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The second interactive oral on The Stranger gave great insight on how the death
penalty, despite how controversial it is in the status quo, wasnt always so. The fact that
Specifically in France during the French Revolution, capital punishment was a common
method of punishment for crimes, starting with the creation of the guillotine as a quick
method of execution. This is culturally significant because the paper is set in Algiers, a
city that was a territory occupied by the French; Meursaults death penalty then could be
justified from French cultural influence on the criminal justice system. Even though the
death penalty is a highly controversial ethical issue today, the presentation made the
important point that execution itself was an importance way to show societal catharsis in
the sense that the only way that a murderer can be atoned is if they re taken out of society
Camus struggles with the death penalty gave us a good understanding of how his
beliefs influenced The Stranger. Camus moral dilemma consisted of the arbitrariness of
the death penalty, represented when Meursault deals with the consequences of murder not
on a factual basis but rather on a societal basis, where he was punished more for
nonconformity rather than murder. This reinforces the notion that death penalty is more
further seen in the book where the Arab is not even given a real name, which minimizes
the impact that his death has on the reader. What was truly important was how Meursault
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In the status quo, most people view the death penalty with a great degree of
distaste. Many people are just confortable with prison systems for most individuals.
opinion that the death penalty may not be a needed evil, and only exists because we as a
society feed off of the apparent satisfaction that it gives us. Furthermore, society enjoys
the security that the death penalty provides in the sense that any problem can be
[Words: 392]
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To what extent does Meursaults discourse portray absurdity in Albert Camus The
Stranger?
French philosopher and author Albert Camus The Stranger provides a valuable
articulation of the absurd search for meaning that humans fundamentally have. In this
novel, Camus develops a unique, clear, and deliberate dialogue dealing with the
awkwardness of the position his main character Meursault is in. Meursaults apparent
nihilism through his discourse represents the clear absurdity in doing anything as a
method of producing meaning. Camus therefore proposes that there is no active solution
to resolve the quest for meaning. Unlike existentialists such as Kierkegaard and Sartre,
Camus proposed that self-determination and free will are a facade meant to hide the
reveals that the entire history of mankind has been proceeding toward some Hegelian
concept of meaning, but the fact that there will never be an end means the means of
The Stranger through Meursaults erratic dialogue and absurd confrontations with the
irrational universe.
manifests in the portrayal of the absurdity of Meursaults condition. In part one of the
book, Meursault explains to an officer, Im not drunk officer. Its just that Im here, and
youre there, and Im shaking. I cant help it (Camus 37). A distinct factor in the
consideration of the plight of the human is the utter lack of freedom. This lack of
freedom means that some sort of structure that they must operate under institutionalizes
peoples; the problem that then arises is that there is no meaning to living such a life,
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Meursault articulates that he cannot help his shaking, it serves as a larger metaphor for
humanity; this could be described through the city of Algiers, where the working class
like Meursault was stuck in the cyclic structure of work and home life an example of a
structure that all people are tied to. Camus further analogizes the misrepresentation of
existence as a state of being drunk. This serves to highlight the intoxicative effect of
deriving meaning for most humans where you feel satisfied, but that satisfaction can
never satiate a deeper search for existential purpose. When talking to the examining
magistrate, Meursault explains, that was his belief, and if he were to ever doubt it, his
(Camus 69). In this context, the magistrate derives his meaning from his work - in a
situation where his work is not needed or not useful, he feels a lack of meaning. At large,
Camus paints the condition of the magistrate as the condition most of humanity is
constantly dislocating into, where work is the qualification for having a purposeful
existence. The bifurcation between rationality and irrationality therefore would represent
the same significance as the actions of accepting the absurdities of life versus hopelessly
offers a solution to the absurdity presented in Meursaults life. The solution that Camus
represents through Meursault was an acceptance of the absurd universe and embrace of
the certainty in life, which is only offered in the present. Meursault's catharsis becomes
apparent when he states, I opened myself up to the gentle indifference of the world.
Finding it so much like myself - so like a brother, really - I felt that I had been happy and
that I was happy again (Camus 123). The act of being comfortable in an apathetic
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universe is a solution in the sense of refusing to recognize the troubles of society, but it
absurdity selfishly refuses to delve into the realm of attempting to solve actual issues.
Camus argument comes into to play in the sense that absurdism is inevitable and that a
oppression. The important historical context to Camus claim is the setting of the novel.
During the time of the novel, Algiers, which is the capital of Algeria, was under French
occupation. This colonialist stigma did two things: first, it stigmatized Arabians as we
saw with the general disregard of the life of the Arab, and second, it created an
This cultural understanding then explains Camus quittance from attempting to challenge
Meursault states, one never changed his way of life; one life was as good as another, and
my present me suited me quite well (Camus 28). This paints a failure of Camus method
in the sense that pretending to be content just reinforces the oppressors motives to
oppress; it leaves intact the hierarchies of power that subsume any revolutionary
important aspect is the literary candidness with which Camus writes the concrete claims
From the literary candidness mentioned above it is clear that Meursault realizes
the one concrete thing apart from our absurd existence is the physical world. Camus
description of the physical world draws a stark distinction as compared to the description
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of anything else it is the only thing that Camus considers absolutely real. Furthermore,
the physical worlds indifference develops the absurdity of life as human rationality
means nothing in the fire of the universes inherent randomness. This is seen when
Meursault states, They all shook my hand - as if that night . . . had somehow brought us
closer (Camus 12). Meursault calculating dialogue is gauging the unreasonable side of
human beings by showing that reason in itself is incapable of explaining human nature. In
instances such as social relationships humans are sometimes motivated by reasons other
than purpose. This then explains the conditions of people like workers who are bound to
wages that are akin to purpose. Generally, the position of a human becomes marginalized
when put under absurd conditions - and these conditions are not always a product of
simply existing but rather societal oppressions and frameworks. This was all
substantiated when Meursault stated, I had no soul, there was nothing human about me,
not one of those normal qualities which normal men possess (Camus 63). Meursaults
people like Meursault are socially seen as abnormal because they dont conform to
some sort of standard; in comparison, normal men, who do conform, are socially seen
device in order to convey the dialogue of Meursault from a absurd and deliberate
among a very irrational world. Camus techniques hint at the development of the
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human beings are reduced to bodies that should only contain meaning meaning that is
not to be found, but rather created in order to satiate a more temporary thirst. The
articulations above explain why Meursault cannot fundamentally change how the world
works, but he can change how he relates to it. Under Camus methodology, Meursault
embraces acknowledgment of the absurdity of existence, and continues to live under that
Camus wanted to think, Meursault represented the solution to such an absurd reality and
existence. Many themes paint the image that simply existing cannot produce real change,
[Words: 1,349]
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Works Cited
Camus, Albert. The Stranger. Trans. Chris Van Allsburg. Boston: Houghton Mifflin,
1986. Print.