eT : ( Ce () G LED ZEPPELIN I ee BSS ac asdLED ZEPPELIN I Transcribed by JESSE GRESS {© 1990 WARNER BROS. PUBLICATIONS INC. AAI Fights ReservedKey To Notation Symbols one NS Ane SG mes Def ars No Half step bends Whole step bends Extended bends Bend and release Pre-bend — ca os Hammeron — Pull-off Picked slide Legato slide ‘Quarter step bend (microtone) Vibrato Vibrato with bar Rake or Sweep Vibrato bar Pal muting — i) ree Percussive tone Accented notes Right hand tapping Artificial harmonic — Harmonics with no pitch (with pick) Ghost noe Tremolo picking Pick slide Unison bend — Chord shape arpeggiation es. oo AN Be we eh q ee Fluter with bar... With bar. With bar. ‘with bar dive Harn, with bar ee Dipsand Dives Melodic bending Bent harmonics Fluter with bar: Bar is When dips are used with bar "plucked" downward and —melodically, they released suddenly to pro- are reflected in the duce futering efect traditional notation(Jontentg BABE, I'M GONNA LEAVE YOU. BLACK MOUNTAIN SIDE COMMUNICATION BREAKDOWN DAZED AND CONFUSED GOOD TIMES BAD TIMES... HOW MANY MORE TIMES | CAN’T QUIT YOU BABY YOU SHOOK ME YOUR TIMENSHEONINAIGOMES 5 oc.0.202:0220c.ccenceneenssoesessscvnssaresoeess oy eet .- 1017Your TIME Is GONNA COME Words and Music by JIMMY PAGE and JOHN PAUL JONES Slowly J = 76 Organ Intro: 20 Guitar taces A B Atempo ‘Acoustic Guitar D Cedi) G Go No Chord mf Let arpeggiated figures ring throughout Verses 1 & 2: D S ae 1. Ly- in, cheat - in’, hut int, that’s all you seem to—_ 2.Made up my mind tobreak you this time, — wont be so fine its my tum— to *Downstemmed part on 2nd verse only notated to right of! in TAB. © 1968, 1990 SUPERHYPE PUBLISHING [igs edmiistoed by WB MUSIC CON Tl Fights ReservedClad) G G6 D With Fil (Verse 2 only) eae do. — cy. D ClacaD) G G6 NC. fey, a] Mes-sin’ a- round (with)ev-ry guy in town, — puttin’ me down for think-in' of someone Do what you want T wont take the brunt,— it's fad-in’ a~ way, cant feelyou an - y Pedal Steel Even gliss. ar. for Slide Guitar Even glissWith Fill D Cam) 6 G6 NC. D Crap) G G6 NC. E Set play-in’ your game,— drive mein- sane, trou - bles gon-na cometo you. Don't care what you say cause Tm goin’ a- way to stay.Gon-na make you pay- forthatgreat big hole in my Ful ee Pedal Steet arr. for Slide Guitar Tuning: =D8 With Fits D C(aaaD) G G6 Nc. » hear. D Clad) G Go Nc. One of these days and it won't _ be-long, youlllook forme, but ba - by, m be Peo-ple talk-in’ all around, watchout wo- man—no long - er isthe joke— gon-na be inmy heart D A(adiByD A/D GtaaiayD GD —s. co i all T got-t@ say to you wo~ man You been bad to me wo-man, but it’s comin’ backhome to you.— Fills =~ Pedal Steel ar for Slide Guitar Tuning: @=DChorus: With RFA (4 times) G D Riga Pedal Steel arr for Slide Guitar Tuning @D=D10 your time is gon - na * Chords are tapped by “patting” all 6 strings with flat right hand while the left hand holds the notes and mutes open strings. a Wich Fill 4 2a cB NC. Fula Pedal Steel arr for Slide Guitar Ting D=Pedal Steel art. for Slide Gir. Tuning:(-D time is gon - naD Sal Fade outTuning: BLack MOounrAIN SIDE D @=a Music by A Q=a JIMMY PAGE D O=p J tempo Arum Gua (ger) z z bbe mp Harm Guitar is tuned 1/2 step lower on the original recording SUPERHYPE PUBLISHING te edmiitored By WA MUSIC COR. Th Fights Feserved.COMMUNICATION BREAKDOWN f ss Words and Music by oe and JGHN BONHAM No Chord D Ae Electric Guitar 1 : ei Flectric Guitar 2 (© 1868, 1990 SUPERHYPE PUBLISHING. [Aegis waisted by WB MUSIC CORP ‘AI Rigs Reserved19 Verse 8) NC. Do ke what you're do = in.~abi know—what it (ES) D A D NC. D ‘AoeaD) that I like a- bout you but T like ita lot2 (Bs) co Ne. Ditee AG DE NG, pS “A.D you let me hold — you, Jet me feel your lov - in’ Chorus: AS AG AS AG AS AG AS) AG AT AS AG AS AG AT Com-mu- ni = its al-ways the same. Guitars 1&2 AS AG AS AG AS BS BG BS B6 B7__ BS BG BS B6 BT22 BS BG BS B6 BT BS_B6_BS uC. a Guitar PM Guitar 2 tacit Verse 2: es) NC. al Harmonics notated inoTAB2324Chorus: AS AG AS AG AS AG AT AS AG AS nee Com-mu - ai break-down, — AS AG AG AS BS BG B6 B7___ BS BG BS B7 BS B6 B7 he Hav-ing a ner Guitar oN Guitar 2 tacet Even gliss.N SF (With wah fixed in treble position) With fingers and pickHold bendAS AG AS AG AT AS AG AS AG AS BSB6BS B6 BTBS Bo BS BSBG BS (Es) NC. D ga D Dp AD Microphone feedback from guitar pickup30 Refrain: 2 D A DE (Es) (want you to Jove me all night) tion break31(Lead vocal ~ Mon break - down, “ai Guitar Soto I~. A (3) NC. D A D Hold bend Hold bend33 (5) hey NC. Even release (Es) Fade out NC. Fade out34 | CaNnT Quit You BABY Words and Music by WILLIE DIXON Stow Biues J =160 ‘A Mixolydian No Chord T cant quit you, babe, Guitar tacet so Tm gon-na put you down for a while.— NAS oc f Ze oe =——_ We ete With slap echo throughout yg jaw 1 ccan't quit you, babe, — a Even release | © 1065, 1090 HOOCHIE COOCHIE MUSIC (eM ‘Aaminctoved by BUG "AU Pghes Reoerved35 guess got to putyou down — for a while. Sad you mesed ap my apy Home, ee ws ‘made me mis-treat my on-ly__ child. Yes it’ did, babe!_ 4 Chorus 2: ey ar pio 2. Said youknow I. loveyouba - by,36 =~ Bven gliss. = my love for you, I could nev-er hide. you know I love you, babe, Ieee ‘could nev- er hide.—37 D Sas, A Bb 4 I know you aremy one de - sire. A AAA Chorus 3: Guitar Solo,3839 AT NG. AT NC. aT D7 oN ‘s $e) L Hold bend ‘Evenrelease == a Layback 3 soe40 Chorus 4: AT A Bb AT bo When you hear me moan'-in and groan - in, babe, youknowithurts me deep down — in -side. ‘when you hear me moan "and groan-in, babe, LVNa ‘you know it hurtsme deep : down in-side. ‘When you hear me hol- ler Even gliss. Approximate pitche your one de-sire,— Segue direct to "How Many More Times’ NC. Ac _-Bb A Bb42 How Many More TIMES Words and Music by JIMMY PAGE, JOHN PAUL JONES and JGHN BONHAM E/D_ Dsus2 ‘Moderate Shuffle J = 145 ee eR anaes ease tae ree aaa Bass and Drums PS ee ee No Chord—3_, ‘accel. with pedal Wahwah*o+o+o+o+o+o+0+0 simile - Guitar tacet Bass arr. for Guitar A: B. E Mixolydian 2 ES ED DSDsus2 ES Pte) tere) fete) ateite—_. — Even gliss. F accel. with pedal — Even gis wah-waht 2 40 ee. oto + 0 +o simile .- ‘Tremolo picking -- wath-wah (© 1908. 1990 SUPERHYPE PUBLISHING. Al rf adincored by WB MUSIC CORP ‘Al Rigs ResoreaWith Drum fll sata $$ Tremolo picking i oo _ Bien sls S With semi-PM. throughout man = y more times, — Teas eee more times eat = me the“ way Continue semi-PM.give you all my Fea manne TH give you ee (Not muted) Eetring Resume semi-PM. wow45 —— Joes all Tve got 10 give, rings, pearls, — all Tve got 10 gi rings, NC. —— —- TM give you get you geth- er ba - Tye got to me —~ ae = —ae Letring ELW/B DIA wan-na love some oth - er man,— Rhythmic Figure 1 pes End Riythmic Figure 1 ———————— eS —_— ee [SS Guitar Soto Riiythmic Figure I EB ees DAA DIAnA Ly Seon? No Hold bend + Bend 2nd and 3rd strings together. ee EB (pia) Bend and vibrate string behind the nut. Bend and vibrate string behind the nut.Wide vibrato ———49 DIA Even gles.D/Apeg DE D E53 With Violin bowwah-wah, and echoplex Even gliss wahwah = 5+ 4 Tremolo with bow a eee could - nt re- sist,did it again! Now I gotten child-ren on my own. ae ——S———EEEE got an-oth-erchild onthe way, that SO Ne55 know its all right in my z I. canlt get through to her'cause it does-n't per- mit, — EEE ——S56 But Im gon-na giveher ev - ty - thing I ——— si Tremolo with bow 287 Tempo2 (¢:= 4) Ne. EM NC. en Tt >. a Oh Ro - NC. EMD NC. En9 En9 Steal a-way, now, — steal NC.58 NC. ERD NC. EM ‘why don't youcome to me ba - by? ‘Steal a - way, NE. ERS NC. EM NG. EnEM og. EW NC. Eng NC. Well, they call Ne. En NG En NG. Eno that’s my_name.— NG. EMS NC. EMS NC. En9 thehunt - that’s how Ta Rush tempo. Atempol (d= 4.) Guitar tacetbarrel - house(Es) NC. a ae ee ee D A (Es) Why dont you please ‘come home? aaD A E EM64 Goop Times BAD TIMES Words and Music by JIMMY PAGE, JOHN PAUL JONES, JOHN BONHAM and ROBERT PLANT Moderately 4 95 Electric Intro: Guitar BS Electric | Guitar 2 T. B **Key signature indicates E Mixolydian mode. Verse 1: ES NoChord @) & Jn the days of myyouth, I was told what it, means__ to be aman. *Letring *Let arpeggiaied figures ring throughout unless notated otherwise. (© 1968, 190 SUPERHYPE PUBLISHING ‘rights smiistered by W MUSIC CORP. ‘Figs Reserved‘And now T've reached that age- I've tried to do— @) a ES NC. Oy) (a) —— all those things_ thebest. I__ can._ (do )68 (a) Nc. mat-ter howl uy find my way in = tothe same old jam. Chorus: i) a“ A G 4 Good times, bad times, you know!'ve Letring Rush tempoE 67 ‘woman lefthome for abrown-eyed man,— but I stilldon’t seem to care. __ Fis ES FES ESS FES ES F4s ES FHS fell_ in love. with a girl as sweetascould be, — Fis ES FHS ESFIS FHS ES FSS Fis coup - le of days till = she. was rid of68 FS ES FHS: ESIIS = FES ES FHS ‘ES FSS: swore that she would be— all Jove me “tillthe end, — = ~ Fis lost an - oth-er ¥ Parenthesised notes played by Guitar 1 only Chorus: B Esust E B Esust E you knowI've had my Electric Guitar 2 Letring69 woman left home for abrown-eyed man, but I still don’t Guitar Soto With Fill 1 (8 times) ES ps AS L h Fil Even gliss.Rush slightly th1 Letring Well,my —_ womanleft home for abrowneyed man, but Ias Even gliss ES NC. @) wIT know what it means to be a- lone, emt Spe ES NE. ) a“74 ES cs ‘§ © “ I don't care what the neighbors say, er ES NC. ) “ T'm gon-na love youF 7 Begin fade e ES NC. Pp “ You can feel the beat with in my. rh Aka eee 4 : ay Bend both strings with same finger76 gon-na par. nee i ee ee ates "7 Base I'm GONNA LEAVE You Words and Music by JIMMY PAGE Moderately stow with halftime feel # = 138 Iniro: Am AmTIG Acoustie Guitar f f i amp Let arpeggiated figures ring throughout AD B DFE DIFt F E Am7 Am7/G DiFE prt F E (© 1968 1990 SUPERHYPE PUBLISHING ‘Al rigs administered by W MUSIC CORP. “Fights Rosorved78 Verse 1: a AmTIG Dr pire F E Am7 AmT/G Tm gon-ma leave you. AmTIG DIFF Diy _ EAmt Am7iG Di DIF leave you when the sum-mer Amq/G DIF} F E80 - Le Am7{(no3rd) Dm(addEV/A Am Am7(no3rd) Dm(addE)/A ee ee) j- Pedal Steel quick gliss Arn For slide gir ‘Tuning: @=D88 Fmaj7 E Am Am7/G Tm gon-na eave you girl, To Codas 3 and 4 >87 Am7/G Diet Fmaj7 gE G Am (GO) Am Am7iG Dolet D7/Rt88 1 can hear With Rig B Ds Bal Codae ei as Ss | I said don’t you hear it, cal =~ lit___ me the way it Pedal Steel (Arranged for Slide Guitar) ‘Tuning: @ =D89 Coda 2 Am AmTiG DiFE DIRE Acoustic Guitar Solo ; F E Am Amq/GDIFE DIE E E a Rush tempo a ra oo Gs Hm? Peat)Fimaj7 E Am Am7/G g) ex nev- er nev-er nev - er gon-na leave i pir¢ pit, OF E m7 Tve_ got-ta goa way from this place oF eas AmtiG DIRE92 toe With Filta ba eee Secccetel With Fil 4 With Fitts93 amq/G Dirt = SS msl, E lint With Fill 4 Am AmTIG Diet ae With Fill 3 Pill394 F E Am7 WA qr G6 Arr for Slide Guitar Tuning-@)= D Ftm7 DIFt Fmaj7 E Am7 FIA ms. feels good 1 have you back a - (Alternate fingering)95 ly gonna Se Se DSS. Sal Coda3® Am? FIA G6 or Fim? prt, FS E wall-in|through the park __96 Coda3 Am7/G prt Dirt * am go away. Acoustic Guitar Solo 297 Fim7 DIFt Fmaj7 E Amt FA ‘That's when. or G6 Ffm7 DFE Fmmaj7 E98 Am Am7/G Dart age: i real - ly you_made me Get oat et at oe 7 ? 7 > > 7 Rake Rake Rake Rush tempo Rake Rake Rake Rake F6C-5) E Am : Amq/G iE (Ook,) (Ooh, hap-py ev - ‘ry sin - gle99 Dare F EDS BK al Codag Even gliss Even gliss. Codad Free time 5 gE Oncue I saidthat’s when it’s100 Slowly no AIc$ Cm6 Bomaj7 ‘mp" Let KEIR rad poo a poco == s Letring™? tard. poco a poco roughout = Am(adaB) Faster am ey a Am(addB) Am cm Pedal Steel) Raw101 You SHOOK ME Words and Music by WILLIE DIXON and J.B. LENOIR Stow blues 2)= 185 E mixolydian Intro: No Chord Blectric Slide Guitar za axe SF With distortion Even gliss. an (7 (a7) «7 (7) oe. _— we oF a SemiP throughout co) (As) (G8)(E7) (asXGs) - Sow, even gliss (© 1982, 1990 HOOCHIE COOCHIE MUSIC and ARC MUSIC CORP, ‘amiiseres by SUGIARC MUSIC CORP. "AI ghts sores102 (en) an You know you shook me ba - by — you shook me all night long... Even gliss (en) (as) (G5) (7) (en) eevee Even gliss. *D notes rings smpathetically (an «e) an (7) (B7) (Ee?) (AS) (G5) (E7) (as) (GS) co ‘that whist-les, and I have birds_ that sing, Even gis. "Harmonie results from slide hinting low E string103 (en) (an T have a bird that whist ~ les, —_ and T have birds— that sing Even gliss. «en (As) (G5) (Es) wn ee ae te Thave a bird won'tdo nothin. (a7) Buy a dia-mondring,_ hey, Organ Solo (e7) (As) (G5)_ES. AS GS ES Gs ™P Without slide) Semi-PM. throughout104 ES (as) GS As G5 as cs § Lay back slightly ES (a5) GSES BT fend PM. 4 Let ring ar ET (an, 7) 7 Let ring Blues HarpSolo ES 6 —-ET_—_(AS) (G5) ES AS GSE E6 ET AG AS EG ES (G5) AS G (a5) Al AG105 ES 56 7 AG EladdF#) FS E(addF#) N.C. BT Let notes ring Guitar Soto ES 6, ET 6 ES Ey DT GE ii A, (increase echo level) With Echoplex = 3 Hold bend3 Hold bend a Hold bend, eee107 (an, «en NC. NC. = re-bend additional 1 step By eB as) (3) 7 you shookme all nightlong.— Even gliss. : ¥ Withstide108 AS GS ET aliss. Pw ee know you real- ly, reably did babe. — With slide Even gliss. you shook me all________ night Iong.— With slide Even gliss With slide Even gliss.(Vocal with pre-echo) 109 Rubato an ' Be no. _ dees Withow slide peas With pre-echo through fine110 Vocal ad lib,Dazep AND CONFUSED Words and Music by JIMMY PAGE Moderately slow J = 158 Intro: No Chord Electric Guitar (use neck-position pickup) 3. ie i mp af “Harm, with wah- wah throughout ‘Sitch fo deste pion Verse I: Beendazed and con -fused— for so long it’snot true. ed @ wo - man,never bargained for you. Lots of people talk - in’, loco * Rock wah-wah pedal simile to the following rhyhm figure. (+ = treble position, 0 = bass position) (© 1968, 100 SUPERHYPE PUBLISHING ‘Al rahe admiitered by W8 MUSIC CORP "AU Figgas Rosorved12 yi soul of a woman was cre-at - ed be- low, Bs ‘*Upstemmed part played through fuzztone with octave effect (8va higher). a ore a Verse 2:113, — and a-bused___tell-in’allof your lies — Run ‘round sweet ba by, Lord, how they hypno-tize... Even Telease~ ‘Sweet lit-tle ba by, Idon’t know where you been.— Gon-na love you ba - by,“Upstemmed part with 8va fuzzWe fay Fa AS a mF— ee day I work so hard _bring-in’home my hard-earned pay. ‘Try to love you ba-by, but you push me a-way.—116 Don'tknow where you're go-in’, I don’tknow just where you've been; sweet little ba-by, I want_you a -17 BS Ne. BS ASN. Gs NC. Guitar 2 with violin bow, echo and wah-wah.Even gis Even gliss 2 Continue tremelo with bow.Guitar tacet120 Guitar Solo = a‘Bend sring and vib. behind ma ~ continue bending behind mut. —122123124 NC. BS NC. BS a ibn125 Upstemmed part with 8va fuzz.126 andcon-fused for so long, is not true, want-ed a wo-man never bargainedor you. Take it etsy ba-by, let them say what they will._(Willyour) tongue wag so much when I send you theAl- right! BS NC. ES Ds (as) cs) Guitar I tacet Bs) (a5) (es) (Bs) es) ms)With Fill ————— ce ob, oh.BABE, I’M GONNA LEAVE YOU BLACK MOUNTAIN SIDE COMMUNICATION BREAKDOWN DAZED AND CONFUSED GOOD TIMES BAD TIMES HOW MANY MORE TIMES | CAN'T QUIT YOU BABY YOU SHOOK ME YOUR TIME IS GONNA COME SB aahadaccotanegondncd