NO 14. Couplets. Allegro moderato. Frasquita. Mercedes. Carmen.” Morales. Escamillo. Zuniga. Tenors. Basses. Allegro moderato. neds 108) *) In case the part of Carmen, in the ensembles of the second and third acts, fx too low fer the voice of the artist teking that rile, she may sing the part of Fraxquita or Mercedes. Agt7134 Escamillo. bruscamente, ben ritmata. —~ Vo-tretoart, je peux vous le ren - dre, Se-iiors, se - iors car -vec For a toast, your own will a- vail me, Se-fors, se - fiorsl_ For all you tf, SS ee Tes sol dats Oui,les To- ré-ros, peuvent #'en-tendre, men of war, Like all To - ré- ros, ‘as brother hailmel 7 A . 7 : ? sempre f Pour plai - sire, pour plai- sirs, ils ont les combat Tn fight, “in a fight we both take ones PPI a pe pt aeer, . - cirque_est plein,’est jourde fé = hol -~ i-day, the cir-cus full,-{a- teurs #in- ter - pel-lent a grand fra- cast__ ‘The lock-ers-on_ now be - gin to mur- mur and roarl_ i a . 2 F a> 7; a Scola voce. AS A-pos-tro - phes,cris et ta-pa - ge Pous- sés__ jusques & Someare call - ing, And oth-ers bawl - ing, And how! - ing too,with <>? ae cesta fe - te they a-wait aou, 8 son-ge bien, think on her,pees aes Quan ceil noir te qe - gar ~ de Et__ que l'amour t’attend, a dark - i la - . - dy, “Andthat™ love_waits for thee, Liamour,lamour t’at - tend! glovewaitslovewnitsfor thee! To - Carmen.To - To- Morales.To - Guniea, TO To- r- a-dor, en rENoRS.To - re - a-dor, make To - Basses. 7? - sour ? es . . ’Piekg. Et son-ge bien, oui, And think on her, on Eo com - bat - tant___ son.- ge od folck__ 90 _Bep thin oa PP ~ a En com - = bat - And think on p ma marcatissine bien,oui, songeen combat- tant, ge ‘on her, on herwho all can see, Et son= And think En iP we. Et son-ige oui, son geen com - To - fe-a- dori And think on her, on = her who all seu187 songeen combet - tant, her whoall can seo, vat - tant, Quun ceil can — On 138 ———_~_ Fidin.- Quiun ceil noir te re - gar- - de Et_que Ta- On a dark-eyed_ Ia - que Ya - And that fn dim. - de Et que l'amour t'at-tend, = dy, Andthatlovewaits for thee, noir te dark- eyed140 mour (at - tend, waits a7 for thee, PP To- ré-a- dor, Lacmour, la -mour To - re-a- dor! And that love waits FP ~e La-mour, a - mour And that love waits PRs Le-mour, 'a - mour ‘And that love waits rr La-mour, Ya - mour And that love waits PPE in agf molto deelnmato. scamillo, Tout dun coup, on fait All at once’ they all are142 Kaytee t AI que ee passet-i?__—_ go-ing on?__ ‘Ab what i len- ce... om fait si- len - ee. si- lent, theyallare si - f- Plus de cris, cest Vinstant! No cries! the time has come! cest Tinstant! cris, Plus de ae A = f a x No cries! the time has comel _ - lance En bon- dis - hors du To- ril!__ from the To- ril!__ buil_1e Le teu-reau sant jeaps__out ‘With a mighty bound the sani7- le,— En-trafmant un - ca - dor,—___. ly - ing, Un-der bim a = Pi- ca - orl, he oes pre ‘Anlbra-vol To-rol Ablbra=vol To -rol En se-cou- ant____ ses. ban- de - how he shakes his ban- de - ril - ril - Inst - — —~ cee =: roe =F eE # 4 = = de ~ feu, il qi = How he sate144 ayy P92 pe Et Ee plein de sang! On se sau-ve, on franchit les wet and red!___ See them running, see themclimb the - riers! On-ly one has not molto din. ser(rateously) P. To-ré-a-dor, en gar To- re- a-dor, make read son-ge bien, oul, son-geencombat- tant, a-dorl_ And think on her, on ber Who all can see, Quiun ail noir te re- gar - . =. det que femourtattend, On a dark- eyed la - - dy, And that lovewaitsforthee; rif. poeo atem pes Lamourlemourtat - tend! that love,lovewaits for thee!_ calla voce. *f ——_. a se7“48 Prasquita, Mercedes. e- &-dor, en I a - do; ~ K-dor, en 2 al dor) make > a fe a er, make > e- dor, en re- a-dor, make - b- dor, en #8- a. dor, make * (Here Carme wy exchange |g ‘son-ge bien, oul, think on her, on gon - Bt a Ana tink 6a heron’ bert it: or En And En re-a- dort te-a- dor! nd Et son-; ‘Ang think on sew” ‘ com - think dien,songeencombat-tant. Qu’un il noir te re- gar - de Et_que Te - her who all can see, Ona dark eyed_ la - = dy, And that love noir te And that love — Oui, son - ge, que Ye - think on her, —_ And that & dim. _ Qu'un ci] noir te re- gar - = deBt queTamour fat-tend, On a dark- eyed =a - - ~ dy, And thatlovewaits for thee, ee ~~ tant Oui, on - ge que think — ge, bat - tant, Qu'un cil noir te re. gar- de§t can see, On a dark- eyed la- dy, And = that dove,148 Frasquita._ dor, amour, Yamour fat - tend! dor, And that love waits for thee! mour tat-tend, dor, Yamour, 'amour t’st - tend! Lia- mour! waits for thee, -a-dor, And that love waits for thee! for_ thee! Carmen. _ a moi; ———___——_ amour, l'amour t’at - tend! aIt3its_—_—Andthat lovewnits for thee! ale pp ee Vamour, l'amour t’at - tend! waits, ._______ And that lovewaits for thee! Esc 5. To-re-a- dor, Tamour, l'amour tat = tend! La - To -re- a- dor, Andthat love waitsfor — theel for. Zuniga. mour,_________________Tamour, 'smour fat = tend! waits, And that love waits for thee! - tend, oui, Ta — mour ~ tend waits for thee, love waits set7rail, — - - P espress. — La-mourt To- ré- a - dor! To- re - a - for thet To- re- a - dor! To- re- a - for_theel To- re- a = Cooking. at Carmen) ‘La = mour! La-mour! To- ré- a - dor! To - ré - for thee! for_theel_To- re- a - dorl To - re - dor! To - ré- a der, To - fe - a_- 95. A To- ré- a - dor! To- ré To- fe - a - dor, To- re - a tempo. s ’ taeae It - Lia - mour— fat - tend! Love waits for theel La - mour— tat- tend! Love waits for theel, ‘La - mour_ ¢ Love waits fe Va = mour— tat ‘Love its for Va - mour! tat- Love waits for sen7