TM

POWERCLASS
PC6800 Owners Manual

CONTENTS
(Click on a topic to view)

Congratulations Crossover Settings

Features / Specifications Inputs

TM
QBASS PLUS Crossover Operation

Installation Input, Combine, and Gain

Wiring Troubleshooting

Wiring (continued) Troubleshooting

Power / Ground System Diagram 1

Power, Ground and Remote System Diagram 2

Speaker Wiring System Diagram 3

Bridging System Diagram 4

Endplate Diagram System Diagram 5

Controls Diagram 1 Block Diagram

Controls Diagram 2 Warranty

 Congratulations and thank you.....

for choosing PrecisionPower audio epuipment. At PrecisionPower we

proudly design, engineer and manufacture audio products at our facility in
Phoenix, Arizona. Our award winning engineering team utilizes innovative
TM
technology to consistently deliver Absolutely State of the Art performance,
sound quality, reliability, and value. This PrecisionPower product reflects
our commitment to offer you unparalleled versatility and quality for years of
dependable service and listening enjoyment.

S ervice

Do not attempt to service PrecisionPower products yourself.

Performing exploratory surgery on your audio equipment yourself
will void the warranty. Many parts of your PrecisionPower gear
are custom built to our specifications. Our factory parts are not
made available to anyone else nor are they for sale. Our goal
is to make sure that your PrecisionPower product will always
sound as good as the day it was purchased. Contact your
authorized PrecisionPower dealer about obtaining any warranty
service through PrecisionPower.(See Warranty inside back cover)

F O R YO U R R E C O R D S :

M o d e l

Serial Number

Purchase Date

C aution!

The extended use of a high powered audio system may

result in hearing loss or damage. While PrecisionPower
systems are capable of "Concert Level" volumes with
incredible accuracy, they are also designed for you to
enjoy at more reasonable levels all of the sonic subtleties
created by musicians. Please observe all local sound
ordinances.
BACK TO CONTENTS
 FEATURES / SPECIFICATIONS

PWM Switching Power Supply

Fully Complementary Triple Darlington Output Stage
AM IV Protection Circuitry
QBASS PLUS™
QBASS REMOTE™ Compatible
PowerLock Speaker and Power Wire Connectors
Variable, 6-Way Internal Crossover
Non-Fading Sub Channels
Balanced Differential Input Stage
High Voltage Input Capability with Input Attenuation Switch
Gold Plated RCA Input and Output Connectors
Mixed Mono/Stereo Operation
Multiple System Configuration
PSC-221 Input Switching
Three Year Warranty when installed by an Authorized
PrecisionPower Dealer
Completely Designed And Handcrafted In The USA

Specifications
Power Bandwidth: 4.5 Hz - 100 kHz
Total Harmonic Distortion: 0.02 %
Input Topology: Differential
Input Sensitivity: 150mv - 12 volts RMS
Input Impedance: 10k Ohms
Load Impedance (stereo) 2 - 8 Ohms
Load Impedance (bridged) 4 - 8 Ohms (Channels 1-4)
Load Impedance (bridged) 2 - 8 Ohms (Channels 5-6)
Supply Voltage 11 - 15 volts
Damping Factor >500
Slew Rate >50 V/µS
Idle Current: 2.25 Amps

C o n t i nu o u s O u t p u t Pow e r
CHANNELS 1/2
50 WRMS x 2 @ 4Ω per channel
100 WRMS x 2 @ 2Ω per channel Dimensions
200 WRMS x 1 @ 4Ω bridged Length - 25.25"
CHANNELS 3/4 Height - 2.25"
50 WRMS x 2 @ 4Ω per channel Width - 8.9"
100 WRMS x 2 @ 2Ω per channel
200 WRMS x 1 @ 4Ω bridged
CHANNELS 5/6
50 WRMS x 2 @ 4Ω per channel
100 WRMS x 2 @ 2Ω per channel
200 WRMS x 2 @ 1Ω per channel
200 WRMS x 1 @ 4Ω bridged
400 WRMS x 1 @ 2Ω bridged

1
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 QBASS PLUS ™

Q BASS PLUS ™
On POWERCLASS™ amplifiers, we've taken bass control to
a higher level with QBASS PLUS™. The two QBASS
switches (labeled 1 and 2) on the front end of the amplifier
allow you to select one of four frequency centers - 30 Hz,
36 Hz, 44 Hz and 60 Hz. The Q SELECT switch determines
the width of boosted frequencies. A 'Q' of 2 (switch out)
will give you a wide boost while a 'Q' of 4 will boost a
narrow range of frequencies (See chart below). On the
rear end panel you will find the QBASS level control and
the plug-in for an optional QBASS REMOTE™ dash
mounted level control. Adjust the level control clockwise
for up to 18dB of boost at your selected frequency and Q.
Q BASS PLUS ™
Q B A S S ™ Settings Q=4 Q=2
1 2 Freq. +18dB
IN IN 30Hz +12dB
IN OUT 36Hz
+6dB
OUT IN 44Hz
0dB
OUT OUT 60Hz
30Hz 36Hz 44Hz 60Hz
Optional QBASS REMOTE™ OT E ™
EM
This boost control can be mounted QBASS R d in the
USA
in the dash and will supersede the Designe
d and ha
ndcrafte

boost control on the endplate. QB

AS
S
™
Optional QPORT™ expansion 0
module allows one boost control
to operate multiple amplifiers. Each +1
QPORT™ has outputs for four amplifiers 8
as well as another QPORT™ for greater
expansion. See your Authorized PrecisionPower
Dealer for more information!
Crossover Specifications
PC PRO 6800
Linkwitz-Riley crossover topology used throughout.
High Pass (Channels 1/2, 12dB/Octave stereo) Fully Variable 20 Hz - 20 KHz.
Band Pass (Channels 3/4, 12dB/Octave stereo) Fully Variable 20 Hz - 20 KHz.
Sub or Band Pass Channels 5/6, (24dB/Octave mono Fully Variable 50 Hz - 500 Hz
Lowpass or 12dB/Octave stereo 20 Hz - 20 KHz Bandpass).
Sub or Band Pass RCA outputs will be the opposite of Channels 5/6 Crossover.
QBASS PLUS™ on Lowpass assigned to Channels 5/6 or RCA OUTPUT.
CAUTION: QBASS PLUS™ should only be used in systems with strong
subwoofers. 18dB is a lot of bass boost and could damage full range speakers.
2
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 INSTALLATION

Tools/Parts needed for Installation (not supplied)

Small flat blade screwdriver

Phillips Screwdriver (#2 or medium sized)
Wire cutters
Wire strippers
4 - #6 round head screws, and 1 - #8 sheet metal screw
(or nut, bolt, and star washer)
2 - Ring connectors (large enough to accommodate your
method of grounding)
In-line fuse or circuit breaker - see fuse chart below
Power and ground wire - see Power Wire Calculator on page 3
Speaker wire - 16 gauge or larger
Grommets (sized to work with the power wire you plan to use
in your installation)
Tube of silicone sealant

Fuse requirements

Amplifier Maximum Fuse Rating

Pro6800 80 Amp

You will need to install an in-line fuse or circuit breaker in

the power wire within 18" of the battery. This fuse or circuit
breaker is to protect your vehicle from fire in case the power
wire shorts to the vehicle body. If you are only using one
amplifier, use the fuse rating indicated in this chart. If you are
using more than one amplifier, add up the fuse ratings for all the
amplifiers. This sum is the rating for your fuse or circuit breaker.
You may also want to add a power distribution block near your
amplifiers to keep the wiring tidy.

3
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 WIRING

The following is a basic formula to be used as a guide to determine current

draw. A 50% amplifier efficiency rating is used as an average. Your new
POWERCLASS™ amplifier is more efficient, other amplifiers will probably
be less. This formula is to be used as a guideline. Using wire of a larger
gauge can only improve the current transfer of your system. Do not use
smaller gauge wire.

Total RMS output x 2 = Total Input Wattage

Total Input Wattage = Current Draw (in Amps)
Supply Voltage

Example: A POWERCLASS™ Pro6800 amplifier has six channels at 50

watts RMS per channel into 4 Ohms (50 x 6 = 300). You would use the
formula in the following way:

300W x 2 = 600W
600W = 50A Total current draw.
12V
If the same amplifier is driven into a 2 Ohm stereo or 4 Ohm mono load,
double it's 4 Ohm RMS rating. All POWERCLASS™ amplifiers will effectively
double their power at this load.

300W x 2 x 2 = 1200W
1200W = 100A Total current draw.
12V
If you are using more than one amplifier, add up the total current draw
for all of them and choose the appropriate gauge based on the grand total.

Pow e r W i r e C a l c u l a t o r

Recommended MINIMUM Gauge

Total Current Draw Length Of Wire To Be Run

( in Amps) Up to 4ft. 4 to 7ft. 7 to 10ft. 10 to 13ft. 13 to 16ft. 16 to 19ft. 19 to 22ft. 22 to 28ft.
0-20 14 12 12 10 10 8 8 8
20-35 12 10 8 8 6 6 6 4
35-50 10 8 8 6 6 4 4 4
50-65 8 8 6 4 4 4 4 2
65-85 6 6 4 4 2 2 2 0
85-105 6 6 4 2 2 2 2 0
105-125 4 4 4 2 2 0 0 0
125-150 2 2 2 2 0 0 0 00
(
NOTE: The ground wire should be the same gauge as the power wire.
4
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 WIRING

Before beginning, disconnect the negative (-) terminal of the

battery prior to working on the positive (+) terminal to prevent
a short to ground. This is important, unless you want to spend
the rest of your life with a nickname like "Sparky," or "Smokey."
Reconnect the negative terminal only after all connections have
been made.

Factory Ground wire may

need to be replaced if it is Positive
frayed or broken. Battery
Terminal

Fuse must be
installed within
18" of battery

Run signal cables (RCAs)

and remote turn-on lead
down the opposite side of
Drill a hole in the firewall
the vehicle of the power
and use a rubber grommet
wire to avoid radiated noise.
eject

VOLUME
BASS

LEFT
TREBLE

BALANCE
RIGHT
1

5
2

6
3

TRACK
FOWARD
4

REVERSE
PPI
Trk 1
MAR KET ING DPT
to keep wire from shorting.

Run the cables under the

carpet near the side of the
vehicle. Be careful not to
drill or screw into the wires
when you replace the trim.
Avoid sharp edges that
could chafe through the
insulation. For systems over 300 watts,
add a ground cable from the
amp to the battery
(see page 6).

Firmly attach Amp

Ground Wire to solid
metal (see page 6).

Wa r n i n g !
Fuse must be installed within 18" of battery

5
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 POWER / GROUND

Grounding

Locate an area near the amplifier(s) that is metal and clean

an area about the size of a quarter to bare metal. Inspect the
area around and underneath to be sure you won't drill into wires,
brake or fuel lines, etc. Drill a pilot hole in the middle of this
area. Terminate the ground wire with a ring connector and attach
it to the bare metal using a #8 sheet metal screw and washer
or preferably, a bolt, nut and a star washer (not supplied). We
suggest crimping and soldering this connection. After the
connection is complete, coat the area (on both sides) with
silicone or some similar material to prevent rust from
developing on the bare metal.

If your grand total current draw is over 50 amps (or total output
power is over 300watts), you should run a ground wire beside
your power wire from the battery to the amplifier(s) in addition
to your regular ground wire. Keep the ground and power wires
as close together as possible, and use the same gauge wire
for both. This will ensure that you have a good ground path,
and may eliminate such potential problems as engine noise
and overheated amplifiers.

Charging System Considerations

If your grand total current draw is over 100 amps (or total output
power is over 600watts), you are probably exceeding the
capability of your charging system. Dimming lights and
fluctuating voltage are solid indicators that you need to upgrade
your alternator, battery (or go to multiple batteries), or both.
Keep in mind that your amplifiers simply convert electrical
energy to acoustical energy, and any electrical deficiency will
compromise the performance of your sound system.
For more information about charging system upgrades, see
your local authorized PrecisionPower Dealer or call
PrecisionPower technical support at: 1-800-62POWER.

6
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 POWER / GROUND and REMOTE

Once you have run both the power and ground wires, it's time
to connect the cables to the amplifier. Cut off excess wire and,
using wire strippers, strip the ends of the power and ground
cables approximately 1/4 inch. Locate the PowerLock power
and ground connector (supplied). With a small flat bladed screw
driver, loosen the screws before attempting to insert the cables.
Insert the wires into the appropriate hole, and tighten the
screws. Once the wires are secure, the PowerLock may be
plugged into the amplifier. The Power/Ground PowerLock will
accommodate 4 gauge wire for the Pro6800.

Power/Ground PowerLock

Power wires
Fastening screws

Connect to Amplifier

7
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 SPEAKER WIRING

Using 16 gauge or larger, run the speaker wires from the

amplifier location through the vehicle to the speakers. Observe
the same precautions for routing these wires that you followed
for running the power and remote turn-on wires. Cut off excess
and, using wire strippers, strip 1/4 inch of insulation. Locate
the speaker/remote turn-on PowerLock connector. Loosen the
four outer screws on top of the connector and insert the
Channels 5/6 speaker leads into the end. Check to be sure
you've maintained proper polarity before securing each wire.

Speaker PowerLock Connector

Right Speaker negative

Right Speaker positive

Remote turn on

Left Speaker positive

Left Speaker negative

Speaker PowerLock Connector

Right Speaker negative

Right Speaker positive

Left Speaker positive

Left Speaker negative

Speaker/Remote PowerLock

For the front and rear channels, locate the four terminal speaker
PowerLock connectors. On your new Pro6800 PowerClass
Amplifier, all speaker PowerLocks plug into the amplifier with
the screws facing up. Loosen the screws on the top of the blocks
and insert the stripped ends of the speaker wires into the end.
Double check polarity, secure each wire by tightening the
screws, and plug the PowerLock connector into the amplifier
with the screws on top.

8
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 BRIDGING

Bridging
Any or all pairs of channels (1/2, 3/4 or 5/6) on your
POWERCLASS™ multi channel amplifier are capable of being
bridged into a 4 ohm mono output without switches or bridging
modules (2 ohm mono on Channels 5/6). This feature permits
the creation of a mono channel for a subwoofer or center
channel.
Deriving the mono channel is accomplished by using the left
channel positive wire of the pair as the positive speaker wire
and the right channel negative wire as the negative speaker
wire. You should always be working with the wires of a single
POWERLOCK speaker connector when bridging a pair of
channels.
NOTE: It is important that a minimum 4 ohm impedance is
observed (2 ohm mono on Channels 5/6). If the impedance
drops significantly below 4 ohms while the amplifier is wired
in the bridged configuration, the amplifier's protection
circuitry may engage.

Mixed Mono Output

The ability to run stereo speakers while simultaneously running

a mono output from the same channel pair is accomplished by
running the stereo speakers normally and tapping into the
appropriate wires for the "mixed mono" channel (left channel
positive for the positive speaker wire and right channel negative
for the negative speaker wire). Total speaker impedance should
be no lower than 2 ohms on the stereo channels and 4 ohms
on the mono channel.

NOTE: Passive crossovers must be used for "mixed mono"

operation. Choose a low pass crossover around 100Hz for
your subwoofer, then choose a high pass crossover for your
stereo channels. The high pass crossover must be at the same
or slightly higher frequency than the low pass crossover to
maintain the correct impedance. See your PrecisionPower
dealer or call 1-800-62POWER for more information about
passive crossovers.
9
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 ENDPLATE DIAGRAM
Pro6800
1. Q SELECT 4/2
Push this button in for a Q setting of 4 and out for a setting of 2.
2. QBASS 1
Use this switch with the QBASS 2 to program the QBASS PLUS™ circuit. (see page 2).
3. QBASS 2
Use this switch with the QBASS 1 to program the QBASS PLUS™ circuit. (see page 2).
4. COOLING VENTS (see page 16).
5. SPEAKER/REMOTE CONNECTOR
After connecting remote and speaker wires, plug in the PowerLock
connectors here (see pages 7-9).
6. -12dB
For use with high level inputs (4V up to 12V). Push this switch
in to attenuate the input by 12dB (see page 14).
7. INPUTS A
Plug in the Front RCA leads from your head unit here (see page 14 & 16).
8. INPUTS B
Plug in the Rear RCA leads from your head unit here (see page 14 & 16).
9. OUTPUTS
Left and Right RCA outputs provide band pass or mono low pass signal to another amplifier.
10. POWER / MUTE indicator
A green light indicates that the amplifier is on, a red light indicates that the amplifier's
muting circuits have been engaged by an ACM-420.
11. QBASS™ Level
Turn this control clockwise to boost the QBASS PLUS™ circuit by up to 18dB.
12. QBASS REMOTE™ plug in
Plug in the data cable from the optional QBASS REMOTE™ dash mount level control here.
(This will bypass the amplifier's on board QBASS™ control)
13. POWER / GROUND POWERLOCK
After you have securely connected your power and ground wires, plug in the
Power / Ground POWERLOCK connector here.

1 2 3 4 5

CHANNELS 1 / 2 CHANNELS 3 / 4 CHANNEL 5 / 6

L- L+ R+ R- L- L+ R+ R- L- L+ REM R+ R-
1 2
Q SELECT 4/2

QBASS INPUTS B

-12dB INPUTS
OUTPUTS
A
L RL RL R

6 7 8 9 4 10
PC PRO 650 12/13/96

POWER / MUTE
Designed and Handcrafted in the U.S.A.
QBASS

0 +18 QBASS
REMOTE
+ -

11 12 13
10
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 Highpass crossover adjustment (12dB/octave) and GAIN control for CHANNELS 1/2

12dB CHANNEL 1 / 2 GAIN

X10 20Hz-2K
200Hz-20K

12dB 12dB CHANNEL 3 / 4 GAIN

X10 20Hz-2K X10 20Hz-2K

200Hz-20K 200Hz-20K

12dB 12dB CHANNEL 5 / 6 GAIN

X10 20Hz-2K X10 20Hz-2K

200Hz-20K 200Hz-20K

24dB

COMBINE PSC LP / BP 50Hz-500Hz

11
ONE

Highpass and Lowpass crossover adjustments

PSC: and GAIN controls for CHANNEL 3/4 allow for
Push this switch "IN" either Highpass, Bandpass or Lowpass.
CONTROLS DIAGRAM

to use a PSC-221
on channels 3/4.
(COMBINE switch out)

COMBINE switch: When LP/BP switch is 'OUT', Bandpass crossover

Switch pushed 'IN' connects the rear
channels to the Inputs A.
Switch 'OUT' allows front-to-rear fading.
adjustment (Channels 5/6, 12dB/octave) is the same
as Channels 3/4 and Lowpass goes to RCA OUTPUTS.
OR
When LP/BP switch is pressed in Channel 5/6 will be Lowpass
(24dB/octave) and RCA OUTPUTS are Bandpassed.

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 Settings For A Basic 3 Way System plus Sub Output
Example Crossover Points: Tweeters / Mid - 4 KHz
Mid / Midbass - 521 Hz
Midbass / Sub - 70 Hz

Count 31 "clicks" starting from 1 21

IIIIIIII
III I

I
to get to 4 KHz

III
11
32
Switch Pushed

IIIIIIII
12dB Count 31 "clicks" starting CHANNEL 1 / 2 GAIN

IIIIIIII

III
"IN"

I
II
Count 14 "clicks"
I II from 1 to get to 4 KHz
1 21 41 21
X10 20Hz-2K
IIIIIIII II IIIIIIII II

I
III
starting from 1 200Hz-20K I

I
Switch Pushed

III

III
to get to 521 Hz 11 "IN" 11
32 32

IIIIIIII
Switch Pushed

IIIIIIII
12dB 12dB CHANNEL 3 / 4 GAIN

IIIIIIII

III
"IN"

IIIIIIII

III
I

I
II I II II
I II
Count 16 "clicks" 1 21 41 1 21 41
X10 20Hz-2K X10 20Hz-2K IIIIIIII
IIIIIIII III I

I
starting from 1 200Hz-20K III I 200Hz-20K

I
Switch Pushed

III

III
to get to 70 Hz 11 "IN" 11
32 32

IIIIIIII
Switch Pushed

IIIIIIII
12dB 12dB CHANNEL 5 / 6 GAIN

IIIIIIII

III
"OUT"

IIIIIIII

III
I

I
II I II II
I II
1 41 1 21 41 Count 14 "clicks" starting
X10 20Hz-2K X10 20Hz-2K
IIII I III
III I

I
200Hz-20K 200Hz-20K from 1 to get to 521 Hz

III
11

12
32

IIIIIIII
Switch Pushed
24dB

IIIIIIII

III
"OUT"

I
TWO

I II II

COMBINE 1 41
PSC LP / BP 50Hz-500Hz
Count 9 "clicks" starting
from 1 to get to 73 Hz
CONTROLS DIAGRAM

SUB Mid Bass Mid Range Tweeters

20 Hz 70 Hz 521 Hz 4 KHz 20 KHz

(RCA outputs) Resulting frequency response at speaker outputs

BACK TO CONTENTS
 CROSSOVER SETTINGS

All 12dB/octave 20Hz - 21KHz 24dB/octave mono LowPass

HighPass and BandPass
Position X1-Out X10 - In Position Frequency
1 20 Hz 220 Hz 1 52 Hz
2 20 Hz 220 Hz 2 52 Hz
3 20 Hz 220 Hz 3 54 Hz
4 20 Hz 220 Hz 4 56 Hz
5 21 Hz 222 Hz 5 56 Hz
6 22 Hz 240 Hz 6 60 Hz
7 23 Hz 255 Hz 7 64 Hz
8 25 Hz 276 Hz 8 68 Hz
9 28 Hz 299 Hz 9 73 Hz
10 31 Hz 324 Hz 10 78 Hz
11 34 Hz 360 Hz 11 85 Hz
12 38 Hz 401 Hz 12 92 Hz
13 43 Hz 452 Hz 13 102 Hz
14 50 Hz 521 Hz 14 113 Hz
15 59 Hz 609 Hz 15 127 Hz
16 70 Hz 712 Hz 16 144 Hz
17 80 Hz 836 Hz 17 158 Hz
18 87 Hz 916 Hz 18 168 Hz
19 94 Hz 976 Hz 19 175 Hz
20 99 Hz 1.04 KHz 20 183 Hz
21 107 Hz 1.12 KHz 21 191 Hz
22 117 Hz 1.21 KHz 22 200 Hz
23 128 Hz 1.30 KHz 23 210 Hz
24 140 Hz 1.42 KHz 24 221 Hz
25 155 Hz 1.59 KHz 25 234 Hz
26 173 Hz 1.77 KHz 26 246 Hz
27 193 Hz 2.00 KHz 27 260 Hz
28 220 Hz 2.28 KHz 28 277 Hz
29 255 Hz 2.67 KHz 29 295 Hz
30 310 Hz 3.17 KHz 30 315 Hz
31 385 Hz 4.00 KHz 31 337 Hz
32 492 Hz 5.11 KHz 32 362 Hz
33 608 Hz 6.50 KHz 33 382 Hz
34 744 Hz 8.10 KHz 34 396 Hz
35 936 Hz 10.04 KHz 35 410 Hz
36 1.19 KHz 12.75 KHz 36 422 Hz
37 1.45 KHz 15.45 KHz 37 431 Hz
38 1.77 KHz 18.45 KHz 38 438 Hz
39 2.08 KHz 20.00 KHz 39 444 Hz
40 2.10 KHz 21.00 KHz 40 450 Hz
41 2.10 KHz 21.00 KHz 41 450 Hz
13
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 INPUTS

There are two sets of RCA INPUTS on the front end of your
amplifier. Plug the RCA cables from your head unit into the
appropriate set of inputs, front and rear. If your head unit
doesn't have RCA outputs don't worry. Simply add a set of
RCA plugs (available at your dealer) to your front or rear set of
speaker leads (see drawing below), plug them into the input
jacks, and push in the -12dB switch.
SOURCE Headunit
eject
1 2 3 4

BASS TREBLE
5 6 7 8 Trk 1
BALANCE TRACK PPI MAR KET ING DPT
VOLUME
LEFT RIGHT FOWARD REVERSE

(+) Positive

LEFT input

(-) Negative
(+) Positive

RIGHT input

(-) Negative
WARNING: If you are using a source unit with bridged high powered (or
"floating ground") speaker outputs, a suitable high to low level adapter
must be used. If you are unsure about your head unit see your local
PrecisionPower dealer or call 1-800-62Power.
Balanced Differential Inputs
This circuitry reduces noise radiated into your signal cables by
up to 40dB. This is equivalent to a noise reduction of
approximately one hundred times what the noise level would
be without this circuitry. It provides all the benefits of a true
'balanced' line without the need of any special cables (see
diagram below). This type of input works with any conventional
RCA cable.
music noise
(+)
( + =)
signal and ground ( ) music noise music
and noise

music noise
(+)
( - =0)
noise ( ) noise cancels music
NO noise

14
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 CROSSOVER Operation

Your new POWERCLASS ™ amplifier has crossover circuits built-in to

provide exceptional system flexibility without the added expense and
installation of an outboard crossover.

CHANNELS 1/2
The first row of controls on the top of your Pro6800 allow you
to send a variable highpass signal (20 Hz to 20 KHz) to
Channels 1/2. (12dB/octave) With the X10 switch in the "out"
position, crossover adjustment can be made by turning the
highpass dial up or down for crossover points between 20 Hz
and 2000 Hz. By pressing the X10 switch "in" you are able to
make crossover adjustments between 200 Hz and 20 KHz. A
separate gain control is designated for these channels and
should be adjusted according to page 16.

CHANNELS 3/4
The second row of controls on the top of your Pro6800 allow
you to send a variable highpass or bandpass signal (20 Hz to
20K Hz) to Channels 3/4. These controls operate in the same
fashion as above. The first set of controls are the highpass
side of the bandpass, and the second set of controls are the
lowpass side of the bandpass. In order to get a full highpass to
20 KHz press the second X10 switch in and turn the second
(lowpass) dial fully clockwise to 20 KHz position.

CHANNELS 5/6

The third row of controls on the top of your Pro6800 operate in

the same fashion as Channels 3/4 crossovers. However, you
have one more option on these channels: you can select a
bandpass crossover (bandpass 2 - third row) or lowpass (fourth
row). By leaving the LP/BP switch out the bandpass 2 signal
will be assigned to CHANNEL 5/6 and lowpass assigned to the
RCA outputs.By pressing the LP/BP switch in, the lowpass
(fourth row) will be assigned to CHANNEL 5/6 and bandpass 2
assigned to the RCA OUTPUTS. The lowpass dial can be
adjusted from 50 Hz to 500 Hz and provides a 24dB/octave
slope.

15
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 INPUT COMBINE and GAIN

Input Combine
Your multi channel POWERCLASS™ amplifier can use both
front and rear outputs from your head unit to maintain the
ability to fade front to rear, or you can run a single set of
RCAs to the front inputs and push in the COMBINE switch
on the amplifier end plate to route the INPUT A signal to
channels 3/4 as well.
PSC Switch
Channels 5/6 will be used as subwoofer channels in most
cases, and therefore receive summed information from Inputs
A and B. This allows Front/Rear fading without affecting the
subwoofer level. In order to use a PSC-221 phase shift
controller on bandpassed midrange drivers (Channel 3/4)
without causing cancellation in your subwoofer channels, you
can isolate Inputs B to Channel 3/4 only by pushing the PSC
switch 'IN'.
Adjusting The Amplifier Input Gain
1. Adjust all amplifier input gain controls to just above minimum
sensitivity (fully counterclockwise).
2. Using the cleanest source (CD), with music playing turn up
the head unit until you can hear distortion. Now turn it down
a bit until you cannot hear the distortion.
3. Increase the Amplifier gain (clockwise) until the onset of
audible distortion. Then decrease the gain to the point just
before the distortion starts. This setting minimizes
background noise and prevents overload.
4. Repeat step 3 for any remaining amplifiers in the system.
Heatsink Cooling

The unique heatsink on

your POWERCLASS™ amplifier
has been designed with fins
on the inside of the aluminum
mass. This allows for the
transfer of heat from the
circuitry to the heatsink fins
and out through the vents
in the endplates. Be sure you have ample space around the
amplifier for cooling, at least 2" on all sides.

16
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 TROUBLE SHOOTING

NO SOUND Is the LED lit?

YES NO
Check Power and Remote turn-
on wire for voltage. Make sure
Ground wire is secure.
WHAT COLOR ?
RED GREEN
Central Muting is engaged. Substitute RCA inputs with
Remote turn-on wire must have another source, and connect a
more than 8 volts to release known good speaker to one
central muting. Check Remote channel.
turn-on at the head unit. You may
need to install a relay if the head
unit doesn't put out sufficient
voltage.
STILL NO SOUND - See your Authorized PrecisionPower Dealer
or Call 1-800-62POWER.

SOUND IN ONE CHANNEL ONLY

Reverse left and right speakers by unplugging the speaker
connector, turning it over and plugging it back in.
SOUND IS NOW IN
OPPOSITE CHANNEL SAME CHANNEL
Reverse RCA inputs Problem is in the speaker or
speaker wire of the silent
channel.
SOUND IS NOW IN
OPPOSITE CHANNEL SAME CHANNEL
Reverse RCAs at head unit Problem is in the Amp. See your
local Authorized PrecisionPower
Dealer or call 1-800-62POWER.

SOUND IS NOW IN
OPPOSITE CHANNEL SAME CHANNEL
Problem is in the head unit Problem is in the RCA cables

17
BACK TO CONTENTS
 TROUBLE SHOOTING

NO SOUND ON BANDPASS CHANNELS

Be sure that crossover points are
set properly. Is the highpass set
at a higher frequency than the
lowpass or the lowpass set lower
than the highpass, creating a no
pass?
YES NO
Readjust crossovers and then Check speaker wiring for short
test system again. circuits or loose connections. Be
sure that powerlock plugs are in
place properly (screws facing up)
and observe correct wiring
diagram.
STILL NO SOUND - See your Authorized PrecisionPower
Dealer or Call 1-800-62POWER.
NO SOUND IN BRIDGED MODE

Check speaker wiring for short circuits or loose connections. Be

sure that powerlock plugs are in place properly (screws facing up)
and observe correct wiring diagram.

AMPLIFIER TURNS DOWN

Both excessive temperature and low impedance (or short circuit)

conditions will activate the amplifier's AM IV protection circuitry, which
turns down the amplifier's output. When the amplifier cools down, or
the impedance is corrected, the AM IV will restore full power.
If your amp is turning down check your speakers and wiring for low
impedance and short circuits.Also,ensure that there is nothing blocking
the normal convective airflow of the amplifier. No obstruction should
be within 2" of the amplifier on all sides.
NOTE: Low battery voltage will cause the amplifier to run warmer.

18
BACK TO CONTENTS
 SYSTEM DIAGRAM
ONE

Source
eject
1 2 3 4

BASS TREBLE
5 6 7 8 Trk 1
BALANCE TRACK PPI MAR KET ING DPT
VOLUME
LEFT RIGHT FOWARD REVERSE

Input
Sensitiv
ity R
Input L
R
Output L

PEQ-Pre11cisionPower Power
4
PEQ-114
Vol
ume

Powe
r +
Made in
PEQ
-114 + USA
Sub
+
Low
+
Mid

Treb
le

in USA
Made

z
8 KH
zer

12.
e Equali

b
+12d
Octav

z
KH
Third

6.4

z
KH
-12db

16
b
+12d

b
+12d
z
KH
3.2

z
-12db

8 KH

-12db

z
KH
b

20
+12d

b
+12d
z
KH

b
+12d
1.6

-12db

z
4 KH

-12db

z
KH

-12db
b
+12d

10
b
+12d
Hz
800

b
+12d
-12db

z
2 KH

-12db
b
+12d

-12db
5 KH
Hz

b
+12d
400

-12db

b
+12d
z
1 KH

-12db
b
+12d

z
KH

-12db
Hz

2.5
200

+12d
-12db

b
+12d
Hz
500

-12db
b
+12d

z
Hz

7 KH

-12db
100

b
+12d

1.2
-12db

b
Hz

+12d
b

250
+12d

-12db
Hz

Hz
50

-12db
b
-12db

+12d

635
Hz

b
Power

+12d
+12d

126

-12db
Hz
25

Hz
-12db

-12db
ision

+12d

320
DEQ-230
Prec
b
+12d

Hz

b
+12d
63

-12db
-12db

Hz
b
+12d

-12db
156
r
we

5 Hz
Po

b
+12d
-12db
31.

b
+12d

Hz

-12db
80
-12db

b
+12d
Hz

-12db
40

b
+12d
EQ

-12db
feat
De

DEQ-230 L
Input

R
stereo
•
mon out
o • in

L
Outpu
t
nd te
Grou Remo wer
Po
R

IN
GA
/2
L1 IN
NE GA
AN /4
CH L3 IN
NE GA
AN /6
CH L5
NE
AN
CH

B
12d

K B
-2 12d
Hz
20 B
K
-2 24d
Hz
20 Hz
0 0K 00
X1 z-2 -5
B 0H Hz
12d 20 0 0K 50
X1 z-2
B 0H
K 12d 20
-2 / BP
Hz LP
20 B
K 12d
-2
Hz
20
0 0K K
X1 z-2 -2
0H Hz
20 20
0 0K C
X1 z-2 PS
0H
20 0 0K

Pro6800
X1 z-2
0H
20 INE
MB
CO

QBA 1
SS
2

L-
L+
QBA R+
R-
SS L-
INP L+
UT R+
S R-
A
L-
L L+
RE
M
R R+
R-
L
R

L
INP
UT
R S
OU B
TP
UT
S

Channel 1 Channel 2
HighPass HighPass

Channel 3 Channel 4
Highpass Highpass

Channel 5/6 Lowpass

Subwoofer Subwoofer

Basic System Layout

19
BACK TO CONTENTS
 SYSTEM DIAGRAM
TWO

Source
eject
1 2 3 4

BASS TREBLE
5 6 7 8 Trk 1
BALANCE TRACK PPI MAR KET ING DPT
VOLUME
LEFT RIGHT FOWARD REVERSE

Input

R
L

OutpRear

R
In
pu
ut L

t
Se
nsi
ti
vi
ty
Front
Outp

R
ut L
LED Sele
ct
1 Power
2 Frequenc
3
Precis 4 y Adju

PAR-245
PAR- st
Vol
ume
245ionPower Sub
Low
Powe Low-M
r F id
In-Cl
ip R High-Mid
Treble
+
Fade
+ Made
r Defe in USA
at
+
Sub
+
Low
+
Low
-Mid
High
-Mid
Treb
le PAR-
245

PSC-221
in USA
Made

z
8 KH
zer

12.
e Equali

b
rol

+12d
Octav

z
KH
Third Cont

6.4

z
KH
-12db

16
e Shift e in
USA

b
+12d

b
+12d
Phas

z
Mad

KH
3.2

z
-12db

8 KH

-12db

z
KH
b

20
+12d

b
+12d
z
KH

b
+12d
1.6

-12db

z
4 KH

600
-12db

220
z
KH

-12db
b
+12d

10
b
+12d
Hz
800

o
b
+12d

100
-12db

z
2 KH

-12db

e
b
+12d

as
-12db
5 KH

Ph
-ø
Hz

b
+12d

ht
400

Rig
-12db

b
er

+12d

er
z
1 KH

-12db

w
b
+12d
onPow

Po
z
KH

-12db
Hz

2.5
200

+12d
-12db
Precisi C-221

b
+12d
Hz
500

-12db
b
+12d

600
z
Hz

220
PS

7 KH

-12db
100

b
+12d

1.2
-12db

o
Hz

+12d

100
b

250
+12d

-12db
Hz

Hz
50

e
-12db

as
b
-12db

+12d

635

ft Ph
-ø

Le
Hz

b
Power

+12d
+12d

126

-12db
Hz
25

Hz
-12db

-12db
ision

+12d

320
DEQ-230
Prec b
+12d

Hz

b
+12d
63

-12db
-12db

Hz
b
+12d

-12db
156
r

Pass
we

5 Hz
Po

b
Inp r

+12d
-12db
31.

ut we
L By

b
+12d

Hz
ert L

-12db
Po

80
L Inv
ion
Pass
-12db

b
+12d
cis
Pre
R By

Hz

-12db
40
ert

b
R Inv

+12d
EQ

-12db
in • R
feat
nd te
De
outNon-inver
• Inver ted
ted / Acti
Grou Remo wer

DEQ-230
/ ByP ve Po
ass
Input
stereo
• out
mon
L
o • in Outpu
t
R
nd te
Grou Remo wer
L Po
R

To Inputs B
To Inputs A

IN
GA
/2
L1 IN
NE GA
AN /4
CH L3 IN
NE GA
AN /6
CH L5
NE
AN
CH

B
12d

K B
-2 12d
Hz
20 B
K
-2 24d
Hz
20 Hz
0 0K 00
X1 z-2 -5

Pro6800
B 0H Hz
12d 20 0 0K 50
X1 z-2
B 0H
K 12d 20
-2 / BP
Hz LP
20 B
K 12d
-2
Hz
20
0 0K K
X1 z-2 -2
0H Hz
20 20
0 0K
X1 z-2 C
0H PS
20 0 0K
X1 z-2
0H
20 INE
MB
CO

QBA 1
SS
2

L-
L+
QBA R+
R-
SS L-
INP L+
UT R+
S R-
A
L-
L L+
RE
M
R R+
R-
L
R

L
INP
UT
R S
OU B
TP
UT
S

Channel 1 Channel 2
HighPass HighPass

Channel 3 Channel 4
BandPass BandPass

Channel 5/6 Lowpass

Subwoofer Subwoofer

System Layout Using PSC Switch

20
BACK TO CONTENTS
 SYSTEM DIAGRAM
THREE

Source
eject
1 2 3 4

BASS TREBLE
5 6 7 8 Trk 1
BALANCE TRACK PPI MAR KET ING DPT
VOLUME
LEFT RIGHT FOWARD REVERSE

Input

R
L

OutpRear

R
In
pu
ut L

t
Se
nsi
ti
vi
ty
Front
Outp

R
ut L
LED Sele
ct
1 Power
2 Frequenc
3

PAR-245
Precis 4 y Adju
PAR- st
Vol
ume
245ionPower Sub
Low
Powe Low-M
r F id
In-Cl
ip R High-Mid
Treble
+
Fade
+ Made
r Defe in USA
at
+
Sub
+
Low
+
Low
-Mid
High
-Mid
Treb
le PAR-
245

IN
GA
/2
L1 IN
NE GA
AN /4
CH L3 IN
NE GA
AN /6
CH L5
NE
AN
CH

B
12d

K B
-2 12d
Hz
20 B
K
-2 24d
Hz
20 Hz
0 0K 00
X1 z-2 -5
B 0H Hz
12d 20 0 0K 50
X1 z-2
B 0H
K 12d 20
-2 / BP
Hz LP
20 B
K 12d
-2
Hz
20
0 0K K
X1 z-2 -2
0H Hz
20 20
0 0K
X1 z-2 C
0H PS
20 0 0K
X1 z-2
0H
20 INE
MB

RCA Output Bandpass

CO

Pro6800 QBA
SS
1
2

L-
L+

12dB/Octave
QBA R+
R-
SS L-
INP L+
UT R+
S R-
A
L-
L L+
RE
M
R R+
R-
L
R

L
INP
UT
R S
OU B

PC AMP
TP
UT
S

Channel 1 Channel 2
HighPass HighPass
tweeter tweeter

Channel 3 Channel 4
BandPass BandPass
Midrange Midrange

MidBass MidBass

4Ω SUB 4Ω SUB
Channel 5/6 Lowpass
Sub Woofers 24dB/Octave

Four-Way System Layout with MidBass Amp

21
BACK TO CONTENTS
 SYSTEM DIAGRAM
FOUR

Source
eject

VOLUME
BASS

BALANCE
TREBLE
1

5
2

TRACK
3

7
4

PPI
Trk 1
MAR KET ING DPT
PSC-221
LEFT RIGHT FOWARD REVERSE

rol
Cont
e Shift e in
USA
Phas Mad

600
220

o
100

e
as
Ph
-ø

ht
Rig
er

er
w
onPow

Po
Precisi C-221

Hz
7K
-23.3

600
Hz

220
PS

14K

o
Hz

100
5K
-15.7
Hz

e
L

as
7K
9.3

ft Ph
-ø

Le
H
Hz

4
37K
-9.
Hz

L
4K

ost
Q

1.5

Bo
t/
H

Cu
z
5Kh

db
-4.

+12
Hz

L
5K
Pass

1.9
USA

ost
Inp

1.5
e in r

Bo

-12db
H

t/
ut

Cu
we
L By
Mad

Hz
L

25K
ert

4
Po

db
lizer

-1.

+12
Hz

L
L Inv
ion
Pass

940
ic Equa

1.5

ost
cis

Bo

-12db
H
metr

t/
Pre

Cu
R By

z
Para

-1KH

4
ert

db
Hz

+12
L
330
10 Band
R Inv

1.5

ost
H

-12db
Bo
t/
z

Cu
-550H
R

4
in •

Hz
nd te

db
L
160

+12
outNon-inver
Grou Remo wer

1.5

ost
H
• Inver

Bo

-12db
ted

t/
z
60H

Cu
4
ted / Acti

z-2
Po

80H

db
/ ByP ve

+12
Q

1.5
ass

ost
Bo

-12db
z

t/
30H

Cu
4
z-1
40H

db
+12
Q

1.5
H

ost
Bo

-12db
z

t/
0H

Cu
z-7
20H

db
+12
Q

1.5
H

ost
Bo

-12db
t/
4

Cu
L

db
+12
Q
er

1.5
w
er

Po

ost
Bo

-12db
Pow

t/
Cu
ision 10

db
+12
1.5
Prec
PMQ-2

ost
Bo

-12db
t/
Cu

db
+12
EQ

-12db
t
fea
De
PMQ-210 L
Inp

R
ut attenua
-12d
tion
B in ster
eo•
mon out
o•in
R
Outpu
t

nd te
Pre
cisi
onPow
er

To Inputs B
Grou Remo wer
Po
L

To Inputs A

IN
GA
/2
L1 IN
NE GA
AN /4
CH L3 IN
NE GA
AN /6
CH L5
NE
AN
CH

B
12d

K B
-2 12d
Hz
20 B
K
-2 24d
Hz
20 Hz
0 0K 00
X1 z-2 -5
B 0H Hz
12d 20 0 0K 50
X1 z-2
B 0H
K 12d 20
-2 / BP
Hz LP
20 B
K 12d
-2
Hz
20
0 0K K
X1 z-2 -2
0H Hz
20 20
0 0K C
X1 z-2 PS
0H
20 0 0K
X1 z-2
0H
20

RCA Output Lowpass

INE
MB
CO

QBA 1
SS
2

Pro6800 QBA
SS
INP
A
UT
S

L
L-
L+
R+
R-
L-
L+
R+
R-
L-
L+
RE
24dB/Octave
M
R R+
R-
L
R

L
R
INP
OU B
TP
UT

UT
S
PC AMP
S

Channel 1 Channel 2
HighPass HighPass
tweeter tweeter

Channel 3 Channel 4
BandPass BandPass
Midrange Midrange

Channel 5 Channel 6
BandPass BandPass
MidBass MidBass

8Ω SUB 8Ω SUB

Four-Way System Layout using a separate PC amp for Subs

22
BACK TO CONTENTS
 SYSTEM DIAGRAM
FIVE
Source
eject
1 2 3 4

BASS TREBLE
5 6 7 8 Trk 1
BALANCE TRACK PPI MAR KET ING DPT
VOLUME
LEFT RIGHT FOWARD REVERSE

Input

R
L

OutpRear

R
In
pu
ut L

t
Se
nsi
ti
vi
ty
Front
Outp

R
ut L
LED Sele
ct
1 Power
2 Frequenc
3
Precis y Adju

PAR-245
4
PAR- st
Vol
ume
245ionPower Sub
Low
Powe Low-M
r F id
In-Cl
ip R High-Mid
Treble
+
Fade
+ Made
r Defe in USA
at
+
Sub
+
Low
+
Low
-Mid
High
-Mid
Treb
le PAR-
245

Hz
7K
-23.3
Hz
14K

H
Hz
5K
-15.7
Hz

L
7K
9.3

Q
H
Hz

4
37K
-9.
Hz

L
4K

ost
Q

1.5

Bo
t/
H

Cu
z
5Kh

db
-4.

+12
Hz

L
5K
1.9
USA

ost
1.5
e in

Bo

-12db
H

t/
Cu
Mad

Hz
25K

db
lizer

-1.

+12
Hz

L
940
ic Equa

1.5

ost
Bo

-12db
H
metr

t/
Cu
z
Para

-1KH

db
Hz

+12
L
330
10 Band

1.5

ost
H

-12db
Bo
t/
z

Cu
-550H

4
Hz

db
L
160

+12
Q

1.5

ost
H

Bo

-12db
t/
z
60H

Cu
4
z-2
80H

db
+12
Q

1.5
H

ost
Bo

-12db
z

t/
30H

Cu
4
z-1
40H

db
+12
Q

1.5
H

ost
Bo

-12db
z

t/
0H

Cu
z-7
20H

db
+12
Q

1.5
H

ost
Right

Bo

-12db
t/
4

Cu
L

db
+12
Q
er

1.5
w
er

Po

ost
Bo

-12db
Pow

t/
Cu
ision 10

db
+12
1.5
Prec
PMQ-2

ost
Bo

-12db
t/
Cu

db
+12
EQ

-12db
t
fea
De
PMQ-210
er
onPow
cisi
Inp Pre
ut attenua Outpu
tion
-12d ster t
B in eo•
mon out
L o•in
R R
nd te
Grou Remo wer
Po
L

Left
Y-cords
Y-cords

Pro6800 Pro6800

IN
GA
/2 IN
L1 IN GA
NE GA /2
/4
CH
AN
L3 IN L1 IN
GA NE GA
NE
/6 AN /4
CH
AN
L5 CH L3 IN
NE GA
NE AN /6
CH
AN CH L5
NE
AN
CH

B
12d

B
K B 12d
-2 12d
Hz
20 B K B
K -2 12d
-2 24d
Hz
Hz 20
20 Hz K B
0 0K 00 -2 24d
X1 z-2 -5 Hz
B 0H Hz 20 Hz
12d 20 0K 50 0 0K 00
0 X1 z-2 -5
X1 z-2 0H Hz
B 0H B
20 50
K 12d 20 12d
0 0K
-2 / BP X1 z-2
Hz LP B 0H
20 B
K 12d 20
K 12d
-2 / BP
-2 Hz LP
Hz 20 B
20 K 12d
0 0K K -2
X1 z-2 -2 Hz
0H Hz 20
20 20 0 0K K
0 0K C X1 z-2 -2
X1 z-2 PS 0H Hz
0H 20 20
20 0K 0 0K
0 X1 z-2 C
X1 z-2 0H PS
0H 20
20 INE 0 0K
MB X1 z-2
CO 0H
20 INE
MB
CO

QBA 1
SS
2 QBA 1
SS
2
L-
L+
QBA R+ L-
R- L+
SS L- R+
L+ QBA R-
INP R+ SS
UT L-
S R- L+
A INP R+
L- UT
L L+ S R-
RE A
M L-
R R+ L L+
R- RE
M
R R+
L R-
R L
R
L
INP
UT L
R S
OU B INP
TP UT
UT R S
S OU B
TP
UT
S

Left Front Right Front

HighPass HighPass
200W bridged 200W bridged
Channels 1/2 Channels 1/2

Left Rear Right Rear

HighPass HighPass
200W bridged 200W bridged
Channels 3/4 Channels 3/4

4Ω SUB 4Ω SUB 4Ω SUB 4Ω SUB

2Ω 400W bridged Channels 5/6 2Ω 400W bridged Channels 5/6

Two Pro6800 Amps bridged for Left and Right channels

23
BACK TO CONTENTS
 12 dB/octave High Pass

L Dif. mute AMP

20Hz - 2KHz
x10 200Hz - 20KHz

Gain
INPUTS A Adjust CHANNEL 1/2

12 dB/octave High Pass

Dif. mute AMP

R 20Hz - 2KHz
x10 200Hz - 20KHz Inverter

12 dB/octave High Pass 12 dB/octave Low Pass

in
L AMP

INPUT ATTENUATION
Dif. mute
out 20Hz - 2KHz 20Hz - 2KHz
x10 200Hz - 20KHz x10 200Hz - 20KHz

input
combine Gain
INPUTS B Adjust CHANNEL 3/4

in 12 dB/octave High Pass 12 dB/octave Low Pass

Dif. mute AMP

R out 20Hz - 2KHz 20Hz - 2KHz

24
out in out in x10 200Hz - 20KHz x10 200Hz - 20KHz Inverter

PSC SWITCH
Pro6800

out
24 dB/octave Low Pass 12 dB/octave High Pass 12 dB/octave Low Pass

L mute AMP
in 20Hz - 2KHz 20Hz - 2KHz
50Hz - 500Hz x10 200Hz - 20KHz x10 200Hz - 20KHz
BLOCK DIAGRAM

QBASS
PLUS™ Gain
OUTPUTS Adjust CHANNEL 5/6

MUTE
out
12 dB/octave High Pass 12 dB/octave Low Pass
in
mute AMP
R QBASS REMOTE™ 20Hz - 2KHz 20Hz - 2KHz
in
x10 200Hz - 20KHz x10 200Hz - 20KHz
out

out

in
Crossover Inverter

Select Switch

BACK TO CONTENTS
 WA R R A N T Y

Three-Year Limited U.S.A. Warranty

This warranty gives you specific legal rights, and you may also have other rights which vary from
state to state. PrecisionPower warrants its products to be free from defects in materials and
workmanship under normal use and service for a period of three (3) years from the date of
original purchase when the unit is installed by an Authorized Dealer. Non-Authorized Dealer
installed products carry a one (1) year parts and ninety (90) days labor limited warranty. The
extent and conditions of Limited Warranty are as follows:
1. Authorized Dealer Installed Products: PrecisionPower will either repair or replace at no charge,
to the original purchaser, any unit which PrecisionPower’s examination discloses to be defective
and under warranty, provided the defect occurs within three (3) years from the date of original
purchase when the unit is installed by an Authorized Dealer and the product is returned immedi-
ately to PrecisionPower. This warranty is not transferable.
2. Non-Authorized Dealer Installed Products: PrecisionPower will either repair or replace at no
charge, to the original purchaser, any unit which PrecisionPower’s examination discloses to be
defective and under warranty, provided the defect occurs within ninety (90) days from the date of
purchase and the product is returned immediately to PrecisionPower. Warranty claims beyond
ninety (90) days for Non-Authorized Dealer Installed Products will be for parts only and will
extend for one (1) year from the date of purchase. This warranty is not transferable.
3. The date of purchase and proof of Authorized Dealer Installation of a PrecisionPower product
must be established by an original sales receipt which must accompany the article being re-
turned for warranty work.
4. This warranty shall NOT apply to any PrecisionPower product found to have the original fac-
tory serial number removed or defaced. All products received (by PrecisionPower) for in war-
ranty or out of warranty repair, with their original serial numbers removed or defaced, will NOT be
repaired and will be returned to sender, freight collect. Refer to original packaging for the serial
number of your component speakers.
5. The provisions of this warranty shall not apply to any PrecisionPower product used for a
purpose for which it is not designed, which has been repaired or altered in any way, or which has
been connected, installed, or adjusted other than in accordance with the instructions furnished in
PrecisionPower’s owner’s manual. Nor shall this warranty apply to any part which has been
subject to misuse, neglect, or accident.
6. PrecisionPower does not authorize any other persons to assume any other liability in connec-
tion with its products. THIS WARRANTY IS THE ONLY EXPRESS WARRANTY MADE BY
PRECISIONPOWER APPLICABLE TO ITS PRODUCTS. ANY IMPLIED WARRANTY OR MER-
CHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE APPLICABLE TO
PRECISIONPOWER PRODUCTS IS LIMITED IN DURATION TO THE DURATION OF THIS
LIMITED WARRANTY. PRECISIONPOWER SHALL NOT BE LIABLE FOR THE INCIDENTAL,
CONSEQUENTIAL, OR COMMERCIAL DAMAGES RESULTING FROM THE BREACH OF THIS
WRITTEN WARRANTY. Some states or provinces do not allow the exclusion or limitation of
incidental or consequential damages or limitations on how long an implied warranty lasts; so the
above limitations or exclusions may not apply to you.
7. Your product will be serviced on an in-warranty basis within the warranty period for the correc-
tion of warranted defects. If improper operation of your PrecisionPower product should occur,
contact your Authorized Dealer for assistance with the return and factory repair of your
PrecisionPower
product. If an Authorized Dealer is not available, return the unit including your name, telephone
number, return address, a copy of your sales receipt, and a description of the problem to:
PrecisionPower,Inc.
Service Department
4829 S. 38th Street
Phoenix, AZ 85040-2964
TO RETURN PRECISIONPOWER PRODUCTS OUT OF WARRANTY: Return the unit, postage
prepaid, in the original protective carton. Please include a description of the problem and, if
desired, a request for an estimate of repair costs. Unless a request for an estimate is included,
the unit will be repaired as necessary. Please contact PrecisionPower Customer Service at 1-
800-62-POWER for questions concerning out of warranty repair charges. Repaired unit will be
returned with an itemized statement, C.O.D.
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