Clavinova clp100

ENGLISH
CLP-370/340/330
CLP-S308/S306
DEUTSCH
OWNERS MANUAL
BEDIENUNGSANLEITUNG
MODE DEMPLOI
FRANAIS
MANUAL DE INSTRUCCIONES
IMPORTANT WICHTIG IMPORTANT IMPORTANTE
Check your power supply berprfen Sie Ihren Contrler la source Verifique la alimentacin de
Netzanschluss d'alimentation corriente
Make sure that your local AC
mains voltage matches the Vergewissern Sie sich, dass die Vrifiez que la tension spcifie Asegrese de que tensin de
voltage specified on the name Spannung in Ihrem rtlichen sur le panneau infrieur alimentacin de CA de su rea
plate on the bottom panel. In Stromnetz mit der Spannung correspond la tension du corresponde con la tensin
some areas a voltage selector bereinstimmt, die auf dem secteur. Dans certaines rgions, especificada en la placa de
may be provided on the bottom Typenschild auf der Unterseite l'instrument peut tre quip d'un caractersticas del panel inferior.
ESPAOL
panel of the main keyboard unit des Instruments angegeben ist. In slecteur de tension situ sur le En algunas zonas puede haberse
near the power cord. Make sure bestimmten Regionen ist auf der panneau infrieur du clavier incorporado un selector de
that the voltage selector is set for Unterseite des Keyboards in der proximit du cordon tensin en el panel inferior de la
the voltage in your area. The Nhe des Netzkabels ein d'alimentation. unidad del teclado principal,
voltage selector is set at 240V Spannungswhler angebracht. cerca del cable de alimentacin.
Vrifiez que ce slecteur est bien
when the unit is initially shipped. Vergewissern Sie sich, dass der Asegrese de que el selector de
rgl en fonction de la tension
To change the setting use a Spannungswhler auf die tensin est ajustado a la tensin
secteur de votre rgion. Le
"minus" screwdriver to rotate the Spannung Ihres lokalen de su rea. El selector de tensin
slecteur de tension est rgl sur
selector dial so that the correct Stromnetzes eingestellt ist. Dieser se ajusta a 240V cuando la
240 V au dpart d'usine. Pour
voltage appears next to the Spannungswhler ist bei unidad sale de fbrica. Para
modifier ce rglage, utilisez un
pointer on the panel. Auslieferung auf 240 V cambiar el ajuste, emplee un
tournevis lame plate pour
eingestellt. Sie knnen die destornillador de cabeza "recta"
tourner le slecteur afin de mettre
Einstellung mit einem para girar el selector de modo
l'indication correspondant la
For information on assembling Schlitzschraubenzieher ndern. que aparezca la tensin correcta
tension de votre rgion vis vis
the keyboard stand, refer to the Drehen Sie dazu den al lado del indicador del panel.
du repre triangulaire situ sur le
instructions at the end of this Whlschalter, bis der Pfeil auf
panneau.
manual. dem Instrument auf die richtige
Spannung zeigt. Para informacin sobre el
montaje del soporte del teclado,
Pour obtenir des informations sur
consulte las instrucciones al final
l'assemblage du support du
Weitere Informationen ber die de este manual.
clavier, reportez-vous aux
Montage des Keyboard-Stnders EN
instructions la fin de ce manuel.
erhalten Sie in den Anweisungen
am Ende dieses Handbuchs. DE
FR
ES
Introduction
SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic Battery Notice: This product MAY contain a small non-
products may have either labels similar to the graphics rechargable battery which (if applicable) is soldered in
shown below or molded/stamped facsimiles of these place. The average life span of this type of battery is
graphics on the enclosure. The explanation of these approximately five years. When replacement becomes
graphics appears on this page. Please observe all cautions necessary, contact a qualified service representative to
indicated on this page and those indicated in the safety perform the replacement.
instruction section.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
CAUTION from children. Dispose of used batteries promptly and as
RISK OF ELECTRIC SHOCK regulated by applicable laws. Note: In some areas, the
DO NOT OPEN
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. dispose of these parts for you.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE. Disposal Notice: Should this product become damaged
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
beyond repair, or for some reason its useful life is consid-
ered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
See bottom of Keyboard enclosure for graphic symbol markings.
that contain lead, batteries, plastics, etc.
The exclamation point within the
NOTICE: Service charges incurred due to lack of knowl-
equilateral triangle is intended to alert
edge relating to how a function or effect works (when the
the user to the presence of important
unit is operating as designed) are not covered by the man-
operating and maintenance (servic-
ufacturers warranty, and are therefore the owners respon-
ing) instructions in the literature
sibility. Please study this manual carefully and consult
accompanying the product.
your dealer before requesting service.
The lightning flash with arrowhead
NAME PLATE LOCATION: The graphic below indi-
symbol, within the equilateral trian-
cates the location of the name plate. The model number,
gle, is intended to alert the user to the
serial number, power requirements, etc., are located on
presence of uninsulated dangerous
this plate. You should record the model number, serial
voltage within the products enclo-
number, and the date of purchase in the spaces provided
sure that may be of sufficient magni-
below and retain this manual as a permanent record of
tude to constitute a risk of electrical
your purchase.
shock.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product perfor-
mance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may CLP-370/340/330, CLP-S308/S306
also be affected.
Model
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves Serial No.
the right to change or modify any of the specifications
without notice or obligation to update existing units. Purchase Date
ENVIRONMENTAL ISSUES: Yamaha strives to pro-
duce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
92-469 1 (bottom)
Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can
fully take advantage of the advanced and convenient functions of the Clavinova.
We also recommend that you keep this manual in a safe and handy place for future reference.
About this Owners Manual and Data List

The documentation and reference materials for this instrument consist of the following:
Owners Manual (this book)

Introduction (page 2):
Please read this section first.
Reference (page 16):
ENGLISH
This section explains how to make detailed settings for the Clavinovas various functions.
Appendix (page 98):
This section introduces reference material.
Data List
You can download various MIDI-related reference materials, such as the MIDI Data Format and MIDI Implementation
Chart, from the Yamaha Manual Library.
Connect to the Internet, visit the following website, type the model name of your instrument (such as CLP-370) in the
Model Name text box, then click the Search button.
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
* The models CLP-370/340/330, CLP-S308/S306 will be referred to as the CLP/Clavinova in this owners manual.
* The illustrations and LED displays shown in this owners manual are for instructional purposes only and may appear somewhat dif-
ferent from those on your instrument.
* The panel illustrations shown in this owners manual are taken from the CLP-370.
* Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited
except for your personal use.
(CLP-370/340, CLP-S308/S306) AVE-TCP, a TCP/IP protocol stack by ACCESS Co., Ltd., is installed in this product.
Copyright 1997-2008 ACCESS CO., LTD.
(CLP-370/340, CLP-S308/S306) AVE-SSL, an encryption module technology by ACCESS Co., Ltd., is installed in this
product.
Copyright 1997-2008 ACCESS CO., LTD.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has
license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE
data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted
under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
Trademarks:
Windows is a registered trademark of Microsoft Corporation in the United States and other countries.
SmartMedia is a trademark of Toshiba Corporation.
All other trademarks are the property of their respective holders.
CLP-370/340/330, CLP-S308/S306 Owners Manual 3

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord Water warning

Only use the voltage specified as correct for the instrument. The required Do not expose the instrument to rain, use it near water or in damp or wet
voltage is printed on the name plate of the instrument. conditions, or place containers on it containing liquids which might spill into
ENGLISH
Check the electric plug periodically and remove any dirt or dust which may have any openings. If any liquid such as water seeps into the instrument, turn off the
accumulated on it. power immediately and unplug the power cord from the AC outlet. Then have
the instrument inspected by qualified Yamaha service personnel.
Use only the supplied power cord/plug.
Never insert or remove an electric plug with wet hands.
Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on
it, or place it in a position where anyone could walk on, trip over, or roll anything Fire warning
over it. Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
Do not open
Do not open the instrument or attempt to disassemble the internal parts or If you notice any abnormality
modify them in any way. The instrument contains no user-serviceable parts. If it If the power cord or plug becomes frayed or damaged, or if there is a sudden
should appear to be malfunctioning, discontinue use immediately and have it loss of sound during use of the instrument, or if any unusual smells or smoke
inspected by qualified Yamaha service personnel. should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord Location

When removing the electric plug from the instrument or an outlet, always hold Do not expose the instrument to excessive dust or vibrations, or extreme cold or
the plug itself and not the cord. Pulling by the cord can damage it. heat (such as in direct sunlight, near a heater, or in a car during the day) to
Remove the electric plug from the outlet when the instrument is not to be used prevent the possibility of panel disfiguration or damage to the internal
for extended periods of time, or during electrical storms. components.
Do not connect the instrument to an electrical outlet using a multiple-connector. Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
Doing so can result in lower sound quality, or possibly cause overheating in the mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
outlet. may generate noise.
Do not place the instrument in an unstable position where it might accidentally
fall over.
Assembly
Before moving the instrument, remove all connected cables.
Read carefully the attached documentation explaining the assembly process.
Failure to assemble the instrument in the proper sequence might result in When setting up the product, make sure that the AC outlet you are using is
damage to the instrument or even injury. easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
Do not place the instrument against a wall (allow at least 3 cm/one-inch from
the wall), since this can cause inadequate air circulation, and possibly result in
the instrument overheating.
(1)B-12 1/2
4 CLP-370/340/330, CLP-S308/S306 Owners Manual

Do not rest your weight on, or place heavy objects on the instrument, and do not
Connections use excessive force on the buttons, switches or connectors.
Before connecting the instrument to other electronic components, turn off the Do not use the instrument/device or headphones for a long period of time at a
power for all components. Before turning the power on or off for all high or uncomfortable volume level, since this can cause permanent hearing
components, set all volume levels to minimum. Also, be sure to set the volumes loss. If you experience any hearing loss or ringing in the ears, consult a
of all components at their minimum levels and gradually raise the volume physician.
controls while playing the instrument to set the desired listening level.
Using the bench (If included)
Maintenance Do not place the bench in an unstable position where it might accidentally fall
over.
(For polish-finished model) Gently remove dust and dirt with a soft cloth. Do
not wipe too hard since small particles of dirt can scratch the instruments Do not play carelessly with or stand on the bench. Using it as a tool or step-
finish. ladder or for any other purpose might result in accident or injury.
When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use Only one person should sit on the bench at a time, in order to prevent the
paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping possibility of accident or injury.
cloths. Do not attempt to adjust the bench height while sitting on the bench, since this
can cause excessive force to be imposed on the adjustment mechanism,
possibly resulting in damage to the mechanism or even injury.
Handling caution
ENGLISH
If the bench screws become loose due to extensive long-term use, tighten them
Take care that the key cover does not pinch your fingers, and do not insert a periodically using the included tool.
finger or hand in any gaps on the key cover or instrument.
Never insert or drop paper, metallic, or other objects into the gaps on the key
cover, panel or keyboard. If this happens, turn off the power immediately and
Saving data
unplug the power cord from the AC outlet. Then have the instrument inspected Saving and backing up your data
by qualified Yamaha service personnel. Data in the instruments internal memory can be lost due to operational errors or
Do not place vinyl, plastic or rubber objects on the instrument, since this might malfunction. Be sure to save any important data to external media via a
discolor the panel or keyboard. computer connected to the instrument. (page 78)
(For polish-finished model) Bumping the surface of the instrument with metal, Backing up the USB Storage device
porcelain, or other hard objects can cause the finish to crack or peel. Use
To protect against data loss through media damage, we recommend that you
caution.
save your important data onto two USB storage devices.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power is turned off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you
unplug the power cord from the wall AC outlet.
(1)B-12 2/2

Accessories
50 greats for the Piano (Music Book)
Owners Manual
This manual contains complete instructions for operating your Clavinova.
Accessory CD-ROM for Windows
Accessory CD-ROM for Windows Installation Guide
Bench
A bench may be included or optional, depending on your locale.
My Yamaha Product User Registration
The PRODUCT ID on the sheet will be needed when you fill out the User Registration form.
Tuning
ENGLISH
Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.
Transporting
If you move to another location, you can transport the Clavinova along with your other belongings. You can move the unit as
it is (assembled) or you can disassemble the unit.
Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument
to excessive vibration or shock.
CAUTION
(CLP-S308/S306) Cover the entire keyboard with the protective sheet (page 87) packaged with the instrument before closing
the key cover. The sheet will protect the keyboard from being scratched when the instrument is transported.

Features
Highly evolved touch and expression: Graded Hammer 3 (GH3) keyboard (CLP-330)
and Graded Hammer 3 (GH3) keyboard with artificial ivory top (CLP-340, CLP-S306)
The Graded Hammer keyboard features natural grand-piano type key weights (heavier in the low range and lighter in
the higher range) providing a pleasant playability that is unmatched by conventional electronic pianos.
The Graded Hammer keyboard also offers superb playability for legato (without pedal operation) and repetitive-
striking techniques, as with a grand piano. The CLP-340 and CLP-S306 feature an artificial ivory keyboard top,
which simulates the moderate hygroscopic characteristics of real ivory and offers a less slippery surface, smooth key
movement, and a warm and inviting color.
ENGLISH
Ultimate natural playability: Natural Wood (NW) keyboard with artificial ivory top
(CLP-370, CLP-S308)
In addition to the features offered by the GH3 keyboard with artificial ivory top model, the NW keyboard uses natural
wood for the inside of the white keys, as seen on an acoustic piano. This feature provides a heavier weighted touch
that surpasses that of conventional electronic pianos and is closer in feel to a grand piano.
Digital recording of a full-size concert grand piano sound (via AMW Dynamics
Stereo Sampling)
This digital piano offers a rich and versatile range of sounds, which are created using Yamaha's proprietary sampling
tone-generation system, AWM Dynamic Stereo Sampling.
AWM (Advanced Wave Memory) is a sampling system that creates sounds close to those of an acoustic instrument by
digitally recording the sounds of an instrument and applying high-quality digital filtering technology to the recorded
audio samples.
The sound waveform created by an acoustic piano differs depending on the player's strength of touch, from
pianissimo to fortissimo.
AWM Dynamic Stereo Sampling can create extremely dynamic nuances by recording samples at various playing
strengths. The greater the number of samples used, the greater the resulting expressiveness of the instrument.
The piano voice Grand Piano 1 features a totally new sample recorded from a full-size concert grand piano. Each
note in the sample has been adjusted meticulously so that the digital piano will play only the very best piano sounds.
The piano voices are well-separated sounds featuring a fast attack and a satisfying response.
The Grand Piano 1 voice features multiple wave samples for different velocities (Dynamic Sampling). That is,
different samples are used depending on how fast or strong the player strikes the keys. Therefore, this voice
expresses detailed dynamics and sounds much closer to those of a true acoustic piano.
The CLP-370/340 creates a rich, luxurious sound using Sustain Sampling, which is a sample of the soundboard
and the resonance of the strings when the damper pedal is pressed. The instrument also features Key-off Sampling,
which is a sample of the very delicate noises that are caused when keys are released.
Internet Direct Connection function (CLP-370/340, CLP-S308/S306)

You can connect these digital piano models to the Internet, enabling you to access and enjoy a broad range of song
data files that are available on a dedicated website.

Table of Contents
Introduction
About this Owners Manual and Data List.............................................................................. 3
Accessories............................................................................................................................... 6
Panel Controls and Terminals ............................................................................................... 10
Before Using the Clavinova................................................................................................... 12
Key Cover ..................................................................................................................................................... 12
Music Rest .................................................................................................................................................... 13
Music Braces (CLP-370/340) ...................................................................................................................... 14
ENGLISH
Turning the Power On ................................................................................................................................ 14

Setting the Volume ...................................................................................................................................... 15
Using Headphones....................................................................................................................................... 15
Using the Speaker Switch ............................................................................................................................ 15
Listening to the Demonstration Tunes ................................................................................. 16
Reference
Listening to 50 Piano Preset Songs ...................................................................................... 17
Practicing a One-Hand Part Using the 50 Preset Songs (Part Cancel Function) .................................... 18
A-B Repeat for 50 Preset Songs................................................................................................................... 19
Selecting & Playing Voices .................................................................................................... 20
Selecting Voices............................................................................................................................................ 20
Using the Pedals........................................................................................................................................... 21
Adding Variations to the Sound [VARIATION] (CLP-370/340)/[BRILLIANCE]/[REVERB]/
[EFFECT]/[DAMPER RES.] ....................................................................................................................... 22
Touch Sensitivity [TOUCH].................................................................................................................. 24
Transposition [TRANSPOSE] ............................................................................................................... 25
Combining Two Voices (Dual mode) ........................................................................................................ 26
Splitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-370/340) ............ 27
Using the Metronome ................................................................................................................................. 29
Recording Your Performance................................................................................................ 30
Recording a performance quickly............................................................................................................... 30
Playing back a recorded song ...................................................................................................................... 32
Re-recording a previously recorded song................................................................................................... 32
Recording to RIGHT/LEFT parts ............................................................................................................... 33
Changing the Initial Settings (Data recorded at the beginning of a song) ............................................... 35
Handling Songs with a USB Storage Device......................................................................... 36
About Save and Load................................................................................................................................... 36
Saving a Song ............................................................................................................................................... 37
Loading a Song............................................................................................................................................. 38
Deleting Song Files ...................................................................................................................................... 39
Formatting the USB Storage Device ........................................................................................................... 40
Handling the USB Storage Device (USB Flash Memory/Floppy Disk, etc.) ............................................ 41
Handling the Floppy Disk Drive (FDD) and Floppy Disks....................................................................... 42
Playing Back Songs................................................................................................................ 43
Playing Back User/External Songs on the Instrument............................................................................... 44
Playing Back User Songs from a USB Storage Device ............................................................................... 45
Useful Playback Functions .......................................................................................................................... 45

Internet Direct Connection (CLP-370/340, CLP-S308/S306) ............................................... 46
Setting up the Instrument for Internet Connection .................................................................................. 46
Connecting the Instrument to the Internet................................................................................................ 48
About the Internet Settings ......................................................................................................................... 49
Checking the field strength (when using a USB wireless LAN adaptor) .................................................. 51
Exporting the Connection Information ..................................................................................................... 52
Other Internet Operations .......................................................................................................................... 53
Listening to the Songs on Internet (CLP-370/340, CLP-S308/S306) ................................... 56
Glossary of Internet Terms.......................................................................................................................... 57
Initializing the data...................................................................................................................................... 58
Detailed Settings [FUNCTION] ......................................................................................... 59
Basic Procedure in Function Mode ............................................................................................................ 60
About Each Function................................................................................................................................... 62
ENGLISH
F1. Fine Tuning of the Pitch.................................................................................................................. 62
F2. Selecting a Scale ............................................................................................................................... 63
F3. Dual Mode Functions...................................................................................................................... 64
F4. (CLP-370/340) Split Mode Functions ............................................................................................ 65
F5. (CLP-370/340) / F4. (CLP-S308/S306, CLP-330) Other Functions .............................................. 66
F6. (CLP-370/340) / F5. (CLP-S308/S306, CLP-330) Metronome Volume ....................................... 67
F7. (CLP-370/340) / F6. (CLP-S308/S306, CLP-330) MIDI Functions .............................................. 67
F8. (CLP-370/340) / F7. (CLP-S308/S306, CLP-330) Backup Functions............................................ 70
F8.5 (CLP-370/340)/ F7.5 (CLP-S308/S306, CLP-330) Character Code ............................................ 70
F9. (CLP-370/340)/ F8. (CLP-S308/S306) LAN Settings ..................................................................... 70
Connections........................................................................................................................... 71
Connectors ................................................................................................................................................... 71
Connection to a USB storage device........................................................................................................... 73
Connecting a Personal Computer .............................................................................................................. 75
Transmitting Song Data between the Computer and the Instrument ................................ 76
Loading Song Data from a Computer to the Instrument.......................................................................... 76
Transmitting Song Data from the Instrument to a Computer ................................................................. 77
Data Backup........................................................................................................................... 78
Message List .......................................................................................................................... 79
Troubleshooting .................................................................................................................... 80
Options .................................................................................................................................. 80
CLP-370: Keyboard Stand Assembly ..................................................................................... 81
CLP-340/330: Keyboard Stand Assembly ............................................................................. 84
CLP-S308/S306: Keyboard Stand Assembly.......................................................................... 87
Installing the Optional Floppy Disk Drive (CLP-370/340) .................................................... 91
Preset Voice List .................................................................................................................... 92
Demo Song List ..................................................................................................................... 95
Index...................................................................................................................................... 96
Appendix
Factory Setting List................................................................................................................ 98
Specifications....................................................................................................................... 100

Panel Controls and Terminals

The panel illustrations shown are taken from the CLP-370.
2 3 4 5 6 !
7 8 9 ) @
*
ENGLISH
# $ % ^ &
(
1
SELECT
USB TO DEVICE
CLP-370/340 only
This illustration shown is taken from the

CLP-370.
OFF
ON
NORMAL
HP. SW
SPEAKER

PHONES
Front Pedal jack for CLP-340/330 is next

to the MIDI jacks.
Pedal jack for CLP-S308/S306 is
next to the LAN Jack.
CLP-370/340/330

Shows the jacks as seen when viewed
from below the instrument.
THRU
L/L+R

AUX IN

MIDI
OUT
R
L/L+R
IN
AUX OUT
TO HOST
TO DEVICE
USB
( CLP-S308/S306
CLP-370/
CLP-370/
340 only
340 only
Front Left Right
Shows the jacks as seen when viewed from below the

instrument.

1 [POWER] switch .............................page 14 ^ [BRILLIANCE], [REVERB], [EFFECT]

2 [MASTER VOLUME] slider..............page 15 buttons .......................................... page 22
For adjusting the brightness of the sound and adding
Adjust the volume level using this slider.
reverb effects to the sound.
3 [DEMO] button ..............................page 16
Demonstration playback is available for each voice. & [TOUCH] button ............................ page 24
For adjusting the touch response.
4 [TRANSPOSE] button.....................page 25
You can shift the pitch of the entire keyboard up or * [DAMPER RES.] button ................. page 23
For turning the Damper Resonance function on or
down so that the pitch will match that of another
off. When DAMPER RES. is on, the Clavinova simu-
instrument or singer, while you play the same,
lates the sustain sound that occurs when you press
unshifted keys.
the damper pedal of a grand piano, as you press the
5 [REC] button .................................page 30 damper pedal and play the keyboard.
For recording your keyboard performance.
( USB [TO DEVICE] terminals ........... page 72
6 [RIGHT], [LEFT] buttons
ENGLISH
For connecting the instrument to a USB storage
............................................... pages 18, 33 device, allowing saving/loading of data to and from
For turning the left- and right-hand parts on or off as
the connected device. On the CLP-370 and CLP-340,
required so you can practice the corresponding part
there are two TO DEVICE terminals, A and B, which
(the part that is turned off) on the keyboard.
can be specified using the [SELECT] switch.
7 [PLAY/PAUSE], [STOP] buttons
............................................... pages 16, 44 AUX OUT [L/ L+R][R] jacks ............ page 71
For playing back the preset songs or your recorded For outputting the sound of the Clavinova to an
songs, etc. You can also play back songs from the external audio system.
Internet over a special website. AUX IN [L/L+R] [R] jacks ............... page 72
For connecting an external tone generator, allowing
8 [SONG SELECT] button ......... pages 17, 56
For selecting a song to play back or edit. you to play the sound of that device via the Clavi-
novas internal sound system and speakers.
9 [FILE] button ......................... pages 36, 40
For saving songs to and loading songs from a USB USB [TO HOST] terminal .............. page 72
storage device, as well as managing song files. Also, For connecting the instrument to your computer,
lets you format a USB storage device. allowing you to transfer MIDI data between the
Clavinova and the computer.
) [TEMPO/FUNCTION] button
............................................... pages 29, 60 MIDI [IN] [OUT] [THRU] terminals
For changing the song tempo (speed) and selecting ....................................................... page 72
other useful functions (pages 59 70). For connecting external MIDI devices, allowing the
use of various MIDI functions.
! [METRONOME] button
............................................... pages 29, 67 [PHONES] jacks, [SPEAKER] switch
For using the metronome. ....................................................... page 15
For connecting a set of standard stereo headphones,
@ Display............................................page 14 allowing private practice. The [SPEAKER] switch
CAUTION turns the internal speakers on or off.
Do not turn off the power to the instrument while
PEDALS........................................... page 21
flashing dashes appear in the display (indicating the
For producing a range of expressive effects similar to
operation is in process). Doing so may damage the
data. those produced by the pedals on an acoustic piano.
The left pedal can also be assigned to a variety of
# [/NO], [+/YES] buttons functions.
For setting values or performing file operations.
Pressing both buttons simultaneously for certain [LAN] jack (CLP-370/340, CLP-S308/S306)
value settings (Transpose, Tempo, etc.) restores the ....................................................... page 72
For connecting a LAN cable to access special Internet
default value.
websites for this instrument, and playing songs from
$ Voice group buttons ......................page 20 the Internet.
For selecting voices from 14 internal sounds includ-
ing Grand Piano 1 and 2. You can also combine two [PEDAL] jack .................................. page 83
For connecting a pedal cable.
voices and use them together. (Only the CLP-370 and
CLP-340 has the [VARIATION] button.)
% [SPLIT] button (CLP-370/340) .......page 27
For playing different voices on the left- and right-
hand sections of the keyboard.

Before Using the Clavinova

Key Cover
CLP-370/340/330
To open the key cover:
Lift the cover slightly, then push and slide it open.
To close the key cover:

Slide the cover toward you and gently lower the cover over
the keys. Be careful to avoid catching your
fingers when opening or closing the
ENGLISH
cover.
CLP-S308/S306
To open the key cover: To close the key cover:
1. Hold the front edge of the key cover top with both 1. If the music rest is unfolded, fold it back.
hands, then open the key cover slowly.
CAUTION
Be careful not to pinch your fingers (or those of children) 2. Unfold the edge of the key cover.
when opening or closing it.
3. Hold the key cover with both hands and close it
2. Close the edge of the key cover. (Fold it down so that it slowly.
is flat with the cover.)
CAUTION
Be careful not to pinch your fingers (or those of children)
when opening or closing it.

CAUTION
Be careful not to pinch your fingers or the fingers of child when opening or closing it.
CAUTION
Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover
may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric
shock, short circuit, fire or other serious damage to the instrument.
CAUTION
Disconnect the optional USB storage device connected to the USB [TO DEVICE] A terminal before closing the key
cover. Closing the cover with the device still connected may damage the device.
CAUTION
(CLP-S308/S306) When transporting the instrument, cover the entire keyboard with the protective sheet (page 87)
ENGLISH
before closing the key cover. The sheet will protect the keyboard from being scratched.
Music Rest
CLP-370/340/330
To raise the music rest:
1. Pull the music rest up and toward yourself as far as it will go.
2. Flip down the two metal supports at the left and right on the rear
of the music rest.
3. Lower the music rest so that it rests on the metal supports.
To lower the music rest:

1. Pull the music rest toward yourself as far as it will go.
2. Raise the two metal supports (at the rear of the music rest).
3. Gently lower the music rest backward until it is all the way down.
CAUTION
Do not try to use the music rest in a half-raised position. When low-
ering the music rest, do not release your hands from the music rest
until it is all the way down.
CLP-S308/S306
Unfold the music rest
When opening the key cover, unfold the music rest.
Fold the music rest

When closing the key cover, fold the music rest.

Music Braces (CLP-370/340)

These braces are for holding the pages of music books in place.
To open To close
Turning the Power On

1.Connect the power cord.
ENGLISH
Insert the plugs at the ends of the cord, one into the AC IN on the Clavinova, and the other into a standard AC outlet.
In some areas, a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.
1-1 CLP-370/340/330 1-2
Shows the AC IN as (The shape of plug differs
seen when viewed from depending on locale.)
(bottom surface) below the instrument.
CLP-S308/S306
AC IN is located on the
rear of the instrument.
WARNING
Make sure your instrument is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on
the name plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main
keyboard unit near the AC IN. Make sure that the voltage selector is set for the voltage in your area. Connecting the unit to
the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard!
Use only the AC power cord supplied with the Clavinova. If the supplied cord is lost or damaged and needs to be replaced,
contact your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard!
The type of AC power cord provided with the Clavinova may be different depending on the countr y in which it is purchased.
(In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.) Do NOT
modify the plug provided with the Clavinova. If the plug will not fit the outlet, have a proper outlet installed by a qualified
electrician.
2.Turn the power on.

Press the [POWER] switch.
The display located in the center of the front panel and the power indicator located below the left end of the keyboard lights up.
[POWER] switch
Power indicator
Display
Normally indicates tempo.
When youre ready to turn off the power, press the [POWER] switch again.
The display and the power indicator turn off.
NOTE Power indicator
If you close the key cover without turning the power off, the power indicator remains lit, indicating that the power is
still on.

Setting the Volume

Initially set the [MASTER VOLUME] slider about halfway between the MIN and MAX settings. Then, when you
start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
The level decreases. The level increases.
CAUTION
Do not use the Clavinova at a high volume level for a long period of time; doing so may damage your hearing.
TERMINOLOGY MASTER VOLUME:
The volume level of the entire keyboard sound.
NOTE You can also adjust the [PHONES] output level and the AUX OUT level using the [MASTER VOLUME] slider.
ENGLISH
Using Headphones bottom surface
Connect a pair of headphones to one of the OFF

ON
NORMAL
[PHONES] jacks. HP. SW

SPEAKER
Two [PHONES] jacks are provided. PHONES

standard
You can connect two sets of standard stereo head- stereo
phone plug
phones. (If you are using only one pair of headphones,
you can plug them into either jack.)
Using the Headphone Hanger

A headphone hanger is included in the Clavinova pack-
age so that you can conveniently hang the headphones
on the Clavinova. Install the headphone hanger using
included two screws (4 x 10mm) as shown in the figure.
CAUTION
Do not hang anything other than the headphones on
the hanger. Doing so may damage the Clavinova or the
hanger.
Using the Speaker Switch OFF

ON
This switch turns the internal speakers on or off. NORMAL

HP. SW
SPEAKER
NORMAL (HP. SW) ......... The speakers produce sound as long as a pair of
headphones is not connected. PHONES
ON ....................................... The speakers always produce sound.

OFF ...................................... The speakers produce no sound.

Reference
Listening to the Demonstration Tunes
Listening to the Demonstration Tunes

Demonstration tunes are provided that effectively demonstrate each of the Clavinovas voices.
1 2 4 4 3 3
CLP-370
Procedure
ENGLISH
1. Turn the power on.

(In case the power is not turned ON) Press the [POWER] switch.
When the power is turned ON, one of the voice button LEDs will light. NOTE
For a list of the demo songs, see
Initially set the [MASTER VOLUME] slider about half way between the MIN
page 95.
and MAX settings. Then, when you start playing, re-adjust the [MASTER
VOLUME] slider to the most comfortable listening level. NOTE
MIDI reception is not possible in
2. Engage Demo mode. Demo Song mode.

Demo song data is not transmitted
Press the [DEMO] button to engage Demo mode. The voice button indicators via the MIDI terminals.
will flash in sequence.

NOTE
Demo mode cannot be engaged
3. Play a Voice demo. during User song recording
(page 30) or file operations (page
Press one of the voice buttons to start playback of all songs starting from the 36).
corresponding voice demo tune featuring the voice normally selected by that
TERMINOLOGY
voice button. (If you press the SONG [PLAY/PAUSE] button instead of a voice
Mode:
button or only waiting (not press any keys) a short while, the GRAND PIANO 1 A mode is a status under which
demo tune will begin playback.) you can execute a certain function.
In Demo mode, you can play back
4. Stop the Voice demo and exit from Demo mode. demonstration tunes.
Press the [DEMO] or SONG [STOP] button. NOTE

You cannot adjust the tempo of
demo songs.
You cannot use the part cancel
function (page 18) or the song
A-B repeat function (page 19) in
Demo mode.
NOTE
On the CLP-370/340, you can
demo the piano voices with vari-
ous effects by pressing the
[VARIATION] button, then press-
ing the desired voice button.
Refer to the Piano Voice Demo
Description on page 95 for the
complete list of demo sounds for
the piano voices with various
effects.

Listening to 50 Piano Preset Songs

The Clavinova provides performance data of 50 piano songs. You can simply listen to these songs
or use them for practice (page 18). You can also refer to the included 50 greats for the Piano that
contains scores for the 50 piano preset songs.
3 2 -2 1 4 2 -1
CLP-370
ENGLISH
Procedure
1. Engage Preset Song mode.

Press the [SONG SELECT] button a few times until the PRESET indicator
lights. NOTE
Preset Song mode cannot be
2. Play any of the 50 preset songs. engaged while the unit is in Demo
Song mode (page 16) or during
song playback (page 44), User
2-1 Press the [/NO], [+/YES] buttons to select a number of the tune you want to song recording (page 30), or file
operations (page 36).
play (the number will appear on the LED display) or select a playing method.
1 50: Select a preset song number and play only the song. TERMINOLOGY
r n d: Play all preset songs continuously in random order. Song:
ALL: Play all preset songs in sequence. Performance data is called a
Song. This includes demonstra-
2-2 Press the SONG [PLAY/PAUSE] button to start playback. tion tunes and piano preset tunes.
Adjust the Volume

NOTE
Use the [MASTER VOLUME] control to adjust the volume. You can play the keyboard along
with the preset song. You can
Adjust the Tempo change the voice playing on the
You can use the [TEMPO/FUNCTION , keyboard.
] buttons to adjust the playback tempo

NOTE
as required. The default tempo can be This produces a relative tempo varia- You can adjust the Brilliance con-
recalled by simultaneously pressing the tion, with a range from 50 through trol (page 22) and Reverb type
0 to 50 at maximum; the range will
[] and [] buttons. differ depending on the selected
(page 22) that is applied to preset
song playback.
song.
3. Stop playback. You can change the Effect set-

tings (page 23) and Touch sensi-
tivity (page 24) for the keyboard
Playback will stop automatically when the selected preset song has finished. To voice you play.
stop the song during playback (or continuous playback), press the SONG
[STOP] button. You can also pause playback by pressing the SONG [PLAY/ NOTE
The default tempo 0 is automati-
PAUSE] button. cally selected whenever a new
To play back another song continuously, see procedure 2 above. preset song is selected, or when
playback of a new preset song
begins during ALL or r n d
4. Exit from Preset Song mode. playback.
NOTE
Press the [SONG SELECT] button to exit Preset Song mode. The indicator
When you select a different song
turns off, and the unit returns to normal play mode. (or a different song is selected
during chained playback), appro-
How to use the practice functions priate reverb and effect types will
You can turn the left- and right-hand parts on or off as required so you can practice the be selected accordingly.
corresponding part (part cancel function) and continuously repeat a specified phrase
within a song (song A-B repeat function). For more information, see pages 1819.

Practicing a One-Hand Part Using the 50 Preset Songs

(Part Cancel Function)
The 50 preset songs have separate left- and right-hand parts on individual parts. You can turn the
left- and right-hand parts on or off as desired, in order to practice the corresponding part (the part
that is turned off) on the keyboard. The right-hand part is played by [RIGHT] and the left-hand part
is played by [LEFT].
3 1 2
ENGLISH
CLP-370
NOTE
Procedure Appropriate channels in the song
will automatically be assigned to
1. Turn off the playback part you wish to practice. [RIGHT] and [LEFT]. Therefore,
[RIGHT] may be assigned to a
part other than channel 1, or
After you select a song to practice, press the [RIGHT] or [LEFT] button to turn [LEFT] to a part other than chan-
off the corresponding part. nel 2.
When you first select a song, both [RIGHT] and [LEFT] indicators light up, indi-
NOTE
cating that you can play back both parts. When you press one of the buttons to
The Preset Song Part Cancel
turn off playback, the corresponding button indicator turns off and the corre- function cannot be used during
sponding part playback is muted. ALL or r n d (page 17) play-
back.
Pressing the buttons repeatedly toggles playback between on and off.
NOTE
2. Start playback and playing. The parts can be turned on or off
even during playback.
Press the SONG [PLAY/PAUSE] button to start playback. Play the part you
just turned off.
Starting playback automatically as you start playing the keyboard

(Sync Start)
When the Sync Start function is engaged, playback of the selected preset song will
begin automatically as soon as you start playing on the keyboard.
To engage the Sync Start function, simultaneously hold down the SONG [STOP]
and press the [PLAY/PAUSE] button.
(Repeat the previous operation to disengage the Sync Start function.)
Playback will then start as soon as you begin playing on the keyboard.
Left Pedal Play/Pause
The left pedal can be assigned to play and pause preset song playback via the
Left Pedal Mode function described on page 66.
3. Stop playback. NOTE

When playback is complete, it automatically stops and the Clavinova locates the
Both parts are automatically
top of the song. If you wish to stop playback in the middle of a song, press the turned ON whenever a new song
SONG [STOP] button. You can also pause playback by pressing the SONG is selected.
[PLAY/PAUSE] button.

A-B Repeat for 50 Preset Songs

The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song.
Combined with the Part Cancel function described on page 18, this provides an excellent way to
practice difficult phrases.
2 1
CLP-370
ENGLISH
Procedure
1. Specify the beginning (A) and the end (B) of the

phrase, and start practicing.
Select and play a preset song, then press the [TEMPO/
FUNCTION] button at the beginning of the phrase NOTE
The A-B Repeat function cannot
you want to repeat.
be used during ALL or r n d
This sets the A point ( will appear on the dis- (page 17) playback.
play).
To specify the end (B) of the phrase, press the NOTE

To set the A point at the very
[TEMPO/FUNCTION] button a second time at the
beginning of the song, press
end of the phrase. the [TEMPO/FUNCTION] but-
This sets the B point ( will appear on the dis- ton before starting playback.
You can have the B point auto-
play). matically be set to the songs
At this point, repeat playback will begin between the end, by setting the A point and
specified A and B points. letting the song play to the end.
NOTE
An automatic lead-in (to help
guide you into the phrase) starts
at the A point of the song.
2. Stop playback.
Press the SONG [STOP] button to stop playback while retaining the specified
A and B points. A-B repeat playback will resume if you press the SONG [PLAY/
PAUSE] button.
To cancel the A and B points, press the [TEMPO/FUNCTION] button once.

NOTE
The A and B points are automati-
cally canceled when a new song
is selected.

Selecting & Playing Voices

Selecting Voices
Voice buttons
CLP-370
Procedure
ENGLISH
Select the desired voice by pressing one of the Voice buttons. NOTE
To learn characteristics of the
Then, when you start playing, re-adjust the [MASTER VOLUME] slider for the most voices, listen to demo songs for
each voice (page 16). Refer to
comfortable listening level. Preset Voice List on page 92 for
more information on the charac-
teristics of each preset voice.
TERMINOLOGY
Voice:
On the Clavinova, a voice means
a tone or tonal color.
NOTE
You can control the loudness of a
voice by adjusting the force with
which you strike the keys,
although different playing styles
(touch sensitivities) have little or
no effect with certain musical
instruments.
Refer to Preset Voice List on
page 92.

Using the Pedals

The Clavinova has three foot pedals that produce a range
of expressive effects similar to those produced by the NOTE
If the damper pedal doesnt work,
pedals on an acoustic piano.
make sure that the pedal cord is
properly plugged into the jack
(pages 83, 86).
Damper (Right) Pedal

TERMINOLOGY:

The damper pedal functions in the same way as a
Half-pedal:
damper pedal on an acoustic piano. When the damper

While playing the piano with Sus-
pedal is pressed, notes sustain longer. Releasing the pedal tain and you want to slightly mute
immediately stops (damps) any sustained notes. the sustained sound, release the
damper pedal from maximum
The damper pedal also features a naturally expressive position to half position.
ENGLISH
half-pedal function. When you press the damper
pedal here, the notes you
When DAMPER RES. is on, the Clavinova simulates the play before you release the NOTE
sustain sound that occurs when you press the damper pedal have a longer sustain. The depth of the effect produced
by the Sustain Samples can be
pedal of a grand piano, as you press the damper pedal adjusted via the Sustain Sample
and play the keyboard. Depth (page 66) in Function
mode.
Sostenuto (Center) Pedal

NOTE

If you play a note or chord on the keyboard and press the
Organ, string and choir voices will
sostenuto pedal while the note(s) are held, those notes

continue to sound for as long as
will sustain as long as you hold the pedal (as if the the sostenuto pedal is depressed.
damper pedal had been pressed) but all subsequently
played notes will not be sustained. This makes it possible
When you press the soste-
to sustain a chord, for example, while other notes are nuto pedal here while hold-
played staccato. ing the note, the note will
sustain as long as you hold
the pedal.
Soft (Left) Pedal

NOTE
The soft pedal reduces the volume and slightly changes the timbre of notes played while
The left pedal can be assigned to
the pedal is pressed. The soft pedal will not affect notes that are already playing when it song play/pause operation or
is pressed. variation function (CLP-370/340)
via the Left Pedal Mode
described on page 66.

Adding Variations to the Sound [VARIATION]

(CLP-370/340)/[BRILLIANCE]/[REVERB]/[EFFECT]/
[DAMPER RES.]
[/NO] [+/YES] [VARIATION] button [DAMPER RES.]
buttons button
[REVERB]
button
CLP-370
[BRILLIANCE] [EFFECT]
button button
ENGLISH
[VARIATION] (CLP-370/340)
Lets you alter another aspect of the effect, depending on the selected type.
Refer to Preset Voice List on page 92 for more information on the characteristics of NOTE
Normal setting = OFF
each variation.
TERMINOLOGY
Procedure Normal setting:
The Normal setting refers to the
Pressing the [VARIATION] or selected voice button toggles the variation on and off. default setting (factory setting)
The indicator lights (ON) when [VARIATION] is enabled. obtained when you first turn on
the power to the Clavinova.
NOTE
[BRILLIANCE] The left pedal can be assigned to
This control can be used to change the tonality or timbre of the sound output. ON or OFF the variation via the
Left Pedal Mode function
BRIGHT: Bright tone described on page 66.
NORMAL: Standard tone
MELLOW: Soft and mellow tone NOTE
Normal setting = NORMAL
Procedure NOTE
When the BRILLIANCE is set to
To select a brilliance type, press the [BRILLIANCE] button a few times until the indica-
BRIGHT, the overall sound will be
tor corresponding to the desired type lights (the indicator lights in sequence each time slightly louder. If the MASTER
you press the [BRILLIANCE] button). Brilliance can be selected among five types. When VOLUME is set at a high level the
sound may become distorted. If
two adjacent indicators are lit, the type that is between the two indicated types is so, lower the MASTER VOLUME
selected. For example, when both NORMAL and MELLOW are lit, the brilliance set- level.
ting between NORMAL and MELLOW is selected. This parameter affects the entire
sound of the instrument.
[REVERB]
This control enables you to select various digital reverb effects that would add extra NOTE
The default reverb type (including
depth and expression to the sound to create a realistic acoustic ambience.
OFF) and depth settings are dif-
OFF: When no reverb effect is selected, no REVERB indicator is lit. ferent for each voice.
ROOM: This setting adds a continuous reverb effect to the sound, similar to the
NOTE
acoustic reverberation you would hear in a room.
Releasing the [REVERB] button
HALL 1: For a bigger reverb sound, use the HALL 1 setting. This effect simulates changes the reverb type.
the natural reverberation of a small-size concert hall. If you have changed the reverb
depth, releasing the [REVERB]
HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simu-
button will not change the reverb
lates the natural reverberation of a large concert hall. type.
STAGE: Simulates the reverb of a stage environment.

Procedure
To select an reverb type, press the [REVERB] button a few times until the indicator cor-
responding to the desired type lights (the indicators light in sequence each time you NOTE
Depth 0: no effect
press the [REVERB] button). No effect is produced when all indicators are off.
Depth 20: maximum reverb depth
Adjusting Reverb Depth
Adjust the reverb depth for the selected voice by using the [/NO] [+/YES] buttons
while holding the [REVERB] button. The depth range is from 0 through 20. The cur-
rent depth setting appears on the LED display while the [REVERB] button is held.
[EFFECT]
ENGLISH
The [EFFECT] button allows you to select an effect to give your sound greater depth NOTE
The default effect type (including
and animation.
OFF) and depth settings are dif-
OFF: When no effect is selected, no EFFECT indicator is lit. ferent for each voice.
CHORUS: A shimmering, broadening effect

NOTE
PHASER: Adds a sweeping effect to the sound.
Releasing the [EFFECT] button
TREMOLO: Tremolo effect changes the effect type.
ROTARY SP: Adds the vibrato effect of a rotary speaker. If you have changed the depth
settings, releasing the [EFFECT]
button will not change the effect
type.
Procedure
To select an effect type, press the [EFFECT] button a few times until the indicator corre-
sponding to the desired type lights (the indicators light in sequence each time you press NOTE
Depth 0: no effect
the [EFFECT] button). No effect is produced when all indicators are off.
Depth 20: maximum effect depth
Adjusting Effect Depth
NOTE
You can adjust the effect depth for the selected voice by using the [/NO] and [+/YES]
Default depth settings are differ-
buttons while holding the [EFFECT] button. ent for each voice.
The depth range is from 0 through 20. The current depth setting appears on the LED
display while the [EFFECT] button is held.
[DAMPER RES.]
The Damper Resonance lets you hear a simulation of the sustain sound of the damper
pedal on a grand piano, as you press the damper pedal and play the keyboard.
This effect is applied to the entire sound of the instrument.
NOTE
Procedure Normal setting = ON
Pressing the [DAMPER RES.] button repeatedly toggles the Damper Resonance on and NOTE
off. Depth 0: no effect
Depth 20: maximum depth
Adjusting DAMPER RES. Depth
You can adjust the Damper Resonance depth by using the [/NO] and [+/YES] buttons
while holding the [DAMPER RES.] button.
The depth range is from 0 through 20. The current depth setting appears on the LED
display while the [DAMPER RES.] button is held.

Touch Sensitivity [TOUCH]

You can select four different types of keyboard touch sensitivity HARD, MEDIUM, SOFT or FIXED
to match different playing styles and preferences.
HARD: Requires that the keys be played quite hard to produce maximum loudness. NOTE
This setting does not change the
MEDIUM: Produces a fairly standard keyboard response.
weight of the keyboard.
SOFT: Allows maximum loudness to be produced with relatively light key pressure.
FIXED: All notes are produced at the same volume no matter how hard the keyboard NOTE
is played. (No indicators are lit.) The fixed volume can be changed. Normal setting = MEDIUM
NOTE
The touch sensitivity type will
become the common setting for
ENGLISH
all voices. However, the touch

sensitivity settings may have little
or no effect with certain voices
that are not normally responsive
to keyboard dynamics. (Refer to
the Preset Voice List on page
92.)
[/NO] [+/YES] buttons [TOUCH] button
CLP-370
Procedure
To select a touch sensitivity type press the [TOUCH] button a few times until the indica-
tor corresponding to the desired type lights (the indicators light in sequence each time
the [TOUCH] button is pressed). No indicator is lit when FIXED is selected.
Changing the volume when FIXED is selected

When you select FIXED, you can set the volume for notes played
in FIXED mode by using the [/NO] and [+/YES] buttons while NOTE
1: minimum volume
you hold the [TOUCH] button. The current volume level
127: maximum volume
appears on the display. The volume range is from 1 through 127.
The default setting is 64. Volume range NOTE
The touch volume set in FIXED
mode will become the common
setting for all voices.
NOTE
Releasing the [TOUCH] button
changes the touch type.
If you have changed the volume,
releasing the [TOUCH] button will
not change the touch type.
(FIXED mode will remain
selected.)

Transposition [TRANSPOSE]
The Clavinovas Transpose function makes it possible to shift the pitch of the entire keyboard up or
down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily
match the pitch of the keyboard to the range of a singer or other instruments. For example, if you
set the transposition amount to 5, playing a C key produces a pitch of F. In this way, you can play
a song as though it were in C major, and the Clavinova will transpose it to F major.
[TRANSPOSE] button [/NO] [+/YES] buttons
ENGLISH
CLP-370
Procedure
Use the [/NO] and [+/YES] button while holding the
[TRANSPOSE] button to transpose down or up as required. TERMINOLOGY
Transpose:
The amount of transposition appears on the LED display
Change the key signature of a
while the [TRANSPOSE] button is held. The default transpose song. On the Clavinova, transpos-
setting is 0. Transposition ing shifts the pitch of the entire
keyboard.
The [TRANSPOSE] button indicator remains lit when a transpose setting other than 0 NOTE
is selected. If a value other than 0 is selected, the [TRANSPOSE] button can be The transposition range:
switched the transpose function ON or OFF at any time. 12: 12 semitones (down one
octave)
0: normal pitch
12: 12 semitones (up one octave)

Combining Two Voices (Dual mode)

You can play two voices simultaneously across the entire range of the keyboard. In this way, you
can simulate a melody duet or combine two similar voices to create a thicker sound.
1 2
CLP-370
Procedure
ENGLISH
1. Engage Dual mode. NOTE (CLP-370/340)

Dual and Split (page 27) modes
cannot be engaged at the same
Press two voice buttons at the same time (or press one voice button while holding
time.
another). The voice indicators of both selected voices will light when Dual mode
is active. NOTE
[VARIATION] in Dual Mode
According to the voice numbering (CLP-370/340)
Voice numbering priority
The [VARIATION] buttons indica-
priority shown in the diagram on 1 2 3 4 5 6 7 tor will light if the variation is
the right, the lower value voice engaged for either or both of the
number will be designated as Voice Dual mode voices. While Dual
mode is engaged, the [VARIA-
1 (the other voice will be desig- TION] button can be used to turn
nated as Voice 2). the variation for both voices on or
off. To turn the variation on or off
8 9 10 11 12 13 14 for only one of the voices, hold
the voice button for the other
voice and press the button of the
voice for which you want to
The Function mode provides access to a number of other Dual mode functions, change the variation.
such as volume balance setting or octave setting (page 64). (If you do not set
Dual mode functions, the appropriate setting will be set in each voice by NOTE
default.) [REVERB] in Dual Mode
The reverb type assigned to
2. Exit Dual mode and return to normal play mode. Voice 1 will take priority over the
other. (If the reverb is set to OFF,
Voice 2 reverb type will be in
To return to the normal single-voice play mode, press any single voice button. effect.)
NOTE
[EFFECT] in Dual Mode
Depending on the conditions, one
effect type may take priority over
the other. Depth will be decided
according to the depth default
value of the voice combination.
However, using function F3 (page
64) you can adjust the depth
value for each voice to your liking.

Splitting the Keyboard Range and Playing Two Different

Voices (Split mode) (CLP-370/340)
Split mode enables you to play two different voices on the keyboard one with the left hand and
another with the right hand. For example, you can play a bass part using the Wood Bass or Electric
Bass voice with the left hand, and a melody with the right hand.
Voice buttons [SPLIT] button
CLP-370
ENGLISH
Procedure
1. Engage Split mode.

Press the [SPLIT] button so that its indicator lights. The default setting (WOOD
BASS) will be selected for the left-hand voice at first. NOTE
Dual (page 26) and Split modes
cannot be engaged simulta-
The Function mode provides access to a number of other Split mode functions neously.
(page 65). (If you make no settings for Split mode functions, the appropriate
setting will be set in each voice by default.)
2. Specify the split point (the border between the

right-and left-hand range).
(The split point is initially set at the F#2 key by default. If you do not need to
change the split point, skip this procedure.) NOTE
A specified split point key is
You can change the split point to any other key by pressing the key while hold-
included in the left-hand range.
ing the [SPLIT] button (the name of the current split-point key appears on the
LED display while the [SPLIT] button is held). The split point can also be
changed by simultaneously hold-
ing down the [SPLIT] button and
An example of split-point key display pressing the [/NO] or [+/YES]
button.
F2
The default split point can be
recalled by simultaneously hold-
ing down the [SPLIT] button and
followed by a high bar if sharp pressing both the [/NO] and [+/
YES] buttons together.
F#2
NOTE
The split point can also be set via
Function 4 (page 65).
Eb2
followed by a low bar if flat
A -1 C1 C2 F#2 C3 C4 C5 C6 C7
Normal setting=F#2

3. Select a voice for the right hand. NOTE

Press a voice button.
[VARIATION] in Split Mode
You can turn the variation on or off
4. Select a voice for the left hand. for Split mode voices. Normally,
the voice indicator of the right
Press the corresponding voice button while holding the [SPLIT] button. (The voice lights in Split mode. The
[VARIATION] can be used to turn
indicator of the Left Voice button will light while the [SPLIT] button is pressed.)
the variation for the right voice on
To turn the variation on or off for the split voice, hold the [SPLIT] button and or off as required. While the
press the [VARIATION] button or the currently-selected voice button. [SPLIT] button is held, however,
the voice indicator of the left voice
lights. In this state the [VARIA-
5. Exit Split mode and return to normal play mode. TION] button turns the variation
for the left voice on or off.
Press the [SPLIT] button again so that its indicator goes out.
NOTE
ENGLISH
[REVERB] in Split Mode

The reverb type assigned to the
right voice will take priority over
the other. (If the reverb of the right
voice is set to OFF, the left voices
reverb type will be in effect.)
NOTE
[EFFECT] in Split Mode
Depending on the conditions, one
effect type will take priority over
the other. The depth will be
decided according to the depth
default value of the voice combi-
nation. However, using function
F4 (page 65) you can change the
depth value for each voice as you
like. Effect depth setting via the
panel controls (i.e. pressing the
[/NO] or [+/YES] buttons while
holding the [EFFECT] button
will be applied to the right voice
only.

Using the Metronome

The Clavinova features a built-in metronome (a device that keeps an accurate tempo) that is conve-
nient for practicing.
1 2 [/NO] [+/YES] buttons
CLP-370
[TEMPO/FUNCTION ] buttons
ENGLISH
Procedure
1. Start the metronome.

The metronome sound is turned on by pressing
the METRONOME [ON/OFF] button.
The beat indicator flashes

at the current tempo.
Adjusting the tempo

The tempo of the metronome and user song recorder playback (the recorder is
described in the next section) can be set from 32 to 280 beats per minute by NOTE
If the [TEMPO/FUNCTION] but-
using the [TEMPO/FUNCTION , ] buttons (when the [TEMPO/FUNCTION
tons [TEMPO] indicator is not lit,
, ] buttons [TEMPO] indicator is lit). press the [TEMPO/FUNCTION]
button to light the [TEMPO] indi-
cator.
Adjusting the time signature
The time signature (beat) of the metronome can be
set by using the [/NO] and [+/YES] buttons while NOTE
The volume of the metronome can
holding the METRONOME [ON/OFF] button. You
be adjusted via the Metronome
can set the beat from 0 to 15. The current setting Volume function in Function mode
appears on the LED display while you are holding Beat (page 67).
the METRONOME [ON/OFF] button.
A beat setting of 0 plays a low click sound for all beats, while a setting of 1
plays a high click sound for all beats; other beat settings play a high click for the
first beat in a measure and a low click for all following beats.
2. Stop the metronome.

Turn off the metronome by pressing the METRONOME [ON/OFF] button.

Recording Your Performance

The ability to record and play back what youve played on the instru-
ment can be an effective practice aid. You can, for example, record just
the left-hand part, and then practice the right-hand part while playing
back the recorded left-hand part. Or, since you can record up to two
parts separately, you could record the left-and right-hand parts sepa-
rately, or record both parts of a duet and hear how they sound when
played back. The two-part Song Recorder on the instrument allows the
recording of up to three User songs (U01 U03) to the instrument.
User songs can be saved to an optional USB storage device.
ENGLISH
Recording a performance quickly

This convenient and simple recording method lets you quickly record your performance without
specifying the recording parts useful, for example, in recording solo piano pieces.
In this way, the performance is automatically recorded to right part.
24 4 3
CLP-370
CAUTION
To avoid erasing previously recorded song(s):
If the song contains data, the part indicator lights up green when you select a song.
Note that recording new data on this part will erase the existing data.
You cannot record the performance to the connected USB storage device directly. The
recorded songs are saved to the instrument automatically. If you want to save data to
the device, perform the Save operation (page 37) after stopping recording.
TERMINOLOGY
Recording vs. Saving:
The format of performance data recorded on a cassette tape differs from that of data recorded on the
Clavinova. A cassette tape records audio signals. The Clavinova saves information regarding note
timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the
Clavinova produces sound based on the saved information. Therefore, recording on the Clavinova
may be more accurately called saving information. However, this book often uses the word record-
ing because it seems to make more sense.

Procedure
1. Make all the initial settings. NOTE

Before you begin to record, select the voice you want to record (or voices if you
When the instrument is in Demo
will be using Dual or Split mode). Make any other desired settings (reverb, Song mode or during a file opera-
effect, etc.) as well. You might also want to set the volume. tion, Record mode cannot be
engaged.
You can also adjust the playback volume using the [MASTER VOLUME] slider.
2. Engage Record Ready mode. NOTE

The amount of memory avail-
Press the [REC] button to engage Record Ready mode. This automatically selects
able for recording:
ENGLISH
an empty song for recording and makes the RIGHT part active. If an empty This value in kilobytes (a unit
song does not exist, Song U01 will be selected. Recording does not actually start used of measurement for data)
indicates how much space
yet.
remains available for recording on
The SONG [PLAY/PAUSE] indicator will flash at the current METRONOME the Clavinova. You can record up
tempo setting. to a maximum three songs, or up
to a maximum of about 100KB
(11,000 Notes) in each song on
You can turn on the metronome in this step, and adjust the tempo by using the the instrument depending on
[TEMPO/FUNCTION , ] buttons. (Range: 32 280) pedal usage and other factors.
NOTE
Record Ready mode can be disengaged before recording by pressing the [REC] If you have selected the LEFT
button again. part previously in the same song,
the LEFT part will automatically
be made active when pressing
the [REC] button in step 2.
3. Start recording. NOTE
Recording will begin automatically as soon as you play a note on the keyboard If the metronome was on when
or press the SONG [PLAY/PAUSE] button. The current measures number will you started recording, youll be
appear on the display while recording. able to keep time with the metro-
nome while recording, but the
metronome sound will not be
recorded.
NOTE
For more recording information,
4. Stop recording. see page 34.
Press either [REC] or SONG [STOP] button to stop recording. When recording is NOTE
The left pedal can be assigned to
stopped, dashes appear in the display in succession to indicate that the recorded
start recording via the Left Pedal
data is being saved to the instrument automatically. After the data is saved, the Mode function described on
song name (U01 U03) appears in the display. The recorded parts indicator page 66.
will glow green to indicate that it now contains data. (Record mode is disen-
NOTE
gaged automatically.)
If the memory becomes full dur-
ing recording, FUL will appear
CAUTION on the display and recording will
Do not turn off the power of the instrument when dashes appear in the display in suc- stop automatically. (All recorded
cession. Doing so may delete all song data in the instrument, including external songs data up to that point will be
retained.)
(page 43).

Playing back a recorded song

Procedure
1. Play back the recorded performance.

Press the SONG [PLAY/PAUSE] button to play back the recorded performance.
2. Stop the performance.

To stop playback in the middle of a song, press the SONG [STOP] button.
ENGLISH
Re-recording a previously recorded song

This section explains how to record again in case your performance
was not satisfactory.
Procedure
1. Select a voice or voices (and other settings) for

recording, if necessary.
Repeat Step 1 on page 31 if you wish to change the previous settings.
For more information of the recorded data see page 34.
2. Re-engage Record Ready mode. NOTE

Press the [REC] button, again.
If you want to change the tempo,
The selected parts indicator lights in red. reverb type, or effect type when
re-recording a part or when
recording to another part, do so
Follow the procedure from Step 3 in Recording a performance quickly on
after you engage Record Ready
page 31 to re-record. mode.
You cannot re-record in the mid-
dle of a song.
NOTE
Pressing the SONG [PLAY/
PAUSE] button to start recording,
then pressing the SONG [STOP]
button to stop recording will erase
all previously recorded data on
the selected part.

Recording to RIGHT/LEFT parts

This lets you record the right and left parts separately. Since you can record the left part while play-
ing back the right, this is useful for recording both parts of a duet.
NOTE
Procedure Part button indications
Off: Contains no data
On (green): Contains data
On (red): Part is enabled for
1. Make all the initial settings. recording
Same as step 1 in Recording a performance quickly on page 31. NOTE

The amount of memory avail-
able for recording:
ENGLISH
This value in kilobytes (a unit
2. Select a song to record. used of measurement for data)
indicates how much space
Press the [SONG SELECT] button to light USER indicator on, then press the remains available for recording on
the Clavinova. You can record up
[/NO][+/YES] buttons to select a song for recording. to a maximum three songs, or up
to a maximum of about 100KB
CAUTION (11,000 Notes) in each song on
the instrument depending on
To avoid erasing previously recorded song(s): pedal usage and other factors.
If the song contains data, the part indicator lights up green when you select a song.
Note that recording new data on this part will erase the existing data. NOTE
If the metronome was on when
you started recording, youll be
3. Engage Record Ready mode. able to keep time with the metro-
nome while recording, but the
metronome sound will not be
Press the [REC] button and press the [RIGHT]/[LEFT] button to engage recorded.
Record Ready mode. Recording does not actually start yet.
NOTE
The SONG [PLAY/PAUSE] indicator will flash at the current METRONOME If you want to change the tempo,
time signature, reverb type, or
tempo setting. effect type when rerecording a
part or when recording to another
part, do so after entering Record
Record Ready mode can be disengaged before recording by pressing the [REC]
Ready mode.
button again.
NOTE
If you dont want to hear the previ-
4. Start and stop recording. ously recorded part while you

record (for example, when you
want to record a song different
Same as step 3 4 in Recording a performance quickly on page 31. from what you recorded on the
previous part), press the play-
back part button before pressing
the [REC] button so that its indi-
cator is turned off.
For more information on record-
ing, see page 34.

The user song recorder records the following data:

Data in addition to the notes and voices you play is recorded.
This data includes Individual Parts and Entire Song. See below.
Individual Parts
Notes played
Voice selection
[VARIATION] ON/OFF (CLP-370/340)
Pedal (Damper/Soft/Sostenuto)
[REVERB] depth
[EFFECT] depth
Dual mode voices
Dual balance (F3)
ENGLISH
Dual detune (F3)

Dual octave shift (F3)
Split mode voices (F4: CLP-370/340)
Split balance (F4: CLP-370/340)
Split octave shift (F4: CLP-370/340)
Entire Song
Tempo
Time signature (beat)
[REVERB] type (including OFF)
[EFFECT] type (including OFF)

Changing the Initial Settings (Data recorded at the

beginning of a song)
The initial settings (data recorded at the beginning of a song) can be changed after the recording.
For example, after recording, you can change the voice to create a different ambience or adjust the
song tempo to your taste.
You can change the following initial settings.
Individual Parts
Voice selection
ENGLISH
[VARIATION] ON/OFF (CLP-370/340)
[REVERB] depth
[EFFECT] depth
Dual mode voices
Split mode voices (CLP-370/340)
Damper/soft pedal depth
Entire Song
Tempo
[REVERB] type (including OFF)
[EFFECT] type (including OFF)
1. Change the settings via the panel controls.

For example, if you wish to change the recorded voice from [E. PIANO 1] to
[E. PIANO 2], press the [E. PIANO 2] button.
2. Engage Record mode and select a part to change the initial settings.
The indicator glows red. (Data shared by two parts can be changed via either part.)
CAUTION
Be careful not to press the SONG [PLAY/PAUSE] button or a key on the keyboard, either
of which will start recording and erase all previously-recorded data on the selected part.
3. Press the [REC] button to exit Record mode.

Handling Songs with a USB Storage Device
Handling Songs with a USB Storage

Device
You can handle User songs (save, load, and delete) with a USB storage
device. You can also format the device or media. NOTE
For details on connecting a USB
storage device, see page 73.
Before using a USB device, read the Precautions when using the USB TO
DEVICE terminal section on page 41. NOTE
Before handling songs with a
USB storage device, make sure
that the device is not protected.
If the device is protected, you
cannot access it.
About Save and Load
ENGLISH
Save
You can save three User songs in the instrument to the USB storage device as SMF song NOTE
If there is not enough capacity left
files. These songs can be saved to a container (or memory location) in the USB stor- on the USB storage device to
age device. 100 containers are available S00 S99. save or export the data, an appro-
Since the User songs are saved in SMF format, they can be played back on other instru- priate message will appear on the
display and you will not be able to
ments, including other Clavinovas. save or export the data. Delete
unwanted files from the device to
Memory location make more memory available
(page 39), or use another device.
User song
(Internal memory) USB storage device
Save NOTE
User Song 1 (U01) SMF Song 0 (S00) The file numbers which can be
handled in this instrument are 100
User Song 2 (U02) SMF Song 1 (S01) files.
SMF song numbers: S00 S99
User Song 3 (U03) SMF Song 2 (S02)
SMF Song 99 (S99)
Load
If you want to only play the song in the USB storage device, the following operation is NOTE
The S indication at the top of the
not necessary. For instructions on playing the song, see Playing Back User Songs from User file name represents SMF.
a USB Storage Device on page 45. The Load operation can be used if you want to edit
the recorded song on the instrument. Data can be loaded to User Song 3 (U03). TERMINOLOGY
SMF (Standard MIDI File):
Memory location The SMF (Standard MIDI File)
format is one of the most common
User song and widely compatible sequence
(Internal memory) USB storage device
formats used for storing sequence
data. There are two variations:
User Song 1 (U01) Load SMF Song 0 (S00) Format 0 and Format 1.
A large number of MIDI devices
User Song 2 (U02) SMF Song 1 (S01) are compatible with SMF Format 0,
and most commercially available
MIDI sequence data is provided in
User Song 3 (U03) SMF Song 2 (S02) SMF Format 0. The SMF format for
sequence files allows you to
exchange song data between
SMF Song 99 (S99) different sequencers. User songs
recorded on the Clavinova are
SMF Format 0.

Saving a Song
1 23 1 2
CLP-370
Procedure
NOTE
ENGLISH
1. Select a User song to save. If the selected song has no data,
the song will not be saved (you
Select a User song to save by using the [SONG SELECT] and [/NO][+/YES] buttons. cannot select a container for SMF
songs S00 S99). Confirm that
2. Select a song container in the device and save the the selected song has data by
making sure that the indicator of
[RIGHT] or [LEFT] is turned on.
User song.
After making sure that the USB storage device is connected to the instrument, press
the [FILE] button (the SAVE TO USB indicator lights). Then, while holding the
[FILE] button, simultaneously press the [/NO][+/YES] buttons to select a container
(S00 S99). After releasing the [FILE] button, n y (no/yes) appears in the display.
Press the [+/YES] button to save the songs. The song is saved into the USER FILES
folder and named as USERSONGxx.MID.
Overwriting the song

If you select a container which contains an SMF song, three dots appear in the
display (ex., S.0.0.). If you do not want to overwrite the file, press the [/NO]
button when n y (no or yes) appears in the display and select another container.
If you want to overwrite the song, press the [+/YES] button. After n-y appears in
the display again to confirm whether you wish to overwrite the file or not, press
the [+/YES] button once more.
CAUTION
While the instrument is accessing data (such as during Save, Load, Delete and
Format operations) or is mounting the USB storage device (shortly after the connection:
until the FILE LOAD LED flash stops), do NOT unplug the USB cable, do NOT remove
the media from the device, and do NOT turn the power off to either devices. Doing so
may corrupt the data on either or both devices.
3. Exit from the file operation mode.

Press the [FILE] button several times to exit the file operation mode. (The FILE
indicators turn off.) NOTE
If you move an SMF song from the
Play the recorded song (see page 43).
USER FILES folder to the top
folder using a computer, the file
CAUTION type will be changed from a
SMF song (S00 S99) to an
Do not rename User files on a computer. If the file name is changed in this way, the file External song.
cannot be loaded to the instrument.

Loading a Song
13 12
CLP-370
Procedure
CAUTION
ENGLISH
If the User file (U03) on the instrument already contains data, this operation can result in
overwriting of the data. Make sure to save important data to your computer beforehand.
1. Select a song container in the device.

After making sure that the USB storage device is connected to the instrument,
press the [FILE] button (the LOAD TO USER. indicator lights). Then, while
holding the [FILE] button, press the [/NO][+/YES] buttons to select a song
(S00 S99). Data saved on the instrument can only be loaded back to the
instrument.
2. Load a song to User Song (U03).

n y (no/yes) appears in the display. Press the [+/YES] button to load a song.
The file will automatically be loaded into the User Song (U03).
The indication - moves from left to right in display, indicating that save oper-
ation is in process.
CAUTION
While the instrument is accessing data (such as during Save, Load, Delete and Format
operations) or is mounting the USB storage device (shortly after the connection: until
the LOAD TO USER LED flash stops), do NOT unplug the USB cable, do NOT remove
CAUTION
Do not manually change the file name on the USB storage device by using a computer;
doing so will render the file unplayable or unable for loading on the instrument.
CAUTION
Do not turn off the power to the instrument while flashing dashes appear in the display
(indicating the operation is in process). Doing so may damage the data.
When loading is completed, the End indication appears in the display, and the
song is loaded into the User Song (U03).
3. Exit from the load operation mode.

Press the [FILE] button to exit the load operation mode. (The FILE indicators
turn off.)

Deleting Song Files

13 12
CLP-370
NOTE
Procedure Audition the song to be deleted
before deleting. Songs cannot be
played back after engaging the
Delete mode.
1. Select a song file to be deleted.
ENGLISH
Press the [FILE] button. (The DEL/FORMAT indicator lights.) Then, hold the
[FILE] button, simultaneously press the [/NO][+/YES] buttons to select a file to NOTE
Only files which contain data will
be deleted. Two types of files will be displayed in order:
be displayed.
Sxx....... SMF songs
xxx....... External songs (commercially available songs or songs which have NOTE
been edited on a computer) The following types of songs can-
not be deleted. If you try to delete
the song, Pro (Protected)
appears in the display.
2. Delete the file. Protected songs (extension:
Cxx, Exx or SME)
After releasing the [FILE] button, n y (no or yes) appears in the display. If you Disklavier Piano Soft songs
want to delete the file, press the [+/YES] button. After n-y appears in the dis-
NOTE
play again to confirm whether you wish to delete the file or not, press the
For SMF songs (Sxx), the song
[+/YES] button once more. numbers are fixed and not
If you do not want to delete the song, press the [/NO] button. changed by deleting files.
However, the song numbers of
External songs are not fixed and
CAUTION may be changed by deleting
While the instrument is accessing data (such as during Save, Delete, Load and External songs.
Format operations) or is mounting the USB storage device (shortly after the connec-
tion: until the LOAD TO USER LED flash stops), do NOT unplug the USB cable, do NOT
remove the media from the device, and do NOT turn the power off to either devices.
Doing so may corrupt the data on either or both devices.
3. Exit from the file operation mode.

Press the [FILE] button to exit the file operation mode. (The FILE indicators
turn off.)

Formatting the USB Storage Device

CAUTION
If data is already saved to the USB storage device, be careful not to format it.
If you format the device, all the previously saved data will be deleted.
13 12
CLP-370
ENGLISH
Procedure
1. Engage the format mode.

Press the [FILE] button. (The DEL/ FORMAT indicator lights.) Then, while
holding the [FILE] button, simultaneously press the [/NO] and [+/YES] but-
tons. When For (Format) appears in the display, release the [FILE] button to
display n y (no/yes).
2. Execute the format operation.

After n y (no/yes) appears in the display, press the [+/YES] button. After n-y
appears in the display again to confirm whether you wish to format the device
or not, press the [+/YES] button once more. If you do not want to format the
device, press the [/NO] button.
CAUTION
While the instrument is accessing data (such as during Save, Delete, Load and Format
operations) or is mounting the USB storage device (shortly after the connection: until
the LOAD TO USER LED flash stops), do NOT unplug the USB cable, do NOT remove
3. Exit from the format mode.

Press the [FILE] button to exit the file operation mode. (The FILE indicators
turn off.)

Handling the USB Storage Device (USB Flash Memory/
Floppy Disk, etc.)
Precautions when using the USB [TO DEVICE] Formatting USB storage media
terminal When a USB storage device is connected or media is
This instrument features a built-in USB [TO DEVICE] ter- inserted, a message may appear prompting you to format
minal. When connecting a USB device to the terminal, be the device/media. If so, execute the Format operation
sure to handle the USB device with care. Follow the (page 40).
important precautions below.
CAUTION
NOTE
The format operation overwrites any previously existing data.
For more information about the handling of USB devices, refer to the Make sure that the media you are formatting does not contain
owners manual of the USB device.
important data.
ENGLISH
To protect your data (write-protect)
Compatible USB devices
To prevent important data from being inadvertently
USB storage devices (flash memory, floppy disk drive,
erased, apply the write-protect provided with each stor-
hard disk drive, etc.)
age device or media. If you are saving data to the USB
The instrument does not necessarily support all commer-
storage device, make sure to disable write-protect.
cially available USB devices. Yamaha cannot guarantee
operation of USB devices that you purchase. Before pur- Connecting/removing USB storage device
chasing a USB device for use with this instrument, please Before removing the media from the device, make sure
visit the following web page: that the instrument is not accessing data (such as in the
http://music.yamaha.com/download/ Save, Copy and Delete operations).
NOTE
CAUTION
Other USB devices such as a computer keyboard or mouse cannot
Avoid frequently turning the power on/off to the USB storage
be used.
device, or connecting/disconnecting the device too often. Doing
so may result in the operation of the instrument freezing or
Connecting USB device hanging up. While the instrument is accessing data (such as dur-
ing Save, Copy, Delete, Load and Format operations) or is
When connecting a USB device to the USB [TO DEVICE]
mounting the USB storage device (shortly after the connection),
terminal, make sure that the connector on the device is do NOT unplug the USB connector, do NOT remove the media
appropriate and that it is connected in the proper direction. from the device, and do NOT turn the power off to either device.
Doing so may corrupt the data on either or both devices.
CAUTION Precautions when using the USB [TO HOST]

When connecting a USB device to the USB [TO DEVICE] termi- terminal
nal on the top panel, remove it before closing the key cover. If When connecting the computer to the USB [TO HOST]
the key cover is closed with the USB device connected, the USB
device may be damaged. terminal, make sure to observe the following points.
Failing to do so risks freezing the computer and corrupting
Using USB Storage Devices or losing the data. If the computer or the instrument
By connecting the instrument to a USB storage device, freezes, restart the application software or the computer
you can save data youve created to the connected device, OS, or turn the power to the instrument off then on again.
as well as read data from the connected device.
CAUTION
NOTE Use an AB type USB cable of less than about 3 meters.
Although CD-R/RW drives can be used to read data to the instru- Before connecting the computer to the USB [TO HOST] termi-
ment, they cannot be used for saving data. nal, exit from any power-saving mode of the computer (such
as suspended, sleep, standby).
Before turning on the power to the instrument, connect the
The number of USB storage device to be computer to the USB [TO HOST] terminal.
used Execute the following before turning the power to the instru-
Only one USB storage devices can be connected to the ment on/off or plugging/unplugging the USB cable to/from
the USB [TO HOST] terminal.
USB [TO DEVICE] terminal.
- Quit any open application software on the computer.
- Make sure that data is not being transmitted from the instru-
ment. (Data is transmitted only by playing notes on the key-
board or playing back a song.)
While a USB device is connected to the instrument, you should
wait for six seconds or more between these operations: (1)
when turning the power of the instrument off then on again,
or (2) when alternately connecting/disconnecting the USB
cable.

Handling the Floppy Disk Drive (FDD) and Floppy
Disks
An optional floppy disk drive can be connected to the Cleaning the Disk Drive Read/
USB jack. (CLP-370/340) For instructions on installing
a Yamaha UD-FD01 floppy disk drive, see page 91.
Write Head
Clean the read/write head regularly. This instrument
employs a precision magnetic read/write head which,
The floppy disk drive lets you save original data youve
after an extended period of use, will pick up a layer of
created on the instrument to floppy disk, and allows you
magnetic particles from the disks used that will even-
to load data from floppy disk to the instrument.
tually cause read and write errors.
Be sure to handle floppy disks and treat the disk drive
To maintain the disk drive in optimum working order
with care. Follow the important precautions below.
Yamaha recommends that you use a commercially-
ENGLISH
available dry-type head cleaning disk to clean the head

Floppy Disk Compatibility about once a month. Ask your Yamaha dealer about
the availability of proper head cleaning disks.
3.5 2DD and 2HD type floppy disks can be used.
Inserting/Removing Floppy Disks About Floppy Disks

Handle floppy disks with care, and follow these
Inserting a Floppy Disk into the Disk Drive:
precautions:
Hold the disk so that the label of the disk is facing upward
Do not place heavy objects on a disk or bend or apply
and the sliding shutter is facing forward, towards the disk
pressure to the disk in any way. Always keep floppy
slot. Carefully insert the disk into the slot, slowly pushing
disks in their protective cases when they are not in use.
it all the way in until it clicks into place and the eject but-
Do not expose the disk to direct sunlight, extremely
ton pops out.
high or low temperatures, or excessive humidity, dust
NOTE or liquids.
Never insert anything but floppy disks into the disk drive. Other Do not open the sliding shutter and touch the exposed
objects may cause damage to the disk drive or floppy disks.
surface of the floppy disk inside.
Do not expose the disk to magnetic fields, such as
Removing a Floppy Disk those produced by televisions, speakers, motors, etc.,
After checking that the instrument is not accessing* since magnetic fields can partially or completely erase
the floppy disk (checking that the use lamp on the data on the disk, rendering it unreadable.
floppy disk drive is off), firmly press the eject button at Never use a floppy disk with a deformed shutter or
the upper right of the disk slot all the way in. housing.
When the floppy disk is ejected, pull it out of the drive. Do not attach anything other than the provided labels
If the floppy disk cannot be removed because it is to a floppy disk. Also make sure that labels are attached
stuck, do not try to force it, but instead try pressing the in the proper location.
eject button again, or try re-inserting the disk and
attempt to eject it again. To Protect Your Data (Write-pro-
* Access of the disk indicates an active operation, such as tect Tab):
recording, playback, or deletion of data. To prevent accidental erasure of important data, slide
If a floppy disk is inserted while the power is on, the disk is
automatically accessed, since the instrument checks
the disks write-protect tab to the protect position
whether the disk has data. (tab open). When saving data, make sure that the disks
write-protect tab is set to the overwrite position (tab
CAUTION closed).
Do not remove the floppy disk or turn off the instrument
itself while the disk is being accessed.
Doing so may result not only in loss of data on the disk
but also damage to the floppy disk drive. Write-protect tab open
(protect position)
Be sure to remove the floppy disk from the disk drive
before turning off the power. A floppy disk left in the
drive for extended periods can easily pick up dust and
dirt that can cause data-read and -write errors.

Playing Back Songs
Playing Back Songs

You can play back songs recorded using the Record function (pages 30 35) or commercially avail-
able songs. You can also play the keyboard along with the playback.
The Demo Songs ....................................................................................... page 16 NOTE

Playing the voice demo tune. When playing back songs con-
taining various voices or parts
50 Piano Preset Songs .............................................................................. page 17 (such as XG or GM songs), the
voices may not sound correct or
50 Piano Preset Songs in the instrument. as intended on the original. You
may be able to remedy this and
User songs in the instrument .................................................................... page 44 make the playback sound more
User songs which you recorded to the instrument by using the record function (pages natural or appropriate by chang-
ENGLISH
ing the Song Channel Selection
30 35). setting (page 66) to 1&2, so that
only channels 1 and 2 will play
External songs in the instrument .............................................................. page 44 back.
Songs transferred from a computer (including commercially available songs and NOTE
If the song cannot be selected or
songs which have been edited on a computer). Songs can be transferred (saved) to
loaded, you may need to change
the instrument by using the Musicsoft Downloader software (refer to the included the Character Code setting (page
Accessory CD-ROM Installation Guide). The songs are saved to an area of the 70).
internal memory separate from the area for recorded User songs. Up to 255 songs can NOTE
be played back on this instrument (numbers 001 255). Song data is not transmitted via
the MIDI connections. However,
channels 3 16 of Disklavier
User Songs saved from the instrument in the USB storage device.......... page 45 Piano Soft songs and non-pro-
SMF songs which have been saved from the instrument to a USB storage device (page tected External songs will be
transmitted via the MIDI connec-
37). tions when the Song Channel
Selection is set to 1&2 (page
External songs in the USB storage device................................................. page 45 66).
Commercially available songs or songs which have been edited on a computer, etc. NOTE
and stored to a USB storage device. Up to 999 songs can be played back on this Appropriate channels in the song
will automatically be assigned to
instrument (numbers 001 999). [RIGHT] and [LEFT]. Therefore,
[RIGHT] may be assigned to a
Internet songs from the website (CLP-370/340, CLP-S308/S306) ........... page 46 part other than channel 1, or
[LEFT] to a part other than chan-
Connect the instrument to the Internet and play back from the Internet. nel 2.
NOTE
Sequence formats that can be played For the USB storage device,
SMF (Standard MIDI File) Formats 0 and 1 folder directories on this instru-
The SMF format is one of the most common and widely compatible sequence for- ment can be recognized up to
two levels. However, the level is
mats used for storing sequence data. There are two variations: Format 0 and Format not displayed and song numbers
1. A large number of MIDI devices are compatible with SMF Format 0, and most 001 999 are displayed which-
commercially available MIDI sequence data is provided in SMF Format 0. The SMF ever level the song contains.
format for sequence files allows you to exchange song data between different NOTE
If the metronome is being used
sequencers. User songs recorded in this instrument are saved as SMF Format 0. during playback, the metronome
will automatically stop when play-
ESEQ back is stopped.
This sequence format is compatible with many of Yamahas MIDI devices, including NOTE
the Clavinova series instruments. This is a common format used with various If the REVERB type is changed
via the panel controls during play-
Yamaha software. back, both the playback and key-
Among ESEQ files, Disklavier Piano Soft songs can be played back on this instru- board reverb effects will be
changed.
ment.
NOTE
If the EFFECT type is changed via
the panel controls during play-
back, the playback effect may be
switched off in some cases.

Playing Back Songs
Playing Back User/External Songs on the Instrument

321 1
CLP-370
Procedure
1. Select the desired song.

ENGLISH
Press the [SONG SELECT] button (the USER indicator lights). Then press the
[/NO] [+/YES] buttons to select a song. The User songs are displayed as Uxx*
and External songs in the instrument are displayed as xxx.
*The U indication in the User song name means User. The letters xx represent the song number.
2. Start playback. NOTE

Press the SONG [PLAY/PAUSE] button.
User song playback cannot be
The current measure number appears on the display during playback. started when the recorder contains
no data.
NOTE
You can play the keyboard while the Clavinova is playing back a song. You You can also enjoy playing duets
with yourself by recording one
can also play the notes in a voice different from the playback voice by select- part of a duet or a song for two
ing a voice from the panel. pianos, then playing the other
part while the recorded part plays
back.
Adjust the volume
NOTE
Use the [MASTER VOLUME] slider to adjust the volume.
If you have External songs in the
instrument, you can use the
Adjust the tempo repeat function.
ALL: Play all External songs in
You can use the [TEMPO/FUNCTION , ] buttons to adjust the playback sequence.
tempo as required before or during playback. The default tempo (the songs rnd: Play all External songs con-
tinuously in random order.
original tempo) is set when you press the [] and [] buttons simultaneously.
NOTE
3. Stop playback. For instructions about how to load

the songs from the computer
(refer on page 76).
When playback is complete, the Clavinova automatically stops and locates the
top of the song. To stop playback in the middle of a song, press the SONG
[STOP] button. You can also pause playback by pressing the SONG [PLAY/
PAUSE] button.

Playing Back Songs
Playing Back User Songs from a USB Storage Device

21 1
CLP-370
Procedure
1. Select the desired song in the USB storage device.
ENGLISH
After making sure that the device is connected to the instrument, press the
[SONG SELECT] button (the USB indicator lights). Then press the [/NO] [+/
YES] buttons to select a number of the song you want to play (the number will
appear on the LED display Sxx* or xxx*), or select the playing method
RND* or ALL*.
*The S indication in the display represents SMF songs. The letters xx represent the song number.
*The xxx indication in the display represents External songs.
RND (r n d)*: Play all preset songs continuously in random order.
ALL*: Play all preset songs in sequence.
2. Start and stop playback.

Same as steps 2 and 3 in Playing Back User/External Songs on the Instrument
on page 44.
Useful Playback Functions

Turning part playback on and off
NOTE
When you select a song on the Clavinova, the indicators for parts that contain data
Parts can be turned on or off
(one of [RIGHT] [LEFT] or both) are lit in green. While the Clavinova is playing or before or during playback.
stopped, pressing these part buttons turns off the indicators, and the data on those
parts is not played. Pressing the part buttons toggles part playback on and off. TERMINOLOGY
Sync:
Starting playback automatically when you start playing the keyboard Synchronized; occurring at the
same time
(Sync Start)
You can start playback as soon as you start playing the keyboard. This is called the
Sync Start function.
To engage the Sync Start function, press the SONG [PLAY/PAUSE] button while hold-
ing down the SONG [STOP] button. The SONG [PLAY/PAUSE] lamp will flash at the
current tempo.
(Repeat the previous operation to disengage the Sync Start function.)
Playback will then start as soon as you begin playing on the keyboard.
This function is useful when you wish to match the timing of the beginning of the play-
back sound and the start of your own performance.
Assigning the PLAY/PAUSE function to the left pedal

The left pedal can also be assigned to song play/pause operation via the Left Pedal
Mode (page 66). This is convenient for starting playback of the song anytime after you
have started playing.

Internet Direct Connection (CLP-370/340, CLP-S308/S306)
Internet Direct Connection (CLP-370/

340, CLP-S308/S306)
This feature lets you directly connect your instrument to the Internet. A service in the special Yamaha website enables you
to play back a range of songs (song data) in various musical genres as background music.
Here in this section, you may come across some unfamiliar terms and phrases related to computers and online communi-
cations. To look up the meaning of these terms, refer to the Glossary of Internet Terms on page 57.
Setting up the Instrument for Internet Connection

ENGLISH
You can connect the instrument to a full-time online connection (ADSL, optical fiber, NOTE
cable Internet, etc.) via a router or a modem equipped with a router. For the latest ser- Depending on the Internet con-
nection, you may not be able to
vices and the specific instructions on connecting (as well as information on compatible connect to two or more devices
devices etc.), refer to the Yamaha website: (for example, a computer and the
http://music.yamaha.com/idc/ instrument), depending on the
contract with the provider. This
means you cannot connect with
Use a computer to connect to the Internet and get online before connecting the instrument, the instrument. If in doubt, check
since no modem or router settings can be made from the instrument itself. your contract or contact your pro-
vider.
To use the Internet connection, you will first need to subscribe to an Internet service or
provider. NOTE
Connect the LAN cable to the
[LAN] port.
Connection example 1: Connecting by cable (using a modem with-
out router) NOTE
Some types of modems require
an optional Ethernet hub network
Modem* Router LAN cable for simultaneously connecting to
No router capability Cable type several devices (such as com-
puter, musical instrument, etc.).
LAN cable NOTE

Due to EU regulations, users
within Europe should use an STP
[LAN] port (shielded twisted pair) cable to
prevent electromagnetic interfer-
ence.
* Here, modem refers to an ADSL modem, optical network unit (ONU) or cable modem.

Connection example 2: Connecting by cable (using a modem with

router)
NOTE
Modem* LAN cable Connect the LAN cable to the
Router capability [LAN] port.
LAN cable
[LAN] port
ENGLISH
Connection example 3: Wireless connection (using a wireless game
adaptor)
NOTE
Modem* Access point Connect the wireless game adap-
tor to the [LAN] port.
NOTE
In addition to the modem or an
access point, this connection
[LAN] port requires a router.
Wireless Game Adaptor
Connection example 4: Wireless connection (using a USB wireless

LAN adaptor)
NOTE
Modem* Access point Connect the USB wireless LAN
adaptor to the USB [TO DEVICE]
terminal.
NOTE
In addition to the modem or an
access point, this connection
requires a router.
USB Wireless LAN Adaptor
USB [TO DEVICE] terminal
NOTE
This instrument is encrypted in
WEP format only.

Connecting the Instrument to the Internet

If you are using a connection by cable (using DHCP):
You do not need to make settings on the instrument. You can access the Internet simply NOTE
The most common routers and
by connecting a router or a modem equipped with a router to the instrument via a LAN modems equipped with a router
cable. have a DHCP function.
Once the instrument is successfully connected to the Internet, currently selected channel
will be shown on the display when you select the INTERNET lamp with the [SONG
SELECT] button.
You can play back the songs on the Internet using the service. For instructions on playing
back songs, see Listening to the Songs on Internet on page 56.
ENGLISH
If you are using a connection by cable (using static IP

address, proxy server):
You need to make Internet settings on the instrument.
For instructions on making Internet settings, see About the Internet Settings on page 49.
If you are using a wireless LAN (using a wireless

game adaptor):
You do not need to make settings on the instrument.
You can access the Internet simply by connecting a wireless game adaptor to the instrument.
* The wireless game adaptor requires settings such as the access point. For information about how to make
settings, read the owners manual for the product you are using.
Once the instrument is successfully connected to the Internet, currently selected channel
will be shown on the display when you select the INTERNET lamp with the [SONG
SELECT] button.
You can play back the songs on the Internet using the service. For instructions on playing
back songs, see Listening to the Songs on Internet on page 56.
If you are using a wireless LAN (using a USB wireless

LAN adaptor):
You need to make Internet settings from a computer; settings cannot be made on the
instrument.
For instructions on making Internet settings, see About the Internet Settings on page 49.

About the Internet Settings

You can conveniently make Internet settings for your instrument from the special NOTE
Yamaha website. You do not need to make the
If you select a wireless connection using the USB wireless LAN adaptor or a connection Internet settings here if you are
using a connection by cable
by cable (using static IP address or proxy server), you need to make Internet settings (using DHCP) or a wireless LAN
explained as follows. (using a wireless game adaptor).
Internet Settings
When you use the Internet Direct Connection (IDC) for the first time, you should
make the Internet settings according to the following illustration flow.
This flow is shown to make you easily understand how to load the setting file created by
the computer to your instrument. By following this flow, you wont need to make
ENGLISH
difficult settings such as typing various data on your instrument.
Access the
special Yamaha USB Flash
website Memory
Save the file Load the file to

Create the Internet to USB flash the instrument
setting file memory
For details, refer to the Yamaha webpage:

http://music.yamaha.com/idc/
Creating the Internet Setting Files

You need to create the Internet setting files on the special Yamaha webpage using your NOTE
The Internet settings will be
computer before making the Internet settings. backed up.
For information about how to create the Internet setting files, read the instructions on
the Yamaha webpage:
Loading the Internet Setting Files

This procedure lets you make Internet settings by loading the Internet setting files
created on the special Yamaha webpage to the instrument.
5 1 24 3 5
CLP-370
NOTE
Procedure You can create the Internet
setting files (named config.n21)
1. Engage the Function mode. on the special Yamaha webpage.
NOTE
Make sure that the USB flash memory device containing the saved Internet
The Load mode cannot be
setting file named config.n21 is connected to the instrument, and then press engaged while voice demo song
the [TEMPO/FUNCTION] button so that the [FUNCTION] indicator lights. playback is in use, when the
[REC] button is on, or when user
song playback is active.

2. Select Function F9.y (on the CLP-370/340) or F8.y

(on the CLP-S308/S306).
Use the [TEMPO/FUNCTION , ] buttons to select Function F9.y (CLP-370/
340) or F8.y (CLP-S308/S306).
3. Enter the Sub-modes Selection mode following the

F9 or F8.
Press the [+/YES] button to enter the Sub-modes Selection mode.
4. Select Function F9.1 (on the CLP-370/340) or F8.1

ENGLISH
Use the [TEMPO/FUNCTION , ] buttons to select Function F9.1 (CLP-370/

340) or F8.1 (CLP-S308/S306).
If you do not want to load the file, press the [/NO] button.
5. Start loading. NOTE

Press the [+/YES] button.
If loading is not successfully com-
After n-y appears in the display again to confirm whether you wish to load the pleted, an Err message and the
file or not, press the [+/YES] button once more. error code will appear alternately
on the display.
If you do not want to load the file, press the [/NO] button. To return to the previous indica-
tion, press the [/NO] or
[+/YES] button.
When loading from the USB flash memory device is
completed, an End message will appear on the dis- NOTE
play. Press [/NO] or [+/YES] button to exit from this Error Code
You can check the description for
display. the error code on the Yamaha
website:
Once loading is completed, you are now ready to access the Internet.
Once the instrument is successfully connected to the Internet, currently selected
channel will be shown on the display when you select INTERNET lamp with NOTE
the [SONG SELECT] button. Yamaha recommends that you
back up the Internet setting files
For instructions on listening to the songs, see Listening to the Songs on Inter- (page 78).
net on page 56.

Checking the field strength (when using a USB wireless

LAN adaptor)
You can check the field strength on the display, if you are using a USB wireless LAN NOTE
The field strength can be dis-
adaptor (Connection example 4 on page 47).
played after making the Internet
connection.
Engage the function mode, then select the function number and enter the desired Sub-
modes Selection mode (refer to steps 1 3 for similar instructions on page 49). NOTE
If you are using a wireless game
adaptor, the display pattern for
No wireless LAN is used will
appear.
Procedure
ENGLISH
1. Select Function F9.3 (on the CLP-370/340) or F8.3
Use the [TEMPO/FUNCTION , ] buttons to select Function F9.3 (CLP-370/
340) or F8.3 (CLP-S308/S306).
2. Press the [/NO] or [+/YES] button

The field strength indication will appear on the display for about three seconds.
Field Strength Indications
Radio Status Display
No signal is present.
Field strength: Weak
Field strength: Medium
Field strength: Strong
No wireless LAN is used.

Exporting the Connection Information

This procedure lets you export the detailed information on the current connection as a NOTE
The connection information file
text file to a USB flash memory device. You can check the information on your com-
does not allow you to manually
puter. make Internet settings. The con-
nection information file is set to
read only and cannot be edited.
modes Selection mode (refer to steps 1 3 for similar instructions on page 49).
Procedure
ENGLISH
1. Select Function F9.2 (on the CLP-370/340) or F8.2 NOTE

The export mode cannot be
Use the [TEMPO/FUNCTION , ] buttons to select Function F9.2 (CLP-370/ engaged while voice demo song
340) or F8.2 (CLP-S308/S306). playback is in use, when the
[REC] button is on, or when user
song playback is active.
2. Turn on the Export mode. NOTE

If exporting has not successfully
Press the [+/YES] buttons so that OUt appears on the display. been completed, an Err mes-
sage and the error code will
If you do not want to export the file, press the [/NO] appear alternately on the display.
button.
NOTE
Error Code
3. Start exporting. You can check the description for

the error code on the Yamaha
website:
A n y appears in the display to confirm whether you wish to export the file or
not, press the [+/YES] button again.
If you do not want to export the file, press the [/NO] button.
A ny message will appear on the display if a USB flash memory device con-
tains a file with the same name as the one you are attempting to export.
Press the [+/YES] button to execute the overwriting operation. Press the [/NO]
button to cancel exporting.
When exporting to the USB flash memory device is
completed, an End message will appear on the dis-
play. Press [/NO] or [+/YES] button to exit from this
display.
After exporting, connect the USB flash memory device to your computer, and
then open the text file named ConnectionInfo.txt in the root directory of the
USB flash memory device to check the detailed connection information.

Other Internet Operations

Checking the version number of the instrument
You can check the version number of this instrument.
Procedure
1. Select Function [F9.4] (on the CLP-370/340) or F8.4 (on the CLP-
S308/S306).
Use the [TEMPO/FUNCTION , ] buttons to select Function F9.4 (CLP-
ENGLISH
370/340) or F8.4 (CLP-S308/S306).
2. Call up the version number.
Press the [+/YES] button so that the version number appears on the display.
A PrG message and version number x.xx will appear alternately on the
display.
3. Return to the Sub-modes Selection mode
Press the [+/YES] button to exit from the sub-modes.
4. Exit from the Function mode
Press the [TEMPO/FUNCTION] button to exit from function modes.
Checking the version number of the LAN Port driver

You can check the version number of the LAN Port driver.
Procedure
1. Select Function F9.5 (on the CLP-370/340) or F8.5 (on the CLP-
S308/S306).
370/340) or F8.5 (CLP-S308/S306).
A L-P message and version number x.x.x will appear alternately on the
display.
Press the [+/YES] button to exit from the Sub-modes.
4. Exit from function mode
Press the [TEMPO/FUNCTION] button to exit from the Function modes.

Checking the version number of the USB-LAN

Adapter driver
You can check the version number of the USB-LAN Adapter driver.
Procedure
S308/S306).
ENGLISH
370/340) or F8.6 (CLP-S308/S306).

A L-A message and version number x.x.x will appear alternately on the
display.

Initializing Internet Settings

You can initialize the Internet settings.
NOTE
Procedure The settings of the Internet are not
initialized when using the Initial-
izing the data on page 58.
S308/S306).
370/340) or F8.7 (CLP-S308/S306).
ENGLISH
2. Enter the Initializing mode.
Press the [+/YES] buttons.
A CLr message will appear on the display.
3. Confirm the initialization.
A n y appears in the display to confirm whether you wish to initialize or
not.
If you do not want to initialize, press the [/NO] button.
4. Execute the initialization.
Press again the [+/YES] buttons. NOTE
Information of the cookies will be
Start the initialization.
initialized at the same time.
When initialization is completed, an End message appears on the display.
CAUTION
Initializing restores the instrument to the factory-programmed settings for all Internet
settings. Yamaha recommends you that you back up the Internet settings before initial-
izing.
Internet Initial Settings List

The following are the default settings of this instrument.
DHCP ON (available)
Wireless LAN OFF (no settings)
Proxy server OFF (no settings)

Listening to the Songs on Internet (CLP-370/340, CLP-S308/S306)
Listening to the Songs on Internet (CLP-

370/340, CLP-S308/S306)
Yamaha provides a special website with data service that enables you to play back a range of songs (song data) in various
musical genres as background music on your instrument.
Before connect the instrument to the Internet, be sure to read Internet Direct Connection on page 46.
43 1 2
ENGLISH
CLP-370
Procedure
NOTE
1. Turn on the INTERNET lamp. You cannot select the INTER-

NET lamp while voice demo
Make sure that the instrument is connected to the Internet, then press the song playback is in use or the
[REC] button is on.
[SONG SELECT] button (the INTERNET indicator lights). The INTERNET
access lamp flashes in red during Internet access. NOTE
The LED displays shown in this
2. Change the Channel. owners manual are for instruc-

tional purposes only and may
Press the [/NO] or [+/YES] button to change the channel. The current channel appear somewhat different from
those on your instrument.
setting appears on the display.
NOTE
You can adjust the Effect Type
(page 23) that is applied to the
voice you play on the keyboard
as well as for the song on Internet
playback. The Touch sensitivity
(page 24) for the keyboard voice
3. Start playback. can also be adjusted to your lik-

ing. You can also change the Bril-
liance type (page 22) and Reverb
Press the SONG [PLAY/PAUSE] button to start playback (the INTERNET
type (page 22) that are applied to
access lamp flashes in red during Internet access). Internet song playback.
4. Stop playback. NOTE

When you select a different song
Press the SONG [STOP] button. (or a different song is selected
during chained playback), an
appropriate Reverb Type will be
selected accordingly.
NOTE
Song data from the Internet is not
transmitted via the MIDI connec-
tors.
NOTE
The Synchro start function, Part
settings and A-B Repeat function
becomes effective after you play
back the song once.

Glossary of Internet Terms

A device that acts as a communication hub for multiple wireless devices, and conventionally enables both
Access point
wired and wireless LAN connections.
An Internet connection technology/service (such as ADSL and optical fiber) that allows for high-speed, high-
Broadband
volume data communication.
The software used to search for, access, and view web pages. For this instrument, this refers to the display
Browser
that shows the contents of the web pages.
A system that records certain information that the user transfers when visiting a website and using the Inter-
net. The function is similar to a preference file in a conventional computer program, in that it remembers cer-
Cookie
tain information such as your user name and password, so you dont have to re-enter the information each
time you visit the site.
ENGLISH
This is a standard or protocol by which IP addresses and other low-level network configuration information
DHCP
can be dynamically and automatically assigned each time connection is made to the Internet.
Transferring data over a network, from a larger host system to a smaller client systems hard drive or other
Download local storage devicemuch like copying files from your hard disk drive to a floppy disk. For this instrument,
this refers to the process of transferring Song and other data from a website to the instrument.
The first page shown when opening a browser and connecting to the Internet. This phrase is also used to
Home page
mean the front screen or top page of a website.
A huge network made up of networks, the Internet allows high-speed data transfer among computers, mobile
Internet
phones and other devices.
A string of numbers assigned to each computer connected to a network, and indicating the devices location
IP address
on the network.
Short for Local Area Network, this is a data-transfer network that connects a group of computers at a single
LAN
location (such as an office or home) by means of a special cable.
Location information in other sentences and images, etc. that are under buttons and character strings on a
Link
web page. When the place with the link is clicked, the page selection jumps to the relevant link.
A device which connects and allows data transfer between a conventional telephone line and a computer. It
Modem
converts the digital signals from the computer to analog audio for sending over the phone line, and vice versa.
A communications business that offers Internet connection services. In order to connect to the Internet, it is
Provider
necessary to contract to a provider.
A proxy server is a server that all computers on a local network have to go through before accessing informa-
tion on the Internet. It intercepts all or designated requests to the real server to see if it can fulfill the requests
Proxy
itself. If not, it forwards the request to the real server. Proxy servers are used to improve performance and
speed, and to filter requests, usually for security and to prevent unauthorized access to an internal network.
A device for connecting multiple computer networks. For example, a router is necessary when connecting
Router several computers in a house or office, and allow them to all access the Internet and share data. A router is
usually connected between a modem and a computer, although some modems have a built-in router.
Server A hardware system or computer used as a central point for a network, providing access to files and services.
Short for website, this refers to the group of web pages that are opened together. For example, the collection
Site
of web pages whose addresses begin with http://www.yamaha.com/ is referred to as the Yamaha site.
Short for Secure Sockets Layer, a standard for transmitting confidential data such as credit card numbers over
SSL
the Internet.
Short for Uniform Resource Locator, a string of characters used to identify and link to specific websites and
URL
pages on the Internet. A complete URL usually starts with the characters http://.
Web page Refers to each individual page that makes up a website.
Short for Wired Equivalent Privacy, a security protocol for wireless networks. WEP protects communication
WEP
contents from being intercepted.
Wireless LAN A LAN connection that allows data transfer through a wireless, cable-free connection.
Wireless Game Device that allows easy wireless connection with digital consumer electronic devices, printers, and game
Adaptor (Wireless machines, etc. equipped with [LAN] ports.
Ethernet Converter
or Bridge)

Initializing the data

CAUTION
When you initialize the data, all panel settings and song data will be erased and reset to
the default settings. Yamaha recommends you that you back up the data before initial-
izing (refer on page 78).
Turn off the power to the instrument. Then turn the power on
while holding the C7 key (highest key).
CAUTION
ENGLISH
Do not turn off the power to this instrument while data in internal memory is being ini-
tialized (in other words, while the CLr indication is shown). Doing so may corrupt the
all data on the instrument.

Detailed Settings [FUNCTION]

You can set various parameters to make the best use of Clavinova functions, such as fine tuning the pitch or selecting a
scale, etc.
The following parameters are available.

The CLP-370/340 has nine main functions, and the CLP-330 has seven main functions, and the CLP-S308/S306 has eight
main functions.
Some of these main functions consist of a set of sub-modes.
Parameter List
CLP-370/ CLP-S308/ Reference
Function Sub-Mode CLP-330
ENGLISH
340 S306 page
Fine tuning of the pitch F1 F1 F1 62
Selecting a scale Scale F2.1 F2.1 F2.1 63
Base Note F2.2 F2.2 F2.2 63
Dual mode functions Dual Balance F3.1 F3.1 F3.1 64
Dual Detune F3.2 F3.2 F3.2 64
Voice 1 Octave Shift F3.3 F3.3 F3.3 64
Voice 2 Octave Shift F3.4 F3.4 F3.4 64
Voice 1 Effect Depth F3.5 F3.5 F3.5 64
Voice 2 Effect Depth F3.6 F3.6 F3.6 64
Reset F3.7 F3.7 F3.7 64
Split mode functions Split Point F4.1 65
Split Balance F4.2 65
Right Voice Octave Shift F4.3 65
Left Voice Octave Shift F4.4 65
Right Voice Effect Depth F4.5 65
Left Voice Effect Depth F4.6 65
Damper Pedal Range F4.7 65
Reset F4.8 65
Other Functions Left Pedal Mode F5.1 F4.1 F4.1 66
Soft Pedal Effect Depth F5.2 F4.2 F4.2 66
Sustain Sample Depth F5.3 66
Keyoff Sample Volume F5.4 66
Song Channel Selection F5.5 F4.3 F4.3 66
Metronome volume F6 F5 F5 67
MIDI Functions MIDI Transmit Channel Selection F7.1 F6.1 F6.1 67
MIDI Receive Channel Selection F7.2 F6.2 F6.2 68
Local Control ON/OFF F7.3 F6.3 F6.3 68
Program Change ON/OFF F7.4 F6.4 F6.4 68
Control Change ON/OFF F7.5 F6.5 F6.5 68
Panel/Status Transmit F7.6 F6.6 F6.6 69
Initial Setup Send F7.7 F6.7 F6.7 69
Backup Functions Voice F8.1 F7.1 F7.1 70
MIDI F8.2 F7.2 F7.2 70
Tuning F8.3 F7.3 F7.3 70
Others F8.4 F7.4 F7.4 70
Character Code F8.5 F7.5 F7.5 70

CLP-370/ CLP-S308/ Reference

Function Sub-Mode CLP-330
340 S306 page
LAN Settings Loading Internet Setting File F9.1 F8.1 49
Exporting The Connection Informa- F9.2 F8.2 52
tion
Checking the Field Strength F9.3 F8.3 51
Program Version Program Version F9.4 F8.4 53
LAN Functions LAN port driver version F9.5 F8.5 53
USB-LAN Adapter version F9.6 F8.6 54
Initializing Internet Settings F9.7 F8.7 55
Basic Procedure in Function Mode

ENGLISH
Follow the steps below to use the functions.

(If you become lost while using a function, return to this page and read the basic procedure.)
1 5 2 4 34
CLP-370
Procedure
1. Engage the Function mode.

Press the [TEMPO/FUNCTION] button so that its [FUNCTION] indicator lights.
NOTE
will appear on the display. (The indication of varies depending on
Functions cannot be selected
the status of the unit and usage.) during Demo/Song Select/ file
operation mode or when the user
2. Select a function. song recorder is in operation.
Use the [TEMPO/FUNCTION , ] buttons to select the desired function from NOTE
F1 F9 (CLP-370/340), F1 F7 (CLP-330), F1 F8 (CLP-S308/S306). To exit the Function mode, press
[FUNCTION] button any time.
3. Use the [/NO] [+/YES] buttons.

If the function does not include sub-modes, jump to Step 4.
If the function includes sub-modes, press the [+/YES] button once to enter the NOTE
After you select the function, the
respective sub-mode.
current setting will be displayed
when the [/NO] or [+/YES] but-
ton is pressed for the first time.

4. Operate the desired function using the following

two buttons.
[TEMPO/FUNCTION , ]
Selects the desired function/sub-mode.
[/NO] or [+/YES]
After you select the desired function or sub-mode, set the ON/OFF, select the
type, or change the value, accordingly.
Depending on the setting, the default setting (which is used when you first turn
on the power to the Clavinova) is recalled by pressing the [/NO] and [+/YES]
buttons simultaneously.
Operation Example 1 (F1. Fine tuning of the pitch)
ENGLISH
LED indication LED indication
Engage the Function mode. Select a desired function. Change the value.
Operation Example 2 (F3.1 Dual Balance)
LED indication LED indication
Engage the Function mode. Select a desired function. Engage the respective Select a desired sub-mode.
sub-mode.
LED indication
Change the value.
5. After using the function, exit the function mode.

To exit the Function mode, press the [TEMPO/FUNCTION] button so that its
[TEMPO] indicator lights.

About Each Function

NOTE
F1. Fine Tuning of the Pitch You can also tune in about 1Hz steps (in any mode other
than Function mode).
You can fine tune the pitch of the entire instrument. To tune down or up, respectively, in approximately 1 Hz
This function is useful when you play the Clavinova increments: Hold the A -1, B -1 and C0 keys (three white keys at
the left end) or A -1, B -1 and C#0 keys (two white keys and a
along with other instruments or CD music. black key) simultaneously and press the [/NO] or [+/YES] button.
To restore standard pitch: Hold the A -1, B -1 and C0 keys
1. Engage the Function mode and select . (three white keys at the left end) or A -1, B -1 and C#0 keys (two
white keys and a black key) simultaneously and press the [/NO]
2. Use the [/NO] and [+/YES] buttons to lower or [+/YES] buttons simultaneously.
raise the pitch of the A3 key in approximately
0.2 Hz increments. C#0
A#-1
ENGLISH
The value appears two-digit number and one decimal

place.
Ex. 440.2Hz is shown as 40.2 on the display.
C0 C3 B3
Display Value B -1
440.0 Setting range:
427.0 453.0 (Hz) A -1
440.2
440.4 Normal setting: During the procedure described above, the display indicates a
440.0 (Hz) value in Hz < >. After the procedure, the display
440.6
returns to the previous indication.
440.8
TERMINOLOGY
Hz (Hertz):
This unit of measurement refers to the frequency of a sound and
represents the number of times a sound wave vibrates in a second.
NOTE
You can also use the keyboard to set the pitch (in any mode
other than Function mode).
To tune up (in about 0.2Hz steps): Hold the A -1, B -1 and C0
keys (three white keys at the left end) simultaneously and press
any key between C3 and B3.
To tune down (in about 0.2Hz steps): Hold the A -1, B -1 and
C#0 keys (two white keys and a black key) simultaneously and
press any key between C3 and B3.
To restore standard pitch: Hold the A -1,B -1, C0 and C#0

(three white keys and a black key) simultaneously and press any
key between C3 and B3.
Each key has a note name; for example, the lowest (farthest left)
key on the keyboard corresponds to A -1, and the highest
(farthest right) key to C7.
During the procedure described above, the display indicates a

value in Hz < >. After the procedure, the display
returns to the previous indication.

1. Engage the Function mode and select .

F2. Selecting a Scale
2. Press the [+/YES] button to engage the scale
You can select various scales. functions sub-mode, then use the [TEMPO/
Equal Temperament is the most common FUNCTION , ] buttons to select the
contemporary piano tuning scale. However, desired sub-mode.
history has known numerous other scales, Press the [/NO] and [+/YES] buttons to select
many of which serve as the basis for certain the number of the desired tuning.
genres of music. You can experience these
tunings with Sub-mode
the Clavinova.
F2.1: Scale
Equal Temperament
Setting range: 1: Equal Temperament
One octave is divided into twelve equal intervals. 2: Pure Major
ENGLISH
Currently the most popular piano tuning scale. 3: Pure Minor
4: Pythagorean
Pure Major/Pure Minor
5: Mean Tone
Based on natural overtones, three major chords using 6: Werckmeister
these scales produce a beautiful, pure sound. 7: Kirnberger
Pythagorean
Normal setting: 1: Equal Temperament
This scale, designed by Pythagoras, a Greek philosopher,
is based on the interval of a perfect 5th.
The 3rd produces swells, but the 4th and 5th are beauti- F2.2: Base Note
ful and suitable for some leads. If you select a scale other than Equal Temperament, you
need to specify the root. (You can specify the root note
Mean Tone
with Equal Temperament selected, but it is not effective.
This scale is an improvement of the Pythagorean in that The base note setting is effective for tunings other than
the swell of the 3rd has been eliminated. The scale the Equal Temperament tuning.)
became popular during the late 16th century through the
Setting range:
late 18th century, and was used by Handel.
Normal setting:
Werckmeister/Kirnberger
These scales combine Mean Tone and Pythagorean in Root indication example
different ways. With these scales, modulation changes the
impression and feel of the songs. They were often used in
the era of Bach and Beethoven. They are often used today
(F) (G)
(A )
to reproduce the music of that era on harpsichords. followed by followed by

a high bar if sharp a low bar if flat

F3. Dual Mode Functions F3.3: Voice 1 Octave Shift
You can set various parameters for Dual mode F3.4: Voice 2 Octave Shift
to optimize the settings for the songs you play, Setting range: 1, 0, 1
such as adjusting the volume balance between Normal setting: Different for each voice combination.
two voices. You can shift the pitch up and down in octave steps for
Dual mode function settings are set individu- Voice 1 and Voice 2 independently. Depending on which
ally for each voice combination. voices you combine in Dual mode, the combination may
sound better if one of the voices is shifted up or down an
octave.
1. Select the voices in Dual mode, then engage
the Function mode and select .
2. Press the [+/YES] button to engage the Dual F3.5: Voice 1 Effect Depth
ENGLISH
mode functions sub-mode, then use the

[TEMPO/FUNCTION , ] buttons to select F3.6: Voice 2 Effect Depth
the desired sub-mode. Press the [/NO] [+/ Setting range: 0 20
YES] button to assign values. Normal setting: Different for each voice combination.
These functions make it possible to individually set the
NOTE
depth of the effect for Voices 1 and 2 for Dual mode.
If Dual mode is not engaged, will appear instead of
and you will be unable to select Dual mode functions. (The effect depth settings cannot be changed unless the
In this case, you can switch to the Dual mode by selecting two [EFFECT] is ON. Function mode must be exited before
voices.
the [EFFECT] can be turned ON.)
Sub-mode Voice 1 and Voice 2 are explained on page 26.
F3.1: Dual Balance

F3.7: Reset
Setting range: 0 20 (A setting of 10 produces an
This function resets all Dual mode functions to their
equal balance between the two Dual
default values. Press the [+/YES] button to reset the values.
mode voices. Settings below 10
increase the volume of Voice 2 in NOTE
relation to Voice 1, and settings SHORTCUT:
above 10 increase the volume of You can jump directly to the Dual mode functions by pressing
the [TEMPO/FUNCTION] button while holding the two Dual mode
Voice 1 in relation to Voice 2.)
voice buttons.
Normal setting: Different for each voice combination. To exit Function mode, you still need to press the [TEMPO/FUNCTION]
You can set one voice as the main voice, and another button so that the TEMPO indicator lights up.
voice as a softer, mixed voice.
F3.2: Dual Detune

Setting range: -20 0 20 (With positive values,
the pitch of Voice 1 is raised and the
pitch of Voice 2 is lowered. With neg-
ative values, the pitch of Voice 1 is
lowered and the pitch of Voice 2 is
raised.)
NOTE
The available setting range is wider in the lower range ( 60 cents
for A -1), and narrower in the higher range ( 5 cents for C7). (100
cents equal one semitone.)
Normal setting: Different for each voice combination.

Detune Voice 1 and Voice 2 for Dual mode to create a
thicker sound.

The volume level of the two voices combined in Split

F4. (CLP-370/340) mode can be adjusted as required. You can make this
Split Mode Functions setting for each combination of voices individually.
This menu enables you to make various F4.3: Right Voice Octave Shift
detailed settings for Split mode.
By changing the split point or other setting, F4.4: Left Voice Octave Shift
you can optimize the settings for the songs Setting range: 1, 0, 1
you play. Normal setting: Different for each voice combination
You can shift the pitch up and down in octave steps for
1. Select the voices in Split mode, then engage
the Right Voice and Left Voice independently. Make a
the Function mode and select .
setting depending on the note range of the songs you
2. Press the [+/YES] button to engage the Split play. You can make this setting for each combination of
mode functions sub-mode, then use the voices individually.
ENGLISH
[TEMPO/FUNCTION , ] buttons to select
the desired sub-mode. Press the [/NO] [+/ F4.5: Right Voice Effect Depth
YES] button to assign values.
F4.6: Left Voice Effect Depth
NOTE Setting range: 0 20
If Split mode is not engaged, will appear instead of Normal setting: Different for each voice combination
and you will be unable to select Split mode functions. Also note
that you must exit Function mode before you can engage Split
These functions make it possible to individually set the
mode. depth of the effect for the left and right Split mode
voices.
The effect depth settings cannot be changed unless the
Sub-mode [EFFECT] is ON. You must exit Function mode before
you can turn on an [EFFECT].
F4.1: Split Point You can make this setting for each combination of voices
Setting range: The entire keyboard individually.

Normal setting: F 2
Set the point on the keyboard that separates the right and F4.7: Damper Pedal Range
left-hand sections (split point). The pressed key is Setting range: ALL (for both voices)
included in the left-hand range. 1 (for the right Voice)
Instead of pressing the [/NO] [+/YES] buttons, you 2 (for the left Voice)
can engage the split point by pressing the appropriate Normal setting: ALL
key on the keyboard. The Damper Pedal Range function determines whether
If Function mode is not engaged, you can change the the damper pedal affects the right voice, the left voice, or
split point to any other key by pressing the key while both the left and right voices in Split mode.
holding the [SPLIT] button (page 27).
An example of a key name indication for a split point F4.8: Reset
This function resets all Split mode functions to their
default values. Press the [+/YES] button to reset the val-
(F2) (G2)
ues.
followed by followed by
a high bar if sharp a low bar if flat NOTE
SHORTCUT:
You can jump directly to Split mode functions by pressing the
F4.2: Split Balance [TEMPO/FUNCTION] button while holding the [SPLIT] button.
Setting range: 0 20 (A setting of 10 produces an To exit Function mode, you still need to press the [TEMPO/FUNC-
TION] button so that the TEMPO indicator lights up.
equal balance between the two Split
mode voices. Settings below 10
increase the volume of the left voice
in relation to the right voice, and set-
tings above 10 increase the volume
of the right voice in relation to the
left voice.)
Normal setting: Different for each voice combina-
tion.

F5.3 (CLP-370/340)
F5. (CLP-370/340) / F4. (CLP-S308/S306, CLP-330)
Sustain Sample Depth
Other Functions
Setting range: 0 20
This section provides a variety of other functions, Normal setting: 12
including letting you assign the operation of the The GRAND PIANO 1 voice features special Sustain
left pedal to one of several modes, and allowing Samples that recreate the unique resonance of an acoustic
you to select specific song channels for playback. grand pianos soundboard and strings when the damper
pedal is pressed. This function lets you adjust the depth of
1. Engage the Function mode and select this effect.
(CLP-370/340)/ (CLP-S308/S306, CLP-
330). F5.4 (CLP-370/340)
2. Press the [+/YES] button to engage the other Keyoff Sample Volume
functions sub-mode, then use the [TEMPO/ Setting range: 0 20
ENGLISH
FUNCTION , ] buttons to select the desired Normal setting: 10

sub-mode. You can adjust the volume of the keyoff sound (the sub-
Press the [/NO] or [+/YES] button to select tle sound produced when the keys are released) for voices
the desired pedal function or assign the values. [GRAND PIANO1], [HARPSICHORD], [E.CLAVICHORD]
Sub-mode (including their variations).
F5.1 (CLP-370/340)/F4.1 (CLP-S308/S306, CLP-330)

F5.5 (CLP-370/340)/F4.3 (CLP-S308/S306, CLP-330)
Left Pedal Mode
Song Channel Selection
Setting range:
Setting range: ALL, 1&2
1. Soft Pedal
Normal setting: ALL
The soft pedal reduces the volume and slightly
The setting here only affects Disklavier Piano Soft songs,
changes the timbre of notes played while the pedal is
and non-protected External songs. You can specify which
pressed. The soft pedal will not affect notes that are
song channels will play back on this instrument. When
already playing.
ALL is selected, channels 1 16 will be played back.
2. Song Play/Pause
When 1&2 is selected, only channels 1 and 2 will be
This mode allows you to start or pause song playback.
played back, while channels 3 16 will be transmitted via
In this mode, the Left Pedal functions in the same
MIDI.
manner as the SONG [PLAY/PAUSE] button on the
panel.
3. Variation (CLP-370/340)
This mode enables you to switch the Voices variation
on or off. In this mode, the left pedal functions in the
same manner as the [VARIATION] button on the
panel.
Normal setting: 1 (Soft Pedal)
F5.2 (CLP-370/340)/F4.2 (CLP-S308/S306, CLP-330)

Soft Pedal Effect Depth
Setting range: 1 5
Normal setting: 3
This function sets the depth of the soft pedal effect.

F6. (CLP-370/340) / F5. (CLP-S308/S306, CLP-330) F7. (CLP-370/340) / F6. (CLP-S308/S306, CLP-330)
Metronome Volume MIDI Functions
You can change the volume of the metronome You can make detailed adjustments to MIDI
sound. settings.
Use this function to adjust the metronome vol- For more information about MIDI, see the
ume. About MIDI section (page 72).
1. Engage the Function mode and select
(CLP-370/340)/ (CLP-S308/S306, CLP- All MIDI settings described below will affect the MIDI signal
in and out of the USB [TO HOST] connector.
330).
2. Use the [/NO] and [+/YES] buttons to set the
metronome volume as required. 1. Engage the Function mode and select
ENGLISH
(CLP-370/340)/ (CLP-S308/S306, CLP-
Setting range: 1 20 330).
Normal setting: 10
2. Press the [+/YES] button to engage the MIDI
functions sub-mode, then use the [TEMPO/
NOTE
SHORTCUT:
FUNCTION , ] buttons to select the
You can jump directly to the metronome functions (CLP-370/ desired sub-mode.
340)/ (CLP-S308/S306, CLP-330) by pressing the [TEMPO/ Press the [/NO] or [+/YES] button to set a
FUNCTION] button while holding the METRONOME [ON/OFF] button.
selected parameter.
To exit the Function mode, you still need to press the [TEMPO/
FUNCTION] button so that the TEMPO indicator lights up.
Sub-mode
F7.1: (CLP-370/340)/F7.1: (CLP-S308/S306, CLP-330)

MIDI Transmit Channel Selection
In any MIDI control setup, the MIDI channels of the
transmitting and receiving equipment must be matched
for proper data transfer.
This parameter enables you to specify the channel on
which the Clavinova transmits MIDI data.
Setting range: 1 16, OFF (not transmitted)
Normal setting: 1
NOTE
In Dual mode, Voice 1 data is transmitted on its specified channel.
In Split mode (CLP-370/340), right voice data is transmitted on its
specified channel. In Dual mode, Voice 2 data is transmitted on the
next greater channel number relative to the specified channel. In
Split mode (CLP-370/340), left voice data is transmitted on the next
greater channel number relative to the specified channel. In either
mode, no data is transmitted if the transmit channel is set to OFF.
NOTE
Song data is not transmitted via the MIDI connections. However,
channels 3 16 of Disklavier Piano Soft songs, and non-protected
External songs will be transmitted via the MIDI connections depend-
ing on the Song Channel Selection setting (page 66).

F7.2: (CLP-370/340)/F7.2: (CLP-S308/S306, CLP-330) F7.4: (CLP-370/340)/F7.4: (CLP-S308/S306, CLP-330)

MIDI Receive Channel Selection Program Change ON/OFF
In any MIDI control setup, the MIDI channels of the Normally the instrument will respond to MIDI program
transmitting and receiving equipment must be matched change numbers received from an external keyboard or
for proper data transfer. This parameter enables you to other MIDI device, causing the correspondingly-num-
specify the channel on which the Clavinova receives bered voice to be selected on the corresponding channel
MIDI data. (the keyboard voice does not change). The instrument
Setting range: ALL, 1&2, 1 16 will normally also send a MIDI program change number
Normal setting: ALL whenever one of its voices is selected, causing the corre-
spondingly-numbered voice or program to be selected
NOTE on the external MIDI device if the device is set up to
ALL: receive and respond to MIDI program change numbers.
Multi-timbre Receive mode. This allows simultaneous reception of
different parts on all 16 MIDI channels, enabling the Clavinova to
This function makes it possible to cancel program
ENGLISH
play multi-channel song data received from F7.6 (CLP-370/340)/ change number reception and transmission so that
F6.6 (CLP-S308/S306, CLP-330) or sequencer. voices can be selected on the instrument without affect-
1&2:
1&2 Receive mode. This allows simultaneous reception on chan-
ing the external MIDI device.
nels 1 and 2 only, enabling the Clavinova to play 1 and 2 channel
NOTE
song data received from a music computer or sequencer.
For information on program change numbers for each of the Instru-
ments voices, Refer to MIDI Data Format on the web site.
NOTE http://www.yamaha.co.jp/manual/
Program change and other like channel messages received will not
affect the instruments panel settings or the notes you play on the Setting range: ON/OFF
keyboard. Normal setting: ON
NOTE
No MIDI reception occurs when Demo mode is engaged or during F7.5: (CLP-370/340)/F7.5: (CLP-S308/S306, CLP-330)
file operations. Control Change ON/OFF
Normally the CLP-370/340/330, CLP-S308/S306 will
F7.3: (CLP-370/340)/F7.3: (CLP-S308/S306, CLP-330) respond to MIDI control change data received from an
Local Control ON/OFF external MIDI device or keyboard, causing the voice on
the corresponding channel to be affected by pedal and
Local Control refers to the fact that, normally, the key- other control settings received from the controlling
board controls its internal tone generator, allowing the device (the keyboard voice is not affected).
internal voices to be played directly from the keyboard. The CLP-370/340/330, CLP-S308/S306 also transmits
This situation is Local Control On, since the internal MIDI control change information when the pedal or
tone generator is controlled locally by its own keyboard. other appropriate controls are operated.
Local control can be turned OFF, however, so that the This function makes it possible to cancel control change
keyboard does not play the internal voices, but the data reception and transmission so that, for example, the
appropriate MIDI information is still transmitted via the CLP-370/340/330, CLP-S308/S306s pedal and other
MIDI OUT terminal when notes are played on the key- controls can be operated without affecting an external
board. At the same time, the internal tone generator MIDI device.
responds to MIDI information received via the MIDI IN
terminal. NOTE
Setting range: ON/OFF For information on control changes that can be used with the CLP-
370/340/330, CLP-S308/S306, refer to the MIDI Data Format in our
Normal setting: ON manual library at the following website.
Setting range: ON/OFF

Normal setting: ON

F7.6: (CLP-370/340)/ F7.6: (CLP-S308/S306, CLP-330) F7.7: (CLP-370/340)/F7.7: (CLP-S308/S306, CLP-330)

Panel/Status Transmit Initial Setup Send
This function causes all the current instrument panel set- This function lets you send the data of the panel settings
tings (selected voice, etc.) to be transmitted via the MIDI to a computer. By transmitting the panel settings and
OUT terminal. recording them on the MIDI sequence recorder prior to
the actual performance data, the instrument will be
TERMINOLOGY automatically restored to the same settings when the per-
Setup Data: formance is played back. You can also use this function to
Data that contains a set of panel settings for the Clavinova.
change the settings of a connected tone generator to the
Procedure same settings as the instrument.
1. Set up the panel controls as desired. Procedure
2. Connect the Clavinova to a sequencer via MIDI, and
1. Set up the panel controls as desired.
set up the sequencer so it can receive the setup data.
2. Connect the Clavinova to a sequencer via MIDI, and
ENGLISH
3. Engage the Function mode and select (CLP- set up the sequencer so it can receive the setup data.
370/340)/ (CLP-S308/S306, CLP-330). 3. Engage the Function mode and select (CLP-
4. Press the [+/YES] button to transmit the panel/status
370/340)/ (CLP-S308/S306, CLP-330).
data.
4. Press the [+/YES] button to transmit the panel/status
will appear on the LED display when the data has data.
been successfully transmitted.
will appear on the LED display when the data has
NOTE
been successfully transmitted.
For a list of the Panel Data Contents transmitted by this function,
refer to our manual library at the following website. The following data can be sent.
http://www.yamaha.co.jp/manual/ Voice selection
[REVERB] type
NOTE [REVERB] depth
Receiving the transmitted data:
[EFFECT] type
1. Connect the Clavinova via MIDI to the device to which the setup
data was transmitted previously. [EFFECT] depth
2. Start sending the setup data from the device. Split point
The Clavinova automatically receives the setup data, which will be Tuning (F1)
reflected in the panel settings.
(For the data to be accepted, the Clavinova that receives the setup
Dual detune (F3.2)
data should be the same model as the one that transmitted the
setup data to the sequencer.)
NOTE
For more information on transmitting and receiving setup data via
MIDI, refer to the owners manual for the connected MIDI device.

Description of sub-modes
F8. (CLP-370/340) / F7. (CLP-S308/S306, CLP-330)
Backup Functions F9.1: (CLP-370/340)/F7.1: (CLP-S308/S306, CLP-330)
Voice
TERMINOLOGY Voice (Keyboard, Dual, and Split <CLP-370/340>)
Backup: Dual (ON/OFF, Voice, and Dual Functions for each
You can back up some settings, such as voice selection and reverb voice combination)
type, so that they will not be lost when you turn off the power to the
Split (CLP-370/340) (ON/OFF, Voice, and Split Func-
Clavinova.
If the backup function is turned on, the settings at power off are tions for each voice combination)
effective. If the backup function is turned off, the settings in memory Reverb (ON/OFF, Type, and Depth for each voice)
are erased when you turn off the power. In this case, when you turn
Effect (ON/OFF, Type, and Depth for each voice)
on the power to the unit, the default settings (the initial settings) will
be used. (The factory setting default list is found on page 98.) Variation (CLP-370/340) (for each voice)
Touch Sensitivity (including the FIXED volume)
Metronome (Beat, Volume < (CLP-370/340)/
ENGLISH
However, the backup settings themselves, the contents of

the user song recorder memory, character code settings (CLP-S308/S306, CLP-330) settings>)
and internet settings are always backed up.
F9.2: (CLP-370/340)/F7.2: (CLP-S308/S306, CLP-330)
You can turn the backup function on or off for MIDI
each function group (each of the following
sub-mode functions). The MIDI functions ( <CLP-370/340>/
<CLP-S308/S306, CLP-330> settings)
1. Engage the Function mode and select
(expect for the F7.6 and F7.7 <CLP-370/340>/
(CLP-370/340)/ (CLP-S308/S306, CLP-
330). and <CLP-S308/S306, CLP-330>)
2. Press the [+/YES] button to engage the F9.3: (CLP-370/340)/F7.3: (CLP-S308/S306, CLP-330)
backup functions sub-mode, then use the Tuning
[TEMPO/FUNCTION , ] buttons to select Transpose
the desired sub-mode. Tuning ( settings)
Press the [/NO] or [+/YES] button to turn the Scale (including base note) ( settings)
backup function on or off.
F9.4: (CLP-370/340)/F8.4: (CLP-S308/S306, CLP-330)
Others
Sub-mode
Other functions ( <CLP-370/340>/
F9.1: (CLP-370/340)/F8.1: (CLP-S308/S306, CLP-330) <CLP-S308/S306, CLP-330> settings)
Voice BRILLIANCE setting
DAMPER RES. ON/OFF and Depth
F9.2: (CLP-370/340)/F8.2: (CLP-S308/S306, CLP-330)
MIDI
F9.3: (CLP-370/340)/F8.3: (CLP-S308/S306, CLP-330) F8.5 (CLP-370/340)/ F7.5 (CLP-S308/S306, CLP-330)

Tuning Character Code
F9.4: (CLP-370/340)/F8.4: (CLP-S308/S306, CLP-330) If the song cannot be loaded, you may need to change the
Others character code setting.
Setting range: Int (English)/JA (Japanese)
Setting range: ON/OFF Normal setting: Int
Normal setting: Voice: OFF
MIDI Others: ON
F9. (CLP-370/340)/ F8. (CLP-S308/S306)
LAN Settings
For details on how to set the LAN, see on pages 46 53, 58.

Connections
Connections
Connectors
CAUTION
Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turn-
ing the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to
the components may result.
CLP-370/340/330
Show the jacks as seen when
viewed from below the instrument.
ENGLISH
THRU
On the left of the panel
L/L+R
2
AUX IN
MIDI
5
OUT
R
SELECT
CLP-370/340 only
L/L+R
IN
AUX OUT
USB TO DEVICE
1
4 3
R
TO HOST
TO DEVICE
USB
CLP-370/340 only 6
3 CLP-370/340 only
CLP-S308/S306
Left Right
4 5 2 1 6
1 AUX OUT [L/L+R][R] jacks

You can connect these jacks to a Keyboard amplifier system to monitor your play-
ing. Refer to the diagram below and use cables to make the connections. The Mas- NOTE
Use cables and plugs with no
ter volume affects the AUX OUT signal. If you want to turn off the sound of the
resistance.
internal speakers, use the speaker switch (page 15).
CAUTION
When the Clavinovas AUX OUT jacks are connected to an external audio system, first turn on the
power to the Clavinova, then to the external audio system. Reverse this order when you turn the NOTE
power off. Do not input the sound from the
Clavinova Keyboard amplifier AUX OUT jacks to the AUX IN
jacks. This may cause a feedback
AUX OUT
loop, and the output sound may
be excessively loud.
R L/L+R
AUX OUT AUX IN NOTE

Phone plug Phone plug If you want to take a mono signal
via the AUX OUT jack, connect a
cable to the [L/L+R] jack.
Cable
The sound via the internal speakers and headphones is set to the proper condition automatically (see below).
Speakers sound
Speakers do not sound
No plugs to connected to AUX OUT jacks Plugs connected to AUX OUT jacks
Speakers On Speakers Normal Speakers Off Speakers On Speakers Normal Speakers Off
(Headphones Switch) (Headphones Switch)
Headphones Optimum equalization for Flat Flat Flat Flat Flat
connected speakers applied
Headphones Optimum equalization for Optimum equalization for Flat Flat Flat Flat
not connected speakers applied speakers applied

Connections
2 AUX IN [L/L+R][R] jacks

The stereo outputs from another instrument can be connected to these jacks,
allowing the sound of an external instrument to be reproduced via the Clavinovas NOTE
The Clavinovas [MASTER VOL-
speakers. Refer to the diagram below and use audio cables to make the connec-
UME] slider setting affect the
tions. input signal from the AUX IN
jacks, but the [BRILLIANCE],
CAUTION [REVERB], and [EFFECT] set-
When the Clavinovas AUX IN jacks are connected to an external device, first turn on the power to tings do not.
the external device, then to the Clavinova. Reverse this order when you turn the power off.
NOTE
Clavinova
If you connect the Clavinova to a
Phone plug monaural device, use only the
(standard) AUX IN [L/L+R] jack.
R L/L+R
AUX IN
AUX OUT
AUX IN
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Phone plug
(standard)
Tone Generator
Audio cable
Plug shape depends on

AUX IN the device.
Phone plug
(standard) OUT PUT
Audio cable
EMR1
3 USB [TO DEVICE] terminal NOTE

There are two different types of
This terminal allows connection to USB storage devices.
USB terminals on the instrument:
Refer to Connection to a USB storage device on page 73. USB [TO DEVICE] and USB [TO
HOST]. Take care not to confuse
the two terminals and the corre-
4 USB [TO HOST] terminal sponding cable connectors. Be
This terminal allows direct connection to a personal computer. Refer to Connect- careful to connect the proper plug
in the proper direction.
ing a Personal Computer on page 75 for more information.
NOTE
5 MIDI [IN] [OUT] [THRU] terminals MIDI performance data and com-
Use MIDI cables to connect external MIDI devices to these connectors. mands are transferred in the form
of numeric values.
MIDI [IN]: Receives MIDI data.
MIDI [OUT]: Transmits MIDI data.
MIDI [THRU]: Transmits data received at the MIDI [IN] terminal as it is.
About MIDI NOTE

MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/ Since MIDI data that can be
transmitted or received varies
reception. It enables the transfer of performance data and commands between MIDI devices depending on the type of MIDI
and personal computers. Using MIDI, you can control a connected MIDI device from the device, check the MIDI Imple-
Clavinova, or control the Clavinova from a connected MIDI device or computer. mentation Chart to find out what
MIDI data and commands your
devices can transmit or receive.
6 [LAN] terminal (CLP-370/340, CLP-S308/S306) Refer to the MIDI Implementation
Chart in the Data Format on the
Connect to the internet (see page 46). website.
For information on how to access
and obtain the Data Format list,
see page 3.
Direct URL:

Connections
Connection to a USB storage device

By connecting the instrument to a USB storage device with a standard USB cable, you can save data
youve created to the connected device, as well as read data from the connected device.
Compatible USB storage devices

A USB storage device, such as a floppy disk drive, hard disk drive, CD-ROM drive, flash NOTE
CD-ROM drive
memory reader/writer, etc., can be connected to the USB [TO DEVICE] terminal. Other
Although CD-R/RW drives can be
USB devices such as a computer keyboard or mouse cannot be used. used to read data to the instru-
ment, they cannot be used for
The instrument does not necessarily support all commercially available USB storage devices. Yamaha can- saving data.
not guarantee operation of USB storage devices that you purchase. Before purchasing USB storage devices,
please consult your Yamaha dealer, or an authorized Yamaha distributor (see list at end of the Owners Man- NOTE
ual) for advice, or visit the following web page: Do not use a non-ID SmartMedia
ENGLISH
http://music.yamaha.com/download/ card.
CAUTION NOTE
Avoid frequently turning the power on/off to the USB storage device, or connecting/disconnect- Number of USB storage devices
ing the cable too often. Doing so may result in the operation of the instrument freezing or Only one USB storage device can
hanging up. While the instrument is accessing data (such as during Save, Delete, Load and Format be connected to the USB [TO
operations) or is mounting the USB storage device (shortly after the connection: until the LOAD DEVICE] terminal. This instru-
TO USER LED flash stops), do NOT unplug the USB cable, do NOT remove the media from the ment can recognize only a single
device, and do NOT turn the power off to either devices. Doing so may corrupt the data on either drive in a USB storage device. If
or both devices. one storage device contains more
than one drive, only one drive will
be automatically selected and
Connection to a USB storage device recognized.
The CLP-370/340 has two USB [TO DEVICE] terminals; one on the left of the panel and
NOTE
one on the terminal at the bottom.
(CLP-370/340) If you connect
USB [TO DEVICE] terminal A USB storage devices to both USB
[TO DEVICE] terminals, the
Select the desired terminal devices may not operate properly.
NOTE
SELECT
Do not connect a USB hub to the
USB TO DEVICE
instrument.
NOTE
USB [TO DEVICE] terminal B Remove the USB storage device
from the instrument before you
switch the A/B terminals.
Both are the same terminal; however, both cannot be used at the same time. Use the
[SELECT] switch to select the desired terminal. Switching to A selects the terminal on
NOTE
the left of the panel, while switching to B selects the terminal panel at the bottom. Though the instrument supports
When the device is mounting, the FILE LOAD TO USER indicator flashes. When the the USB 1.1 standard, you can
mounting operation is completed, the indicator goes off. connect and use a USB 2.0 stor-
age device with the instrument.
However, note that the transfer
speed is that of USB 1.1.
CAUTION
While the instrument is accessing data (such as in the Save, Export, Load, Delete or Format opera-
tions) or is mounting the USB storage device (shortly after the connection: until the FILE LOAD
LED flash stops), do NOT use the [SELECT] switch. Doing so may corrupt the media or data.
CAUTION
Disconnect the optional USB storage device connected to the [USB TO DEVICE] A terminal before
closing the key cover. Closing the cover with the device still connected may damage the device.
Formatting USB storage media

When executing a file-related operation with a connected USB storage device, a For
message may appear, indicating that the device or media may be unformatted. If this
happens, format the media (page 40).
CAUTION
The format operation overwrites any previously existing data. Proceed with caution.

Connections
To protect your data (write-protect):

To prevent important data from being inadvertently erased, apply the write-protect provided with each
storage device or media. If you are saving data to the USB storage device, make sure to disable write-protect.
To display the data in the USB storage device

To view the data of the USB storage device on the CLP display, press the [SONG
SELECT] button a few times until the USB indicator lights (page 45).
Backing up your data to a computer

Backing up the instrument data to a computer
Once youve saved data to a USB storage device, you can copy the data to the hard disk of your
computer, then archive and organize the files as desired. Simply reconnect the device as
ENGLISH
shown below.
Saves internal data to a USB storage device.
Instrument
USB [TO DEVICE] terminal
USB storage
device
Disconnect the USB storage device from the instrument and connect it
to the computer.
Backing up data to a computer and organizing files/folders.
Computer USB storage device
Copying files from a computer hard disk to a USB storage device

Files contained on the hard disk of a computer can be transferred to the instrument by first
copying them to the storage media, then connecting/inserting the media to the instrument.
Not only files created on the instrument itself but also Standard MIDI files created on other
devices can be copied to a USB storage device from the hard disk of the computer.
Once youve copied the data, connect the device to the USB [TO DEVICE] terminal of the
instrument, and play back the data on the instrument.
Copying the files of the hard disk of the computer to the

USB storage device.
Computer USB storage device
Disconnect the USB storage device from the computer and connect it
to the instrument.
Reading files on the USB storage device from the instrument.
USB [TO DEVICE] terminal Instrument
USB storage
device

Connections
Connecting a Personal Computer

By connecting a computer to the Clavinovas USB [TO HOST] terminal, you can transfer data
between the instrument and the computer via MIDI. To do this, install the USB-MIDI driver and
Musicsoft Downloader software (refer to the included Accessory CD-ROM Installation Guide).
CAUTION
When connecting the Clavinova to a personal computer, first turn off the power to both the Clavi- TERMINOLOGY
nova and the computer before connecting any cables. After making connections, turn on the Driver:
power to the computer first, then to the Clavinova. A driver is software that provides
a data-transfer interface between
CAUTION the computers operating system
If you are not using the connection between the Clavinova and your computer, you must discon- and a connected hardware
device. You need to install a USB
nect the cable from the USB [TO HOST] terminal. The Clavinova may not operate correctly if a
MIDI driver to connect the com-
cable is left connected.
ENGLISH
puter and the instrument.
Use a USB cable to connect the USB port on your computer to the USB [TO HOST]
terminal on the Clavinova. NOTE
The instrument will begin trans-
Instrument mission a short time after the
USB
USB connection is made.
When using a USB cable to
connect the instrument to your
TO DEVICE TO HOST
computer, make the connec-
tion directly without passing
USB [TO HOST] terminal
through a USB hub.
For information on setting up
your sequence software, refer
to the owners manual of the
relevant software.
USB cable
Computer
Precautions when using the USB [TO HOST] terminal

When connecting the computer to the USB [TO HOST] terminal, make sure to observe the
following points. Failing to do so risks freezing the computer and corrupting or losing the
data. If the computer or the instrument freezes, restart the application software or the com-
puter OS, or turn the power to the instrument off then on again.
CAUTION
Use an AB type USB cable of less than about 3 meters.
Before connecting the computer to the USB [TO HOST] terminal, exit from any power-sav-
ing mode of the computer (such as suspended, sleep, standby).
Before turning on the power to the instrument, connect the computer to the USB [TO
HOST] terminal.
Execute the following before turning the power to the instrument on/off or plugging/
unplugging the USB cable to/from the USB [TO HOST] terminal.
- Quit any open application software on the computer.
- Make sure that data is not being transmitted from the instrument. (Data is transmitted
only by playing notes on the keyboard or playing back a song.)
While the computer is connected to the instrument, you should wait for six seconds or
more between these operations: (1) when turning the power of the instrument off then on
again, or (2) when alternately connecting/disconnecting the USB cable.

Transmitting Song Data between the Computer and the Instrument
Transmitting Song Data between the

Computer and the Instrument
In addition to the demo songs and the 50 piano preset songs stored in this instrument, NOTE
You can download free Musicsoft
you can play data for other song by loading it from a connected computer. To be able to
Downloader from the Yamaha
use this function, you must first download Musicsoft Downloader from Yamaha web- website.
site, and install it on your computer (refer to Accessory CD-ROM for Windows Instal-
lation Guide). NOTE
Do not manually change the file
name by using a computer; doing
System requirement for Musicsoft Downloader
so will render the file unable for
OS : Windows 2000/XP Home Edition/XP Professional/Vista loading on the instrument.
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*For XP and Vista, the 32-bit version is supported, but not the 64-bit version.
CPU : Intel Pentium or Celeron chip of 233MHz or Higher (500 MHz or higher is recom-
mended) or higher
Memory : 64MB or more (256MB or more is recommended)
Available hard : at least 128MB of free space (at least 512MB of free space is recommended)
disk capacity
Display : 800 x 600 High Color (16-bit)
Others : Microsoft Internet Explorer version 5.5 or higher
Loading Song Data from a Computer NOTE

SMF (Standard MIDI File)
to the Instrument This file features a popular

sequence format (for recording
performance data). This file is
You can load piano song data from a computer to this instrument. Also, after you sometimes called a MIDI file.
record your performance on this instrument and save the recording to a computer, you The file extension is MID.
can load the recording back to the instrument. You can play the SMF format
song using music software or a
This instrument can read MIDI data in SMF Format 0. However, if such data includes sequencer that supports SMF.
any information for functions that are not supported by this instrument, the instru- This instrument also supports
SMF.
ment will not play the data correctly.
For more information on loading song data from a computer to this instrument, please
refer to Transferring Data Between the Computer and Instrument (for unprotected
data) in the Help file that came with Musicsoft Downloader.
Requirements for song data that can be loaded from a computer to this instrument
Songs : user songs (loaded from instrument), SMF Format 0 songs
Maximum data size : 748KB
Data format : SMF Format 0
: Backuped data (loaded from instrument)
File name
08CLP-M.BUP (CLP-370/340)
08CLP-ML.BUP (CLP-330)
08CLP-S.BUP (CLPS308/S306)
You can play the loaded Songs (page 44).
NOTE
CAUTION Before you use this instrument,
Do not turn off the power to this instrument or unplug the instrument during data transmission. close the Musicsoft Downloader
Otherwise, the data being transmitted will not be saved. Furthermore, flash memory operation window and quit the application.
may become unstable, causing the entire memory to be erased when you turn the power to the
instrument on or off.

Transmitting Song Data between the Computer and the Instrument
Transmitting Song Data from the

Instrument to a Computer
Musicsoft Downloader enables you to transfer the user song in this instrument to a
computer. For more information on transferring song data from this instrument to a
computer, please refer to Transferring Data Between the Computer and Instrument
(for unprotected data) in the Help file that came with Musicsoft Downloader.
Data you can transfer from this instrument to a computer

User song : your recorded songs
Back up data : panel settings
Song data (once it has been loaded from the computer)
ENGLISH

Data Backup
Data Backup
For maximum data security Yamaha recommends that you save your important data to your com-
puter by using the application Musicsoft Downloader (MSD). This provides a convenient backup if
the internal memory is damaged (refer to the Accessory CD-ROM for Windows Installation
Guide).
Data that can be saved

Panel settings and recorded User songs
ENGLISH
Panel settings are the same data that can be backed up using the Backup Functions NOTE
The file described in #1 at left
(page 70). You can save the panel settings and recorded User songs as one file. cannot be saved to a USB stor-
age device (CLP-370/340).
External songs received via computer.

This includes external songs saved from the computer by using Musicsoft Downloader.
Procedure
1. Install the USB MIDI driver and the MSD to your

computer (Windows), then connect the computer
and the instrument.
For installation, see the separate Installation Guide.
For connection, see page 75.
2. Move the data to the computer.

By using the MSD, save the CLP-xxx.BUP file from System Drive under
Electronic Musical Instruments to the computer. NOTE
When MSD is started on a com-
The CLP-xxx.BUP file contains the panel settings and recorded User songs.
puter connected to the instru-
Also, if you store the external songs in the instrument from the computer, move ment, con (computer
the songs from Flash Memory under Electronic Musical Instruments to the connection) appears in the dis-
play. When this indication
computer via the MSD. appears, you cannot operate the
For instruction on using the MSD, see the Help in the MSD. instrument.
To recall the settings and load the songs to the instrument, move the CLP- NOTE
The Musicsoft Downloader can-
xxx.BUP file and the External songs under the folders to which you saved the not be used when the instrument
files. is in the following state:
During Demo mode.
During song playback.
During Record mode.
During file operation (one of the
[FILE] button indicators is lit).
NOTE
The panel settings and User
songs (CLP-xxx.BUP file) remain
in the instrument after being
saved to the computer.

Message List
Message List
Message Comment
CLr Displayed after factory presets are recalled.
CAUTION
Do not turn off the power of the instrument when CLr appears in the display. Doing so may delete all song
data in the instrument, including external songs (page 44).
con Displayed when Musicsoft Downloader is started on a computer connected to the instrument.
When this message appears, you cannot operate the instrument.
E01 Indicates failure in accessing the USB storage device because the device or media is damaged.
E02 Displayed when the song data is damaged or not recognized.
ENGLISH
E04 Indicates that the song data is too large to be loaded.
End Displayed when the current operation is completed.
Err Displayed when the MIDI/USB cable is disconnected while starting Musicsoft Downloader on a computer con-
nected to the instrument.
FCL Indicates that internal memory has been cleaned up. Recorded songs and external songs which have been
loaded from a computer are cleared, because the power has been turned off before the song save or load
operations were completed.
CAUTION
Do not turn off the power of the instrument when FCL appears in the display. Doing so may cause the
instrument to malfunction.
For Indicates that the instrument has engaged format mode for the USB storage device.
FUL Displayed when internal memory becomes full during song recording.
Displayed when the USB storage device becomes full and the song cannot be saved.
Displayed when the total amount of files has become too large.
Lod Displayed when a protected song is loading.
ny Confirms whether each operation is executed or not.
ny Reconfirms whether the overwriting, delete or format operation is executed or not.
Pro Indicates that the USB storage device or media is protected.

Troubleshooting
Troubleshooting
Problem Possible Cause and Solution
The Clavinova does not turn on. The Clavinova has not been plugged in properly. Securely insert the female plug into
the socket on the Clavinova, and the male plug into a proper AC outlet (page 14).
A click or pop is heard when the power is This is normal when electrical current is being applied to the instrument.
turned on or off.
Noise is heard from the speakers or head- The noise may be due to interference caused by the use of a mobile phone in close
phones. proximity to the Clavinova. Turn off the mobile phone, or use it further away from the
Clavinova.
The overall volume is low, or no sound is The Master Volume is set too low; set it to an appropriate level using the [MASTER
heard. VOLUME] control.
Make sure a pair of headphones is not connected to the headphones jack (when the
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SPEAKER switch is set to the NORMAL position). If the SPEAKER switch is set to
the OFF position, set it to NORMAL or ON (page 15).
Make sure that Local Control (page 68) is ON.
The speakers do not switch off when a pair of The SPEAKER switch may be switched ON. Set the SPEAKER switch to the NOR-
headphones is connected. MAL position (page 15).
The damper pedal has no effect, or the sound The pedal cable/plug may not be properly connected. Make sure to securely insert the
continuously sustains even when the damper pedal plug into the proper jack (pages 83, 86).
pedal is not pressed.
The speaker sound is changed. The AUX OUT jack may be connected. Make sure to disconnect the plug (see page 71).
Even though a USB storage device is con- The USB storage device may not be recognized by the instrument, depending on the
nected, the SONG SELECT USB indicator device itself or the timing of the recognition.
does not turn on when pressing the [SONG 1. (CLP-370/340) cheek the [SELECT] switch.
SELECT] button. Switching to A selects the terminal on the left of the panel, while switching to B
selects the terminal panel at the bottom.
2. Check that the device is not damaged.
Check that the FILE LOAD TO USER indicator flashes after connecting the USB
storage device. If the indicator does not flash, the device may be damaged.
3. Check that the compatibility of the device has been confirmed by Yamaha (page 73).
4. Select SONG SELECT USB again.
It may take a while for the instrument to recognize the USB storage device. Press
the [SONG SELECT] button again to turn the USB indicator on.
The USB storage device has hung up The USB storage device is not compatible with the instrument. Only use the devices
(stopped). whose compatibility has been confirmed by Yamaha (page 73).
Turn the instrument off and disconnect the device, then turn it back on and recon-
nect the device.
The three LEDs of SAVE TO USB, LOAD Disconnect the USB storage device and turn the power of the instrument off. The USB
TO USER and DEL/FORMAT at the [FILE] storage device is not compatible with the instrument.
button flash simultaneously when a storage
device is connected.
The three LEDs of SAVE TO USB, LOAD Try disconnect the USB storage device once, then reconnect it.
TO USER and DEL/FORMAT at the [FILE]
button flash simultaneously for five seconds
when the USB storage device is operated.
Nothing is indicated in the LED display. Press the [/NO] or [+YES] button and try again the operation again.
Options
BC-100 Bench
A comfortable bench styled to match your Yamaha Clavinova.
HPE-160 Stereo Headphones
High-performance lightweight dynamic headphones with extra-soft ear pads.
UD-FD01 USB-FDD Unit
Floppy disk drive for connecting to the instrument and saving/loading data.

CLP-370: Keyboard Stand Assembly

CAUTION
Assemble the unit on a flat floor surface.
Be careful not to confuse parts, and be sure to install all parts in the correct orientation. Please assemble the
unit in accordance with the sequence given below.
Assembly should be carried out by at least two persons.
Be sure to use only the included screws of the specified sizes. Do not use any other screws. Use of incorrect
screws can cause damage or malfunction of the product.
Be sure to tighten all screws upon completing assembly of the unit.
To disassemble the unit, reverse the assembly sequence given below.
Have a Philips-head (+) screwdriver of the appropriate size ready.
ENGLISH
Remove all parts from the package and make sure you have all of the items.
Assembly Parts
A 6 x 25 mm long screws x 4 4 x 20 mm tapping
screws x 4
6 x 16 mm short screws x 6 Cord holders x 2

Foamed styrol pads
Remove foamed styrol pads from the package, position them
on the floor, then place A on top of them.
Position the pads so that they will not block the speaker box
on the bottom of A. 4 x 12 mm thin screws x 2
B
Headphone hanger
4 x 10 mm thin screws x 2 Headphone hanger

C
A bundled pedal cord is attached to the reverse side.
Power cord
D E

1. Attach C to D and E. 3. Mount A.

Make sure that you mount the main unit by
holding the front bottom in areas that are at least
15 cm towards the center from either end and by
the handles on the rear panel.
D
C A
E
1-2
1-1 15 cm or further in
Align the screw
holes.
ENGLISH
1-1 Untie and straighten out the bundled pedal cord.

Do not discard the vinyl tie. You will need it later
in step 5.
1-2 Attach D and E to C by tightening four long CAUTION

screws (6 x 25 mm). Be extra careful not to drop or let your fingers be pinched by the
main unit.
2. Attach B.
Depending on the model of Clavinova you pur-
CAUTION
Do not hold the main unit in any position other than the posi-
tion specified above.
chased, the surface color of one side of B may be
different from the other side. In this case, posi-
tion B so that the side of the surface color most
similar to D and E faces you (as you would play 4. Secure A.
the instrument)
4-1 Adjust the position of A so that the left and right
2-1 Align the screw holes on the upper side of B with ends of A will project beyond D and E equally
the bracket holes on D and E, then attach the (as seen from the front).
upper corners of B to D and E by finger-tighten-
ing two thin screws (4 x 12 mm). 4-2 Secure A by tightening six short screws (6 x 16
mm) from the front.
2-2 Secure the bottom end of B using four tapping
screws (4 x 20 mm).
4-1
2-3 Securely tighten the screws on the top of B that
were attached in Step 2-1. A
Projection of A
2-1
2-3
E
A
B
D
4-2
2-2

5. Connect the pedal cord. 7. Set the adjuster.

Rotate the adjuster until the pedal box comes in
5-1 Pass the pedal cord from the rear and insert the firm contact with the floor surface.
plug into the pedal connector.
5-2 Attach the cord holders to the rear panel as

shown, then clip the cord into the holders.
5-3 Use a vinyl tie to take up any slack in the pedal

cord.
8. Attach the headphone hanger.
Use the included two screws (4 x 10 mm) to
5-1 attach the hanger as shown in the illustration.
PE
DA
L
ENGLISH
127
220
110
6-2 240
6-1
After completing the assembly, please check the fol-
lowing.
Are there any parts left over?
Review the assembly procedure and correct any
errors.
Is the instrument clear of doors and other movable
5-2 fixtures?
Move the instrument to an appropriate location.
5-3 Does the instrument make a rattling noise when you
shake it?
Tighten all screws.
Does the pedal box rattle or give way when you step
on the pedals?
Turn the adjuster so that it is set firmly against the floor.
Are the pedal and power cords inserted securely into
the sockets?
Check the connection.
6. Connect the power cord. If the unit creaks or is otherwise unsteady when you
play on the keyboard, refer to the assembly diagrams
and retighten all screws.
6-1 Set the voltage selector (for models that feature a
voltage selector).
CAUTION
Voltage Selector
When moving the instrument after assembly, always hold
Before connecting the AC power cord, check the setting
instrument by the lower surface in the front of the main unit
of the voltage selector which is provided in some
and by the handles in the rear of the main unit.
areas. To set the selector for 110V, 127V, 220V or 240V
main voltages, use a minus screwdriver to rotate the
selector dial so that the correct voltage for your region CAUTION
appears next to the pointer on the panel. The voltage Do not hold the key cover or top portion. Improper handling
selector is set at 240V when the unit is initially can result in damage to the instrument or personal injury.
shipped. After the proper voltage has been selected,
connect the AC power cord to the AC IN and an AC Top portion
wall outlet. A plug adaptor may be also provided in
some areas to match the pin configuration of the AC
wall outlets in your area.
Key cover
6-2 Pass the power cord from the rear and insert the
plug into the power connector. Hold here. Do not hold
here.

CLP-340/330: Keyboard Stand Assembly

CAUTION
Be careful not to confuse parts, and be sure to install all parts in the correct orientation. Please
assemble the unit in accordance with the sequence given below.
Be sure to use only the included screws of the specified sizes. Do not use any other screws. Use of
incorrect screws can cause damage or malfunction of the product.
ENGLISH
Assembly Parts
6 x 25 mm long screws x 4 4 x 20 mm tapping
screws x 4
A
6 x 16 mm short screws x 4 Cord holders x 2
Foamed styrol pads

Remove foamed styrol pads from the package, position
them on the floor, then place A on top of them. 4 x 12 mm thin screws x 2
Position the pads so that they will not hide the connectors
on the bottom of A.
Headphone hanger
B
A bundled pedal cord is attached to the reverse side.
Power cord
D E

1. Attach C to D and E. 3. Mount A.

Be sure to place your hands at least 15 cm from
either end of the main unit when positioning it.
D
C E
1-1 A
15 cm or
1-2 further in
15 cm or
1-1 Untie and straighten out the bundled pedal cord. further in
Do not discard the vinyl tie. You will need it later
in step 5.
ENGLISH
1-2 Attach D and E to C by tightening four long
screws (6 x 25 mm).
CAUTION
2. Attach B.
Be extra careful not to drop or let your fingers be pinched by the
main unit.
Depending on the model of Clavinova you pur-
chased, the surface color of one side of B may be CAUTION
different from the other side. In this case, posi- Do not hold the main unit in any position other than the posi-
tion B so that the side of the surface color most tion specified above.
similar to D and E faces you (as you would play
the instrument).
4. Secure A.
2-1 Place the lower side of B on each foot of D and E,
4-1 Adjust the position of A so that the left and right
then align the screw holes on the upper side of B
with the bracket holes on D and E. ends of A will project beyond D and E equally (as
seen from the front).
2-2 Attach the top corners of B to D and E by finger-
4-2 Secure A by tightening the short screws (6 x 16
tightening two thin screws (4 x 12 mm).
mm) from the front.
2-3 While pushing the lower part of D and E from
outside, secure the bottom end of B using four 4-1
tapping screws (4 x 20 mm).
2-4 Securely tighten the screws on the top of B that

Projection
A
were attached in Step 2-2.
of A
2-2
2-4
2-1
E
B 4-2
Place the bot-
D Insert the screw in the front of
tom end of the
these two holes.
rear panel on
each foot.
2-3

5. Connect the pedal cord and power cord. 7. Set the adjuster.
5-1 Pass the pedal cord from the rear and insert the firm contact with the floor surface.
plug into the pedal connector.
5-2 Attach the cord holders to the rear panel as

shown, then clip the cord into the holders.
5-3 Use a vinyl tie to take up any slack in the pedal

cord.
8. Attach the headphone hanger.
Use the included two screws (4 x 10 mm) to
attach the hanger as shown in the illustration.
L
A
D
E
P
5-1
ENGLISH
S
NE
O
PH
5-3
lowing.
errors.
5-2 Is the instrument clear of doors and other movable
fixtures?
Does the instrument make a rattling noise when you
shake it?
Tighten all screws.
6-2 6-1 Does the pedal box rattle or give way when you step
on the pedals?
6. Connect the power cord. Are the pedal and power cords inserted securely into
the sockets?
6-1 Set the voltage selector (for models that feature a Check the connection.
voltage selector). If the unit creaks or is otherwise unsteady when you
Voltage Selector and retighten all screws.
of the voltage selector which is provided in some
areas. To set the selector for 110V, 127V, 220V or 240V CAUTION
When moving the instrument after assembly, always hold the
selector dial so that the correct voltage for your region
bottom of the main unit.
appears next to the pointer on the panel. The voltage
selector is set at 240V when the unit is initially
shipped. After the proper voltage has been selected, CAUTION
connect the AC power cord to the AC IN and an AC Do not hold the key cover or top portion. Improper handling
wall outlet. A plug adaptor may be also provided in can result in damage to the instrument or personal injury.
some areas to match the pin configuration of the AC Top portion
6-2 Pass the power cord from the rear and insert the
plug into the power connector.
Key cover Do not hold
here.
Hold here.
Do not hold
here.

CLP-S308/S306: Keyboard Stand Assembly

CAUTION
Be careful not to confuse parts, and be sure to install all parts in the correct orientation. Please
assemble the unit in accordance with the sequence given below.
Be sure to use only the included screws of the specified sizes. Do not use any other screws. Use of
incorrect screws can cause damage or malfunction of the product.
ENGLISH
Assembly Parts
A Protective 6 x 20 mm long screws x 10 4 x 20 mm tapping
sheet
screws x 5
Connector panel
Foamed styrol pads 6 x 16 mm short screws x 6 Cord holders x 2

Remove foamed styrol pads from the package, position
them on the floor, then place A on top of them.
Position the pads so that they will not hide the connectors
on the bottom of A.
4 x 14 mm thin screws x 5
CAUTION
Please keep the protective sheet for later use. It will be used to
protect the keyboard from being scratched when the instrument
is transported. The protective sheet should be spread over the Headphone hanger
entire keyboard before closing the key cover.
Power cord
Pedal cord
E F

1. Attach D to E and F. 3. Mount A.

1-1 3-1 Place your hands at least 15 cm from either end
of A to mount it.
F 1-3 3-2 Position A so that the stopper-wood on the rear

side of the bottom of A will be located behind the
front panel, then slide A slowly toward the rear.
E
D
A
15cm
1-2 or 3-1
further in
1-1
ENGLISH
Attach D to E and F by using four long screws 3-2 15cm

or
(6 x 20 mm). further in
1-2 Secure D from the rear using two long screws

(6 x 20 mm).
1-3 Remove the twist tie from the folded pedal cord.
Do not remove the twist tie that is located next to CAUTION
the hole. Be extra careful not to drop or let your fingers be pinched by the
main unit.
CAUTION
2. Attach B. Do not hold the keyboard in any position other than the posi-
tion shown in the illustration.
2-1 Insert B between E and F as shown in the illustration.
2-2 Align and attach B to the front side of D, E and F. 4. Secure A.
2-1 4-1 Secure A from the rear using two short screws
(6 x 16 mm).
2-2
F 4-2 Secure A from the rear using two thin screws
B
(4 x 14 mm).
E 4-3 Secure A from the front using four short screws
D (6 x 16mm).
4-2
A
2-3 Temporarily secure B by finger-tighening four
long screws (6 x 20mm).
* Insert four screws into the larger holes (all four
holes) on the brackets.
2-4 Secure B using a thin screw (4 x 14 mm).

4-3
* Insert the screw into the smaller hole on the 4-1
bracket.
4-4 Firmly tighten the screws you temporarily
2-4 fastened on B in steps 2-3 above.
2-3 4-4

5. Connect the speaker cord. 8. Connect the power cord.
5-1 Remove the twist tie attaching the speaker cord. 8-1 For models that feature a voltage selector: Set the
voltage selector to an appropriate voltage.
5-2 Insert the speaker cord plug into the connector
so that the protruding tab on the plug faces
toward right when viewed from the rear.
Voltage Selector
ENGLISH
5-2 of the voltage selector which is provided in some
areas. To set the selector for 110V, 127V, 220V or 240V
selector dial so that the correct voltage for your region
appears next to the pointer on the panel. The voltage
6. Connect the pedal cord. selector is set at 240V when the unit is initially
shipped. After the proper voltage has been selected,
connect the AC power cord to the AC IN and an AC
6-1 Insert the pedal cord plug into the [PEDAL] con- wall outlet. A plug adaptor may be also provided in
nector. some areas to match the pin configuration of the AC
6-2 Attach the cord holders to the instrument as
shown, then clip the cord into the holders. At this
time, be careful not to allow too much slack in WARNING
the pedal cord between the plug and cord holder. An improper voltage setting can cause serious damage to the
Clavinova or result in improper operation.
6-1
8-2 Insert the AC power cord plug into the [AC IN]
connector.
6-2
E
9. Set the adjuster to secure the pedals.
firm contact with the floor surface.
7. Attach C.
7-1 Place on D, the stopper-wood in the bottom

corners of C, then attach the top of C.
7-2 Secure upper right and left of C using two thin

screws (4 x 14 mm). 10. Attach the headphone hanger.
7-3 Secure upper center and bottom of C using five Use the included two screws (4 x 10 mm) to
tapping screws (4 x 20 mm). attach the hanger as shown in the illustration.
7-2
7-1
D C
C
7-3


lowing.
errors.
Is the instrument clear of doors and other movable
fixtures?
Does the instrument make a rattling noise when you
shake it?
Tighten all screws.
Does the pedal box rattle or give way when you step
on the pedals?
ENGLISH
Are the pedal and power cords inserted securely into

the sockets?
Check the connection.
If the unit creaks or is otherwise unsteady when you
and retighten all screws.
CAUTION
When moving the instrument after assembly, always hold the
bottom of the main unit.
CAUTION
Do not hold the key cover or top portion. Improper handling
can result in damage to the instrument or personal injury.
CAUTION
When transporting the instrument, cover the entire keyboard
with the protective sheet (page 87) before closing the key cover.
The sheet will protect the keyboard from being scratched.
Top portion
Do not hold
Key cover here.
Hold here.

Installing the Optional Floppy Disk Drive (CLP-370/340)
Installing the Optional Floppy Disk Drive

(CLP-370/340)
The optional UD-FD01 floppy disk drive can be installed to the bottom of the instrument by using
the included floppy disk drive case and screws.
For the CLP-330 and CLP-S308/S306: The disk drive can be used with the instrument but cannot be
attached as described here. When using the floppy disk drive with these models, simply put the
drive on the top panel. Make sure to remove the connected disk cable before you close the key
cover.
ENGLISH
Have a Phillips-head (+) screwdriver ready.
1. Remove the three backing papers from 3. Attach the drive and case assembly to the
the adhesive tape in the case, and fit the left underside of the instrument, using the
floppy disk drive into the case. included four screws (4mm x 10mm).
Insert the drive to the case, with the side having
the rubber stoppers facing the case.
4. Connect the USB cable to the USB [TO

DEVICE] terminal.
Dual-sided adhesive tape
2. Fold the USB cable inside the case as

shown.

Preset Voice List
Preset Voice List

: Yes
CLP-370/340 : No
Stereo Touch Dynamic Key-Off
Voice Name Voice Descriptions
Sampling Response Sampling*1 Sampling*2
Recorded samples from a full concert grand piano. Also
includes four levels of dynamic sampling, sustain samples,
GRANDPIANO 1 and key-off samples for exceptionally realistic acoustic
grand piano sound. Perfect for classical compositions as
well as any other style that requires acoustic piano.
VARIATION Warm and mellow piano. Good for classical compositions.
Spacious and clear piano with bright reverb. Good for popu-
GRANDPIANO 2
ENGLISH
lar music.
VARIATION Bright, spacious piano. Good for popular or rock music.
An electronic piano sound created by FM synthesis.

E.PIANO 1 Extremely musical response with varying timbre according
to keyboard dynamics. Good for standard popular music.
A synth-generated type electronic piano sound often heard

VARIATION in popular music. Used in the DUAL mode it blends well with
an acoustic piano voice.
The sound of an electric piano using hammer-struck metallic

E.PIANO 2 tines. Soft tone when played lightly, and an aggressive tone
when played hard.
A slightly different electric piano sound often heard in rock

VARIATION
and popular music.
The definitive instrument for baroque music. Since harpsi-

chord uses plucked strings, there is no touch response.
HARPSICHORD
There is, however, a characteristic additional sound when
the keys are released.
Mixes the same voice an octave higher for a more brilliant

VARIATION
tone.
A hammer-struck keyboard instrument that utilizes an elec-

tric pickup that is often heard in funk and soul music. Its tone
E. CLAVICHORD
is noted for the unique sound produced when the keys are
released.
VARIATION Includes a unique preset effect.
Vibraphone played with relatively soft mallets. The tone

VIBRAPHONE
becomes more metallic the harder you play.
VARIATION Stereo-sampled, spacious, and realistic marimba.
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).

CHURCH ORGAN
Good for sacred music from the Baroque period.
This is the organs full coupler sound often associated with

VARIATION
Bachs Toccata and Fugue.
The sound of a tonewheel type electric organ. Often heard

JAZZ ORGAN
in jazz and rock idioms.
Uses a rotary speaker effect with a different speed. The vari-
VARIATION ations speed is faster. If the variation is selected while hold-
ing a chord, the speed of the effect will gradually change.
Stereo-sampled, large-scale strings ensemble with realistic

STRINGS reverb. Try combining this voice with piano in the DUAL
mode.
Spacious strings ensemble with a slow attack. Try combining

VARIATION
this voice with a piano or electric piano in the DUAL mode.
A big, spacious choir voice. Perfect for creating rich harmo-

CHOIR
nies in slow pieces.
A choir voice with a slow attack. Try combining this voice

VARIATION
with a piano or electric piano in the DUAL mode.

Preset Voice List

Warm and natural-sounding nylon guitar. Enjoy the quiet
GUITAR
ambience of nylon strings.
VARIATION Bright, brilliant steel guitar. Suitable for popular music.
An upright bass played fingerstyle. Ideal for jazz and Latin

WOOD BASS
music.
Adds a cymbal voice to the bass sound. Ideal for walking

VARIATION
bass lines in jazz tunes.
Electric bass for a wide range of music styles, jazz, rock,

E.BASS
popular, and more.
VARIATION A fretless bass good for styles such as jazz, fusion, etc.
*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of
ENGLISH
an acoustic instrument.
*2. Contains a very subtle sample that is produced when the keys are released.

Preset Voice List
: Yes
CLP-330, CLP-S308/S306 : No

Recorded samples from a full concert grand piano. Perfect
GRANDPIANO 1 for classical compositions as well as any other style that
requires acoustic piano.
Spacious and clear piano with bright reverb. Good for popu-
GRANDPIANO 2
lar music.
An electronic piano sound created by FM synthesis. Good

E.PIANO 1
for standard popular music.
The sound of an electric piano using hammer-struck metallic

E.PIANO 2 tines. Soft tone when played lightly, and an aggressive tone
when played hard.
ENGLISH
The definitive instrument for baroque music. Since harpsi-

chord uses plucked strings, there is no touch response.
HARPSICHORD 1
There is, however, a characteristic additional sound when
the keys are released.
Mixes the same voice an octave higher for a more brilliant

HARPSICHORD 2
tone.
Vibraphone played with relatively soft mallets. The tone

VIBRAPHONE
becomes more metallic the harder you play.
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).

CHURCH ORGAN 1
Good for sacred music from the Baroque period.
This is the organs full coupler sound often associated with

CHURCH ORGAN 2
Bachs Toccata and Fugue.
The sound of a tonewheel type electric organ. Often heard

JAZZ ORGAN
in jazz and rock idioms.
Stereo-sampled, large-scale strings ensemble with realistic

STRINGS 1 reverb. Try combining this voice with piano in the DUAL
mode.
Spacious strings ensemble with a slow attack. Try combining

STRINGS 2
this voice with a piano or electric piano in the DUAL mode.
A big, spacious choir voice. Perfect for creating rich harmo-
CHOIR
nies in slow pieces.
Warm and natural-sounding nylon guitar. Enjoy the quiet

GUITAR
ambience of nylon strings.
*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of
an acoustic instrument.
*2. Contains a very subtle sample that is produced when the keys are released.

Demo Song List
Demo Song List

: Included
: Not included
Voice Name CLP-370/340 CLP-330, Title Composer

CLP-S308/
S306
GRAND PIANO1 Albumbard, Lyriske stykker E. H. Grieg
IV, op.47-2
HARPSICHORD Concerto a cembalo obbligato,
2 violini, viola e continuo
HARPSICHORD1 No.7, BWV.1058
ENGLISH
HARPSICHORD2 Gigue, Franzsische Suiten
Nr.5, BWV.816 J. S. Bach
CHURCH ORGAN
Herr Christ, der einge Gottes-
CHURCH ORGAN1 Sohn, BWV.601
CHURCH ORGAN2 Triosonate Nr.6, BWV.530

The demonstration pieces listed above are short rearranged excerpts of the original compositions.
All other songs are original (2008 Yamaha Corporation).
Piano Voice Demo Description (CLP-370/340)

Voice Name Piano Voice Demo
GRAND PIANO1 Stereo sampling
GRAND PIANO2 Monaural sampling
E.PIANO1 With sustain sampling
E.PIANO2 Without sustain sampling
HARPSICHORD With key-off sampling
E.CLAVICHORD Without key-off sampling

Index
Index
Numerics Equal Temperament ........................................................ 63
Export .............................................................................. 36
50 greats for the Piano .....................................................17
50 Piano Preset Songs ......................................................17
F
A Factory Setting List .......................................................... 98
[FILE] button .................................................................. 37
A-B Repeat .......................................................................19
Fine Tuning of the Pitch ................................................. 62
Adjust
Tempo (50 Piano Preset Songs) ...............................17 Floppy Disk Drive ........................................................... 42
ENGLISH
Tempo (Recorded Songs) .........................................44 Installation................................................................. 91

Volume (50 Piano Preset Songs) ..............................17 Format ................................................................. 40, 41, 42
Volume (Metronome) ..............................................67 Function........................................................................... 62
ALL (LED display) .....................................................17, 45 Basic Procedure......................................................... 60
Assembly ..........................................................................81 Parameter List ........................................................... 59
AUX IN [L/L+R][R] jacks ...............................................72
AUX OUT [L/L+R][R] jacks...........................................71 H
Half-pedal ........................................................................ 21
B Hz (Hertz) ....................................................................... 62
Backup (Data) ..................................................................78
Backup Functions ............................................................70 I
[BRILLIANCE] button ....................................................22 Internet Direct Connection ............................................ 46
Internet Settings .............................................................. 49
C Internet song.................................................................... 56
Character Code ................................................................70
Combining Two Voices (Dual mode) ............................26 K
Connecting a Personal Computer.......................75, 76, 77 Key Cover ........................................................................ 12
Connection to a USB storage device ...............................73 Keyboard Stand ............................................................... 81
Connections .....................................................................71 Keyoff Sample Volume ................................................... 66
Computer.......................................................75, 76, 77 Kirnberger........................................................................ 63
USB storage device ....................................................73
Connectors .......................................................................71
L
LAN Port driver ............................................................... 53
D
LAN Settings .............................................................. 49, 70
Damper Pedal ..................................................................21 [LAN] terminal................................................................ 72
Damper Pedal Range .......................................................65 [LEFT] button ........................................................... 18, 33
[DAMPER RES.] button .................................................23 Left Pedal ......................................................................... 21
Damper Resonance ..........................................................23 Left Pedal Mode............................................................... 66
Delete ...............................................................................39 List
[DEMO] button...............................................................16 Factory Setting........................................................... 98
Demo Song List................................................................95 Functions ................................................................... 59
Demonstration Tunes .....................................................16 Preset Voice ............................................................... 94
Display .............................................................................14 Load ..................................................................... 36, 38, 45
Dual mode .................................................................26, 64
M
E [MASTER VOLUME] slider ........................................... 15
[EFFECT] button.......................................................22, 23 Mean Tone....................................................................... 63

Index
Message List .....................................................................79 [SELECT] switch ............................................................. 73

Metronome ......................................................................29 SMF (Standard MIDI File).............................................. 36
METRONOME [ON/OFF] button ...........................67, 29 Soft Pedal ................................................................... 21, 66
Metronome Volume ........................................................67 Soft Pedal Effect Depth ................................................... 66
MIDI ................................................................................72 Song ................................................................................. 17
MIDI Functions ...............................................................67 SONG [PLAY/PAUSE] button ........................... 16, 17, 44
MIDI [IN] [OUT] [THRU] terminals ............................72 [SONG SELECT] button .......................................... 17, 44
Music Braces (CLP-370/340) ..........................................14 SONG [STOP] button............................................... 17, 44
Music Rest ........................................................................13 [SPEAKER] switch .......................................................... 15
Musicsoft Downloader ....................................................78 Specifications ................................................................. 100
SPLIT (CLP-370/340) (Function) .................................. 65
N [SPLIT] button ................................................................ 27
ENGLISH
Normal setting .................................................................22 Split mode .................................................................. 27, 65
Split Point .................................................................. 27, 65
Sustain Sample Depth ..................................................... 66
P
Sync (Synchronized) ....................................................... 45
Part Cancel .......................................................................18
Sync Start ......................................................................... 18
Part Playback On and Off................................................45
[PEDAL] jack ...................................................................83
T
Pedal Play/Pause ..............................................................45
Pedals ...............................................................................21 [TEMPO/FUNCTION] button ................................ 29, 60
[PHONES] jacks ..............................................................15 [TOUCH] button ............................................................ 24
Piano Voice Demo Description ......................................95 Touch Sensitivity ............................................................. 24
[PLAY/PAUSE] button..............................................16, 17 Transporting ...................................................................... 6
Play/Pause playback [TRANSPOSE] button .................................................... 25
Useful Playback Functions........................................45 Transposition .................................................................. 25
Playing Back Songs ....................................................43, 44 Troubleshooting .............................................................. 80
[POWER] switch .............................................................14
Practicing a One-Hand Part Using the 50 Preset Songs.18 U
Preset Song .......................................................................17 USB Storage Device ................................................... 40, 73
Preset Voice List.........................................................92, 94 USB [TO DEVICE] terminal .................................... 72, 73
Program version number ................................................53 USB [TO HOST] terminal ........................................ 72, 75
Pure Major .......................................................................63 USB-LAN Adapter........................................................... 54
Pure Minor.......................................................................63
Pythagorean .....................................................................63 V
[VARIATION] button .................................................... 22
R Voice ................................................................................ 20
[REC] button ...................................................................31 Voice group buttons........................................................ 20
Recording .........................................................................30
Initial Settings............................................................35 W
RIGHT/LEFT parts....................................................33
Re-recording ..............................................................32, 34 Werckmeister................................................................... 63
[REVERB] button ............................................................22
[RIGHT] button ........................................................18, 33
Right Pedal .......................................................................21
rnd (LED display) ......................................................17, 45
S
Save.............................................................................36, 37
Scale..................................................................................63

Appendix
Factory Setting List / Liste der Vorgabeeinstellungen /

Liste des rglages / Lista de ajustes de fbrica
Backup Group
Default CLP-330,
CLP-370/
CLP-S308/
340
S306
Voice GRAND PIANO 1 F7.1
Variation (CLP-370/340) OFF
Dual Mode OFF F8.1 F7.1
Split Mode (CLP-370/340) OFF

Split Mode Left Voice (CLP-370/340) WOOD BASS
Brilliance NORMAL F8.4 F7.4
Reverb Type Preset for each voice
Reverb Depth Preset for each voice
Effect Type Preset for each voice
F8.1 F7.1
Effect Depth Preset for each voice
Touch Sensitivity MEDIUM
Volume in the FIXED Mode 64
DAMPER RES. ON F8.4
DAMPER RES. Depth 6 F8.4
Metronome OFF
Metronome Time Signature 0 (no accent)
Tempo 120
Transpose 0 F8.3 F7.3
Function
Backup Group
CLP-330,
CLP-370/ CLP-330,
CLP-S308/ Function Default CLP-370/
340 CLP-S308/
S306 340
S306
F1 F1 Tuning A3=440Hz
F2.1 F2.1 Scale 1 (Equal Temperament) F8.3 F7.3
F2.2 F2.2 Base Note C
F3.1 F3.1 Dual Balance Preset for each voice combination
F3.2 F3.2 Dual Detune Preset for each voice combination
F3.3, F3.4 F3.3, F3.4 Dual Octave Shift Preset for each voice combination
F3.5, F.3.6 F3.5, F.3.6 Dual Effect Depth Preset for each voice combination
F4.1 Split Point F2 F8.1 F7.1
F4.2 Split Balance Preset for each voice combination
F4.3, F4.4 Split Octave Shift Preset for each voice combination
F4.5, F4.6 Split Effect Depth Preset for each voice combination
F4.7 Damper Pedal Range ALL
F5.1 F4.1 Left Pedal Mode 1 (Soft Pedal)
F5.2 F4.2 Soft Pedal Effect Depth 3
F5.3 Sustain Sample Depth 12 F8.4 F7.4
F5.4 Keyoff Sample Volume 10
F5.5 F4.3 Song Channel Selection ALL
F6 F5 Metronome Volume 10 F8.1 F7.1

Backup Group
CLP-330,
CLP-370/ CLP-330,
CLP-S308/ Function Default CLP-370/
340 CLP-S308/
S306 340
S306
F7.1 F6.1 MIDI Transmit Channel 1
F7.2 F6.2 MIDI Receive Channel ALL
F7.3 F6.3 Local Control ON
F8.2 F7.2
F7.4 F6.4 Program Change Send & ON
Receive
F7.5 F6.5 Control Change Send & ON
Receive
F8 F7 Backup Voice: OFF
MIDI Others: ON Always backed up
F8.5 F7.5 Character Code Int

Specifications / Technische Daten /
Caractristiques techniques / Especificaciones
CLP-370 CLP-340 CLP-330 CLP-S308 CLP-S306
Width 1408 mm (55-7/16") 1449 mm (57-1/16")
Height
917 mm (36-1/8")
[For models with [977 mm (38-7/16")]
[920 mm (36-1/4")]
polished finish]
Height with music
Size / rest 1018 mm (40-1/16") 1019 mm (40-1/8")

Weight [For models with [1019 mm (40-1/8")] [1021 mm (40-3/16")]
polished finish]
Depth 511mm (20-1/8") 514mm (20-1/4") 430 mm (16-15/16")
Weight
78 kg (171lbs., 15 oz.) 69 kg (152lbs., 2 oz.) 65 kg (143lbs., 5 oz.)
[For models with [78 kg (171lbs., 15 oz.)]
[81 kg (178lbs., 9 oz.)] [71 kg (156lbs., 8 oz.)] [68 kg (149lbs., 15 oz.)]
polished finish]
Number of Keys 88
NW NW
(Natural Wood) GH3 (Natural Wood) GH3
with (Graded Hammer 3) GH3 with (Graded Hammer 3)
Keyboard Type Synthetic ivory Synthetic ivory
with Synthetic ivory (Graded Hammer 3) with Synthetic ivory
keytops keytops
(Wood is used for the keytops (Wood is used for keytops
Control white keys) the white keys)
Interface Touch Sensitivity Yes
Number of Pedal 3
Half Pedal Yes
Pedal Functions Damper (with half-pedal effect), Sostenuto, Soft
Display 7-Segment LED
Key Cover Style Sliding Folding
Cabinet Music Rest Yes
Music Clips Yes
Tone Generation
AWM Dynamic Stereo Sampling
Technology
Number of Dynamic
4 3
Steps
Stereo Sustain
Yes
Voices Samples
Key-off Samples Yes
Number of Polyphony
128
(Max.)
14 x 2
Number of Voices 14
variations
Reverb 4 types
Brilliance 5 types
Effect Chorus Yes
Dual Yes
Split Yes

CLP-370 CLP-340 CLP-330 CLP-S308 CLP-S306
Number of Preset
50
Songs
Number
3
of Songs
Number
Recording 2
Songs of Tracks
Data User songs (100KB X 3 (ca.11,000 notes X 3)),
Capacity External songs (447KB)
Compatible Playback SMF (Format 0 & 1)
Data
Format Recording SMF (Format 0)
Metronome Yes
Tempo Range 32-280
Functions Transpose -12 to 0, 0 to +12
Tuning Yes
Scale Type 7 types
Floppy Disk Drive Optional
Storage Internal Memory User songs 300KB, External songs 447KB
External Device Optional
Headphones x2
MIDI [IN][OUT][THRU]
AUX IN [L/L+R][R]
AUX OUT [L/L+R][R]
Connectivity
x2
USB [TO DEVICE] x1
(selectable)
USB [TO HOST] Yes
[LAN] Yes Yes
Amplifiers 40W x 2 20W x 2 40W x 2
Amplifiers/
Speakers (16cm + 5cm) x 2 16cm x 2 (16cm + 5cm) x 2
Speakers
Speaker Boxes Yes Yes
Bundled
CD-ROM Yes
Software
Owners Manual, Accessory CD-ROM for Windows,
Accessory CD-ROM for Windows Installation Guide,
Accessories Included Accessories 50 greats for the Piano Score Collection,
My Yamaha Product User Registration,
Bench (included or optional depending on locale)
* Specifications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify
products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please
check with your Yamaha dealer.
* Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behlt sich das Recht vor,
Produkte oder deren technische Daten jederzeit ohne vorherige Ankndigung zu verndern oder zu modifizieren. Da die technischen Daten, das
Gert selbst bitte mit Ihrem Yamaha-Hndler in Verbindung.
* Les caractristiques techniques et les descriptions du mode demploi ne sont donnes que pour information. Yamaha Corp. se rserve le droit de
changer ou modifier les produits et leurs caractristiques techniques tout moment sans aucun avis. Du fait que les caractristiques techniques, les
quipements et les options peuvent diffrer dun pays lautre, adressez-vous au distributeur Yamaha le plus proche.
* Las especificaciones y descripciones de este manual del propietario tienen slo el propsito de servir como informacin. Yamaha Corp. se reserva el
derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especifica-
ciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite informacin a su distribuidor Yamaha.

MEMO

MEMO

MEMO

Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
CAUT I O N within an equilateral triangle is intended to
alert the user to the presence of uninsulated
RISK OF ELECTRIC SHOCK
DO NOT OPEN dangerous voltage within the products
enclosure that may be of sufficient magni-
tude to constitute a risk of electric shock to
persons.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE The exclamation point within an equilateral
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO triangle is intended to alert the user to the
QUALIFIED SERVICE PERSONNEL. presence of important operating and main-
tenance (servicing) instructions in the litera-
ture accompanying the product.
The above warning is located on the bottom of the unit.
IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions. 11 Only use attachments/accessories specified by the
2 Keep these instructions. manufacturer.
3 Heed all warnings. 12 Use only with the cart, stand, tri-
4 Follow all instructions. pod, bracket, or table specified by
5 Do not use this apparatus near water. the manufacturer, or sold with the
6 Clean only with dry cloth. apparatus. When a cart is used,
use caution when moving the cart/
7 Do not block any ventilation openings. Install in accor-
apparatus combination to avoid
dance with the manufacturers instructions.
injury from tip-over.
8 Do not install near any heat sources such as radiators,
13 Unplug this apparatus during
heat registers, stoves, or other apparatus (including
lightning storms or when unused
amplifiers) that produce heat.
for long periods of time.
9 Do not defeat the safety purpose of the polarized or
14 Refer all servicing to qualified service personnel. Ser-
grounding-type plug. A polarized plug has two blades
vicing is required when the apparatus has been dam-
with one wider than the other. A grounding type plug
aged in any way, such as power-supply cord or plug is
has two blades and a third grounding prong. The wide
damaged, liquid has been spilled or objects have fallen
blade or the third prong are provided for your safety. If
into the apparatus, the apparatus has been exposed to
the provided plug does not fit into your outlet, consult
rain or moisture, does not operate normally, or has
an electrician for replacement of the obsolete outlet.
been dropped.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
(UL60065_03)
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS other electronic devices. Compliance with FCC regula-
UNIT! tions does not guarantee that interference will not occur
This product, when installed as indicated in the in all installations. If this product is found to be the
instructions contained in this manual, meets FCC source of interference, which can be determined by turn-
requirements. Modifications not expressly approved ing the unit OFF and ON, please try to eliminate the
by Yamaha may void your authority, granted by the problem by using one of the following measures:
FCC, to use the product. Relocate either this product or the device that is being
2. IMPORTANT: When connecting this product to affected by the interference.
accessories and/or another product use only high Utilize power outlets that are on different branch (circuit
quality shielded cables. Cable/s supplied with this breaker or fuse) circuits or install AC line filter/s.
product MUST be used. Follow all installation instruc- In the case of radio or TV interference, relocate/reorient
tions. Failure to follow instructions could void your the antenna. If the antenna lead-in is 300 ohm ribbon
FCC authorization to use this product in the USA. lead, change the lead-in to co-axial type cable.
3. NOTE: This product has been tested and found to If these corrective measures do not produce satisfactory
comply with the requirements listed in FCC Regula- results, please contact the local retailer authorized to
tions, Part 15 for Class B digital devices. Compli- distribute this type of product. If you can not locate the
ance with these requirements provides a reasonable appropriate retailer, please contact Yamaha Corporation
level of assurance that your use of this product in a of America, Electronic Service Division, 6600 Orangeth-
residential environment will not result in harmful inter- orpe Ave, Buena Park, CA90620
ference with other electronic devices. This equipment The above statements apply ONLY to those products
generates/uses radio frequencies and, if not installed distributed by Yamaha Corporation of America or its sub-
and used according to the instructions found in the sidiaries.
users manual, may cause interference harmful to the
operation of
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
IMPORTANT NOTICE FOR THE UNITED KINGDOM COMPLIANCE INFORMATION STATEMENT

Connecting the Plug and Cord (DECLARATION OF CONFORMITY PROCEDURE)
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code: Responsible Party : Yamaha Corporation of America
BLUE : NEUTRAL Address : 6600 Orangethorpe Ave., Buena Park,
BROWN : LIVE Calif. 90620
Telephone : 714-522-9011
As the colours of the wires in the mains lead of this
Type of Equipment : Digital Piano
apparatus may not correspond with the coloured makings
Model Name : CLP-370/340/330, CLP-S308PE/
identifying the terminals in your plug proceed as follows:
S306PE
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or coloured
This device complies with Part 15 of the FCC Rules.
BLACK.
Operation is subject to the following conditions:
The wire which is coloured BROWN must be connected
1) this device may not cause harmful interference, and
to the terminal which is marked with the letter L or
coloured RED. 2) this device must accept any interference received including
interference that may cause undesired operation.
Making sure that neither core is connected to the earth
See user manual instructions if interference to radio reception
terminal of the three pin plug.
is suspected.
This applies only to products distributed by (2 wires) * This applies only to products distributed by (FCC DoC)
Yamaha Music U.K. Ltd. YAMAHA CORPORATION OF AMERICA.
For details of products, please contact your nearest Yamaha Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten
representative or the authorized distributor listed below. Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen
Bestimmungslndern erhltlich.
Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante. Para detalles sobre productos, contacte su tienda Yamaha ms cercana
o el distribuidor autorizado que se lista debajo.
NORTH AMERICA THE NETHERLANDS/ ASIA

CANADA BELGIUM/LUXEMBOURG THE PEOPLES REPUBLIC OF CHINA
Yamaha Canada Music Ltd. Yamaha Music Central Europe GmbH, Yamaha Music & Electronics (China) Co.,Ltd.
135 Milner Avenue, Scarborough, Ontario, Branch Benelux 25/F., United Plaza, 1468 Nanjing Road (West),
M1S 3R1, Canada Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Jingan, Shanghai, China
Tel: 416-298-1311 Tel: 0347-358 040 Tel: 021-6247-2211
U.S.A. FRANCE HONG KONG
Yamaha Corporation of America Yamaha Musique France Tom Lee Music Co., Ltd.
6600 Orangethorpe Ave., Buena Park, Calif. 90620, BP 70-77312 Marne-la-Valle Cedex 2, France 11/F., Silvercord Tower 1, 30 Canton Road,
U.S.A. Tel: 01-64-61-4000 Tsimshatsui, Kowloon, Hong Kong
Tel: 714-522-9011 ITALY Tel: 2737-7688
Yamaha Musica Italia S.P.A. INDONESIA
CENTRAL & SOUTH AMERICA Viale Italia 88, 20020 Lainate (Milano), Italy PT. Yamaha Music Indonesia (Distributor)
MEXICO Tel: 02-935-771 PT. Nusantik
Yamaha de Mxico S.A. de C.V. SPAIN/PORTUGAL Gedung Yamaha Music Center, Jalan Jend. Gatot
Calz. Javier Rojo Gmez #1149, Yamaha Msica Ibrica, S.A. Subroto Kav. 4, Jakarta 12930, Indonesia
Col. Guadalupe del Moral Ctra. de la Coruna km. 17, 200, 28230 Tel: 21-520-2577
C.P. 09300, Mxico, D.F., Mxico Las Rozas (Madrid), Spain KOREA
Tel: 55-5804-0600 Tel: 91-639-8888 Yamaha Music Korea Ltd.
BRAZIL GREECE 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Yamaha Musical do Brasil Ltda. Philippos Nakas S.A. The Music House Kangnam-Gu, Seoul, Korea
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, 147 Skiathou Street, 112-55 Athens, Greece Tel: 080-004-0022
CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 01-228 2160 MALAYSIA
Tel: 011-3704-1377
SWEDEN Yamaha Music Malaysia, Sdn., Bhd.
ARGENTINA Yamaha Scandinavia AB Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Yamaha Music Latin America, S.A. J. A. Wettergrens Gata 1, Box 30053 Petaling Jaya, Selangor, Malaysia
Sucursal de Argentina S-400 43 Gteborg, Sweden Tel: 3-78030900
Olga Cossettini 1553, Piso 4 Norte Tel: 031 89 34 00 PHILIPPINES
Madero Este-C1107CEK
Buenos Aires, Argentina DENMARK Yupangco Music Corporation
Tel: 011-4119-7000 YS Copenhagen Liaison Office 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Generatorvej 6A, DK-2730 Herlev, Denmark Makati, Metro Manila, Philippines
PANAMA AND OTHER LATIN Tel: 44 92 49 00 Tel: 819-7551
AMERICAN COUNTRIES/ SINGAPORE
CARIBBEAN COUNTRIES FINLAND
F-Musiikki Oy Yamaha Music Asia Pte., Ltd.
Yamaha Music Latin America, S.A. #03-11 A-Z Building
Torre Banco General, Piso 7, Urbanizacin Marbella, Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland 140 Paya Lebor Road, Singapore 409015
Calle 47 y Aquilino de la Guardia, Tel: 747-4374
Ciudad de Panam, Panam Tel: 09 618511
Tel: +507-269-5311 NORWAY TAIWAN
Norsk filial av Yamaha Scandinavia AB Yamaha KHS Music Co., Ltd.
EUROPE Grini Nringspark 1, N-1345 sters, Norway 3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Tel: 67 16 77 70 Taiwan 104, R.O.C.
THE UNITED KINGDOM Tel: 02-2511-8688
Yamaha Music U.K. Ltd. ICELAND
Sherbourne Drive, Tilbrook, Milton Keynes, Skifan HF THAILAND
MK7 8BL, England Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland Siam Music Yamaha Co., Ltd.
Tel: 01908-366700 Tel: 525 5000 4, 6, 15 and 16th floor, Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
IRELAND RUSSIA Pathumwan, Bangkok 10330, Thailand
Danfay Ltd. Yamaha Music (Russia) Tel: 02-215-2626
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Office 4015, entrance 2, 21/5 Kuznetskii
Tel: 01-2859177 Most street, Moscow, 107996, Russia OTHER ASIAN COUNTRIES
Tel: 495 626 0660 Yamaha Corporation,
GERMANY Asia-Pacific Music Marketing Group
Yamaha Music Central Europe GmbH OTHER EUROPEAN COUNTRIES Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Siemensstrae 22-34, 25462 Rellingen, Germany Yamaha Music Central Europe GmbH Japan 430-8650
Tel: 04101-3030 Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +81-53-460-2317
SWITZERLAND/LIECHTENSTEIN Tel: +49-4101-3030
Yamaha Music Central Europe GmbH, OCEANIA
Branch Switzerland AFRICA
Seefeldstrasse 94, 8008 Zrich, Switzerland AUSTRALIA
Tel: 01-383 3990 Yamaha Corporation, Yamaha Music Australia Pty. Ltd.
Asia-Pacific Music Marketing Group Level 1, 99 Queensbridge Street, Southbank,
AUSTRIA Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Victoria 3006, Australia
Yamaha Music Central Europe GmbH, Japan 430-8650 Tel: 3-9693-5111
Branch Austria Tel: +81-53-460-2312
Schleiergasse 20, A-1100 Wien, Austria NEW ZEALAND
Tel: 01-60203900 Music Works LTD
MIDDLE EAST P.O.BOX 6246 Wellesley, Auckland 4680,
CZECH REPUBLIC/SLOVAKIA/ New Zealand
HUNGARY/SLOVENIA TURKEY/CYPRUS
Yamaha Music Central Europe GmbH Tel: 9-634-0099
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department Siemensstrae 22-34, 25462 Rellingen, Germany COUNTRIES AND TRUST
Schleiergasse 20, A-1100 Wien, Austria Tel: 04101-3030 TERRITORIES IN PACIFIC OCEAN
Tel: 01-602039025 OTHER COUNTRIES Yamaha Corporation,
Yamaha Music Gulf FZE Asia-Pacific Music Marketing Group
POLAND Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Yamaha Music Central Europe GmbH LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates Japan 430-8650
Sp.z. o.o. Oddzial w Polsce Tel: +81-53-460-2312
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: +971-4-881-5868
Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
EKB45
DIC 2164
Yamaha Home Keyboards Home Page

http://music.yamaha.com/homekeyboard/
Yamaha Manual Library

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
2008 Yamaha Corporation
WN75950 806MWAP1.4-01A0 Printed in China

Clavinova clp100

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ENGLISH

SPECIAL MESSAGE SECTION

About this Owners Manual and Data List

Owners Manual (this book)

CLP-370/340/330, CLP-S308/S306 Owners Manual 3

Power supply/Power cord Water warning

Power supply/Power cord Location

4 CLP-370/340/330, CLP-S308/S306 Owners Manual

CLP-370/340/330, CLP-S308/S306 Owners Manual 5

6 CLP-370/340/330, CLP-S308/S306 Owners Manual

Internet Direct Connection function (CLP-370/340, CLP-S308/S306)

CLP-370/340/330, CLP-S308/S306 Owners Manual 7

Turning the Power On ................................................................................................................................ 14

8 CLP-370/340/330, CLP-S308/S306 Owners Manual

CLP-370/340/330, CLP-S308/S306 Owners Manual 9

Panel Controls and Terminals

This illustration shown is taken from the

Front Pedal jack for CLP-340/330 is next

Shows the jacks as seen when viewed from below the

10 CLP-370/340/330, CLP-S308/S306 Owners Manual

1 [POWER] switch .............................page 14 ^ [BRILLIANCE], [REVERB], [EFFECT]

CLP-370/340/330, CLP-S308/S306 Owners Manual 11

Before Using the Clavinova

To close the key cover:

12 CLP-370/340/330, CLP-S308/S306 Owners Manual

To lower the music rest:

Fold the music rest

CLP-370/340/330, CLP-S308/S306 Owners Manual 13

Music Braces (CLP-370/340)

Turning the Power On

2.Turn the power on.

Normally indicates tempo.

14 CLP-370/340/330, CLP-S308/S306 Owners Manual

Setting the Volume

The level decreases. The level increases.

Connect a pair of headphones to one of the OFF

[PHONES] jacks. HP. SW

Two [PHONES] jacks are provided. PHONES

Using the Headphone Hanger

Using the Speaker Switch OFF

This switch turns the internal speakers on or off. NORMAL

ON ....................................... The speakers always produce sound.

CLP-370/340/330, CLP-S308/S306 Owners Manual 15

Listening to the Demonstration Tunes

1. Turn the power on.

2. Engage Demo mode. Demo Song mode.

will flash in sequence.

Press the [DEMO] or SONG [STOP] button. NOTE

16 CLP-370/340/330, CLP-S308/S306 Owners Manual

Listening to 50 Piano Preset Songs

1. Engage Preset Song mode.

Adjust the Volume

] buttons to adjust the playback tempo

3. Stop playback. You can change the Effect set-

4. Exit from Preset Song mode. playback.

CLP-370/340/330, CLP-S308/S306 Owners Manual 17

Practicing a One-Hand Part Using the 50 Preset Songs

Starting playback automatically as you start playing the keyboard

3. Stop playback. NOTE

18 CLP-370/340/330, CLP-S308/S306 Owners Manual

A-B Repeat for 50 Preset Songs

1. Specify the beginning (A) and the end (B) of the

To specify the end (B) of the phrase, press the NOTE