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A sketch by Andrea Ponsi from San Francisco: A Map of Perceptions, courtesy of the University of Virginia Press.
Like many European visitors to San Francisco, Andrea Ponsi is enamored with the cultural
touchstones of our citys northeast corner: City Lights, Marios Bohemian Cigar Store Cafe,
Chinatown with its walls of voices.
But on a recent visit to this place where he lived more than 20 years ago, the Italian architect
paused to contemplate something less intimate: an 853-foot shaft at the edge of the Financial
District.
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08/12/2016 King and queen will forever reign over S.F.s downtown - San Francisco Chronicle
That fate wouldnt have been predicted by the critics near and far who chimed in that such a
tower at the corner of Columbus Avenue and Washington Street would be like, in the words
of Progressive Architecture, destroying Grand Canyon. Nor is the brainchild of architect
William Pereira the sort of pyrotechnic wonder that looks super cool and then mighty lame.
Instead, 43 years on, downtowns tallest tower exists outside the fray, as settled in its own
way as Jackson Square to the north or Chinatown to the west. The recessive shape, the deep
monotony of the windows, the odd way it touches the ground all those elements contribute
to the paradox of a low-key high-rise.
Lift everything up and place it on a small forest of intertwining pillars, Ponsi writes
acceptingly. Now take this building and drop it from above into the center of town right at
the foot of Columbus Avenue.
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08/12/2016 King and queen will forever reign over S.F.s downtown - San Francisco Chronicle
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Andrea Ponsis sketch from A Map of Perceptions looks down Russian Hill, up Telegraph Hill to Coit Tower.
That phrase center of town conveys Ponsis city view and indeed, the view of the city
that persisted into the 1990s. When Ponsi returns on a visit he returns to his spots that evoke
memories, like the tight-packed sanctuary of William Stout Architectural Books. Or Marios,
where he laments the absence of the pinball machine and holding my little boy up, his tiny
hands on the buttons to shoot the balls. The blocks and districts beyond are vivid fragments,
such as this summation of the Tenderloin: It can call forth repugnance, pity or an urge for
social justice.
But the whole is the sum of the parts, and Ponsis awareness of this keeps him from falling
into the trap of so many San Franciscans who recoil at change. One stream of vignettes in this
shifting river involves a journey to Golden Gate Gate Park, where the pairing of the de Young
Museum and the California Academy of Sciences strikes him as just right: the latter a poised
machine, the former a geological block, a biological body, a metal animal.
The Transamerica Pyramid, meanwhile, pops out from Ponsis sketches as an orientation
point, a pivot for the city around it. Recessive yet with a personality, genteel, but also daring
and brave.
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08/12/2016 King and queen will forever reign over S.F.s downtown - San Francisco Chronicle
The latter description comes when Ponsi likens Pereiras shaft and the nearby Bank of
America Building from 1969 now known by its address, 555 California St. as still the
king and queen reigning, unchallenged, over downtown.
San Francisco: A Map of Perceptions accepts that the terrain around us continues to shift. It
also grasps that a focus on change obscures what endures and why the next crop of
newcomers will fall in love once again.
Place is a weekly column by John King, The Chronicles urban design critic. E-mail:
jking@sfchronicle.com Twitter: @johnkingsfchron
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08/12/2016 King and queen will forever reign over S.F.s downtown - San Francisco Chronicle
John King
Architecture Critic
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