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The Gershwin

Songbook
taught by
Fred Sokolow

1
CONTENTS
They Cant Take That Away From Me ...................................................... 3
Solo .......................................................................................................................... 8
Nice Work If You Can Get It ................................................................... 12
Solo ....................................................................................................................... 16
Our Love Is Here To Stay......................................................................... 19
Solo ....................................................................................................................... 23
Oh! Lady Be Good .................................................................................... 26
Solo ....................................................................................................................... 31
Someone To Watch Over Me .................................................................. 34
Solo ....................................................................................................................... 39
A Foggy Day .............................................................................................. 43
Solo ....................................................................................................................... 48

The tablature/music arrangements that follow are exact transcriptions of the split-screen versions
of the songs in the video. The introductory verse to They Cant Take That Away From Me was not played
in the split-screen version, so its transcribed from the earlier performance of the tune.

Fred Sokolows videos


PLAYING AND UNDERSTANDING JAZZ GUITAR
and THE COLE PORTER SONGBOOK
are a logical next step once you have worked with this video.
He has also written many other videos and books on jazz,
country, blues, bluegrass, rock and rockabilly.
For a free catalog, write to:

Sokolow Music
PO Box 491264
Los Angeles CA 90049

or see his catalog at this website:


SokolowMusic.com
THEY CANT TAKE THAT AWAY FROM ME
C maj C # Dm G C fl
3fr. 3fr. 5fr. 3fr. 3fr.


& c b n
#
VERSE

Our ro - mance wont end on a sorrowful note,
song is over, but, as the songwriter wrote, the

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n ..
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though by tomorrow youve gone. The melody lingers

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F m B E maj F
7fr. 7fr. 7fr. 7fr. 7fr.

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&
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on. They may take you from me; Ill

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9fr. 7fr. 7fr. 8fr. 5fr.


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miss your fond ca - ress. But though they take you from

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A fi G
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n # b n .
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me, Ill still pos - sess: The way you wear your
CHORUS

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D Dm
3fr. 5fr. 5fr. 5fr. 5fr. 5fr.

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& ..
# ..

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#. n
hat, the way you sip your tea,
beams, the way you sing offkey,
knife, the way we danced til three,
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G Gm C
3fr. 3fr.


& b b
J J
the memory of all that,
the
the
way you haunt my
way you changed my
dreams,
life,
} no, no, they

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1. 2.
F Em Dm G F G
5fr.


& n
... .. n


.
cant take that away from me. The way your smile just cant take that away from

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3fr. 7fr. 7fr. 9fr. 7fr. 7fr. 7fr.

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& #

me. We may never, never meet a - gain on the
BRIDGE
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Em C B A/C # A /D # /C # B Em B
7fr. 8fr. 7fr. 7fr. B/D # 7fr. 7fr. 7fr.

#
n


b

# # # n # n #

& #
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8fr. 9fr. 7fr.
bumpy road to love; still, Ill always

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Em B b A D b
A fi G
7fr. 6fr. 5fr. 3fr. 3fr.

n b n # n ..
&
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# n
b
keep the memory of: the way you hold your

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3. Em A
F G Am F m fl
3fr. 5fr.


& b

#

cant take that away from me. No, they cant take that a -

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way from me.

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& J J
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7
THEY CANT TAKE THAT AWAY FROM ME
SOLO

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D C/E D #
3fr. 5fr. 5fr. 5fr. 5fr.

j #
& c





. # J #

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& n
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F maj Em Dm 2.
G Gm C # C C
8fr. 7fr. 5fr. 3fr.


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# n
To Coda fi
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F maj G C B Em #
F m B
8fr. 3fr. 3fr. 7fr. 7fr. 7fr. 7fr.

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&

n j # # gg n #
ggg #

BRIDGE
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10 10 8 3 5 5 7 gg 87 10 10
9 10 4 5 5 0 8 ggg 9 9 9 8
g7
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3 7 7

Em B Em C B
7fr. 7fr. 7fr. 8fr. 7fr.


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& gg
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A fi
7fr. 7fr. 7fr. 5fr. 3fr.

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D.C. (take 2nd Ending)

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al Coda
n # # # b n b
&
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F maj G Am F m fl Fm Em A
8fr. 3fr. 5fr.
5fr.

3

gg b
#
& ggg
ggg
fi CODA

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10 10 8 3 5 ggg 1 1 0 5 6
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gg 0 1 0 6
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10 3 5 5
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3 5 0 g 0 5

A fib G b
G m fi F m, maj B b
3fr. 3fr.

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& b n

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b
b b

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3fr.


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NICE WORK IF YOU CAN GET IT
C F Dm b
A m Gm D b C
5fr. 4fr.

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& b c ..
b n b n b b

b b

The man who only lives for making money
the only kind of work that brings en - joyment

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1.
F Dm Gm C A Dm
5fr. 5fr. 5fr.

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& b # .. n
n
.
lives a life that isnt necessarily sunny. Likewise, the man who
is the kind that is for

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3fr. 3fr. 5fr.



& b

n b n
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lives for fame; theres no guarantee time wont erase his

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& b b j j # j j . .. # ..
n
name. The fact is, girl and boy meant.

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Am E A D
5fr. 5fr. 5fr. 4fr.


# n
& b
n # #



Fall in love, you wont regret it. Thats the best work of

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Gm C F Gm F/A Gm F
3fr.


& n
b



all if you can get it.

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A D G C F B b
5fr. 4fr. 6fr.

% b
#
& b .. n
#
nn b


CHORUS
Holding hands at midnight, breathing sigh after
Strolling with that someone, beneath a starry
Loving one who loves you, and then taking that
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B F Dm Gm C D
6fr. 5fr. 3fr.

fi
To Coda

&b b n






#

n

sigh, nice work if you can get it, and you can
sky,
vow,
}
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G C F Dm
3fr. 5fr.

..
& b n n b j ..

..


get it if you try. Just imagine

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B b Dm G G
6fr. 5fr. 3fr.


b n n
&b

someone waiting at the cottage door,

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Cm G C C
3fr.

D.S. al Coda

&b b b n b
#




where two hearts be - come one. Who could ask for anything more?

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Gm C A m fi D Gm
4fr. 3fr.

b
& b # n

fi CODA
get it, and if you get it, wont you

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C (F)

b b b b
&b


tell me how?

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E F
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&b b j n #

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NICE WORK IF YOU CAN GET IT
SOLO
A D G C F B flb
5fr. 4fr. 3fr. 2fr. 6fr.

# n n
n b n
n b
& b c
#
# b

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fi
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To Coda

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& n
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J .

BRIDGE

..
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n J
&b b. n n

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b
j # D.C. al Coda
& b J n n J b
n b

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j b b
& b j # n J


fi CODA

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E F
6fr. 7fr.

n U
b b b b n b # b
&b b n
j
#
3

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OUR LOVE IS HERE TO STAY
C maj A
3fr. 5fr.

g ww
# ... #
& gg ww
c g
gg w .
VERSE
The more I read the papers, the less I compre - hend this

gg 35 3 3 5
ggg 4 5 5 5 5 5 5
gg 53 4 4 6 6 6
g
5 5 5 5 5
3 3
5 5 5

Dm G E/G # Am D G
5fr. 3fr. 4fr. 5fr. 4fr.

# .. ... .
n
j .
& # n . j J
# .
world and all its capers and where it all will end.

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F maj G C maj D
8fr. 3fr. 4fr.



& #

#

Nothing seems to be lasting, but that isnt our affair;

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8fr. 7fr. 5fr. 3fr.


& n
# # www

w
weve got some - thing permanent, I mean in the way

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..
& n


J
we care. Its very
But oh, my

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D Dm G C maj Dm
4fr. 5fr. 3fr. 5fr.



& # n

clear, our love is here to stay.
dear, our love is here to stay.

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C/E Am D F G
5fr. 5fr. 4fr.



&
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Not for a year, but ever and a
To - gether, were going a long, long

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E m fi A #
F m fi B Em A
7fr. 5fr. 9fr. 7fr. 7fr. 5fr.


# n # # n #
&
b
#
b
day. The ra - di - o, and the
way. In time the Rockies may tumble,

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1. C F B m fi E
Dm G
5fr. 6fr.

#
n
& b




#


telephone and the movies that we know may just be
Gibraltar will crumble;

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Am D Dm
5fr. 4fr. 5fr.


& b n #



..
J
passing fancies and in time will go.

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..
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theyre only made of clay, but our love is here to

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stay.

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OUR LOVE IS HERE TO STAY
SOLO

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OH! LADY BE GOOD
Cm D m fi Cm D m fi Cm G
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VERSE Listen to my tale of woe, its terribly sad but

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true. All dressed up, no place to go, each

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&

night Im awfully blue. I must find some

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26
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winsome miss. Cant go on like this.

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I could blossom out, I know, with somebody just like you.

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CHORUS Oh, sweet and love - - - ly lady be good,
Ive been so aw - - fully mis - under - stood,
Im just a lone - - ly babe in the woods,
6 6 6 6 6 6 6 6 6 6 6 6
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27
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To Coda fi
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oh, lady be good to
so,
so,
}
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me. me.

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Wont you have
BRIDGE

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pity? Im all a -

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D.S. al Coda

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lone in this big city.

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fi CODA me.

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30
OH! LADY BE GOOD
SOLO
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To Coda

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BRIDGE

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& J

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fi CODA

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33
SOMEONE TO WATCH OVER ME
A fl E A fl E A fl B
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###
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VERSE

Theres a saying old: Fools in love are blind. Still again, were told: Seek and ye shall find.
Looking every - where, havent found her yet. Shes the big affair that I cant forget.

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So Im going to seek a certain lass Ive had in mind.
Only one I ever think of with re -

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gret. I long to add her initials to my

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34
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monogram. Tell me,

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where is the shepherd for this lost lamb?

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CHORUS Theres a somebody Im longing to see. I hope that she
Im a little lamb whos lost in the wood. I know I could
Wont you tell her please to put on some speed, follow my lead,

.. 5
6 4
4
4
6
2
2
2
7 6 5 4 6 2 4
6 5 4 3 3
5

35
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To Coda

&
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turns out to be some - one wholl watch over
always be good to one wholl watch over
oh, how I need some - one to watch over
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me. me.

..
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3 3

Al - though I may not be the man some girls

BRIDGE
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36
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think of as handsome, to her heart Ill

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### D.S. al Coda

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carry the key.

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fi CODA me. some - one to

~
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37
#
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rubato
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n

watch over me.

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38
SOMEONE TO WATCH OVER ME
SOLO
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BRIDGE

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40
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rubato

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41
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42
A FOGGY DAY
b
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& b

VERSE
I was a stranger in the city; out of town were the
(Rubato)

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A m fl E b D Gm
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& bbb n
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# ww

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people I knew. I had that feeling of self - pity; what to do, what to do, what to

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2fr. 6fr. 6fr. 3fr.

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do? The out - look was de - ci - ded - ly blue. But as I

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43
Gm G m, maj Gm G m fl Fm
3fr. 8fr.

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bb
j .. .. j
& b . #j n. n j .
a tempo
walked through the foggy streets a - lone, it turned out to be the

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luckiest day Id known.

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b n
& n b
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A fog - gy day in Lon - don
CHORUS How long, I wondered, could this thing

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44
b
E maj G b
6fr.

b .. b b b b
b
& b J ..
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town had me low and it
last? But the age of miracles

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& b b b








had me down. I viewed the
hadnt passed, when

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morning with a - larm. The

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Gm C Fm E

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& b b b
b . j n
n b .. n
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British mu - seum had lost its charm.

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n
sud - den - ly I

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saw you there and in foggy London

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46
b
E /G Fm Gm Cm Fm B b E b b
B m
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b b


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& b J

town the sun was shin - ing ev - ry - where.

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B b
B E maj b
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47
A FOGGY DAY
SOLO
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To Coda
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A maj D b Gm C
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D.S. al Coda

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49
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fi CODA

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b b w
& b b n b n www
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rubato

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