Allegiance PDF

Allegiance
Piano/Vocal
1
Prologue
(10-23-15)
Music and Lyrics by JAY KUO
Arr. by LYNNE SHANKEL
Maestoso
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Poco Rall.
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Moderately Slow 4 SAM: It still fits. (A door buzzer sounds.) SAM: Oh, for crying out loud.
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2x
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Piano/Vocal Prologue- pg. 2 Allegiance
(10-23-15)
SANSEI WOMAN: Are you Sam Kimura? SAM: That's the name on the buzzer. What do you want?
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SANSEI WOMAN: Sorry. I didn't expect you in uniform. SAM: Every Pearl Harbor Day they trot me out to prove I'm still alive.
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SANSEI WOMAN: I'm afraid I have some bad news. Your sister passed away. I'm the executor of her estate. She wanted you to have this.
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(10-23-15)
SAM: I haven't seen Kei in over fifty years. I don't want anything from her. What's in it? SANSEI WOMAN: I don't know.
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A Little Brighter, in 2
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[SANSEI WOMAN hands SAM the envelope.] KEI:
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SANSEI WOMAN: The service is at three.

First Presbyterian on Nob Hill.
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Safety
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chance for for - give - ness af - ter all these years gone by...
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1st x only
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(10-23-15)
SAM: You're finally at peace, Kei. Couldn't you leave me that way too? KEI: If I were at peace, I wouldn't be here.
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Safety
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Poco pi mosso
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KEI: 3

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Come back, re - mem - ber when... o - pen the gates, Sam.
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[3X] KEI: Remember? SAM: I don't want to relive all that.
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Back to a time that no one speaks of a - ny - more.
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KEI:
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You must re - turn a - gain, See what a - waits, Sam.

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(10-23-15)
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We used to be a fam - 'ly in those days be - fore we were
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KEI: We can still get back what we lost.

(A memory of SAMMY appears)
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bro - ken by the war, by the war.
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[2X]
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KEI: Look at yourself, Sam. SAM: I'm not that kid anymore.
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SHADOWS:
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- ne ni u - ta yo - mu
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(10-23-15)
Poco pi mosso
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Sa - to - bi - to wa... Mi - ya - ko - ka -
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Sa - to - bi - to wa... Sa - to - bi - to - wa... Sa - to -
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Sa - to - bi - to wa.... Sa - to...
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Sa - to - bi - to... Mi - ya - ko - ka - na....
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na... Sa - to - bi - to wa!
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bi - to wa.... I - ne - ni u - ta yo mu... wa!
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Mi - ya - ko - ka - na... Sa - to bi - to wa!
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Mi - ya - ko - ka - na!
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Allegiance
Piano/Vocal
2
Wishes On The Wind
(10-29-15)
Bright 4
PEGGY: Sammy! Welcome home! KEI: Sammy! SAMMY: Sis! Arr. by LYNNE SHANKEL
KEI: I can't believe it. My little brother, our first college graduate. How come you didn't call from the station?
SAMMY: I rode with a buddy as far as San Jose. From there, I hitched. KEI: I wish you wouldn't do that.
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SAMMY: I wish you wouldn't nag. KEI: You hungry? SAMMY: Always.
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[VAMP OUT ANY BAR]
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GROCER: Tatsuo, I'll take ten bushels of artichokes. TATSUO: Thank you. You do us honor.
KEI: Papa, looks who's back from college. TATSUO: Good. We need ten bushels. GROCER: What's the occasion?
SAMMY: Home sweet home. GROCER: It can wait. TATSUO: Japanese summer festival. (GO)
KEI: Right now we're having a party. Won't you join us? (GO)
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KEI:
Safety
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this time each year, as we cel - e - brate the har - vest, we hang a wish high up -
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Piano/Vocal Wishes On The Wind - pg. 2 Allegiance
(10-29-15)
2 433
SAMMY:
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on a wish - ing tree. If the wind's strong e - nough to col -
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lect your wish and take it. Tra - di - tion says that the wish will come to be.
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TATSUO: Once again I make a wish to honor the memory of your mother. SAMMY: What's it say?
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(10-29-15)
TATSUO: If you study Japanese, you would know. "For my daughter, a husband. For my son"
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SAMMY: Lemme guess. Law school. TATSUO: I would settle for respect.
Safety
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KEI:

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This time of year al - ways makes me think of Ma - ma. She loved this day, though her wish - es were few.

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(10-29-15)
SAMMY:
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She was the heart - beat of ev - 'ry cel - e - bra - tion. You know that sounds a lot like you.
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Poco Rall.
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KEI:
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Then may - be Ma - ma's wish came true.
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Wish - es on the wind, drif - ting through the night con -

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(10-29-15)
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nect - ing friends and fam - 'ly as they float a - way from sight.

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Wish - es on the wind are wish - es that we share, not

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SAMMY:

Wish - es on the wind are wish - es that we share, not
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on - ly for our - selves but for the ones we love who'll al - ways be
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on - ly for our - selves but for the ones we love who'll al - ways be
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(10-29-15)
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KEI: This came for you. SAMMY: I already know what it says.
In 4 (Tempo 1)
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there.
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there.
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KEI: Me too. I opened it. When are you going to tell Papa? SAMMY: Later. I dont want to spoil the party.
TATSUO: Keiko, where is your grandfather? [OJII-CHAN enters, dressed in a yukata.]
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OJII-CHAN: You have eyes. Look before ask. SAMMY: Ojii-chan! OJII-CHAN: Isamu!
KEI: Whats your wish, Ojii-chan? OJII-CHAN: I wish not hold this anymore.
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(10-29-15)
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SAMMY:
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For my sis - ter I wish for a
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cot - tage by the o - cean; a qui - et place that's en - ti - re - ly her own.
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KEI:

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For my bro - ther I wish for great jour - neys and ad - ven - tures,
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(10-29-15)
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to see the world 'til he fin - 'ly mis - ses home.
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SAMMY:
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I wish that I did - n't have to play the good son,

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waste years in school just so Pop will think I'm smart. I wish that I did - n't
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(10-29-15)
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have to play the mo - ther. Though it would tear Pa - pa a - part,
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Poco Rall.
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I've got to make a brand new start!
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SAMMY:
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I've got to make a brand new start!
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(10-29-15)
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FWish es on the wind. Dreams that touch the sky. Our
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F Wish - es on the wind. Dreams that touch the sky. Our
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KC/RO/MS/EW
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heads are bowed, our eyes are lift - ed Hope is rid - ing high.
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heads are bowed, our eyes are lift - ed Hope is rid - ing high.
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(10-29-15)
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Wish - es on the wind, And
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Wish - es on the wind, And
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though they trav - el far, some - how, some - day they'll find their way right
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though they tra - vel far, some - how, some - day they'll find their way right
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(10-29-15)
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back to us, right back to us... New
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SAMMY:
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back to us, right back to us... New
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dreams with new mys - ter - ies, some day I'll un - rav - el them. New
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dreams with new mys - ter - ies, some day I'll un - rav - el them. New
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(10-29-15)
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roads with new his - to - ries, some - day I will trav - el them!
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roads with new his - to - ries, some - day I will trav - el them!
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Rall.
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I will trav - el them!
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I will trav - el them!
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(10-29-15)
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Maestoso 4 JAPANESE GROUP 2 (A/T):
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+ SAMMY/KEI:
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Sa - to bi - to wa. I - ne ni u -
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JAPANESE GROUP 1 (S/B):
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Sa - to bi - to wa. I - ne ni u - ta yo - mu.
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RO/MS/EW
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ta yo - mu. Sa - to bi - to wa, bi - to
Wish - es on the wish - es on the...
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wa! AA/DL
MEN:
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Mi - ya - ko ka - na. Sa - to bi - to
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Wish - es on the wish - es on the...
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(10-29-15)
Maestoso 2
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Wish - es on the wind, dreams that touch the sky. Our
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ALL:
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AA/KM Wish - es on the wind, dreams that touch the sky. Our
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(10-29-15)
Poco accel.
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heads are bowed, our eyes are lift - ed. Hope is rid - ing high!
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Slightly Brighter
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Wish - es on the wind, and though they trav - el far, Some -
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Wish - es on the wind, and though they tra - vel far, Some -

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(10-29-15)
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how, some-day they'll find their way right back to us, Right
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how, some-day they'll find their way right back to us, Right
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back to us... Right
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back to us... Right
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(10-29-15)
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Poco Rall. A Tempo
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WOMEN:
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back to us wher - e - ver we
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MEN:
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back to us wher - e - ver we
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Maestoso 4
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are!
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are!
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Allegiance
Piano/Vocal
2A
Tanabata Party Down
(10-13-15)
Bright 4
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1 2 3 4
.
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P . .
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Rall.
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Allegiance
Piano/Vocal
3
Do Not Fight The Storm (10-23-15)
CUE: Music and Lyrics by JAY KUO
TATSUO: You will study harder, and apply again. (GO) Arr. by LYNNE SHANKEL
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ROOSEVELT (V.O): Yesterday, December seventh
With motion
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ROOSEVELT: nineteen forty-one a date which will live in
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A Tempo
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ROOSEVELT: infamy the United States of America was suddently and deliberately
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Piano/Vocal Do Not Fight The Storm - pg. 2 Allegiance
(10-23-15)
ROOSEVELT: attacked by naval and air forces of the Empire of Japan.
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ROOSEVELT: I ask that the Congress declare
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ROOSEVELT: a state of war.
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(10-23-15)
TATSUO: This will not be good for us. During Great War, people of Salinas tried to kill German shopkeeper.
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They burn his store to ground. We must keep our heads down.
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TATSUO: Where are you going? SAMMY: To hang up our flag. We need to prove we're loyal Americans.
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A Little Brighter
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TATSUO: You'll just call attention to us. KEI: It's not safe. SAMMY: But TATSUO: Nothing can be done. So for now we do nothing.
! !
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play 1st X only
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(10-23-15)
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SAMMY:
.
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You can't be ser - i - ous. Pop, look, we're at war now.
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TATSUO: We must wait and see.
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We've been at - tacked, don't you see? We have to take a stand.
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I can't be

hear - ing this. We've got to act now, not wait for
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TATSUO:

44 45 46 47 48
an - gry crowds to burn our farm - house down.

Let's show ev - 'ry - one in town! Do

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(10-23-15)
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49 50 51 52

3
not fight the storm, do not fight the storm. 3

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&b
+ KEI:

53 3 3 54 55 3 56
#
Bet - ter to bend and sub - mit. The nail that is high - est is hit. Do
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#

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57 3 58 59 60
. .
not fight the storm, do not fight the storm. There's
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F
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. . . . . . . .
SAMMY:
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61 3 62
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no - thing that we can do. That's not
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(10-23-15)
&b ! n
63 64
true!
.
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n
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6
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[TRANSITION TO RECRUITING OFFICE]
! ! ! !
SAMMY: We're here to enlist.
&
65 66 67 68
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RECRUITING OFFICER: Sorry, fellas. The Army has classified all Japanese Four-C. Enemy Aliens.
& ! ! ! !
69 70 71 72
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SAMMY: But we were born here in California.
JOHNNY: We've never even been to Japan.
#
CUE OUT: (RECRUITING OFFICER) A Jap is a Jap.
! .. ! .. !
Safety
&
73 74 75
#
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(10-23-15)
# 76
SAMMY:
& .

77 78 79

We came to serve to - day just like the oth - ers.
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# 80 TOM:
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81 82 83
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We want to be the first to wave the red, white and blue.
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# 84 JOHNNY: j j

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Some - how we'll find a way This is - n't right! We are A -
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. . . .
. . . .
# 88
RECRUITING OFFICER:
.
ALL 3:
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mer - i - cans! There's no - thing to dis - cuss. Then
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.
.
SAMMY: (10-23-15)
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TOM:
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ISSEI:
.
JOHNNY:
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92 93
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who will speak for us? Do
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#. #.
# 94
MIKE: This is Mike Masaoka, National Secretary for the Japanese American Citizens' League.
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95 96 97
not fight the storm...
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3
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sub. P
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# 98
KEI: The JACL? Who put them in charge? MIKE: We Americans of Japanese descent pledge to fight Japan until the enemies of freedom are destroyed.
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99 100 101
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MIKE: The JACL asks that everyone remain calm and trust in the fairness of the American way.
# 102
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1st x only
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Safety - Out Any Bar
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(10-23-15)
#106 n
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# [DOOR KNOCKS]
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.
FEDERAL AGENT: Kaito Kimura? KEI: I'm Kei Kimura. Kaito is my grandfather. What can we do for you?
! ! ! !
[INQUISITION]
&
108 109 110 111
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FEDERAL AGENT: FBI. We have some questions for him.
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112 113
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MIKE: In a time of war it is necessary to forego some civil liberties to keep America safe.
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114 115 116 117
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(10-23-15)
FEDERAL AGENT: Kaito Kimura, do you correspond with Japanese nationals currently living in Imperial Japan?
OJII-CHAN: Nani wo itte runda? FEDERAL AGENT: Does he understand?
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SAMMY: We've gotta do something. KEI: No. We have to be careful.
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[2X]
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KEI:
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124 125
Do
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NISEI/ISSEI: MEN
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WOMEN
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F not fight the storm.... Do not fight the storm...

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(10-23-15)
FEDERAL AGENT: By order of President Roosevelt, all people of Japanese ancestry have until Friday to evacuate the West Coast.
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RECRUITING OFFICER: The government will transport you to a relocation center. Take only what you can carry.
&b ! ! ! !
134 135 136 137

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Molto Rit.
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138 139
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(10-23-15)
Slower in 2, with a quiet intensity
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ISSEI/NISSEI:
& b . b
140 141 3 142

How can we go, and where will they take us? We can - not say no, can - not
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143 144 145
fight the storm. Bend like a reed and the wind won't break us.
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JAPANESE WOMEN:
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146

147
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RO/MS/EW
JD/CR How can we go?
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JAPANESE MEN:
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b
AA/DL
>
MC/SWA How can we go?
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b b

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fl fl fl fl fl fl fl fl fl
(10-23-15)
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3

148 149 150
Do not fight the storm!
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3

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Do not fight the storm!
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MIKE: We leave without bitterness. For it is patriotic to make this sacrifice.
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151 152 153 154
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FARMER: Ill take the farm, the house, the equipment and the car for two thousand dollars.
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155
ISSEI/NISSEI: 156 157 158
Sac - ri - fice.
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. . . . . . .
P.
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fl fl fl fl
(10-23-15)
TATSUO: But its worth twenty thousand. FARMER: That's a lot more than your neighbors are gettin'.
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159 160 161 162
Sac - ri - fice. Sac - ri - fice.
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fl fl fl fl
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163 GROUP 1 (ISSEI): 166
Sac - ri - fice. Sac - ri - fice. Sac - ri - fice.
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GROUP 2 (NISEI):
Sac - ri - fice. Sac - ri - fice.
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Poco rall.
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MIKE: Let this relocation be our contribution to the war effort. NISEI WOMEN:
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167 168 169 170
Do
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NISEI MEN/SOLDIERS:
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Do
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(10-23-15)
Maestoso 2
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171 172 173 174
not fight the storm! What can we do? The

AA/TL/KM
.
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MC/DH/SWI

NISEI MEN:
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3
not fight the storm! What can we do? The
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ISSEI: 3 3
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JD/CN/SWA
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Do not fight the storm! What can we do? The
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JAPANESE WOMEN:
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175 176 177 178
world nev - er hears the cries of the few! Do
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+ SOLDIERS:
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JAPANESE MEN:

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world nev - er hears the cries of the few! Do
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(10-23-15)
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179 180 181 182
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not fight the storm! Do not fight the storm!
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not fight the storm! Do not fight the storm!
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JAPANESE WOMEN:
b b 183 b j b n
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184 185 186

No - thing that we can do. The world is not as we knew! So
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JAPANESE MEN:
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No - thing that we can do. The world is not as we knew! So
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(10-23-15)
Rall.
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187 188 189
sub. P
keep your head down 'til the storm pass - es
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3
sub. P
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keep your head down 'til the storm pass - es
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b

> > > >
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b.
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TATSUO: We've known each other twenty years.
FARMER: Two grand. (MUSIC OUT) Take it or leave it.
U
A Tempo, In 2
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190 191 192 193 194
through.
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through.
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. . . .
(10-23-15)
Solemnly, in 4
MIKE: "We leave our homes with smiling faces, grateful that we are wards of our government in this troubled time."
4
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195 196 197 198
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MRS. TANAKA: Where they take us? KEI: The tag says, "Heart Mountain," Mrs. Tanaka.
&b ! ! !
199 200 201
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SOLDIER: You can't take the carriage, ma'am. NAN: What? SOLDIER: Baggage only.
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202 203 204
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3

n.
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(10-23-15)

In 2
n.
GROUP 1 (S/T):
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205 206 207
J
Wish - es on the wind, and
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GROUP 2 (A/B):
.
Wish - es on the wind...
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208 209 210 211
though they tra - vel far....
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tra - vel far...
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. . .
Allegiance
Piano/Vocal
3A
Welcome, Strippers!
(9-5-15) v2
HANNAH: Now please go inside and remove your clothes. (GO) Music and Lyrics by JAY KUO
# 41
Agitated 4
& 4 ! ! ! !
2 3 4
#
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4
BULLHORN VOICE: After sundown, anyone using the latrines must follow marked pathways. Camp guards have orders to enfore this policy strictly.
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#
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9 10 11 12
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Piano/Vocal Welcome, Strippers! - pg. 2 Allegiance
(9-5-15) v2
# 13 ! ! !
&
14 15
#
& .
j j j j j j
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- - - - - - - - - - -
# 16 Rit.
& ! ! ! ! !
17 18 19 20
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Allegiance
Piano/Vocal
4
Gaman
(10-23-15)
b
MRS. TANAKA: I cannot do. Please. I want I want to go home! Please!
& b b 43 ! ! !
KEI:
1 2 3 4

It will

b
& b b 43 ! ! .
b
& b b 43 .. .. .
.
.
.
?
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Freely
& j j
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5 6 7 8
a
all be all right. There's way through this night. Stay
b
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Piano/Vocal Gaman -Pg. 2 Allegiance
(10-23-15)
b j
&bb .
9 10 11 12

strong. On this long road we bur - y our pain. There's a
b
& b b ... .. .. ..
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Moving a bit
b j j
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13 14 15 16

word we will say to help get through each day. We will
b . .. ..
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17 18 19 20

bear an - y night - mare with a sim - ple re - frain: Ga -
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.. .. ...
.
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A Tempo, moderate 3
&bb
21 22 23 24

j j
man, Ga - man.
bb b
& .. ... .. ...
. . .

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b

(10-23-15)
b b25 . j
+ SAMMY:
& b
26 27 28

Stur - dy and sure, keep faith and en - dure. Ga -
b
& b b ... ..
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J
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b

bbb b
32
&
29 30 31

j j

man, Ga - man.

b
& b b . ... .. b ... b
.. . . .
b
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b
b 33 j . j
+ SAMMY:
b
KEI:
& b .
34 35 36

Hold your head high. Car - ry on. Ga -
b . . .
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b .

bbb
TATSUO:
& . . ! b
37 38 39 40
n b
man. Dear - est
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b
j . b
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(10-23-15)
&b j j
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41 42 43 44

wife up on high, look - ing down see how I
j am

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F
?b

j JOHNNY:
NAN
&b
45 46 47 48

lost and ex - haust - ed, weak and a - shamed. Lit - tle
.
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.

j j j
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JOHNNY:
.. ..
49 50 51 52

ba - by don't cry. Hear a sweet lul - la - by... Did I
..
..
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?b

(10-23-15)
&b

53 54 55 56

fail to pro - tect you, am I to blame?
&b ! ! !
INTERNEE MEN:
We
..
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?b

. .
INTERNEE WOMEN:
&b ! !
57 58 59 60
j j
Ga - man! If
& b .
j
know that there's no turn - ing back.
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61 62 63 64

we hold to - geth - er, there's no - thing we lack.
..
TATSUO:
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there's no - thing we lack. And our
.. ...
& b . . .
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?b

(10-23-15)
ALL:
&b ! ! ! n
65 66 67 68
To -
& b . n . n n
ALL:
J J
peo - ple will know that wher - e - ver we go, To -
.. n .. .. n
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& b . J n
n

F
?b

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n
. . .
. .
A Tempo
.
Rall.
&b b . 44 w
69 70 71 72
J J
ge - ther we'll e - ver re - main! Ga -
.. b .. 44 ww
&b J J
b ... ..
ge ther we'll e - ver re - main! Ga -
. .. 4
& b 4
b
? 4 . j j j
b b 4 . .
b . . .
(10-23-15)
Driving 4 RO/MS/EW
& b . ..
JD/CR/LS
.
73 74 75 76
man, Ga - man,

AA/DL/TL
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CN/SWA
man, Ga - man,
www
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b .
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j j j j j j j j j j j j
Gm7/F F Dm
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J J J J
Poco rall.
&b ! ! ! !
KEI:
77 78 79 80 81
We will car - ry
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j j j j j j j j j j j j b b
& b
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Gm Gm/F C9/E C9
. .
.
(10-23-15)
A Tempo
&b w ! !
82 83 84 85
on!
.. b .
& b .
man, Ga - man,
n w b ..
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man, Ga - man,
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j j j j j j j j b b
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J J J J
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F
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F Dm Gm
j j j j j
.
.
RO/MS
JD/EW
& b b b .. 43
CR/LS
.
86 87 88 89
Dig - ni - ty, pride, as we stand side by side,
b ..
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Dig - ni - ty, pride, as we stand side by side,
ww j j j j j j j j
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J J J J
f F/C Fm/A b B bm6
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Dm7
b j j j j j j j

j
43

b
(10-23-15)
b 390 ..
& 4
93

91 92
e - ven when all hope seems gone... Ga -
..
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e - ven when all hope seems gone... Ga -
...
3
&b 4 .

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Poco rall.
& b .. .
94 95 96 97
PGa p
man! - man! Ga -
. ..
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PGa p Ga
j
man! - man! -
.. ..
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MC/DL
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CN/SWA
F P

?b

RO/MS (10-23-15)
JD/EW
Rall.
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CR/LS
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98 99 100 101
"
U
man!
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TL (top)
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man!
U
..
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MC/SWA
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b . .
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Allegiance
Piano/Vocal
4A
Spare A Square?
(9-5-15)
Moving, In 2
&b C ! ! ! !
1 2 3 4

&b C ..
w
w
.

F
? C
b
Poco Rall.
&b ! ! ! ! !
5 6 7 8 9
w j U
&b . ww
U
? b b b www
b
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Allegiance
Piano/Vocal
5
What Makes A Man
(10-27-15)
CUE: (OJII): Flag look like America. Sound like Japan.
b
&b C ! ! ! !
1 2 3 4
.
b
&b C b w . b .
J
P
3
b b
? b b C w
w bw b bw b
b 44
&b ! ! ! !
5 6 7 8
b b . j
3
4
&b b b w b w 4

? b b w b 44
w bw b .
Piano/Vocal What Makes A Man - pg. 2 Allegiance
(10-27-15)
SAMMY:
b b 49 2 10 ! 4 11
3

& 4 4 4
3 12

" r .
"Don't fight the storm," he said. And now look where we are.
b
& b 44 42 44

.

. . . . .
F . .
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fl fl fl
b 24 14
j 44 j
&b

13 3 15 16

. can
3 so

Bend - ing and cow - er - ing 3 on - ly get you far. He
b 2 4
&b 4
4

. . . .
. . .
? bb 42 44 . " r

fl fl
b j
&b
b b
17 18 19 20
3
tells me to make my - self use - ful and do our fam - 'ly proud. How the
b
&b
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.
fl > fl >
fl
? bb b
b
>
fl fl
fl >
(10-27-15)
b 21 j
& b
3 22 23 24
3 3
heck and I s'possed to be use - ful when be - ing my - self's not al - lowed? He
b .. >
& b .. b b

fl > fl fl fl
? b b
b
b
fl > fl fl
fl
bb
24 26 j 44 j
3
&
25 3 27 28
clings to tra - di - tion, a - fraid

to try some - thing new. We

& bb 42
44 N w

. . . . . . . . . . . . . .
? b
b j 42 j 4
4 j

fl fl fl fl fl
b 2430 j 44 j
&b
3
.
29 3 31 32

b .
don't call at - ten - tion. 3 We think, but we ne - ver do. He
4
3
& bb
2
4 4

. . . . . . . . . . . . .
? b 2 ! 4
b 4 4 j

(10-27-15)
bb j b b
3
&
3

33 34 35 36
j
wants me to fol - low blind - ly. He wants me to keep my mouth shut. But I
& bb
.
..

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.
? b b
b b

U
Poco Rall.
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swear from this day for - ward, I am go - ing with my gut! What makes a
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man is his clar - i - ty when he lis - tens to his heart. What makes a
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(10-27-15)
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man is his bra - ve - ry when he plays the big - ger part. What makes a
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man is what he makes of him - self while he's do - ing the best he can. I
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must be my own
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(10-27-15)
# # # 56
A Tempo
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man.
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It's
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A Little Brighter, Driving 4
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SAMMY:
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time we took ac - tion and found a way out of this place. I'll
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(10-27-15)
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set an ex - am - ple, help o - thers to see be - yond race. And
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though my face re - sem - bles our e - ne - mies in war,
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I am still A - mer - i - can. No - thing less and no - thing
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(10-27-15)
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Moving, in 2 accel.
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more! I'll
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ne - ver be a scho - lar, much as Pop wants me to be. And I'm
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not some name - less bo - dy in a crowd. If
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(10-27-15)
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on - ly Pop would see the sol - dier I could be, I'll
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fin - 'ly find a way to make him proud. I'll
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fin - 'ly find a way to make me proud! What makes a
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(10-27-15)
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Grandioso 2
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man is his dig - ni - ty when he stands for what is right. What makes a
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man is his loy - al - ty when he fights his na - tion's fight. What makes a
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man is what he makes of him-self when he's giv - ing it all he can. For
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(10-27-15)
With Motion
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all our sakes, I'll do what it takes, and
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Allegiance
Piano/Vocal
5A
You're A Manly Man Music and Lyrics by JAY KUO
(10-9-15) Arr. by LYNNE SHANKEL
#
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[KARATE]
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Piano/Vocal What Made A Man pg. 2 Allegiance
(10-9-15)
#
PRIVATE KNIGHT: Hey, break it up. JOHNNY: It's just karate. KNIGHT: None of that oriental crap.
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Safety fade on scene
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FRANKIE: Kimura-san, konnichiwa.
16
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Allegiance
Piano/Vocal
5B
Hello, Nurse! (9-25-15) Music and Lyrics by JAY KUO
KEI: Ready to go? Arr. by LYNNE SHANKEL
OJII-CHAN: Koreka?
FRANKIE: Yes. No. [GO]
2x
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Allegiance
Piano/Vocal
6
I Oughta Go (10-9-15)
SAMMY: Have him take two cotton balls and call you in the morning? (GO) Music and Lyrics by JAY KUO
SAMMY: You know, I tried to enlist. HANNAH: Ya did, huh? Arr. by LYNNE SHANKEL
Medium swing
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SAMMY: So I would have been military personnel.
HANNAH: But you're not.
SAMMY: But if I were, I could get cough syrup for my grandfather.
HANNAH: But you can't.
SAMMY: Got rejected. HANNAH: Flat feet? SAMMY: Yellow face. HANNAH: Ah. SAMMY: No. You can.
.. ..
[SAFETY] HANNAH:
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They told me the
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Jap-an-ese were qui-et, would-n't put up a fuss. Been stand - ing a
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She pro - bab - ly likes to have the pow-er o- ver all of us.
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Piano/Vocal I Oughta Go - Pg. 2 Allegiance
(10-9-15)
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min-ute here, al -read -y he is un - der my skin. I should just throw him out.
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SAMMY: C'mon, I'd do it for your grandfather HANNAH: My grandfather's dead. SAMMY: So that just leaves mine.
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(CUE OUT) MRS. TANAKA:
MRS. TANAKA: Hello, do you please have poison? Oh, to kill rat. HANNAH: Try the camp kitchen. Yes, thank you. Camp food kill anything.

56 [SAFETY]
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(10-9-15)
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HANNAH:
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Now we're stand - ing far too close. He's cer - tain - ly stub - born, have to give him that.
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Now we're stand - ing far too close.
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HANNAH:
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I can wait this out all day.
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I can wait this out all day. I won't be leav - ing 'til I get what I want.
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Why are we in here a - lone?
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But if she got in trou - ble, I'd feel bad...
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HANNAH:
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I should just be on my way. I ought - a I
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ought - a, I ought - a, I ought - a, I ought - a get
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ought - a, I ought - a, I ought - a, I ought - a get
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I bet - ter get back to work. You've got - ta get out.
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go - ing. Be - fore I go. I'm gon - na come back to see you

WALK IT
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(10-9-15)
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There's some-thing ex - as - per - at - ing and I ought - a tell him so, He
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just so you know.There's some-thing ex - as - per - at - ing and I ought - a tell her so,
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(10-9-15)
HANNAH: Don't tell anyone. SAMMY: Thank you. HANNAH: Bye.
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SAMMY: What'd I just do? ought - a go!
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Allegiance
Piano/Vocal
6A
I Oughta Dust
(10-23-15)
# 4
L'istesso tempo
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MIKE: Excuse me, is this the War Relocation office? DILLON: Mr. Masaoka, I'm Director Dillon. How's Washington treating you?
# .6
MIKE: All I've seen are a lot of secretaries telling me "the congressman isn't available." DILLON: Be patient.
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MIKE: We've got ten thousand people being held at Santa Anita racetrack, at Heart Mountain, they've got dust storms
# 10
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SEGUE AS ONE to
#6B THE DUST STORM
Allegiance
Piano/Vocal
6B
The Dust Storm (10-23-15) Music and Lyrics by JAY KUO
DILLON: I know. I'm working on a statement for the press. (GO)
Very Freely Rall.

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(ad lib)
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DILLON: Here you go.
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[MUNHALL WALKS] (GO)

MIKE: With all due respect DILLON: It's for the good of your people. America needs to know they're not the enemy.
In Time
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Piano/Vocal The Dust Storm - pg. 2 Allegiance
(10-23-15)
MIKE: "Gentlemen of the press, our people are not prisoners"
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MIKE: "they live in clean, pioneer communities."
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MIKE: "They take part in wholesome activities like the Boys Scouts, Girls Scouts and Americanization classes."
> > > > "

[Building] [Full Storm]
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MIKE: "The American people can sleep well
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at night knowing Uncle Sam is a benevolent master."
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SEGUE AS ONE TO
#6C DO NOT FIGHT THE DUST
Allegiance
Piano/Vocal
6C
Do Not Fight the Dust (10-22-15) Music and Lyrics by JAY KUO
# 41
MIKE: Yes, Operator, I'll accept the charges. BEN: Mike? You there? MIKE: Ben! Where are you?
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BEN: We're still at the racetrack. We're sleeping in a horse stall. Our mother is sleeping in a horse stall. MIKE: I'm sorry, I'm doing everything I can.
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BEN: Do more! MIKE: Listen, I think I can get the army to let us enlist. BEN: What the hell good is that gonna do?
MIKE: It'll prove we're loyal, like any other American. BEN: Right. just like any other American.
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Allegiance
Piano/Vocal
7
Get In The Game
(10-30-15)
# 4
Heavy 4
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A B C D
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JOHNNY: Hey, Tom. How's that college degree workin' out for ya' now? TOM: I still got plans. JOHNNY: Ya' got nothin' but junk.
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Piano/Vocal Get In The Game - pg. 2 Allegiance
(10-30-15)
#
[MOVEMENT]
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fl SAMMY: We'll get all this cleaned up. JOHNNY: What's the point? The next dust storm will bury us again.
SAMMY: I've started a petition for the camp administrators FRANKIE: You mean wardens.
# .O ..
SAMMY: I've got a list of requests to make life better here. Waddya want? NAN: It's already cold at night. We need blankets. We need medicine.
! ! ! !
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PEGGY: I've got a mattress full of fleas. Can you do something about that? [MOVEMENT]
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KEI: Here. OJII-CHAN: Smells like pee. FRANKIE: They brought us here, forgot about us, then left us to rot.
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(""
)
(10-30-15)
SAMMY: That's not gonna happen.
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TOM: Yeah, we're at war with Italy but nobody put Joe DiMaggio in a camp.
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SAMMY: You got a complaint, put it down here.
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SAMMY:
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Dictated
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SAMMY:
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sign this and re - mind the folks in charge that there are peo - ple here. We must ap - pear u -
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ni - ted. if you want as - pir - in or bed - ding with - out fleas, or not to freeze. So get
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(10-30-15)
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or - gan - ized with me. As a team we'll get it done. We're not near-ly fin -ished here, we have on - ly just be - gun. So
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sign this! It's time we got in the game! We just
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SAMMY: We can't sit on the sidelines.
MR. MARUYAMA: Decisions should be made by elders.
TOM: Only American citizens can be in charge, Pop.
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TATSUO: Since we come here, young people run wild, like coyote.
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SAMMY: Look! Look!
!
46 47 47A 48
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got - ta get in, got - ta get in, got - ta get in the got-ta get in the game! Look, I'm say-in' that we
b U U
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(10-30-15)
b b b b b 49 ! ! !
KEI:
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50 51 52
We're stuck who
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got - ta get in, got - ta get in, got - ta get in the got - ta get in the game! We're stuck who
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knows how long, and sure it's wrong, a - lone it's real - ly hard but as a team we're strong!
bb j j j # j
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knows how long, and sure it's wrong, a - lone it's real - ly hard but as a team we're strong! There's
bb #
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fl fl fl fl
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(10-30-15)
b
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57 58 59

we just got - ta get in the game!
b n
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no use plac - ing blame, we just got - ta get in the game!
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SAMMY: It's more than just the basics we've gotta find a way to make this place livable.
No, enjoyable. Fun, even. TATSUO: Fun? This is not summer camp. fl
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SAMMY: We need to do something together. Something that we all like. Mrs. Tanaka, what do you miss most about home?
! ! ! ! .. .. !
60 61 61A 61B 61C Safety
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MRS. TANAKA MRS. TANAKA: Back home I have so many flower. MRS. MARUYAMA: And vegetable.
& ! ! !
62 63 64 65
Gar - den!
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?# . .j . . .j .
. .
(10-30-15)
#66
MR. MARUYAMA: No, here ground is too hard. MRS. MARUYAMA: You head too hard.
& ! ! !
67 68
#
& # #
..
. . fl fl
?# . j
. . !
.
# 69
DR. TANAKA TOM: That's against the rules, remember? No Oriental crap allowed. SAMMY: That's why we're petitioning.
! .. ! ! ..
71 [2X]
& #
70 72
Jo - do!
# .. # . ..
& # .. # .. #
. . .
?# . j . j .. . j . j ..
. . . . . . . .
# 73
Straight 8ths
& ! ! !
74 75 76 SAMMY:
> else?
What

#

&
fl > fl
fl > fl fl fl

?#

fl
fl
(10-30-15)
Swing
#
BETSY: We could use the mess hall. TOM: Yeah, jazz it up.
! ! !
BETSY:
&
77 78 79 80
Danc - ing!
# .. .. .. ..
& # #
. .. . .. # # .. # # ..
fl fl fl . fl .
?#
. . . . . . . . . . . .
# 81 ! ! ! !
&
82 83 84
j
# .. j # > . # # >
& .. .. #
..
> > > fl fl fl fl # fl
fl

fl
?# #
# .
# fl # fl
fl

fl > > fl
# 85
&
MR. MARUYAMA MRS. MARUYAMA
! !
86 87 88 89
Su - mo! Huh! Huh!
#
& ! ! ! ! !

TAM
?# !
CBD CBD

> > > > >
(10-30-15)
# 90
PEGGY: We need something we can all do. MR. MARUYAMA: We need Buddhist temple. PEGGY: We need Frank Sinatra records.
& ! ! ! !
91 92 93
#
&
fl . . fl . . fl . . fl . .

? # . j . j . j . j

fl fl fl fl
#
(All simultaneously chatter)
& ! ! ! !
94 95 96 97
#
& ww
#w
# # # www b bb wwww b bb wwww
ww

? # . j . j . j . j

fl fl fl fl
#98
SAMMY: What about baseball?
& ! ! !
99 100
# U
& # wwww # wwww #
fl

?# j j U
. .

>.
fl >.
fl
fl fl fl
(10-30-15)
# 160 ! !
KEI:

&
161 162 163

got - ta get in, got - ta get in, got - ta get...
#
SAMMY:
& # #
P
Got - ta get in, got - ta get in, got - ta get... got - ta get in, got - ta get in, got - ta get...
#
&
. . . . . . . .
sub. P
?#
cresc. poco a poco

. . . . . . . .
fl fl fl fl fl fl fl fl
# 164
# #
+ NISEI: + ISSEI:
&
165 166 167
# #
P
#
& # #
#
&
. . . . . . . .
sub. P
?#
cresc. poco a poco

. . . . . . . .
(10-30-15)
# 168 ###
! ! !
SAMMY:
&
169 170 171
It's a
# ww ###
RO/MS/EW

JD/CR/LS
&
F
Got - ta get in the game!
###
AA/MC/ML
# n ww
&
DL/SWA

Got - ta get in the game!
# > ###
& n
n
>
F . . . . > >
?# ###

. . . . - - -
fl fl fl fl > > > > >
# # # 172 j j j j 175 j
Faster 2, Swing!!

SAMMY:
&
173 174
beau - ti - ful day for base - ball here, Block Thir - teen up at bat. The
###
ALL: (whispered)
& ! ! !
[H.H.] Got - ta get in!
# # #
&
? ### ! ! !

fl
(10-30-15)
# # # 176 j j j j j j j 179 !
&
177 178
ba - ses ful - ly load - ed, and two outs is where we're at.
### ! ! !
ALL:
& #
Got - ta get in!
### ! ! ! n
&
Got - ta get in!
###
&
? ###
! !
n #
# # # 180
& ! ! !
181 182 183 MRS. MARUYAMA:
Strike one!
## j
ALL:
& # .. n !
Got - ta get in, got - ta get in the game!
## n .. n
& # n
J
!
### j
D9
& . !
> > >
? ### >
n !

(10-30-15)
# # # 184
MRS. MARUYAMA:
& ! ! !
185 186 187
Strike two!
### j
ALL:
& .. n !
# # # # .. !
& J
### j
A9
& . !
> > >
? ### !

>
# # # 188 ! n J !
SAMMY:
& J J
189 190 191
J
Toes at the plate! Hands up high!
### j
! j j ! j
ALL:
& n
### ! ! n J
& J J J
### j j j j
& .. .. .. n .. n
? ###

w w w w
(10-30-15)
# # # 192 b n b n n b w
& J J !
193 194 195
Eyes on the ball! Knock it to the sky!
### ! j j n ! b b b b
& b b b
### ! b J n !
b
b b b b

& J
>
### j n bb ....
j j
& . n n n b b b ...
b
b b b ...
b
n b .. J
? ###
n n n n
nw nw nw nw
# # #196 b n
& b n n
197 198
Now ev - 'ry - one get
### n
& b n n b
###
n
& b n n b
### b n b n
& b b b n n n bb
fl b nn n n
? ###
n n
n n
fl fl fl
(10-30-15)
# # #199 # w
MRS. MARUYAMA/
w |
OJII-CHAN:
&
200 201
in! Home
###
& # # ww ww
in!
### # ww ww
&
in!
### > #
& #
#
#
>
> >
? ###

# # #202 # w w
SAMMY:
&
203 204
run! That's how we
### # ww ww
&
That's how we
### # b n ww b n ww
&
That's how we
### ! w w
& b n www b n www
> >
? ### !
n n
n n
> >
(10-30-15)
# # # 205 w #
[OJII happy dance]
w !
&
206 207 208

win! So we
### w ww ! #
& w
win! So we
# # # ww ww
! #
&
> .
win! So we
# # # .. n nn >
n > n > n #
3

& J n n n
3

fl
n
3 3
? ### > n n > n 3 #

3
n
. J n n
3
n
>
. fl
fl
3
> fl fl
# 209 #SOP/TENOR:
. #
&
210 211 212
#
Got - ta get in! Got - ta get in the game! Look, I'm say - in' that we
#
ALTO/BARI:
& # # #
#
got - ta get in, got - ta get in, got - ta get in the got - ta get in the game! Look, I'm say - in' that we
#
& n
#
# b n # #
?#
#
#
(10-30-15)
# 213 # # # n

216 WOMEN:
&
214 215
got - ta get in! Got - ta get, got - ta get in the game! We're stuck who
#
# #
MEN:
&
got - ta get in, got - ta get in, got - ta get in the got - ta get in the game! We're stuck who
#
&
# b n w
?#

# 217
& J
j
j j 219 220 j b b b
J
218
J J
# j j j b n
b J
& J J J J
# b > b
& n b
fl fl fl fl J
?# j
b
b
fl >
fl fl fl b

(10-30-15)
# 221 n n
& n J J
222 223 224
no use plac - ing blame! It's time we o - ver - came and
# n

#

& J J
no use plac - ing blame! It's time we o - ver - came and
# n .. ..
& n n .
. # .
. n #
fl > # fl >
?#
n
n >
>
# 225 ww
& ww b ww
226 227 228
got back in the
# ww ww b b ww
&
got back in the
# www> ww ww w
& w ww b ww b b www
> > >
?#

>
> > >
(10-30-15)
# 229 w . n n #
& nw . b !
J
230 231 232

game! Got - ta get in the game!
# ww .. b n n #
& J !

game! Got - ta get in the game!
# b bb n
& b
n # . b
n
J fl
?#
n b
n
b fl v
Allegiance
Piano/Vocal
7A
102 In the Shade (10-13-15) Music and Lyrics by JAY KUO
# 41 ! ! ! !
& 4
2 3 4
# 4 j
& 4 w n . b
b b ww
F
j
?# 4 ! .. n
4 . w b b
# .5
Safety
& . ! ! .. !
6 7
# . .. U
& . w ww w
bw n b w b n ww
P
U
? # .. ..
b b b b b
Allegiance
Piano/Vocal
8
Should I?
(10-30-15)
Questioningly
6
&b 8 ! ! ! ! ! !
1 2 3 4 5 6
j .
.
b 6
. ... .. . . ... J
& 8 . . .
P
. . b. . . . b. .
? b 68
&b j 389 ! 68
HANNAH:
j
7 8
j
There's a line be - tween should and should - n't,

. . ... 38 .. 68
& b . .
? . . b. 3 . 6
b 8 8
b 6
& 8 j . 3812 ! 68

10 11

.
and I ne - ver have crossed it.
6 . ... 38 b 68
b
& 8 . ...
.
? b 68 . b. 38 . 68
Piano/Vocal Should I? - pg. 2 Allegiance
(10-30-15)
b 6 13 3 16 9 17 j . 6
& 8 8 b 8 8
14 15

Tried to hold my-self back, but I could-n't. I used to have judge-ment, how could I have lost it?
. . . ..
& b 68 .. ..
..
38 9
b . 8
j 6
nb b .. . .. 8
. . .
P
. . b. 3 b
? b 68 .
8 b b 98 n .
j .
. 68
6
& 8
b j .

18 19 20 21

I've been will - ful - ly play - ing with fi - re. Now it's draw - ing me in.
6
& b 8

F
? b 68 . j . j
. b. . b.
. . b. . . b.
&b j j 98 24 6
8 .
b
22 23 25

With no net and walk - ing on wi - re, How could I let him seep un - der my skin?
9 6 b b
& b 8 8

b .. b n n
? b . 98 . b b 6 .
j . b. . b 8 .
. . b. . .
&b b b j . j .
b b b
26 27 28 29
b
b b b
But the rule is: "stay far from him," still my heart skips a beat.
b
&b
sub. P
b .. b. .
b . b b . . b

?b J J ..
(10-30-15)
j b b j .
&b
b b

30 31 32 33
b J
Life in here may be sink or swim, but he makes it strange - ly sweet.
&b b b
b

J b b b b b b

F
? b b b .. j
b. .. .. b b .. b
b b j b j b b
j
. b. n
.
&b j j j .

.

34 35 36 37

There's a line be - tween should and should - n't, but it's start - ing to van - ish.
& b

? b . j . j
. b. . b.
. . b. . . b.
98 40 6
&b

j j

b 8 J .
38 39 41

If I could let this go I would-n't, No - one can tell me which feel - ings to ban - ish.
9 6 . ..
& b 8 b .. 8 b n bn ...
..
b 6 j j
? 9 . b
b . j . b. 8 . b 8 . .
. . b. . .
. . j . j j
&b . b .
42 43 44 45
b
Rules are rules. They al - ways ap - ply. I
& b b . .. b
b b b ... ..
?b b b b
b b b b
b

(10-30-15)
. j j
&b b b. . b
74 75 76 77
fol - low the rules, but should I? Should I?
& b b b b b b b b
b n b
?b b. . b. . j j j j
b b
J J J J
. j . j j
&b . . b .
78 79 80 81
b
Rules are rules. But I don't know why. I
& b b

b

b b
? b b .. b .. . b. bb .. b .. .. b.
b .
J J J J J J
J J
j
&b b b. . j b . .
82 83 84 85
fol - low the rules, I fol - low the rules, But
& b b b b b b b b bb
b bb ... ..
..
b b .
? b. . b. . j j .
b
b b .
J J J J
&b . . . .
86 87 88 89
J J
should I? Should I?
b b ... .. .. .. b ... .. .. ..
& . b .. .. .. . b .. .. ..
?b b b b b
b. b.
J . J .
J J
(10-30-15)
Poco Rall.
&b . . ! . .
90 91 92 93
J
Should I? Should
b. . . .
&b b. . . b. b ... ...
n. .
P
?b . .
b b
b b . .
. . . .
A Tempo
&b ! !
94 95 96 97 98 99
I?
b ... ..
b . . !
& b .. . .. ..
..
p
.
?b b

. b

. j .
b b
. .
SEGUE
Allegiance
Piano/Vocal
8A
Baby Goto Heaven
(10-9-15)
Sweeping
# # # 61
[TRANSITION]
& 8 ! b ! !
2 3
### 6 n . . . j
b .. ..
& 8 n ..
j j j j
? ### 6 n
8 . n. b n n .
. n. .
&b ! ! ! ! n 44
4 5 6 7
. n j ... .. ..
& b .. n n ...

. .. .. n 44
J
j j
? b j j j j j j n 44

Slow 4
& 44 ! !
[BABY GOTO FUNERAL]
8 9
4 www ww
w
&4
j j
? 44
w w
w w
Piano/Vocal Baby Goto Heaven - pg. 2 Allegiance
(10-9-15)
& ! !
10 11 12 13

Hmm
& ! ! ! !
j j j j
?
w w w w
w w w w
MIKE: This is the third time I have filled out this requisition form. It's twenty below in Wyoming.
Most of these people come from California. They need coal, they need blankets
& ! ! !
14 15 16
w
&
j j j
? .. . .
. .. ..
MIKE: Give us our own segregated unit like the Negroes
DILLON: Who doesn't? There's a war on. and we'll fight harder than any soldier you've got.
MIKE: So let our boys enlist! DILLON: Mike, I've told you before We'll undertake the most dangerous missions, even if it means certain death.
DILLON: Certain death? You mean a suicide battalion? [GO]
! ! .. ! ! .. b
Safety
&
17 18 19 20
& ..
w
.. b
j j j
? . . .. .. .. .. b
.
. .. . .
J
(10-9-15)
Agitato, in 4
[HANNAH] MIKE: Think of the headlines. No one cares about one dead Japanese American. Spread us out, and the story disappears.
&b ! ! ! !
21 22 23 24
& b j
j

? j w j w
b . .
MIKE: But hundreds of casualties, at once? Hundreds of Japanese American Heroes, sacrificing their lives?
. .
&b J w
25 26 27 28
& b j
j

j j
? b . w . w

MIKE: That could change the way the country thinks of us.
j j

j

j

& b J . . . .
29 30 31 32
J J J
& b j
j

j j
?b w
w w
w
(10-9-15)
DILLON: Your people would do that? You would do that?
j
.
j

& J
b . n
33 34
&b
j
n
j
?
b w w n
MIKE: If that's what it takes to win back our freedom, that's a price we're willing to pay. [GO]
& .. ..
[VAMP]
! !
35 36
(1st x don't play)

X j

& .. (( ww )) . .. ..
J
(1st x only)
? .. . . . . . . ..
. .
J J
Allegiance
Piano/Vocal
9
The Questionnaire
(10-16-15)
Deliberate 4
DILLON: But we have no way of knowing which of your people are loyal. MIKE: We separate the troublemakers from the rest.
b b 41
DILLON: How do we do that?
b
& 4 ! ! ! ! C
2 3 4
b .
& b b 44 ww ww .
j
w .
w .. C
? b 4 C
bb 4
. . . . . .
b b C5
In 2
& b ! ! ! ! b
6 7 8
[TRANSITION]
b
& b b C w

b
w
? bb C w w
b . . . . . b
J J J J J
OJII-CHAN: "Questionnaire?" What is "questionnaire"? FRANKIE: Whether we've been convicted of a crime
SAMMY: The government wants more information about us. KEI: Are we willing to serve in the armed forces
OJII-CHAN: We live inside fence. Use common toilet. What they not know? (GO ON) TATSUO: What?
KEI: Question number twenty-seven: (GO ON)
& b .. ! ! ! .. .. ! ! .. 68
9 3X 10 11 12 2X 13
U
& b .. b ww ww .. .. .
ww
.. 68
? b .. ww w U
w . .. .. w w
w .. 68

Piano/Vocal The Questionnaire - pg. 2 Allegiance
(10-16-15)
FRANKIE: Are you willing to serve in the armed forces of the United States on combat duty wherever ordered?
b 614 ! ! ! ! ### 4
& 8 4
15 16 17
U
### 4
& b 68 J .
J
.. 4
.
. U.
? b 68 .
J
. # # # 44
. .
SAMMY: They're letting us serve? KEI: No! It's too dangerous.
# # # 4 18 nnn 6
FRANKIE: So we can't live free in this country, but we can die for it. SAMMY: Isn't freedom worth dying for?
& 4 ! ! ! ! 8
19 20 21
### 4
j
nnn 6
& 4 ww
j
w 8
j j j j
# j j j j n
? # # 44 n n 68
w
TATSUO: You would put on same uniform as soldiers who point guns at us?
SAMMY: We're all Americans. FRANKIE: Listen to this. Question number twenty-eight:
In 2
6 ! ! ! !
&8
22 23 24 25
n. .
& 68 . . . .
n . .
j j
? 68 . n. . . . .
. . . .
Piano/Vocal The Questionnaire - pg. 3 Allegiance
SAMMY: Will you swear unqualified allegiance
(10-16-15)
to the United States of America TATSUO: They lock us up, then ask for loyalty?
U U
KEI: and forswear any form of allegiance or obedience SAMMY: We still have to say yes.
! ! ! !
to the Japanese emperor?
&
26 27 28 29
U. j U
& J
.
U. U
. . b. .
? . .
u
SEGUE AS ONE to
#10 ALLEGIANCE
Allegiance
Piano/Vocal
10
Allegiance
(10-16-15)
Driving In 2 (h = 92)
TATSUO: No! This time they go too far!
& b C .. ! ! ..
1 2
& b C .. w ww
..
w w
? b C .. j ..
. w
w .
&b j
TATSUO:
j
3 4 5 6

That piece of
pa - per there: it is an out - rage!

&b w w w w
w ww
?b
j j b.
. w .
w w w b.
j j
SAMMY: They could deport you back to Japan.
&b . . !
7 8 9 10 11
j
So man - y tens of thou - sand lives de - stroyed, for what?
j
.
&b

w w ww w w
w w
?b j
nw w w . w
nw w w . w
Piano/Vocal Allegiance - pg. 2 Allegiance
(10-16-15)
TATSUO:
&b j
12 13 14
.
They call it "ques - tion - naire." They took our
w
& b www ww
ww w ww
?b j j j
. . .
. . .
&b j

15 16 17
farm. they took our home, and now our hon - or is at
&b w
w
? j j
b N. .
N. .
&b . j j
.
18 19 20

stake. But that they'll nev - er take, nev - er

&b ww ww
w w
?b
.
. #w
#w
(10-16-15)
ALL INTERNEES:
&b
21 22 23 24

Al - le - giance... Al - le - giance...
&b ! ! !
TATSUO: You will not serve unless they force you in their army.
take.
& b . ..

.. ..

.
? b . j j . j j
. . . .
. .
#
&b
25 26 27 28

Al - le - giance... Al - le - giance...
#
&b ! ! ! !
SAMMY: Our army.
#
&b
..

.. ..
? b . j j . j . j #
. . . .
.
#29 TATSUO:
&

30 31

We look like en - e - my. They see "dis -
# ..
& . ww
w
F
?# j j j
. . .
. . .
(10-16-15)
# 32 . 2 35
KEI: No!
C
3
& 4
33 34
J
loy - al". Let them ac - cuse me or de - port me if they wish.
&
#
24 # C

?# j j j 42 C
. . .
. . .

# C36
&
.
37 38
# C www
They talk of lib - er - ty. All emp - ty

j

& .
..
J
?# C j j j
. . .
. . .
# 39 j
&
40 41 42

words. They prom - ise jus - tice for all peo - ple. Look a - round: we are
#
&

?# j j j
j . . .
. . .
. .
(10-16-15)
#43 j j
& . .
44
ww
dirt up - on the ground. Look a -
#
& w
?# j
#.
#.
# 45
ALL INTERNEES:
&
46 47 48

Mmm... Mmm...
#
SAMMY: Pop, I've got a chance to defend my country, I'm takin' it. KEI: Sammy, you can't just run off and sign up
& ! ! !
round.
#
& .. .. .. ..

? # . .
. w . w
w w
# 49
&
50 51 52

Mmm. Mmm.
#
SAMMY: Calm down. There's a dance in the mess hall tonight. KEI: How can you go to a SAMMY: I organized it.
& ! ! ! !
#
& .. .. .. ..
? # . .
. w . w
w w
(10-16-15)
# .53
[2X]
& . .. !

54 55

Mmm. Mmm...
# .
KEI: There is no time for fun. SAMMY: We need it for morale.
& . ! ! .. !
# . ..
& .
w
w
P
? # .. . j j ..
.
. .
# 56 j
TATSUO:
& .
57 58

Should my al - le - giance lie first with my
#
&
#
> >

>
> > > > > >
F
? # . j j
. j
. . #.
#.
# 59 j
KEI:
& . j . .
60 61
J
fam - 'ly? I've got to calm them, make them list - en.
#
&
#

> > > > > > > > >
?# j j j
. . .
. . .
(10-16-15)
# 62 j
TATSUO:
& # #.

63 64

If I re - fuse to bow, will I harm them in -
#
& # #
> > > >

>
> > >
?# j j j
. . .
. . .
#65 b n
SAMMY:

& J
66
3
He took a stand. Is it time to take mine?
# !
&
stead?
#
& b
> >
?# j j
. .
. .
# 67 j b
KEI:
& # #.
68 69 70

If they go through with this, I may nev - er see 3
them a - gain;
j
# b
3
# .
SAMMY/TATSUO:
& . J
3
If I go through with this, I may nev - er see them a - gain;
#
& # b b
> > > > > > > > >
> > >
?# j j j j
#. . . .
#. . . .
(10-16-15)
KEI: Papa!
# 71 w bbbb
.
SAMMY/TATSUO:
#
3
&
72 73 74
J
if I de - ny my - self, what kind of man am I?
# # b b
& #

b b
> > > > > >
?# j j j bbbb
#. . .
#. . .
bb .
WOMEN:
&bb . b
75 76 77 78
.
Ooh. Ooh.
bbb . w
MEN:
& b .
Ooh. Ooh.
bbbb
TATSUO:
& j
. J
One day you'll un - der - stand the path I've cho - sen. To -
b ww
& b bb ww

b

? bb b j j j j
b . . . b.
. . . b.
(10-16-15)
bb
& b b . n
79 80 81 82
b w .
& b bb w
bb
&bb . j
J
day I an - swer "No" and "No" to set my con - science free. My al -
b
& b b b

? bb j j j j
b b . . . .
. . . .
Rall.
bb
&bb
83 84
p
> > > >
le - giance must lie first sub. with
b
& b bb
> >
? b b b
b
> >
fl
KEI: (to Ojii) Uch! They're both so stubborn!
Meno mosso
b b 85
[TATSUO exits.]
&bb w w ! ! !
86 87 88 89

w
me!
b w ww w ww
& b b b www ww w
ww w
P j j p j j
? b b b w. w. w. w. ww
b w w w w w
Allegiance
Piano/Vocal
11
Ishi Kara Ishi
(10-23-15)
KEI: And Sammy? We can't let him sign up.
OJII-CHAN: Keiko. Always think of other. (GO) Music and Lyrics by JAY KUO
Freely OJII-CHAN: When you Mommy die,

you grow up so fast. (GO ON) OJII-CHAN: Take care of Sammy, help with farm.
b b b b 41 ! ! ! !
& b 4
2 3 4
b U U ..
& b b b b 44 ww ww ..
.
U U p
? b b 4 ww w ww w
bbb 4 w w
OJII-CHAN: Why you no go to dance? Have fun, do American boogie-woogie.
bb
&bbb ! ! ! b
5 6 7
b .. j
& b b b b .. j
ww b
? b b ww w w
bbb w ww b
KEI: That's for kids. No one wants to dance wtih an "old lady".
OJII-CHAN: You brother crazy. How you can be old lady, when I still so young? Japanese say: Beppin-san
KEI: "A pretty lady"
Grazioso
& b .. ! ! ! ! ..
8 9 10 11
j

.
3
w .
& b .. n . n
J .
J
. ..
J J j j j j
j j w .j j .

? b .. w . ..
bw bw
Piano/Vocal Ishi Kara Ishi - pg. 2 Allegiance
(10-23-15)
OJII-CHAN: should not sit home with old man on Saturday night.
Safety KEI: Thats not a proverb.
& b .. ! ! ..
12 OJII-CHAN: No. But should be. 13
ww
& b .. . b b ..
? b .. ww ..
w b b ww
bw
OJII-CHAN: Listen to Ojii-chan
Safety vocal last X
& b .. ..
. j
14 OJII-CHAN:
. .
15 16 17
.
Kei - ko look at page. Pa - per ver - y bad. Now I look at Kei - ko, see how Kei - ko ver - y sad. But
& b .. . ..

P
? . ..
b . n
n
Ojii-Chan gives her an origami flower.
j
j
KEI:
&b .
18 19 20

pa - per al - so change: I make it now this way A
& b

?b ww

w
&b
OJII-CHAN:

21 22
pa - per flow - er blos - som. Just like
&b .
. J
? b b
bw b b
(10-23-15)
KEI: Nothing blooms at Heart Mountain. OJII-CHAN: You want bet? Two dollar say I make garden grow in hard ground. KEI:You're on.
OJII-CHAN: Hah! You gonna lose. You know why? KEI: Lemme guess. Japanese say: Ishi kara ishi
& b .. w ! ! ! ..
23 24 25 26
Kei.
ww b
& b .. .. b b
. w
b
..
J J
p
? .. .. j
j b
..
b . b b w
b w bw
OJII-CHAN: "Mountain can be move"
OJII & KEI: "stone by stone."
& b .. . ..
KEI & OJII-CHAN:
j . .
27 28 29 30
I -
shi ka - ra i - shi,

Ya - ma - wa i - do

de - ki - ru,

Safety vocal last X
& b .. ..
w
? .
b . ..
n

&b
KEI & OJII-CHAN:

31 32 33 34
.
Ya - sa shi'i o - ga - wa - wa, Ta - ni - ma wo ho - re - ru, ho - re -

& b

?b
w

w
(10-23-15)
& b . ! ! ! n
34A 34B 35 36
ww b
ru.
& b .. b b
. .
b n
F J J
j j
? .. b
b . b bb w w bw
n
& ! !
37 38
& w b

J J J J
.j .j .j .j .j .j .j .j
?

J. J. J. J.
Poco Rall.
& ! ! !
& b .b . ww
J .j .j .j .
.j .j .j .j j
?
b ww
b b

J. J. w
J. J.
Allegiance
Piano/Vocal
11A
Me And Ivy
(10-19-15)
#### # 61
With Motion, in 2
& # 8 ! ! ! ! !
2 3 4 5
#### # 6 ..
n . . n j . n j . j
& # 8 n .

n
F f.

? #### # 6 j j n n .. . n. n .. n ..
.. n.
# 8 n n .
J J J J J J
J J
#### #6 ! ! !
Poco Rall.
!
& #
7 8 9
#### #
& # n n . .
n n
j n . . .
n ..
n. n
j j j
? #### # n . . n. .
# n n .
J J J J .
SEGUE AS ONE to
#12 WITH YOU
Allegiance
Piano/Vocal
12
With You
(10-20-15)v2
ANNOUNCER: Ladies and gentlemen and all the ships at sea, you're listening to Charlie Howard and the Starlight Orchestra.
40's Radio Ballad
bb 4 w .. j ..
V b b b 4 ww " "
BIG BAND SINGER:
1 2 3 4
bb 4 . j # w b .. #
j .. ..
&bbb 4 ww
.
p #w
J
? bb 4

# b #
bbb 4 .. ..
!w w w w
b
V b bbb . j
5 6 7

can - not be with you, though it breaks my heart. A world at war di - vides us, and so,
bb
&bbb
P
? bb b

#
b

bb w w
a tempo
b b
V b bbb J
poco rall.
# $ . j
8 9 10

dar - ling, we re - main a - part. But when I close my eyes, it's on - ly you I see. You're
bb
& b b b # ww

b #
# b #
? bb b
bb w

Piano/Vocal With You - pg. 2 Allegiance
(10-20-15)v2
bb 212 413
Vbbb 4 4
11
b
in my arms and once a - gain you're danc - ing here with me. With
2 b 4
& bbbb b
4 4

? bb 2 4
b b b b 4 4

b b b b 14 . j 15 # . j 17
V b
16
j
you, I'd be bet - ter, with you, I'd be true.
j #
& bbbb
b
..
.. # ..

b ...
F # .. .
? bb b

# b

#
bb w w w
bbbb . . j 20 . . j
+ HANNAH (in unis.)
V b J J J
18 19 21
j j
We'd be to - ge - ther. Your kiss is o - ver - due. For
b b b b

.. ...
#
& b .. .
#
? bb
bbb w
bw
b b b b 22 . j 23 # . . j
V b J J
24 25
now I am lone - ly, my heart is blue. With
b j
& b b b b .. # b
..
#
? bb #
bbb

w
b
(10-20-15)v2
b j 27 j 28 #
V b bbb . J w j #
26 29 30
n

(Inst)
.. # ##
you, with you, I can - not be with you.
b b . ... b wwww
& b b b ... . . J n n
n n
#
? bb n ##
bbb w w
w n
## j j j
SAMMY: Your partner's a little stiff. HANNAH: Yeah, he's kind of a drip. Why aren't you at the dance?
& . j j
31 32 33
##
&
P
? ##

b n

w w
# # 34
SAMMY: I'm on my way. HANNAH: You need to go. SAMMY: What if I were sick? HANNAH: Are you? SAMMY: Yeah, sick of this place.
& j j
b $ . j n J
35 36
#
& # b ww

n b
b n b
? ##
w

(10-20-15)v2
HANNAH: Me too. SAMMY: You think enlisting's a good idea, don't you? HANNAH: Of course.
# #37 j 238 439

& J 4 4

n
&
##

24 n 44

? ## 2 4
n 4 4

# # 40 . j 41 b . j 43 .
SAMMY: I just wanna make a difference, but my dad thinks SAMMY: Well, whatever I do, it's wrong. Always has been.
&
42
# # j j
.. b .. n ... b
& ..
F b .. .
? ##

b
n

b
w w w
# # 44 . . j 46 . j
HANNAH: I'm sure he just wants SAMMY: No. My mom died giving birth to me and somehow that's my fault.
& J . J J
45 47
j j
# # .. ... b
& .. .
b
? ##
w
nw
# # 48 . j 49 b . . j
HANNAH: When I told my dad I wanted to join the army, he actually locked me in my room. SAMMY: What'd ya' do? HANNAH: Picked the lock.
& J J
50 51
# .. j
& # .. b
n

b
? ## b

w n
(10-20-15)v2
HANNAH: I thought I'd see the world Europe, the Philippines instead I got sent here. SAMMY: Me, too.
# # 52 j j . w
& J
53 54 55

# # .. ... .. b www
& .. . . J w
b
? ##
w w
w
Cut on cue to m61
HANNAH: I'm sorry. Compared to you, I've nothing to complain about. SAMMY: We all have it rough.
#
Vamp HANNAH: You should go to your dance. SAMMY: We could dance here. HANNAH: No. (GO)
& # .. " " ..

57 58
## . . j n .. ..
& . ww bw b
J
p
? # # ..

b
..
!w w
# #61 j ####
SAMMY: I wasn't asking you. SAMMY:
V "
62
# ####
& # b
b
P
j
? # # j
j

j

j . ####
. .

(10-20-15)v2
# # # # 63 j
V . j
64 65

can - not be with you. The world is in our way. Un - less we find some o - ther place where
#### n n
&
n
F
? #### j . j
. . . j
. .
.
# # # # 66
HANNAH:
& " j

67 68
How beau - ti - ful is seems...
## J
SAMMY:
V ## j .

day is night and night is day. I would take us there. Just
#### n
& n

? #### j j . j
. . . . j . j
. . . . .
# # # # 69 2470 4471 j
" " .
HANNAH:
&

Dan - cing in our dreams... With
#### 44 .
V 42

close your eyes and sud - den - ly we're dan - cing in our dreams. With
#### #
& #

42 44

? #### 2 j 4
4 . 4 . j
. .
(10-20-15)v2
# # # # 72 j j 74 j
& . . j
73 75

you I'd be bet - ter. If no - bo - dy knew, with
# ## . .
V #
J
n J
J

J
you I'd be bet ter. If no - bo - dy - knew, with
# # # .. j
& # .. n
n

j
? #### . . w.
. . J
w
# # # # 76 j
& j . j

77 78
you, with you, I can - not be with
#### .
V J J J

you, with you, I can - not be with

####
& ... .
...

.
? #### .. j .. j . j j
. . . .

.
(10-20-15)v2
# # # # 79 n n n j j 81
j n n
HANNAH:
&
80
n
If I were with you, no one else could see us this way.
####
n j n
SAMMY:
V " "
If I were with you,
# # # n n www n . n j j n
& # n w n n n n
n n nn n n n .. n n
. n
n n
? #### n n n n n n
n n
n n
n w n n n

# # # # 82
& " . r# 42 . 44
83 84 85
If I were with you, our mo-ments might be few, but I'd
#### . n n n # $ r 42 . n 4 n
V J 4
we would fight the world ev - 'ry day. If I were with you, our mo-ments might be few, but I'd
# ... # .
#### . n n # . 2 n ... 4 ..
& n n ... n n n 4 4 ..
n
? #### n 2 4
n n

n n #
# 4
n n
4 w
(10-20-15)v2
# # # # 86 # # # # # 88 j
& . . # .
87
J J
spend each one with you. With you I'd be
# ## n # #### # .
V # . J
J #
J
spend each one with you. With you I'd be
#### j .. # # # # # #
& .. n . # # #
.. n
f
? #### # #### #
w # # . j
.
# # # # # 89 HANNAH: j j
& # . .
90 91
J
bet - ter, if no - bo - dy knew...
#### # SAMMY:
n J . #.
V # J J
bet - ter, if no - bo - dy knew...
#### # " "

V # j
BIG BAND SINGER:

With
# # # # # n

& #
j
n j

? #### # . . w.
# . . . J w
.
(10-20-15)v2
# # # # # 92 HANNAH: 24 95 U 44
Rall.
& # " j
93 94
J
with you, with you I
# ## # 2 U 4
V # # j " 4 J 4
SAMMY:

with you, with you I
# ## # 2 U 4
V # # j j "
BIG BAND SINGER:
. . 4 4
U
you, with you, with you,
# # # # # ..
& # .. ..
..

42 44

F poco a poco decresc.
U

? #### #

42 44
# n n
# # # # # 496HANNAH:
A Tempo
& # 4 j w
97 98
can - not be with you.
# # # # # 4 SAMMY: J w
V # 4
can - not be with you.
# # # # # 4 n
& # 4 .
J
P
n
? # # # # # 44

#
(10-20-15)v2
# # # # # 99 U
[They kiss.]
& # w w " "

100 101 102
# ## # w w U
V # # " "
U
www
#### #

n ww w "
& # w
p !
? #### # U ?
# & www w
ww
.
Allegiance
Piano/Vocal
12A
Camp Dance
(1-12-16)
3
Mod. Fast Swing q q = q e
H.H.
#
& C
A B C D E
?# C ! ! ! n b b

#1 j
& j
2 3 4
ww # ww
# . w w
fl > > fl > . >
?#

> > > > > > > > > > > > > > > >
j j
#5
# #
(Dr. fill)

& # # . #
6 7 8
. J
> fl > > fl > > >
fl > .
?#

> >
> > > > > > > > > > > >
> .
#9
& ww # # # # 2411
44
10
w
D 7 b1 3
?# 42 44
G6 D13

Piano/Vocal Camp Dance - pg. 2 Allegiance

(1-12-16)
> .
# 412
& 4 ww # # # # n

214
4 b b 4
4
13
w
b
? # 44 42 44
G6 E 7
# 415 w j
& 4 ww .. # 2417 44 18 # # n #
. # # n #
16

D 7 b1 3
D7
?# 4 2 4
4 4 4

# 19 > > > b

& > .... > b

w
w
.
20 21 22
J J J
?#

>
# 35 >
>
> . >
> j
& b b .... # # n
# n
36 37 38
J # #
>
?#
b

# 39 # b > b
& b
40 41 42

fl fl fl fl > fl
j j
Fill Fill
?#

fl > fl fl > fl
(1-12-16)
# 43
b j 45 # " n
&
44 46 47
# > > >

fl fl fl fl > fl > > fl fl fl fl >
>
w
j j
?# # w
" n
# > > > w
fl > fl > > fl > >
Slow Swing (a la "Sentimental Journey")
! j
(Cl.)
&
48 51
& ... ...

j
.. ..
< <
?
C6 /E Dm 7 G13
j j
. . b < <
FRANKIE: Hey, Farm Girl, you clean up all right. KEI: Thanks, but I dont really dance. FRANKIE: You're dancing now.
j # j
& # J
52 53 54 55
&
? j j
C6 C6/E F

F/G
j . j j . j
. . . .

#
& # J j b
KEI: Sorry. I'm more of a stay-at-home-with-a-good-book kind of gal. FRANKIE: Nice flower. Is that a page from one of your books? KEI: No, it's uh
J J J
56 57 58 59
b - . j
&
J J .
# C
j
C6 C6/E F F d im C6/G Cm/G G7/B
? j j j
.
j
.
j
. # - . . b j n

(1-12-16)
FRANKIE: Wait a sec. Is that the loyalty questionnaire? KEI: It's silly, I know. FRANKIE: It's terrific. And much better than what I did with mine.
& ! ! ! !
63 64 65 66
b . j
& ...
.. b
(light fills)
b b ..
J
b b
?

KEI: What was that? FRANKIE: Let's just say I put it behind me. FRANKIE: You're allowed to laugh. It's still a free country sorta.
& ! ! ! !
71 72 73 74
.
.. j b . # j
b b b
& ... b b .... J b
J
b b j j
?

.
Cut on Cue to m. 77
Safety
KEI: I guess I havent found much to laugh about here. FRANKIE: Stick around.
& .. ! ! .. ! !
75 76 77 78
& .. ... .. j .. www !

.. ...
w
C6 /E Dm 7
<
G13
< 6
C 9
? .. j j .. w
. . b ww .
< <
p
Allegiance
Piano/Vocal
13
You're In Paradise
(10-19-15)
SAMMY: Hey everybody, thank you, thank you. I hope you've enjoyed our first, but we hope not annual, Heart Mountain Dance.
We've got one more dance before curfew
FRANKIE: But first places, ladies we've got a little surprise entertainment for you. Featuring our man in Washington, Mike Masaoka (GO)
My fellow Americans: Give me your tired, your poor your homes, your businesses, your money.
Just mark "Yes" to questions twenty-seven and twenty-eight and I'll let you stay right here in Paradise!
Fast Swing a la Benny Goodman
#
& # 44 .. ! ! ! ! ..
1 4X 2 3 4
[Boos from the crowd.]
# > >
& # 44 ..

#
.
#n ..

#
.
#n ..
..

F
? # # 44 .. ..

##
FRANKIE:
& j j
5 6 7 8
# n #
De - sert, swamp or dust - y waste, they say lo - ca - tion's key.
#
& #
#
. .
# n .. # # n ..
? ##

Piano/Vocal You're In Paradise - pg. 2 Allegiance
(10-19-15)
## 9
! ! ! .
THE NO-NO GIRLS:
&
10 11 12
Whoo!
# j # j j
& # #
# #
J

Sure you shi - ver in this ice - box, but cheer up, the rent is free! And
## #
& # # J
# #
? ## j

.
# # 13
& n j j
14 15 16

we all love to freeze in line for sog - gy bowls of rice. Just
#
& #

#

n
n ....

? ##

# # 17 j j j
& #. #. #
18 19 20
J
put up and shut up 'cause you're in pa - ra - dise!
## j j # #
& # ... # ... #

# #
> fl > fl fl
? ## j j
. . # #
> > # #
fl fl fl
# # 21
(10-19-15) FRANKIE: Is everybody happy? INTERNEES: NO!
! ! ! !
FRANKIE: No? Tough.
&
22 23 24
>
# # ... # > .. >
&
. # n ..

j
# ... # n
J >. > >
f P
? ##

# # 25 FRANKIE:
j j
&
26 27 28
# n #
When it's pitch black dark at night the ar - my might as - sume
#
& # # n. # n.
# .. # ..
F > >
? ##

# # 29 j # j j
& # #
30 31 32
# J

that you're try - ing to es - cape if you're run - ning to the bath - room!
## #
& # # J
# #
? ## j

.
# # 33
(10-19-15)
&
34

35
n j j
36

Let them aim their spot - lights down but smile real nice. Just
# n ....
& #

#

n

? ##

# # 37 j j
& #. #. J
38 39 40
J
## j j
& # ... # ... #

!
> fl > fl fl
? ##
j j

>.
>.
> > > >
fl fl fl
# # .. j
THE NO-NO GIRLS:

& n ..
42
ww
41 43 44
w
Ain't it grand in pa - ra - dise? The
# n.
& #
FRANKIE:
J w
#
Ain't it grand in pa - ra - dise?
& #
G7 Bm
? ##

3-PART: MS/EW
JD
CR
4-PART: MS
EW
JD
CR
j
(10-19-15)
# # 45 j j j
& j #

46 47 48
# #
wa - ter tastes like rust, the bed - ding's filled with crab - by lice! But
#
& #
C #o F 9 # Bm
? ##

#
#
# # 49 .. j
w
& n .. # ww
52
n
50 51
here's a lit - tle sound ad - vice! Just
#
& # ! !
J
J
J
#
Ya be - ter take my sound ad - vice! Just
& #
G7 Bm
? ##

# #53 j j
j j #

& # ... # ...
54 55

#
& # . .
J J J J
## j j
j j
& # ... # ... #

fl fl > > fl
> fl > fl
? ## j j

>. >.
fl fl fl fl
(10-19-15)
FRANKIE: Say, anyone know where to get good sushi around here?
JOHNNY: Try Tule Lake!
FRANKIE: There's no water in Tule Lake. It's drier than Mrs. Tanaka's rice cakes.
MRS. TANAKA: Haha. That not true.
FRANKIE: (to Kei): Lemme ask you a question.
Why are Japanese American kids so good at math?
KEI: Uh... I don't know... Why are Japanese kids so good at math?
# # 58.
Vamp FRANKIE: Because they spend the whole year in concentration camp! [GO]
& . ! ! ..
59
## . ..
& . # .
. . . # n ..
P
? # # .. ..
. . .

##
SAMMY: Okay, that's enough FRANKIE: Sorry, Sam. Your Uncle Sam has a couple questions for ya.
& ! ! ! !
60 61 62 63
## j j j
& # # ...
# ... # ...
# .
> fl fl > fl fl
? ## j j j
. .
> >
fl fl fl fl
(10-19-15)
# # 64
FRANKIE:
& j j
65 66 67
# n #
Now they aim to sep - a - rate dis - loy - als from the rest.
#
& # # n. # n.
# .. # ..
? ##

# 68 j # j j
& # # #
69 70 71
# J
A
#
All you have to do to pass is hold your nose and an - swer yes!
#
& #
# #

#

#

J
? ## j

.
# # 72
& n j j
73 74 75

no - no seals your fate and you will pay a heav - y price: they'll
# n ....
& #

#

n

? ##

(10-19-15)
# # 76 j j
& #. #. J
77 78 79
J
##
grab you and send you a - way from pa - ra - dise!
j j
& # ... # ... #

!
> fl > fl fl
? ## j j

>. >.
>

>

>

>
fl fl fl
# # .. j
THE NO-NO GIRLS:

& n .. www
80 81 82 83

## n .
FRANKIE:
& J w
#
& #
G7 Bm
? ##

# # 84 j j 85 j j
& #

86 87
# #
snakes will let you be if you feed them all the mice! But
# # j
& #
J
# J J !
snakes will let you be if you feed them all the mice!
#
& #
C #o #
F 9 Bm
? ##

# #
j >
(10-19-15)
# # 88 .. w
& n .. n # ww
89 90 91
if you an - swered "no" twice you
#
& # ! ! J
J
Lord, if you checked it twice you
##
&
G7 Bm
? ##

# # 92 j j
j j
& # ... # ... # !
93 94 95

know know you'll go go a - way from pa - ra - dise!
#
& # .
J
.
J J
J
!
j
know know you'll go go a - way from pa - ra - dise!
## j j j
& # ... # ... #

!
> fl > fl fl fl > > fl
? ## j j

>. >.
fl fl fl fl
(10-19-15)
# # 96 bbb
&
97 98 99
J J
You don't want to take that chance! So an - swer yes, yes! Do the pa - ra - dise
#
& # bbb
J J

You don't want to take that chance! So an - swer yes, yes! Do the pa - ra - dise
# bbb
& #
(Krupa toms)
? ##

bbb

fl
b b 100 n ww www
Dance Break
& b ww ! !
101 102 103
w
dance!
b w w
&bb ! !
dance!
j
b b n > ... > > . b j
[2 couples]

& b .. n ... b

wwww
w
J J
Cm6 A 9b
? bb
b

b j .
(kick)
j n ~ n
# ~~~~~~~~
(saxes)
&bb ... ..
104 105 106 107
n .. n ..
fl ~~~~
> > > > fl b
^
5
Cm6 D7
? bb ~~~~
b
~~~~ n n
n n
(10-19-15)
j >(jump)
b
& b b n b b
108 109 110 111
~~~~~
b b
? bb b b
b

bbb j

j
n n bbbb
(stop)
& # .. # ..
112 113 114 115
n
. .
>. fl >. fl fl
fl
Cm/G Cm6
? b
bb bbbb

b . .
(Frankie beckons) FRANKIE: I see you.
j 119
j
bbbb . b

[Frankie/Kei]
&
j
j
116 117 118
n n
(start small)
.
P
. . . . b .
? bb b . . . ! !
b
KEI: No you don't. MRS. TANKA: Oh, she doesn't want to.
. b
(she steps away)
b b 120 . b b
(Kei gets up)
b
& b
j
J
121 122 123
n
F
. . . b .
? b b . . . . b ?
bb & n
(10-19-15)
n .
bb b b n n ....
..
n ... b > b
b
b
b
[Mrs. Tanaka push]
& b
124 125 126 127
J J
f b
? b b b n b b b
Fm6 D 9
b

fl
n .
bb b b n n ....
...
n .. b > b
b
b
b
& b
128 129 130 131
J J
f b
? b b b n b b b
Fm6 D 9
b

fl
n - . - b b . .
(Kei push away)
.
(their hands meet)
bb b b
j

& . . b
.
132 133 134 135
P f P
. . .
b
j
? bb b . . .

b

>

137
b n
(Kei's way)
b 136 138
n 139 >
& b bb b n bbb
f (straight stride)

? bb b b n n
b

bbb

[Frankie/Kei dance]
# #
["triplets"]
b b b 140 n # b n n # n n n # b n n # n n
&
141 142 143

? bb # n n # n n
(stride) (stride)
b

>
(10-19-15)
. n n n
b .
n #
(hopscotch)
& b b n # n n J
144 145 146 147
. J
F
? b b . .
b . n # fl
fl fl
b n
[big dance - ALL]
&bb
b b
148 149 150 151

b b
fl fl fl > fl fl
? bb n

b

b > > .. b >

&bb n n ... b
b
152 153 154 155
J b
b
n n b b b b
Cm A 7
? bb
b

b b 156 j
& b # ..
[THE BUILD]

157 158 159

..
> > fl (Krupa toms-- solo)
? b j ! ! !
bb .

>. > fl
b j
&bb . b
160 161 162 163
b ... fl
> > (Krupa toms-- solo)
? bb j ! ! !
b .
.
> > fl
(10-19-15)
bbb
[2 couples]
& # # b b

164 165 166 167

# #
? bb
b

b j n n j # # n
n # #
[2 couples]
& b b # .. .
# n ...
b
168 169 170 171
# n
# ..
~~~
> fl fl #
#> # >
~~~~
fl fl
~~~~
C m/G A7
? bb
~~~~
b # n b
~~~~
# n
RO/MS
> > > >
172 > ... > -
EW
wwww
WOMEN:

JD
& b b . ! !
173 174 CR/LS 175
J
Pa - ra - dise!
b > .. > - ww
MEN: AA/DL
&b J ! !
MC/SWA
Pa - ra - dise!
&b ! ! J J
FRANKIE:
Hey ev' ry bo - dy, it's for our own good, right?
> .. > >

& b b .. wwww
!
J
f
? !
b

fl
(10-19-15)
176 >
.. > -
& b ..
b wwww ! !
177 178 179
J
b > .. > -
Pa - ra - dise!
ww
&b J ! !
Pa - ra - dise!
&b ! !
FRANKIE:
> .. > >

So we bet - ter just, do what we should, right?
& b b .. wwww
!
J
? !
b

RO/MS fl
j
JD/EW
j .
b ...
CR/LS
& b # ... !
180 181 182 183
b ..
Put up! And shut up!
.
& b # .
J
J !
. .
FRANKIE:
&b J J
P Just
> .. j
j (Dr. solo) (Dr. solo)

& b # ...
b.
> fl fl
?b j j
. ! . !
.
>

fl >. fl
(10-19-15)
&b ! j j

WOMEN:
. .
184 185 186 187

Just put up and shut up!
F Just
&b ! ! !
MEN:
F Just

& b #. J #. J #. J #. J
put up and shut up! Just put up and shut up!
F Just
& b #. j j j j
# ... # .... # ....
..
> fl > fl > fl > fl
P
?b
cresc. poco a poco

fl fl fl fl fl fl fl fl fl fl fl fl fl fl fl fl
j j - - - - 191 .
&b . # .. b n ...
# # .. .
188 189 190
J J
f Just
.. b - - - - ..
put up and shut up! shut it up!
# ..
&b J J J J
put up and shut up! f Just shut it up!
#. . - - - - .
&b J J J J
f Just shut it up!
j > > >
....
put up and shut up!
j
&b . # .. b
n
# ## ... # ..
J J
.
> fl > fl
F f
?b b
b

(10-19-15)
& b n n # wwww n # wwww

192 193 194 195
You're in pa - ra -
ww ww
& b n
You're in pa - ra -
w w
& b n
>w >w
You're in pa - ra -
& b n n # wwww n # wwww

n
> >
?b n #
n
n n #
> > > fl fl fl fl
w .. j
& b ww j !
(-4)
. b b n
196 197 198 199
J
dise! Ain't this pa - ra - dise?
ww .. b n
&b !
(-4)
J J
w . b n
&b !
(-4)
J J

> b n >

&b b b n
fl
?b n n b j
n n b
fl fl fl fl fl > fl >
fl fl
Allegiance
Piano/Vocal
13A
Paradise Playoff
(10-19-15)
# 41
FRANKIE:
& 4 !
2
> .
.. b > .. >
If you
# 4
& 4
.
b ... # #
J
f
? # 44
>

> > > > >
> >
#3
&
4 5 6

love Un - cle Sam put your skin in the game. There's a su - i - cide bat - tal - lion that's cal - ling your name!
# ! ! !
&
?# ! ! !

fl
#7
SAMMY: Cut it out.
& !
8 9 10
J J
> .
.. b > .. >
It's a seg - re - ga - ted u - nit- hey that's new! Mas - a -
#
& .

.
b .. #
#
!
J
f
?# !
>

> > > > >
> > fl
Piano/Vocal Paradise Playoff - pg. 2 Allegiance
(10-19-15)
# 11
! !
CUT ON Q SAMMY: I said cut it out!
&
12 13 14
J J
> .
.. b > .. >
o - ka needs suck - ers why not you?
#
& ! ! .

.
b .. #
#
J
f
?# ! !

>
> > >
> > > >
Allegiance
Piano/Vocal
14
Higher Music and Lyrics by JAY KUO
KEI: Sammy (10-30-15)

FRANKIE: You're not his mother.
KEI: I raised him since birth. If I'm not his mother, who is?
FRANKIE: He's a grown man. (GO)
KEI: Then what does that make me?

Gently FRANKIE: You're a woman who wears
a political statement in her hair.
FRANKIE: You are so much more than someone's sister
b
or daughter or granddaughter.
KEI: I should go.
&bb C ! ! ! !
1 2 3 4
U U
b w. j w
& b b C w w . ww
w uw w
P
U U
? bb C w
b w b ww w
bw
b
FRANKIE: So much more.
&bb ! ! !
5 6 7
U
b
& b b w b ww
(to m. 12)
w U
? b w
bb w nw b ww &
Rall.
U
bbb !
KEI: Goodnight, Frankie. KEI:
&
12 13

w. wU
w
There
bb
& b w
b
w
U
w
& bbb ?
b
Piano/Vocal Higher - pg. 2 Allegiance
(10-30-15)
bb
Freely
& b
14 15 16 17
n

once was a lit - tle girl play - ing on a swing set; one her
b ww
& b b ww n ww

w w
? b ww w w
bb
b 18 j
&bb j
19 20 21

grand - pa built by the syc - a - more tree near the rust - y farm - yard gate.

And while her
b ww
& b b w ww

? bb w w ww
b

b 22 j
&bb
23 24 25
. n
Ma - ma pinned

the laun - dry, the lit - tle girl would cry out loud.
b
& b b n www
nw

? bb w
b w
b
&bb
26 27 28 29

"Push me, high - er! Push me, high - er! Push me I can't wait!" Her
b
& b b www

w
? bb j w
b . .
.
j

(10-30-15)
b j j
&bb
30 31 32 33

ma - ma would push a cou - ple times, but there was laun - dry still

to do.

So she
b
& b b

? b .
bb . . .
b 34 j j
&bb
35 36 37 38

learned to use her own strength; pull her own weight, push on through. To swing
b
& b b

? bb .
b . . .
. .
Easy 2
b 39
& b b . w
40 41 42
w
high - er, high - er than be - fore.
b
& b b
n
? bb
b w w
w w
b
& b b .
43 44 45 46

High - er, but scared to reach for some - thing more.
b
& b b

b

? bb
b w . . .
. .
(10-30-15)
b .
&bb n b
47 48 49 50

High - er, high - er towards the sky. Un -
b
& b b

b

? b n . w
b b w. . . . b
w .
b 51
&bb .
52 53 54

til the day she bent to kiss her Ma - ma a last good - bye.
b w
& b b

w

? bb w ww ?
b w &

ww

b 55
&bb w ! ! b
56 57 58

There
b .. ww
& b b w w
w n b
? bb
b b

&b
59 60 61 62

once was a
lit - tle boy who loved that swing set. He had a
& b #

?b

(10-30-15)
&b j j j
j
63 64 65 66

lic - 'rice twist from the store in town, and two knob - by skinned - up knees. While his
& b

?
b

&b j
. #
67 68 69 70

sis - ter pinned the laun - dry, that lit - tle boy would cry out loud,
& b #

?b

. j 74
&b
71 72 73

"Push me, high - er! Push me, high - er! Push me pret - ty please!" The
& b

?b

j
&b j
75 76 77 78

girl would push a cou - ple times, but there was laun - dry still to do. Then she
& b

?b

(10-30-15)
j j j
&b j
79 80 81 82

watched a - mazed as sud - den - ly he pulled his own weight through.
& b

?
b

&b . w
w
83 84 85 86 87
To swing high - er, high - er than she'd dared.
& b

#

?b . . . j
. . .
. .
j j
& b .
88 89 90 91

High - er, he flew so high but was - n't scared.
& b

b

?b
w . . .
w . .
&b n . b
92 93 94 95
High - er, he could touch the sky. Right
& b

b

?b n .. w
w. . . b
w .
(10-30-15)
&b j .

96 97 98
.
then she knew that he would al - so one day

& b

? . .. j
b . .
&b w
99 100 101
tell her good - bye. That
& b

? b . j .
. .
&b j j n
102 103 104 105

lit - tle boy, he seemed so sure? Was it some - thing nev - er taught to her?

&b n n
sub. p

?b
n
#
& j # #
106 107 108 109
#
# #
How the years pass quick - ly by; that girl's a wom - an still a - fraid to try. Is
&

cresc. poco a poco
? ###

(10-30-15)
# # # 110 j
&
111 112 113
##
it too late to start a - gain get back the feel - ing I had then? But
& #

? ###

# # 114
& # # #
115 116 117
J J J J
##
now my life is up - side down: There's no more farm, there's no more town, and
& # #
#

? ###

# # 118 j j j #
& # # .
119 120 121
##
no use ask - ing why. But I won't let it pass me
& # # # #
#

#
? ###
# #
# #
# # # 122 b w
Rall.
& b n b
123 124 125
##
by... Life won't pass me by! I'll fly!
& # n b b
n b b
n bn

n b nn b

b
b b > > > > fl
? ### b. b U
n n b
b. b n n
> > > fl n
>
(10-30-15)
A Tempo
&b w w #w .
126 127 128 129
& b

#

n #
#
n
?
b . .
. .
j j
&b w
130 131 132 133

Get back on that swing! High - er, soar - ing
& b

?b
. w
.
. .
&b n
134 135 136

high - er up than an - y - thing. High -
& b

b

n
n
? b . .
. .
.
&
b b
137 138 139

er. I want some - thing more. I
& b
b

?b . j j
.
. .
(10-30-15)
&b
140 141 142

www

dreamed I'd reach for great - er things. My
& b w

?
b

j j
&b
143 144 145

eyes u - pon those gol - den rings I'll
& b #

?b

j
Rall.
&b w

146 147 148 149
J

>
take what chance the fu - ture brings and

& b n

>
>
b

> >

?b

> > > > fl >
(10-30-15)
Rall.
&b w w w w w
150
A Tempo 151 152 153 154 155
b www
j n b
soar!
& b . ##
w !

? . j b
b w
. b
fl fl fl w
> fl
Allegiance
Piano/Vocal
15
Whose Time Is It Anyway? (10-22-15)
Militaristic, in 2
[Handing in Questionnaires]
b j ww
& b b C ww . ww . w .
1 2 3 4
w w
f
? bb C
b
. . . . . .
b w
BULLHORN VOICE: Residents of Block Thirteen, please report to the Mess Hall with your completed questionnaires.
& b b ww . j w . ww
ww .
5 6 7 8
w
? bb
b
. . . . . .
MIKE: You don't understand. DILLON: What is it now?
MIKE: I wanted to separate out the troublemakers, DILLON: Calm down. MIKE: Blown up DILLON: You got your all Jap unit.
but this questionnaire has completely
b b .9
We've got our list. Now go fight the Germans and let us deal with domestic security.
..
[4X]
& b . ! ! ! ! ! !
10 11 12 13 14
b
& b b .. ! ! ..
w ww ww ww
P
? b b .. ..
b
. . . . . . . . .
Piano/Vocal Whose Time Is It Anyway?- pg. 2 Allegiance
PRIVATE KNIGHT: Are you sure (10-22-15)
about this Mister Kimura?
TATSUO: I am.
b b ..15 ..
Safety
& b ! ! ! ! !
16 17 18 19
b
& b b .. ww
..

w
? b b .. .. w w
b w w
. .
b
&bb ! ! ! !
20 21 22 23
> >
bb
& b

> > > > >
>
F
? b
bb w w w w

fl > fl fl > fl fl > fl fl > fl
bb
Poco accel. Poco Rall.
& b ! ! ! ! b
24 25 26 27
[TRANSITION]
b
&bb

b
ww
F
? b b w w
b b

(10-22-15)
PRIVATE KNIGHT: Time to go.
KEI: Are the handcuffs really necessary?
PRIVATE KNIGHT: I've got my orders.
SAMMY: If he changed his answers, you'd let him stay, right?
TATSUO: My answers remain "no" and "no."
SAMMY: How can you be so stubborn?
A Tempo TATSUO: An honorable man must take a stand for what he believes. (GO ON)
Vamp- Cut on cue to m33
& b .. ! ! ! ! ! .. 68
28 29 30 31 32
j ww
& b .. w ww .. 68
w ww
P j j j ww
? b .. . . . www .. 68
w w w
PRIVATE KNIGHT: C'mon. Time to go. SAMMY: What? Come on.
KEI: Papa PRIVATE KNIGHT: No touching.
# C
PRIVATE KNIGHT: That's the protocol. No. Touching.
b
& 8633
!
34
!
35
!
36
!
U U
#
& b 68 . .. ..
j
.. .. C

U U
.
? 6 . . . .
.
# b .
. . # C
b 8 . .
. . . .
#
KEI: What are you afraid of? That I'll slip him a knife? Give him a gun? Search the place. Search the whole damn camp.
& C .. ! ! ! ..
37 38 39
#
& C .. ww ww ..

? # C .. ww . . ..
w w w
(10-22-15)
#
KEI: We have nothing! You took it all away! And now you're taking him.
& ! ! ! ! !
40 41 42 43 44
# U U
& w w w.

u
Uw
? # ww w ww w w
w w u w uw w
#
TATSUO: Keiko. Gaman.
&
45
!
46
!
47
!
48
! 44
# U U 44
& ww .. ww ww
? # ww wUw ww wUw 44
w w
w w
In 4, Freely
PRIVATE KNIGHT: Back away, Sir. OJII-CHAN: Tatsuo.
# 4 49 #### 3
OJII-CHAN: He my son. [Tatsuo is led away.] KEI:
& 4 ! ! ! ! ! 4
50 51 52 53 54
#
U
U U U
Ga -
# 4 U U w ww #### 3
& 4 4
w ww w ww p
P U
ww Uw
U
ww U U
ww U w
? # 44 w w # # # # 43
w w
# # # # 355 # 6
SAMMY: No!
& 4 8
56 57 58

man, Ga - man.
#### 3 . .. n .. .. # 6
& 4 . . . 8
P
? # # # # 43 . . . . # 68
(10-22-15)
SAMMY: There's gotta be something I can do to help him. I'm gonna enlist. KEI: What?
# 662
In 2 SAMMY: If we prove we're loyal, they'll free Pop, they'll free all of us.
& 8 ! ! ! !
63 64 65
#
& 68 ! . .
? # 68 . . . .
. .
.. . .. .
# 66 ####
KEI: You don't have to prove anything. SAMMY: I'm an American citizen in a country that thinks I'm the enemy.
& ! ! ! !
67 68 69
# j . . j . . . ####
&
. . . .
? # . .. j ####
. .
.
.
.

# # 72
SAMMY: I have everything to prove. KEI: Papa forbid it. Ojii-chan, tell him!
& ## ! !
73
####
& .
. . .
? #### . .
. .
(10-22-15)
# # # # 74
Slightly slower still in 2 OJII-CHAN: Isamu. A boy always obey his father. But a man, does not.
& ! ! ! !
75 76 77
U U
#### . . . . .
& .. .. .
u u
U . .. U .
.. . .
? ####
# # # #78
SAMMY: What are you saying? OJII-CHAN: When I you age, I fight in war.
& ! ! ! !
79 80 81
j U
j
# # # # . . .
..
. . .
.
& .
.. U .
.. .. .
? ####
# # 82
OJII-CHAN: When you Papa you age, he cross ocean. What you do? (GO)
& # # .. ! ! .. . j
SAMMY:
83 84
b
U
It's
# # # # . . j
& . .. .. b
"b . b b b .
u b .
.. U .
? # # # # .. . .
.. " b . b b ..
SEGUE AS ONE to
#16 OUR TIME NOW
Allegiance
Piano/Vocal
16
Our Time Now
(9-29-15)
Driving, in 1 Arr. by LYNNE SHANKEL
(SAMMY:)
b b b b 31 . ! !
& b 4
2 3 4
my time to serve,
b
& b b b b 43 .. . . .
. .. .. ..
F
? bb 3
b b b 4 .
. .. .. ..
b j
& b bbb . ! !
5 6 7 8
my strength to give.
b
& b b b b .. . . .
. .. .. ..
? b b .. .. .. ..
b b b . . . .
bb . .
&bbb J J !
9 10 11 12
My blood to of - fer so
b . .. .. ..
& b b b b .. . . .

? b b b
b b . . . .
. . . .
Piano/Vocal Our Time Now - pg. 2 Allegiance
(9-29-15)
b
& b bbb . !
13 14 15 16

o - thers might live. We'll
bb U
&bbb b ..
. .. .. ..
. . .
P
U
? bb
bbb b .. .
. ". .
In 3
b
& b bbb
17 18 19 20
b b b ..
win back our free - dom, I know it some - how. We
b
& b . ... " ...
.
F
? bb b . " ..
bb ..
".
b b b b 21
& b
22 23
must sac - ri - fice, pay a - ny
bb ... ..
&bbb . ..
. ..
? b b b ..
bb .
b b b b 24 .
& b
25 26 27
U
price. It's my time, our time
bb ... ..
& b b b .
.
.. . ..
.
f P
U .
? bb b .. .
b b . . . .
. .
(9-29-15)
b b b b 28 . . . !
& b
29 30 31
now.
b
& b b b b .. . .
. .. ..
P
? bb b . . . .
b b . . . .
bb
&bbb ! ! ! !
32 33 34 35
b .
& b bbb b .
" .
. "
"
b. " . A .. A. .
? b b b " " . .. . .
bb .
b b 36
MIKE: I Mike Masaoka, do solemny swear that I will support and defend the Consitution
b
& bb ! ! ! !
37 38 39
b
& b b b b .. . .
. .. ..
P
? bb b . . . .
b b . . . .
b
& b bbb
MIKE: ....of the United States...
! ! ! !
40 41 42 43
b .
& b bbb b .
" .
. "
"
.
? b b b " "b . " .
..
A ..
.
A. .
.
bb .
(9-29-15)
b
& b bbb
SAMMY/MIKE: against all enemies
! ! ! !
44 45 46 47
b
& b b b b .. . .
. .. ..
? bb b . . . .
b b . . . .
b b 48
SAMMY/MIKE: foreign and domestic, that I will bear true faith
b
& bb ! ! ! !
49 50 51
b . . b. .
& b bbb b b ..

b. " . A ..
? b b b " " . .. .
bb . .

bb
SAMMY: and allegiance to the same; so help me God.
&bbb ! ! ! !
52 53 54 55

>
bb b ..
& b b . .
? bb b
bb . . .
.
. . . .
>
b
& b bbb ! ! ! !
56 57 58 59

b
& b bbb "
" ..
>
..
? bb .
bbb ! .. .. ..
. .
>
Driving, in 1 (9-29-15)
b
& b bbb
FRANKIE: First, they tore us from our homes. Now they're tearing apart our families.
! ! ! !
60 61 62 63
b
& b bbb

? bb b . .. .. ..
b b . . . .
.
bbbb
FRANKIE: When does it end?
! ! !
FRANKIE:
& b
64 65 66 67

It's
bb
&bbb

? bb b . .. .. ..
b b .
. . . .
b
& b bbb . . !
68 69 70 71
our time to rise,
b
& b bbb

? bb b . .
.
b b . . . .
.
.. .. ..
bbbb
FRANKIE/TOM/JOHNNY:
& b ! !
72 73 74 75
.
stand up
.
and fight.

& bbbb b

? b b b ..
b b . .. .. ..
. . .
(9-29-15)
b .
& b bbb J !
76 77 78 79
> >
stand strong to - ge - ther,
b . . .
& b b b b

? b b b ..
b b .

> >
b
FRANKIE:
& b bbb
80 81 82 83

Stand for what's right!
> > >
We've
b
& b bbb "
b b b
? bb b b b " "
bb
b b " "
b
& b bbb
84 85 86 87

suf - fered in si - lence, but this we a - vow: we'll
b " ...
& b b b b

? bb .. " b
b b b . . "
. "

b
& b bbb
FRANKIE/TOM/JOHNNY:

88 89 90 91
e - ven the score, be si - lent no more! It's
b
& b b b b

. ..
? b b b ..
bb .

(9-29-15)
b . .
& b bbb
92 93 94 95
our time, our time
b .. ..
& b bbb .. .. "
" b

? bb b .
b b . .
.
bbbb b
. . ! bb
KEI:
&
96 97 98 99
now!
j
It's
b n n
& b b b b ... bb
. n n
? bb b . bb
b b . ..
.
.
b
&b
100 101 102 103

my time to live a life of my own. But
b ...
&b .

? b . . .
b .
. . .
.
b
&b
104 105 106 107

that does - n't mean I will spend it a - lone.
b ..
&b
.
? b
b .. j

(9-29-15)
b
&b
108 109 110 111

I won't be bound by what oth - ers al - low. My
b
&b b

? bb . b
. b
. .
b
b b 112
&
113 114 115
choic - es are mine, a - lone to de - fine. It's
b
&b

? bb .
. . . .
. . .
b . . .
&b
116 117 118 119
my time, my time
b
&b

? bb .
.

b bbb
& b . . ! !
120 121 122 123

now!
b j
& b .. bbb
..
? bb . bbb
. .
.
(9-29-15)
b
SAMMY:
& b b . j
124 125 126

Prom - ise me this: you will look
.. ..
b . ..
& b b .

P poco a poco cresc.
? b
bb
.
bbb
HANNAH:
&
127 128 129

af - ter my sis - ter. I will
b
& b b

? bb
b
.
b
&bb j
130 131 132
b. b
prom - ise you this if you come
b
& b b b b b

? bb
b b
(9-29-15)
b
& b b b . . !
133 134 135 136
back to me!
b .
SAMMY:
&bb !
I will come back, you'll see!
b j b
& b b b b b .... b

? bb b b b
b
HANNAH:
b 137
HANNAH:
. ..
KEI:
b j
Think of the day
& b .
138 139 140

KEI:Think of the day when the
j
SAMMY: Think
b . . ..
of the day SAMMY:
&bb
FRANKIE:
FRANKIE: Think of the day when the
b ..
&bb ..
N
F
? b
bb

.
b .
& b b .
141 142 143 144
war is o - ver.
b . .
&bb
war is o - ver.
b .
& b b .

? bb
b

(9-29-15)
b ..
&bb . j b .. ..
b b ..
145 146 147 148 149 150
b
Noth - ing will stand in our
b b. j b .. . b.
&bb ! b
Noth - ing will stand in our
b b b
& b b b b b b b

b

b

b b
- - - - - -
F
? bb b
b b b b b
b b b - - - b - - - b
b
& b b .. .. .. ..
151 152 153 154
way!
b .. .. .. ..
&bb
way!
b j > ..
&bb ... .. .. n .
. n .. . .
n > >. n
> >
f J
? bb > >
b . .
. fl fl . fl fl
> fl > fl
(9-29-15)
Molto Rall.
bbb
[They kiss.]
! ! ! b
SAMMY:
&
155 156 157 158
It's
bbb ! ! ! b
JAPANESE WOMEN:
& n
Ga -
bbb ! ! ! b
JAPANESE MEN:
& n
Ga -
> . n >
...
bb n b
& b n n n
J > fl
fl > >
? bb
b b
fl
> fl > > > fl fl fl
fl
j
Grandioso- in 3
&b .
159 160 161 162
our time to rise, walk through that hell.

&b .

man, Ga - man,

& b

man, Ga - man,
>
&
b

f
?b

fl fl
>
(9-29-15)

& b
163 164 165
J
We will be he - roes with sto - ries to
&b
Stur dy and sure, keep faith and en -

&b
Stur - dy and sure, keep faith and en -

...
& b .
J
?b

Accel. poco a poco
. . .
&b
166 167 168 169
tell!
& b .. .. ..
.. .. ..
dure!

Ga -
& b b
dure! Ga -

& b b b n
b n
? b b. b. . . j
b. b. . .
(9-29-15)
A tempo
170
. .
& b J !
171 172 173 174
This is the chance we hoped they'd al - low.
&b b ..
b ..
man, Ga - man!
&b
man, Ga - man!
...
& b . b b

?b . b. b.
. . b. b.
. . .
. .
&b
175 176 177 178
I un - der - stand
& b .. ..
. ..
Ah, Ga - man!

& b .
Ah, Ga - man!

& b

?
b

(9-29-15)
&b ! ! ! ! !
HANNAH/KEI:

179 180 181 182 183 184

This is
. . . .
&b
SAMMY:

what makes a man. This is
.
& b . !
.
Ah, Ga - man! Ga - man!
& b . !
Ah, Ga - man! Ga - man!

& b

?
b

(9-29-15)
&b . .
185 186 187 188

my time,
. .
&b
my time,
INTERNEES:
&b !

and we'll face this to - ge - ther!
&b !
INTERNEES + MIKE:

and we'll face this to - ge - ther!
..
.
& b .
. . .
sub. P. . . flcresc. poco. a poco
. . fl fl . . .
?b fl

(9-29-15)
&b . .
189 190 191 192

our time, It's
. .
&b
SAMMY/FRANKIE: ADD TATSUO:
our time, It's
&b ! b
+ CAUCASIANS:
b
And we're changed now for - e - ver!
&b ! b b
+ CAUCASIANS:

And we're changed now for - e - ver!
& b b b b
b

. . . . . .
fl . . . fl . . . fl fl
F
?b
b b b b
b b b b
HANNAH:
& b ..
KEI:
..
193 194 195
our time!
..
FRANKIE:
.
SAMMY:
&b
our time!
& b . #. .
TATSUO:
our time!
#
&b #
> > >
f
? b . #. .
. #.
> > >.
(9-29-15)
& b ..
ADD SOME INTERNEES (SOP):
..
196 197 198
It's
b . .
ADD SOME INTERNEES (TEN):
&
It's
. b.
&b
It's
b b
&b b b
> > >
? b .

>.
>

>

& b . . . . . .
199 200 201 202
. .
our time
. .
&b . .
our time
OTHER INTERNEES (A/B):
&b
Free - dom! Free - dom! Free - dom! Free - dom!
> .. > ..
& ..
b .. ... b .. b .. b > ... ..
.. .. . b .. b .. .
.. > > >
> >
?b

> >
(9-29-15)
HANNAH:
& b .. .. .. ..
KEI:
203 204 205 206
now!
FRANKIE:
.. .. .. ..
SAMMY/TATSUO:
& b
now!
&b
OTHER INTERNEES (A/B):
Free - dom! Free - dom! Free - dom! Free - dom!

& b
> > . > .

?b . .
. .
. .
>
& b .. .. .. .. ..
207 208 209 210 211 212
.. .. .. .. ..
&b
.. .. .. .. ..
& b . . . . .
b
^

Now!
b U
> ..
&b b b b b ..

? b ? U ^
b . . & b .
. . fl fl fl .
> fl >
Allegiance
Piano/Vocal
18
Act 2 Opening
(10-22-15)
b 41 nn
Maestoso
b
& 4 ! ! ! !
2 3 4
b 4
& b 4 ..

nn

f
? b b 44 j j j nn
. . .
. . .
Moderate 4, Militaristic MIKE: August 1, 1944. Pisa, Italy
& ! !
5 6

n !
&
P
?

3 3
fl
fl
C.B.D.
MIKE: After three weeks of non-stop combat

the all-Japanese American Four-Hundred and Forty-Second captured the high ground in the hills of Tuscany.
.. ..
3x
& ! ! ! !
7 8 9 10

Shime Daiko
! ! .. ! ..
Ch. Tom
&
f
3 3
? . .. !
.
3 3

Piano/Vocal Act 2 Opening- pg. 2 Allegiance
(10-22-15)
HANNAH: Sam Kimura,
HANNAH: nowhere is their bravery more evident who rescued several of his fellow soldiers
than in the actions of Private First Class
.. ..
3x
& ! ! ! !
11 12 13 14

Dr. Fill
& .. ..
Ch. Tom Ch. Tom
P f
3 3 3 3 3 3 3 3
? ! ! .. ! .. !
###
MIKE: including this reporter's brother, Private Ben Masaoka.
& ! ! !
15 16 17
###
Dr. Fill
&
Ch. Tom
P 3 3 3
f
? ! ! ! ###
# # 41
& # ! ! !
42 43
### >
nn w b b b b
& b
bn n w b b b
>
F
? ### j j j j
n
. . . . . . . . n
> > > >
Allegiance
Piano/Vocal
Resist 19
(11-24-15) Music and Lyrics by JAY KUO
KEI: I heard from my brother. Get this: "Dear Kei. Greetings from censored. Can only write a little because censored.
The four-forty-two is censored. Love, Sammy."
Militaristic
b b b b 4 ..1 2X
! ! ! ! ..
& b 4
2 3 4

4 ..
& bbbb b 4 . ..
. . .
. . . . . . . . . . . .
? bb b 44 .. ..
bb
3 3
. .
KEI: At least I know he's okay. What's that? FRANKIE: My draft notice. I'm supposed to report for induction next week.
KEI: How can they force you to fight? FRANKIE: I won't go. Not unless they free our families first.
b b b .5 ..
2X
b
& b . ! ! ! !
6 7 8
bb
& b b b .. b
..
. . . . b b .
.

.

. . . . . " . . . .
? b b b .. .
bb .
3 3

. .
KEI: But you can't resist the draft. FRANKIE: It's not right. KEI: They'll put you in prison.
b b b ..9 bbbb
Vamp out any bar
.. J
FRANKIE: This is prison!
b ! !
FRANKIE:
& b
10 11
They
b bbbb
& b b b b ..
..
. . . . . . . . n n ww
? b b b .. .. bbbb
3
bb w
. w
Piano/Vocal Resist - pg. 2 Allegiance
(11-24-15)
bbb 3 j j 15 j .
& b . .
12 13 3 14

threw us in here, made us all dis - ap - pear with - out charge or cause or reas - on. Now we're
bb
& b b n
3

fl . . . . . n
fl . . . fl . fl fl fl3 fl
? bb b F
b
3 3

bbbb . . bb
3
&
16 3 17 18 19
J J
or -dered to fight, have our blood spilled des - pite the way that they've treat - ed us. So
bb bb
&bb n
3

. .
fl . . . fl . . . fl . fl fl fl3 fl fl fl
? bb b bb
b
3 3

-
b . .
FRANKIE/JOHNNY/
&b # n
3 3 TOM:

20 21 22 23
J J
this is the plan: re - sist, take a stand. They can hang us all for treas - on. Let our
b
&b
3
. #
fl . . . fl . . . fl . . fl fl fl fl fl fl
? bb

3 3 3

-
(11-24-15)
b 3 3 3 . b .
&b J
24 25 26 27
J
fam - 'lies go home, and we're read - y to serve, be draft - ed like the rest.
b
&b b
b
? bb
b. . b. b .
b. . b. .

FRANKIE:
b b 28 3 3 . nn
&
29 3 3 30 31
We've a right - eous cause. There are rights and laws. Let's put 'em to the test! Re -
b nn
&b

n
fl fl fl fl fl fl fl fl fl fl fl fl
? bb f
nn

fl fl fl fl
.
& J . J . J
32 33 34 35
sist we'll face the fire. Re - sist, if they re - quire we en -
&
. . . . . . . . . . . . . . . . . . .
fl fl . . . . . . . fl fl fl .
? j j
. .
fl fl . .
fl fl fl > > > >
(11-24-15)

FEMALE RESISTERS:
& ! ! !
36 37 38 39
- - Re -
J . J j

ADD MALE RESISTERS:
& .
list. Then we de - mand they un - der - stand that we will name the price. Re -
. . . . . . . . . .

&

. . . . . .
fl fl
j j
? .
. .

> >
fl fl fl . > fl fl
fl > fl fl fl fl fl fl
j . j
RO/MS/EW
& .
JD/AO/LS
.
40 41 42 43
J

sist! For now and e - ver! Re - sist! We stand to - ge - ther to in -
& J . J . .
AA/MC/ML
J
DL/SWA
- sist! For now and e - ver! Re - - sist! We stand to - ge - ther to in -

&

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.
fl . . fl fl fl fl .
? j j
. .
fl fl . .
fl fl fl fl
(11-24-15)
j
& j j .
KEI:

44 45 46 47
sist be - fore we fight, they do what's right and we pledge to sac - ri -
J J .
FRANKIE:
& J
- sist be - fore we fight, they do what's- right and we pledge to sac - ri -

& . . . .
fl . . .
? j j j j j j
. . . . .
. . . . .
. > > .
> > >
FRANKIE: We won't fight until our families are free.
INTERNEES: Yeah! That's right, etc.
HANNAH: Kei, you need to be careful. KEI: This doesn't concern you.
HANNAH: I promised Sam I'd keep you safe.
KEI: I can look after myself. And so can Sam.
HANNAH: I'm just trying to help. KEI: How? You can't even get us aspirin.
& b .. ! ! ! .. b b b
48 ALL: 49 50 51 52

fice! Re - sist!
& .. ! ! ! .. b b b
ALL:
- fice! Re - sist! -
>
.. b b b
& b
..
b b b . . . .
fl . . . . . . . . . . .
P
? b . . .. b b b
. .

.

b
fl fl fl fl fl >
fl
(11-24-15)
SAMMY: Ben.
BEN: Kimura! Mike, this is the guy who saved my life.
MIKE: It's an honor. Thank you.
SAMMY: Likewise.
MIKE: This is the only weapon I've got. How 'bout a statement for the press?
Tell the world why you're fighting for America.
b bbbb
SAMMY:
& b b .. ! ! ..
53 54 55
I'm a
b bbbb
& b b .. b b . . .
b . . b . . . . . . n w
b n www n
n
. . . . .
fl
P fl
? b .. ..
b b
b bb
nw bbbb
fl nw
fl fl
b b b 56 j
b . j
SAMMY:
&
57 3 58 60

reg - u - lar guy, just a Yan - kee G. I. who's fight - ing for his coun - try. See,
b
& b b b n
3

fl . . . . . . n
F fl . . . fl fl fl fl3 fl
? bb
bb
3 3

b
& b bb
3

61 3 62 63

sol - diers like me want our fam - i - lies free. Mine's at Heart Moun - tain
b
& b bb
. . .
fl . . . fl . . fl
? bb b
b
3 3

-
fl fl fl
(11-24-15)
PHOTOGRAPHER: How do ya' feel about the draft riots at Heart Mountain?
SAMMY: Draft riots?
MIKE: They're being led by a resister named Frank Suzuki.
SAMMY: Frankie? PHOTOGRAPHER:
MIKE: Ya' know him? Waddya say 'bout that?
SAMMY: Sorry to say I do.
b b b ..64 .. .. .. b b
MIKE: He's got them burning their draft cards and refusing to fight for their country. [SAFETY]
b ! ! !
[2X] SAMMY:
&
65 66 67 68
J
camp. In
b .. b b
& b b b .. n # .. ..
n
3 3 3 3 3
# . . . . . . . . . .
fl . . . . . . . . . . . . . .
? b b .. .. .. .. b b
bb .
. . . . . .

fl fl
b # .
SAMMY &
&b n J
3 3

69 70 71 72 FRANKIE:
J J
war we u - nite, we don't run from a fight in shame or hu - mi - li - a - tion. A-
b
&b
3
- #
fl fl fl
fl fl fl fl fl fl
? b
b
3 3 3

-
b 3 3 3 . b
&b J
73 74 75 76
J
mer - i - can val - ues are what lie at stake. We stand for what is right.
b
&b b
b
? bb
b. . b. b .
b. . b. .
(11-24-15)
##
FRANKIE: BOTH:
b 77 3 3
SAMMY:
b
RESISTERS:
&
78 3 3 79 3 3 80
##
Life and Li - ber - ty. This will set us free! And we're read - y to fight! Re
b
&b ! ! !
RESISTERS:
- - Re
&b
b
# #

fl fl fl
? bb ##

fl fl fl fl
# #81 j
&
82
.
#
sist! It's now or ne - ver! Re
.
& # J
sist! It's now or ne - ver! Re -
#
& #
.

.

.

.

.

.

.

.

.

.

.

.
fl fl fl fl
? ##

fl fl
fl fl
(11-24-15)
# # 83 j
& j . .. j
84 85
## J
sist! We stand to - ge - ther to in - sist be - fore we
J . ..
& J
sist! We stand to - ge - ther to in - sist be - fore we
## . . . . . . .
& . . . . . . . . . . .
fl . . . .
? ## j j j j
. . . .
. . . .
fl fl
# # 86
SAMMY/BEN/PHOTOGRAPHER:
& ! !
87 88
We
#
& # .
j
fight, they do what's right! And we pledge to sac - ri -
#
& # .
J
fight, they do what's right! And we pledge to sac - ri -
# #
&

? ## j j j j
. .
. .
. . . .
> > > >
>
(11-24-15)
TL
# # 89
DL
n
SWI
&
90 91 92
J J
all must sac - ri - fice! And fight! And fight!
## n
& w n b b
fice! Re - sist! Re - sist! Re -
AA/ML
# # n ww
b b
MC
&
SWA
fice! Re - sist! Re - sist! Re -
# # n www b
& wn
n b

. . . . . . .
b
fl . . . . . . . fl
> > > > fl fl j
? ## n . j j j
. b .
n. . b. >
> > fl fl b. > > >. >
>
## b www
(all 8vb)
& b C
93 94
And fight!
# ww ww
& # b C
sist!
# # b ww ww
& b C
sist!
#
& # b

b

b C
> > > > > > > > fl fl fl fl fl fl fl fl

? ##
b b b C
b b
> > > > > > > > fl fl fl fl fl fl fl fl
(11-24-15)
SAMMY: I'm fighting to win back my family's freedom. For that I'm willing to make the the ultimate sacrifice..
&b C ! ! ! !
102 103 104 105
>
j
& b C w . w. w.
> w w
f P
?b C

SAMMY: We are loyal Americans putting our lives on the line. We condemn these draft dodgers.
bbbb
[PHOTO 1 RESISTERS UNDER GUNFIRE]
&b ! ! ! !
106 107 108 109
& b w w bbbb
w w
?
b b b b b

SAMMY: They dishonor our troops and are a disgrace to all freedom-loving people.
bb
[PHOTO 2 ISSEI VS. NISEI]
&bb ! ! ! !
110 111 112 113
b j
& b bb . w
6
. w
>f P
? bb w w w w
bb w
J J J J J J J J
J J J J J J J J
(11-24-15)
SAMMY: We condemn agitators like Frank Suzuki SAMMY: and his followers.
b
& b bb
[PHOTO 3 KEI LOOKING FOR FRANKIE] [PHOTO 4]
! ! ! !
114 115 116 117
>
b b b b > . . w ww
& J
f 6 P f
? b b b ww ww
b w w
SAMMY: They are cowards and traitors. SAMMY: They must be punished.
b
& b bb bbbbbb
[HANDCUFFS] [PHOTO 5 GROUP SHOCK OF HANDCUFFING]
! !
118 119 120 121
>
j
w
bbbb bbbbbb

&

j
w ww
F
? bb w
bb w
w w b b b b b b

SAMMY: We must defend life and liberty by any means necessary.
b
& b bbbb ! ! ! !
122 123 124 125
w> j
bb b b b ww w . .
& b J . ww

f P
? bbb ww ww
b b b ww ww
. . . .
J J J J J J J J J J J J
b b b b126
[TRANSITION TO TULE LAKE]
b
& b ! !
127
> >
b
& b b b b b
> >
? bb b b w ww
bb w
. .
J J J J J J
Allegiance
Piano/Vocal
20
Allegiance (Reprise)
(11-24-15)
L'istesso
>
1 w
&C w ! ! !
2 3 4
ww .
6
.
3 3 3 3
& C .. w
f
? C j
j
j
w w
j
w w
w w w w
Poco meno
GUARD: All right, Kimura,
Rall. were only letting you out of the stockade on account of your son.
& ! ! ! !
5 6 7 8
. w
& .. ww
.
P
3
?
3
j

j

.
w w J
w w
#
TATSUO: My son? Is he GUARD: Nah. Hes on the cover of Life magazine. (The Guard tosses Tatsuo a copy of LIFE magazine.)
& ! ! ! !
9 10 11 12
w . #
&

3
? . J #
Piano/Vocal Allegiance (Reprise) - pg. 2 Allegiance
(11-24-15)
Meno mosso GUARD: Sure.
# .13
Maybe you'll learn somethin'.
TATSUO: Isamu? My Isamu! GUARD: Hes a hero, doin his country proud. TATSUO: Can I keep?
! ! ! ! .. .. ! ..
Safety
& .
14 15 16 17
j
w
# . w .
.. ..
w
..
& . . w
? # .. w w w w .. .. w ..
# 18 TATSUO: .
&
19 20 21
J
w
.
What is this face they show u - pon the co - ver?
#
& . J
n
? # w
6
w w nw
# 22 . . j
&
23 24 25
J
This no - ble sol - dier an ex - am - ple to his men.
# w ! !
&

? # w w w
w

(11-24-15)
SAMMY: I'm fightingfor the honor of all Japanese-Americans, especially my grandfather and father,
#26
who have spent their lives proving their loyalty to the United States.
& j

27 28
w
#
& ww

?# w w w
SAMMY: I look forward to the day I can see them free, along with my sister Kei.
#29
I never thought I'd miss her nagging me, but she's a lot nicer than a drill sergeant.
j . j
&
30 31
ww
# ww w
& w

? # w w w
#32 ! !
&
33 34
U
ww
#

& w
#U
w
? # w
(11-24-15)
# 35 ! ! ! !
&
36 37 38
j
# w . w
& . w
?# w w w w
SEGUE AS ONE TO
#21 THIS IS NOT OVER
Allegiance
Piano/Vocal
21
This Is Not Over
(10-23-15)
With Motion
#
Guard dogs bark as KEI runs on, pulling FRANKIE along.
& C ! ! ! !
1 2 3 4
w>
# w .
& C w

J w
ww
F P
j j j j j j j j j j j j j j j j
?# C
w w
w> w
# #### 4
KEI: Come on. I know a place you can hide. FRANKIE: I'm not hiding.
& ! ! ! ! # 4
5 6 7 8
# j ##
& j . j . # # # 44
w .
j j j j j j j
?# .. w #### 4
w w ww # 4
w
# # # # 49
Urgently KEI: Don't argue. They'll be here any minute. FRANKIE: You've got to let me go. KEI: Not yet.
& # 4 ! ! ! !
10 11 12
#### 4 w j
& # 4 .
j .
.
? # # # # 44 w
# w w w
Piano/Vocal This Is Not Over - pg. 2 Allegiance
(10-23-15)
FRANKIE: Listen KEI: There's got to be a way.
FRANKIE: Listen! If they hang me for treason
KEI: Don't say that. FRANKIE: It could happen. KEI: No!
# # # # .15FRANKIE:
Safety- Vocal Last Time
& # . .. . .
16

There is - n't time to say all the things I want to say.
#### . ..
& # .

? # # # # .. ..
# w w
# # # # 17 !
KEI:
j j
& #
18

I know, I
####
& #

They're com - ing for me soon.
####
& #

? #### j
# ww

.
(10-23-15)
# # # # 19
& # !
20
know.
####
# j
FRANKIE:
&
If this is all the time we get to spend this way
####
& #

? ####
# w
w

# # # # 21 j
KEI:
& # j
22

No! I don't ac - cept that, I will not let you go.
####
& #

? #### j #
# ww .
# # # # 23
FRANKIE:
& # n
24

I want to cap - ture this, re - mem - ber how it feels.
#### ww ww
# w
& ww w
w
F
? #### n #
# n
(10-23-15)
# # # # 25 w
& # n
26

I want to burn it in for good.
####
& # #

? #### n #
# n
# # # # 27
KEI:
& # !
28

If I
####
& # n
Why did you choose a man who'd die for his i - deals?
#### .. U
& # n
..
J
n
? ####

# n
# # # # 29
Poco Rall.
& # n n w
30

U
had to do it all a - gain, I would.
#### U

& # n n
P
nnU U
? # # # # n n nn n
#
Freely (10-23-15)
#### n .

FRANKIE:
& # n n n n n n
31 32 33
Kei, if this is all we get, I'm still so grate - ful that I met you.
#### U
n w
& # n ww ww n n n www
U
? #### n b ww ww n ww
# bw w nw
####
KEI:
& # w
34 35 36 37
J
This is not o - ver, we are not o - ver. You are my fu - ture, not my past.
#### ww ww wwww
& # ww ww
ww ww w
? #### w n
#
####
With Motion
j 40 j
& # J .
38 39 41
This is not o - ver, we are not o - ver. This mo - ment will not be our last.
####
& #

F j j j j
? # # # # .. .. .. ..
# . . .
.
(10-23-15)
#### j
A Tempo KEI:
& # !
42 43 44

That's what I learned from you. You gave me hope when I had
#### j
# j ! !
FRANKIE:
&
Al - ways the op - ti - mist.
#### j

& # w w
J J
P J J
j j j j j j
? ####

#

####
#
45 KEI:
&
46 47

none. I feel it in my soul our sto - ry is - n't done.
####
# j j !
FRANKIE:
&
We'll take each day
####
& # w w w

J J J J J J
j j j j j j
? ####
#

# # # # 48 FRANKIE:
j
& # j
49
J
I - ma - gine noth - ing left stand - ing in our way.
#### j
& #

j j j j
? ####
#

(10-23-15)
####
# n j
50 KEI:
&
51 52

You told me once that I was more than who I thought. I found my place be - cause of
#### w ww
& # ww
ww w
w
F
? #### n #
n
# n n
#### ! !
& # w
53 54 55
you.
#### ! n J
FRANKIE:
& #
Don't make me out to be some he - ro I am not. On your
####
& # n
n
? #### n
# w n
# # # # 56
& # . n n w
57

own, you have the will to see this through.
####
& # n
n n wwww n
n
? #### n
# n nn n n
n .

(10-23-15)
####
# J .
58 KEI:
&
59 60
J J
This is not o - ver, we are not o - ver. You are my fu - ture, not my
####
& #

? #### j
# . .
j
. .
# # # # 61 w
& # w 46
62
past!
#### 6
n n n
7
& # 4
n n n n
? #### 46
#
# # # # 6 63 44
& # 4 ! n n
64 KEI:
J
And you will hold me then.
##
& # # # 46 n n ! 44
FRANKIE:
J
But I can hold you now.
## nw. n w .
& # # # 46 n # n n n 44
P j
? # # # # 46

nw. n j
44
# w.
(10-23-15)
# # # # 465 j
KEI:
& # 4 # j !
66 67
J
There is no ques - tion of wheth - er, on - ly when.
#### 4
n
FRANKIE:
& # 4 J
J J J
There is no ques - tion of wheth - er, on - ly when. I see such strength in you...
#### 4 j
& # 4 .
.
#
n n

F
? # # # # 44
#
# n nn ..

w .
J
# # # # 68
Rall.
& # ! ! b. b bbbbb
69 70 KEI:
J
I be - lieve in
####
n . w bbbbb
FRANKIE:
& # !
that I might be - lieve it too...
#### n b b b
& # n n
b b b bbbbb
n n
j j b b b ...
? #### . n
bbbbb
# .. n. b.
n. b.
(10-23-15)
A Tempo
j j
Poco Rall.
bb
&bbb w .
71
KEI: 72 73 74

you! we are not o - ver. You are my fu - ture, not my past!
bbbb J J .
FRANKIE:
& b
..
This is not o - ver, we are not o - ver. You are my fu - ture, not my past!
b b
b
& bb J J .

f

? bb b .
b b .
. .
.

. . J
J .
J
bbbb j j
A Tempo
& b j
75 76 77
J
This is not o - ver, we are not o - ver. This mo - ment is not our
b
& b bbb
J
J J J
..
This is not o - ver, we are not o - ver. This mo - ment is not our

& bbbb b .
J

J J

? bb b .
b b .
.
n
. .
J . n
J
(10-23-15)
Poco Rall.
bb
&bbb w
78 79 80 81

last! This mo - ment is not our
b
& b bbb w
last! This mo - ment is not our
b
& b b b b

> >
> >
? bb b . j j j
bb .
.
>. fl > > .
>

fl >

> w
> >
A Tempo
bb w w w
&bbb ! !
82 83 84 85 86
last!
b w . w
& b bbb J ! !
>last!
.. > > > ww> ww
b b b b
J J .

ww ww
& b ww ww
>
? b b b j j
> w
bb w w

ww
w w > >
> > >
Allegiance
Piano/Vocal
21A
Higher Reprise (10-16-15)
b b b C1
Tentatively, in 2
& b ! ! ! !
2 3 4
U U
bb b C ww
w

ww
w
& b
P U U
b
& b bb C ?
w w w w
b b5 U
KEI:
b
& b
6 7
U
What I am sup - posed to do? Pick
bb
& b b ww
w
? bb b w w
b

b j
Poco accel building steam
& b bb !
8 9 10 11
J
up the piec - es with - out you? The
b
& b b b

? bb b
b w w w

Piano/Vocal Higher Reprise- pg. 2 Allegiance
(10-16-15)
b
& b bb n n
12 13 14 15
J J J J
world is up - side down and they have come and torn my heart a - away.
bb
& b b

F
? bb
bb

b
& b bb n .
16 17 18
I'm tired of stand - ing by.
b
& b b b ww n n n n n
# n
? bb b . j
b n n
. n n
> >
fl
b j j
& b bb n n. n
19 20 21 22
Now it's time to do or die! I will
b
& b b b n b b
n n n n

fl

? bb b n
b b n n
n
fl
SEGUE AS ONE to
#22 "KEI TAKES CHARGE"
Allegiance
Piano/Vocal 22
Kei Takes Charge (10-16-15)
(KEI):
b b C1 w w w w
& .
2 3 4 (Br.)
J
fly!
b
& b C


? bb C

fl fl fl fl
> >
b
[Jodo]
& b
5 6 7 8
>
fl fl fl
b
& b
? b
b !

fl fl fl fl
>
b b9
&
10 11 12
> fl > fl > . fl

b
&b
? bb !

fl fl fl fl
Piano/Vocal Kei Takes Charge- pg. 2 Allegiance
>
(10-16-15)
b13 w ..
& b .

14 15
w
> fl
b
& b

fl fl fl fl fl fl fl fl fl fl fl fl

? bb
^
j

fl fl > fl fl
b b16 ww ! ! b 44
& w
17 18

^

b b 44
&b

fl fl fl fl
? b
^ 4
b b 4

fl
Moderate 4

j
NAN: Any news? KEI: They're still in the brig. But their trial is in a couple of weeks. We've got to help them now. KEI:
& b 44 .. ! ..
19 [2X] 20

They've
4
& b 4 ..

..
. . . .
PJ. J
. . .
? b 44 .. j j j j ..

. . . .
&b j
3
.
21 22 3 23

. .
ta - ken our men, so to see them a - gain we must tell the world their
b
& .
P
. . .
?b
(10-16-15)
KEI: We'll write letters to newspapers across the whole country. People need to know they're not traitors, they're heroes.
NAN: How will you get them past the censors? KEI: I'll think of something.
j
Safety KEI:
& b .. . ..
24 25

sto - ry. The
& b .. . .
.

. .

. .
..
. . . . . .
? b .. j j j ..
. . . -
&b j
3

26 27 3 28 29

. .
time left is short, so they need our sup - port. To - ge - ther we'll make a
b
& . . . .
fl . fl . fl . fl . > > > > >

F
? b j j j

j j

j

n
fl fl fl fl fl fl > > > > n
3431 44 32 34 33 # 4
&b w ! ! ! 4
30 [Jodo]

3 3 # 4
stand!
4
& b 4 4 4 4
flf fl fl fl fl fl fl

?b 43 44 43 # 44

fl fl fl fl
# 434 ! ! n C
& 4
35

# 4 n

n
n C
& 4 n n #
fl fl fl fl fl fl
? # 44 n C

fl fl fl fl
fl
(10-16-15)
q=h
PRIVATE EVANS: I need bandages. HANNAH:What happened? PRIVATE EVANS: There's this guy in the brig, Frank Suzuki
&C ! ! ! !
36 37 38 39
&C
p
w
w
?C
w w
HANNAH: What? PRIVATE EVANS: If he doesn't keep his mouth shut, he's gonna get himself killed. (HANNAH hands EVANS a roll of bandages.)
HANNAH: You should bring him here. PRIVATE EVANS: That's not my
. .
HANNAH: This isn't what we signed up for! This isn't what we do. Now bring him here. That's an order.
J .. w
Safety
& ..
40 41 42 43
& .. ..
w

? w
w w
.. ..
. .
[TRANSITION]
. . # 4
& J J J J 4
44 45 46 47
# 4
& 4
w w w # 4
? w & 4
(10-16-15)
Safety PEGGY: All clear. CUE OUT:
h=q
# 4 .48 j
KEI:
2 .. 44
NAN: Hurry up. BETSY: Shh! (BETSY) Done.
& 4 . ! 4 !
49 50
. .
# 4 . . . . . . . . . . . .
So
& 4 . 42 .. 44
P F
#
& 44 .. . . 42 . . .. 44

?

. . . . fl . . . . .
fl fl
Colla Voce
# 51 . j
& #
3 52 3 53 54
J
# . . . ww
here is the plan: smug - gle out what we can, or go out in a blaze of glo - ry! Does
& w
sub. P
. . .
?# . .

# 55 3 . w
b
3
& J
56 57 58
3a - ny
#
a - ny - one have friends who can help? We could bribe a guard or two...
ww www
& n
.

w w
.
?# . bw ww
bw
n .
(10-16-15)
A Tempo
# ###
KEI:
&
59 3 60 3 61 3 3 62
# ###
We will not re - lent 'til the word is sent. This is what we must do! Re -

&
.

.

.

.

.

.

. n
.

.

.
. . fl
?# j j j j ###
n
n
fl fl fl fl fl fl fl fl fl fl
Driving
# # # 63 j . j .
&
64 65 66

sist! Let's face the fi - re! Re - sist! We're climb - ing high - er! Re -
### !
WOMEN:
j
& j n .. n
.
- man,
Ga ga - man Re -
### n . . . . . . . .
& . . . . . . . . . . . . n
fl . . fl . fl fl fl fl fl fl fl
F
? ### j j j j j j j j j . j

.
n

> n
fl fl fl fl fl fl fl fl fl >>
>
# # # 67 ! ! !
&
68 69 70
###
sist!
&
sist Re sist - Re - sist Re - sist
# # #
& n . n .
n . n . . . . . . n . . . . . . . n . . . . .
.F. .
# . . .. .
decresc. poco a poco
? ## j j j
n . . n . . . . n . . n .

fl
(10-16-15)
# # # 71
[THE WOMEN EXIT]
j j
Safety fade under scene
.. ..
SOPRANOS:
& n . .
.
72 73

###
Ga - man Ga - man
j .. ..
ALTOS:
& j n .
. .
Ga - man Ga - man
### j
& n n n .. n ..
P
j n n n

w
? ### nw .. w ..
Allegiance
Piano/Vocal
23
Stronger Than Before
(10-23-15)
HANNAH: He's been hurt. [GO]

KEI: No! HANNAH: I'm trying to get him brought here KEI: I have to go to him.
HANNAH: Let's wait and KEI: I can't just sit here
KEI (CONT'D): He may need an ambulance! How far is the hospital? HANNAH: Listen to me!
.. ..
Vamp
&C ! ! ! ! !
1 2 3 4 5
w w w .
& C b b .

b ..
P
&C .. ..
w w w w w
HANNAH:
& j j
6 7 8 9 9A
w .
j
w w w . b
Stop and think a mo - ment: you have to stay and rest.
w b
& b b
Fdim/C
& w w w w w
j j j
& j

10 11 12 13
ww
There's a child who needs you now. You have to do what's best.
& w b
& ?
w

Piano/Vocal Stronger Than Before - pg. 2 Allegiance
(10-23-15)
j j
KEI:
&
14 15 16 17 18
.
You don't un - der - stand us, or what they've put us through. This is no con -
& n n
# n
? . . . .
. . .
j !
& j
19 20 21 22
w
cern of yours, I'll do what I must do.

& w b b
b

w
b www
?
. w
j j
& j j
22A 22B 22C 22D

Years in - side here
taught me
the

world won't set things right. It's
&
P
? w
Am Am/G F C/E
w w ww w
w w
j j j
& j w
22E 22F 22G 22H

up to us to save our - selves. I'm read - y for the fight.
& w ww w
ww ww b

?
Dm7 C/E F Fm6
w w

(10-23-15)
& w
22I 22J

I am

& ww b b ww
b ww wwww
?
w w
& . .
23 24 25 26 27

strong - er than be - fore, brav - er than be - fore, this
& ww ww ww ww
ww ww ww ww
>
>
?
w w w w w
j
& . j j
28 29 30 31

cour - age I've dis - cov - ered, I've ne - ver need - ed more. I have
& ww ww
ww ww

? j j
. .
. w .
j j .
& . .
32 33 34 35

learned to move a moun - tain in the mid - dle of a war.

&
b b
b b
? . j .
. .
(10-23-15)
j j
& . . .
36 37 38 39

There is no re - turn - ing. I'm strong er than be -
www
& w b

? j b. b
. b
. b. b b
fl
& bbbbb
40 41 HANNAH:

ww ww
fore. You
& w w bbbbb

P
? w w bbbbb
w w
b
& b bbb j j
42 43 44 45

won't do this a - lone now I know where I be - long. You
b
& b b b b w b w b w w
n b n

F
? bb b w w . .
bb w w . .
b
& b bbb j j j . .
46 47 48 49 50

al - ways stood for what was right, while I stood for what was wrong. When I
b
& b b b b w
w w " w "

? bb b .
bb w w .
.
(10-23-15)
b
& b bbb j
. j j
51 52 53 54

stepped in - to this pri - son, who knew what lay a - head? I
bb
& b b b w b w b w w
n b n

? bb b w w . .
bb w w . .
b
& b bbb " w !
55 56 57 58 59

thought I'd face the e - ne - my, but I fell in love in - stead.
b
& b b b b w w w "
" " www
? bb b . .
bb . w w
.
b
& b bbb j j
60 61 62 63

I made Sam a pro - mise that I'd look out for you. So
b b b b

& b
P
w w ww w
? bb b w w w
bb
b j
& b bbb j w
64 65 66 67 68
I will help get Frank - ie out it's what I have to do. I am

& bbbb b ww www w "
b
w w " " www
? bb b
bb w w

(10-23-15)
b
& b bbb . .
69 70 71 72 73
strong - er than be - fore, brav - er than be - fore, I
bb
& b b b www ww
ww ww ww
w ww ww
. ... . . . . . . . .
? bb b
sim.
bb w
w w w w
b b 74
b . j w
KEI:
& b b .
75 76 77 78
J
swear I'll stand be - side you to e - ven out the score. I
b
& b b b b

F
? bb b
b b . .
. .
j
bbbb b j j
HANNAH:
& .
79 80 81 82

don't know how to thank you. No thanks are need - ed, Kei.
b
& b b b b

F . . . .
? bb b . . . .
bb
. . . .
b
& b bbb j J j
KEI: 85
. .
83 84 86

I do what I have to. I guess we're both that way.
b
& b b b b

? bb b . . . .
bb
. .
(10-23-15)
b j n
& b bbb
HANNAH:
n . n
n n n b n n
KEI
. .
87 88 89 90
Af - ter all that's hap - pened here we can - not pre - tend that
b
& b b b b n

n

n n

? bb b . . n. . j
bb n.
. . .
b
& b bbb b
b n
.. .. n
91 92 93 94 95
we aren't bound to -ge - ther. We will see this to the
bb
&bbb

F
P
? bb b b b
bb
b b
> > > > >
Rall.
b bbb
& b b b b ww n ..
ww n
96 97 98 99 100 101
n > > n > >

end. To the end! We are
& bbbb b n n
bbb
n n n
> > f
? bb b bbb
bb

A Tempo, A Little More Broadly> > > > > > > > fl >
>
b
& b b .. .. .. b
HANNAH:

102 103 104 105
J J
>ww >w ww> >
strong - er, strong - er than be - fore! What -
bb b ww www ww b
&
b
? bb
b
. .

. .

. .

. .

> > > >
(10-23-15)
j
bbb
KEI:
& n
106 107 108 109
J
e - ver this may cost me does - n't mat - ter an - y - more! We are
b
&bb n b

b

? bb b. j
b n
n b.
b b 110 . .. b ww b b
HANNAH:
& b
111 KEI112 113 114
J J
wo - men who move moun - tains, in the mid - dle of a war! We are
b
&bb b b b
b
b b
? bb
b ..

N. . j b. j . j b. j
N. . b. b.
b ww j
& b b n ..
115 116 117 118
strong - er than be - fore!

bb
& b n

n
F
? bb j
b . .
. .
(10-23-15)
j
bbb j
HANNAH: What

HANNAH: And I will face
& ..
119 120 121 122
J
J J
n
b b nn
KEI:

place
n
with - in this
& b

? b j
bb . . .
. .
HANNAH: .
bb b 122A j b
. b ww b
KEI

lies in store!
&
122B 123 124 125
J
KEI: We have grown strong - er than be -
b b b b b
& b b b b b
b b b
>
> > fl fl fl fl fl
? bb
b . .
. .
fl fl fl fl fl >
U
Rall.
bb b 126 ww ww ww !
&
127 128 129
ww> U
b b ww >

www>
fore!
b
& w
>

> > > >
? bb U
b N
N w
> > fl fl w
> > fl
Allegiance
Piano/Vocal
23A
Oops...
(9-19-15)

CUE: HANNAH falls to the floor.
b b b C1
With motion
& b ! ! ! !
2 3 4
. ww

& bbbb C .
J w

f
? bb >j

j j

j j

j j

j j

j j

j j

j j

j
bb C
w w w w
bb
&bb ! ! ! !
5 6 7 8
>>> >>>
. .
bb b b . .
& .

> >
j j
? b b b .. . .. .
b w . w .
w .. w ..
J J
b b b 9.. ..
Safety
& b ! !
10
bb
& b b .. www ! ..
>
? b b .. ..
bb

fl fl fl
Allegiance
Piano/Vocal
24
With You (Reprise)
(10-16-15)
(CUE) SAMMY: Her name's Hannah Campbell. (GO) Music and Lyrics by JAY KUO
She's from Missoula. If I don't come back BEN: Cut that out. Arr. by LYNNE SHANKEL
Gently, in 4
b b b b 41 ! ! ! !
& 4
2 3 4
j
bb 4 . b w b .. b ww j
&bb 4 J
. bw
p J
b
b

? b b b 44
b w w w w
SAMMY: Listen to me. I want you to find her and tell her... forget it. BEN: Get some rest, Sam.
b
& b bb ! ! ! 42
5 6 7
bb . j 2
&bb 4
b
? bb b 2
b w w 4
b b b b 28 ! 449 j
SAMMY:
& 4
With
b
& b b b 42

44

b .... J

? b b b 42 44 b
b .
Piano/Vocal With You (Reprise) - pg. 2 Allegiance
(10-16-15)
b b b 10 j j j . j
HANNAH:
& b . b.
11 12 13
J

you, I'd be bet - ter, but what can I do? With
.. j j b .
b b b b .. b . .. J
n n
& b ..
n
? bb b b

b w w n
bb j
SAMMY: HANNAH: SAMMY: BOTH:
&bb j j j j .
14 15 16
you, With you, with you, with you, I can - not be with
b .. .. .. b
& b bb . . . J
.. ... b
? b b w ..
w .
bb
SEGUE AS ONE to
#25 WAR IS HELL
Allegiance
Piano/Vocal
25
War Is Hell
(9-19-15)
SOLDIER #1: I can't see a damn thing.
SAMMY: Good. If you can't see where you are, neither can they. Stay close. Keep moving.
b b b 41
Freely SOLDIER #2: When the Germans use our faces, they'll think the Emperor sent us.
& b 4 ! ! j
b ~ !
2 3 4
~~~
n
bb 4 U
&bb 4 ! ww ww ww
p
? bb 4 U
bb 4 w ww ww ww
ww w w w
b U 24 >
& b bb 44
SAMMY: Hold your fire until my command. One muzzle flash and it's like we turned the lights on. [1ST SHOT]
! n n .
5 6 7 8
b U
& b bb w w 42 44
b w w
? bb U 2 4
bb w ww ww 4 4
ww w w
b b > 24 12
Rigid SAMMY: Not yet. They're just guessing. [2ND SHOT]
& b b b 44 ! 42 ! 44 b 45
9 10 11

b bbb 4 2 ! 4 2 ! 5
& 4 n 4 4 n 4 4
3 3
. . . . . .
P fl P fl
? b b b 44 42 ! 44 42 ! 45
b

fl fl
Piano/Vocal War Is Hell - pg. 2 Allegiance
(9-19-15)
b b b 5 13 44 2415 44
SAMMY: Hold your fire. Hold! BEN: C'mon, Sam. SAMMY: Hold on. Hold on.
& b 4 ! !
14
b bbb 5 4 2 ! 4
& 4 b b 4 b b 4 4
3 3 3 3
>
P . > . > . > .
? b b b 45 44 42 ! 44
b

fl fl fl fl
b b 4 16 # 12
43
SAMMY:
b
& b 4 ! ! ! ! 8
17 18 19 20
Now!
bb 4 n w 3 # 12
&bb 4 b n n n w 4 ! 8
b b
f
F
? b b b 44 43 ! # 12
8
b

# 1221
& 8 ! !
22
# 12
& 8 # #
> > > > > > > >

? # 12 j j . j j .
8

fl fl fl fl
# 23 j
& ! . .
24

# .
& # #
> > > > > > > >
?# j j . j j .

fl fl fl fl
(9-19-15)
#25 6826 . 12
& . . 8
. .
> > > >
# .
6 12
& # 8 8
> > > > > >
?# j j . j 68 . j 12
8

fl fl fl fl
# 1227 # 628 . j 12
& 8 . 8 8
# . .
> > > >
# .
& 128 #
68

12
8
> > > > > >
? # 12
8 j j . j 68 . j 12
8

fl fl fl fl
# 1229 # > > >
6830 12
& 8 # 8
> > > >
> >
# .
& 12
8 #
68

12
8
> > > > > >
? # 12
8 .. 68 12
8
.. .. ..
. . . .

# 1231 w . !
& 8 w.
32
>
# 12 .
& 8 #
> > > > > > > >

? # 12
8
.. .. .. .. .. .. .. ..
. . . . . . . .
> > > > > > > >
(9-19-15)
# 37 > # > > >

& !
38
# .
& #
> > > > > > > >
?#
.. .. .. .. .. .. .. ..
. . . . . . . .
> > > > > > > >
# 39

2 2 2 2 4 4 4 4
40
# > # > > >

& !
# . . .
&
> > > > > > > >
?#
.. .. .. .. .. .. .. ..
. . . . . . . .
> > > > > > > >
# 41. 642 .. n 44
& . ! !
Safety
8
# . j . 68 ! .. n 44
& . . .
fl .
sub. P
? # .. j . . 68 ! .. n 44

fl
(9-19-15)
U(metal chimes rustle)

2
4
4
43
!
44
!
45
!
46
!
47
|
U U
& 44 w
1 (alto flute out of time, slowly, free-form)
!
[WOMEN pick up dog tags]
b w
p
? 44 ! ! ! ! !
.. ..
48 (drums snares off) 49 50 51

4 U
w
[BEN hands MIKE his dog tags]
ww
& .. ! ! ! ..
? .. U
(2nd time only)
! ! ! &.
.
ww
w
(drums continue in tempo)

52 53 54 55
U. U
5 6
& .. ww
6
U
& wwww ! !
(taiko)
.
J
Allegiance
Piano/Vocal
25A
Spam Musubi
(1-12-16)
4
Flowingly
& b 4 . j w w
3 4 5 6
4
& b 4
F
? b 44

Poco rall.
U
w
&b
(fade on scene)

7 8 9 10
w w
U
w
& b ww
U
ww
?b
w w
w
Allegiance
Piano/Vocal
26
The Proposal (9-19-15)
FRANKIE: My dearest Kei,
Greetings from the federal penitentiary. I'd say "wish you were here," but
Anyway, I have great news: with the press getting a hold of our story, Music and Lyrics by JAY KUO
Gently there's talk of letting us out early, even of a pardon. I may see you very, very soon. Arr. by LYNNE SHANKEL
# # 4 .1
Vamp Which brings me to another pressing matter
& 4 . ! ! ! ! ..
2 3 4
# # 4 . ww. w w. w
& 4 . ww w ww ..
p p
ww w ww w
? # # 44 .. .
J
.
J
.
J
.
J ..
Ballad 4
## 5 j
j
FRANKIE:
& . J
6 7 8

Will you spend all your days with me? A fam - 'ly of our own as we start our lives a - new.
# #

&

? ##

##9 n j
& n 42
10 11
n n
Are you the one who stays with me? Through sea - sons of my life, Kei - ko,
## n
&

n n nn 42
n
? ## b n 42
n n n

Piano/Vocal The Proposal - pg. 2 Allegiance
(9-19-15)
# j
KEI:
& # 42 ! 44
12 13 14
Will you com - mit your - self to
#
& # 42 44 J
n
will you be my wife? Will you com - mit your - self to
# 2 4
& # 4 n b
4
F
? ## 2 n b 4
4 b 4

# # 15 2416 j 4417
&

##
me? Know - ing we were meant to be, we will have our day.

& 42
J
44
me? Know - ing we were meant to be, We will have our day.
#
& # 42
44 .
.

? ## 42
44

# 18
& # 42 4420

19
# 44
There is noth - ing stand - ing in our way. All that's left be - tween us are some
& # 42

There is noth - ing stand - ing in our way. All that's left be - tween us are some
#
& # 42 44

? ##

42 44

(9-19-15)
##
Vamp
.. ..
& ! ! ! !
21 22 23 24 25
KEI: He asked me to marry him.
#
vows to say. OJII-CHAN: Frankie! Marry?
& # j .. ! ! ..
KEI: Yes. Frankie marry. (GO ON)
w
.
vows to say. Just youand me, and nothing
- in our way.
## w
& www .. ww ww ..
ww
# p
P
ww w

? # # J J ..
J J

J J ..
J J
##
MRS. MARUYAMA: Just in time. MRS. TANAKA: We must order dress from Montgomery Ward!
& ! ! ! .. ! ..
26 27 28 29
Vamp
## j www .. www ..
(1st x only)
& .
? ##
..
.
J J &.
J J
##
[OJII ALONE IN THE GARDEN]
& ! ! ! !
30 31 32 33
U
w
##
&
## U
& www www

(9-19-15)
Dictated
# # 34 U U U U U
gong
& | | | | |
35 36 37 38
## U U U U U
& ! ! ! ! !
## U U U U U
& ! ! ! ! !
SEGUE TO #27
ITETSUITA
Allegiance
Piano/Vocal
27
Itetsuita
(9-3-15)
RADIO ANNOUNCER (V.O.): At eight-fifteen AM Tokyo Time the B twenty-nine bomber Enola Gay
41 !
gong
4 |
2
4 ! !
&4
?4
4 w w
w w
p
ENSEMBLE: RADIO ANNOUNCER:
a single atomic bomb on the Japanese city of Hiroshima
& ! !
3 4 5 6

I - te - tsu - i - ta
& ! ! w
w ww
? j j j j j j j j j j

w w w w
RADIO ANNOUNCER:
ENSEMBLE: described as incomprehensible devasation
& ! !
7 8 9 10
Shi - ro - ki mat - su - ba ni
ww ww . #
& w w !
? j j j j j j j j j j j j j j

w w w w
Piano/Vocal Itetsuita - pg. 2 Allegiance
(9-3-15)
RADIO ANNOUNCER:

and we pray this promises a quick end to the war
& ! !
11 ENSEMBLE: 12 13 14
ka - ze o mi - ru
& ! . #

3
j j j j
?
ww ww ww
(+ Taiko roll- start p, cresc thru m. 15))
U

RO/MS/EW

ENSEMBLE WOMEN: JD/LS/AO
&
15 16

ka - ze o mi -
Uru

AA/DL

ENSEMBLE MEN: MC/CN/SWA
&

U
ka - ze o mi - ru

&

U
? w
w
A Cappella
U p
&

17
18 .
19
20 ww
I - te - tsu - i - ta! I - te - tsu - i - ta
. U p w
w
&
I - te - tsu - i - ta! I - te - tsu - i - ta
Allegiance
Piano/Vocal
28
442 Victory Swing
(10-26-15)
3
Mod. Fast Swing q q q e =
ANNOUNCER (V.O.): Ladies and Gentlemen, the Big Band Radio Hour pays tribute
4
&4
1
!
2
!
3
!
4
!
5
!
6
!
& 44 j
DRUM SOLO
j ww
# www
# .
>
w
F fl > . > fl >
? 44 ! !

> > > > > > > > > > > > > > > >
#
ANNOUNCER: to our returning troops with The Victory Swing! USO MEN:
& ! ! !
7 8 9 10
Vic - to -
& ! ! !
Vic - to -
j >
> .
& #
# !
(Dr. fill)
# # n J
J
fl > . > fl > .
f
? j
!

> > > > > > > > > > > >
Piano/Vocal 442 Victory Swing - pg. 2 Allegiance
(10-29-15)
# 2 4
& w 4 4
11 12 13
ry! Swing with
& ww 42 44
ry! > Swing with

&
# # . # # # 42
44

C6 G 7 b1 3 G13
? 42 44

4 b
&4 w 42 44
14 15 16
me! Vic - to -
b
& 44 ww 42 44
me! > . Vic - to -

4
& 4 www
# # # #

n 24 b b 44

b
? 44 42 44
C6 A 7
4 w !
&4
17 18 19 20
J
ry! They're
4 ww ! J
&4
ry! They're
w > >
.
& 44 n n ww . . # #

J
G 7 b1 3 j
? 44
G7

fl > fl >
(10-29-15)
# # 2 4
& 4 4
21 22 23

com - in' home from Ger - ma - ny, Ma - ni - la and France, Yan - kee
& # 42 44

com - in' home from Ger - ma - ny, Ma - ni - la and France, Yan - kee
#
& 42
44
+5
C6 G7 G13
? 42 44

4 # #
&4 42 44
24 25 26

sol - diers who stood up to give free - dom a chance. And the
& 44 # 42 44
sol - diers who stood up to give free - dom a chance. And the
& 44 42 44
C6
? 44 42 44

& 4 #
4 # # # 42 44
27 28 29
Fh - rer and the Em - per - or are out of the way, so it's
4 # 2 4
& 4 # # 4 4
Fh - rer and the Em - per - or are out of the way, so it's
& 44 42 44
G7 G 7 b1 3 G13
? 44
42 44

2 b
(10-29-15)
430 J J 4
32
&4 4 4
31
time to hand it o - ver to the U. S. A! Now it's
b
& 44
J

J 42 44
time to hand it o - ver to the U. S. A! Now it's
& 44 42 44
C6 A b7
? 44 42 44
b

4 33 n #
&4 J J J J J

J

34 35 36
J
j j
li - ber - ty and free - dom, whoo! We fought for Un cle Sam and for me and you!
b
& 44 J
J J

J

J
lib - er - ty and free - dom, whoo! We fought for Un cle Sam and for me and you!
& 44
G7 F9 C7
? 44 b
n

n
& J # 42 44
37 38 39 40 41
b J
Four and four and half the beat, it's a four four two count vic to ry swing!
n 2 4
& # 4 4
Four and four and half the beat, it's a four four two count vic to ry swing!
b > n
& 42 44
fl J
C 6 G 7 b1 3
? b j 42 44
G7 F9 C6 G7 G13

fl >
fl fl
(10-29-15)
& 44
MIKE: The JACL applauds the governments decision"
! ! ! !
42 43 44 45
.j . j . .j . j .
.
# .
#
# #
& 4 # #
4 #
# J #
. # J #
# J
. J . . . .
. . . .
C6 P P
? 44 ! ! !

MIKE: to allow Japanese-Americans to return to civilian life.
& ! !
46 47
b .. wwww
& ..
? !
.
MIKE: Each evacuee will receive a bus ticket and twenty five dollars.
& ! ! ! !
48 49 50 51
. . . . .
j j
b b n . ww
&
# # b ... ww
. J . J .
. .
? ! . w
# J
(10-29-15)
# . # .
USO MEN: MIKE: We leave with high hopes for a bright future, secure in the knowledge...
& J J
52 53 54 55
Doot do dat doo, Doot do dat doo,
& # .. # ..
J J
Doot do dat doo, Doot do dat doo,
&
C6
b b n # .
MIKE: that we have done our part for the war effort.
& J
56 57 58 59
Doot do dat Doot do dat Doot do dat doo...
# # n # # ..
&
J

Doot do dat Doot do dat Doot do dat doo...
&
G7 F7 C6
###
& ! ! ! !
60 61 62 63
j j j # . ###

N # # ..
&

# ..
# #

N # fl .

.. > fl fl > > fl
fl fl j j
? . ###
.
> fl fl > fl fl >
> > > >
(10-29-15)
# # # 64 j
USO SOLO 1 (SW): USO SOLO 2 (DH):
& n J ! #
65 66 67
#
Straight out - ta camp, we built a spe - cial crew: The
. . n
### . .
n #
& J J J J
j j
A6
? ### . j . j ?
&
. .
fl fl
# # # 68 j
n J
USO SOLO 3 (KM):
& !

69 70 71
dec - o - rat - ed he - roes of the Four - Four - Two. We
##
& # ! !
j j j
A6
? ###

#

J fl fl fl #
fl fl
# # # 72 n #
n # n # !
ALL 3:
&
73 74 75
J J
.
n > > .
thought you were the en - e - my. You proved us wrong! STRAIGHT 8THS Now just
###
& n #

fl fl
j j j
E7
? ### ?
&

fl fl fl fl fl fl
(10-29-15)
# # #76 b
& J J
77 78
get back home where you be - long! That whole
### b
& j
n # n n b
3
>
A6 fl F7
? ###

3
n # n

fl
# # # 79 j 81 n # j
& J J J J

80 82
J
mess - y busi - ness: whoop - sie doo! You fought for Un cle Sam. Wow! Good for you!
##
& #
E7 D9 A7
? ### n

#
# # # 83 #
& C
J #
84 85 86

Now your fam' - lies get to sing with the four four two count vic - to - ry swing!
### j
&

C

fl fl fl
E7 D9
? ### n j C

fl fl fl
fl
(10-29-15)
###
Bright Swing 2! INTERNEES:
& C #
115 Dr. Fill 116
Vic - to -
##
INTERNEES:
& # C ! #

Vic - to -
## # >
& # C ! #
? ### C !

>
fl fl
# # #117 24119
w # C
[V-SWING]
&
118
ry! Swing with
# # # # ww # 2
& 4 C
> j > >Swing
> >
ry! with
### n . #
b n # . #. # 2 C
& n n ... # .. n ww 4
J
> > >
? ### 42 C

(10-29-15)
### 24 122
& C w # C #
120 121 123 124
me! Vic - to - ry! Vic - to - ry!
## # ww
& # C # 2
4 C # #
> > >
> >
me! Vic - to - ry! Vic - to - ry!
## b n .. . #
& # C n .. #n .. #. # 2
4 C
# n
b n
. n .. # .. w >
nw
> > >
? ### C 2 C
n n 4 n n
n n n n
> > > > fl fl fl fl
###
[SAMMY ENTERS]
& ! ! ! ! ! !
125 126 127 128 129 130
> .. > n > > >

### .. n # n n > ... > >
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> > > > > > > > fl fl fl fl
Allegiance
Piano/Vocal
28A
Welcome To Washington
(10-16-15)
Jump On Cue to m. 20 Arr. by LYNNE SHANKEL
# # # 4 .2
SAMMY: Yes, Operator, I was holding for the army personnel department. I'm looking for a forwarding address of a Hannah Campbell.
She was a nurse stationed at I understand you're not allowed to, but thanks anyway.
& 4 .
3 4 5
w w
Ooh. Ooh.
### 4 . . . . . . . . . . . . .
4 .
sempre stacc.
&
. n .
p
3 3 3 3 3 3
#
? # # 44 .. . . . . . . . . . . . .
. .
3 3 3 3 3 3
MIKE: Hail the conquering hero. How's Washington treating you? SAMMY: Okay, I guess. MIKE: Think youd like to live here?
# #6
& # .

7 8 9
Ooh. Ooh.
##
& #

n

3 3 3 3 3 3 3
? ###
n
3 3 3 3 3 3
MIKE: The JACL needs a community organizer in DC. I'm on my way now to address the members I'd love to introduce you.
I can't think of a man who deserves the job more, a war hero who led his platoon into battle
# # # 10
SAMMY: We had eight-hundred casulaties to save two hundred men.
& . .
11 12 13

Ooh. Ooh.
###
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3 3 3 3 3 3
? ###
n
3 3 3 3 3 3
Piano/Vocal Welcome To Washington - pg. 2 Allegiance
(10-16-15)
MIKE: Those men would have done the same for you, Sam. You know that.
# # #14
SAMMY: It was a bloodbath, wave after wave of us I tried to look out for Ben, but that mission
&
.
15 16
Ooh. Ooh.
###
&
. . . . . .
? ### . .
. . . .
MIKE: My brother died for a just cause, a noble cause. If you want to honor his memory, then help me build a brighter world for our people.
# # #17
You're a true American hero. We need you, one hundred twenty thousand people need you. (GO ON)
& ..
18 19

Ooh. Ooh.
### ..
&
. . . . . .
? ### . . . ..
. . .
SAMMY: I just wanna go home. MIKE: I need you. Ben's sacrifice can't have been in vain. I won't let that happen.
SAMMY: I have to see my family first. MIKE: Of course. (MUSIC OUT)
# # # .20
Vamp
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21 22 23
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3
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. . . . . .
Allegiance
Piano/Vocal
29
Back In California (10-23-15)
Bright, happy 4 KEI enters wtih a baby carriage
4
KEI:
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1 2 3 4

There
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KEI (CONTD): That's right, that's you. Don't cry. We're home, see?
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Safety
.
5 6 7

once was a lit - tle girl, her name was Ha - na. And her
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Ma - ma was so ex - ci - ted Un - cle Sam - my was com - ing home.
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Piano/Vocal Back In California - pg. 2 Allegiance
(10-23-15)
KEI: Do you want to meet your uncle Sam? He's a hero.
Rall.
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Oh, Hanako, don't cry. You need to be brave like your uncle Sam.
! !
KEI:

10 11 12

You'll soar

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.

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A Little Slower, Like A Lullaby
j j
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13 14 15 16
high - er, high - er than I dared. High - er, you will reach so high and not be scared.
#
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n j j
20 j
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17 18 19

High - er, you will touch the sky! My lit - tle girl, theworld is yoursand no - thing will pass you

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n

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b
(10-23-15)
Tempo 1
# # # 21
KEI (CONTD): Look, its your grandpa! Say hi. We call him Ojii-Chan, remember?
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22 23 24
ww
by.
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.
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.
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KEI: Thats Japanese for grandpa.
### .
Ojii-chan.
. . j .. . .
25 KEI:
&

26 27 28

I - shi ka - ra i - shi, Ya - ma - wa i - do de - ki - ru,
### . ! ..
. j .
TATSUO:
& .
. . . .
I - shi ka - ra i - shi, Ya - ma - wa i - do de - ki -
. .
# # # . . . .. . . . . . . . .
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F
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# # # 29
&
30 31

###
Ya - sa - shi'i o - ga - wa - wa, Ta - ni - ma wo ho - re -
& .

. . . .
ru, Ya - sa - shi'i, Ta - ni - ma wo ho - re -
# # # . . . . j
&
. . .
.
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(10-23-15)
# # # 32 . nnn
TATSUO: Today big day. I must clean up for Sammy. KEI: Be careful with her.
& ! ! !
33 34 35
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ru.
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ru.
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P j P j
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Poco rall. Freely
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36 37 SAMMY:

Ga

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39 40 41 42

man. Ga man.
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Allegiance
Piano/Vocal
30
How Can You Go?
(10-23-15)
SAMMY: That's how I felt my whole damn life. Music and Lyrics by JAY KUO
CUE: Sammy storms off. Arr. by LYNNE SHANKEL
Vamp
#
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[TRANSITION]
1 2 3 4
#
& C .. ww ww .. # # # #
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w w
j j
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w w w w
w
KEI: I know what she meant to you.
SAMMY: You can't imagine what I've been through.
KEI: I understand, but
SAMMY: But what? All over this country GIs are coming home to cheering crowds. I have shrapnel in my leg
# # # # .5
4X
.. b b b b b b
and a Purple Heart on my chest and I come home to you married to him? Hannah is dead because of him! (GO ON)
& . w ! !
(omit 1st X) 6 7 8
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w w w w
KEI: Hannah was just looking after me, the way you asked her to SAMMY: I was off fighting for freedom while he was fighting against it.
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9 10 11 12
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Piano/Vocal How Can You Go? - pg. 2 Allegiance
(10-23-15)
bb
KEI: What about you? You called for Frankie's arrest by "any means necessary." What did you think would happen?
& b b bb ! ! ! !
13 14 15 16
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KEI: Where are you going? SAMMY: To Washington. Mike Masaoka has offered me a job.
b b b b 17.. ..
Safety
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KEI:

19 20 21 22

Please don't a - ban - don us. We want you here, Sam.
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(10-23-15)
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23 24 25 26
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They left us noth - ing, now I need you by my side.
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27 28 30
. .
How can you go and leave your fam - 'ly? How can you turn
b
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31 32 33 34

and just walk a - way?
b
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SAMMY:
!

You've got your Frank - ie now. He's not my
bb
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. . . .
(10-23-15)
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35 36 37
blood I've no al - le - giance to a trai - tor like that man.
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38 3 39

How could you still not un - der - stand?
b # C
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B sus4
bbb . 4
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# C 41 KEI:
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42 43 44

You heard what Pa - pa said. The war is o - ver.
#
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. . . n.
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>. > > >. > > >. > > > > >
(10-23-15)
# 45 j 2 48 C
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46 47
We have to start a - gain, to - ge - ther like be - fore.
#
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50 51
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How can you go? You saw my daugh - ter.
#
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3 53

She is your blood. Think of what you'll
#
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.
(10-23-15)
# 54
&
55 56
miss. How can you go?
#
SAMMY:
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Don't talk of fam - i - ly. The Kei I
#
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# 57
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58 59
Sam, all I ask to - day:
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knew would have pro - tec - ted her.
#
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(10-23-15)
# 60 !
&
61 62
just stay!
#
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How do I go on liv - ing like this?
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64 65 66
I was there, too. I love some - one,
#
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First a pri - son camp, then a war, I was in love, Kei!
#
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(10-23-15)
# 67 # j j j
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3
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68 69 70

too! You need us al - so, Sam. Fam - 'ly's all that you've got.
#
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SAMMY: 3
&
It's this fam - 'ly I
#
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> > > >
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. . .
# 71 . j 73 3 b 3
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fought! There's blood on both your hands. A house full of cow - ards and trai - tors like you!
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#. . .
# 75 KEI: n
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76 77
You're the trai - tor turn - ing your back on your fam - 'ly
#
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> > > > > >
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o
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.
#. . .
(10-23-15)
# 78 bbbb
KEI:
& ! !
79 80
Then go on,
# nw
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SAMMY:
&
If this is "fam - 'ly," there's no - thing here for me!
# #
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> > >
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B7sus4 Am/B B
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81 82 83
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run a - way! You're not the on - ly one who's sac - ri - ficed!
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I don't need you an - y - more! Who did I do this
bb
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D maj7 D maj7
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. . .
. . .
(10-23-15)
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84 85 86
a
You are not he - ro, you're a co - ward!
b
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for?
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Piano/Vocal Allegiance
31
What Makes A Man
(Reprise) Music and Lyrics by JAY KUO
(9-16-15)
Freely - colla voce
b 61 44
SAMMY:
b
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2 3 4 5
J
What makes a
b .
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. . . .
44 ww
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6 7 8
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man is not what he takes, it is what he leaves be - hind. What makes a

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man is not what he gets, but what he gives back to man - kind.
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n
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.
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Piano/Vocal What Makes A Man (Reprise) - pg. 2 Allegiance
(9-16-15)
b11 w j n 5
Determined
& b # . 4
12
What makes a
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6
b b
6
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Poco Rall.
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man is what he makes 3of him - self by giv - ing it all he can. That's what makes a
>
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GROUP 1 (SOP):
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That's what makes a man. That's what makes a man.
b w n
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GROUP 3 (TEN):
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What makes a man Giv - ing it all he
b
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SAMMY:
w
man.
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(9-16-15)
b b 20 n j 21 n j 23
GROUP 1 (SOP):
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22
. .
That's what makes a man. That's what makes a man.
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GROUP 2 (ALT):
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That's what makes a man. That's what makes Al - le - giance
b w n
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GROUP 3 (TEN):
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can What makes a man Giv - ing it all he
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GROUP 4 (BAR):
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Al - le - giance Al - le - giance
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GROUP 1 (SOP):
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25 26
.
Giv - ing it all he can. Al - le - giance. That's what makes a man.
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GROUP 2 (ALT):
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That's what makes a man. That's what makes a
b j w
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GROUP 3 (TEN):
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can Al - le - giance. What makes a man what makes a
b j # . j # .
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GROUP 4 (BAR):
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What makes a man? Al - le - giance. What makes a man? what makes a
b
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n n

n
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(9-16-15)
CUT ON CUE: (Sam) Enough!
b
Fing. Cym.
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28 29
b
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!
man.
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man.
b w
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man.
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Allegiance
Piano/Vocal
31A
SatoBito (10-23-15)
SAM: I don't want to remember any more. Music and Lyrics by JAY KUO
KEI: That's all there is, Sam. You left. And never came back. Arr. by LYNNE SHANKEL
Very slowly, in 4
# # # 41
SAM: I fought two more wars. KEI: Not even if it meant seeing Papa again one last time?
KEI: All those times I reached out
! ! ! !
I was tired of fighting.
& 4
2 3 4
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& 4 ! !

" U " U
j j j j j j
? # # # 44
w

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SAM: Pop never thought I'd amount to anything. KEI: Open the envelope.
### 5
He resented me from the day I was born to the day he died. SAM: Will that make you go away forever.
KEI: Yes.
& ! ! ! !
6 7 8
U
### U
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ww ww
uw uw
P P
j j j j
? # # # U
w
U
w
ww ww
SAM: My issue of Life. After all these years.
### 9
SAM: Is this his handwriting? Watashi-no hi-ro.
KEI: Papa kept that to the very end.
& ! ! ! !
10 11 12
## U U
& #
U
w U
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Piano/Vocal SatoBito - pg. 2 Allegiance
(10-23-15)
# # #13 ####
TATSUO: My hero.
& ! !
14
U
### ####
&
U
w
? ### ####
# # 15
SAM: Oh, Papa. You were my hero, too. You sacrificed everything for us, and I never even thanked you. I'm so sorry I wasn't there to say goodbye. Kei.
& # # .. ! ! ! !
16 17 18
#### .
U
& . . w w
p U
..
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u
# # # # 19
SAM: You still cared after all this time. I loved you so much, and I've missed you terribly. I should have told you when I had the chance. (GO ON)
& ! ! ! ! ..
20 21 22
## U
& # # . w w ..
U
..
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# # # 23
Safety SAM: Now it's too late. SAM: It's too damn late.
& # .. ! ! .. !
24 25
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SEGUE AS ONE TO #32

"WISHES ON THE WIND (REPRISE)"
Allegiance
Piano/Vocal
32
Still A Chance
(10-14-15)
Gently
bb 4
KEI:
&bbb 4 ! j
1 2
bb 4
& b b b 4
P

? b b b 44
bb
bb j 2
&bbb
4
3 4 5

chance for for - give - ness aft - er all these years gone by. I'd made a wish that we might have a
b n
& b b b b

42

? bb n 2
bbb 4
b bbb 2 6 4
& b 4 4 j j

7 8 9

chance to say good - bye. A chance to be o - pen, For your heart once more to sing. I
b
& b b b b 42 44 ww " "
"w
"
? b b b 42
bb
44 w
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Piano/Vocal Still A Chance - pg. 2 Allegiance
(10-14-15)
b j j
& b bbb " .
10 11
al - so missed you ter - ri - bly, wish - ing more than an - y - thing that
bb
& b b b
b "

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b b
bbb "
b 12
& b bbb

213
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we could just un - do it all, change our end - ing in ad - vance. There's still a
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b
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15 16 17

chance for hope to soar a - gain. Still a chance, make
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(10-14-15)
b
& b bbb . 2420 44
18 19

one more wish and then.. There's a chance for it to catch the wind and
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b .
& b b b b 44 42 44
21 22 23

"
dance. But we can - not know how they ev - er go, the wish - es heav - en
b b b b 4 ww 2 4
& b 4 ww 4 4

? bb 4 2 4
b b b 4 "w 4 4
b b b 424 C
& bb 4
25 26

grants. If I could say to you, not a chance, but two...
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&bbb 4
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bb w &
(10-14-15)
In 2
b
SANSEI WOMAN: You're still here. Your sister would be glad. I have something that belongs to you.
& b b b b C .. ! ! ! ! ..
27 28 29 30

bb w w
& b b b C .. ..
p
bb b b C ..

..
& b
w w w w
SAM: Where did you get this? SANSEI WOMAN: From my mother.
b
& b bbb
SAM: Hanako?
! ! ! !
31 32 33 34
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b
& b
bb U U
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w w w "w
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KEI: Poco Rall. A tempo
& b j j
35 36 37 38
w w
Life has gi - ven you a sec - ond chance.
bb ####
WOMEN:
&bbb ! ! !

Still a
b MEN: ####
& b bbb ! ! !

>
Still a
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> >
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bb
. .
> > > >
(10-14-15)
# # # # 39 ww ..

a chance,

chance, still KEI:
& w w .
40 41 42

chance, still a chance to
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.
SAMMY:
& w

chance, still a chance, still a chance to
####
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44 45 46

learn from what has passed. Still a chance to
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ALL:
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learn from what has passed. Still chance to
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(10-14-15)
# # # # 47 ! w .
KEI:
&
48 49 50

Still a chance for
####
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find our way at last.
####
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ww
find our way at last.
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love to hold you fast. From
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(10-14-15)
# # # # 54 !
KEI & SAMMY:
&
55 56 57

dark - ness in - to dawn, our
#### !
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ALL:
.
Ga - man,
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ALL:
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Ga - man,
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59 60 61

hope is ne - ver gone!
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ALL:
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Ga - man!
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Ga - man!
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(10-14-15)
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65 66 67
Hold your head up high, Ga - man!
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Hold your head up high, Ga - man!
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Allegiance PDF

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Allegiance

SANSEI WOMAN: The service is at three.

# ggg www gg ww ggg www gg ww

& gg ggg w .. ggg w ..

KEI: We can still get back what we lost.

on a wish - ing tree. If the wind's strong e - nough to col -

Wish - es on the wind, drif - ting through the night con -

Wish - es on the wind are wish - es that we share, not

I wish that I did - n't have to play the good son,

have to play the mo - ther. Though it would tear Pa - pa a - part,

I've got to make a brand new start!

FWish es on the wind. Dreams that touch the sky. Our

back to us, right back to us... New

> > > >

I will trav - el them!

# w > > >

j j j j . - . . - . > > > > > > >

Wish - es on the wind, dreams that touch the sky. Our

> > > > > >

Wish - es on the wind, and though they trav - el far, Some -

> > > > >

> > > > > > > > w> ^

ROOSEVELT: attacked by naval and air forces of the Empire of Japan.

an - gry crowds to burn our farm - house down.

[TRANSITION TO RECRUITING OFFICE]

not fight the storm...

SAMMY: We've gotta do something. KEI: No. We have to be careful.

Slower in 2, with a quiet intensity

Do not fight the storm!

Sac - ri - fice. Sac - ri - fice.

Sac - ri - fice. Sac - ri - fice. Sac - ri - fice.

Sac - ri - fice. Sac - ri - fice.

not fight the storm! What can we do? The

world nev - er hears the cries of the few! Do

not fight the storm! Do not fight the storm!

b > > >

though they tra - vel far....

Dig - ni - ty, pride, as we stand side by side,

e - ven when all hope seems gone... Ga -

CUE: (OJII): Flag look like America. Sound like Japan.

clings to tra - di - tion, a - fraid

### 4 > > > > > >

## > > >

ne - ver be a scho - lar, much as Pop wants me to be. And I'm

on - ly Pop would see the sol - dier I could be, I'll

all our sakes, I'll do what it takes, and

Jap-an-ese were qui-et, would-n't put up a fuss. Been stand - ing a

Very Freely Rall.

[MUNHALL WALKS] (GO)

MIKE: "Gentlemen of the press, our people are not prisoners"

14 > > 15 > >

> > > > "

MIKE: "The American people can sleep well

We're stuck who

Su - mo! Huh! Huh!

Eyes on the ball! Knock it to the sky!

Now ev - 'ry - one get

run! That's how we

? ### > n n > n 3 #

no use plac - ing blame! It's time we o - ver - came and

got back in the

fol - low the rules, but should I? Should I?

fol - low the rules, I fol - low the rules, But