali-c. lachn. LYC. mang. merc-c. merc. nat-m. NUX-V. ox-ac. phos.
puls. rheum rhus-t. Sep. Stram. Sulph. Syph. verat. viol-o. zinc
FACE - HAIR - growth of hair - women; in Chin- ign. ol-j.
FACE - DISCOLORATION - red Cheeks- cypra-eg. lac-lup. morg-p.
olib-sac. Puls. Sang. Tub.
FACE - WRINKLED Cheeks- LYC. plb.
FACE - EXPRESSION sullen- alum. falco-pe. lac-loxod-a. mag-c. nux-v.
FACE - WRINKLED Eyebrows HELL. LYC. ox-ac. Rheum stram. ther. viol-o.
FACE - THIN - Eyebrow; thinned left- tell.
FACE - DROPPING Jaw-acet-ac. apis Arn. Ars. Bapt. bufo Carb-v.
Chel. cimic. colch. cupr. gels. glon. Hell. hydrog.
Hyos. Kali-i. LACH. LYC. merc-cy. MUR-AC. Nux-v. OP. ph-ac. Phos.
podo. sec. Stram. SULPH. suprar. tab. vario. verat-v. zinc.
FACE - LARGE - Lower jaw-bufo
FACE - PROJECTS lower jaw-lac-lup.
FACE - THICK - Jaw; lower-hep. sil.

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Synthesis (radar ver.10)
EYE BRILLIANT- absin. acon. Aeth. ail. alco. am-caust. anh. arizon-l. Arn. Ars. atro. bapt. BELL. ben.
Bry. CAMPH. cann-i. cann-s. Canth. cedr. clem. coca cocc. Coff. Coloc. cori-m. croc. cupr. cypra-eg.
diosm. emb-r. Eup-per. euph. falco-pe. gast. Gels. Hydr-ac. hydrog. Hyos. Lachn. lil-s. Lyc. Lyss. m-ambo.
merc-c. mill. mosch. nux-v. Op. ozone Ph-ac. plb. plut-n. puls. santa. santin. sec. spig. spira. Stram.
tanac. verat-v. verat. Zinc.
EYE PROTRUSION- acet-ac. Acon. Aeth. agn. aloe ang. anh. apis arn. Ars-i. ars-s-f. Ars. aur-ar. aur-
i. aur-s. Aur. Bar-c. bar-i. bar-s. BELL. borx. brom. bufo Cact. calc-i. calc-p. calc-s. calc. Camph. Canth.
caps. cedr. Cham. chin. chlor. Cic. Clem. Cocc. colch. Coloc. COM. Con. crot-h. cupr-n. cupr. dig. dor.
Dros. dulc. Ferr-ar. FERR-I. Ferr-p. Ferr. fl-ac. Glon. GUAJ. gymno. hed. helo-s. helo. Hep. hydr-ac. Hyos.
Ign. Iod. kali-ar. kali-c. kali-i. kali-m. kali-n. kara Kreos. lac-ac. lac-c. Lach. Laur. Lyc. m-arct. merc-c.
Merc. morph. mosch. NAT-M. Nux-v. oena. Op. par. Phos. Plat. plb. Puls. rhus-t. sang. Sangin-t. santin.
sapin. spig. Spong. squil. Stann. staph. stel. STRAM. stry. sul-ac. sul-i. sulph. tab. thuj. thyr. Verat. vip.
NOSE THICK agar. arg-met. aur. bar-c. bell. calc. carb-an. carb-v. Ferr-i. graph. kali-bi.
kali-c. kali-i. lach. mez. sulph.
NOSE POINTED anan. Ant-t. Ars. CAMPH. Carb-v. chin. cocc. Cupr. Hell. kali-cy. Lach.
laur. morph. myos-a. nux-v. op. Ph-ac. plb. podo. raph. rhus-t. sec. spong. Staph. VERAT.
NOSE - BROAD and flat syph.
NOSE SHINY ambr. aur-m-n. Calc. canth. Hydr. Iris merc. Mez. ox-ac. peti. PHOS. rhus-v.
MOUTH OPEN acon. Agra. ail. Ang. ant-t. apis arn. ars. arum-t. bapt. BAR-C. bell. bufo
Calad. camph. Canth. carb-an. carb-v. caust. cocc. colch. crot-h. cupr. dulc. gels. glon.
Hell. hydr-ac. Hyos. ign. Lac-c. LACH. Laur. LYC. m-ambo. mag-m. merc. mez. Morph. Mur-
ac. naja nat-c. Nux-v. OP. ox-ac. ph-ac. Phos. plb. podo. puls. rhus-t. samb. sil. squil.
Stram. stry. SULPH. vip.

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PHYSIOGNOMY & Repertory
EAR - DISTANCE between right ear and right shoulder; as if more agath-a.

SKIN WAXY ACET-AC. APIS ARS. atra-r. calc-p. calc. chin. colch. Cupr. FERR. Ip.
lyc. LYCPS-V. nat-m. Phos. Sil. tub.
SKIN GREASY agar. aur. bar-c. Bry. bufo calc. Chin. mag-c. Merc. musca-d. Nat-
m. plb. psor. sel. stram. sulph. thuj.
SKIN THICK alum. am-c. anac. ANT-C. Ars. bell. borx. bros-gau. Calc. castor-eq.
choc. cic. clem. cupr. Dulc. Graph. hydr-ac. kali-c. Lach. Lyc. par. parth. phos.
psor. Ran-b. RHUS-T. sars. SEP. sil. sulph. thiosin. thuj. verat. viol-t.
SKIN THIN nat-m. phos. syph.

EXTREMITIES - LONGER Fingers kali-n. phos.


GENERALS DWARFISHNESS aster. bac. BAR-C. bar-i. Bar-m. borx. CALC-P. Calc.
Carbn-s. carc. iod. lyc. mag-m. Med. merc-pr-a. merc. nat-m. nep. nux-m. Ol-j. ph-
ac. sec. Sil. sulfa. SULPH. SYPH. thyr. Tub. zinc.

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PHYSIOGNOMY & Repertory
GENERALS - DWARFISHNESS children carc. med.
GENERALS - DWARFISHNESS - emaciated babies ol-j.
GENERALS - TALL people Coff. goss. phos. tub.
GENERALS - TALL people children phos.
GENERALS - TALL people - obese; and children cina
GENERALS - LEAN people acet-ac. alum. AMBR. Arg-met. Arg-n.
ars-i. ars. bar-c. beryl. bry. cadm-met. calc-f. CALC-P. calc-sil.
carc. caust. chin. coff. cupr. dys. ferr. fl-ac. flor-p. gaert. graph.
Hep. ign. Iod. ip. Kreos. lac-c. lach. Lyc. mag-c. mang. merc.
murx. nat-c. nat-m. Nit-ac. nux-m. Nux-v. perh. petr. ph-ac. Phos.
plb. prot. Psor. puls. saroth. SEC. sep. Sil. spig. stann. staph.
SULPH. Tub-m. tub. ust. v-a-b. verat. vib. yohim.
GENERALS - LEAN people - bony people calc. kali-bi. sec.
GENERALS - LEAN people children calc-sil. phos. sulph.
GENERALS - LEAN people women ambr.
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"Physiognomy: How to Read Character in the Face and to Determine the
Capacity ,Author: Leila Holt Lomax , Leila Lomax;Publisher: Penn,Year: 1908
How TO READ FACES. MARY OLMSTED STANTON,
Body Language and Homoeopathy of Ajit Kulkarni,Publisher: B. Jain
Organon of medicine,SAMUEL HAHNEMANN-ORGANON
Key notes and characteristics with comparisons of some leading remedies, H.C.
Allen.
Synthesis repertory radar ver.10.
http://www.2knowmyself.com/face_reading/learn_face_reading
http://www.ebooksread.com/authors-eng/mary-olmstead-stanton/a-system-
of-practical-and-scientific-physiognomy-or-how-to-read-faces--volu-ala.shtml
http://ssdivining.homestead.com/Physiognomy.html
http://www.caslon.com.au/physiognomynote2.htm
http://www.google.co.in,search image, www.msn.com. bing search image.

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