Traviata

THE LIBRARY OF THE
UNIVERSITY OF
m -
NORTH CAROLINA
ENDOW2D BY THE
DIALECTIC AND PHILANTHROPIC
SOCIETIES
MUSIC LIBRARE
MI503 .VU8U T52 M3 1899
,^'tr"S'TYOFNC ATCHAPELHIL
1000 580371
^T]BIO MBEARY
This BOOK is due at the library from which it was
borrowed on the LAST DATE stamped below unless
it is recalled sooner. If not on hold, it may be renewed
bv brineina it to the library from which it was borrowed.
^^^^^saf'
1 6 2004
^^8 2005
tr=^=5
loini \(i M'I

Digitized by the Internet Archive
in 2011 with funding from
University of North Carolina at Chapel Hill
http://www.archive.org/details/latraviataoperaiOOverd
MUSIC LIBRARY
UNC-CHAPEL HILL
Photograph of G. \'erJi, signed and inscnbed to
Gustav Schirmer, founder of the house
Ijbi..^, L'niv o'
LA TRAVIATA.
An Opera in Three Acts.
KiRsr Performance at the Gran' Teatro la P'enice, in' Vkmice, March 6, 1853.
Characters of the Opera,

With the Originai Cast as Presented at the First Performaifce.
VIOLETTA VALRY, . Soprano . . SALVINI-DONATELLI

FLORA BERVOIX, Mezzo-Soprano SPERANZA
ANNINA Soprano CARLOTTA BERINI
ALFREDO GERMONT, . Tenor LODOV GRAZIANI
GIORGIO GERMONT, his father, Baritone FELICE VARESE
GASTONE, Viscount of Letorieres, Tenor ZULIANI
BARON DOUPHOL, Baritone DRAGONE
MARQUIS D'OBIGNY, . Bass . SILVESTRI
DOCTOR GRENVIL, Bass . BELLINI
GIUSEPPE, servant to Violetta, Tenor BORSATO
SERVANT TO FLORA, . Bass TONA
MESSENGER, .... Bass MANZINI
Chorus of Ladies and Gentlemen, friends of Violetta and Flora.
Mute Personages : Matadors, Picadors, Gypsies, Servants, Masks, etc.
Scene and Period : Paris and environs, about the year 1700.
La Traviata.
The story u]ion wliich " La Traviata " is based is fhat of the hook arni play
" La Dame aux Caiiilias ''
of the younger Dumas, the story which is familiar to
the English stage under the name of " Camille." The three acts of the opera pre-
sent the princi|ial incidcnts of the play and hook. A gay party is in progress in
the iiouse of inc/ta ( Ma?- uri- ite (riiu/Ziicr in the originai story), a Parisian cour-
j^''
tesan. Alfredo, a yoiing man of respectable Proyen<;al faniily, wlio loves the
?
wonian, joins in tlie merrv-making bis love is passionate and earnest, and is met
;
by tbe love of l'iolctta. who at bis solicitation agrees to abandon ber dissolute life
and live with him alone. In Act II the pair are found boused in tbe suburbs of
Paris. Alfredo learns that Violetta bas sold ber city property to maintain tbeir
country home, and goes to Paris to recover it he returns to find bis companion
;
gone. In big absence Germont, Alfredo's father, had visited ber and persuaded
ber, by appeals to ber love and sympathy for bis son, to abandon him. She returns
to ber old life in the city. Tbere, at a ball given by one of ber associates, Alfredo
fnds ber again, overwbelms ber witb reproacbes, and ends a scene of excitement
bv denouncing ber publiclv and tbrowing bis ganibling gains at ber feet. In the
last act \'i aletta dies in the anns of her lover, who had learned of her sacrifce for
bis family and hurried to ber side to find ber in the last stages of consumption.
Dumas, in tbe preface to his romance, savs tbat the main incidents of the story
are true, and it is said that Dickens had it in bis mind to write a novel on the sub-
ject before Dumas. Tbe facts, while they may be interesting from a biograpbical
point of view, bave no hearing on the moral and testhetic questions raised by tbe
iipera, wbich bave remained open for over forty years, despite tbe popularity won
by Verdi's music. Dimias's book appeared in 1848, bis play in 1852. Verdi
saw tlie latter in Paris wbile it vvas new, and, thougb he was at work at the time
on " Il Trovatore," he laid cut tbe pian of " La Traviata " and sent X to Piave, tbe
librettist who had "Emani," "I due Foscari," "Macbetb,"
written tbe books of
"Il Corsaro," " " and "Rigoletto" for him. The composer's creative
StifFelio
capacity was at its high-water mark, and his eagerness and energy are illustrated
in tbe fact tbat he \vorked concurrently on tbe two operas. " Il Trovatore " was
produced at Rome on January 19, 18^3, and " La Traviata" less tban seven weeks
later, on March6, i8^,_ at the Fenice Tbeatre, Venice. He -wrote the music
within a moni according to tbe evidence of tbe autograph, wbich is in the possession
li,
of the publisher, Ricordi. Eigbteen operas from Verdi's pen bad preceded " La
Traviata," and the sun of bis fame stood at its zenitb, yet tbe opera failed lament-
ably on its first production. Tbe
reason ? Verdi seems to bave kno^vn it, in part, at
loast. On performance he wrote to bis friend and pupil Salvini-
tbe day after tbe first
Muzio " La Traviata' last night a failure. Was tbe fault mine or tbe singers'
:
'
Tniie will teli;" but wben Varesi., the singer who had been entrusted witb the
part of Germont, wbich !ie thought beneath his dignitv, carne to him and ofFered
bis condolences, Verdi declined to receive them. " SIake them to yourself and
your companions, who bave not understood my music," he said. This does not
seem to liave been an altogether accurate description of the case. Oraziani, the
tenor, was hoarse and could not sing well, and Verdi exacted, perhaps, more than
be ougbt \vhen he wanied Signora Donatelli to overcome the absurdity of tbe
staije-picture by the ilJusive power of her singing. Tbe lady was monstrously
stoiit. and the contradictions in tbe deatb-scene of tbe last act appealed too
slniiigly to tbe \ênetian sense of b-nnor to permit the best of Verdi's dramatic
Mcconts to \y.i\c tbe effect wliicb bad flled bis fancy. The opera ended with shTieks
c-if laugbtcr wben tlie too generouslv upholstered Violetta was heard to declare that
IV
shewas on tlie edge of a consumptive's grave. Moreover, the public found amuse-
ment in the circunistance that the personages of the opera were clad in conventional
modem dress. This led to a revision, in which costiimes and stage-furniture be-
longing to an earlier centiiry (it is not well to try to be explicit in such matters)
were substituted for those of fifty years ago. Thus, revised as to its dress and with
a few changes in the score, the opera was launched again in the same city after the
lapse of about a year, and set out on its successful voyage around the \vorld. It
reached London on May 24, 1856; St. Petersburg, November i, 1S56; New York,
December 3, 1S56, and Paris, December 6, 1S56. Piccolomini, who liad enacted the
rnle of 'ioh-ttn in Turin in 1S55, chose it for her dbut in London, and to hor
personaHty, and possibly also to otiier extraneous causcs, tiie prompt and emphatic
triumph of the opera, in spile of the judgment of the critics, was due.
"La Traviata" belongs to those dramatic works which, on their first appear-
ance, cause more discussion because of tiieir subject-matter than tiieir artistic excel-
lence. Whether the anathema pronounced agamst them bv individuai and officiai
censorship helps or hinders the growth of these works into popularity, I shall not
attempt to say. There can scarcely be a doubt, however, that niany latter-day
theatrical managers would hail with pleasure and expectation of proflt such a con-
troversy as greeted " La Traviata " in London. The Lord Chamberlain had refused
to sanction the English adaptations of " La Dame aux Camlias," and whea the
opera, based on the plaj-, was brought forward, pulpit and press thundered in de-
nunciation of it. Mr. Lunilev, manager of Iler JVLijesty's Theatre, carne to the
defence of the work in a letter to the all-powerful Thnes newspaper, but his purpose
was plainly more to encourage the popular excitement and irritate curiosity than to
shield the opera from condemnation. Indeed, he had every reason to be contented.
" La Traviata " had made a complete fiasco on its production in Italy, where no
one dreamed of objecting to its storv in London there was a loud outcry against
;
the " foul and hideous horrors of the book," and the critics found little to praise in
its music, yet the opera scored a tremendous popular success and helped resene Her
Majesty's froin threatened ruin. " Once more frantic crowds struggled in the
lobbies of the theatre, " ^vrites Mr. Lumley in his " Reminiscences " "once more ;
dresses \vere torn and hats crushed in the conflict once more a mania possessed the
;
public." Was it the music alone? That is scarcelv to be believed, for the opera
was not well sung, and the criticai taste of the English, as voiced bv their writers
for the press, was opposed to 'the strenuous stvle of Signor Verdi. Was it the
libretto? Alas! who cared much for the libretto of an opera then, and who could
bave gone to the opera for the sake of so badly diluted a play, sung, moreover, in a
foreign tongue !The fact that the language was Italian, robbed the opera of what-
ever charm it might bave had for those who would have foitnd pleasure in the odor
of moral decay. Plainlv, the success of " La Traviata" in London was cliiefly due
to Marietta Piccolomini, who effected her English dbut in it. It is an amusing
chapter which this \vinsome little lady contributed to the history of opera during her
brief career. Two years later she became as much of a rage in New York as she
had been in London ;
yet she was in no sense a great singer. A bewitching per-
14400
sonality and ingenious advertising were ber conquering arms. She belonged to the
ancient Italian nobility. It was one which dated
\vas given out tliat the family
back to the lime of Charlemagne, and had given two popes and a cardinal to the
Church, to say nothing of the hero of the second drama in Schiller's "Wallenstein"
trilogy. Ilcre was brave advertising material, and right bravely was it exploited.
The charming little woman, who had a weak mezzo-soprano voice, limited in range
to an octave and a half, little or no execution, and uncertain intonation who, Mr. ;
Chorley would bave us believe, ^vas little better than a comedy soubrette, a vaude-
ville singer, "a Columbuie, born to make eyes over an apron with pockets,"
' '
compelled success for "Traviata " in the city where success was least to bave been
expected. " Her best appearance was in 'La Traviata,'" wrote Mr. Chorley in
summing up tlie season of 1856 at Her Majesty's Theatre, " The music of the first
act pleased, perhaps, because it is almost the solitary act of gay music from the
composer's pen and ber effrontery of behaviour passed for being dramatically true
;
to the character, and not, as it afterward proved, her habitual manner of accosting
the public. In the repulsive death-act, too, she had one or two good moments of
serious emotion, tbough tbis was driven at times to the verge of caricature, as when
every clause of her last song was interrupted by the cougb which belongs to the
character "
There is no reason to question the correctness of tbis judgment by the critic of
Tlie AthencFitm. A different \'iolctta was disclosed when Bosio sang the part in
I>ondon, when Patti made it scintillant with gems of vocalization, and even when
Christine Nilsson chose a new French
adaptation of the opera for her public dbut
in Paris on October 27, 1S64. Verdi's music had won the French capital so com-
pletely in 1S36 that Scudo despaired of Italy's musical future, because of the " pro-
digious success" of " LaTraviata." The circumstances surrounding tlie production
of the opera in New York did not permit many repetitions of it. There had been a
destructive competition between Ivlr. IMax Maretzek's Italian company at the
Academy of Music and a German company at Niblo's Garden. The regular Italian
season had been brought to an end bv a quarrel between Mr. Maretzek and the
directors of the Academj- of Music, but the troupe returned to give a brief season
under the style of the La Grange Opera Company, before proceeding to Havana.
In tbis interregnum "La Traviata" was given, and concerning its reception I
cannot do better than to quote at some length the criticism which appeared on
December 5 in the AVty York Trihiine newspaper :
" The La Traviata we bave alread)' given to our readers. It is simply

plot of ' '
'Camille.' The scene afTords us some waltzing music, appropriate in its place,
first
on which a (musical) dialogue takes place. The waltz is not specially good, nor is
there any masterly out-working of detail. A fair driiiking song was afforded, which
pleased but was not encored. A pretty duet, by Mad. de la Grange and Signor
Brignoli, may be noticed also in this act and tiie final air by Mad. de la Grange,
;
'Ah fors' lui che l'anima,' contained a brilliant, florid dose, which brought down
the house, and the curtain had to be re-raised to admit of a repetition. Act IL
admits of more intensified music than Act I. A
brief air by Alfred (Brignoli) is
followed by an air by Germont (Amodio), and by a duct. Violetta (La Grange) and
IMOO
,
Gcrmont. The duet is well worked up, and is rousing, passionate music. Verdi 's
iTiastery of
dramatic accent of tlie nodern school of declamation is here evident.

Some dramatic work, the orchestra leading, follo'ws bringing an air by Gcrmont
'
Di Provenza il mar.' This is a 3-4 travestie of the waltz known as Weber's Last'
Waltz (which, however, Weber never urote) and is too uniform in the length of
'
;
its notes to have dramatic breadth or eloqiience. A

good hit is the sudden exit of
Alfred thereupon. not stopping to make an andiamo duet, as is so often done. It
is draiTiatic. Tiie next scene introduces us to a masquerade, where are choruses
of quasi-gypsies, inatadors, and picadors
sufficiently characteristic. The scene
after the card playing, which is so fine in tlie play, is ineffcient in music. Act III.
in the hook (tliougli it was inade Act IV. on tiiis occasion by subdividing the sec-
ond) reveals the sick-room of La Traviata. A
sweet air minor and major by
turns, with some hautboy wailing paints the sufferer's sorrows.
lovers, Parige, o cara,' is especially originai in ils peroration.
'
A
duet by the
The closing trio has
due culmination of anguish, though we would have preferred a quiet ending to a
hectic shriek and a doubly loud force in the orchestra.
" Goldsmith's rule in the \'icar for criticising a painting was always to say
that 'the picture would have been better if the painter had taken more pains.'
Perhaps the same might be said of La Traviata
'
but whether it would have
'
;
pleased the public more is another question. Some of the airs certainly would bear
substitution by others in the author's happier vein. The opera was well received.
Three times the singers were called before the curtain. The piece was well put
upon the stage. Mad. La Grange never looked so well. Her toilet was charming. "
H. E. Krehbiel.
VII
14400
Index.
ACT I.
Page
1. Prelude I
2. Introduction. Chorus and Scena Dall' invito trascorso gi l'ora .

3
3. Drinking-song Libiamo ne' lieti calici (Alfred, Chorus) 18
4. Valse and Duet . Un d felice, eterea (Alfred, Viole ta) . 29
5. Stretta of Introd. Si ridesta in ciel l'aurora (Chorus) 47
t. Recit. and Aria . Ah, fors' lui che l'anima (Violetta) . 58
'-'Stnpre libera degg'io (Violetta) 64
ACT II.
7^ Recit. and Aria . De' miei bollenti spiriti (Alfred) . 70.

Scena . Annina, donde vieni ? (Alfred, Annina) 74
O mio rimorso! (Alfred) 76
8. Recit. and Scena. Alfredo ? (Violetta, Annina, Germont) 81
f
Pura siccome un angelo (Germont) 85
Non sapete quale affetto (Violetta) 87
Songs (Duet)
Dite alla giovine (Violetta) .
94
-Morr 1 la mia memoria (Violetta, Germont) 99
9. Recitative . . Dammi tu forza, o cielo I (Violetta, Alfred) 104
ic- Recit. and Aria . ~-y' Di Provenza il mar, il suol (Germont, Alfred) 109
Scena Avrem maschere
II.
Chorus of
.
Gypsies
. lieta di
Doctor, etc.)
Noi siamo zingarelle
.... la notte (Flora, Marquis
121
12. . 124
13. Chorus of Matadors . Di Madride noi siam mattadori . 132
Piquillo un bel gagliardo .
134
Grand Chorus . SI, allegri 139
14. Gaming-scene . Alfredo! Voi 1
143
Chorus . Oh infamia orribile 161.
15. Octet and Chorus . Di sprezzo degno si stesso rende (Germont) 165
ACT III.
16. Recitative Annina 1 Dormivi ? (Violetta) 191

Addio
17.
18.
Aria
Bacchanal Chorus
Recit. and Duet .
Largo
del passato (Violetta)
al quadrupede .......
Parigi, o cara, noi lasceremo (Alfred, Violetta) .
197
202
206
Gran Dio ! morir si giovine (Violetta) . . 218
19. Finale (Quintet) . Prendi, quest' l'immagine (Violetta) , . . 223
iMoe
La Traviata
Act I.
N9 1. Prelude.
GIUSEPPE VERDI.
Adagio. (J.66
.1
_
iliJy^ pL_p^gy'_ ^^fif^MM
L! Vl.ri vided.
i
Piano. PPP
'j'-hh^'^^f rr UE F-
f^==f ki
i
^ 31:
=a=
Aa^^-J ,^"-^^"^ 1 , i
,^'J^J,J?û^^ i .W;^^^
^^1 ?>> ?
* ^* F p pp p P pp ^
uB # # f#- #
iW 11
:n_
1
>/> ^
fW* fcS; iBi^nfi /lin/1?

"T^ ^=^ F?=^=r ^^=^
yP^T^Py p5j
^p
P^ P
> ^01
4400
14400
E
N9 2. "Dell'invito trascorsa gi l'ora,,.
Introduction.
Drawiiif^-room in the house of Violetta; doors in eenfre leadinp into anotluT rooiii, and at eachside.A
mantelpiece L. II. surniountfd by a niirror; in the centre of the room a tahle richly spread.
Allegro brillantissimo e molto vivace.
^^^t^ &M 1 ili

i %m- ^
!^
feft
^3 ^ i
Piano. /
g^^^^gfiffi
Efe i ^
, ? p.^?
t
jOWind.
fc m feS :: i
^-f .^.^ *. * f^*
-^^ ^- L '
Violetta, seatedon a sof, is eonversinR with her Doctor and several friends; others receive the ar-
riving guests, among whom are the Marquis, with Flora on his arni, and the Baron.
##tf1
*
T^vjm M
i*i .^MM^* t^t t
k^
4'
i
mm y ffff^f ffffrFf^
* I e*^? *^^^
14400 W?T5T?*B
M t^ffif^ tf^*% ilJi &*g.
^J^î ^ l'r^^
g^ ^ hi t j) j'
Del-
Tel- 1 in
l'in - vi - fraseo
to ffaseor-sa_ ^Ma l'o-ra, voi far-
BASS. Long o'er - past is thehourvve appointed, why so
Gio-cammo da Flo-ra, e gio - can - do quel-l'o - re vo-lr.

'T\vas Flora de -lay'd US, tim' flies fast where theres beau-ty andplay.
1*
44
*
^ P cfp,f i
*ff-f m i
m^m
Violetta (going
r^ff\
ii i. ii
forward to reeeive them.)

^m
*g
Fio - ra, ,a -
I
mi
W^^
ci, la not- -te che
^Pf
re - sta
Fio - ra, be wel come; my friends, I sa - Iute ye;
4r
^Pg
~rr
1^
d'ai -
^^m
tre gio - je qui fa- -te
mbril-lar;
and gay.
fra
Naught so
le
This night. let ali be_ mirth - fui
t^ lirrriffrirTrffrjijjffi
14400
m
*^
fcft:
laz - ze pî
m.
vi - va3 la
bright aswhenwine-cups are
^ f- sta.
flashing
Lo vo-glio!
WTiyaskme?
alpia-
'tis in
FTora,
) B J' J J-'J'
E der voi p- tre-te?
go -
Hastthou health for en-joyment?

Marquis.
^^ ^ P^rîFp s
E go - der voi p- tre-te?
Hastthou iiealth for en-joyment?
#H-^ m n j j-i
^ 3^
m^
ho /7/ii sensib
^
9- :3Z
gtfgg??
*
ce -
M
re
S^# maf-fi" - doêd
o,ed 10
io so - glio
elio con tal far-ma- coJ
coj ma - li so-
so
plea-sure a -Ione I ex ist, and 'tis the on - ly k,phy - si - cian can
^
4f^ ..
W g
m^
i^ u sw
**:
pir.
^ S,
î
cjc-j
Flora.
hr
la vi
plea
-
g-
ta
EE
sad-dop- piaalgio-ir,
sure a - lane we are sure,
^ si,
yes,
la
of
^
cure. of 3iea - ioni
mm taron.
S,
î la
-
r
vi -
f
ta
F f
s'ad-dop-pia_algio-ir, SI,
:ii
la
Yes, of plea sure a - Ione we are sure, yes, of
F^
-
Doctor.
mi^ I
^^
^
Si, vi - ta s'ad-dop-pia^lgio-ir, si, la
pleasure a - Ione we are sure, yes,
U SOPRANO.
Yesi of
$ S, I \i - fa sad - dop - pia aitilo- ir

pia_alKo-ir,
^
SI,
plea - sure a - Ione we are sure, yes, of
TENOK.
i dtz
Marquis ^^M vi - ta
a' s'ad don -piajilfio-ir,
s'ad-- dop -' nia al A-i(
W SI,
9^ ^ with BASS. ^^'
S,
Yes,
la
of
plea
vi -
pleasure
- sure
ta
a - Ione we are sure.
s'ad-dop
s'id
a -Ione
-
^
piajil
we
!j;io- ir,
are sure,
yes,
SI,
yes,
^
la
of
'-H^^ f Sii l#f^^f
14400
ma
*^
vi -
-ifr
p
fa
0r
i.r
sad-dop -
P
piajil
MJ
gio - ir.
J
-
plea - sure a - Ione we are sure. Gaston (entering with Alfred.)
?vr P'
P r p p ir j m mn
vi - fa s'ad-dop - piaal gio- ir. In Al-
plea - sure a - Ione we are sure- See in
^^y vi
B
fa

s'ad-dop
P
piaal j I r <
-
- - gio - ir.
plea - sure a - Ione we are sure.
lOz^
^1
vi
plea
-
-
^^
fa
sure
s'?d-(lop
a - Ione
- piagai
we
w'tci -
jîo
are
ir
ir.
sure.
^
^
vi - ta
ta sari -don
s'ad-dop nia al
- pia_3 gio
f'in ir.
^m
plea
vi
plea
-
-
-
sure
fa
sure
a
H fid
a
-
s'Kd-dop
-
Ione
Ione
-
we
^m
pia_al
we
are
gio
are
-
sure.
ir.
sure.
^
^
*ft
fra
Al
-
-
do
fred
Ger- mont,
Ger- mont, la -
si -
dy
gno
fair,
^
one
#
^
rajêc-coun al
who'd fain
-
^
fro
join
ciie
thy
P-
^r #
: : ^ ^ S
;?^
^lJ444 JiiiTO ^^fl^
U4(l()
(Violetta gives her handto Alfred, who kisses it.>
Violetta.
W:
ps* mJ- i.f t E
I
Mio
For
Vi -scoli
his own
-
sake
te, mer-c,
and thine,
fdi
he
tal
is
*t:
p i r ^J i
Sl- -mi- -li so- -no.

love as in hon- -or.
M
i *? wm M#ff P^
Ett MM i^ Min. m
MkS^ Ê^H
t:
("The servants mt-anu-hilf bave completed serving the table.)

Gaston
Alfred (they shakejiands.) (t^ Alfred.)
Marquis. ^ ^ ^
(A servant
Violetta (to makes an affir-
u #
ML^^^-^^
the servants.)
^
matiw sign.)
tf
^
def - to: l'a - mi - sta qui s'in-trec-ciajil di - let-to. Pron-tojl tiit-to? Miei
told theê, this a - bode is the home of the Graces.All is ready? My
m fet
ca - ri,
friends, pray
pg
se
be
- de
seat-ed;
- te;
at
alcon
this ca
m^ -
-
vi
rou
-
-
to
sai
*
che
ali
sa
hearts
- pre_o-gni
shall di-

*fe
m -o-
^
-o-
s =8=
ma e>^ -e-
"cr- "o- Tcr
14400
u ff
Violetta.
f^
-
cor.
late.
Flora.
'
-ijiji i
f pj j-J-ir[>j j_J i
j p-|7f pnJ i i
Ben di - ce-ste, lecu- re j;e-f(re'-te_ fu- \;'a empre la-mi - co li-cor.
Thatwas wellsaid, a\vayno\v\vithsorro\v,wiiie can oonquer thefrownin'^ of fate.
Alfred and Gaston.
:M il' - i Jtiir ff
p jîîr ^j jji
^jTi ^ nJ >
-
nen di - ce - ste, le cure se-f,Te-te_ fu - j,'-a sempre la- mi - co li- cor.

Thatwas wellsaid, away no^v\vithsorro^v,^vi^le can conquer the frowninôf fate,
hi
7^ -iff-pir
aron.
Ben di - ce - ste, lecu-re se-f,'-re-te

ff pr
fu-î'a
p n
sempre la-mi- co li-cor.
_ _
r I r ri^r Hi^
Thatwas wellsaid, awaynowwithsorrow,wine rari conquer the frowningdtf fate.
Doctor.
Ben di - ce- ste, le cure se-f^re-te

lecu- se- trre-te fu- jja
tu- ^-a sempre la- mi - co li -cor.
li-cor.
Thatwas well said, away now with sorrow,wine rari conquer the frowning-of fate.
-r-H -
Marquls.
i ff- B
Bendi - ce- ste, le cu -re
re se-gre-te
se- "re-te fu-ga
fu-
Si
tra sempre la-
p pijjgp
mi- co li -cor.
la-mi-
M P I
r r'py rp ^
Thatwas wellsaid, awaynow wittisorrow,wine can conquerthe frowning-of fate.
3
m^ ^m Ben di ce- ste, le cure se
.
n
re-te_ fu. ,iâ_ sempre l'a-mi - co
Thatwas wellsaid, a-way now with sor-ro\v,winecan conquerthefrowning-
i:
i s affr ; cu
li -cor.
of fate.
i
-
^^ p ^^ ^^^
TENOR.
u
o
i ff" - i^ Jl .1 ^ ^
f
Ben ai - ce - ste, le cu - re se - gre- te fu - ga sempre l'a-mi - co li-|cor.
O That was KcW said, a-way now with sor-row,wine can conquerthe frowning of fate.
-art BASS
"^-^p-
j j' j'p p p m vn u ^^
Ben di- ce- ste, le cu -re se-gre-te fu-ga sempre
M
)
l'a-mi - co li -cor.
Thatwas wellsaid, a-waynowwithsor-row,winecan conquerthe frowning" of fate.
w
umW=i ^^ > ' l
i i jl
^^
t
fr
Wind /J
II
i
- ^=S fr
tm
i*
(AH seat themsrlves: Violetta between Alfred and Gaston, and, opposite them, Flora betweentheBaron
and the Marquis, the others at/ libitum.)
m
h3! ff f frf=#fp : ###
M ^m me MM
|
.-
,">^
i/ rf rfi C^fe^
14400

u ^
ir
i
f:f: ^
tu
m^ a^ggg
n"f frfrfr f rf ^1^ l

u^
I*
44^s mm
Violetta.
Flora.
r
E
At
i
al
this
r Mr
con -vi
ca - rou
-
- sai
to
^
che
ali
s'a
hearts
-
^
preognicor.
shall di-late.
EEE=;
r '
r p I
r
J-'Jl J i
-
E al con- vi - to clie s'a - preognicor.
u Alfred.
At
n
this ca - rou - sai ali hearts shall di-late.

E
r ?
con-vi
^w p-pu I
-
^
al - to che s'a - preognicor.
Gaston.
At this la-rou - sai ali hearts shall di-late.
tf

al
n \
con-vi
r
-
J
to
^
che s'a - preognicor.
5
At this ca-rou - sai ali hearts shall di-late.
Baron, Doctor and Marquis.
m
^
al con-vi - to che
f23Z
s'a -
m
prejigmcor.
=;
At this ca-rou hearts
a sai ali shall di-late.
-
SOPRANO.
i
E al con -VI - to cHe
ch^ s'a
PW
prp_pg:ni cor.
TENOR. At this ca-rou - sai ali hearts shall di-late.
^^m
Ci
Ih
^ i^ ^^ ^=
O
i *l E al con-vi - to ctie s'a - pre ofnicor.
^
At this ca- rou - sai ali hearts
^
shall di-late.
BASS.
E al con-vi
i
- to
a che s'a - e n'/r
preofjncor.
At ca-rou-
this sai _all hearts
%
B^ fe^
shll di-late.
wm
ir
^M^-l
Sii
14400
1
gm yT,.Hi.
TOT3T5
EEEI
m-
5
g g g 1
^S
i>
i5EE5;
^
10
^S'iff~ifp^"^
i\p-
mk
f. ^\>-
^.
^ ^ ^
i'
iStr.
'mm îîiiit
PPf
MI f '"Jlli
f
Gaston (at first whispers to Violetta, then says:)
t *
''P p.r p
Sempre_Al-fre-do_a voi
l^^
^Âl fredthinkson you
-
ift
i- ^J^- î- ^J
^^^5 =^
B jj
^
. ^=ît
*^
Jil^
^
m ^
1
^
'U
pen
al -
- sa.
s
Violetta.
Scherza- te?
ways. You're jest-ing.
Gaston.
lSiJ ^
E --graio-stejej)-gni
era f(
J' i
f
ai con f-fan- no qui vo-
Ev-'ry morning, wliilelateyouweresuf-f'ring,roun(iyour
^
fâ^^
Violetta.
M
lo,
^^
voichie-se. Ces-sa-te.
di
Violetta.
Y ppr-
son
Nulla io
pi'Tf ip-
Alfred.
tt#rg
per lui. Non v'inganno. Ve-roj
(to Alfred.)
door^waylie hov-er'd.No further. I can be naughtto him. What an er-ror!Sayslie
yj. j> m ^^
P^^
^TOîii \iii a i4
^ja^jtM^
^m mm
hi s hi'- i ^
Alfred (sif,-hing.)
^m
Violetta (to Alfred.)
w^m.
fe
dun-que? On-de ci? Noi com-pren -do. Siê -gli ver. Le miegra- zie vi
I
tru-ly? Was it so? Teli, ah teli me! Yes, it is true.Frommyheart,then,I
a ^^ k
P^ ^-3^M^ m
s.
m^^^
14400
r=^
^
^S-M
f^^^^
fl.
î i I
11
(to the Baron.)
TI- '
f t
^
i
fcfe
^ e- -steâl - tret - tan - to.

S
Baron.
^'
Vi
F
co -
i
V
no -
!?
P r
SCO dajin an
=p^
- no sol-
thus have been tro u - bled- Tis a sum - mer at most weVe ac -
tan - to M ei so - lo da qual - che mi - nu - to.

quaintred. Him I know for the first time this ve - nir
^ art
I
^S
^^J3
-T-
Flora
^
wm
*5
(asidf to the Baron.)

f
r t t
5F^
^ 111
M
ciu - to. M' in - ere - scio - so quelgio-vin. Per - che? A-me in-
flec-tions. I' dis - like him by in -stinct. And whv'' I
I have
#
<u &lî^g
m m ^p^#f ^tk
g?Ci-^^gnÊ?=pm^^P^p^
14400
iZ
Gaston. (to Alfred.)
Me
ve-
e- -ce sim-pa - li-cwê-glij
ii-cwe-e:li. E tu dun-que nonaa - pn
que non pri pu
pi
seen 1 naught
uau in him to dis-like And have you made a vow to be
a tei?
m^ BLT^ P t
4r

^
g^-^ lT l/ l
'
J J-^ w^m
m.
Marquis (to Violetta.;

V
Violetta
I ti (fills Alfred's glass.)
p
boc-ca? a ma-da - ma che seno -ter- lo toc - ca. Sa-r TE- -be che
si - lent?You, la-dy fair, shall conimand him to break it. Nay,1 11 pledge him as
mM y^F fp"f
mm i ndd w ilici, creso.
M
ggm^-g^4J^jL^-Wcfcr gJJJ l
'
iWi ^î
Flora.
Û ver
He
Gaston.
-
-
sa
be Alfred,
E
Ah,
(with gallantry.)
ch'io
I
bra
would,
-
M
mojramor-tal
thou, like her,
ms
co - me
wertim-mor-
quel- -la.
-tal
^ps^
ie
We
i ie-
Baron.
We
St l ?
p
Ooctor
14400
-
13
m fet
Violetta.
3 m be - via-
friend
-nio,
ship
p r i
be- viani!
and Joy!
^
to
i^ i^ IZ?2= <g-
via- -nio, be - via- -mo, be-viani!

pledge thee, to friend ship and Joy!
^ :^
tEf2=
m
be - via- -mo, be-viam!
to friend ship and Joy!
via- -mo,
i-^d
^ be - via- -mo,
P
be-viam!
mm ba-
pledge thee. to friend ship and joy! Ba-ron.
it
via- -mo,
î be - via- -mo,
E
be-viam!
i
pledge thee, to friend ship and joy!
m^ via- -mo,
^î be - via- -mo,
w
be-viam!
pledge thee, le friend ship and joy!
m^ via-
^t
-mo,
i r^pi^r
be - via- -mo, be-viam!
pledge thee, to friend ship and joy!
^MA.
i r
a
î
hi
We
=|:
Be-via-
pledge
-mo,
thee,
^3
be
to
- via-
friend -
^M
-mo,
ship
be
and Joy'
viaml
n
S
Ih
O M: ^^ 3e -
g^^
via- -mo, fie -
S
via- -mo, be viaml
We pledge thee, to friend - ship and Joy;
st 1 ^ f
'V
ie - via- -mo, be - via- -mo, be-viam!
We pledfê thee, to friend - ship and joy!
14400
14
'^
S, s, un
Yes,yes,a
*4: O
i s, s, un
Yes,yes, a
*ffe
O
i
(The Baron makes a
Wrr^p^JT p Jirr^F'p i
r^ p .
^JTp J'
gesture of refusai.)
i
ô Alfred.)
mF' pir*
ro - ne,nun ver - so,nun viva tro - ve - retejnque-st bragiu-li-va?Dun-quea fe_
singus a niirtli-stirringditty,Thouwertev-erfauetious andiAtty.Then\viltthou_
/^
m
at
o
m m
s, si,
Yesyes,a
un
^ /O
ta ll
Si, s,
Yes,yes,a
un
/O
m
'^M^
^
-^-
p r^-p
S, s,
Yes,yes,a
un
/O
iJ.
^^ un
^
S, s,
Yes^-eSiE
^ ^
S, s,
Yesyes,a
un
Tiii.
*n
^ f n ^ri
^ rn
^
^
o
) J3st
^/^
14400
&F=^
^

15
t:
brin -di - si.
drinking-song-
^mm brin - di-

drinking-song.
si.
m Sf-fl r- p i
f
L'e-stronon m'ar-ri-de.
^
(to Violetta.)
m m
Vi fia gra-to?
Ive no mood for singing. Is it thywish?
fcfe
- ^p'plfff; T' l
r
^^
P
E non sei tu ma - e - stro?
Shallthy mood dis-ap-point us?
rt
m fe^ brin -di - si.
drinking-song.
^^
^ brin -di - si.
^
drinking-song.
â^^ -*
i-' *m
brin- di - si.
drink-ing--song.
O:
r r _V
-i _ \
i
brin- di- si.
drink-ing-song.
3 Me^
brin -di - si.
drink-ing-song.
*8^ 1 ^ti
tPf 3t^ ^^
i
S^ fi f^ m
f^
14400

16
Si. Si, at - ten-ti^l can - tor!

Yes. We will list lo thv songL
O -o-

S, at - ten-tijl caii-tor!_
(rises.)
We will list to thy song!.
te
S?lhogiJn cor.
Yes?then 111 sing.
W ^ ff^

Si,
iat - ten-tijil
g
can - tor!
We will list to thy song!.
^ o
^r^f
Si, at - ten-tijil
r f
can- tor!
We will list to thy sone!_
o
^^^
We
Si,
will
if
at - ten-tijil
list
f
to
p-
can
thy
- tor!
song!_
o
aM ^^rp r,.j i i
r rp :
Dun-queat-ten- ti, at - ten-tiÎ can- tor!

Ali be si - lent, we'U list to thy song!-
O:
/C^
t L ;
^ -"*
S, at - ten-tijil can - tor!
We will list to thy song!-
Si, at - ten-tijil can- tor!

We will list to thy I song!.
ffar
S, at - ten-tjjd can - tor!_

We will list to thy song!
weô
f ^Tufti
^M
14400
17
:t
tf
I
=*
t: -o-
^
^ te
^ te
*
Isfc =8=
fe
i^ ==
S
ii
^ ii.

tete
b* .bj
.bî
tt^ mtt^
I i m
t
/O,
i'-Ujjlî^ E fe
14400
18
N9 3. "Libiamo ne' lieti calici,,
Drinking-song'.
Piano.
i
Alle}?rptto. (J--69.)^
i
^Tui.
iti
f ^M
M. M. M
m
^f^^
tA t-t ^ kX
^S
l* =^ - Jt tJ:
C^ 'LU 'C^
P9-
^ 9-9-
4' JL .
^, e
A ^^- ^t
/>/;/>
I ,
'-
i ^f
ffl
iJt tt Aj* t-t

3
;*?
^ ^^^ ^
i
^
^
^'^ft i U iî'rr%
P-t
iî>
ri
m ^lêi,ô
^ ^^ *^
^ ^
II* **
- * 1 ^
Alfred. co7i grazia leggierissimo
^s 3g
i Li - bia -
piip pI
mo, li - bia-mo ne'

J'P
lie -
i
ti ca-
w
Where beau - ty, where beau-ty and mirth_are beck
Sir.pp
If ff nf Hf Iff i
I
')''}) '
Shv ^^- S5: ^^^^^ -f7- -7-f- ^5=5= >1 1
l'I.
r p -^'sjip ^-M-îr^^ E5
rf i p I
p J) p
che la_ bel - lez - za_ in - fio - ra; e la_ fug-ge-vol, fug-
Seize we_ the swift -\ving-ed_ hours, Let joy,_ let joycrownthe
'^
PP
-m-p-
^f^^ û w m w^
l'^m
14400
^ j)*i *i ^=T= j^ f =r
iÂ
19
?
P p -r^rrfi'T
t> p
g - voi 0- - ra s in ne - brii_ a. vo - luf -t.

-ers, And a_ dream of_
^
with flow- bliss.
m
cup life's
m m pp Si
^g
11
3^ -^-^^ -^--^ ^ 7

^
Li - biam ne' dol - ci fre-mi -ti che su - sci - (a la
m
While youth's swift fire with - in us burns, Shall love's de - light in
VI.
i * m 11
) *l
*
m ^77
rr
^m ^
^
ri. & Ri^. sii-,laiii
2^
%-k
n 7 7
Gndieating Violetta.)
i *t=i'
more, poi
30i - che quel
^3 - roc-chio_al_ co- -re
E
on - ni po-
^
spire us, With such bright eyes te fire US, What Joy can
m I CI.
^

1=1
fii. sustain.
1=1#

ti
-77-
$:i
FFf>^t^ S *?
=T=7= =^=^=
T33
) 1 1
r
^^S ten -
J *
te va.
^ Li - bia-
p J'
- mo,
M
a -
P
mo -
J>
re,
P
a -
e - qua! this? The n quaff we the wine - cup when
f \ P j r \ p p I
^
.
a^^r I
iip
>ij^ ^^
mor fraj ca -li - ci pi cai - di_ , ba - ci a -
love is~' beck ôn- ing, Life is a "short dream of
14400
20
Flora.
14400
-
Zi
pp
^K^:-i^jr r i gjp^ M=t
F I l
pr - de -re tem-po mio gio - con - do; tut
m^
di - vi il
dream of ec sta-sy, By joy-ous friendssur - round -ed. Give_
^ ^^ !^^ i^ ^^
^
11
"Tî' J) ^1 i 5^ )*l V
PP
# S5it
i:
i ^ FJ'
.fo
pip
fol - li - a,
J'
fol - li
p-
-
^ nel
p i
r
nion-
I L TMP
-do ci
. "i'EJ
che non
l p-
e
[g
pia
_me a mea-sure of rap -tureun - bound- -ed, There is_ no_ life but
s
I' -.
m n mm
I I I - -I I I - 11 I . m I
n
m I ,
pp
^.^TT-m
*
m I
a, h "
m h^ ^ ^) *i *i *t *i ^^-^ )ft^^
cer. jO - diam, fu - ga - ce;_e ra - pi - do3 il gau - dio del - 1 a

this. While en-vious time flies swift-ly on, En-joy the time of_
i>H
^m il
^
ft
i
m *Jt
-
2 i
J^
ft
a3^
'P
7 7 ^ ^ ^3=^1 * *i
^^
mo te;
Ff^
ejin fior che na - scQje_ muo - re, n pi si pu
1^ \TZ^.
go
I
^^
^3
f^^
flow
55!
ers,
Ê
Too soon-will
:^T^
:=5=
fade
"7T-
the
I
bo w
tf
- ers,Thenvain
% 5z5=r:5
tt
!#
'^
7
to
/
sigh
- H^=
W for_
t f CJJ 'CiJ
diam!_
i PiPPf e in - vi - t, cin - vi - taun fer- -vi-do^c-
Joy while plea-sure and mi rth a re be ck - q n-ing.
^ m
14400
^ XX -*^X
*w jftt
, '
lu - sin - ghier.
m ^^
.There's no life but this. Flora.
i
r
f i?33^
fR^^
go- dia mb, la taz-za, la taz- zaejl
Gaston. Ah!. en - Joy, . we, where pleasure and mirth^ are
j)iO''^'j)'''iV'j)/' i '^-'' i
Ah! go - dia mo, la taz-za, la taz - zaejl
m
SOPRANO.
^
Ah! en - joy . we.-where pleasure and niirth- are
^ffi }\1
Ah!. go- dia
?
mo, la
w
taz-za, la
f' I
!S
taz -
Ji
zaejl
TENOR. Ali!_ en - joy_ herefpleasure and mirth- are
s-,
o
i ^ ^
f ^ ^^
Ah!_ go- dia

mo, la taz- za, la taz - za^l
I
Baron, Doctor, 8t Marquis with BASS.AhL en - joy_ mirth _ are
can - - ti. co la not-teâb-bel- la_ejl_ sto, in

beck on- ing.Whileôve and wine yet_ in- can no
^^ ^ \
rrm^
can - - ti - co la not-tejib-bel - la_ ejl.
and wine yet_ in
^S
eck - on- ing.While love
^
=
^
fan - ti - 00 la not-te^b-
m ,beck - on- iIle.^^'hiIe love and wine yet_ in

t^
S
^ ' r
g
ean ti - co la nof-te ab
^beck - i iig, \\lii le CT'loisand wi ne yet _ in - vite
''1' r_Lf( I
l
I
^
p JT?
[i r T I r Jt
^{ #-h^* *^mC
i
^ im 1>
/=v
s tt
14400
23
I? P
j j> I
Jjî' r''^^TfP' i"j'.^ I I ii |j'.^jjj? te
nuo-vo
^
que" - sto pa - ra - di - so ne SCO - pra_il ..
d.
more, no more de - light _ US, A-way with this dull, cold êarth.
^ I
Jjg,i' I
f I
p > '> I M^S\^^

i
que"
more,
que -
more.
- sto
no
sto
no
pa
more
^S
^
pa -
more_
- ra
de
ra
de
-
- di -
Hght^
di -
light.
- so
US,
w ^ hl^S^
so
ne
A-way
m^ ^-^^ u
US,
ne
A -
SCO -
seo- pra_il
pra.il
with this
ivay with this

nuo-VO-
dull,
nuo
dull,
^
-
cold
vo^
co!d_
di.
earth.
d.
earth.
mm s
^ pp ^
^^
()ue' -
more,
sto
no
E
t
^
pa
more.
-k^^î
- ra
de
^
di -
lighL
i
i
^ ^m
a^k
g
so
US,
ne
A
I>i
-
soo- pra_il_
ivay with this
VLir.
g ^kh\
Mt^ti^
^
dull, cold
^^
^
^^
P
^^ it?:
Violetta
con^razm _
^r
La
P
(to. Alfred.)
vi- taj! nel

,
i
ft ^^gg
_
r-c
,
/f
tri
l
yf-ry
- pu - dio_
Si ti ^#-^
i
(to
i^
Alfred)
i
Noi
There's naught in life but plea - surc-îfred. (to Violetta) In
T^jîr
Quan-do
p
non
i
rgB
s'a - mi_ an - or -
p
ra.
y
Un-til one heart you can trea - sure.
r iTH'rrr
b''
di- teji
ff
i
chi l'i
i T'
gno - ra.
P
Ah go-
love I know no mea - sure. (f^ violetta) Ah en-
^
i
^? H-j*^^
âP
^k
-:EE5L
l'i'tOO
fr
^^
^ T=^
%%
^^
f f
E il mio
My heart
iP
^=^^
de
loves
- stin co
one a
m^^^
-
-
^
si^
Ione.
1^
=^
PtO-
En-

34
^
Violetta.
Vjf
h
1Â^_^M^ la taz zaejl can -
FM PW
i=^
ti- co la not-teab-
I
dia - - mo, la taz - za, -
Joy \ve,when pleasure and mirth are beck on-ing,Whilelove and
Ali
Flora.
s, go- dia-mo, go - dia-mo, go - dia-mo, la

^S
taz - za ejl can- ti -co la not-tqjib-
^ =^5EE=^Hi5 1'
Oh yes, en - Joy we, en- joy we,w1ien pleasure and mirththus are beck-on-ing.Wliilelove and
Âlfr<!d.
\Vl
Ja
rn r'&a'i

g J'g l
g J> ^
dia - mo, la taz - za, la taz - zaejl can - ti -co la not-te^b-
jiy -we,v.-hen pleasure and mirth are beck - on-ing,'Whilelove and
sM Gaston.
M M MM
*
Ah
F
s, go- dia-mo, go
I
M MP - dia-mo, go -
I
dia-mo, la taz -za

Mg
ejl can-
P
ti
P
-co
IP
la
^ g
not-tejib-
Oh yes, en- joy we, en - Joy we.when pleasure and mirththus are beck-on-ing,Whilelove and
jttjwParon.
^^ p V Ppli' t
M M
Ah SI, go dia-mo, go - dia-mo, go - dia-mo, la taz- za eil can-ti-co la not-teab-
-
I ' I '
P g''
PP 1
^M
Oh yes, en- joy we, en- joy we,when pleasure and mirththus are beck-on-ing,Whilelove and
j5pDoctor.
'Pp
Ah s\,
p
i
Ppp in
go- dia-mo, go- dia-mo, go - dia-mo, la
p
taz- za ejl can-ti-co
1
^
g-r^
la not-tejib-
g
p
i
P
Pp l M p
Oh yes, en - joy we, en - joy we, when pleasure and mirththus are beck-on-ing,Whilelove and
vv Pp p i^^p p
^ P
r
^ P
r
^ P
1
M*^
Ah SI, go- dia-mo, go- dia-mo, go - dia-mo, la taz- za eil can-ti-co la not-teab-
1
Oh yes, en - Joy we, en- joy we,when pleasure and mirththus are beck-on-ing,WTiilelove and
1
ppi^ ^
pp SOPR
i i I
i> J- i' I
i'-^ i' I
J^ J'' i I
^ J^ J' l i i' i' I
JO i
Ah Si, go- dia-mo, go- li-mo, go- dia-mo,
ean-ti-co la not-te_ab- la ^z-%2l ejJ
ss
;h
Ao
i
Oh yes, en
F/'TENOR.
fm w^
Ah
-
go- dia-mo, go -'dia-mo, go - dia-mo, la

s'i,
^ p^ mm m ^
joy we, en-joy we,when plea-sure and mirththus are beck-on-ing,Whileloveand
taz - za ejl can-ti-co la not-teab-
mm
Oh yes, en Joy we, en-joy we,when plea-sure and mirththus are beck-on-ing,^\'hile love and
^BASS.
Ah s\, go - dia-mo,
m^âm^ ^^rf^g
go- dia-mo, go- dia-mo, la taz -za ejl can-ti-co
f;
la not-teab-
m ^^m
Oh yes, en -joy we, en-joy we,when plea-sure and mirththus are beck-on-ing,"^Tiile love and
mU m^
e tk '=
f fii^^fi
i
PPtum.
m
1'4-'*00
m
-
25
poco a poco cresc.
r-Q'r
bel
^.
- la_ eîl
i
r
ri
^f
^^5
so, in que -
^^^ p^m^ sfojn que - sto pa - ra
wine yet_ in - vite. US, When they__ no more, no more de
\^
^^
ft
bel -la
wine yet
cjl
in - vite
ri -so, go- dia-mo, go
us, en -
H.^=E^^=5^5E=E=5^==S^5
Joy \ve, en
-
-
dia-nio, go
Joy we, en
.
dia-nio, in que
Joy we,"When they
- sto
no
pa -
more
ra
de
bel - la_ eîl n - so, in que - - stojn que - sto pa - ra

wine yet_ in vite. US, When they_ _ no more, no more_ de
bella ejl ri- so, go dia-mo, go- dia-mo, go. dia-mo, in questo pa - ra
wine yet in vite US, en .
Joy we, en - Joy we, en
Joy we,When they_ no morg^îe
14400
- .
26
^tz*
l^'-r' \ p p |p^|:^ |iip^^pp il
so ne sco-pra il_ mio - vo di, ah, ah,_ ne
light. US, A way with this dull, cold earth.ah, ah,_ a-

^^H.5 J^ Ji J)li J- J' I J^ ^ J) l^'^î^lh h^ ,
yf ^
di - so ne sco-pra, ne sco-pra il nuo - vo d, ne SCO - prajl nuo- vojl

light US, a - way, ah, A way with this dull, cold earth, a - way, a - way with
i^
di -
^ ^
so
p
ne
i
r
sco-pra-
:^p'ri''P
il nno
M'^
- vo di, ah,
i PT^pif
ah, ah, ne
^
light US, A - way with this dull- cold. earth, ah, _ ah, ah, a-
i
^
M
di - so
M
ne
f
sco-pra, ne
F f I
P
SCO -
r
pra il
r I ^
nuo
-
-
MM
vo d, ne
p I P r J'
SCO- prajl nuo - vojl
light US, a - way, ah, A - wav with this dull, cold earth. a - way, a - way with
j y^
di - so
p f
ne
I
P
p
sco-pra, ne
r
I
P
sco-pra
H il
|fj
nuo -
p
vo
i^
d,
î\t,pi^,^
ne SCO - prajl nuo - vOjil
light US, a - way, ah, A - way with this dull, cold earth, a - way, a- way with
y^ i
'
ff
di - so
M M ne
i p
sco-pra, ne
ig
sco-pra
P hr^
il nuo -
g
vo
\ J>yJ>
d,
iij'
ne
\
i
^-^
f'ît-" p''
fico
i
-prajl nuo -vojl

|f
light US, a - way, ah, A - way with this dull, cold earth, a - way, a - way wTth
%'' p
di - so
light US,
F ^
ne
a
i
M ^P M Q
sco-pra, ne
way, ah, A -
sco-pra il
way with this
i
nuo
dull
-
F
vo
cold
\ J'^^J-
d,
earth,
ne
a
\
.^>^>
SCO- prajl nuo-vojl

way, a -
\
way
m .
with
m
-
p' } i i ^^ :^^5 ^ ^m ^5
^^
di - so ne sco-pra, ne sco-pra il nuo vo d, ne seo - prajl nuo - vq^l
light US, a - way, ah, A- way with this dull. cold earth, a - way, a - way with
^ m mm pm
i
di - so, ne sco-pra, ne SCO- pra il nuo di, ne
i ?
SCO - prajl nuo - voj]
^^
light US
di - so,
light US,
a -
m
ne
a -
way, ah,
sco-pra, ne
way, ah, A
A
==lrlH^

- way with this
sco-pra il
way with this
dull.
nuo
duU,
cold
cold
^
earth.
d,
earth,
a
ne
a
-
-
way,
J^ y jti'
^
a . way with
sco - prajl nuo - vojl

way, a - way with
^^
1*400
27
i^^s sco-pra il d, ah!_ ah!_

î ne sco-|.ira il (l,
H
ah!
4
\\-aywith this earth,ah, ah.. a - way withthis earth, a -
nuo - vo f
d,
*
ne
^5
sco - prajl mio
|T
-
i-
P
voîl
I
f
nuo - vo
5
P
d,
P
s,
MM
ne SCO- pra, ne
F
^ this earth, a way, a way with this dull earth, then a way, then a
dilli - - -
-
sco-pra
^^m il d, ah!
f r
ah!_
I P M
ah! ne
^=z:
sco-pra il d, ali!-
way with this earth,ah, ah,_ ali! a - way withthis earth, a -
p
nuo
this
^
-
p
vo
I
dull earth,
p
d,
'
ne
MP
a - way,
sco -
^
a
^'
prajl nuo
-
I
way
p
-
' MM
voîl
with
nuo
this
-
p
vo
dull
I
M MM
d, ne sco - pra, ne
s,
earth, then a - way, then a -

P
w p
nuo
T
-
MP ^^M^^ hp
vo d, ne sco - prajl nuo -
^ M^
voîl nuo
^
-
mM N#
vo d, s,
p
ne
i
sco-pra, ne
this dull earth, a - way, a - way with this dull earth, then a - way, then a
-r-}-
p
nuo
1-
-
f!|'r^J)
vo d, ne
| J'ritJMfi
sco - prajl nuo -
^ p
vojl
IM nuo -
p
vo
1
^
d,
M
s\, ne
I
P ^
sco- pra, ne
F
this dull earth, a - way, a - way with this dull earth, then a - way, then a
nuo
^
-
p
vo
i i'rî'
d,
i j^-itj'
ne sco - prajl nuo
i
f
-
>
^
vojl
\
^
nuo
i
-
f
vo
'\ ^
d,
f
SI,
h^>
sco-pra, ne
ne
^
^
a - way
^ ^^hnhJH
this dull earth, a - way, with this dull earthjthena- way, then a -
^M^ hh> ^^5

p^
nuo - vo d, ne sco - prajl nuo - vOjîl nuo - \'n d, s, ne sco-pra, ne
this dull earth, a - way, a - [way with this dull e' arth, then a - way, then a
^-H^ nuo
this
- vo
dull earth,
$
d,
a - way,
i f
ne sco - prajl
a -
5E
nuo
way
-
^ pm^
voîl
with
nuo
this
- vo d,
dui] earth, then
s, ne
a -
^^
sco - pra ne
way, then a
,
^-^1-
ff
nuo
y
-
p
vo d,
ES^ )
ne sco - prajl nuo

^ ^^
^ tf .S
- vojl
f^^^
nuo - vo d,
E
s, ne sco-pra, ne
^m
this dull earth, a - way, a - way with this dull earth, tlien a - way, then a
f%f * m. M.
n t *
f s
II -iz
i
^ E^^ A
n
1*400
^ y
f Î fe '^
..
28
m
.^ V^fWWVWVWA-VWWW-W^'V /j?
r
si:
i f i f ^ t^lz. te
way!
J^
sco-pra il nuo -
^vo di!
P
T y l&Tj
way with this duli, cold earth!-
~T -M
^ r iF y V rVi
si!
way!
^ M Hcr r
sco-pra il mio - vo d!
way with this dull, cold earth!_
r\
"
H' ^ P îtfl ^ ^ W \ >'i
sco-pra il mio - vo di!
way with this dull, cold earth!
r^
V- J- P ff P
i SV *i ^ -^ 3
sco-pra il imo - vo d!
way with this dull, cold earth!.
'>'b'- (^
F
P irJ i P y T i t'g
sco-pra il mio - vo d!
way with this dull, cold earth!.
'
^km
p^ sco-pra
t
il nuo - vo
ff
d!

jS ^
S
^^m ^ i
way witli this dull, cold eartli !
Ai
sco - pra il nuo - vo di!
-v-^
j:;^
g
ftif
way with this dull, cold earth!-
r\
^>--
^^=1
^
i
-
?
sco-pra
ff F
il nuo - vo d!
P
-r-r-
^
way with cold earth!
^
tliis dull,
f ili !!f !!f ^
ir
;^ ^s t zfcrt
s
* * *
^^
14100
l
i El
*
y

r>
"^^ =^3
.
29
NP 4. Un d felice, eterea.,,
Valse and Duet.
Violetta.
VX
Allegro brillante.
'\
-
Non gradi - re- ste o - ra Icdan- ze?
^
Shall wewith dancing crownourca^rou- sai?
( Mu.sie is heard in the furfher room )
Flora.
i FVl -
I
np ra i
^g
Che_ ci ? Olijl gen-
What sounds? Yes, a
Alfred. ihi - \ii^

Chth ci?
^ 35i:
Olijl gen-
What sounds? Yes, a
Gaston.
# ^ iif\[n
Clie,
What
ci?
sounds?
^m
Ohil gen-
Yes, a
Baron. i
^W=^ Hfe ^m
Che^ ci? Olul gen-
What sounds? Yes, a
Ooctor. ^ ^ ^ I
ffiE^
Clie_^ ci?
^
Olili gen-
^
What sounds? Yes, a
Marqu I s
'.^ ''!
I, . il - Uif^B
Che^ ci? Olnl gen-
What sounds?
^
Yes, a
SOPRANO.
i UH ir)^<
^ 3:
Che eioY hjh pn-
Chorus.
TENOR
BASS.
What sounds?
^Che
What
CI

sounds?
.-^
^
Yes,
Ohjl gen-
Yes, a
a
S 1a
Che,? ci?
aag
Ohjl gen-
WTiat sounds? Yes, a
Allegro brillante. (d-rNO)
Military Band (on the stage)
$ 3E
t
ES 1, I i
S:
P mî^^
Piano.
is 33E: eSe: ^
r^-^ a
14400
^ g
30
^ I
Then
f f f
U-scia-mo
will
I
* ^
dunque.
Ifadve.
g^
I
i til
te s^
pt_'ii-
^
sieri
^
Tut-tijjc-cet - tia - nio.

charni- iii.^' tliou,Lclit! g'iad-ly we fnl _ low.
til
^r^y= ^=^
peli- sieri Tut-tijic-cet - tia - mo.
^
y\
chariii
rivMr
til
charm-
- iiiir thouirht!
peti- sieri
in,i^
H
thou/jht!
^
f;:lad-ly
Tut-ti^c-cet
glad-ly
we
wc
-
fol
tia
fol
-
-
low.
^^
mo.
low.
y-ii). l
iyh ^
i ^ ^
^
til peli- sieri Tut-tijic-cet - tia - mo.
charm - iiiA'' tlioufi-ht! glad-ly we fol - low.
7-A r^^ff
til
F NS
peii-sier! Tut-tyic-cet - tia - mo.
^
eharm- iiig thought! glad-ly wp fol - low.
S ^t=vF=^FTt
r Tut-tij.c-cet tia
j I r
mo.
M
til peti-sierl - -
charm - ing thought! glad-ly we fol - low.
m^ ^
I
n M7 m m PI''-'
til pen-sierl I uttijjc-cet tia mo.

charm- ingthou.ifht! Kid-ly we fol low.
<^^\ fi-'i
til
charm-
pen-sierl
in{^
\
îi
thought!
m
TuUi_ac-ePt
/^^lad-ly we
^=$
tia
fol
ê
mo.
low.
'Ji\,\ M
til
P
pen-sier!
^ Tut-ti_ac-eet - tia -
=t=t
mo.
charm- inj' thouirht! g-Iad-ly we fol - low.
e
fe ^ fe Uhf^h^ i ^^
^ EE3E 33e

-I
f
& p
p
l^
4:^
? 1
l'UDO
31
(They approach the centre door, when Violetta, suddenly turnins pale,eries:)
m t i tr
^
Ohi -me!
f i ^ 3=
Xul - la,
A -laa! No-thing,
& I
*
^P
Cheji
I
-
r
ve - te?
Whiit iiils thee?
m t=nj^^^:^
Ghcj\ - ve - te?
What ails thee?
s i l V
Chp^
^^ . ve - te?
^m
What ails thee?
a Chea - ve - te?
Whrt ails thee?
m t i
Cheji

- ve - te?
What ails thee?
^ i i y
Che^,

-
m
ve -
0L
te?

What ails thee?
m i i y
^ m
^
Chqji ve - ti;?
What ails thee?
m ^ Che a
Whatl
- ve
ails
- te?
thee?
s fe i i y
Chi-j - ve - te?
What ails thee?
l il
e ^ lft,^...H
tei
? ^^ i^Wf r p 7
14400
.
33
(She is oblig'ed
Ê
i imi - la!
no -tinnir!
(She attempts to walk a few
i
steps.)
i iy
l'il
^
U
^
- sci;L-mo-
leadye_
to dcsisf.j
ife J i i \J i 7 -m 0-

Che mai v'ar-re - sta?
Say, what dis.turbsthee?
fe
^
^^
Ghe
Say,
mai
what
dt
v'ar-re -sta?
^
dis-turbs thee?
^ Che
J M I
J
mai
i
^:^
v'ar- re- sta?

d
s ^
Say,
Che
what
mai
dis-turbs thee?
v'ar- re - sta?
*
^ ^ ^
Say,
Che
what
mai
dis-turbs thee?
-m
v'ar- re - sta?
*
a
153;
^ ^
Say,
Che
Say,
what
mai
what
dis-turbs thpe?
var . re
dis. .turbs
- sta?
thee?
Che
^ mai
^S$
var . re -Sta?
Say, what dis turbsthee?
S 1
^ -^ ^^
)
m
Che
Say,
^S m
Che
Say,
mai
wh.it
mal
what
var
:5^
var
.
-
^
dis- turbsthee?
dis. turbsthee?
re -Sta?
re -sta?
s ^^
r!L
n^ h^^^ 'r^.m^^^t^. :
AJ!.
^'^\ J'^T^f
^^
i* p^h\ p^MÎ [!^f^ F^l r^^^^^l p^^fe
l'tHOO
33
3e^
# Oh Di - ol
Greiit Hcaven!
S t j. i-J'
Ali -
|
J.;,i
co - ra!
g
What hasttbou'.J
fe
S
^^ ^ ^
Voi sof - fri -te.
Ah, you suf-fer!
SE i i y^^j>},i ^
Ali - co - ra!
Whathastthou?
3S i i y? \7 ff ^ ^
Ali - CO- ra!
Whathastthou?
^& M ^?
.\n -
| [
co
T
-
ffi
ra!
^
Whathastthou?
S i i y? liT p^ ^
Ali - co - ra!
Whathastthou?
m ti -rh) H ^
Ff
Ali - co - ra
^ ^^
!
What hast thou?
^ Ann
What
- co-ra!
CO- t-;
hast thou?
^ i i yj
An -
fE^
co-ra!
What hast thou?
Se ; MMP ^ P^ ^'*t#J,.
fff^ ^ ^^ ^ >.
=
^'V pyf?? ^^^
^
^ py7
u [
)7 [;y |
ffi p7[)7pr
|Tykn'y| s
14400
34
(R)infs to the inner apartment.)
s i ^ r
Un
i
&^
tre -
r
mi
I
-
c?^
to__
r
clic
I
'
r
pro-vo!
^ '^
Or
^
^ ijtt^
l pas-
'Tis nauii:ht, a pa^s - in^'- faiiitness. Go, friends, I
PP
\>\ P? ^7 p7 ^
|
p p
ciel! elle questo?
Oh saj', what ails tht'c?
^ PP
^ P^^
Oh ciel! die ijue - bto?
Oh sa}-, what ails thee?
PP^
^^îî
s Oh ciel! che 'lue - sto?
Oh say, what ails thee?
'n'-i.
PPf:
h'.
Oh
t^r
ciel! cl
i
r
qiie -
^
sto?
S M^
PP*:

Oh ciel! ch' qua - sto?
m
^ Se
i '^l .
-M^'=^'q#
1^ ^^
^'7 ^'7 1^y
,^.1.
M' AA
i Pgfe^ ^Ffe^ :^ ^
11400
.
35
'^
f r
M [Tyf^^ E
sa- te, fra po-cOjUi- clii - . o sa- ro.
prayyou, snnn I will joiu you within.
S: S -
Co-nie bra. ma -te.
Wf> will - bey you.
1 --:
Co-me bra -ma- te.
We will - bey you.
a fe
Co-inebra-ma-te.
Wewill - bey you.
s 1^ m
Co-me bra ma- te.
Wewill - bey you.
m
Co-rnebra. ma-te.
m
Wewill - bey you.
m I

Co-me bra ma-te.

m
IVewill o - bey you.
^
-f-r
Co-nie bra ma -te.
^
[Wewill o - bey you.
^ i
Co-iiie bra
Wewill o -
ma -te.
bey you.
14 '400
3*^ (Ali go into the l'urther room cxcept Alfred.' *
fff^.
(Violetta
i. I
and looks
rises,
o '
i-j
at herself in the arlass.)
t-/ -
^"1. I
I
i
"iff
fmf i^. ". """ji i^^'
g^ ac
^;-t,
^
î^
ffyPy*r |
ff^f^p^l r^ffrffrl r^ ^ ^
fe ^ Violetta.
Oh qilal pai -
^
lor!
m ^ ^ ili ^^ m^
How pale I look! jrfr-
=^'i'*i'fe
^'1.
s^ :
I
^ i
sg^ ^ li y y ^^1E^^^
i y
|
ffyp7py |
ffypypy |
ffypy[5
S î ^ Violetta, (turns, and pereeives Alfred.)
01
You
qui!
Alfred.
^
Ces-sa - ta^
Ah, teli me,
p mM. 'M ^ ^ ^ ^ ^s
îr ^tr here?
î tir.
EE
IV' h ^ >' g ^y U^ r ^ ^lffy pypy| ffrpr-py |

ff^pypy |
1^
p^prp
37
m^ - l*an - sia che

3he vi
# 0-
tur- bb?
r i i
Violetta.
\i t
Sto me-
^
glio.
^^ ^ m Se ^
"^
i.s your faint-ness pass'd o'er? 'Tis bet - ter.
"
1*^
-^
6=^=
i
k ^ to
^ ^
S:^ F^+^
^zî ^Sl t4 E|E mi
r=^^=:^ÊS
^</:
/e-
Alfred.
S *
Ah in co - tal gui
Ili - sa v'uc - ci - de - re - te,
ie, a^-
a
These midnight rev- els some day will kill you. Let
?^^
f *
m^ i t;^
K e
^ffS -
.V-A, Mr'r ;S tS S ;tt ^#^1^ ti y aS ffW^
1>
^ rJ
ver.
nie
'
v'e
be -
,J '
<5^
d'uo
I
seech-
^^'^
-
p
^ 1
cu
be
-
0-
^
ra del - 1 es
of _your life
19-
- ser
more
^B ^ te
g
mm
^ ^
;z: E
#. Jt
EJ
^r^ &crg l
.*n'\ >p^p^ Î^f SSI ^s ^fi

t-1
-r-p'' i^^s M
^^^^^^
Violetta.
^ Alfred.
^
^P
ypo^'f^
vo-stro
heed-ful.
E
J
lo
How shall
^
p
t
- tre - i?
I....hee.d..
^m^
^
jt?..
m pm
5E
t^^
s
5
!^!
^ ir
Oh se mia
..AhjWere you.
^w
I 1
W#
[> I r
^
il
*^ ~-
fo'- ste, cu - sto - ae
(le ve - glie - re
for ev - er l'd watch o'er_
5""
s J=dW-
iJSS
t
^
^ff '^f ^f-
^ht ^
m ^û
l'ilOO
N :^=z:2:
^
% 5E^ ^m
38
s
fel pG
l i J i
Violetta.
Tir ri
- 1 pe' vo-stri so - a - vi d. Che di - te?
you, and guani vour gen - tle life. What^ say ^you?
\
^^ s-
e *^
A ^
-f P^
P fg^S^fÊSEp ^
.V-|."i, ^^PrPy
f 1
P ^5 ^
?
%^L
; ^ M
p y p VP CT y P y
Alfred, (ardently).
^
S H;i
y ff J -7"
7
for-senl-cu - no
J
cu-
d'y my
f
ni
d
di
*?
^
me?
i i J
Per- che nes
=
Therelives noi one who cares aught for n-e! Dost thou be
S m 3
^ TS-
Jm -J^yî^vJ^H^^ î==i)
^ ^^^
?
A'
lira-,.,
w
9M.
I^
^[,.
E^^3
Bl
^ m ^=^
'4L ^
^ J^^
Violetta.
= TUTirT
su - - noal mon - do
^
va -ma-
M^ ^ i J
Nes - sun?
^ ^%
heve that no one jpvesthee? I .io.
a^ fe ^ i'vi'U"^ FfTl
k
P^TT^^T y Tri J-,^-F ^^^t^r t^

^feR^ 1=^1=^^1=^1
Alfred. Violetta
pq- (laughing).
i
*
r ,7 r r ^ :^
^
Tran -n sol i - 0. Glie ve-ro! si gran-de a-mor Qi-men4i-
love you dear ly. How. fwon-drous! am noi learn - ed in the
^
I I
5^''TiL^
i y
S ^m iS
^M^t'rfyfH^^H^TT^MyM n
Alfred.
7-J
p-
^P^yypy| ffyp ^ vp^
i^ ca
ten
-
-
ioji -
der
ve- a. 1Ki- de-
passion. You're jest-inp!
te!
Sjee;
e in
Have
voi
you
v'hajm
ho'
^^=i
co - re?
heart, then?
^^ im i^ i?
J*40()
^f^ ^ P 7 p 7- E^^^ 7T7Ty "j^rpr-
ii=^t==t
39
V\ i i yn
Violetta.
f ^^ ^ m m
^^
â
Un cor? SI, for- se, e_a die
No hearf. may be, but why
a is g im is i %
W^=^ ;fei ?^
^t
ss ^^fe t b*
^
Sf lo
why
ri- Ghie
do you
- de
ask me?
- te?
Alfred.
Ali
Ah,
se
if
ci
you
'^'S
foa,.-
had one.
se.
^ non
at
p
my words
- tre - ste al
you
k=ms
| i ^ cj^^r I ^^^ ^ /t
fct
w(ffre
7/?j jt?oci9
#- ^
& J^rPH^
*-p
^y
f f
"-r
>!
^1

^
^
^g
t
Violetta Alfred.
gE ^ ^ p zp:
^
i
*-
lo - ce- liar,
ra
^ff i^r ^
Di- te dav - ve- ro? I
lo. non vin - gan-no.
scarce-ly would jest Do you say tru-ly? With trae de - vo-tion.
fe
P
^ %
^î
^ T p
I fe^sT
^^
m w z=2: E^^
^^
P iasj:
Violetta.
Da
Is't
mol
lonff
- to
.^sinê first you
che mia
^
have
- ma
lov'd
- te?
me? A
Alfred.
Ah

si, dami an-no.
year, ard lon-êr.
i^^w
n^(^)
Un
Ah!
^\, Ky ^^ J r [) r p y I
yji^-Y
i-:
Andantino.(J>= 96.)
di f - li - ce, e - te -

re - a
-
mi
^ =
ba
f*^ :
- le - lia - sfe
ifelin -
J^^l
nan~r-
day for v-er re-mm - ber'd, wh enffTst 1 ga'z'd up - onl
3 m m f
m ^ ^
^\n th.. Orrllpstra.
j=t
l
^^ ^^ =f=r
14400
^
40
a I
-i-
^m
te, e da quel di tre- man - te VIS - SI
si di - giio
triio - io
to fi -
thee, Thoup;h thysweet eyes did shuh" me, Love in my heart thenhad
t *
-'/-^^ ^W=^
* tt
:t ^^
i mm ^=^
_s
^ >
mfT^
^^
"GSl
rm espansione
mansione , \ -
m
t mor.
birth
Di
AH
el-l'a-mor,
quel
tnat hath life
quel-la-- mor eh' "ee pai- pi-to del - l'u
-la- mor, qiit'l-l*ti -Ai -ver-
Tu -ni
hath its breath, its breathfromthpe.Lo\'e,thourtthe soul
so, del-
of,
cfe
the
m n
Cur. ' -
5r
^*t ^**
;^> ^^f=^
m ' /
^
*= J
Tu
'u - ni-ver^-
ni- ver'- *oin-te
sin-te - ro, cro-ceede-
mi-ste-ri - o - so, mi-ste-ri- o-so,al-te - ro, croce, cro-cej
life, thelife u- nf- ver- sai, my-steriDuspow-er,guiding the fate df mor-tals,SorrDw.sor-rowand
^
w *# %
u u t:j
i
tf
?
!_r
^5 ^ ^^ = T=- t^ ^ m
Violetta.
Si
li - zia, cro-cee de-

cfo-cee -zia, de- G-ziaal
li -za, u-ziaal cor. Ah se cio ver, fug - gi - le-mi!
fe-mi!
sweetness, sorrow and sweetness, of this poor earth. If this is true, ah f ly from me!
^ 1 1^
So- loa-mi-sta-dejo v'of-fro; a- mar non so, ne sof - ro un co - si e-roi-coji-

Friendship is ali I of- fer. No love havel to prof fer, I_ know^_notsuch de-
14400
.
41
mo re. io
p
Nl#
^^'^^n
so-iio fran-ca,in- g
\
v
-
^^ny-^
nu-a;

^'pn
al- fra cer-c;u- do
^rf
^^^ -
\
ve- te-, non

V tion; I live for Joy an(i li - ber-tv, Friemls I will ha\e fnr plea - sure, If
duo tre - ve - re te di - meli ii-car-niial-lor.

thoudost net trea sure, E - rase. mefrom thy heaji.
A l f red ,
Oha-mo - re!
Thoulov'st not!
Non ;ir-duo fio -ve - re - te di - nen-ti- c<ir-mi al -

I livea - Ione for plea -s n re, fare - well, thou soonw ilt for-
^
n mi
my-
-
r
ste
^.
- ri
ste-rious
-
i
r
o
pow -
so,
er,
F
mi-
nM
ste- ri- o- sOjâl-fe -
guid-ing the fate of mor -
-ro,
tals,
lo- fa, di- men-ii - car-mi, di- men-ti - car- mi ^^ lor,

0^" ^pet me, thouwjlt for- get me, thouwilt for- get me, f^re well.
ce e de-
ero-- cee
cro-ce, ero de - li- zia, efo- cee de-
zâ, ero- de - li - zia, de-
de - li- zia a
li-ziajil cor.
sor-row, sor- row andsweetness, sorrowandsweetness,
W
of this poor earth
fS
w^ ^
m
i'4400
14400
^
43
Tempo I. Violetta.
1 Si
m\^fol- Icg- pia - va!
r
^
if
^
Gaston. (at th- door.)
Ê^ Naught else but
p
fol- ly!
^
,;!^
1 i yp i
r
Eb-ben? che dia -voi fa - te? Ali! ah! sfa
Tempo I.
Stili bere? VMiat are you do - ing? Ha, ha, thats
^ B,ind(on thf
ifE^ ti g^gi
Effi?:
i
tê
^^
^
Milit;.ry st,.e;.-).
^m f^m^
i ^
liS
k'
^^îf^
K i#
ite4
fs^
F r
Si a^ t
Violetta, (fo Alfred.)
fe i i ^
t
A
Of
(Soes back)
\>\
p
ben!
^
yf^ ff^
re-sta-te
go on ther^t! ^
^ ^ ^
well!
=^^^
_^
i^ i
^ ^
r ^ y
p
'''
t)^Kr^1''n 7 n?
J
^ s S ^^ iii i t
V M rrr
mor
'
dun-qiie non
i
r:r
pi!
* i
r
Vi gar-bajl paf-fo?
1
love thpult say no ,more_
A
la that a com-pact?
^.f^ rg -me.
jr^^
^î
hm E ^ Jee
: J'rfr^ &
^>^ki-i.
-^ -4- A g^^ ^ ^ :lil
P i
S: s
Alfred.
Io
^15
vbb-be
be - di
bey you.
- SCO
sco.

(going.)
Par-to.
to.
Good-bye.
Violetta.
A
So soon
tal ginn
gi
you
^
I shall
^
n
ij
I
^ i
h '
m
.^ k ^ m rr=^ m ^ \
n,
.14400
p'yV7l^7^7V7\j7VW7\ pyyjyy]
y^pyp y ^ i
pri^y Fy| ^Wf^
p^^y P?
44
(takfs a flower from her breast)
s g- sfa?
^3
f
Preii-de
ve.
ISM
- te
P
que -
m
sto no -re.
fio-re.
Alfred.
Per-
Pei
leave me'-' Ah stay, firsttake this flower. And
Â^^tAf^ ,^^
Violetta.
Se
Per ri- por-tar-lo I
Sooii to re-turn it (returniiif,^.)
'-^
\>\ r
Cile.
k,whv'-'*
i i
Quando?
May
^4l r.'
^
S^1 me %M ^ m ^ ^ t:*'
j>
e ih
j4&^ ^^ MU^ m 4w^ e

4r4 l
'H''i. ^^ f -s
Quaii-do
g
sa -
^
rap

pas
^
- - si - to.
Bring it a - gain when fad-ed.
1h
r
ciel!
^ M^ ^ ^ Do-
Qh..ioy_!. to-
m la
g ^ -t^
Jt_jr
^b"i. >F>y ?44 tt ^1 fel
fcs i^^T^p' '
S ^1 ih - ben _
i \ i i
do- ma- ni.
S^
ma - mi
morrow!
^ 'Tis well, to morrow.(ta)<,.s th,> flower
with (rn isport.
^ Io
Oh
^ s
m m m m I

i
^m g ^ ^> I
hle ^^ U
PT P y I
J.'fp y'g y I
ff y P 7 P Tfp ^p y
P ^
[^ ^ p
'
1*400
. ^ ^
45
Violetta.
^^^ f M^ ^ r
son, 10 son f - li - ce! Da- mar - mi di - fean-
sweet oh bliss fui to-ken! And stili thou say'st, thou
e
fe
i^
1 i^
i i^
'I^\ V}^
T'i
3^
M ff r-
l
T^p^ it-^r-h^
M ij^
^^
i
Alfred.
f
S:
co - ra.'
M^ ^
nii quali fo, qiian to va - mo! oh
lov'st_jiie? I can not, can not say how I
'<M S i :
i^
i:
i T
:-ni'i, ^-'î TT^P ti y P y ff r fe
^S ^'
y
EÊ E
:
Violetta.
^^^=^ m
Da - mar mi:
^
A Tr
quati
love
r
-
Thou
r
fo
thee,
I ^g^^
lov'st_
va
ah_how
- mo, oh
I
quan
love_
#=FF
to!
thee!
^ MI ^
I

Io
Oh swppt,
I
son,
r-^
iio
oh
d?
P
^
W ^
^M m ^^^^ rffrir i
m I
ftt
m
i
mn le 4^4
^
i'^P^PyU^^p'HJ'n^P^lF^'^'^lp^'^rj^ f U m m
^^ son
bliss -
f -
fui
li
to -
- ce!
ken!
nt
Violetta.
D'a- mar
And stili
- mi
thou
di
say'st.
- te_an-co -
thou lov'st
^
ra?
me?
"M- M m*- f f ^ 1
i a^ ^.
m ifc
^ yJ
:h, :h.
m^ a
' 1 V=^
g^ ffyf y p- y ?r"^r
14*00
46
Alfred.
^ Thou
Da -

mar
lov'st
i
BTn t
Oh
I
quali
fan
-
-
to,
not,
(juan
can
-
-

to
net
v'a -
say
mo! oh
how I
g quaii
love
- to
thee,
^^
v'a -
ah_ho\v
mo, oh
I
2 ^
m^
^^
^'\.
7r i^ ^ j 7r irr'^p^
m.
^ P^TrF:
^1. tzzt.
M ^^ ^ ^ ;;7U iv y ^1
^ nu!
M |M 7f^
Par- ti -
^
te?
^ quali
me!
to!
('^^"'"n
3^
)
We part then?
i i ^p
y
i
r
Par-
(returnsanJ
p
to.
a
SS
^\
love -
Jp'ff TTTy
J^
7
^P
P
^
P
thee!
^
^
^
T
^
^S
i
^r
I leavethee.
^^
Jl, i \ ^f^
J^^ U yJM J-l J S
S |
^
Ad- di - 0. Ad - di - 0.
Fare -we 11. Fare-well then.
a kisses her band.)
g
Di pi non bra-mo
^^ Ad
l5>-^
di
5:
^^S w ^
- - 0.
Ah,more I asknot. Fare-well then.
S
Se
# ^
î i
*!^3
EEE
?
E
=3
f
=3!
ti f
P i ^ ^
Ad -
I
J-
di -
I
J
0.
^ ^^
fe
^ ^^
Fare
Fare
Ad
-
(farther away.)
-
-
well
well
<9-^
di -
then
^^
0.
then.
^
^
SeE
^
i fcfet^t
M H te
W ^m
1 1
li
^^ ^
1*400
^ ^^

N9 5. Stretta of the Introduetion. 47

Âlle^Tovivo.
.
. > , k,.
JOrrchnitr;,, /;/^'iTuiii. I =r
Piano. I
liti
^^ :32:
C.h.Sc Tyrijp
ijz: zz:
^S ^ 1 1
m
m
9
Flora (returns with the others; ali ar^ heatt^d with dantfin:^.)
Gaston.
pp.
Jî; i^7J)yff7g
Si
Secthe
|
ri - (Je-bt;i in ciel
morn-iriii' sun
lau-
is
iM rJ^J J.rJ TprCj '
Si ri - de-stajn ciel lau-

See,the morn-irig- sun is-
SOPR.
Si ri - desta in ciel l'au-

See.the morn-intr sun is
TENOR
m tE^ .^ 7
Si ri - de-staJn ciel
J 7 ^ y
l'au-
See,the morn-ing' sun
^
is
^ Baron, Dottor and Marquis with BASS./jp
P y
* yr
^ il
^
Si ri - de-staJn ciel lau-
w^ i
* * t
:h
tt tJm
Nm See.the morn.ine- sun
^3
is
m
*"
^m M ^Ji
^^
SKICl.m-
ppp ^''SK- * *'''"<''"
J J- iki pci^ MZZJK
sss tt eff-7-^-^^
ro - ra, e ne f(ir - za di par tV"^' re;nierce_a voi, g-en-til si-^^no.ra, di sl_

g-leam us now de.part from hence;
In ob- liv-ius slumber dreaming.Let
^
- ing'jLet us.
m
ro -
^m ^
ra, e ne f(ir - za
\
7j)y^
di
|2=
7
,
par - tr-^
^^^==^
F;
J) J. |
>i'-
merceji voi.gen-til si-^'no-ra, di s_
^. k
g:leam - ing",Ivet us now de.part from hence;_ In oh liv-ious slumber dreaminff, Let us
.
m ^ g^*
ro -
^^yj)
ra, e
^
ne
now
jV^^^7'
for -parza di
^tt
ti~-.=-^ re;
hence; _
^ fc=c
merceji
i)7^7p7L'
voi,i,'-en-ti] si-
|
^,'-no-
^
7^*
ra,
i'7
di
=&
si_
# ffleam ing,Let us de.part from oh- liv-ious slumbiT dreaniinif, Let us_
- In
Tf- J^VJlji
^^^ ^^ ^^^1 ^ yr f '7
=C5:
ro - ra, e ne for - za di pai fi"-^ F; mereea voi, t,''en.til ^li . ,^,'110 - ra, di si
g-leam . ingjjet us now de.part from hi'nce; In b liv.ious slumbf^x dreaming', Let us_
ro - ra, e ne forza di par ti . re; meree_a voi,g-en-til si- g-no . ra, di s_

gleam - ing,Let us now de.part from hence; In ob. liv.ious
.
^m slumber dreaniintr, Let us.
&l^f^ jjj
^
m m mz
jAs- m
^r^r^'^r
^& ^^
nino
w=w ^ w 7D 7^' 7 uZ' r, yj ftyi%r*rLr
^r
-
-
48
m ^ S
^^ ^
2J>p e staccate
P P' P
incominciando
P ^ M
pp per
g
fareuncresc.
es3E
^
spleii - di - do gio - ir. Si ri-de-stajn ciel l'au - ro - ra,
f
steep
i'
each
^ J-'
^
lan
i^
-
M^H
guid sense.
J
See,themorn- ing sun
^
is gleani-ingjy
^ ^
^W
Si ri
splen - di - do gio ir.
See, the
steep each lan - guid sense. Baron.
J^
i
Si ri
^=i*
^ '^
ji ' î' '
^ e staccate
iinu\i
See, the
^
splen - di do gio ir. Si ri-de-stajn eiel l'au ro - ra,
steep each lan - guid sense. See,the morn-iiig sun is g\eam-mg,PP
m
'''
splen
steep
} '
-
\J'
di
each
^''
do
lan - guid
gio ir.
sense.
1^
Si n
See, the
-
v-' [,i-|>
L h.^ J
J' y ^^ y [J y ^ ^m~:
mm
splen - di do gio ir. Si ri
steep each lan - ffuid sense. See, the
â f=^ Kf , f
poi
p cresc. -
V-- [,
l
l> J^^ f ^p ^^ ^^ "&:

s
^m I
p p g M ^^
m F
destain ciel
morn-ing sun
p M l'au
is
I
P
ro
ygleamlpg,
-
F
ra,
e n' par
f or
Let US now de- part from
^
- za di - tir;
hence;
' ^n e
n
for-za di
n' par
Let US now de-part from
^ i
>>:^ |. b ff
destain
'p
p p l
^gEEfe
ro - ra,
i ^P M forza
P P P
par -
m
ciel l'au e n' di
m morn-ing sun is gleaming,
t=#
n..ni
e ne for - za di
f
par
i
tir;
Let US now de-part from
St*
in ciel lau
estajn
desta
^
m
ro - ra,
Let US now de- part from hence;
e
Let US
ne
n' tor-za
for-za di
now de-part from
par
pai -
M
morn-ing sun is 2:leaming-,
^"i>
desta_in ciel lau
f F ^^
ro - ra e n' for-za di
now de-part Trom
par
pa
^
moni-Ina- sun
^
is
Bi
.e:1eaming,
t i mm Lpt US
*
4 ^
poco poco
lv^'i>
14400
r ^ ^s ^ J I
J l,JJ ^p ^
49
M M poco
-
t
^M
mer-cji voi, gen - fil si -
i P P
gno - ra,
^
m^
e
^
In ob-liv-ious slum-ber dreaming,
^ PM ^^ P
^n
tir; nier-ctâ voi, gen - til si
hence;
tir;
^ i nu ^
In ob-liv-ious slum-ber
mer-ca voi, gen - til si

hence; In ob-liv-ious slum-ber
;^^''i> ) ^1
f
mer-ce_a
MJ
b
voi, gen - l
tu
T
slum-ber
si gno -
dream -
ra,
MM
In - liv - ious ing.
iw-^P *
g 1
tir; mer-ceji voi, gen - til si
hence; In ob liv- ious slum - ber
'H"i> r t F ff P P f i
tir; mer-cea voi, gen - til si
hence; In db liv- ious slum - ber
b<
m add Oli.i CI.
i ^
>'^'1>
J JJ^ y J^ ^m is
W ^^ P
di
M
s
ff
splen - di - do gio
P PH
-
'ip
ir.
^-
7
poco
i^^)> P
gno - ra,
dream -ing,
P
Let
)
US steep each lan-guid sense.
t "P
di
Let
M
si
US
P
splen - di - do gio -
steep each lan-guid
1^
t)'\l' ^ ^ f
^-1? P P g
gno - ra, di s splen - di - do gio -
dreaming, Let US steep each lan-guid
Let
Qi
li SI
US
splen - di
steep each
- do gio
g
lan-guid
m ir.
^mm
sense.
gno - ra,
dream -ing.
'
Hdi
Let
g
si
US
F.
splen
steep
- di

each
-
n
do gio
lan-guid
*>-^h> F r i ^ ^(y r II [^^^1^
M
p -
ra, di s splen - di - do gio
dream -inp. Let US steep each lan-e:uid
i ^
m 1 i
^
'1400
S^ j tJ? 'f m
50
i^-\>'
'ip
M P P P I
P ^
w ^r
La cit - t di
Take our thanks, oh
i
f -
fair- est
ste
la
i
le
-
na,
M P P ^
^
IT.
sense.

ir.
La
Take
#
La
Take
cit
cit
t -
-
di
our thanks, oh
t di
^f - ste_
fair - est
f - ste_
P
sense. our thanks, oh fair - est
La cit - l di f - ste^
ste e 3ie- na,
^^
^" > '!^
Take our thanks, oh fair- est la dy.
i
11
l
ir.
sense.
i
La
ake
l
cit- t
our thanks, oh

di e - stee
fair - est
^m ir.
i
l^F
La
P
cit -
P
t
P^^P^
di f - ste_
sense. Take our thanks, oh fair - est
^ ^1,, I
^
^^
add Cor.& Fag.
^ ^ ^m
p^
i l.''l>
\ p p p p p p
^
vol-gejl tem - p dei pia - cer;
For the plea-sure of to - night,
'^^''
1
,^
p p < i ^P P P P
pie - na, vol-ge U tem p dei pia
^ I
la
pie
la
-
-
-
dv.
na,
dy,
i
"ôr
i^r
tTe
p
vol-geil
For the
plea
f
tem
plea -
sure
r
p
sure
of
1^
dei
of
to
pia
to
'^'' '
'III
vol-gejl tem -
i
p
m.
dei pia
^ cer;

^'^>'^^,
pie
'a -
-
f
na,
dy,
For

the plea - sure of to night,
^
^ vol-g:e
For the
M il tem
plea
M.
p
sure
dei
of
?.
pia
to
^>
HS> ^ ^ i ) ^ ^ ^ f ^=j
pie - na, vol-gejl tem p dei pia
fa
Jtx - dy.
u_y, . -
Li
For
i^JL the
UIC plea
^Lr-,a, - sure
DUI e of
^Jl to

1 r^^ &1 -
s
sino
'n''i>u
14*00
c 3 p
O lrJP 'r ^
(iiJ
51
,
SlfO al -
ttr-frrr:'
W p i
t p < t MPP Pf
nel ri - po-sojiiicorla le-iiu, nel ri-posoancor la
Each and ali are cv-er ready, each and ali are ev- er
*=* r ^p p p p p p I
p p P MM P
cer; nel ri -posojncorla le-na,nel ri-posojncor la

niffht; Eachand aliare ev-er read-y,eachandari are ev-er
v'k'l>
I
I
^pnppp,'ppi^ n^n
cer; nel ri-posoancor la le-na,nel ri-posojincor la
night; Eachand aliare ev-er read-y, each and ali are ev-er
^ Doctor.
^p
nel
Eachand
p
ri-
pp PP rpt^
posojncorla
alh'.re
i
le-na,nel
ev-er read-y, each and
^n n
ri-posojincor la
ali are ev-er
\
Pi^
Târquls.
^ff p pp pp
-posojncorla
i Hf n^n
nel ri le-na,nel ri-posoancor la
Eachand aliare ev-er read-y,eachandall are ev-er
^.Âb
4
^
'"^

*
a.î
'^
nel
Each and
lun
ri - po-sojincor la
ali are ev-er
m ie-na
ready
M4= nel
4J
ri-poso_ancor la
each and ali are ev-er
i^ntn i Uf Uf
nel ri- posojmeorla le - na,nel ri-poscKincor
fh
la
Each and ali are ev-er read-y, each and ali are ev- er
I ''UHM f n nf H
nel ri -poso_aneorla lc-na,nel ri-poso_aneor la
Eachand ali are ev-er read-y, each and ali are ev-er
A f f f '^H .^ 4 i i't
i ti
ictd Fl.&Picc.
af
f^rt^ Cf^^ ^ î=^B=^^^ J plf r n

14400
- , --
52
j:l
ife-^-t^-^^ p p T
i
^
r P|r_^r:- i r- pr- ^^
le- na si ri-tem-pri per go-der, ahi. si ri - tem-pri,si ri-

read-y To com-panion thy de- tight ah! ev - er read-y to coni-
ffl
i^ MPM M P i
f ,,
r p
|
r [?r p | r- ^r- r
le - na si ri-tem-pri per go-der, ah! si _ ri - teni-pri,si ri
read-y To com-panion thy de-light, ah!. ev er read-y to coni-
:
,
,
i.
ffn^f^^f^ r rr y
le - na si ri-tem-pri per go-der, ah! si ri - tem-pri,si ri
read-y To com-panion thy de- light ah! ev - er read - y to coni-
V
<y.,v^,innu^n , r \
f r i
p-
p r p
le - na si ri-tem-pri per go - der, ah! si ri - tem-pri, si ri-
read-y To c.om-panion thy de-light, ah! ev - er read - y to coni-
.), |uTfffF nU'J ,T i

f
^ ^m
le - iia si ri-tem-pri per go - der, ah! SI ri teni- pri, si ri-
read-y To com-panion thy de-light, ah! er read - y to com
^^fentrmt le- na
read-y
si ri-tem-pri per go
To com-paii-ion thy de
I
der,
light,
i^-ii-ii
ah!
ahi.
SI
ev
. ri
^
^^
tem-pri,
read - }'
si
to
ri-
com
i^ U^,
i i)> uu u m
le *
read-y
na si ri-tem-pri per go-der,
To com-pan-ion thy de-light.
Ur
:^
ii=:i
ah!
ah!
SI _
ev
ri
er_
^
^^
tem-
read -
pri, SI
y to
n-
coni-
^^s^
p^ le - na si ri- tem-pri per go-der,

ah! SI n
r
tem-
^ f'
pri, si
?
ri-
read-y To com-pan-ion thy de-lii^-lit. ah! ev er read - y to com-
^' *
# p-
f f r r
14400
-
53
$ tem-pn per
pan -
P^
ion thy
go-der,
j f
SI,
de- light,yes,eachand
p"
nel ri
r*
-
i 'f=ft^
po-sojuicor
ali are
r
la
ev- er
I
n rv
le - iia
read-y, eachand
si ri -
'^
tempri,
ali are ev- er
si ri
r r r
i
tem-pn per
PÊE^
go-der, s, nel ri -
|
po-sojuicor
r
la
I
r
le -
^v
na si
^
ri - tempri, si ri
pan- ion thy de- light.j'es, eachand ali are ev- er read-y, each and ali are ev- er
^ tem-pri per
pan -
.^r
ion thy
F i
go-der,
r f f f
s,
de- light,yes,each and

nel ri -
1
^^^
po-sojincor la
ali are ev-er
r
le -
T
a
read-y, eachand
r
si
r
ri -
l'
r
tempri,
ali
#
w ili
si
ev- er
ri -
r fw
-lyî'^r pr- P i
r r r i r Yî^ ^r ^r"
tem-pri per g"o-der, si, nel ri - p -so ancor la le - na si ri - tempri, si ri
pan ion thy de-light,yes,eachand are ev-er read-y, each and ali will ev- er
^w
- ali
mm ^m
tem-pri per go-der, s, nel ri -
^ fw
po-sojincor la
\r'r^r^r
le - na si ri
i
^
tempri,
f
,J
si ri
pan - ion thy de-light,yes,eachand ali are ev- er read-y, each and allwill ev-er
are ev - er
1^=^
UU^ H tem-pri per
pan - ion thy
''l
i:o-der,
i T s,
de- light,yes,each and

#
nel

ri -
j
^m ^^ m
po-so_aneor
ali are
la
ev- er
le - na
read-y, each and
SI ri -
E
tem-pri, si
ali willev- er
ri -
are ev - er
î^ ^m
^m^
tem-pn per o-der, s, nel ri - po-sojineor la le - na si ri
-
tempri, si ri
pan - ion thy de. light,yes,each and al! are ev- er read-v, each and ali will ev- er
M^^ ^
tempri per
pan - ion thy
^ j
go-der, s, ne] ri
;
de-light,yes,each and
ij j
-
#
aliare
W ^^ P^
po-so_ancor la
ev-er
le - na
read-y, each and
si ri - tem-pri,
ali will
si
ev-er
ri
l't400

54
M tem-pri,
pr
si
P i r
ri-tem -pri per
fP PiJ^rTff Tf^^^^pp
le-na
go-der, s, nel ri posoâncor la si ri -
read - y To com-pan - ion thy de-light,yes,eachand ali are ev-er read-y, each and
i^
pr p i r pr p
^^0-
r I
r' !
''
r^
r
tem-pri, si ri-tem - pri per go-der, s, nel ri - posojincor la le-na si ri -
read - y To coni- pan - ion thy de-light,yes, each and ali are ev-er read-y, each and
r
tem -
r
pri
i
f
per go -
rf ffirf
der, s, nel ri - poso^ncor la
5m
le -na si ri -
share thy ce light,yes, each and are ev-er
^w
in - ali read-y, each and
teni
share
pri
in
IP:
per
thy de
der,
m
s, nel ri
light,yes, each and
-
posoancor
ali
la
are ev-er
i
m
le- na
read-y, each and
si ri -
^m tem
share
pri
in
per
thy
go
de
der,

s, nel ri
light,yes,eachand
- posoancor
ali
F^
la
are ev- er
wW
le-na
read-y, each
si ri
and
-
tem-pri, si ri - tem - pri per go-der,

read - y To com-pan ion thy
m
- de-light.
w
tem
share
-~ n
pn
in
A J-
r^^
per
thy
-^J-
de
i)
f
der, s, nel ri -
light,yes, each and
posoancor
ali
la
are ev- er
^s
le-na
read-y, each and
s ri -
tem - pri, si n tem- pn per
^ ^m
go-der,
read - y To comi-pan - ion thy de-Iight,
m 9
J-
Tj
tem
n-
pn
i j
per
A
der, s, nel ri - poso_aneor la
U^T^
le - na -
M^
si ri
share in thy de light,yes,each and ali are ev- er read-y, each and
^ffi y 1^ y \>^
tem pn per go der, s, nel ri - posoâncor la le - na si ri -
share in thy de light,yes, each and ali are ev-er read-y, each and
-"
f ^' ? ?' ^' ?
:
gli*
^^
i^)>r tir-J Ê i I I
l 'n'i> [îTf [^rlf t^f Ma m

14400
-
55
#= P
Pf Mf Pf P
tempri, si ri - fem -pri, si ri -tem-pri per go der, s, nel ri- po-sojin-cor la
ali are ev - er read-y to com- pan - ion thy de light,yes,each and ali are ev - er
* 1 r-| ^^ 2MZ ^ 5
tempri, si ri- tem -pri,
pr
si
P
ri
i
r
tem-pri per
pr f^
go- der, s, nel

ri-po-sojin-cor la
ali are ev - er read - y to com- pan - ion tLj' de light,j'es,each and ali are ev - er
^ rphr tempri,
ali will ev
si
-
ri -
er
tem -
share
r
pri
in
|f
per
thy
f
go
de
.rTff.fTi^
der, s, nel ri-po-soân-cor la
light,yes,eaLh and ali are ev- er
^m tempri, si ri - tem - pri per go der, s, nel ri-po-sq_an-cor la

ali will ev - er share in thy de light,yes,each and ali are ev- er
^
rtziOr
tempri,
ali will
si
ev -
m ri -
er
tem
share
- pri
in
zc
per
thy
go
de
der, s, nel ri - po-soan-cor la
light,yes,eaeh and ali are ev- er
tempri, si ri -tempri, si ri - tempri per go -der,

al! are ev - er read - y to com pa - nion thy de light,
1^ B^S
i n wm
Mp 5;
tempri, si ri tem - i
p' per go f er, s, nel ri - po-soan-cor la
ali will ev - er share in thy de light, yes,each and ali are ev-er
tempri, si ri tem -pri, si ri - tempri per go

der,
ali are ev - er read- y to com pa - nion thy de light
n
-
^^ ^ ê Jtos
i a f^
7-
empri, si n tem - pri per go der, s, nel ri - po-soan-cor la

ili will ev - er share in thy de light, yes,each and ali are ev-er
JSIF
^ f^ tempri, si
ali will
m
ev -
ri
er
- tem
share
- pri
in
per
thy
go
de
f^^f4
k
f
der, s, nel ri - po-soan-cor la
light,yes,each and ali are ev-er
fTf
\^ f- $- if^ f-" P- #- ir # ir
m kfe
I E 5 ^
^fewi
t.
^m tm # m\^:
14400
56
Jifc#?
le -Ila si ri
read-y to companion tby

^^
-tempri per go-der,
de-liy,'ht,
s,pergo-der,s,nel ri-po-so_ancor la
yes,eai-h and aliare PAer read-y to eom-
^'v^ rnf Ji,.j..}^ 1 t rnrrrrifrr

s, per go- der,si,nel.ri-po-sq_ancor la
le-iia si ri-tempri per go-der,
yes,eaehandallareever read-y to eom-
read-y to eompanion thy de-light,
^m iH ^^ 1
le-na si ri-tempri per go-der,
E fff , ffff ffff
si, per go- der, s,Hel ri-po-soâncor la
,
read-y to companion thy d--light, yes,eachandallareever read-y to com-
m
le-na
read-y to
si
^m
ri- tempri per go-der,
companion thy de-lig,ht,
3e ^rrr
si,
i frrnrrg
per go-der, s,nel ri-po-soancor la
yes,eachandallare ever read-y to com-
Eg
,,m ^
mm
i rr n' rr' m
le-na si ri-tempri per go-der, SI, per go-der,si,nel ri-po-so_ancorla
read-y to companion thy de-light, yes,each and ali are ever read-y to com-
le-na
read-y
si
fo
ri -
com pa-nion
w
tem-pri per
th\-
;o-
de
der,
ght,

mm mm
s,
yes,each and
per go-der, s,nei
ali
ri
are ever
-
posoâncorla
read-y to com-
$im m^ MM ^M
s, per f^'O-der, s,nel ri- poso_aneor la
le-na si ri - tem-pri pfT ^-0-
yes,each and ali are ever read-y to com
read- y to com- pa-nion thy de
^m
Y
w
le-na si ri -
m
tem-pri per ^ô-der,
m L t
s ,
per go-der,
mm Ma s jiel ri - posQjineor la
read-y to com -pa-nion thyde-Iight, yes.each and ali are ever read-y to com-
14400
57
m b
r
le -
r
na
r
si
r
ri -
i
r
fem-pri
r ^ per go - der.
(Exeunt allR.H.)
paii-ioii, to coni - ]tan-ion tliy de - liiilit.
Mr > r r r i
r f s^^
le - na si ri - fem-pri per go - der.
paii-.inn, tn coni - i)an-ion tliy de - light.
mf f f f ,
f f f ^
le - na si ri - fem-pri per go - der.
pan-ion,
u
to eom pan-inn thy
^ de liglit.
- -
wm le - na si ri -
r ^
fem-pri per
I
r r
go - der.
^ pan-ion, to coni - pan-ion thy de - lialit.
m ^^ me
le -
le -
pan -
na
pan-ion, to com
na
ion,
si
SI
to
ri
ri
com
-
-
-
f empri
])an-ion thy
tcm-pri per
pan - ion thy
#^^^M
per go
de
go
de
-
-
-
der.
light.
s
diT.
light.
-o-
TI-
le - na si ri teni-pri per go der.

pan ion. to coni
^^
pan ion thy de light.
- -
r f
^
'.'bii>
F
le - na si ri - tcm-pri per go - der.
pan-ion, to com - pan-ion thy de - light.
m
S
EÊEEE S
4)'
^
^ ^
T^

wi i i ^ i ' V '
r
ri^ rT^
wm
p -
^
8-
^^ S^ P i^ a ii IFR?
A. ^-
^
pf imW^^^^^^
14 -m p m- P P P
-^^j^
^ ^^m 1 E^^
*^ -\l i r. ^
o
~rr"
A^ p- ^
p^p^ m "^m ;
i^=j=y
i44no
<
5S N9 6.'i\.h, fors' lui che l'anima.,,

/jM Recit.and Air.
Allegro
Violetta. tî yp v^ i
#
J'r^rr B M
/Cn
^-TrT r >TP r |i
K ritr;i-no! sfra.no! in co - re scol-pi-tiJioque-gli;ic-
Howwondrous! liow wondrous! his words deepwithin my heartiir:--
S
Piano.
WE
/'
^ h h
^
h,
i^-^~g^~g i
i'1^ r f
ceii - ti! Sa -ria per me sven-tu-ra un se-riaji-
.-Trav - eu! Andwoulditbrinicnir sor-row to love sin-
mo-re?
^^^gir
Che
p'F'^'i^r'F
ri- tol-viô tur-ba-fajuii-ma
!>',?*
mi-a'.'
'
^
cere-ly?
m^ * S
FS=t^
"*
^m
Oli,myheart,whysosore-lyarttliGutroubled'''
s i .^J
0
vr
^ i

1 P PP 1> pg
S
f
love
!^ P ?
l'uo-mojin-Co - ra i'ac-cen-de - va.
of mor-tal yet hatli mov'd thee.
p M^ F '
^
1
Oh
Oh

g-io
rap
^ ^^
ja cHio non co.
ture I never
=::!
* =^=^
i
m ^
j
nob-
;..7
bi,
j!>; )
es-ser a - ma - t;yi
r p 1^1
man-do!
' i i
-^^MrfY^
,
E sde - gnar- la pos s'i - o per

knew of, to love a heart de - vot-ed! Shall I dare to disdain it, and
:S ^^=^
m
f
14400
-
59
Allp^ro.
Allegro.
I
f^ ^
'JFr'h ^ fi ir "r n r'ij:^- 1
r
i
"
\\>h
la - ri- de fol - li - e del vi- ver mi 0?
choosetheemp-ty
i
fol - lies that nowsur- round me?
r:\
s
s zte:
\^
-^^_
^w
^
^ AnJantino.CJ'r 96)

i^ =
Ah, for-s
dolciss.
lui che la -
^
ni
-M ^ ^ Ah, was it him my heart l'ore-
^B
y f
i^ : ^=^;
,
i
f f r^
^g^f
,p
^
^ ps^ ^ ^
S ma
f^]
so-liivga ne' tu
r
-
i
^^r^^
mul - ti,
I T^
so-lin-ga ne' tu-mul- ti,
F F
i
^'^y'^' I
F^'^
go-dea so
fi>
told,
J)^J)
* *
wlieamthethron'iôf
T
S
f

^ m^
plea-sure,when inthethrongof plea.sure
seS ^ r=^
E3^5
Ofthavel
f
^
fcS5
M
p a^^fe^
ven - te pin - g
Mp.
- re
i
pXr^
de suoi co-lo-rij)C
i
'
_
V ^J-^^^Ff
cui - ti, de suoi co-lo - rij)C-
^^ ^ ^^ ^ joy'd to slwd - o\v forth onewhoma-lone l'd trea - sure.onewhoma.lone 1(1
î t T P
:s
*
;^5
t
!r-J'i> ^ g y B tt3E# i 1
j.î,7 1 h ^V!i I, ^>iJi^j'i:'j>i'j'
r/y.v/-^
^'
^^

cui - ti! Lui,chemo-de-sto_e vi gi - le
_ al - le-gre so-glie_a - sce - se,
trea- sure? He whowithwatchful ten-der-ness Guarded my wan-ing pow . ers,
f
fe fe :t
1 :
^^ p ='^=1=
i^^^
14400
Q
-
60
f
^
*
I'
^
e
^M
nuo-va feb-brejic
P ^
^ff l'T-l't
- ce -
i
'
P
ye,
I
F V? ?
de-staiuio-mi al -
? g la mori
^
s 1^
Strewirir^my way with
ith
î flow
=:
- ers, Wak.in^^myLifart
"W
to love!
^ O
^
W^ %
1^
^^ i>7>
=^^=^
^
i^-;
t!
fôn espa n a IO ne
A
V
quel -
îr
la-mor,
?
(jucl - la - nior, ch'e pai

pi
^ - to
Ah, nnw I fe^l that 'tis love,- ami love a - Ione,
^Str.pi
^'ô
"? i
p
i
^-
hm 'y=^^=^
del - - ni-viT
l'u - so, del-l'u - ai-ver- scTiii-te ro, mi - ste -ri-
ôle hreathnf ali in the li le, thelil'(i u.ni.ver sai, niys - te- rious
r~
a j''f^ ?? P? i
r ^
f^^^
V ^^^j
>^ ^''^gf-'^
? i
r?yr^
so, mi - ste-ri - o-soâl-tc ro, ero -ce, cro-cee de - crocee
li - zia. de-
^ m
jiow er, />:uid - in.iirthe'fateof mor tals, sor-row,sorrowandsweetness,sorro\vand
=^==-^
^ ^ f
^t-^h
'
f p^ ^ m
li - zia, de-li-ziajil cor. Fl.Oh.i'l. ,
i^
P
sweet - ness of thispoorearth. - K
^
v^
^
5
^ i^T=^
f^^ ! y
^r
ll
b' V
^
14400
h
-^^^r-
A* /t^^f /
^^
^
01
^
doIciKs.
p
im ?v7v>
k
v" s =^
^
* l<.

A me, fan ciul- la,uii caii fre-pi.do de
\ - - di - 'Jo - si - re,
^^ r^ ^ ^^ ^
Fonti -ly witli - in nj' lieart eri-sbrin'd I havHthatiiij-;iye hid - dea,
^ ^ a
^^ a
'M>
pp
? ^ ?^^ ^^
^^ ^S
^^ ^
^^
* t
? ^ P
^'-'i-
i'f^^îj>^j^7 i^^^^J^^ i
j^"^r n==K
e tre- pi -do de si - re,
^^
que-St'el'- gi
^ r^f del - cis - ino

- fi - sii
havethat ima.iê hid - den; Now with the sov'- rei,:i:n pow'r of love,
SI
I
Mfe i^^ -^ ->-

f
^^ ^ ^Ê^ 1^^^
s
8=?=f^ ^
'
V n\^ ^tfU}^}^ ^
ve
I J)J1J> ^ Tiît J- ;
^
signordel l'av-ve ni - re, si-gnor del l'av - - ni - re, quan-do ne' eie- lijl
Itdoth a-rise un bid - den, it doth a-rise un - bid-den; Ando'erniyheavhof
'^ ;
'^W^
'
t
^ f
^
W g y
?
i
ff
^
:/"
;p^=&
l
'v^ .r^ j^ i> yj' j) j'

^7 p f^ ^'7 ^p
j rag - gio
I
di sua bel -t ve
I
de - a,
I
e tut-ta me pa - sce - a
prom - isH Beckonsmysoul to giad - ness; Oh, if thedre;un be inad - ness.
at i
'
Ji
n^:
^ =:
^
^
^ ^
^=^
S
^^'-i> J) y J^
^ J^'y J) ^^ ^^
y^co /iespan mone
S ppp^
di
(ji iiuel
(juel
Lifehathno lon-ger
Ffr^
di- vi-niTjr
vi
:*
- ror.
worth.
^ Se 11
Ah,
E
tia
no,
chea-mo
I feel.
^
re,
'that
cheji-
tis
S(r.p>
14400
63
* J'- J' J>

^
lu
breath
- ni -ver
of ali
so,
iri
del-
the
^^f=^
lu -
8
ni- veri so ili-te
m
ro, mi
^m
ste - ri
m
so,
life, thelife u-ii-ver - sai, mys tn - rious pow er
S8
mi -
guid -
P ^^
ste-ri -
inp: the fate

o-soâl- te
of mor
-
-
g
ro,
tals.
^
Bz::feki3
ero
sor row,
ce,
g'H
croceji de
p
-
i
f!^p/|
li -
sorrowand sweet-ness, sorrowand

zia,
^
crocee de-
zia, de-li-ziaal cor! cro.cej; de - li - zia, de-li-ziaal cor!

sweet - ness of thispoor earth! sor-rowand sweetness of thispoor earth!
m t:

Wind,
g 1 g
f I T=T=
S ^ ^ ^ ^=r=
mm
^
^^==F
ah! .
^
4J^
m ^m
''^.^*r.fL. ^B
de-li-ziaal cor!
Cstands pensively.)
wj^
^rousing her^self
Fol-U-e! fol-
)_
ah! - ofthispoor earth! Whatfol.ly!what

/r\
^^
f
^
14400
^ Str.
m ?F^
/r\
-
63
:^
Alle^To/J-
li - d
E
lao)
7
de-
^
' ''
li - rio
./
v;uiiui questo!
^^ Po-ve-r<a
fol.ly! fnr metliere's no re-turuin.i^:! Ah, I ;uil
mr^ ^^^

iL^TtTrUiCJ j
-
'

:;-i.p7 *P
?!;r! ;sEEg ^^ f^^ ^P ^^
^^ P ^
-
^^ ^ " :i:

i i 7 :
^
MF' ? FT FP
^
doii-na, SO- la, ab-baii-do - iia.ta ili que-sfo po- po_ lo-so de
helpless, loiie.lv, without a friend; for me this tliroiiging eit-y doth
S rJ rJ
m
p
m ^^ W^ i i 7
s
^^=^=^
P
^^.t*^
i i 7
W
i'n 77
ser-tochejippel-la-no Pa
7 77
-
i
ft^pr
ri-,tci, che sperojir
i 'r/^F m
ohe fardeg-gi- 0'*
pi"?
r'rî
gio
i
-
V'n
i - re! di
^
seemas a~%'astaiiJenipty
V ^ ^
i_^''
desert:Whatcan T
?
E^
hope? wherecaiil turnme?
W "
to
i
pleasure! in
1 i ^
#g oc ^ drai
\>
njorza
con forza o
c\
PTi^r^jj ^-''i
vo - lut-ta ne' vor ti - ci, di vo- lut-t pe-
ev - 'ryfierceand wild de.light ll steep my sense,;uid
'5500
/ 6-^
Allejfro brillante.(*.= 84)
V.
asf<ai brillante
tr
g"i -
1
fol -
5
leg -
^
gi re
/
*=^==^

gio-jajn gio -
di
^ ja, vo'
^ ^
che scor.rajl vi - ver
^
plea - sure, Joy - ing-, toy ingfromflowrto flow - er, I will drain a brim-ming

fr
w.
m'v_
tr
'
^ ^
^ '^
^^
JhJ^^
tit
1
t I
^
^ igW
U^#
^^ E
/!r
a=g S K ^- ^ M
-y-r ^'
*^
f *
mi - pei sei.i - tie - ri del_ pia - cer. Na-scajl gior-no,qjl gior-iio

mea - sureFrom tlie cup of ros - y Joy. Nev.er \\eary,each dawning
tr "X
^^
fi-
^''
i J- ^J J^J 1 S Il y #F3-.^^
tl^^
^^x i 4^
i^V VjJ fe
!-iOO
. r
fttto ijueato ripiglio
let - ti seni- pre nuo - vi dee vo - la - re

:^^
il

iiiiopeii-sier, dee vo-
fresl) dt'li,i;:hts l'il bor - row, I will ban - ish ali an- noy, ali an-
P^=^
s ^
p'^^^f !?
m # -
îi L.f~r r
^
fm
tar^K
I ,
fî'"'^
lar, dee vo - lar dee . vo - la - re il miopeii-sier, dee vo-
noy, ali - an-noy, I _ will ban - ish ali an-noy, ali an.
^ ,

a f .^r
r y L [ r r
^^
s rJ^
)i-
5S
S UlLT-I -JÛM JP.fP m *-r
!00
t
66
^ Andantino.
sier!
noy!
^h-^
1
Ah!
h!
/
Alfredjundpr the baleony.)
^ ^^^ K
i ^^^^^
Vi- il'
is
All
A -
liuth life,
nior,
La
a - mor
I
uj (^1 p
pai - pi - to
^
del- l'u - ni-ver-so,dt-l-ru-ni- ver-soju-
hath life anJbrpathfromtliee,Love,thou'rtthesoul ofllw life,thelife u-ni-
fc

\
^^ # AndHntin()/^96-)
P.
j
I 4 m w r^
â : -^--r ^^ f^
7 ^ S
tf
?^
i
"f ^-
(^^V vj^
*"

^
^''1,'-
oha-mo . re
l'm spellbound!
r~'J' T
I
mi-sfe-ri
r r
o

ir'^w ?
mi-ste-ri- o-soâl-
m ^^ ri^
cro-ce croc^ de_

te ro, - - so, te - ro,
ver sai, mys-te-rious pow . er, guidin^s^thefate of mor. tals', sorrow,sorro\vand
i
^ I y *l
f
^ (0
-i^^^
-
f
^"i^-^-
Ailej^ro.
7 7
P 3zzfc 7 7
St*:
7 7
Fol
?
<tff
li-

d
e!
y
=F^=F
^
fol. li. e! fol . li
What fol- ly! what fol-ly! what fol
t'ir^ o^g^ f
i
rp^^Tpn*'^ >
li - zia, croce_e de - li . zia, de.li-ziajO cor!

sweetness,sorrowandsweetnes.s of tiispoor earth!
T.ilti.
Allener.
t
67
allarg;.
Tempo I.(J-=84.) assai brillante
4r
k^ r^^û S=5
ffiprgpT i
ftrrr r r ii (i ^vn p i
Sempre li-be-ni_(eg-gi
m
iri- - ofol-leg-
dici. ll fui -f il the round of plea - sure,Joy-ing,
i
^^ i
O
#
s^
gi -
^^^^^^^g
re gio - jajn gio - ja, vo che scor-raîl vi - ver
di

^
mi - o
^^ pei sen-
toy - ingfrom flow'r te flow-er, I will drain a brimming mea - sureFrom the
rbfe 1 V ,
,
rV# r-^4/^
tic. ri del_pia-cer. Na-scajl gior-no, qjl gior- no muo-ja, sem-pre

cup of sy
rfi_^ joy. Nev-er wea-ry, each dawning mor-row Flies to
lie - ta neL_ ri - tro - -vi,_ a di - let-ti sem-pre

bear me some new rap- -ture, Ev-er freshdelightsril
t*
W ^^
4-
P^ I Pff(#-
u
^
eS d:
m
Tutti
^ r
piglio
^^. f
i î SffcJi # O.
teEE
Jr
ss
nuo -
i=*
vi dee vo -
i-r#
la~^;ê irzrhiio pen-sier,

E
îi.-,rLr^P
dee_ VO
i n.^
=^=^
- lar, Qee_ vo-
^
bor - row, I will ban - ish ali ari - noy, all_ an - noy, all_ an-
*- .j!
satet
I ife f=
**
q3
s ^
^^ H
14400
. 1
68
^m lar,
noy,
dee
I
vo -
will
^la
bau
*nw^^
-
-
re
ish
il
^n''/_}^
iiiiopeii-sier,
ali an-uoy, all^____ an
dee
B^^^f:
-fJlM-
vo
^'
\
-
-
m
lar,
noy, ali.
M.
.q*
iloe
ti^^'^J^TV
r'^h
d r-
Yu-
an-
^'1^ J
sier,
noy,
T
Alfred (under the

t
balcony)
^^
dee
ali
vo
an
^'
lar,
noy,
-f y l f
dee
ali
m -VO
an
r i L rp i -,
A - mor pai -pi - to del fu - ni - ver - so.

Love, thou art lite andbreath of ali ere - a - tion.
-^?5,rrr
^S
mM ^
y 7 i y ---'
t 1
14'A0D
69
^
sier,
7 t 7 =y
(Ice - \(i
l>gn
i
lar,
7 i 7 = ^
ileo
1
v(i
noy, all- HIl ali an
^
S
A - nwr
^

ir P
pai .pi . to
M ^
(lei - Tu - Ili ver
-
^S
- so.
Love tliou art lile aiidhreath nf ali ere- a - tion.
#
- a a ^
^
_. -1 _i }
E yihrouLch Joor, LH. C\
sier;
noy!
0\
jAJ^-M^
-!IfjiN!Mwl^^ l
^^ l
^''^^'ili^'^'
^^ ^
--'-
i
f=F^ I
^ I
1
7
14 400
^ ^ End ofÂct I.
70
Actll.
ronm nn the groinid-flnor afa coinitry-haiise iiear Paris. In the eentre, at the back, a mantelpie. -
with clock, mirror, <4c. A glass door on each side shows the garden; two other doors opposite eaeho'b-
er. Chairs, tables,books, writing-materials, etc.
N9 7. 'De' miei bollenti spiriti.,,

Recit.and Air.
(Enter Alfred in hunting- costume.)
Allegro vi vace. (J - 132)
^==^
Piano.
i ^s
P Str.
^^!
^^ fflWSW J^J^jj^J^ J- .J. h
P ^^
tiX^ mm
J5^m ,
ra B3
s ?
Alfred.
1
Lun- g da
d
#f -i>
^
# ff When we are
ffff^fff ^Fff^F^f ^^
i
^
.
/ Recit.
m "f
f f
f f 3ES
(puts away his gun)
r F^p r p
^
le -
part-ed, of
i per me non V7ia
life it-self l'm
di-let-to!1
wea^ry.
Vo - la - ron gi
k''o e:i tre
Three monthshavenearly
ffrrffrr f i
a tempo
m f-M4
14400
71
*^ lu - ne
fie dac-ch
dcic-d'i la ifiiaVio-
mi;
^;let-ta
i i'
a -gi
j^'
p
i
per
j^
me la- sci,
il P.
do -vi -zie,
P.
a-
'
P^
van-ish'd since my be-lov'd Vio - let -ta eft, fr
left, fr my sake,the world, its pleasures and
mo-ri,
no -ri, e le pom-po - se fe-ste, ov', a -gli_o-maggiav-
-gli_o-maggi av- vez-za, ve-dea schia-C'o
sdiia-vo cias
splendors, the gay and bril-Iiant cir-clewhere she, the star of beau-ty, enslav'dthehearts of
Andante.
^ culi disuabel-lez-za. Ed or con-ten-fa que-sti a-me - ni

coii-ten-ta in qe-stiâ-me luo-ghi
luo-gni tut-to scor-daper
. ali to do her homage. And bere con-tent-edwithme to roam the meadws, she forgets ali for
sof-fio d'amor ri -g -ne- ra-to scor-do i ne'gau-di suo - i fut fcTil pas-
chantment of love, in thee is cancell'd ali dark remembrance of a past dis-
rrc
~xs~
i3:
U-
tzn:
^t- m
"T~
^-
r\ I
Andanfe.cJr 60)
Si
M^ ^
c-i"T "y in
sa to.
tract - ed.
i
wn =^ H \^H
m.* po frifriiF
pur ^T
g^
14400 j^
i^ I ^^^^^S
p
5S^Ki:
K^
^
72
fi \ P
^
De'
F -
^^
miei
ver'd
iei Bol-len
and wild
- fi
niy
spi -
dream ofyouth,
^ri -ti
no
S
star
no - Va-
va- ni
onhigh
-
t
a
lear-
le
p\rî do - re
i \
^^^^^^fT~^
el tempr
- la col
\
flI^^^^
pia- ci -do sor
guide me she shone on me with ray be-nign, and
^^^-iM^^^^ W^,
V\ ijd siist.iin
j-
^?i!kBi
ii
^ =^
p
'^
p
? 'i
1=r i
:^:^
ri - so del-1'a-nior, del - l'a - mor! Dal d cHe dis- se:
trotiblefled a-way, fled a-way! When low shewhisper'd:
VI - ve -re io vo - gio, IO vo-gliojx te f - del,

'Live for me On earth, onearthl love but thee;"
i^^j '^%m^^ l jîMiîi#

g 4 ,&=
r^J i
^ del
Ah,
- u -
lu
P=r41
ni - ver-
V so im-me
since thatbright,tHatbless
-
-
mo
ed
^
re
day,
10
in
VI
heav
-
rn^
vo, 10
en'mid joys
vi - vo
ce-
ir
14'400
73
/PPP
si, io VI - voqua-sijnciel. iTal ddie dis-se: vi - ve-re io voglioate je-

tial, in heavhl dream to be. Whenlo\vshewhisper'd:"Liveforme,Onearth I lovebut
f g^rri?
VI - - vo, VI - vo qua si, io vi - vo quasijn eie], 10

heav'ii 'niidjoys ce-les tial, inheaVriI dream to be, ah,
10 vi - vo quasijn ciel,_ ah s, io vi - vo quasi in eie- lo, io vi - vo qua -si in
ahjSincethatblessed day,_ ah,since thatbrightandblessed day,_ heavhl dream To
S
in
^
14400
74
^ ciel.
be.
r\
^ Allegro. (J = HO)
m r\

m
iwa f
^r^= j*p5 :
frrr
V b'-i.
J
y
J
33
/^
^^
(Enter Annina, agitated)
iî=^?=*
# ~
^ ~
*
i ^p
An-
p
ni -
M
na, don -
fde
b> ^ #ê . An- ni - na, say, whence
i i S3E
W
^Ni JJ^ J^^ i
i S
vie -
come you?
mv
^ i^^^ hAnnina.
Da Pa - ri
Straightfrom Pa-ris.
- g.
Alfred.
y}>
Chi
Who
) i^l^
tei
thith-er
com -
^^
mi
sent
- sev
se?
you?
Annina.
Who
tu
iû
else
la mia
but
si
my
-
i
m
*-''^'"
Alfred. Annina, ,
'.
Alfred.
Uy:^
f.
P PPP I P p PPP p pp I
r-
Jî'p^?7i
gno-ra. Per-ch? Per a-lie - nar ca- vai-li, coc-chi^ quanfoân-cor pos-sie- de.Chemai
M mistress?Wherefore? It is her wish that

ali sheowns shall be at once dispos'd of. Ah,what
(aJ =
sen-
?%
80)
lo!
^^
Annina.
r p p
:ran-de
Lo spendioe gran -ile a
p
vi-verqu
p p p
so
feo -
IP p^
lin-ghi.
^
Alfred.
P' P
E ta
t
pp-
f^
say'st thou?
^^
It is ex - pen-sive to
mj
livelikethis, se
Jj
ip^
-
i^^
quester'd. And I
l'4'tOO
75
knew
^
ce -
Annina.
vi? Mi fu il si-Ienziojm
si-lenzio
not! She bade me not to
-p
teli
- sto.
you.
\r^ ^
Alfred.
^ P'
Ini
She
- p - sto?
bade you'^
or v'ab - bi - so - gna? Mil - le lu - i - gi! Or

What SUOI is need - ed? Two thou-saiid lou - is. I
4
^'^
P f^^"p'^r"
van-ne.
go then,
An-dra
a-way
f
Pa
Pc
to
-
^
ri-gi,
Pa-ris,
que-sto col
but do not
r,
-
IN.
lo-quio
mention
^P 1
i
a
-
p
gno
e:no
word
-
^B
ri la si
be-fore your
-
Mf
jti_
^~}< '
"P Pj
f
nio
glio-ra;
mistress;
il
there yet
tut to
is
vai
time
- goa
to
ri
can-cel ali niy
p
-pa-ra-rean
p
- co
er
-
-
i
^ ra;
rors;
^
va:
Go!
î
va;
go!
'Exit Annina) O
&^m 0- m II mjc^
t^^ 32=
-
r 3Ee
t i
^
l'I 'A 00
, -
76
Allegro. (JriOH)
m
ri-mor
re-morse,
- soljah
oh
iin
in
S
fa
;^-
- mia!
gj!
io
in
i^^
* vis
sei -
- si in
fish
P^
ta
joys
- le
I
er"~~~-
1
ro
lin
?i re!
ger'd,
^ mail tur
but ruth
?
pe son
less fate
- no_a
hath
f^
i fi
^
^
fran
rent
g
in
- re
twain
^1 ver
sweet,
mi ba
fai - la
le
ciqus_ dream!
i
Per
Be
p eojn se - no ae-fjue ta-ti, o_ gri doô gri - do del -lo

stili a-while,_ and_ bid, my heart thnu shalt. thou shalt retrievethy
14400
m ai M
77
st'on
fore
- ta
the
la
trinr
ve - ro.
row'8_ beam.
m^mt
Oh-mio
Ohdeep
ros
re -
- sor!
morse!
li-
Oli iii-fa
ofi in
*^ (Ih mio
r! ros- sor! ohin-fa - - mia! ah si,
s'i, que-st'on-fa, si,
s, qua
que
beam Oh deep re - morse! oh_ in - fa - my! ah,Y?.?j Ill..'^\?..n.'i'.?Mn|'pb?.;
st'on -ta la - ve - ro, qne - st'on - ta,que-sf'on-ta la-ve-ro!

fore the morrow's beam. Ili lave it be-fore the morrows beam!
* Mie
m ^ li

tU
Xf
i
^
m^ I feEtSEt I ^tHi^Mm]
b^ ^^
14400
^
78
Alfred.
^^ Efes mio
^m
ri - mor - so! ohjn - fa -
1
mia! io
Oh dppp remorse, oh in - fa - my! in
i
fÛli
s^ Ml Sf f |:
:c=b=:k
fi

vis
self
-
-
(
sijn
ish
ta
joys
- le
I
er
X;ir
ro
Un
-
-
P J
-
- re!
ger'd,
^-tfÛ
nuul tur
but ruth
-
-
pe
^
son
less fate
- noji
hath
i
M
s mm m} !!^ff i
p
stili
- -
fEgI
cojn se
a - while,
-
JtAt
no ac- que
and_ bid,
- ta
my
- ti,
heart,
o_ ST
gri
thoushalt,
- -
^^
d(V) gri-dodel-l'o-
thoushaltretrievethy

^ Wind sustaiii. J
IMOO
st'on-ta, s\, que - stori - ta la - ve - r, que-st'on - ta.que-sfonta la-ve-
lave mvshame.he - fore the mor-row'sbeam l'Il lave it before themorrow's
r\
iE ^ I fe
fr
m
14400
t t
W^ ^
3
a g a 3 i=g m
#
80
ro, s, la - ve - ro, ah, l'on - ta, l'on - ta la - ve
i^
fore the mor - row'sbeam, it shall, it shall be lav'd be
^ jr Ut
I
p m ~f-^
\>
ffi

^5

S
^ -
r,
.^r-
si, la -
^p i
ve - r,
p
la - ve - ro, la -
?^
ve - r, la
fore the mor - row'sbeam! Oh remorse, oh re - morse, oh.
14400
. -
81
^(i
N? 8. Pura siccome un aiig-elo.
Recit. and Duet.

^ Allegro.
/Annina. Violetta.
(Enter Violetta with papers ) Violetta .
Voiice
i ifc f,f PP 'f;p | p
Al- fredo? Perra-ri-gi_pr orparti-va. E tor-ne-
f^
Where's Alfred? He has just gone off to Paris. And forhow
^ '.h^Ff^
i E ^FP: ^
^
Piano.
'
Annina.
fff
m -^ mm Violetta.
i r?
long?
p M
Pria che tramon-tijl gior-no,
Un-til thedawn of morning;
P m-f 3S^ > >
dir-vel mm-po - se.

I
i'
E .stra-no!
he bade me teli you. 'Tis cu-rio.us!
;>
^^ E

i I ^t^ fPf
P s 9-
I
Joseph. (enttTS and pre-

'
spnts a Iftter to Violetta.) Violetta. (.seatinK herself )
E5]
Per
êr voi. Sta ben
ben. In bre -ve giunge -r un uom dii
daf
Por you. 'Tis well This morn-ing I ex-pect to see a
(,#>#> I
S
'^
iWW (Exit Annina and Joseph) (Violetta opens the letter)
^V-^^' i /' ^
p p
fa- ri; entri al-l'i- stante, Ah, ah! Scopri-va Flo-rajl
Flo-ra il mio ri
Pm
stranger, at once ad-mit him. Ha, ha! So Flora knowswhere I am
m- P
m ' ^S
r^^-^n \
i'
o
u
r" ti -
hid-ing,
P
ro,
^
P
e
p r
m'in-vi
asksthat I
-
P
taji
shall
M
dan
at -
-
f-
zar
tend
F p-
perque-sta
nerbali
7
this
^
se-ra!
(throws the letter on a table)
aK-r-
P p M
In -van m'a-spet-te
eveaing! Shell wait for me in
P
-
1 r
P 7 -
14400
?
82
( signs fhaf Joseph is to admit him )
5;=
W ^ 7-
ra. Sa-r lui eh fjit - ten-do
eluât te
vain. It is he I wait for.
Joseph.
W
3E3
f
^ ddz
Equijin SI- gno-re.
Madame, a stranger. Allegro.
^
^ W^ ^rT-
-9
^f r-rr
m w=^ 5 li ? ^. j)^ I
}J^ ^
i 3E3;
^
Son
"Tis
m
i -
I, sir.
o.
con jorza
forza
(surprised, motions
Voi?
You?
lour rseatingh
him to be
rseatinghiiii-
Germont St'lf)
^y.,.?p??fn \
f
Et
Ma-da-mi-gel-la Va- le - ry? D'Al-fredqjl padreîjime ve-dette. Si, del-l'in-
Ist Vi - o - let-ta Va -le - ry? Yousee be-foreyou Alfred's father. Yes, Ira the
i
f ReciI
w^^m
(rising, with resentment)
t Don -
p-
nason io,
p r ?
si -
Sir, you're beneath my

V' P
oau-to
M M P
chea ru- i -
Mp M
na
^
am-ma-Iia
cor- re,
p
-
P
to
P
da
i
p
vo-i.
P
^
fa-ther of th'in- cau-tious mad-man you are lur - ing to ruin.
t m
"TT-
' ^-fe^ ^'

p r
gno-re, ed in mia ca-sa: ch'io vi la-sci assen - ti - te, pi per voi, che per
ca-sa; pei
roof-tree, and l'm a woman; pray permit me to leave you, foryoursake more than
3
14400
83
(ôinj.0 < rt'turns and seats herself '
if^
"r
P p r P P I
r
me. atto in er-ror voi
Tratfqîn fo - sfe_
ste
mine. ^ You are immers'd in er - ror_
jTP i
TfKt t.
(Qiiai mo-di!) Pu-re_ De' SUO) be-ni_e-gli do -no vuol

(What hearing:!) Martam_ He to youwuldgiveall his pos-
w
w
\^
(gives him a paper)
i t->i Nonio-
' j.U'
so fi -
I
r
i.^
7 p
no-ra_ ri
^c
-fiu-
-fiu - <e-
'ip
I
r
rei.
>
( lookiiiff round)
lookinp
n r p p B
A <utfi_
<utfi
f
^^
miste-ro que-
miste-rfl qu<
^m far- vi.
He liathfciv'n me notliing-; 1 sliould re-fuse. \^^ 1?^ ^
Pur Unito lus-so.

^
fe^ ^y- Tononebutmyselfdoesit
*f
sessions. Rut ali this splendor.
te
P
S
Moderato.
( Gcrniont reads it )
*st'af-fo_ A voi noi si - a.

iat-ter_ but vou shall know it.
=a '^ ri *
l>? * '
l>*^
3= l>oJ
m^
Germont.
fc^ ^
rF
Ciel! clie
P
di- sco-pro!
I Pp j /P4^
D'o-gni vo-sfro_a-ve-re
P i
pp.p^ôr vo- le -f spo-
What a dis-cov-'ry! Then youwould re - lin-quish allyourworldly be -
gliarvi! Ahil pas- sa-

m^^^ E~ft4 >
fo
i
per-c}i,per-cli v'ac-cu
i> B
:?:
-
^ - sa!
f^p
Violetta.
Pi
F
non e
n -
r j)-^-^
fwith ardor)
si-sfe. Or a-moAl-
^
.longings! But, oh sor- row, the pastw ili stili ae-cuse you! The past is eancelPd, I love but
1; 125:
^ p
l'i'iOO

AliPfiTo.
a tempo allarg.
fre-do, e Di - o can-cel - Io col pLii-fi - nu-ii-fo

Alfred, andHpav'nhasblotted out_ my sin \\ ith mj' re
mi - 0! No-bi-Ii sen- sijn-ve-ro! Oh co-nie dol - ce mi suo-nail vo-stro ac-

pen - tance! Ah yes, thy heart is iio-ble! Oh gfntle wordsôwtheysoothemy troubled
m :
% UE
-o- ii
I
"T- r i
"Tj-
Germont. (rising) ^"'^^''^-

Vi,cletta.(risin
^ r r-'^^P
cenlo! Ed a
F
fai
I ry
sen-si un
^'^y-nn^^'T
sa-cri-fi - zio cJiieggo. Ai iio_ fa-
-ir i
J-J'tWy^n
ce-te_ fer-fi-bil
spiriti And from that heart Iwouldask a preat concession. Ah no_ I cannot_ some dreadful
*^ *;
^^^^
1^ t
m -&-
^fep
>> V,
'predo
f\
co- sa chie-de-re-sfc, cer-to_

cer-fo_ il pre-vi-di_ vaf-fe - si_ e - ra le- li - Ce
ce
sa - cri-f ice I see im - pend-inf^, I f'ore-saw it_ I knew it__ ah ine.'we Aêre toc
^m
?
^^ frop-po!
Germont
x p.
^
D'Al-fre - doil
^
H
pa - dre
I
i
^
ft^n*
zfc^
^*<. p-
la sor- f,
F
!t
ifc ^4^^ W-\
l"av-ve - nir do - man-da_pr
hap- py! I charge thee, bear me. Inthyhands I \\ ili lay the fu -ture
i "^ ^
IMOO
^ U^ -o-
# ,
85
V4 Violetta. Germont o AI19 moderato (J =h'i)
gS g g-J^-
Ê^
^due Vm - *>= Si
qui de suoi due fi -gli. Di -gli?
fi di S.
fate of niy two children. Your t\\ o children? Ye.s.
w ^ ^ 1>V
rrs
^
r^
Str.
p
I
^
,
r-
^^fj
? f
t* i ,/
^hJT-f-r^
VP
^ Q>r do/ciss.
Pu
Fair
-
^ tt
cantabile
as a rose in
r-ir
ra sic-co-me_un an
Fa
-
-
fr
g -lo,
ra-dise,
i r
Hea\''iiga\e to me
r
Id - dio midiû-ua
a
,r r^-t^j^
fi
daugh
-
-
^ glia;
ter,
Sffi
g^=3 ;^
^ tH-^-^
se_Al-fre-done - ga rie - de-re
Our tranquildays flow'd bliss-ful-ly
in
like
se
cairn,
-
^
ikkiI-Iu
un-trou-bled
fa -
J2Z
mi
^\ a
-
-

glia,
ter.
ra-matoeamante gio vi- ne cui spo-saandar do - ve - a,,
^S
Loving andlov''dthe niaid en vas, fondest of hopes she cher - ish'd:
'P^tM
m^ P
^mm.
."IO
^^
,
.
k
or siri-cu-saal
ffrff r
vin-co-Io che lie - ti, lie - ti
i
ne ren-de
ffrTr ^^ - va.

Thnuart,a-las,th'uri - hap -py cause that those, thatthosesweet hopeshave per - ish'd.
14400
86
Oi\
i.
ni} ni fr > ir p-prt ir "rfm

Deh non mu-ta-tejn fri - bo-li le ro-se del-l'a - mor, ah non mutateîn
S tu ^^
NeVrwillmy diiughter wed - ded be, while Al fre"! is thj'
-^ ^
thn(ll,neVrwillmydaugiitpr
^rnî-H
I
ffip^ ^ g =j=^
^
^^^^^^^^^^^^^ tri-bo-li le ro-se del-l'a

wed-ded bewhile Al-fred is thj'
- mor,
thrall,
a prie-ghi miei resi-ste-fe
afe - re no no, non
no,
Oh grant a fa-ther's ferventpray'r,andmay a
^
vogliaci vD-stro cor, no, no.
blessing yet up- on thee fall.
iî 3E K.;gj_j' ^ ^^m

^^ t
pp
î iti
'^=^ m
pren-do: do-vr per al - cun tempo da Alfre-do_al-lon-ta-nar - mi; do - lo -
nean-ing iSjthat we should be parted un- til his"sis-ter's marriage; it will
t
EtPt^
^S 1^
5 r~p^ ^v ^ i
Etti tj'rr
^ ra*
pp}>
m
^ u fcÛ
iX li
sr^^ ^?=^
Germont.
\ D-f' accel.
occel. a poco
^
Violetta.
ro - so fo - ra per me_ pur_ Non che chiedo. Cielo!

ci che pi cer -
FF^
grieve me, but if I must- I_ 'Tis nqtthatl^ ask you.Heaven,'nhat morethen
QgtiiE
14400
# -
\\0 Germont.
i a poco -m- -m- L^ Violetta.
ca - te? of-fer-sijas - sa - i! Pur non ba-s(a, Vo-le-te c)ie per

would you? I cannt bear this. That m >re nnfliing-. You do net meanthat
^ a' ^
ffl' g^ a' 3^J^î^î^ ^.^ ^^ '-i^ ^^
n,\
itti
î P V P T
poco
P 'r
J^
5=^^=5=
4 4
7 ^ ^
Germont.
Violetta t{tta forza
fei
|fep
sem-pre_a
\\ p
n
:E^le
-f^
lui
.'iliould ])art
re - nun-zi?
for e\' - er?
p e
'"^

It
d'uo
must
p!
be!
^P A'ii
Ali
noi
no!
r
giani-
ah
w panna Ivnm Vivacissimo. (J. = io8)
^ mai:
r. - 1^
no, mai!
S^SBE^
Non sa
nev er! Ah, you
m
-
o
S V 1
^^ 4+
L2 agitato
5
M'-'i \ M o
e bi i.' i
(1 ^y
7
&fr
pe-te
^P F
qua-leaf- fet-to
lar j^ u
voîm-men-so
l paîr
m'ar-dajn pef-to?
pp /J ^p
che ne a
m
^
vi -
know not ho\\ I love him, how I trea-sure^naupht a-boêhim; neither
M>
-* -L
^
-#
'^r- 1 3=^
m 7 7 33!
/

9^^7 ^ F
7 7
I
7 ^'=P' 7 7
i^
7 7 -7
i
* :^?=2=
m mi-ci, n
p

p
pa -
I
lE^r
P
ren-fi
^P
io
g
non
a ^^^^
con-(o tra' vi - ven- ti?
rt
m
piacere
e che_Al-
^^
father,
p
m w friend or
1*1 7
brotber
^^f^
lives
^ r
to comfort or
)*l
to
7
guide me.
y
\P
__
^^
i^^
but to'
parte
m m
cci^/a
m S: 7 7 ^^=^ 7 ^ I
==^=^ ^=^
1*400
88
dim. Tempo I.
gJPP^ jq^^ i J 7 i r- i 7 7 W
V=p^
fre - fcchetili
do m'ha gi - ra - fo lui tuf - to fro- ve - nV.' Non sa -
^^ love
1
me and pro-tect methere
^
^7 7
tJ
^
is
7 7
none but on
=^
?
7
f
-
J)7 7
ly he!
^ ?^
1 7
Ah, you
^ ^
"V
JTTT^ \ 7 jVt"
jS^.
1 7 7
b#
3
Ê/r ^p^ F^ if=f
E ^^ ^ ^g^t
^
pe-te che col - pi - fa d'a-fro mor-bo_ la mia vi - ta? che gi
know oVr my
^S^
not, life-spriiig dead-ly sick-ne'ss is im - pend- ing; dai - ly,
i>/^
i^^^
-il-* t '7 7 ^==
^Wl
P 7 7 7 j r P
ti:
'^^-y-
^r presso filine
':pTf tq-^^^^^'N
ve -do? Ch'io mi se- pa-ri
p r ...^mh^
:^
daAl-fre-do! Ah il sup-
ÊE
^ w^m w^
il
hour-ly, deiith hovers oVr me: No I can-not jiart from Al - fred!_Wlat you
;m^
w^m
n\.
\
ij^y
r r ^ BJ-ê-^^J^^
*
rr\
^^^^
f
Ancor pi
pli-zio e
ask, ;h
p r
s
what
vivo.
P
spie
j'ou
-
i
ask
r
ta
p
- f o,
my ach-ing
r
il sup
P
- pli -zio_ s
s])ir-it
i
spie- fa -
can - not bear
to,
it,
^ che.
ra_ -
a nio -
ther, ah.
J i^J J^ J i h J ^J h
)
=
Zl^ US if-p-p-
-UT p
U
}o
1J-J^
_w.
UMJJ^ g^ ffi
fflS t
:e^
i^ s :|
a ii=F
rir, a mo - rir pre-fe - ri - ro, SI. mo rir_ pre -
ra - ther than part, oli let me die, ther. ra ther
f nf. P *
i
uni
,
m^ SE!
^^M mm ''W<, tt
^Mtt
11400
r PO mo rir pre - f - ri - r,
far_ ra - ther \et mv die,
>^-î
gâ 4s^
y-^W'
7 ff-
^^^^^^^fe
S1 Am m^ '^fin
f
iîzi
iin
7 7[T
f~7"^7
'
7 ^
^
!^0 Germont. a piacere
O
^
pre- f - ri -
f
r mo - rir!
7 ^r'- 4=^
E gra-vejl
far ra-therlet me die! The sa - cri
M
l ^ 7
w
7,^ I 7
p colla par te
rt^ 7
^P iw
S sa
fiee
- cri
is
-
^
1
fi - ZO;
heav-}',
^
P
^ j T I
i 7
^^
ma
Yet pray,
-]>*
in
^
pur, tran -quii - la u
cairn -ness
- di
list
- fe-mi:
to me.
fausa Iwga
^
i5
'W^ 7 i 7
^
m 7 ^ 7
f7\
^
^
'S ^
r ^M 1 7 ^ 7
S
14400
90 Andante piuttosto mosso (/)= 96)
parlante Violetta.
v^^'i>-i PP^-pp p;pi^' p p^-P i

p p^^fl p,^-fiir j)^B i pp7B
Bella voi sie-fe, e gio-vf-ne-,
e-io-vf-ne-, coi fenipo_ Ali pi non di - <e_v in-ten-do,m'_imTos-
tenipo_ Aipi in-ten-do,m'
Radiant inbeautj' andyouthfulnesssomeother- Nomore, I prayyou. ]Vo other can 1
^s
l^h.
1 /
t>
i y :
m
^
f
^
fc 3EE5
S
i
^^
S(r.pi//..Jt>
:3
Germont.
S
1
^^
si- ni _ lo
CI _ bi-le, Itii
lui cji
so r\
-lo1
a
-i
-mar
wi Tm rrV
vo-gl
-i r*
i -
_ Vi
b. Sia
love onearthjbut Alfred, w ith love un - dy - ing. Be
=1*
^^
f ir "^4* ^î^ j^.^3 S.i3
m ^5d
3
r=ri
ma vo - lu
^
bi - le so
But the hearts of men are
M m r
m w- m
V fl
l
b
-
P-
U-
Pi
1" JvTi.id
3
^ B1^ s ?
Violetta. (confoundeiiD^ Germont. co semplicit
^'^^'ll''^hPipJ
ven -
change -
- te^ l'uom.
T - ble. .
^
G/an
Oh Heav
Di -
-
!
en!
Un di, quando le
The time will come, and
#^ i =â E W m
m i 7 7
^ r>^
S
/
^
-lO
7 7
^^^^ S
fc
ve - ne-ri
S]ieedi-ly,
il
w hen
tem-poâ-vr
ali thy youth-ful
fu
^- ga
beau- ty
- te,
^ fefef
fia
is
>/ ^
-wither'd by ds
f
pre-stojl te-diqâ
' -< >-
-f
r|.*<i.F:-T^
m FP r^ e gE^^
e e f
^
?^
* ir
~
y ^~~v
y^^
*
3^^
^ J ' .ff.
^ *;
^
.
'
ss*^ isf^ Es^ fcsi fcsd
14400
91
rft r '
' Pi^ >^>^ i F.7Mf^
sor-ge-re_ Che sa-rjil-lor? Pen-sa - te! Per voi non a - vran
troj^njr tinip, howwilrt be then? Be-think thee! No years will bring thee

w V
f
^lt*l
^
tj
^
^m m ^sm
/
mV
f-
/
* ^^ ^3:^
^r- ^^r
S
k'v^ . :;
^^=t^
-f 1 i^_B_>-_
k, ve -i
^^''t>'I-r p ^
;^'^
jMtfep4 p ?
p ^ rfefeg
^=?^^"Tf"^
^'
*' fy *: ; *"
bal-sa-mo i pi so - a - vi af - fet - ti, poi - cii dal ciel non

gentle rest, nor ties of hnnit' and kin - dred, \\\t nei -tJicr Hpa\'n nor
1^7 Violetta.
^
^^f^?^f^
K ve-ro!
nii sor-ro\\! oh
feJ:|4=#
tai no - di be-ne - det fi Ah
maj] hath blest the u - nion of thy ^\ay - ^\a^d heart. Oh
H.Oh.f ( I.
^yOC
&g~^^
s^;^^ ve - ro!
S^M^^^^ ^
so r- row!
f
:
diin - qiie, dnn - qne sper-da- si tal so - gno se - dut

har - lior no de lu - sivp dreams, thou canst not thus be
14400
92
0<.
^'\> 7 \hh)x{h\^ 7 i
K \e-ro! ver!
Oli sorrow 'tis trufl dolciss.
!
PPP
r-^r'" -
^^ fo
hap
-
-
re_
py;
sia - tr
but thou canst b e
di mia fa
mv
- mi
chil
-
-
glia
clren's
l'an - gel con - so - la
an - gel,bear-ing's^\eet
fo-re; Vio-let-fa,dt}i pen- sa - te -ci, ne sie-te_intempo_aiicor. E Dio clicJspirajO

comfort; Vio-let-ta,ah,be - thinktliPP\\pll,rPsoIve ere'tis foo late, 'Tis Heav'n it-self that
ri. \'l.
^
mEt i i
T
r uJj i :/'^[_
^ ^ ^ \ ;i :\ =^ ^ *^
Vr p f
gio-vi-ne, Dio cheispi-rajô gio-vi-iie,
p rffr^^^frH^ Diochy-spi-ra tai dettiJumge-ni-
;^
^ s])Paksthro'mp,tisHpa^'n it-self tliatsjpaksthro'jnp,
I*
toturnmy lov'dones',to tummylovdones'
ir\
"^W^
C^'T
S
Violetta, (in
4.~
an
^
ai;(>iiv
ffi
of
?^
t^ri.-f)
^
^^ "
? ^ . ?
io
Co SI ai-la mi se - I ra, chcun di1 nu

ca
^n Ah!
1^ ^=^
crii - p1 m orid, not a hope then is
IMOO
^ ,'V
du
lett me,
ta,
^
di pi ri - sor i;p - re
_fort thv
93
L
^?
^
y,
**?;?** ?*^âU^
nt^^ ^
^=F
1 ^ ^ "J) .y [1 ;^
^
spp ran- z_^ mu ta! Se pur be
words bave be-reft me! Heuv'n seemM to
m^
G e rmont.
^ n^-^Sia-fe di
Ah, be thou of
mia fa
my
n^ ne

fi - TO ledili
i^ B-
f?iIddi
dul-g,-f
g I T ^r
o,
F^=^5
1' 110- modini
3îni-jS1a-
-^
sniile on my foiid as - pi - ra tion but man fr
^m mi ella
^ l'aiigiol coiiso - la -
e*
for, ah,
chi] aren tbe an-êl bear-ing ico fort,
8
-^
ca -
gives
sia
ah
bil
not,
per
und
te
be
lei
I
sa- r, s,
m^
ani lost,ab, j'es,
per lei
I ,
Tan-giol con-so - la - tor,

think, ahbethinktliee well,
sa-r, l'iiomojmpla-ca-bi-le
am l'(ist,nian

isT ini- phi-ca-ble
per
and
lei
I am
sa
l'1400
94
^
'iy'^-
"^
1<lt'r::^L>
"
^
ruomojmpla-ca-bil
ah, man i'or-pivesiiot^:^
per
md
and
^lei
I
sa
am
sia-fe,
sia- te, l'anglol con-so
siaTTe l'angiol
sia-<e con-sb - 1& - <or, sia-(e,
l sia-te
sia- (e, sia -te l'angiol con-so
l'ane-ol con- so - la
ili be thou Olir an-gel,be -tliink thpp\\e]l,ah be thou our an-grel, be-think thee
r!
lost!
Ah!
Ah!
^tiadantin "cantabile..
Di
Saj'
- teal-la
to
m-
tliy
ff]
gio -
iiJJ
vi- ne
daughter dear,
.IJ
s
guard-ed
m
bel-laê
m
aifd
^m pu
chpr
-
-
?
ra,
ish'd,
ytf^r d_,.Mb
I
Kirrt
tr!
well!
=^;
ir\
^^ m Andantin(
EEi
f ^ 5# JJ Ji r^n
^^ Et
<r.
W
^
^^ ^^ F^
^
5^ ir^v:/
s 7 7 ff 7 y tit r: -n^/
* li 1 1 (^
''^'
ÊE
S:
J^
That
ch'av
r 7
#^ W^
*
^ ^
VI u
7
Glie
ff
-
7
Ila
un
7
-
vit - ti -
haj) - jiy
t=t
r-
ma
la
heart
if
^W^M ^wû
del
for

-
LJ
a
la
ber
sven
sve
hath
i=t
i - tu
per
e^^
ra.
ish'd.
S;
CUI
F W
re-stajm
^ T^'.^
ii un - ni - co,
P P P
u - ni -co rg-gi
-rii-c'o
P
.J)J
rae--g-io di
ê
be - ne,
^
One sin-gle hope had she, but one single hope e'er did bless her,
t>i ;
f^=~E
7
ma !=^^=j;
-00-
-f^
r
g f=f ^^P
't'-^X J-'7 7 J^ -^^-v ^ f-
'
7 7 7 7
f-
^^
j^
Sfei che a leiil sa - cri- fi- ca e
che mor - ra, e
mor-
mr- ra, e
mr
mor
that bless - ed ho])e shehath no^^ sa- cri - fie'd, for her sake, for her
^^
( 11..
33:
1M00
J^ 7 7==
J) 7 7 ^ LF
4 --
95
f
0-
^.
r
sakf
sfe:?
l F..f.P|f-^^rL
Germont.
Piangi, pian-pi, piangi, o mi -se - ra, piangi,

Bit-fpr, bit-ter sor- row speaks in thywords,bittPr,
^p -
^
f
piangi,
bitter
r.y^^^
pian-gi.
sor- row speaks
^
Su-pre-mpil
in thy
s î^^ S
tt=i 4 Jr_
m 'T
veg -
f
"^ H Y'^^r Tr
g, supremojl
l
veg - go, il sa - cri

f I
-
'
fi -
>^l^ r
zio,Jl sa-eri-fi
r|Y~>iT
-
f
zio ch'o-ra ti
ac - cents,great is thy an - guish,gTeatthy de - vo - tion,UTeatisthy an - guish,great thy de
chieggo sento nel- l'a - ni-niagi le tue pe - ne co-rag-gio_eJl no - bil tuo cor vince
vo- tion.andwhile I ask theboon.I sorrow f'or beart Heav'nwillnever for-
tliee:tbv iin-ble
?-U^
Violetta.
S Di - tejd -
j^M=^
la gio - vi -ne s liei- la_e
Say io thy daugh ter dear, giiard ed and
^^^
- -
d7n.aUarg.
t fe t^-U^ Ê^
ra, ed
cor vin-ce - ra!
il Ah su - pre-nioîl veg-go.
sakeJTeaVTiwillnever for- sake! Ah, I see thy an-guish,
14400
--
96 0-
fe
pu
cher'
^ 3^
ra,
isti,
ill'av
That
- viji
Olle
^^ - na
un -
vit
hap
-
-
^ti -
pvh eart
ma
./'
dri
fnr
- la
her
sven-
hath
i>\ ^ ^
>^
s,
^
hu -
Lr P|p
pre-mn.il vplcô,
F ^^ ^ hF^rrfn e li sa - eri -
fi -zio che o - ra
ff ,.
^
ti
great ib thy ife - \otioii while I a^k the boon,oh believe that I
Oh.
tu
per_^
-
- ..^ i
ra,
A ; One
CUI re
sin -
stajui u
gle hope
- ni-en,
had she, but
lin u -ni
oiie sin
-
-
co rapiîo
glehope e'er
f
di
did
De - ne, che^ leijl sa cri -fi - ca e etie mor - ra, e m'or-ra, e ntor-
bless her, that bless - ed hqpeshehathnowsa-cri - fic'dfor her sake,for her
m\ f, m
gi
-
S'HMf^
le tue pe
Wtj ne, rio, e il
co-ra^'-i,'-io,eJl no-bi - le corvin-ce-
corvin-ce-
to see_ thy an guish, thy noble heart Heaven will nev-er for-
( 'h.
E^^
\
i FF=?=
m. [m
* *
rui
f
1
^ÛT
1
^Jj .^j
U i
LI
^^ U f
li
f
I
^yV^^ TP
?^
-
' 'fj.
-7
i T _ S
ra lei il sa - cri fi-cae mor-
^ now
sake, |hat_ hope is sa^^ -^_ crific'd for
^:;f^j^y.ivr=^
r! pian^n, pianf^n, pian.ifij) mi - se -
n\
co-rafi'-giqêjl
ra!
no - bi - le cor vince
sake! Bitter, bitter sorrow's in thv wordsMhy no - ble heart Heavnwillnever for
t 1 :ff"
"
l^'JOO
. -
r;i, a li'i il sa - eri - fi - ca e mor -
her, itliat
9*" hope now is sa,-,--. > ^
crjj^^ficU for
^m ffjf ra pian.iî,
sake! Bitter,
pian^n,
bit -ter
\
j f
piaii.i^n'.o
sorrou^
Tir
mi
in
- se - ra!
I
r r^r
co-rai;-g-i(ijyi no - bi - le
thv words! thy no - ble
cor vince
3
heartHeavnwill never for-

1 c?c7:.r^ f
'
uz
ra,
her that blessed liope, '.
ihat blessed. _hop,thatblest hope.^-^ .is sa-crific'd for her
5^^ ^m '
F p
l
r ^ '
^^ ^ ^W\n TT
^
ra, co-rag Ko, ejl no-bil vin-ce-r, ah s, il
cor no -bil cor viii-ce-
sake; havecour age, thy no-ble heart, no,thyheart,no,thyheartHeav'nneverwill for-
=SB:
^m1=1 iri:
*^
^ S^
- -
aac ai ^ ^^^^-
I
-^^-^
r\
o Sostenuto.
&
ri,
irrfi^ 7 -
ra. Ini -p - ne -te. N<il crede
^^
sake.
ra.
O
^ Xowcommand me
g H
Non a-marlo
?
Tellhimthatyou lovehimnot.
l
M*
di-te-g-li.
He'd not be -
m^n r ^
m
sake.
Sostenuto.
v ii E^ ^^m i i
H^'
* #*
i^
^>/> Str. pi.
^^^^^^p ^ 7^ 7 t m
?1l7
-î^^
/>
i"T^
a^
tefe ra.
3^g^ te
Se-.t,''ui-ranuni.
- ' ^^'
Qual
h\
ie\'eme. Hewould follow. Em-
m i r'T ^
'g
I
Par- ti -te-
^^T Al - lor-
M^
m
Then leavehim Then try-
#^^ >^J ^
bv * *
^^ m, h7^
o
i
^^ ftf
^ :^
/ J.-^lIff
TiTT? f
^ 1?
^^1^,
m^
1
b
1

i?4no
98 0!>^ ,
"'
r^'^^/^
Allegro.
'
(.=138)
*%
a
fi-glia,qual
%
\
fi-glia m'abbrac-cia-te.
s ^ / l
^^^
rJii't.-i n'^
For-te co - s sa
i
^ ^
-
^
jr?
rb
Ohey embrace.)
mF
Tra
brace me, em-brace me as 30iir daughter-
f^
_Q_
^
o
for
w
Iwouldnowbe
m
fT^T^ ^
strong.
stroi
^ ^_He
I
m m
m -- -o- spg
tf^ rjz
bre
^^
ve ei VI fia re *
J
SO,
'''p
nuijif
I
- flit
r- ^
toj)l-trej)
^
gli!
^
:fcS
soon
i^
sbill be_

re - stor'd
J Jp^^r^
toyou,
t
ff
bis heart \\ill
ms^^J'
break, I
* m m' .j ''
m
^^
j j* j*j*i '
i/f
f=^
^ ^ ffi
^^
W ^ 0\ln
- re A suo con - for-io
for-to
(Pointing to the garden.)
di vo-le
co - l vo - le re-te.
(Violetta is about towrite.)
di -
fearme; a-wait him yonder, to comfort bimbe ready.
Germont Violetta.
y% - < T
Che
p ri
pen -sa -
f4Mpi.B
te^Sa -
p
pen-doI,v'op-po
pen-(oI,v'op-po
p
-re
- re
I
r
-
^^'-
ste
J^J-
al pen -
^
sier
Tour in - ten-tion?I knowyouwoul dop -pose me if that I
i'4nn

99
M
'1,\6
mT -r^ i
VOI
'.?
che far
i
pos - s'i
m Lo
oV che far pos - s'i 0.' g -ne -
I
fi^ iji^ tali

re-pay thy fiood
'^.
ness?
.

how can
g5; g .
I
^ ev er re-pay thy
Mor
No
M '
1 F i
r i i^ I I ! I li TV I
'
'
i I I
'
I I I
I ! I
'
l.^ i
. -. - . -L
i
'
!
'
i li ^
ro!
need!
mor
'tis
-ro!
death a-lone can give
hi mia 1 -mo
riie -ri
me
- a
rest, but
non fi
ah!
- a chei
do not
ma -le
let him curse me,
- di - ca, se
but
[y^ - < - -

rrTT Wf ff f
S PP ?trj, r.
d m
pi//. I
11 1* 11 11
morendo
f
~0
"1.& Fat^.sustaiii
^

-
^;^=ê
i
i
d ^
Germont
p y
P
iriA ?*=*= SSSESE:
^
v^ ^'
le
^ ^

mie peneor
let his
Deneor--
tender
l^r
^=^ w
ri
me
li TI
-
-
bi-li
bi-
mo-ry

vi
en-shrinemynameun
^m ^M
sia chjjilmen gli
** ff
-
di
hap
IT
-
i
ca.
py.
^
No, g -ne -ro - sa.
No, noble heart,thou

TT
^=U
00

i

m
^9-
^2= m \zzi
=5=^
ftrjr^-pif
- &.
f.,P |
fr r
r f . m%
vi -ve -re e lie - fa voi do - vre -te. Mer-c di queste la - grimedal
yet shalt live, shalt live and_yet be hap - pj', thy bitter tears,thy sa - crifice in
00 '
li i l
-_
^ ^ \
-00 0- 0-
^
14400
#
100
vwlta passione
^^ Violetia
'^2!'''"'^^^'^'^' '^"^
m m
eie - lo
Hf'uv -
un giornoa
en shall be re -
-
at=
vre - te!*''
,1'-^
\\ard -ed!
do -
(ô
May he
^
noscijjl sa
be sparli the
^
-cri -fi -
an-truish
"^m
zio ch'io
tliat
con-su-niai da
rends nivsoul tor-
^^
r:\
I
i i
FI.
r
4 <)h.
animando
tiiz*
m ^m
^ # i i i \ii ii m~t IMI^ ^ =i
^ :
^ :t i ^
mo - re,
t-e, che
ciie sa-r suo fin lui - ti - nio so - spi - ro del mio
ment - ed, but may he knnw, for him a - ione I breath'd my lat - est
^m ii3;
^ ^. ^ :: ^ t:. ^t: ^f^
il rr '
k k'
^ .
i
:
^
'y-i'i.i i i i i i
* i i
0-,U / s-o r""'i
, zy-l
:^
cor.
Germont. creso
H
sig-h.
>:, ! , ,T^f
Premiatogli sa -cri
f f f
-
|
f
fi -zio
^r^;r
sa-r del vostroji
r^ i
-
T p p
mo-re,d"un o -pra co-si
My
No, no, thou shalt not languish,thydaj's shall glide con - tent-ed,the ef-fort of thy
^
1
i^=^ j'H d j ^^^

-

^ m p P~
'tfT
f<t-
^
-0
1
# m
c6i; passione
i^ ^ ^ :^
|2=
P y
Co - no - sc;m1 sa - cri - fi - - zio ch'io
a- T'
/.
no-bi -
M
le sa -
p
re
^
- tefienuillor. s.
^ ^lay
s, si,
he bespar'd the an
'P
sa -re
-
Mfie-ra,- te
guish that

f'
genVousdeedshallcht'erthj'latestsigh,:diyesyes, thoushalt not languish.
Fl.Ob.&c I.
t ^ -^
4 i it=f ? ^f=f^
sempre pi ammanao r^
^
=Ez:
w f=
i ^ Wl^ Str.arrojS:

i z^
miii)
<=.'^
/l
101
con -su- mai d'a - mo 'e, fhe sa-r suo

V
fin
ur lui
'g
ti - mo so
rends my soul tor - ment ed, but mayheknow, for liiin a - Ione
^
I
^ i
P
fierajilior,
pr ^
i
rTp.r h^"
dun' o - pra t-o - s no
^'^
hi - le sa-
m ef-fort of gen
neer despai r, this thy 'rous heart shall
^^^ ^^ m m i ^n^ ^
2=^
^^^^^^P^P i^ :y
t .o
'ITI
^ ^
^ spi
P
rn
r
del
r
r
mio
i
r
cor,
^
^ ^
che
r
sa
F w ra
^
-
brt-athd my lat - est sigh, ah inay_ .he
m re -
te fie - raal - lor;
r^nr^M
premia-tQjl sa- cri - fi - zio,
ff-iM ?
: ; t'
pre-mia-tqjl
sa -cri
^
cheer thy lat - est sigh; ah no,thou shalt not laii - guish,thy daysshall glide con-
"Ô
rr 7
m^ ^=t=tF
^
su -
ff <
f tin lui - li - mo so - spir, e
ir,i,
kilow,
r
fi
F
- zio
tent-ed,this
^
sa -
1
^
r del vo-stro
ef-fort of thy
^ ^ ---Jor him was
cor,
gen
my lat
ah
'rous
- est sigh.
heart
s'i,
U>
d'un' o - pra co -s
shall cheer thv lat-est
n
ah,
Lj
1 i . 1.
J i' J i'
t
*
$ **^
pp
J^
r 'li u.
ijir^mwnw^
h^
ra suo fin l'ul
liil - ti-mo so -spi
- ^pi - ro, so I
he kjiow, Xor him\vasmy lat - est sigh, for him_
gyj^F=qttJg^Fr i r r^rrtf
no - bil,d'un' o -pra co-s no-bil sa- re -te fie - r;ial - ife
lr, d\in'
m ^
sigh, itbhallcheerthylatest sigh,yes,this ef - fort of tliv gen
-^ J ) 7 ^ . 7 K
j }'j\j i
r=t p ^
^-JhA JUUf^
14400 Jo
'
'JO
14400
-
gS
for
ev
(They emhr&ce/ dolce
:^
- se.
- er.
Sia
May
- te
yvc^n
fle
be
- li
r
liap
-
W s
7
ce.
- \)y.
/
^
vg
Ad
Fare
-
-
^
di-o.
well.
(They make fowards
-
L
Jj
,
diffcrent
doors.)
uierniom
(Gerniont
y.thedoor.
103
^
^ i 7 P I
LJ / ^
S^ f^^
Sia - te f - li - ce. Ad - di-o.
Miiy you be bap - py. Fare - well.
T^=^
? Ê^ i ^H=^
M
'
2 (>'7
Str. pi//
hv i-
pausa
.
P
7< -
i
^f^ ^ f-r^-
^ -^~^~T
O
firj r"Mr
Co
.0
May
- Mosc.Vjl
riesca il
he
sa -cri
-
be spar'd the
cri - -zio
fi - zio
an-guish
r ^^ che
tbat rends
coii-su-mai
coi
my soul
d'a
ter
-
-
=^
nio
nient
-
-
re,
ed,
3E
p ^ t^
Si Si,
Nay,
b"
f
.vt- i^ ^r^=^
5^
gjg^ 5^ =^^=^
^. '-tn
(tears chokc her words.)
(weepinR.)
^ ri?p-g
:?a-r suo
" n^ lui
^ ti-nio Ad -di - o!
^33 ^ ^
ciie fin - f - li - ce sia - te. ad-
butmayheknowjfor him a-lone Ah, leaveme! Mayyou be hap-py, ah
m rr.^M'^'^^^>
Ad -di-o! f - li -ce sia -te, ad
r\ Fare--well! Maj' you be hap-py, ah
^ t
^ .o.
;1-
/O.
i^
/O
^ di -
-o-
o!
fa^-e you \\ell!

(Exit by the garden-door.)
m di
i
-
_Q_
o!
fare you well!
Tutti.O L
14400
-
104
\-^
NO 9.
N'' 9. "Dammi
'
tu forza, o cielo.,,
Recitative.
Violetta.
Adairio. (seats herself and writes.)
Vo ice. k(T 3'^. r p^;m

Dam-mi tu for - z;up eie - lo
Heavngrant hip strenpthto bear it!
Piano.
^ Adap'io. (-(i^)
^^S
^^ S f :;' i*
^^m
(shf rings the beli.) Annina. AllPi^ro. Violetta.
Annina
(seeslhe addiess, (Exit Annina.)
surprised.) Violetta.
il "
'^'
^ ^ U''^^ \
''V ' l
^'
J^ ^ .'-i' I
J' i' i
re -ca tu stessa que-sto fo-glio Oh! Si - leiizio va^l-l'i - stan-te.
tliis note must be at once de - liver'd. Oh! Hush, silenee, g'o this moment.
'^
(seats herself again to write.)
Adas'io
ji=^^
^ r rr \f :tt ^ I* y*
pr^ i^-?
? ??r<
Ed or si scrivaji lu-i- Ctie glidi-r?- chi mendarajl
coraggio?
Now for the hardest tri-ai. .^'hatshalll say? \\ bere fi nd the wordsto teli him!
^&
sJ^
r
^
^ ;l ^
4
^
^
^ r
*t =S^?t
r r
* y
'*^
(%\T(es and seals the letter.)
^
^"V
r4r-^
EJ2=a
:^^^=^
'/r
==?:
'
i
'/^
. J 1
,. *
^ *
a i
7
;
u:r" lM
3
_ f _ 4-
^
14400
> ?^ ^ '
g ^^^V > 'y
^
^'y 'y^ r '
^ ff7 K ^
. .
105
Allegro. Violetta (hiditif; hcr lett.T.) (^^"'i ^-mbarrassment.)
,u
m Nul
Vul - la.
3E p
SI -
^
^P
no-
vi
:'^
Enter Alfred.
îg C}ie fai?

=r==r
Noth- ing.
fW^
Seri - ve - vi?
yes no-
)iial tiir-ba -
What dnst tliou? A let - ter Whythis con -
Allei^ro.(*;rjo)
y j-'^ '
fe^ 3=E5=^j3=3 :
S^
? men
fu -
- to!
Sion?
-^'y^
^
a chi
Towhomwertwrit
seri -ve -
-
vi?
ine;?
-^^
A
To
te.
thee.
^^ j) }J} ^ t
Dammi quel fo-glio
Givemethelet-ter.
No, per
Notat
^1^ g#=&^ **^'y

cresi-
.!^- _
Pl^gl:^ W1^^ :
i- -i- - b* *- -i- *- -- -'- -- -0- -- --d
m^&
S
(risinR.)
c r-
7-
t* ^ Pl^'
Z-*
- ra. Che
j
A 1
present. Ah
* =zz;
m per -do -
p
na, senio
.-/P
p- P
cu - pa
r
preoc -
p
to.
1
Ltt it be, then,mymindsdisturb'dand anx ious.
fu?
^vhy?
r P
Giun - se mio
Here carne my
F I r
Lo ve -de-sti?
You bave seen bini?
pa - dre
fa -
;,
ther -
-
V j
Et
tj'-ip
Ali
not
no:
yet;
' ^p p F
se-ve-ro
beleftfor
I
r' p ^'tt
scrit-to
me
^
mi
an an-gry
la-
106
Allegro assai mdsso. coirli:;)
Violetta (with aKitation.)
^(
sciava!
^pîfffir ?^/ r-îr
pe-r lat - ten-do, t'a-me - r
r-M e
in ve
i
-
r ^ r~:r^^
der - ti. Ch'ei qui non mi sor-
m
let-ter! I now a - \vait hhn hewill love,wlien he sees thee. No, no,hemustnot
i j>J' 7 -
I
(I*
^M '^ 7 -
a tempo
^
prenda,
renda, lascia che m'al-lon
nial-lon - ta -ni,- tu la cai - ma.- Ai piedi suoi mi get-te
eet-te
me
m
findme, let g;o hence, I prayyou; youwill soothehim, and I will fall beforehis
s
^ M^ f ^^ ^ff
^
a tempo
a ^ (seari-ely repressing her tears.)

i^ ? =^p
PpPP I
f'.
^rP^f,^ ^rF^ f F P P
ro- di-vi-si_ei pi non ne vor - ra, sareni f - li - ci, sa -reni fa
feet, he w ili net ask of US to part, andblissful mo - ments shall yet be
zzi zi
li -
i-A
perch
ci,
ours^_ because
rp
f tu
I Pp^pF
m'ami, tu mami.
you, !oveniP,youloveme,
^ Al
oh
- f re -
Al -
do,
fred,
tu
you
m'a
love
- mi
me,
^3 non e
sayyou
Alfred.
3SEE i r l' p^ p f pvM 'p^ p p^^?^

ve-ro".' tu ma -mi'.' Al - fredo, tu m'ami. Al - frodo, none ve - ro? Oh
loveme, you love me? oh Alfred, youloveme, oh Alfred, sayj-ouloveme? I
tff f tj
J ii'flf'P f
14400
y.jf .f.i^
^ %M
- ' ^
107
_t
5i^
quali to! Per che
die pian - g/
love thee! Why thus weej) - infr'-''
<1.4 Fa<.
^ "W
J ^^^ V
tn^
Violetta.
^^ 4^
-i5>- ^Jm- te
i JO. J)
Di la - - gli - me a - ve - a duo-po- or soii traii-
My heart has iieed oftears to (.-alni it, I fan Ije
h' ^ ti'
m :iJ g ^m^
S h t^f ff
f
P P i^
^jds:^
r
'
Itr
:J:'ci>
i
r ^
:b^:
^
'
^^
cJî g
i Êff^
/'/^
Jzttf-Mi
Mi i
^f=^
^
(niaking
?^f
quii - la,
i 7 Jm
lo
r
ve - i
^r
di?
^^^^
ti sor - ri - do. lo
caini no\\': 'Tis - ver, I ani sniil - iny;, 'tis
^\
-P
h
-
\
F
-
n
itt
r
^ ff ir
gft , r ;s m
=k=?:
0
,d.i Uir.rt
g
^^^ If k*f "gg ':*1
I^lff
ili t:r
f*
^
an rffort ,)
:^r
ve - di?
> p F
or son tran- quii
p I T
-
r
la.
<
ti
r'piT
sor -
t.
ri
^^
- do. Sa ro
- ver, I can be cairn now I ani smil - ing. ni be
^
1
la.
there.
tra
'moii^'st
quei
tlii'
fior,
flowrs,
piessoji
nearwhen
te
J'OU
14100
los
ice: ~rr-
$ ^^m sem - pre, seni -

$
pre, seni - pre pres - soji te._
cali me, al - \\'ays, al - \\aysnt'ar to tliee
immm
is'(in
.
109
N9 10. '"Di Provenza il mar, il suol.,,
Recit. and Aria.

Andante. (.seats hinist'lf and opens
m
Alfred. a book)
C *
i*: t^
Vo i e e 1^
P
Ah, vi -VP quel t'o - re
sol
^ m *!
al-la - mor mi- o!

Oh.preciousheart, I know it, indeed thou lovst mei
( J = 80)
r TTT
feSE
w
-&-
^ n^^
Piano.
^P3E
( looks at the eloe
>M^
p PPP,^
I
##
^ P*-^-
i
rvMJ^^^^^P^P }i
p
-#-7
ppiri'
E tar-di! ed og-jî for-se pi non ver-ra mio padre.
Sotardy!may-be my father will not come ere taraorr^^\^
f^TT^ ^m ^Tf
V
i I
%
J i -
S i?
^^
|g|
g O,
Allegro. (J=i04) Joseph, (eiiters hastily)
^ Y-n\ 'JmJU-=^
^^
La si-gno-rapar- ti - ta,
madame has de-parted,
;^ ^^Jî^
Sir,
tF-
^^g M
E^ ^S ^ ^^
t^ P
she'd
p
lat- ten-de
lat-
r
-
a coacli read-y
P
vaun ca
T"^T -
wait
les -
-
se,
ing.
''
M
e
shesbythis
sul-la
p
r
vi -
time far
p p
a tria
jiî
up-on
p
cor-re
p
tiie
p
di
way
p
Pa
Pa
to
, Alfred.
^^=^
ri -
r
g
eri:
^
p p
An-ni-na
M r
pu -
p
re
P p
pri-ma
p
di
P
lei
P
spa-
spa -
I
p
ri va.
-
^^ ^
p ^
Il
^^
so, ti1
Pa - ris, An-ni-na, too. di s -

->
a ppear'd be-fore her
It
mis-tress. I know, be
14400
110
Joseph. rexit) Alfred.
câl - ma. ( The vuol dir 'cib?) Va for - si' do-j^ni a -ve - r*- ad af-fret-tar la
tran-quii! (What can this mean?jXo doubt, of her be-long-iiiRs she's goiie to make the
r i' j 7j' j.
per- di - ta,nia An-ni
ba-cri-fice, but that
i
fn. ^
r
An-ni
iia lo
-
im-pe -di
na will pre-vent.
,
-
P
enermont
r.
is seen nt a di.stanee, orossing- the gar.
A Commissionaire. Commis-
den) (about to p door)
oTit) fât tht,' -0- Alfred. ^^
Mp !^S^1^
fc
p p F
îp (T^T rM--'7? ? [
I
r^^
^
Qualeu-no nelîar- di-no.Chi_ la''
- Il si-^'-nor Germont? Son i- o. U- na
There's some one in the g-at-den.Who'sthere? Is't Monsieur Germont? I ambe. I ve a
S CHe gives a li'tfpr to Alfred, reeeives

sionaire.
-# money irom
from ni
him and exit)
S
^ /Âlfred.
da-ma dajiii-oofchio, per voi, di

r^f^^?. ?
qua non lunê, mi die- de questo scrit-to.
i
??p ;r^^^Ft^ Di Vio-

note that a la-dy just now baderne de- liv- er with-out de-lay to you, Sin FromVio-
^&
^ ^=ff
rs
Andante (J = SO)
j!_. fi |ii- Jtji.''. jij.^ :> j j>

f^
f ^. | i
Per-ch son io eom-mos-so? A rat;H-'iu'i-f-'''''-la for-se_el-la m'in-

Whydoesthis notedis-turb me? She in-vites me, nodoubt, to meet her
11100
m
Ili
^ Jl l
- i y h t t 7 ^1=^^
J^'
vi- ta.
J^'
Io
I
tre -
^
nio! Oh
ih eiPl
cifV. co-
Oh no
^^
yoii- der. I treni- ble! heav'n!
'
^ jzs
t
- *
f
^ P Allegro/o = inn>
(opens the letter) 0> !>^' 'Turns and finds
$ ^f^ L'io!
rafc-g'io! ''Al-fre-do, al iciun-iêr-vi di
i que - sto
stc
1^
fo-glio.
(a crv)
^^^
\veakness!"\VhenvAlfred,you will rereivethese lines,ve're sunder'd!" L^
\>S- ^ >& ^ P&-

[>*^S^*..
^ T v^ I^T^
tzzz:
^ ^
'H r THi'r r ^p T'i
p
r'
f i
sof- fri! Oh ter-fcijl pian- to, ri- tor - na di tuo pa - dre or - fjo- g^lio e
com -fort! Ah,ceasefroni weep- ine:, re - turn un-to thy fa - ther, his prideand his
i^^^^^^Pl I^'1pp?>M
wt
^
y- i
Andantp piuttosto mosso.cJz: O')
n van
sol
iTi-
- to.
- are!
r\
^ ^
(Alfred seats himself by the table in des-
pair, his faee buried in his hands)
FI. Pier. Oh.
k^k
4 CI.
t ^=^ =^
^ ^te
'm:*
^ /O
b" e - iiili )
^m
11400
'-
'^CpJ'^^ g ^
/o
^ riii m^
P
Ila
dolce
^s ^ ? n'f ;
Di Pro-ven-zajl mar,
i\^îl suol fhi dal
V ^ aliar.
allarK, ^ Hath thyliome in fairProvence from thy
B^
ir- .
-=. V- .
^ "-i e i ss 5::
tOfff
^^^pffl p ^^ f i ^
1
inarcate

morencuj
r-^T r
fr^r^ :
^=^F^
^
m
V' A>, ^'
cor fi
*
r^ r^
can-i'cl-l? ohi dal cor ti

:?i ^^ =^=?=
oan-oel-l di Pro-ven-za il mar, il siiol?
suo Al na-
heartthen pass'd away, hath it quite thenpassd awav,thyblest home in fair rovence?Doth no
?r
i>/L
g ? IM^L^ Ite
-f^

t^ )>l^[> 7
I
I
m CS g
^n'iK ;7 ^ j^ 7 ^ >^
dolce marcate
;jLiii>, î^
tio
F M M ^T
ful-ên-te sol qualde-sfi - no
r |
P Ffr ?l ^
fu-r? Qual de-sti - no
ti
li
i
ti
^
fu-r al na-
Mr7?
me-rao-rv enfranre, of thy rliild-hood's happvday? Of thy rhild-hood's happy day doth no
m t^:^
i p m TW%
'>H\\ J'7 i
^ a^ j 1 i >< :
:s:^
pur nel duol ch'i - vi s'io-jaa te i,

Oh r;fm-n(pn-ta
fulirente &'ol?r;im-mp
sol?
^.
bri -lo,
p
e
g^
che
tio fulf,''ente
niemoryenfrancePToil andsorrowhast thouhorneSincethoustleft its f]owrystrand,Comeand
Uind
^ ^:^
pa-ce
rest
^
dolce
co - la sol su tet
p^ Oiî
splende HMincor pu, e che pa - ce
^
co - la sol su te
P
thyheart forlorn In thy sun-ny na-tiveland,Come and rest thyheart for-lorn in thy
cow espress,
f
^
"
IM^M^
iiton
m ' ^
splendere ancor pu. Dio mi .ii-iii-do! Dio mi f,'-iii-rIo! Dio mi j,'-ui-dol
suiinynative land- Heavncallsthep home, Heavnspeaksfhromp,andcallstlieehoine! Fi.Prc.
m ^m^ ^

F^ #-
7
ih
n\
7 3î
''H \\
^
J'^^ ^
^ J'^'
^ I
J'iCTj''V'N i
^^
o.
^
AJl tuo
^ . ^ aliars:.
\\'e have
^v^^fMf i 'f ^Pfff^^^^
a ^
morendo
^m - /" .^^^^
dolcsf;. >j..
1' .
I
.
i
~^
p T p *
//iitiL'
^
^^ ,
s n=^
_^^^^^^ 'tifi
wr^^
vecchio ^'e-ni-tor tu non sai quan-to sof-fri, fu non sai quan-to sof-fr il tuo
^m m m^
waited thy return Til our hearts have wearied sore,tillour hearts havewearied sore
1 we have
p^'^ -
^n"i^ j^7 ) ^F=T=t= i^ 1 ^ i
vecchio {j-e-ni-tor! Te 1
lon-fa-no, di squ;il-lor il suo tet-to si co-pr'i, il suo
wait-ed thy re-turn! Shall thy gentle sis-termourn, Shall thy sire in vain iraplore, shall thy
I ^
^î
M>
m^ ^

^^
ww -
par
EftEEi
i9 - i
1 - -I z
tet-to si co-pr, di squal-lo-re,di squal-Ior.

squal-for. Masf
Ala sjil-fin ti trovoj)n-cor,SQîn me
sire in vain implore, shall thy ^;en{l e sis-te r mourn? Ali for-got shal! be oiir tears If thou
i
l / k r"i I II 'I l r7~ f }
î'<k
\
14100
J'^ '
^
con esvress.
spi'-nic rmn fal-ll, se la vo - ce del- lo - nor in tiâp-pennonam-mu-t, ma seal-

iiowwilt beoiirown,Come andsharetliebliss-fiil ypars,Letour lo\-e for ali a-toiie, come and
fin ti tro-vo_an-cor, sejn me ape-me non fai- Ti, Dio me - sau - d'i,
bhare thebliss-fiil years, let our love for ali a-tone. Heavn callb thce home,
n 32=
T=f=TTT*l
TTT'-'UJ
rî
^b'ik ^-
co;
^^F^
i
forza
S tE
^ ^
J-J-4 fcs^li
me-
#^^
Dio
Heavn speaks
1' i^
.
,<
san -d,
thro' me and
jL)ju>/)
Dio
rrt//.
me-
/T>
san -d,
calls ttiee home.
Dio
Havn
me- san- d,
calls thee home,
ma,
ay,
^
dim. ed aliarg.
^H
'^ttt
ma,seal-fin fi
P
e'
1^
trovoân-cor, ti
g ^
tro-vojin-eor, Dio
? ir,;,
m'e-sau-d, Dio me- san-
'
; f=M ^
^ Hea-vencallstheehome,myson,HeavTi calls flieehome Heavncalls thee home, HeavTi calls thee
^ Allegro. (J = iss )
Germont 'rousing .Alfred)
X ri -
SEEE^
spon-di
^
dnn pa-dreal
^m - laf-
Oh my son, say a word to thy
col canto
11400 Vi or ondo
^
115
Alfred.
jyppî
Germont.
p
frcpiilsing his father)
p-
? \i
m
^
vo - ran-nii
B f
I^t-Zo;
> i
p
Mi a -scia - f<'! La
raf<e and grief ile - vour me; Fa - ther, leave me! Have
^1 ^-^
\'y
i y^jy i
injy E
i* i i
^^^
p
/
-^ E
m * usiiiry^ ^
tmM -î #
m^^
s" ^
sciar - ti!
i!
pa -tience!
Liirpjri
i/i'ii i
Alfred, (resolved
(Oh ven-dct - ta!)

i^TT'.,:*
(J'il have ven-geance!) Wait
r
Non pi in
r.^
no
f
Germont.
'>.-f^ P
-
i
1
lon
T;
du
-
-
?
j.
ger,
^
par-fia
lets has
-
-
nio,
ten,

taf.
re
^m K
mj if- i.-
P
3
WW g
r-krr^
ff^'"
^m
Alfred. Germont.
m fret -
turn
w^
ta.*^
\ve.
(Ah, fu
( It was
i
Douphol!)
Douptiol!)
^^^g^
Ma
My
-
^
scoi
son,

ti
dosi
tu?
hear?
*"
Alfred.
m^^
No!
Xo.
fo vH
14400
7-^' rP^
No,nnn u
Iwill
P
iiot
^
h:
'i0
^ ?
rim-pro-veri, co-priam db-blio_il pas-sa-to;
- (Irai
7 r' ^ |
la-mor che mha ,icui-

Marne thee, oh my son,Thepast hence-forthbe bu-ried,Tooloiigthouherehast
r f^^ < ^ ^'
i^
da - fo sa tut - to per-do_nar. Vie-nij tuoi ca-rijn giu-K-lo con me ri-ve-djjin-

tar - ried,Ohrome andmakeusblest. Such love as ourscan wake a-g-ainThy youths unclouded
^ co-ra,
^M^^
a
?==?=
ehi pe- ro
^
fi - no - ra
^ 0!
tal pio-ja
</m. aliarg.
m
a=
non ne-j,Mr.
f y ff
?=
In
s
pa-dre_ed u - na
^ ^
m splendor,
*
Mid spir-its true a nd ten -der, Re-turn and be
? **
=^=F
i9=^, m
at
coua parti
'
rest.
Ifl
Thy fa - therspray'rde-
suo - ra t'kf- fret-taâ con- so - la - re, un pa-dre_ed u - na suo- ra t'af-fret - tâ conso-
ny
^fM
not,Thy honieandfriends oh fly not,Thj' fa-ther'sprayr de- ny not, Oh come and beat
T
f?-
^ ?
- -7 m% f
*/ -
^^ Mi
I I i
^
Kl/itOO
i^ 4 44
O L dolct'ss.
lar. No; non ii - (Irai rim - pro-ve-ri, co-priam do-hlioil pas-sa-to: la - ninr sa
rest. I will not blame thee, oh myson,The past heiice-forth be bu-ried;Th }iome, oh
t i: e
tut - to, sa tut-to per-do- nar. Hipa-dreed u- na suIcTT ra taf- frct - taa con- so-
fly-not, Re-turnandmake usblest. Thvfa-tliers prayVde- ny not, T hyhome and^friends.oh
la - re, tf-fret- ta, t'af-fret-ta a con - so -lar, ah s'i, taf-frot-taj) con-so-

fly not, oh fly not, oh fly not, but be at rest, oh come,myson, and be at
'
lar, vie-ni, taf-fret-taa eon-so-lar! Mil-ie
rest, oh come,my son,and be Oh dis-
^^
at rest!
tpr^PUP*K>Wf>
^
i^^ 1^
f^^p
^
/i
lEg
l
^^^^ i E
U. ' 4. ^^^ 4,
^T ;^ f^lVl^f*^^**f;
f^'ino
118 Germont.
^^ scr-pi
traction!
m
di -
what
vn
for-
- raii-mi il
ments levourme!
p*'t-fo!
m t^
n-
r
-
Ma-sc-ol-ti
m
\
tu''
Mv'soii, dosttiear?
^
S
Germont.
Thy
?e
F '
lnpa-dr(j_ed
f
''
u - na
fa-lher'sprayVde
r
^' r
-
^
,r
suo
iiv
-
?
^
*= feg^
ra t'af-fret-fa a con - so-
not,Thy homeandfriend's oh
la - re, ifn pa-drcj'd u - na suo - ra

^
taf-fret-taji con-so- lar. Xo, non u - drai rim-
fly not,Thy fa-thersprayV de - ny nof, Oh come and he at rest. I will not hlaine tliee,
pro-^^-ri, co-pria m do-hl io il pas-sa-to, l;i - mnr sa tut- fo, sa tut -to per - do-
oh myson,Thepasthenre-frth he buried,'rhyhome, oh fly not,Returnandmake us
i> colla parte
140()
nar. Un padreêd u - na suo - ra taf- fn't-ta_a con - so- la T n',t;if-frd-ta, t'af-
blest. Thy fa-thers prayr de- ny not,Tliy home and friends oh fly not,oh fly not, oli
vie-ni, taf-frft-taji con-so-lar, un padre ed u - na suo ra, s, t'af-
ohrome,Tny soii,aii<l he at rest. Thy fa - thers prayVde- ny _ thoiinot,my
fret - fa, ah s, taf - fret - ta, ah s, taf- fret tnjicon - so

son, come and he at rest, come, and be at rest, and be at
t fhf t t
jfefeia-M-4-
'
tSM %mm^_ ^triîffh

14400
^
120
lar,
rest;
l ivi'ui
un
thy
pa-dre
fa -
nd
r.
thers pray^r
ff
u -
hf
na
de -
suo
ny^
r
ra,
thou not,
f
s,
^
taf
my
* *
frpt - fa, ah s, taf - fret - ta, ah s, taf- fret taa con - so

son, come, and be at rest, come. and be at rest, and be at
g ^ g g g g
') 1
-
1. ^7 p p f
Alfred (rousing himself, sees the lett^wrsf Mora stili on the table,reads it again, and exelaimsJ
elle al -la f - sta! vo -li - SI lof-

She Ts at Flo-ra's! I too shall be
(rushes off distraotedly, followed by Germont)

5E r
i f - sa
F
a ven -
? i
r
di - car!
there, my wrongs t'a-venge!
m i V P r r r TE
Che di - ci? ah fer ma!
What say^st thou? oh mad
14400
i2i
N9 11. "Avrem lieta di maschere la notte.,,
Finale II.
A richly furnishcd aparfincnt in Flora's mansion- Doors at both sides and in eentre. Agaming-tablcR.H,
A table with flowcrs and rt'frt'shments L. H. Sofas, etc. Flora, the Marquis, Doctor, and other guests en-
'T L. H. in eonvtTsation.
Allegro brillante.
/oice. S
^
It
i mrm ^ t
^-^mV
^^^^ K.
^F^
u
^P f PU
^ I ,<: Sf
i ^
H'. '*
::
I
^ ^'L
rf f*ji- ^ - ^ **- 9 ffi
^^^^ ' ?S^ , ,
y^^ i^^wg
\:i mûû^m^^^
ti
j 't f Ffr *'
*5FF Ite J
rrHMif S t
Mf^ i### -m
1*400
132
Flora.
-
'
pm r f p p ppi f rf rF r n'fr'
j
Avrem lie - fa di
p
ma-sche -re la not-te;
Withen -Joy-mpntthiHnightshallberPsplendent.theViscountleadsthemaskers.
n' du-ce_il vi-scon-ti-no.
'm^ '
"
J ^ i' i' > -
P I
r i
j
Vi - - lei taêd Al- fre - do, an - coîn-vi - fai.
Vi - - . let ta and Al - fred,both I ei-pect.
imnm 'imf^ t
mff-r i
ff^'"!^ i
fffW I
iJBS ^p
^
Marquis
^r-T fVr Pff 3^2

La iio-vi-fa_i - gno-ra - f? Vio-lef fajs Ger-mont so -no dis-
You havenotHeard the news, then? Tliat Al fred andshe are.dis-u -
m^m
Flora.
^ ^pp
Fiave-ro?
m
Nntlikely!
Doctor. -^ m ^
'r-i 7'PPl
Fiave-ro? Li
Notlikely! I
S r
-
-TM^^^ s
q^^
I P'
piun- ti. El - la ver - ra qui ba-ro-ne
nit - ed If shecomes'twillbe the Baron.
14400
123
(a noiseis heard R. H.)
i ^p ^^
y
Si-len-zio_
^
Be si-lent, you
U
3
vi -
i^
di ie -
F^:
ri_an-cor!_
t ,p i
pa - re
r r
an
fefefe
f - li - ci.
saw thembut last night, theyboth seemM so hap-py!
(fhey advanee towards R. H.)
di - f(e!_ Ginn
p
go -
r
no
MP
gli a - mi - ci.
p
a
bear them? Wel come to the mask-ers.
S Pf ^ i ff,
Giun go - no gli_a - mi - ci.
Wel come to the mask-ers.
m ^ ff P |
f-
Giun - go - no glia - mi - ci.
Wel . come to the mask-ers.
i*r :=
3^
ff
m ^^ ^
TuHi .
/r\
i j^J Uf^:
E^
i4*nn
124
N? 12. Noi siamo zing-arello.,,

Chorus of Gipsies.
(Some of the Gipsies hold wands in their handsôthers tambourines, to beat the time.)
SOPRANO and ALTO.

AIletiTo moderidi
Voices.
i^ 3EES
P'I
;V^' ^S W T _? ^ ^ ^
Noi sia-mo zin-ii'a - rei le Te - nu - te da lon
A wel-come to the Gip by, Thro' ma - ny landsshe's
iW S zi r+^
^ gPPf
^
'^-Fh^^^'^H '^
Piano legg.!
4
P^ fli'P
("Wherever the Sign * oceurs, the Gipsies strike their tambourines.)

^? y HtBt^
I
n ^-^
;
y "y
^ 7 j /yp?
X * * Xy
i y Kf
P^'l
^>^'> I<-^^M J.
ma
^1 ^",1 ^'.
.
mo
^> T
^^'^
^
fa- no; d'o - f,'-nu-no sul -la no leg-gia - l'av-ve
wan-der\i. O'er fate and for-tune pon der'd, The fu - ture she can
3 . 3 .
-
t
J?
+^
i

'
^
J1^"/
^
l") >
;^sMmF^
i
^ 33:
fl ^t^^^
^^ ^^7 ff *f
)7 n7;7 :
n*!Vy =1 7.) ff 7 :rz^ J/ 7 p 7
*
,^
\^
* r
W\\ \ ^}}\i'^^î>b^^^^K'^}}\
nir. Se con-sul-tiam le stel - le, con-sul-tiam le stel - le nul
teli. Hold forthyour handjholdforthycurpret - ty hand, oh la- dyfair, There^s
fe^fe
.
K t e 15
f^f y :,; p,;
^ ^ tt
^rrH?
^
e
f
i
^
j U ir i .
Ij/
^ ^^fei 7 3 7 2 71 ) :7
^ : ^ 7 ft 1^=5= 7 ^^ 7
i ^^ ?: :
rav-T_a noi d'o-sou-ro, no,

^t ^ ?f
*-^*
nul - Tav-Tiji noi

naui^ht thatcan from uSjthere'snaught that can from us
*
lir
^
,^ I > .?3\ J'^ji
\ .
tri do-scu
^,
be hid,
J- ^
- roêj
Th'
N^ ea-si
fu -
h7
f^^=^
del fu
ture comes un
^'7 i)
î
[_f r jr f ^^ i ^^ s^ ^ 7
^
U 7^=7iiz7
?^
35 r ^ - ^
r
h
3Et
._
f
7 I
^^ 7
^ 7
?r7P7
14400
15
tu - ro p^s-siamo
p'os-sia- mo_al
al - trai pre
trui - dir. See eon-sul-tiam le
(/on-sul-tiam
bid (leu And yields be - fore our speli. Hold forthyour band, fair
V-lt
^ /
m
n 1
^^
Jn H
t /8j;!f^!-f
p4 >
I
p ? P 7 p 7 >
''ll''ti
>
I
stel-le iminul - lav- vi_a

vi a noi do-scur, e_i
e i ca-si del fu - tu - ro possia-mojdtruipre-
Dossia-moaltruiore-
la - dy,N"aught can from us be hid, The_ fu-turecoinesun -bid-deii,Andyieldsbefore our
m # J j-
^h^ f yS 1 g
fff ^3 i ^
^>=î;^tl >!'/
i>p-
J) ^ ! 7 ^'7
f j>r|^ 7 J)7 Tt-
g V ^hjr.^'jj, Jj J^
r i piiJ?p c;i' J p IP ^ Lfp i;p [/ P
dir, e i ea-si deL fu- tu- ro, e del fu
i ca-si tur, e_ i ca-si del fu-
speli; t}ie fii-turecomesiin-bid-den,andfrom us there'snothing hid, no,the future comesun-
CfLgLCL
mt m 'j \
[jjf^^[j rB OTJ.fJ
^V^ -^^"ffp p-7^.i Js^ b} J^JM^:jJ->gj. rj g
tu- ro pos-sia-moâl - trui, pns - siamo_al-trui pre dir, e__, i ea- si del fu
bid - den,andnaught,no naiight^naught can from us be hid, vea.the fu-turecomes un
tI ^ fff f 7,f ''

^ M4^
y
.'>
i
;''
r
I
tV y .^f #^ ^ ^ f -'rr r :r rcJ
14400
126
J
li r
tu -
r
ro,
f
'
'-'
e
P L;
ca - si
^ del fu -
ff
tur,
? P
LT?
p rjTLf
ca - si del fu
^
1
i i
bid - den, and from us
^ there's no - thing hid,
m^^
no, the fu - ture comes un
^
^hh
t
r* ij]
^
lu
i
^
.
.pHJ'^f
zMzz
3 L_U^ f ^'
^
>
^ Ft
P T fp f
p,q; /p
tu - ro pos-sia- mnjil
j r- - j -
-
trui,
-- -^
pos-sia-m_al-trui
f
i'H
pre
J
dir.
'
bid - den, and naui^ht, no naught,naught can from us be hid.
ti
&
t
'> \\ !
^ *i ^ *i ff ,tf f h,r Mi
f
fc^^ 1
/]
^^
.
y Fi
K ^ l ^ P
1 V ^ S i
=3?==^
^^^^^^^^
ê
*
^1^ Ve
Al
-
-
fe^
7 ^'r
dia- mo!
low me.
(scanning Flor.Vs band-)
^
n
* r p^r p^ i p-^p^ i
rp-^r'p p 7 ^p 7 r i
jUStr.
j) P77 Jh^p"
^ p ? y Nr^P
P ^ y ff
hy^ ^^ >
a^ A part of the Chorus.
^~mrTT
S
Yoi,
Ah,my
si - pno - ra,
^^^^^
fe
ri - va
*
lijil-quan
valwould
-
^
tfâ-ve-te.
tzt
la - dy, a ri a-busevou.
Another part of the Chorus.
P
(rcading the band of the ^Marqnis.)^
> 1.M J J t
Mar-che- se, voi non

Good Sir, none can ac
I^W\fhfh'^'^h\ \ i rpif'pTl^^^p \
^t
'j'\h
14400
^-^^ ^ -
J yP^J-i-yP-
f
P7P^P#7 > P7>P? p^T i -^-
p-^ti
p
r--
m
127
Flora, (tothe Marquis.).
Fa-te_îl ga-lan-tejin -
You Ktill are tbcn a
"li* -i
, , J j'-> : ^'
1 1
"
^,'1^
]
^"^^^^=^
sie te mo - del di f del -
^
- t:'
riise you of con stan-cy in love.
m
*1
0-
[_1
/>JL legg
M T
7-% p^F^p-fe ^ *^ J==i

{ Jl-^
?
T ; 7
Marquis. (fo Flora.)

lA
ppg 7B p j< ; j; j B''f PF fi=ft
i f
i
co-ra? ben,vo'me
la pa-gliia- te.Chediacin yi pen - sa - te?rac-cu-Sifal-si -
roamer? Withtormentsj'oushallpay me.Youranp:er,dear,'wnuldslay me,Myheartnomoresliall
fa. ja voi - pe la-sY'iajl pe lo, non ab - ban - do-naîl

rove Thp|W'oIf may cast his' par ment.Yet neVr the less ê
vi - zio.Marche-smio,giu - di -'zio,o vi fa - r pen-tir,Marchese mio, gi

eru - el,Givp mysuspicions fu - el,AiKUIarquis,thoultrepent,oh Marquis mine, be.
^ ^ t^J^ # l^ U l^
# ii-zio,o vi
(li-zioô fa rb
ro pen tir, Marche- se mio, gi - di-ziOjP
mio.eriu fa- rb pen.
^^
-A - - di-zio.o vi
ware, or sore thou shalt re - ppnt,oh Mar-quis mine,be -ware, or sere thou shalt re
f^ P p r p p yi^ ff 'f P P ^'
'T-rt^fl p T p r 1
,
^ i
i!
4tt P Û-J 'T
14400
128
Flora.
m
^. o
firT
~
Et
pent!
H uunur.
Doctor. p,
_t^m m m
i,
1 V 7TT ^
l'i,; f.,+ +; Ar^ r..,r.
Su via, sfen-daûn
si ve - .
Io s'ui fat - ti del pas
A- way, \\'here joy ii - vites yp, And bid a truce to
Chorus.
1^
Su via^
via, Il
i sten-dajin
sten- d A \e lo
Jl JÎJ^nJ^-J^
sui fat - ti del
^ pas
A- way, wliere joy m - vites US, We bid a truce to
Pitc. Oh. & VI.
m
t
^S ==^-^
3JJ
i
;^?=c^
m 1^
^
leggero
tiE y=T^ ff^^ '^rwT ^^^

^ sa
a -
fo:
fo;
=^
gi quel eh'
V^ylfff 7T7 g gE
D'<^'>|
sta-toje sta to, hh - da - tejil-Fav - ve
sor- row,
-^-4 ,
Ye thhik not ot' to - nior
-^-^
row, Wliilejilea-surp gives con
IV f.|j-r^jHj^ji
)*-
sa - to:
fi;i tr :i
<'-\:t nurl ch'c
qurl ch'i' sta-to
sta-to_ hta ti), ba - da - tejl-1'av- ve -
We
W
sor- row, think net of t^ - nior rowWhile pica- sure gives con -
.? . "?
&h ^ 4'
Tutti
^ . rf
T
^
17
s^ zjx:
m^^ ^
gtrt I W !H i
:;c=t= 2^^^
^S Flora.
F Pf
*
s ^^.-^ r n ^^^ J-
Sul via, si sten - dajni \e - lo sui fat - ti del pas
A - Aâj' \\ luTP Joy in - îtes us, We bid a truce to
3
^\% P^^f ^P ,-P F
nir. Su_ _via, sten
SI daûn ê - 1
lo
, c-i,;
sui f^TT^-
fat Ti
ti hT
del ^X;
pas
tent. A - way where joy ili - vites yc, And bid a truce to
Marquls.
'
r-mt 'ff
Su
A -
V
via,
j^^
wav
sten
si
where joy
^ 5=5
dajin
in - vites
I'
ve -
T F
lo
US,
; M'
sui
We
fat
bid
-
^ J'
ti del
a truce
1^ ; P
pas
to
Su via,
7- ,
,
n^^ >i
^'
nir. si
SI steji da'un Ve 1^> kE f.n"- li del pas
tent. A - way
Wav where
wher j'iy vifes US, ^ê bid a truce to
r-
*aMi i /fi pf l
^^^Mitff ^"F it ^ 4^ ^
1*400 5tr. pi//.
129
^^ sa fo;_gi
= 2=
E
quel
^^ cli' sta - tq_
f
sfa <o, ba - dia,niojiI-lav - \e
sor row, \Ve think not of to - mor row, WIhIp plea-sure gives con
nh^ n ^ ^ CJ P ^ ^'
P I P 7
^^^
P
ff ^
P
^^^
1- ^ P
sa to;_ gi quel ch' sta - to sta to, ba
da - tc_al - l'av
- - ve
sor roM, Ye think not of to - nior row, Wliile plea-sure gives ron
7-hh
sa
p ^
-
p
to;
; p Jm'
gi quel clf sta
J-
1'
-
;
to_
h J'
sta
7 f
to,
P J'
ba- dia- mo
i J-
al-l'av
P
-
P
ve
^
y
sor
sa
sor
- row,
tO;_ gi
row, We
We think not of
quel
think
eh
noi

e sta-
sta
of
tiU-
to
to -
- mor
sta
mor -
-
row, While
tn,
row, While
ba -
])lea-
i.
sure gives
d;~^ tejil-l'av
pica- suro gives
-
con
ve
con
-
-
IL ii PP ^
nir, gi_quel
gi_ quel cir stato
statojs diamo al-l'av-ve- nir,
sta-to. ba - diamojil-l'av-ve-
sta-to, nir. ba - diamo al-l'av-ve
al-l'av-vc
tent, We thinknot of to -morrow While pleasuregives content, whih' jileasure gives con-
nir, gi_quel ch' stato sta-to, ba - da-teâl-l'av- ve- nir, ba - da

tent, Ye think not of to -morrow While pleasuregives content, while plea - -ure
FnT?p pTr \r'?W^? fr^ i

f, ^p^^
nir, gi_quel ch' stato sta- to, ba - diamojil-l'av-ve- nir, ba - dia
tent, We_think not of to-morrow While pleasuregives content, while plea - sure
) VI.'.
nir, gi^
(rio mtf.l
quel /.liV
ch' L:f o_fn ii
sta-to iî u
sta-fo,
ii\ lM
ba _
- dan
il _tp a
-teâl-l'av- ve - nir, ba - da-teal-l'av - v(
tent, We_thinknot of (o - morrow While pleasure gives con-tent, while_pleasure gives con-
14400
130
fe
nir,
tent,
^m
ba - dia -
whilp plea-sure
mo, ba - dia-moâl-l'av - ve
pives, while pleasuregvfs con
nir; gi_qDel
we
ch' sfafq_
think not of_to-
^fe m^
tent;
PP
7 l^
7 I
g fe^g^ :^=i ^ r r r r p ff ^>^
f, ba - da - te, ba - da-teâl-l'av- ve - nir; gi_quel ch' stafo_^
givps, ^\ bile pleasure pives, while pleasure g-ives con tent; ye think not of_t^-
y^^ r ^ j)7 j)7 ^'7 ^' 5^5

î3
'0-
"ri/ ^j p
I
P p er
mo, s, ba - dia-moal l'av - ve nir; ga_qiiel ch' statole
giVPS, no, while plea-sure givf's con tent; \\e think not of_to -
^m
i PPorm
[ j' i^'r
i
ttfj^^
^f >0-- i
j
f f
nir, ba - (la te, ba - da- tejil-1'uv - ve nir; gi quel ch' sta-to
tenf, while pleasure gives, while p]ea-sure gives con tent; \ve think not oLto"-
3.
m
t
P
:n^h-np
ptH^'U
sta-to, ba - dia-niojil-l'av-ve nir,
IP ^
[isdi
ba-diamo
'^m
al-l'a - ve -nir, ba - dia
ms^
^%
morrow" while pleasure gives content,
r^p ttp^t^p
sta-to, ba - da-teâl - l'av- ve nir,
niorrow w bile j)leasure gives content,
p?r |^ tp
ba
while
,
-
^
while pleasuregives content, while plensure
da
])lca
-
- sure
-
I
te,
f:Q
ba
gi\es, while pleasure
- da
mh r ' P *r:ff p 4i^ ^ ^P ^ f^ t=jBaM

sta-to, ba - dia-nwal-Fav-ve ba
^
nir, - dia - - mo, s, ba -
niorrow wliile pleasure gives content, while plea - sure gives, no, while
^
_ "^
, -^
sta ha - da-tej)l-l'av- ve - nir,

- to,
;e
zuu^
ba - da-teâl-l\u-ve- nir, ba - da
L'p ir
m
morrow while pleasure gives content, while pleasure gives con-tent, while pleasure
hh rr]i^^ m M-tifi-M-itM. fi-fiM- 9- fc:_
Uind
^^^
iî gr ^^^^^ ^ W^-M ^

y i' V y =f=^
14400
131
Zi
1^
ino,
''
r
iia -
p p p
dia-mojil-rav
^
-
J'^'
ve
iJ-^
inr,
^P~ l
aJi si, lia-dia- iiio_al-rav
P r
-
p
\e
p:ives, -wliilt' jilea-sure f;i\t's con tt'iit , no, no, \\>' think not of to
3
^ F
fc,
^ ^ r
ba - da-lejil-rav - ve
M ^ r ^
- nir,
/.
s, ba-da -
^ ;=?^
te_al-rav - ve
pi\t's while iiltM-sure aives con - tcnt, nn ve think not of to
"r-^î'i J' 7 J'7 J' ^H-p <

J'.
J*r- ^ J j'i
dia - mo_^;il rav e - nir, si, ba-dia- nioal-l'av - ve

pica - sure ai\'cs con - tcnt, jj]|
no, \\"c think not of to
no,
i
V
\i V ^ p f ^
J' ^ J -
te, ba - da -te_al - l'a\- - \c nir,

iir, SI, l'a-da
l/;i-(ia - fcjal-l'av - \t'
te
gives, while pica- sure îves con tcnt, no, we think noi of to
Vfff ^ f f f ^ ^'^
/ liitii
^
lF ^
r
(
iîh J'M ^ 7 J) 7
f ^ '
h ^
(Thi'Marquis presses
um ^
nir,
P
SI, s,
r P P J
ba-dia-moal-rav
^=T
ve - -
311
nir._
^^
Flora's hand.)
as
nior-row, no, while plca-surc pivcs con - tcnt.
'm p-
nir,
P
s, s,
r P
ba- da
p-
p f
- tt^âl - l'av -
p
ve -
~rr
nir._
r * - n\
inor-ro\\", no,\\hilc ]ilca-sure î\'es con- tcnt.
frff-^
irrp' p
nir, s,
J'-
s,
j^ p-
ba- dia-moal-Fav
eP m^ - ve -
xn
nir._
m
morrow, no,\\ bill' i)lca-sure g-i\"cs con - tent.
* *
%j
^mm nir,
mor-row,
j
si,
rh
s'î, bft -
^
f
da
no, while pica- sure gives
- tcjil-Pav- ve
con
zssz
=8=
nir._
tcnt.
s
m^
14400
^f^-^f^ fJ-^/jJÛ-i e
t
132 N9l8."Di Madride noi siam mattadori,,.
Chorus of Spanish Matadors.
fOaston and others, disguised as Spanish Matadors and Picadors, rush in R.Hj
Allegro assai mosso. .3
Piano.
Chorus. GdStoniwith Ist Tt-nors.)

TENUR.s- >
t
tiAoS
Di M.i
\Vc are
- dri
:<
^^/ tf^*
brave
* ~
- de-
Ma -
noi
ta
^ #^|0''r
ti;iiii_mat - ta - do-ri,
-dors,_come in fflo-ry
sia-iiHTî
Fromthe
^
pr -
biilL^fiphts
ili
J^-':/ttJ^Jl
del
of
cir"~r' co
Spain,_pay
h^
dei
and
2 # ^^^^fmm ^.
d: ^;^^?rjtrr^ P
Di Ma - dri - de noi >iaiii_mat- ta - do -ri, si:i-iiioi pr - di del cir '
eo
- dei
\Ve are brave l\Ia - ta - dors,_conie in ffl-ry From the bull - fif(hts of Spain,_gay and
to-ri, te-st :iun - tiji f;o-de - re dei ehiasso eheji Fa ri - g si fa pel Bue
go-ry; VVe bave come_ to town uf Fa - ris For the feast_of bull_here yet
^ PSli
this fair the
fflr:,n^-*rTff m lgjL..,F Ur*f j

to-'ri, te-st f,îun - ti_a ô-de"- re del chiasso ehe_a Fa ri - gi si fa pel Hue
go-ry; VVehave conie_ to this fair town of Pa-ris For the feast_of the bull_here yet
f=^
p
grasso; eu-na
-*
sto -
w . SES
,.
ria, seji-di- re ver - re - te, qua-liji man -
J:
ti
Ji
noi sia -
r ^^^
P
mo, sa-
tarries; We will teli ye, an if ye will bear us, How in love and in war-fare we
^^M^
#^sf^ M^
^m ? -
1
' '
^:==^
grasso; e_u-na sto - ria, se_U-di - re vor - re - te, qua-Iiji man
iian - noi siamo, sa-
^
^ ti
tarries; We wiU teli ye, an if ye will bear us, How in love and in war-fare we
i=^ m^ ^nih
-
-
mi^ 4'^
U400
PP S.r, 3
m^
f f I
Sfa
m fri *
t?zt
133
il
Flora.
S,
^
s, bra - vi,
^ 'F
nar-ra, -
'
te,
>
! n
iiar - ra -

t, con pia
^ Doctor.
3
Yes,
S,
yes,
s,
brave
bra -
ones,
n^
vi,
wehear
ft
:^ M^^
iiar-ra -
ve
te,
witli
nar -
\\on der.
ra -
^
te,
Teli
3
con
thp
pia
^ Marpuis,
Yes,
(.
Si,
51,
Yes,
yes,
r
SI,
s,
3'es,
i
brave
r
bra
brave
-
ones,
r
vi,
ones,
wehear
p r
nar-ra
wehear
-
ye
r
te,
ye
\\ itli
nar-
nar
I
f - ra - te,
with wonier,
wonder,
r r
Teli
^^^^^
con
Teli
the
pia
pi;
the
Chorus of Ladies.
tj-^- I
r f f^^^^ 5S^ â
81, s, bra - vi, nar-ra - te, nar - ra - pte, con pia
Yes, yes, brave ones, wehear ye. with w under, Teli the
u
ce - re
t^
li -

fire-nio.
m \r^
tale of ^ôur iir owe s s
m r^f
ce
tale
r-^
re
if
lu
your
- dre-nio.
prowess.
m
S
ce - - re 111
li - dre-nio.
dre-ni(
m
tale of 3'our prowess.
li
;^_
ce -
^
^^: ^f-.^
^-
re -
i:
dre-iio
m
M
l'u
your prowess. Gaaton (with
m
tale of ist Teiior.s
$ F
^
Matadors and A-seol- ta
Picadors. He>ir and pon (icr.
S.
m
m3 .?
^V
timi Htitf 9 -
't?:t^^ ^ m
^ J^f
I
^^
^ s
14400
P'^ Allegro assai vivo.
m ^=
^
Fi quii - lo un
-^4
^
bei
'
'
^' m
lia'r - (lo 1)1
1)1 - sca
^m
gs W^ ^^
p Younu
E
Young'
Pi
Pi
Pi
-
-
qui
ijuil -
qui -
- Ilo
loun
ilo
J
in.
bri
-
Bis
r
Lca-gliar
Bis- cay
-
I
cav
F -
-
-
g
do
a
was
^^
bi
was
-
thu
^ca-
the
" y*^
Allegro assai vivo
- no mat la - dor- for - tejl brac-uio, - g;uar- do, -
^
<j:\\ - fie ro__il 'del e
^^^ 1-
first
^
-li
first
-
of
^
'
no
of
Ma
mat
Ma
-
-
-
ta - dors-,
ta - dor^
ta - dors;
Strong_
for
Strong
-
and
and
stal-wart,
tHl brac-cio,
stal-wart, fierce
fierce
fie -
in
^ f=^
com-bat, pride_ and
rojl i;'uar-do, del

in com-bat, pride
- e
and
fol - le men - te in -na - mo - ro; ma la bel - la ri - tro - set - ta

when
^^ mm
he of - fer'd his band and heart, This re - ply the h.iugh - ty fair one
ff lff ff ffff I
^
E l
;
^ U U m I u 't
14100
^m
135
FP
m^ S3
co si al
$
Ljio - va ne
=F
par - Io;
WCin
ffi
que
-y
P?
V ^ to-
fO
suit -
1
or
va
did
ne
et n
ini
par
- part:
, >^J
^
When
Cin
fivi-
M
ri
SJll iîO - ' 1 1
- qui'
fo her suit or did p.irt: \MiL'n fi ve
ff^t
h=^ f f
s^^
gE=lflMt
In -
H
ri m
i
^ ^^
un_
^^
sol
1
fjior
^
- no
fi
f-
\o'
%i
ve der
M
-
m
ti_ad
J13.J' ^f=r
at ter -
rar,
bulls thy spear has van - quish'd, sin - e\e band - ed in- one d,iy,
g^^
to - rijn
^m
un sol
^^^^^
i;ior - no f vo'
E
ve - der - tiâd
ti a
^
at - ter -
i
rar,
-7-^^
mm
9
^
bulls
^
thv spear
^^ ^^
m
has van
^ ^
-
m
m^ e s ^
quish'd, sin - ^le - band
M
- ed in
^^; f
one day,
m t
fetf^
f^^
e,
Claim
se
my
t^f-^
vin
band
- eijâl
al
m^
tuo.
fhy_
ri
re
-
-
tor
turn
^ no
ing".
f^ ^m
ma
and
no e
r
eor_
wiU.
ti
not
W^ f^^^ ^^^ ^^^^^

e, se vin eijil tuo ri - tor no ma noj eor ti
^^^
Claim my
S
band thy
^m wm 1^ ^m
re - turn ing", and I will not
^ ^fc
3^ tE* K
i M4=
fe Pi ^ P f^^
m
vo
say_ thee
ilo iiar.
nay.
S,
I_
F
> ^ ^dis
bey
- spêjl
thee,
mat
said
m
- ta
Pi
io
ui
^m
-
- Ilo,
re al
to
- le
the
^ ^
T vo' do nar. S, gli dis - seêjl mat ta - do re l, 1 I,;
e
mM
s.iy thee nay. I V- bey thee, san
said Pi - qui Ilo, the
^
S *4
i
ti 1 11 LÎ
^M
14400
130 +
^^
(The Pipadors strikf thr yround with fhrir staves wliL-ri'ver the sigri
P^
oceurs.)
g-io - strp
if
mo
=53:
- seîl
f
pie;
fei cin - que to - ri, vili - 1-1 -

to - re,
bull - f iffht btraif,-ht_ he flew; F"ive _ the buUs.that (iay_ ere suiidown
11
m^4r:i=S=
r^^ r=F=f ^ F=r =
v:\q - sire Ilio - sijl pie; (in - qua to - ri, vin - ei - to - re,
bull - f iglit straight he flew; Five tlie bulls_that day_ ere sundown
^
..*^'
- #
^ a fe^fel
Al
m %X i
s
+
p
mm sul
he
- la
in
-
^re
the__
-
i
na
a
#
e-j,'-]]
re -
sfen -
na
s^-^
dt^,
slew,
^ ^^
e in
five
que
the
to -
bulls_ that
n,
gÊg ^^
sul - la -
>;;]]
re -
^
na
m
e-g-li
1
sten - de,
Ê
/
em que
^m
to - n,
^
he in the a re - na slew, five _ the bulls_ that
t'Ht
mePf:
^ ti t
*
mmm \m
day_
- el
ere
*=
to - re,
ûIldo\vn
^^
sul
he
- la
in
- re
tlie_
na
a -
UN
e-g-li
re -
:^
sten
na
de.
slew.
>t.-,l. tr-r^
-
g sul -
i^ fr
M la - re
r
na
mm #e-^li sten -
vili - ei to - re, - de.
day__ ere sundown he in the _ a - re - na slew.
14400
137
^ m
Flora.
i -ir ~r-T- m^ r^Mr 'f i

rr^'^MQT mo
Bra - vo, bra-voîl fa- do-
mat - re, ben g-a - gliar-rto si stro,
did_he
^^
Strong in - deed the vouth, and vai - iant, well his pas-sion prove;
pp. Doctor.
\
S 2ZZ; j
b'^
W 7 7
r ?! "^^^S^ -r ffi fe
Bra vo, bra-vojl niaf - <a - do - re, ben ga - gliar-do si mo-str,
Sfrong in - deed the youth, and vai - iant, well his pas-sion did_ he prove;
pp Marquis.
'^1," 1 -ir
l'
-.
\ X' - 1 \\ l>
Bra vo, bra- vo_iI niat - fa - do - re, ben ga- gliar-do

ffliar-do si mo
sfro,
Strong in - deed the youth, and vai - iant, well his pas-sion did he prove;
^Ladies
^
Bra - vo, bra-vojl
bra-voil mat - fa - do - re,, ben ga - gliar-do si nio-str
nio-str,
Strong deed the youth, ami vai well pas-sion did_ he prove;
mm^
in - - iant, his
mm
<
~i
PP S<r. pi//.
m t^ ^ttrLU ^^
m S K
^t
r-
TI
r
h~
f
m
tt"^ '^'j
' '
m ^^ m lzrr. \p 4^^ "rnj^

seâl - la gio -
p
va
I
ne
; ^^
la - mo -
p
re in fai gui - sa e -gli pr -v!
Teli US how his. brave_ en - coun - ter did the haugh - ty dam - sei move!
3 i.^r..r
se al - la
i
^fn^r7r r^MP-r
gio - va - ne la -
i
mo - re in fai
i
f'^nfe
gi - sa
^
e-gli pr- v!
m
Teli US how_ his brave_ en- coun - ter did the haugh- ty dam- sei move!
^ tt2
se i - la gio - va - ne la -
rr
mo - re
i
.p^r
in fai
i
r.
gui -
p
sa e-gli pr- vo!
i
Teli US how his brave en- coun -ter did the haugh - ty dam - sei move!
11400
138 Matadors and Picadors.
m^ ^ Casto n \vith
_
l^tlENORS.
tSE5^
plau-
^=S
r'-'j \f
na - to
m ^ m
^
Poi, tra si, ri - tor - al - la bel - la del suo cor,
Witli a ten - (ier smile she met him. wheii 'mid plau-dits he re - turn'd.
^m Poi,
-t
tra
L-i
plau-
T
si,
1_J7
ri -
^MF-^?
1
tor -
LJ
na to -
[ l_î
al - la
1^ 1_C
bel - la
1 l_j.
-ft
del
r-
î
^^_I_]
suo cor,
M
f
Witti
V, 1 .

a teii - (ier
mM^S
niile she met him
*m
when 'mid plau-dits
p i
he
pji^r
re-turnd,
n
m^
btt
I i ^S il
^ fi
l 14 ^m

''' s
f^"^ f^ -r ^ r
Â 1
^ ^^ m
m 1
mp ^^'Mn I i
^
^-^1'
eoi
And
P
col
And
-
-
seîl
7?
her
sp_il pre - mio

^
pre
heart
de - si
her heart and band he
- mio
and
de
band
P
-
7
si
he
M -
-
stow-
stow-
a
[^
a
-
?[^
-
IO
inp;,
to
ing,
fra
love
tra
tra
love
for
le
le
^
brac-cia
love the
del - la -mor.
brac-cia del
for love the maid had learn'd.
del -
maid
Ta-I
had
mor.
leani'i
Con tal pr - ve 1 niat - la - do- ri san le bel - le con- qui -star,

Thus by prow-ess fierce and dar-ing Provesliis love the Ma - ta - dor.
Dortor,
^:> - l a Is
^
\ V \
!
> Is^ Is - M
Con tai pr - veî mat do -ri
- ta - saii_ le lu'l - le con - qui -star.
Thus by prow-esR fierce and dar-ing Proveshis love the Ma- ta-dor.
Marquis.
-n 'Tl
P z ^^^ r
Mr nr
Con tai pr ve_i - niat - ta - do -ri san le bel - le con - qui-star.
Thus by prowess fierce and dar-ing Proveshis love the Ma- ta-dor.
Ladies.
Con tai pr - ve i
veî mat - ta
la do-ri
- do - ri san_ bel _ con-qui-st
con - qui- star.
m mm^^mfe
'
le le
Ttuis by prowess fierce and dar-ing Proveshis love the Ma - ta-dor.
*M4
m
14400
^ HH ti
1
^*
11
'-J
^ 11
^^^
139
Chorus of Men.
Gaston with i^ TENORS.
^^ m m^
^^ -V^ =f**
p^ ^ m^
Ma qui son pi mi - co
ti 1n, a noi
01 ba - sta fol - l'fj; triar.
Soft - er aims and plea-siires s-har-ing, Joy a - Ione Olir hearts a dor.
'')\v~r'^ ry
I
[1 7 [I
I
[T 7 M [TTir | ^ 7 ^ |
[i ? [y |
^^
? 5 lîl^
Ma qui son pi mi - tij co - ri, a noi ba - sta fol - lei; iiiar.
Soft - er aims and plea - sures shar - iiif^, Joy a - Ione our liearts a dor.
(The Gipsies strike their tambourines * and the Pieadors their piki's + on the f^round.)
Flora. - _
^
S,
-r /
I p
al
-l^lJXJ
le
P I
-gri,or pria ten - tia - mo del

Lr n I
P
g
~r .
- la
r- =a=
.sorteci!
^
variqji-mor;
^^
Come and tempt we Fortune's chanc-es, See, the- fiek-le goddess smiles,
Doctor.
nh- S,
1
p^
al
n
-
^ ^ I
l;
le-gri,or pria ten - tia -mo del -la
M Pv
I ^M
i..
^^ p e}
sortejl
I e i
=?=t
\ario_u-mor;
Come and tempt we Fortune's chanc-es, See, the fick-le goddess smiles;
Marquis.
^
PPP
r-
S,
Come
-T-r-
al
and
-^H^
-
\'
-gri,or pria ten - tia - mo del

le
tempt we Fortune's chanc-es, See,
\
\ \'
ir^Mp^p - la
the
i
r
sortegli
fick - le
f
i
r ^ M
va-rio^-mor;
god-dess smiles;
4 PPP1-^
Si,
Come
l-r-r
al
i
and
-
tempt
m
le - R-riiOr
we
pria ten - tia - mo
ifn
Fortune's chanc-es,
del
See,
-k
tlie
13
sortejl
fick-le
#m
va-riou -nior;
goddess smiles,
-y-^
03
3
li
O wm
Gaston with
Si,
Come
PPP
l^t
al
and
TENORS.
-r-r-
M#
le - grij_or
tempt we
+
pria tt-n - tia - mo

? ortune's chanc - es.
f^ (Kd
See,
- la
tlie
^^
+
sortijil
fick -Te
va-ruui-mor:
goddess smiles;
I 7 7
m^ 7-r- -7-7-
^^ ^^ ^^ ^^ -T-r-
S, al - le -t,'T.or pria tin - tia - mo del - la sor-tejl va-rio_u - mor;

Come and tempt we Fortune's chanc-es, See, the fick - le god-<less smiles;
pp
< 7 7
$
tt feSEE Et
W T^ ^ m g < 7 7
Tutti
m ** e
14400
t3-i
-
m ^ u>"
-r ti t
P
140
(TPSC cresc. ancora
$5EEEg
la pa -
S
le - stra
P I
L
di -
J Hr
,
scliiu-dia -
P
mo
I
P ^ P
a - plijiu
I
-
"-^
da -
P
ci
i-r
giuo-ca-tor,
"i^^
Play a - Ione the heart en-tranc-es, Play our life^with bliss be-guiles,
j: F.îtrîr
la pa - le - stra di -
r MP'f
schiu-dia - mo
LJ-^-p
a - g-'ijiu -
i
^^P
da - ci
i
Om^
giuo-ca - tor.
dtrt
Play a - Ione the heart en-tranc -es, Play our life_with bliss be-guiles,
^^ P V
la pa
M r
le -stra
p
di -
i
schiu-dia
ia
P '
-
P
mo
I
P - VP
a-glijiu-da
a erli au - da
I
r ^ - ci giuo
rtrt= r
ca - ter,
,
; *i
Play a Ione heart en-tranc Play our life with be-guiles
mm
the - es, bliss
cresc.
_
cresc.
ancora
^m i t PP fe
-f-^
la pa le - stra di
ai - sfhiu- dia - mome a - glijiu -da - ci giuo - ca - tor,
^ ma
Play a Ione the heart en - tranc - es, Play our Iife_with bliss^ be-guiles,
+ +P ii +
m. î
^ sin
la pa - le - stra di - schiu -dia - me
ilio & - Ifjiu da - CI îuo - ca - tor,
Play a Ione tlie heart en -tranc - es. Play our life^with bliss_ be-gTiiles,
'^j^r^TT
v^ ^^ r p
I
r
VI
:
J 7 7
*
' cresd
M 1^ W^ 1^
cresc ancora
"T-^
m jdfc
jjipij^ a m s
i
^la pa -
#-
le -stra di -
p
niu-dia
sciiu-dia
i p^p
mo
a-glijiu
a
- rho
lp i
- da - ci
p I
Q>
giuo-ca
i'
- tor.
Play a Ione the heart en-tranc-es, Play our
^ life^with bliss be-guiles.

-
'rrp.,P tfr| #;f;

r p F-F ip.p
la
|
pa - le - stra di - schiu-dia
i
a-gljiu- mo - da - ci giuo-ca
I - tor.
7-^
Play
P ^ P
a - Ione the
I P P
lia - mo
pa - le - stra di - schiu-dia
I ^
heart en-tranc-es, Play our
a -gli au -da
p^ B iB ^
p i
life^with
r p ir
bliss be-guiles.
^^
la rfio a-gliâu a - ci giuo - ca
C - tor.
Play a - lone^ the heart en-tranc-es. Play our with bliss be-guiles.
m
ife
IE*:
a pa le - stra di - schiu-dia - mo
me
^^ a - gliâu da - ci giuo-ca - tor.
Play a Ione the heart en-lranc-es, Play our life_\vith bliss be-guiles.
:JU^
la pa - le - stra di - schiu-Qif
scBiu-cfia
^- mo
+
a- gu a
glf_au da
S - ICi
+
fc
giuo-ca - tor.
i W^ î 9=?^ ^
Play
m
a Ione the heart en -tranc - es, Play our life-with bliss be-gujles.
M ^m. Ma ws
^
moo wn i=t
141
j5^
m ^ ^ * im ^
Si, al - le - gri,or pria ten - tia-mo
no del - a
la sor - tejl
Come and tempt \ve For - tunes chances, See the fick - le
m^
S, al - le -
S
s:rMr
m
pria_ ten - tia-mo
1
Et
dfl -
rt:
la
iu
sor -
M
ftMl
Come and tempt we For - tune's chances, See,._ the fick -
^^ S
le
m ^ff"S,
eSe
al -
^
le -
:
ES
srMr
:^
f
pria_ ten - tia-mo del -
P
la
I
m
rr
sor -
f
tejl
I
Come and tempt we For - tune's chances, See,_ the fick - le

Mi
14400
i42
-m
a -
>
glijju - da -
mci giuo -
>
ca -
I
J'
tor,
M
si,
p ^
di-schiu - dia-moai
m P
Play
a
Play_
our
P
gliju
Olir
-
\
life
Q
da
life
-
with
^
ci
with
\Q
bliss
^nuo
bliss_
-
be
^
ca
be
-
-
-
\
guiles,yps,
^
tor,
t \^
s,
guiles.yes, play
^^
play our
di-schiu
our
-
life
life
with
dia-moai
with
( The mt-n u nniask ; sonu- disp erse, a nd some be în fo play at the gambling-taWe.)
giuoca tor..
^m
bliss he - guiles.-
M. /O
^^ giucca tor._
fe
bliss be guiles..
r\
3 r#4 ^m
giucca tor._
bliss be guiles.
^
B
*-
tfiuoea - tor
tr
bliss be p;uiles.
/r^
PP {Jiuoca
bliss be
- tor.
guiles.
E
a^r-rfjpf
t.t .r i.i
141100
-
-
-
143
N? 14. "Alfredo! Voi!,,
Continuation of Finale II.
(EnttT Alfr.'d.)
Allegro. Alfred.
^
Flora.
i W=^ I il - fre - do! Voi! S,
r t Jy^
a -
What, Al - fred! TJiou? Yes, you
Gastor 1^=^
Âl - fre - ol
do! Voi!
What, Thou?
^^
AI - fred!
Doctor. ^W^
m

Al - fre - do! Voi!
What, AI - fred! Thou?
SOPRANO ALTO.
MM
d-
=R=^
1 ^.
Al - fre - do! Voi!
TENOR. Wtjat, AI - fred! Ttiou?
Chorus. S i r'f
Al - fre - do! Voi!
Marquis with BASS. What, Al - fred! Thou?
Piano.
mici,
t
Flora.
7 [iir
Vio-letta?
-
Âlfred.
Non ne
3^ Flora.
Ben ai-sin-
so. ai -sin
Naught of her. What, are you
m
.wonder. Vio-letta?
Ben di-sin-
What, are you
j^
^
Ben
Wliat,areyou
Ben
What ,
di -sin
di -sin
are you
Ben di -sin
What, are you
FP
_ _
^^
0. .
S
^ g ^
144
i J
voi -
J
to!
fd?
-
m^
bra-vo!
Wondrous!
^^
Come
Or via,g:iuocar
"^m
on,lefsj)lay at cards.
si
:?z=
pu.
r^ rp rpir
l)art -
-
r - ippi
voi - fo! bra-vo ! Or via,giuocar si pub.
a ee^
part
voi -
- t'd?
to!
^
Wondrous!
^
bra-vo !
j
Come
.y
^ Or
i
on,lft's]ihiy at rards.
rrrT
via.giuocar si pu.
i r
^ '-j
parted?
j -
Wondrous!
) ^)i - i
Come
7- ,1^ S
on,letVplay at cards.
^-#^
\
^y-
''^
voi - to!
part - ed ?
voi
part
-
-
P
to!
ed?
J -
lira-\ii!
Wondrous!
^S
hâ--fo!
^^'onliroÎ^!
Ê^
i V
Come
1
t
Or
Come
jH 0-
^
via,t;iuocar si pu.
on,ietVplay at rar<l^
MI
viaj^nuocar
on,et'splay at
f F f
si
ff
J
pu.
l'arils

/-
J Efes
i
S
T) voi - to! bra-vo! r via,iîuocar si pu.
p art ed? Wondroub! Come
^^^\
- on,let'splay at rards.
"^^^^m ^
m
1
cJ

^^
m
cJ
^
mm * ;.
V
-
s
k < k,
-^-
,
P
fc^
^;7;m'^}'^' y*^|7 \w ^ mf4i4f
..-.l'J
'>
i p il M II paia
AUejrro ag'itato.
* K^^
^^
^ ^
t ^ -
jj i P H (Oaston goes to t he t ablc. Alfred and oth rr s stake monpy.^
^ ^ i - 1^'Hi
* K^ ^^
tltlt^^
S^
r {r
^'.
t:^:^
S^
-^H "i^Tf-
(Enter Violetta leanins on the
i^
v^^h> -i'^.^p^r^-^
^

^ ititii
rp rp ^. a ^^-^^
> j-p ^ > 5
^ ^
^
im
Bnron s arm. Flora t;oes forwnrd to meet them.)
14400
'Û'^y
77m;
fja cXir
>>r
J*
* jj ti t. z
*=E
i
^ s^
145
A Flora. Violetta.
.
___^ ,
5E
*-
Qui de-si - a - ta giungi. se_in-vi-fo.
Cos-sij!lcor-fe-se_in-vi -fo
^
How see ynu.
H I havelong'd to Tlianksforyourfriendlj' greeting.
U J~i iUlstl k t
-.^.u ->j>r,>tr>^r^'ta
-
( n^'^h
g?^^
*^
ba-ro-ne,
(ira-ta vi son, ba-ro-iie, da
da-ver-lo
-ver -io pur gra-di - to.
Kind'tis of you,goodBaron, to bringhf-rback a-moiigus.
im
tf^
m^^
HU
n''i>
ti
'-vv^-
L i.
I^
'>tr
^ .1
i >
ui Jtf
*.
_i:p
t^
,> I
^
,d
f* ff
*.lH
Baron. (aside to Violftt-i.)

^
>
^ :^
Germont e
Gcrmont
S
is
a
^ ^1^^
( ^^^t.V''
cp
jf>f a
^^
^
|,*0*
^ ^^^
^^^S ^r^
.
^^^ .îd
^ J. I. .^
Baron. (frownin;;'.)
'):Lk^ f
qui!
., ,f
il
fe
ve- de-te? tCip-o!gli3
Violetta, (aside.)
tCie-lo!cli i
^^
ve-rol)
(to the Bar<in.)
Il ve - do.

Da
bere! Do you see bini? (Ohlifa\V,trs Al-fred!) I see bini. Take
n
T* m
& lîtS^Sj:
^
W h
^ ^}
> ÊîgÊS ^^,.h!.-^^^.^!
* '
7V'i> '-r^ Îf t '%

?
rj^ l^ [ IP 7 7
r 7 7
'ji,u r H^rr., r i r rr F i f :., .

voi non un sol det-to si voi - gaa que^stoAl-fre - do,
care, w itbtbisin- truder a word you in ^ tr-cbangennt,
ie
14400
air
:
7 ^
j ^g^ gJJ^r'^J
< , ,7
i
thHH^
'
ife=5^ it tltgt ,7
146
Violetta. (aside.)
ir^
(Ah per - cli
(Whj', ah wh}'
- 'i)
.v:[, i
>i> \ 7 -^r Tî' ^\ ^\\ ^ ^p n| H^v^ ^
non un det-to! non un def-fo!

mark ni}' words, mark niv
^
w ords.
fU,.
h^
um w^

^^mk
fafc^==E=E nm ~ %
% ii

>>/ j>>P i"fc;*/^ . > p
^^^
I 1 I
.
?^ -->H .=*^
i
^::+-
:i-j o-^
:PP
> r' r ir r p ir' r r

i J TJ ?
f
i
i
ven-niîn - caii - ta! Pie - t, gran Dio, pie - ta, gran Dio,
t, di me!)
rame I hith - er! For- sake me not, He av- en , for - sake me noti)
"r" '^__^ 7?iôre?ido
^- J. J.
s i
I
1^
i
i ^^ ETT u Q^^ rr
^-
1~~
^ :
-^"^^Tf
J li- 7
^^^ P ^^ > ^ *# if*

'
:^:j '
(Flora invites Violetta to sit on the sof heside her, the Doctor stands beside theni-, tlu- Marquiseon-

^*
i
:
VP
* 5^
versrs apart with the Baron; Gaston euts-, Alfred and others sfakc, some saunter about.)
Flora.,
H i^ i' j^ J^'J^
Me-cot'as-si- di;
JM .\J
nar-ra-mi;
'
I' \ ÛJ) JWO

quai no - vi-ta veg-
^^
Sit herebeside me; speakto me-, sav^^hat of late has
^^ ^^W^
fi.il. ri
aMifea ^ r i
"
1 r i
Ê>rp ,^(F'
t ^^t ^
?iKF^^# u^ /p^^ >> >* .
EJ CU g^ i^ i^ l
e '
(Flora and Violetta converse aside.) *''''^'' '
C ^ IX^
unon
1
147
Gaston. Alfred.
quattro! An-co-ra liai vin-to. Sfor - tu- na nel- la - mo - re for

tour! Oncemorcii win-ner They mischancein
say, lov - ing; makes
tr\ (sfakes and wins.)
\
l^-\>
^
r F r MT â
^n r J:
i5=
I
tu - na re-caâl giuo - co_

good sue - cess in gam - ing.
Gaston.
if^
E
>) j' j'
seni-pre vin
r p I
p p M 7
- ci - lo -re!
^ Marquis.
He
M
al-waj's is
P r
E sem-pre vin- ci - to-re!
He al-\\ays is the win-ner!
the
"M p
win-ner!
M ^ ^
ma
?f
Chorus of Men.
^m
E sem-pre vin
He al-ways is
i
- ei
the
j
to - re!
win-ner!
j 7 i ^
^H
^ M
e;sem-pre vin
p r j'
- ci -
^
to - re!
4v
^''
7 t 7
He al-ways is the win-ner!
Alfred.
^'
\ > fTp r PiT' prpi r J J
'
J'N'^
0)i vince - rb sta - se ra; e lo- ro gua - da - gna - to
Yes, fortune sniiles uj) - on me, and ali mygold-en trea - sure
^ k ^
Im 1
^"i^ ^^H
^^
s^ ^ ^ ^3^ ^ *
M yJ
gTgj
1. k7
i ^ . .
moo
148
i
> vjy
pyi PM ^ p ,;
7
p I
r ^^
Flora.
5_
^
l^'' po-sci;_a go-der tra' cani pi n for - ne rb be - a
- - to.
Oli my re,tnrn 111 slio\\ er, in my a-bode of plea - surp. A
O
p^^^-^ jb4 V^
i I u
^ ^ .V ^#. i*.^
^^ ^ '
' ' t.
>-r-' /-r>^
,
*Mr Mr
=e== ^
*>.i-Z ti-.h
ffl
*s
, , S _h
So -lo?
Ione?
Alfred.
^
No,
No!
r
no,
no!
7 i 7 | ^ con
^\ith onp
ta
who
=^=^
le che
ere-
^kWf # ffi^S S ^ a*i*ipy
^
(Ih. i Kne.
^^^.
tJ-#- >. -^ > w . iw> i^^!^
2^ :/ ;
-^31t^ ifc^fci
tt
mi
ffi
^^ C-^"'
Gaston .
(to Alfr.'d,
if.dicatinK
Violetta. Vidl.-tta.)
* T m '"
ri^r
vi fu me. co an-co - ra, poi mi sfiig- gi- a.TMio l)i-o!j(rie-
while hassbar^d my pas - times, and since has left me.'GreatHeavenlj(Cli
m 5*fi
^\lt '
Vrm
-
M d*
^V*V*^
^{ ^
^'--'
ij
f
*
f
*
î>
X>,
1^
^ .If .
i>.V^
=1^:
^..^
IGtp:
S:
t/ /
^^^ iir^
at>'-|>
u^
i
Baron. (m .Mfrcd, with
^ ^^ ^
Alfred.
il supim-.sedanii.T.) violetta, fasidrtothe Baron.)
(car'-lessy.)
i^ '??''
F= ^ ?
^
i di lei.
lei.) Si - gnor!- (Fre - na - te-viô vi la-scio.) Ba-
^
pare ber, pray.) Good sir._ (For - bear, or else I leaveyou.) "^'by,
^
*^
-y-r
^^ gr^ ^>*P|irp
-WJii*W
r
^ ^^ ^
f
l
fc.^^*
f-
;-*î
j
t^J^ \U
r~^-
mon
149
Baron. (ironieallv-)
r rip
^^.n f rr r ? r i
r =^=^
r p P
ro - iic, m'ap-pcl
m"ap-p('l - la-ste?
la-sti Sie-tejnsi gran for-tu na, cheal
Ba - ron, dici you cali me? Surb is your \\'on-drnus for lune, that
Violetta. (asidr
1Pi i 1 i
?
^
(Che fi -
r
f,Muo-co mi
f r f r i
fen-ta-ste.
f :
Alfred.
Ir
S?
^ I ^
(irnnicallv.)
P p r p
(What will
^
La di- sfi- da^c- cet
I
-
^^ ^
lo.
^
be
I to play am tenipt-ed. Do I ae-cept the ehallenpe.
a? nio rir mi scn - to! pie- ta, gran Pio,pio-ta, gran Dio, di
tide? oh I must part them! for-sake me nnt, ohHeav''n,for-Kake me
^^^^^ A^ ^3 morendo
i
^ ff ir^ '^^^
w^
trtr 'tr 'rr
*
^^^^ M=*t=^tt
S r grpÛ^ #- ! !
'
mtf
x^
S
te:
mev
^ Alfred. (stiikcs.)
p p p r p P P
Ed ai-la man- ca cento.
I
^=^
not!) Andl a hun - drcd ;il-so.
Baron. (stakes.)
!'!
> ff Ff ^=^ 3EE
i
*'
Cen-to lu-i - pia dc-stra.
1 stake a hun - dred lou-is.
FI. & ("1.
=te
F=g 53 li 7
-pfpfiFp
"y
fS^^( ^ î*W
:^=
PP 'e >-tin
Mxtf
-7"
^s -^
^*^^
i
S^-P:
tbMMzXMMMXW: ^^ ir
14400
150
Gaston.(cu<ting.) Baron.
(to AlfredA
^|^
l
,''
t ,> p4^^'7 1
p
hk
{f-i'vi n |
rj^pg
Un as-so_ un fan-te_ hai vin-to! Il
^s yXT
1."
ri
^
^J
-K
7i|
i=^
J JJJ J
3
I^
An
^
ace_
^^
Mtfna m
a
mx.
^^ ^^^m
knavc
jJ JjJJi
you've \ôn! Two
t^
I
-ir/-
57
ijttji
7 w^^m
Alfred. Gaston. (cutting.)
'J^î'i> r 'i'n r Ph J'7> 7 i ^ i n

1^
dop-pio'.' 11 dop - pio si- a. Un
> r> l
\
/.
if
hundred?The stakes are doubl d.
.
7 l
if
Mm ^
f^f*fti ^ ^
SBBS ^^
7if y
g=T^
A
m ^
J-U',1. !^4E Jmmt J mJJJA
l
i^t
\
iJ" *)
Alfred.
.Nj^,
>:b
n> f^'^\i
quattro-
p IP P ? i
un set-te_
np p p
Pur la vit-to -
r p i-jT-J^T-r
riae mi- a!
^ four_ a seven_
Doctor
R
t^t
-H
V.
An-co-ra!
ForAl-t'red!
Mustl be stili a win-ner?
^ Marquis
t ?PPr
An-co-ra !
^
ForAl-frert'
pi
An-co-ral
S
o ^
?br Al-fred!
pr^
^
An-co-ra!
Kor Al-fred!
^g An-co-ra!
Kor Al-fred!
^^^ f*PfI
f'V^^p DJ
^^ u!^
r f
I
S-
Ji i J *^ '
:^z*tr: I
' ' ' '
0j ' ' '
14100
te
Gaston.
Hra-vo
^^
dav-vt'r! la S(ir -
^
te e (ut -
^
ta
^m
per Al - fre - do!
I I
151
S Vb
Well done, in-deed!
f f f
Bra-vo dav-ver!
B ,
and
la
ff
eaeh
i f
sor -
tinie
f
te
>
the
?

game has
tut - ta
^turn'd
per
for
Al-
Al
fre
-
-
fred!
^-^-^
do!
^ v\
Well done, in-deed!
p p p
Bra-vo dav-ver!
\r^
and
la
each
sor -
time
P
te
:
the
M

game has
J
tut -
J'
ta
turn'd
J
per
^
for
Al-
Al
fre
-
-
fred!
do!
-^H^
Well done, in-deed! and each time the game has turn'd for Al - fred!
'p\> III -^hr y,^

Bra-vo dav-ver! la sor - te e tut - ta per Al fre - Xi
ao!
Well done, in-deed! and each time the t,âme has turn'd for Al - fred!
P^-flHhf^ Rra- vo dav-ver! sor

^
la - ti' tut - ta t)er Al fre
're - doo:
Well doneîn-deed! and each time the game has turn'd for Al fred!
3?S
w iâ - vo dav-veir! la
t f
sor
,g ^ F ^mm^^^
tut - ta per Al - fre - do!
-*i*-
Wi'l! done, in-deed! and each time the game has turn'd for Al - fred!
Del vil-leg-giar la spe - sa fa - r;Hl ba - ron, giul ve- do.

Plain-ly, our friend the Ba - ron will bear the night's ex-penses.
Tig ...'j r .jj!;; ; , ,4 Si^

[ I
f-j

Enter a Servant.
fe
Alfred (to the Baron.)
P r p I
r
'>" fe^ i: ^ v '. ! ,<;
Flora.
'r
Se- gui - te pur! La ce - naê pronta, An-

Will you go on'.' The sup- per's read-y. Let's
w
^ 7
f^*^
Vi,
^SF ^^
^ t*5<P?*
Il
^^
II I
I
^^
g..^^
l'iOO
f ^
152 (^Thfy goout, Icaving
Violetta (asiilr.)
j / P
dia-nio
P
7 ^ n ^ -
^
=P
An-
^"^^^

dia-
H-
nio. (Che fi -
/
I
^r=^
^
go then. Gaston
i Ali- dia- nio.

Let's
I
go
.F P
then.
^ ^
Let's
^
g-o
1^
then. (What
=S
Ali -
We
will
diam.
come.
^ j
be
"y
Doctor. -- i f>-
^ E^
An - dia- mo. Ali - diam.
Let's go then. We come.
f/iarquis. -p-
Ali- dia- mo.

-0- -
fi y 3 ^
.Ali -
P
diam.
^^ V
Let's go then. W'e come.
E^
V\ i '/ t
^
An-
Let's
t
ff
dia
go
- mo
then
7 ^ 7 h
An
We
- diam.
come.
ÊE
VV i i hi
. ^=^ i y ^ f
1
>
in - dia - mo. diam.

iikii
Let's p then. We come.
^fe ^'
i ^=^ ; m ^ riti
An - dia - mo. An - diam.
Let's p;o then We come.
a.' nio - rir mi sen - to! pie -tea, gran Dio, pie- t, gran Dio, di
tide? Oh I must part theni! for-sake me not, oh Heav'n ,for-sake me
5~3
eJe^
'
!if<ltf If
J=i
^.TTi
-J.
i
J-
^
J
^
m ^m^^ ^m #S
i
tf^ ^L lifif
'
"f
_
pp
mrfM
p .
4
M me!)
1 t 1
noti) Baron.
Alfred (to the Baron.)
*:
fSe con-ti-iiuar
Would you the
vag-gra-da
game con- tin-ue?
Per
To - night
- ra noi
it is
pos-siamo:
con-cluded.
pi
an-
i]!' fj
'
7rj 7 l iMM p i '~W~^

pp
14400
153
Alfred.
'
f-,h> ^ ^^ h^ ^^ 4Fir pr
co che
M-'
vor- re
^'
^ *
far - di la ri - viti - ci-ta. Al giuo - - te
oth - er tinie 111 take revenge. At an - y game you please. sir.
.bfct^
^P^^ FfFfFfF ^^m
^ W^ jtjij
')'\j]^
L>J^J ^S ^m^^^^ -^ ;*/
i^ n i Pi
Se- guianiglia- mi
P I
P
-
p
ci
^
Our friends a - wait us.
m m
U
^^t^^^^^s ^ffli
Wff/T^
^dlLiTclir
ife^
.^^ ^^^^te
a^ IJ-3 s^^ fi
mw
^t*iW
">"J >>i
^ p
Af
-
-
^:f'pi
scia_
ter _
Alfred.
Sa
I
-
r
ro
shall
r
qiial
te
r
bra
at
-
r
me-
your
U'J^^^
re - te.
ser-vice.
m J-^
^ I
^^ ^^
*;--
A
Li'
.
|
ji
b"^ tff
f?
P^
^
(they g-o OUl.;
(.iney out.)
^^ ^ ^^
^^^^ H
Saron vun
uaiun me
(off the
N
li
aug
>.h
stag-e.)
??*'
7 f J
7
Ari-dia m.
^^
/Vti-diam.
A - way A - way.

\m^
î
[
PPP
')'\]\>
i. tr > r -^
i^pj^P iJ-p^p ^P> P 'r.>.'^
Li=^
;>>p
o
^ 7 F 7
fe in^
^
.*ST^
M>P
^
^^t
^
P 7110 re rido ppppr\
êeJee
'.^ -^=^=^
f'rt fedEÊ^
_I 3EIEE / 7 i 7
^
r ^ i
14400 n:^
-
154
(Re-enter Violetta in great agitation, afterwards Alfred.)
Allegro ag"itato assai vivo.
guirmi ver-r des-so? vor-r u- dir- mi? Ei ver-

follow; will he see me? oh will he hear me? He will
i ^
iffe
m -
i
^ 84: I S^ ^ M 3EEE
te mpo
m
a
r.
CI
n
piacere
J^ J-
Che
Jm J-
l'o-dioâ - tro - ce
J^ J- i^ J-
pu- tejn lui
I
^^
pii di mia vo
come. But dead- ly ha-tredwill pre-vail be-fore my plead
colla parte 2 -p- -^
14400
155
m Alfre d.
Mi cliia-nia-ste?
You bave calili me
,
cw bra-ma-fe?
Say yourpleasiire?
Violetta
Que-sfi
Ah! de-
lun-g}iijiljban - do-na- te,- un pe-ri^lio vi so-vra-sta. .Ali com-
^
pari fromhence, I pray thee; na;i;?htbut prrils bere surround you. I can
P ;*^
i S ^^^^*'-
n n> 7 JVJ)/- ; 4^ 7 4VJ )7

f i^ ffi
^^
Violetta.
I
pren-do! Ba - sta, basta, E s vi - le mi ere- de- te'? Ah no, no.

guessthem! Shame, be silent. And so vile indeed vou hold me.'Ah no, be-
^^^
JVl>. . te te K^ ^^= m^
^ ^
fm^4
. I
I I
Vjf=^ * Jl I
^^
^d',k
t^
^N r^
i 7
h
> 1^ S?
Violetta.
^ I
.? 7 1
n
J^7J^=
1^
Alfred. Alfred.
mLp ma-
rfMa i!
r'
che
p
te - me-te?
'^
J) i)
Tremo sem
|
g=^
r^^JV^
- prede] ba - ro-ne. E fra
lieve me!Then why your terrors? Ah, I trem - ble lest the Ba-ron We are
noi

mor-tal
p- m.
qui-sfione.
pj-'f i i'-i
r
Sei ca-dr
'l
per
p
ma
^'
-
Mf
no mi -
r
a, un sol
foes in mor - tal quarrel If my band in-deed shouid slay him, your pr
mi
S
'i\_ î: f^ 1=^ m ^m
m w^ H'
\
^^^ffi g .T J n
l[^
19400
.
156
fi
col
tect
-
-
p vi
or and
tor -
your
ri
-lev
-
-
a,
er,
^^
un sol col
your pro-tect
-
-
p vi
or and

e
tor- ri - a
your lov - er,
col-l'a
By one
fe
*=^* 1 TE^ 1^ I
-m^'V' j^^^ s ^S= ^ ^
'
,7 i)y nLy _
^--^
rriK
T^^:
ft
Violetta.
^r
eS F r- P ir r r s
^
p-
^
man - tejl pr - tet - to - re _
^-f p
Vat-ter-
i
ri -
p
sce tal
r.
scia-gura?
if^
Ma s'ei
fe
Wî *
i
^
^W^=^
blow you
^
lose for ev-
^
er;
M
AH your joys would then
t*
jvjs
n
ja^_
be
5^
^^5^^^

^^^
over. Bui if
qf
fe
PI
!> -#-
^'i,î, f P p p ^ r ^ p- e
Bqc
g
fos - selue - ci - so - re! ec-co Tu- ni - ca sven - tu - ra ch'io pa
he should be the slay- er! ah, bethink thee, I im - plore thee, 'tis for
r=^ Jf 7 J = :
^^1
t v L
Ê!P
i
-^^
7 PP f ^J 5=^ 1^ t
f^
# ^^ & E b J'f < :

Alfred.
irrn r
i
^
ven - tqâ me fa- ta - le. La mia mor-fe! che ven
that a- Ione 1 trem-ble. If he kill me why should
a î^ ^ * ^
'^^v ^ p.vp f ^
l
^^"^X-^^r^y^ ^^
M^ ^:5 ^z
T r ^
^
p
Violetta. _ L - L- Alfred, u.
TJ^ ^^TT
I , ^
^'i\ T
^
p ''p ? i F < I P i
ca - le? Deh, parti - te e sul - l'i- stante Par- ti -
you care'.' 1 be-seech thee. go hence, de- lay not. I will
^
m^ ^ y '
i
sh
,
,
ii:9
f
f -
U'^' r ' r /^^rf'r r^"~~r& ^" ^^ '4
-^^rn pS >
14400
? ^P^P^^ 7 L7j)7 :

137
w
^>
xJ
l
^^
r,
go,
^ -
ma giu-rain- nan-fe
if first
r
thou
I
r
swearme
y ^r
che
that from
do - vun-que
hencethou
^ se-gui
too wilt
-
b
ra - i,
tear thee. that

3
m
se-gui-
my
^g
Violetta.
s t riir P i
r'r
Ah no, giam-ma- i. Va, sciagu-
^m rai i
^t=^
pas-si
m
mie - i.
A-las, I can-not;
No,
jq^
giam-ma- i?
Ohme,un-
^^^^^^^

m footsteps thou wilt fol -
it-
low. What!
$1
you can-not?
T
^=^
i^^^: iU^ #
lî
^ ES
^^ --^^:
#
[>
i^^ -JP î'^P
K ^J'?
r'a-to!
happy!
j^J-'Jm't
r
scordaiin no-me
Go, for-get me
< i
>ff i^r'r
ch'in-fa-ma-
and my
fo,
sor- row,
<
pp
va,
I
mi
i r
lascia
con-jure thee,
r ^
^
sul mo-
nor re-
^^^^ ^^^ ^ TW^ F^

pps ^ *
m f ^JT /P
V-i,'' i
^^P f^^^
>, T
(..T r ~y
F
s7ff ?
^j/P
T KTffT
L 1
>->~~^ ~~
M, r^r ^r F E T r- ^
i^'ii^
^
men-to di fug- gir - tiun gi - ra - men - to sa- crocio
mem-ber that a fa - tal oath com-pels me to re-
^^^^^ma f^mi"''% '^î '^ ^

^s y^ ' y^' j.'F '
yr yr y^' ^
14400
^
158
Alfred.
Vicbtta.
JVJH-|tJ)J
A
i \
J'^^)t i J^
chi
-
.
J^ff
p
h^
a?
} ^'. i'
f- ci. clii? dil- lo - te - -V chi

fuse thee. For whom? Teli me. who com-pels One
^^
thee'-' to
^"^ s^
4' '
f jjjjj '
-t 3=
a jr r
'
yi- i
^-
F
'
j' i '
'
F ^
i,-F
r drif
r;
-
F
fu
r
pieii
^^
^^
ii"a - ve - a.
Alfred.
P
n
Ê?E^
^ Dou-phol?
m ^ ^^
whom I owe sub - mis-sion. Was't Dou - phol'.'
\^^m fc*
^^J 5
f-'y

m y? '
i)'F i^F ^
i'^F
t p. /
i'^F ^
i^F
m r
Violetta.
A(\vi t h p.-iinfiil cffort.; Alfre d Violetta.
r-
m Ê^ i f ^
^'
s. Dilli- que la - mi.' Eb.

Yes. Then vou love him? A-
t
i *{; >
^p
s i^F ^
yi-
Alfred.
(furiously rushini^ to
^^^Êt^^
^ ^
throw open the door.)
ben
?^^ i^
la - nio.
< ^ P
Or
f
tut
F
tiji
las! I love him. Come out and
^ '
j^j y n m
mm^
^^
'
ff
=t^=^
f^^ t^t J ti ti
* = ^=T^^ 9=^
(Ali re-enfcr hurrirdly.)
me!
hearl
'^
itEgEEi '
B li
^ t ^^ *i
4^^
"F^^
I '441)0
#
Flora.
Neap
What
-
m
pel-laste? che
Why
^
vo-le-te?
this summons?
159
Alfred (pointing to Violetta, who,overwhelmedwith

grief, leans on a tablej o support herself.)
hashappen'd?
^T^ ^ ^
Questa don - na co - no-
Gaston. As ye ali -haveknownthis
Nejip
r -
l
pel
ii
-
jj-
laste?
ir-
che
1
vo - le - te?
What has happen'd? Why this summons?
^>-f
fa-ste?
liei - che
P
vo - l-tr?
What has happen'ii ? Why this suinnioiis?
P =t
o Xejip pel -la-lt(

- te? che vo - le - te?
\'o ie 1
\Miat has happen'd? Whv this summons?
Baron, Doctor and Marquis wilh BASS.
Faf;
^Ôphicleidf & D.-b.
i *-
- r:JÛ
Chi!Vio-let-ta?
Violetta.
^3 M
h!ta-ci.)
(h!ta-ci.)
Flora.
Ne
INO.
/O r\
Who,Vio-let-ta? (Oh, silence.) No.

-- r\ /O
# -
^P P
sce-te? Che fa - ces - se non sa -pe-te?
woman, Haveye known_ Jhebond between us! r^ r\
s
^^^
Chi!Vio-let-ta? No.
Who,Vio-Iet-ta? No.
O /T^
Chi!Vio-let-ta
Chi!Vio-let-{a? No.
Who,Vio-let-ta? No. r^ r\
Chi!Vio-let-ta?
Chi!Yio-let-1
t-ta No.
Who,Vio-let-ta? No.
r^ /^
'^^^r^nr
14400
160
Allegro sostenuto.
/" Alfred
t j
-
J'Jtj-
g'iiisuojiver tal
F I r Jijji
fem-iiii-na
J
per
J'J^J^-
a-nior mio
p i
sper-de-a,
r jj'
io
i
'Twas up-on me this crea-ture vile lav- ish'dher whole pos-sessions, I
^^
a
1 ^mwim
iiii %%ii \4 1
7- J <
-
g
S
(i
^f
J'Jw
eie-co,
pg
VI - le,
j i r
mi ~-
-
pr
sere,
'sere,
< ir
flit -
rf^^"
toaccettar
to accettar p-
pc
^
te
^M
wretched, blinded, cred - ulous, trust- edher base
'
pro-fes
8
i
4* Ai
\.'M''?^ , M.9.tr
tu i ti t v
^=^ ==^
r r
animato
' '
p
r P'pr p i
r' [;^, <
Ma^ tempoanco - ra! ter - ger-mi da tali- fa mac - chia bra - mo,
Ali I ac-cept - ed, lov - ing her, but since I bave un - mask'd her,
w
8
animato ^
M-MMA Mi
3
^^ >p r- tf
I
tffi =^
^^TWfjP^ [^"^^""""^r
^fff
:Ec:c=~K;cB;e
qui te - sti-mon vi chiamo, or te-sfimonvi chia mo,

I cali on you to witness, I cali onyou to wit - ness
*W
tE lE
i P ^
3
^^45Li^*m
r^=^
7 ^ ,^ i
^vTT'TT^
1^*1* J=lf T
^
blfljl
ri^
M
fe^^p y
"^
or t^-flti-mon
r
vi
iJ_^r
chia
cliia - mo
r
che
ir
qui,
--R^ s
che
t^
pa - ga-
qui pa-
chequi ga - aîo
faî
f
friends, up-on you to wit ness I cali, fhat I have paid her
14400
161
CWith furious disdain he throws a purse at the feet of Violetta, who faints in Flora s arms.)
^^ Velocissimo.
l'ho!
iiow.
(EntiT Germont.)
Gaston
Olun-famiajir-
01i.in-f;imia or- ri -fii-le
-fii-lc tu commct
eommct - tc-sti!
te-sti! dn
un cor sen
scn - si-bi - le eo-si uc-ei -
Sliame oii itie rni-el-ty tliy lipshave spoken! A foiid and faithful lieart foul-lythou'st
Baron,Doctor and Marquis.
^ r> U ,* rr r~~ ^^ ^^ '-

\
^
Ohjn-faniia_pr - ri - bi -le tu commet te-sti! un cor sen -si-bi - le iio-srijc-ci -
Shameoiithe oru-el-tv thy lps bave spoken! A fond and faitlifiil heart foul-lythou'st
.Li
tu commet
$ Î
tc-sti! iln
bave spoken! A
'f^
cor sen

SI -1)1
fond and faithful lieart
- le
B
C0-S)JJC-C1 -
M
tliy lips foul -y thou'it
co
3
;-i
m M iEEl ^^
^
o commet
Oluin-famiajir - ri - tu te-sti! un cor Sen - Si -bi - h co-suic-ci -
Shaine onthe cru- el-ty thy lipshave spoken! A fond and faithful heart foul-ly thou'st
P^l
^
A
H 4 gE^ Velocissimo.
Ma E^ m 4
^MM ^M BS #

m\ J
Tutu.
cj m ^ ^
14400
i r
162
f ^ h i. l r i
i^zr
it m
^
a - na - ti, ne de-sli_or- ror! Va, va, va, va, va, va, ne
shunn'd from our mid'st shalt dn - p;irt. Go, go, go, go, wc will not
Ê^^^m ^m^ ta - na - ti, ne

igEE
de-stijjr - ror! Va, va,
Marquis 2nd Bass
va, va, va, va, ne
shunn'd from our mid'st shalt de- part. Go, go, go, go, \\e will not
^''1.
ta -
^
shunn'd
^
L-A
na -ne
from our midst
p
ti,
^^
ae-stiîr-
ae-sti'
bhalt
rnr!
de -part.
E
Va,
Go,
P
i^-T-f-
va,
go.
va,
Ko,
=2=
va,
go,
va,
\ve
^va,
will
ne
not
$ s
k=3
ta
shunn'd
-
^ ^m
na - ti,
from our midst shalt

ne de-stinr - ror;
de-sti_nr
de part.
Vi,
Go, go,
*
va,
go,
va,
go,
va,
\\e
mva,
will
ne
not
p s ^r^=^ m
mAi
ifr
f ^
:sc
I
^^ ^^ r ^m=^
TT3
ffi
cali
de-stipr - ror!
-^^
thee friend!
^
Di
He
pr
don-nqj- gno-bi - le
who a wo-man defence-less in
^
in - sul - ta
^
Ii^ to
sult
- re,
-
=^
ed,
iaal4on
di ;jnajil4on-
.shunn'd and des-
^^4 } \
\
l 'h\i \:u \
t^H \
^ Qw M
^
de-sti_pr - ror! Di don-nej gno-bi - le in - sul - ta fo - re, di (jua^l-lon-
wo-man
^m
cali thee friend! He who a defence-less in- sult ed, shunnd and des-
^ ^
-

^ -t t--r
^ ^^ ^
^ ^ r r
de-stij)r - ror! Di don-ne_i gno-bi - le in - sul-ta to - re, di quajil-lon-
cali thee friend! He who a wo-man de fence-less in sult - ed, shunn'd and des
m^ cali
de-sti or - ror!
thee friend!
Di
He who
y^
don-neJ
a
gno-bi
wo-man
- le in -
defence-less
sul-ta
in
to - re
sult - ed,
di
k^
&:
7
quaal-lon-
shunnd and des-
tj:
^.!.. fa
m ^ ^m ;l-a iuJ)
rnt f}\t h
jxji
s f felf ,
^ ^n n
f:

-
t
- m^_^ n 2Z "E I
^
1440 \^
^r^ ^^ ] \}* ^9^^ ^^
163
^
Uv
w r
F 'N
de-sfij)r-ror, ne
'.-M'hr
de-stior- ror,
y \f r
de-stipr
\
'
ne
i r r ir
ror,
f
ne
ta - iia - ii, ne_ -
^
liis'd fromour midst shiilt de-part,shunnd and des-pis'd tliou shalt de - part,shunncl
X ^-^^
ta - na - fi, ne de-stior -ror,
de-stij)r-ror, ne de-stior
df - ror, ne de-stij)r - ror, ne
i^^^ ^ m
pisci from our midst shalt de-part,shunnd and des-pis'd tliou shalt de - part,shunn'd
T r iP T i
ta na ne
- ti,ae-sfi_or-ror, ne de-sti_pr - ror, ne de-sti_nr -
ror, ne
pis'd from our midst bhalt de-part,shunnd and des-pisd fhou shalt (ie part, shuiin'd
^m * ta - na - ti, ne dc-stijir-
(Ic-stior ror, ne
fei i
de-sti or - ror, ne
^^ m
de-stij)r
i ror, ne
from our midst shalt de-part,shunn'd and des-pisd thou bhalt de
^ 1^ ^ part, shimnd
-
pis'd
P^ m h=if
1
^=t^
mp=^ ^m
m
m - dr^ ^
e
I y
^^
s
it^njj^ i ^
^^
'
i.
r
r
de-sf ijr - ror,
i
rf
ne
and des-pis'd thou shlt de -part,
i
r

^#^
de-stij)r-ror, ne
thou
de
shalt
-
-P-
siior
de
-
-
^ ror, ne
part,shunn'd and des-
de-sti_pr-
B^ AU
de-stij)r- ror, ne
and des-pis'd thou shalt de -part,
4
i
de-stij)r-ror, ne
thou
h
de
shalt
-
h
stior
de
^m
ror, ne
part,shunn'd and des-
de-sti_or-
de-sti_nr- ror,
and des
^
*=
pis'd
ne
^
de-sti or ror,
thou shalt de- part,
ne
thou
E
de
shalt
^^?
sfi or
de
- ror, ne de-sti or-
partjshunnd and des
im de-sfi_or

^m
-I
ror,
t-
ne
^
de-stijir-ror, ne de stij)r ror, ne de^ti or-
u t
and des pis'd thou shalt de -part, thou shalt de part,shunn'd and des
^4^ S i;
14400
164
ih r p
ror,
pis'd
ne
thou
i r
de
shalt
r
- stij)r
de -
-
ir
ror, ne
'f i
r
de-stij)r
part,shunnd and des
r i
T
ror,
pis'd
f
ne
thou
^ de-
shalt
:
sti_or -
de -
ror,
part,
^ ror, ne

de-sfi_or -
i
ror, ne
^ de-s(ij)r - ror, ne de-sti_or - ror,
^ P^ i^
pis'd thou Khalt de - part, shunn'd and des - pis'd thou shalt de - part.
^:fci
^m ror, ne de- sti_or ror, ne de-stk)r ror, ne te-
=t
sti or -
it
ror.
^
pis'd thou shalt de part, bhunn'd and des pis'd thou shalt de - part,
-^ î^
m af Êt
W ror, ne de - stij)r - ror, ne de-sti_pr ror, ne de-sti_or - ror,
pis'd thou shalt de - part, shunnd and des pis'd thou shalt de - part,
^ 4^ *^=^
te f
m S
r
^ i Umm ^^ -.
14400
^ P #
N9 15. "Di sprezzo de'^no se stesso rende.,, 165

Continuation of Finale) II.
Germont (dig-nifii'd, but aiigry.)
Larg-o
Voice. P?uT-J
Di
^'"
MP
sprez-zo (le-^''no
de-U'iio
P
^ V PP'MP
se stes-so ren-
rcii-de,
de,
M V
f
chi pur nel-
chi
feg:
'Tis shame to man-hood t'in-sult a wo-man. of o-dious
T ^TTT t : MS-m^-^ ^ fe
Piano.
^b^c; i
.Sfr. pi//
I Thr
i^
grand/oso
*
s rw
Sffi
l'i - ra
-^ ^^^^fe^
la don- naof -
^
leu - de.

Dov' e

imo
^ harsh- ness
t
ti mazi^
thou hast been fûilt -
'JUJT^
y.
3
The son
3
I
^m
^
j <
PE^ fi
eher
-
-
glie?
lio?
ishd
pi non
is lost for
^
lo ve
ev
do;
er,
^
in
I
p
f,
must.
]y
in
I must
F
te
^
pij\l-
re -
w
^
E5 =:
TTT
j
m IT * m t ^# ^
3& ;^
f ? r/pip
tro-var non Dov' mio fi-glio? pi non
^ a Hi
fre - do no, no, so! lo
nounce thee, my child thou art no more! I must renounce thee, I must re
-f
i =: 7 i

I
^
:
^
l
i 4t ttt
I
=?
j~r *
^0
S ^
fe
cow forza
^*^

^
r
ve - do;
P JH in
sempre
te pij^Mfre
f
-
#M do_tro -
acccl.
var.
r^ r
no,piuj\lfre-do
F^
tro var nnon
- oi
^.
J)
^
f
nounce thee, thou art my child, ah, . no, no, thou art my child, my child now no
yF^
rirr-.
i -i-J^
LT *
U'\U~n
W
mm
14400
r!i
f
fiL^
^Î ^
aerei, colla
7
i^ parte
o
166
^ Alfred (asidr.)
'
5
(Ah
Ui
mtto vce"
si! cne le-

che
am
ie -
wretched!
ci! ne sentopr-ro-re!
now
sento or- ro- re!
have
Ge-lo-sa sma-nia,
My jealous ry
de fu -
- In sqji-
so
Germont. 'Ôh, I I lost her! fu - tor-ments has
Pr
so.
^^
more.
7 7
P
1^ ^
ir *
S fc-,^^
Str>^
^^
.-[ i'ftir ff ff
.- .^
^^ ^l-'^^^^J^^
JE
^
P p p
mo-
mo - re al-ma, pi non ra-gio-no_.
mi sf razian lai-ma, ra-e-io-nc da lei per-do-no pi non a
cost her, Madness inspir'd me, hopeless of pardon-deathwould be welcome, ali hope is
m
^
f'jl'
i^' i>
p
-pV;^ p
m
fi-
s
-*
7
^^'^
7
Fpn ^^
^
fe^
3
-^
p
f?
* -
P^F^
vr. Vo - lea fug-gir-la, non ho po-lu-to, f dal - li - ra spin-to son qui ve-
o'er. Vain- ly to fly her when I en-deavor'd, My heart de-vot-ed would not be
^^ E
b? t^-^-^
P
t|ir
>P
^
m \}\
jj^ '^=
m -u m ^m
1
^'^ iOsr
nu-to! Or che
ifp g^.^^
lo sdegno ho
F W^F
di- sfo-ga-fo, me
B 1
sciagu-ra
.^'F p
- to!
^l'^^J^
ri-mor-so
sev-er'd! While I with hatred fainwould pursue her, Hersweet remembrance stili I a-
trr n ?I
i
P ^
m
g^
i -9 -* n
14400
167
Violetta.
* Flora. (fo Violetta)

4m*~
=a ^
Sad
pan -IO pe - hi!
qilan-io
heart,havecou-rage,
ma
t\
we
pur
share
fta
thy
Alfred.
i W=^ n'ho'.

1Im
he
dor!
Gaston.
m Sad
^'
^ F ^'
quan - to pe - ni!
heart,have cou-rape,
'^'
ma
^\e
m ^f pii
share
- te
in
fa
thy
=^
GprmonasidiiL
^^ PPP^-
(Io_
(Ah,
Baron. (aside to Alfred)
f rr
sol
none but
fra
LTr
tan
l
s
ti
must
=^
so
know
qiial vir
what
'H\ ?P
IVP- _ :.
P
i>
\>
T.
\' ^^^
t
t. fi
7 7 7 ^"P F P P P^^P P P
A que-stajji que-sta don-na, a que-sta don-na la-tro-ceîn-
I warn thee.for this in-sult, that for this in - sult I will have
Doctor.

168
m
s cor,
wop,
qui
Ali
^ r -ff
r
ff
sof-fre_o-giiii
f r
no
hfre tlivlifarts truf
-
r
del
de -
'
tuo
vo
fdo
tion
i^ E
fe ci!
:5
(Si
wretch ed!
m
A-
^ ^^^ & :^
^ 4:
cor, qui '
sof-frc_o- gnu - no dv. tu do

wop, ;ill here thj- lit'art's triif de vo tion
>-
^^^
feE^
k
^
k
f
P
*-
tn - de di quel -la mi - se - rail scn rac

vir - tue dwells in tliat lieart so be - reft and for
V%'l. ^P
sul - to
d^^
P
qui
M
tut -
^ f-^ !>
ti_of-fe - se,
. 7 yP
ma
^-f
' r
non i-nul-to
,
f-
^.
'?,
r,
^^^
fia
g -^
tan-to_ol-
vengeance both swiftandspeedy, wher eer I meet thee my .sw ord is
^
cor, qui _ -gnu - no
sof-freo-gni del tuo do
woe, ali - here thy heart's trup de - vo tion
mî cor, qui

^ ^r=^
sof-fre_p-gnu no - del tuo
s
do
woe, ali here thy heart's true de \0 tion
^^=^
IW cor, qui
?
sr)f-frp_o-gnu - ho lr] tuo
woe, ali . here thv heart's true de VO tion
m E=
eor, qui
=^ m: m
sof-fre_o-.t;riu - no tu -
m do
PS^
i
woe,
eor,
woe,
ali
qui
ali
-
.
^ here thv
v=^
hearts true
s'of-fre_o-,i;nu
here thv heart's
- no
true
de
del
de -
tuo
vo
vo tion
do
tion
14100

109
i
y 1 M
^
lor; fra ca - ria - nii - ri qui sci sol
se -
know; The friends that love tliee .hall re - as -
^ ^ ff ^^ ff 7
^
me! ohi - me, che te
f - ci! ne sen - fo_pr
las! Ah, I have lost her! hope less of
i gE 7 7 J^' > J^ 7 7 J-)

^> J)
^- ~r lor,- fra ca - riji - mi - ci qui sei sol
know; The friends that love thee shall re . as
m
i^'^L k
diiu
^
- de,
7 7
7
10
,ff
so
F
che la
g
-
P
ma,
^ ^ g
che
F
Kli_
g
f
sak - en, A - las, she loves him, her lieart is
^ p^
trag
,ff
- gio,
^ ^ F
pr -
F
var
i
vi vo
^
-
F.
glio,
^ ^ r
pr
my
-
F
var
sword
p
vi
rea - dy, Ay sword is rea - dy, is
m^ lor,-
1 1
F
fra
F
ca
Ce -a ri
F
- mi
e
-
^
ci
' '
F
qui
F
sei
Sei
^ sol
se
know; The friends that love thee shall re - as
S 7 7
-F- P F p
r 1 1
lor, fra ca - ri a
riji - mi
ni
j
t j
F.
qui
F.
sei
F
sol
know; The friends that love thee shall re as
^^
-
is
t Fi' vh
d: 7 7
b
ji
:^
j.
1)
lor; fra ca - riji - mi - ci qui sei sol

kiiow: The friends that love thee shall re - as
i.i=^
-w^^
lor;
know;
7 7
î
fra
The
i
ea -
friends
riji
that
i
-
\
love
i
i
mi -
.
ci
thee
^ . . TVm
qui
shall
sei
re -
sol
as
^^ 7 7
F P f 8 p
7 7
lor; fra ca - ria
ri a - ini
tni - ci
i-i qui sei sol
sol
know; The friends that love thee shall re - as
s \ ^-
7 7 j ^m 7 7 f
si^=^ 7 7 =7=^ ||
I
:
14100
170
'wifh a faint vo ice,
m
Teturned to eonsciousness )
^ ^
Al- fre- do.Al-
Al - fred,
i^ tiin - to,
sure thee,
ra
give
- sriu-tâil pian-fo
o'er tliy sor-row,
dir
tii rie
fi -
will
non
re -
- d.
store.
i ro - re, ila per- do -no

lei
U-
lit
pi

non a - vro.)
pardon, deathwould be welcome, al i hope is oer.)
;fe
(^ ^'1,
J' Jw ^^r
tan - to, ra-sciu-^''a il pian-to che l'i - non- d.
Sure tliee, sive oVr ttiy sor-row, tiiiie will re - store.
^^ ^ i de -
?le; ep -
:z
pur
êI 77
cru-de - li'
r
ta - eer
ff r-
do - vroD
faith-ful;
m:
I must he rrii-el,
PP^
*=ehyr
for

tJiey
:
must parti
->^
S vo - "-'Ilo
trli(
T=^ i
V
chtMl
i;
- L
- \
vo-atro_or-f<o-^;'l!0
i
fiac-ear sa - pr!
rea-dy, thou shall be pun-ish'd, of that be sure.
J'r'fr
^^'1. i'
tan - to,
r
ra- sciu-gajl pian-to
r
F f^M'T]- che fi - non - d.
^S
s
sure thee,
tan-to,
*'n .r
^^fr
''
give o'er
r
r
^
thy sor- row,
ra - seiu-g-ajl pian-to
^ ^^^
time will r e - store.
j'
ehe
j'
t'i - non - do.
j
sure thee, give o'er thy sor- row, time will re -store.
^^^
ws
i tan - to,
^SL w^m
Fa-sciu^fjînl pân-t^)
^FT:
che
fe^ i
^ i' t^
t'i - non - d.
sure thee, ive o'er tiv sor- row, time will re - store.
tan-to, '' ra- sciu-fcail pian-to che

(-ne non - d.
ti - ilor
sure thee, give o'er thy sor-row, time will re- store.
- ?
but impassioned maniier)
fre - do, di que . sto eo - re non puoi eonipren - de-re tnt- to la,
Al -fred, a-las, thou knowstnot How true and ten - derly this heart hath
5;
14400
171
i.
Cir
mo - re,
r f'T P i
r'jr^
tu non co- no- sci
r-
P^P
chenon
lIrr
fi -
'
prcz-zo
/.I
'-^'^'
del tuo
^ di
Iov'd_thee, Withfaithun- daunt-ed, \vhentri - ais prov'd me, I brav'd thy
=^
iu g^ y !f
'ii HHi si*
-'i fi{ii\^.^^
^9
ancora pianixximn
J ir 9"
sprez - zo
:5
^m
pro-va-trH(i 1 ho.
if
fi;
Ma ver- ra
^
^
scorn - ing- but that is o'er. Buttimewill
fe F
Quan-to pe - ni! fa cor!
Oh have cour - age, sad heart!
^ PP ?
Oliiihe!('he
ine!('he f - ci!
i!
s
ne !ient_orror!
fie sento o
m ^pp
^
Quan-to
Oh I havelosther,
pe
^ allhope is oer!
ni! fa cor!
ss Oh have cour - age, sad heart!
s^ := %S
Pro-var
Xjv^
^
VI Vfig-llO
,? Wher-e'er j> I meetthee.
PP
P P P P F
Quan-to pe ni! fa cor!
3?
^?i^
Oh have cour age, sad
^ heart!
^
J: J' J) ]' J'
Quan-to pe ni! fa cor!
m
Oh have cour age, sad heart!
rp-K
= ^:
J:
Quan-t(i
> p
J> l
hi:
!
la
j
cor!
^ Oh
uan-to
(ûan-to
liave rour
pe -
as^'p,
ni!
sali
fa
heart!
cor!
mE m
n
<tli have
(ûan-to
Oh have
j'
cour
j.
pe
cour
at;e,
ni!
age, sad
sad
j.
fa
^ heart!
cor!
heart!
144110
172
Ig ^m 6 i i^
tcm - p, in('lip_il sa - pra - i_ co--me ta -
show thee. a-las, too sure - ly, Howthouhast
P }>
quan-to
i' J>
pe - ni! fa
Oh have cour- age, sad
'}'
i>
cor!
J
heartl
i
a ^P
ini<'!chpn'-ci
01)ini<'!6hp f- 'ci riest'ii-to
rie
! or-ror
.'ên-t6_or-ror!
Oh I havelosther, allhopeis^ o'er!
ii rP
quan-to
P F
pe - ni! fa
P P
cor!
^ ^ :S
(Io so
(A- las,
che l'a
she loves
Oh have cour- age, sad
ma,
him.

heart!
S fe
1S
chejlvo -
P^
strprgoglio
mv sword is ready,

3S P P P P P
quan-to pe - ni! fa cor!
Oh have cour. age, sad heart!
s P
quan-to
Oh have
P P
pe
coiir-
P
ni!
age, sad
P
fa
^^
cor!
heart!
I ^m$
quan-to pe .
f=t
ni! fa ror I
Oli iiave cour ape, sad heart !
fe !E^?
quan-to pe
pp - ni! fa r r !
f)li have cour ape, sad heart
^S
!
quan-to
uan-to pe - ni !
; fa
la cnr!
Oh have cour age, sac heart !
14400
173
mas - si_ _con-fps- se - ra Dio (lai ri -
wrong'd one _who lov'd thee pure That on that
# : ' ].'
quaii-to
oh have
i'
pe - ni
i'
fa
cour - age, sad
!
i' J
cor!
heart!
i
m ^tM
ohimlche ir -ci! ne sen-to or-ror!
oh I have lost her, ali hope is c'eri
s
^ ?
quan-to
p p p
pe - ni! fa
p r
cor!
^
oh have cour- age, sad heart!
S
7-\}\ r P
I /P'
'
Dt
chpg;lij' f- de -
-le;
^
herheart
S
is faith fui,
i
wm
fiac-car 5a-pro!
of that he sure.
m quan-to pe - ni! fa
fC
cor!
oh have cour - age, sad heart!
3Sm ^'P p r^ ^ ^
quan-to pe - ni! fa cor!
oh have cour- age, sad heart!
m, quan-to pe - ni! fa cor!

m quan-to
nian-to
oh have
pe
pf - ni! fa
cour - age, sad
cor!
heart!
^s ^p
quan-to
p p
pe - ni! fa
p p r
cor!
*
^^
^M
H Jet-
^ eeI
wm
14400
174
S mor-si ti saiil -
Mf^p
vi_al-lo
r'p
- ra,dai ri- mor-si,dai
r^ f##
^'
ri - mor-siDioti _ salvi, salvijil-
p y'p rr'r
day fpll re-morse niay spare thee.that remorse,remorseraaysparetliee,IHeavn,IHeavhwillim-
in IZt
Fra ca ria mi
^^ SE
ci
^ ^
- - - sei!
share thy bit - ter woe!
:5 r T r t
p r I
Ge-lo-sa Sina - nia,(le-lu - so_a - mor!
^ Fra
We
Myjralous rage
ca
share
-
I
ri
thy
a
invaio
mi
bit
de
ter
-
I
plore!
P
CIi
woe!
1
7
g ^ Ep
I
pur
must
cru
be
- de
cru
fef
le!
eli
B
??F^ ^^ '- i ? 5*
riie il vo - stro_pr - ;o - glio,
Yes, thou shalt be pun ish'd.
S^^^ Fra
i
ca - ri a mi CI sei
^
!
i^
S
We
Fra
We
share
ca
share
-
thy
riji
thy
-
^
bit
mi
bit
-
-
ter
ci
ter
woe!
sei
woe!
5EE
!
P^
i
^
ia gp
--^
:^
p=
.^ ffjff/frf
i
'd ! ^ ^ it
^
^ ***^'Tj-m
s^ FCrf Md
t:!rt:
sa
i
[Efe
14400
^*.ff Jff
fmri
*-+-
-\
\
J PB -wtj
^^^ L!!
staccato
175
'
P f'
oiiimlohe
P P
f -
P ^ P P F
ne sentojor-ro- re!
ci!
t' P'H F F P ^ ?
ge-lo - sa sma-nia, de -
? F
lu-sq_a-
Oh I ani wretched, now I have lost her! ali hope of par-don for me is
SS S 1
ra sciu - - gajl
ali bere thy
^m ep pur cru -
for they must
3^ cheil vo -
P
stroor
thou shalt be
^9f ^
ra -
^
sciu
ali bere thy
99i=P
ra seiu ga_il
ali bere thy
i gs ra -
m
SCIU
^s
a li
ali bere thy
m EE3E 1ra sciu

bere
^'a il
tbv-
14400

176
ffi
m
co
morse
-
^
ra
may
t a
spare
P
me
thee,
-
r
ro,
ll.
"r
fa
Heav'n
me
im
^r^
pian
m =^ ^
- to che t'i non-
heart's true de - vo tion
p
mo-re
p
'r r p f l'tftn
mi strazianTal- ma, pi non ra-gio-no; da lei per-do-no
'i' r p(t
pi non a
'{ m
i ^ pian - to
^
o-ver, madness inspir'd me, hope-less of par-don, deathwould bewel-come, allhope is
g
che ti non
&
heart's
S;
de
part
-
true
now
^ de
for
ta -
- vo
cer
ev
tion
g
do
er -
-
^m ô
S
glio
^^
fiac- car
m
sa
pun - ish'd of that be
^m glio
m^
fiac-car
m
sa -
mm pian
i^
to
m^
che t'i
m
non
m=$ "
E
^ non-
pian - to che t'i
heart's
pian-
heart's
true
T
to
true
^
de
che
de
- vo
ti
vo
tion
P
non-
tion
5?P3?
pian-
3
to
^m
che t'i non-
tieart's true de - vo tiou
t=:
ta
:w- :t_]L
3 ^^
14400
177
is ro.
plore !
^M^
Dai.
Oh_
ri-
my
do,
know.
f
SI ve
3vro.
J
Vo -
J''
lea
^.'^
fti^; - )j:ir
P
la,
P
non
P
ho
P
po-
o"er. Vain - ly to fly_ her, when I en -
1^ (lo,
:e
ra
know, give
a^ P p ^P e / F t-
p
^
vro, io so cho l'a ma, che gli f-
Jah
more, yes, she loves him, her heart is
'^^\
UJ ^'
Ej- P
^' S^
pr,. a qiie sta don na Ta
- - tro -ce in-
sure. I will have vengeance both swift and
'? .9 ^ ^.?
& UJ
3Ep
pr,
^\
ahi
UJ
quan -
^'
to
u-
pe -
P
ni! ma pur
fa
know^ the friends that love thee shall re - as
'''i>\ r r r j' r.; r i' rr n J'

r r P
^' '
d, ahi quan - to pe _ ni! ma pur fa

know, the friends__ that love thee shall re - as-
14400
178
^
sul-to qui tilt - ti of - f- se, ma non_ i - nul-fo fia tan-to ol
speedy, wher- ev - er I meet thee, my sword is ready, wher- ev- er I
'>%^t
co
'
- re,
'
qui
^t
sof-fre
'
o
^'
E;r
giiu-no
i'
del
^F
tu - o
^'
do -
i
''
C P
lo- re, fra caT^ri a
5
sure thee, give ver thy sor-row, and lime wiU
#
o - re - store; the fr|ends that
HE^r i'
-^r
^'
E/ f J'
^F ^' f'&^
co - re, qui sof-fre o gnu-no del tu - o do - lo -re, fra ca-ri a -
sure thee, giye o - ver thy sor-row, and time will re - store; the friends that
14400
Uu inJ
179
sde - giio ho di - sfo sa to, me scia-gu-ra - fui ri
ha - tred fain would pur sue her, her sweet reraem - branca yet
* s^ c)ie fi - 110)1
time will re
m LI de -
f
le
f-f
fa- cer do - vrb,
pari _ now for ev - er - more.
^ ^'1.
^P
f rag- gio,
i'
prx) -
^var
^^rS^F
vi voglio
^^'
^r
che fan- to or
V~^^ -
^'
go-glio fiac- car

^ sa
f
-
meet thee, my sword is read-y, thou soonshalt he punish'd, of that_ be
M:t mi - ci
love thee, shall
i'
fu
^
se
re
- i
-
^>
sol
as
l-F
fan-fo,
sure thee,give
^^'
ra -
-^
seiuga
o- ver
F J'
il
thy
'
^F
pian-fo
J"^
che
sorrow. time will
t'i -
_
J>
non
re
^b'i.
[j'p
mi - ci
ji
tu
^'
se - i
j'
sol -
i^p
fan - fo,
^J'
ra -
^^
scinga
;,
il
^p
pian-fo
i>
che
^^
t'i - non
love thee, shall re - as - sure thee, give o- ver thy sorrow, time will_ re -
14400
-
180
^ ro, ah
al -
speli
thou;^h
- fa
thou
an
for
m d,
i
ra
store. .^^ ^. /^ oh ^-
,- , give
:^
i ffi
n'ho,
t
ri-mor-so n'ho ri-mor-so n'ho! or clie lo sde
dor, oh my remorse, oh my re - morse! when I with ha
^^ d,
$
ra -
store,.
"JM
S "^^ ^' ^ r T^ t I :
give
^
ep-pur eru-dcl, ep-pur cru-del, ta
I must be stero, I must be stern. and
.'nh.i^
pr,
sure,_
_ pr
p
my
-
.gi-^^F
var
sword
vi
is
vo-glio
read-y,
^'
clie
thou
^
tau
shalt_
-
p
foor
be
iiî]
go-glio fiac
punish'd,
i:
of
-
îi
car
that
sa
be
'H\. \
^
d,
F
fra
:73
ca -
'
riji -
^r
mi - ci
T
tu
^
sei
; F
sol -
iî>
tan- to,
P
ra -
^jp
sciu-ga
j'
il
'>î,i'i. i
store,
i^
d,
_
store, _ the
the
P
fra
friends that
J?] ^
ca - riji
friends that
-
love thee shall re
E^p
mi - ci
love thee shall

^F
tu
[
sei
re
^ -
as
sol
as
- sure thee, give
iî>
tan - to,
sure thee, give

t'^^^
ra -
o -
sciu-ga
o -
ver
ver
thy
il
thy
14400
181
is ^m t
n.
m
e?^
co
get,
SCIU
oVr
- ra,
tho'
^
speli
thuu
thy
- fajiii
for -
CO
get
piaif^
sor -
-
to
^
ra,
me,
fa
I
clie
-
fi -
row, time will re-store,

me
am
hn
- ro,
thine
- (lo,
* g El
*-
giio
e-iio ho di - sfoga
si lo, ri-mor-so n'ho, ri - nior
tred wouldfain pursue her, hersweet remeni - brance I
de ^ :fc
fe ^ SCIU ga
1il pian -
~yi'
to
^'
che t'i-non-do,
p r
che fi
^
non
ver thy sor - row, time will re - stor e, time .will re -
m r
cer,
'
r
ep -
m'
pur cru
i
f
de - le,
^
ep -
^
pur cru -
r
del
r-r
la - cer do
they must part, for ev - er, yes, they must part for ev er
Vi'',. ^
pr,
^
pr -
i| ij]
var
^^
vi
i b^;P ^;>r
vo-glio che tan-to
or- go-glio fiac-car_
^j- p n j
sa
sure,_ my sword is read-y, thou soon shalt be punish'd, of that. be
M:
'
Jaj'
*fe^
pianto che
7
w fi - non
^ f^j
d,
P
ra -
,gj-P
sciuga il
m^
pianto che
nj
fi -
P
non
sorrow, time will_ re store, _give o-ver thy sorrow, time will re -
VA jgJ'
pianto che
^ ij?i
fi -
^
non -
k^
d,
P
ra - sciuga il
ni>^' m^
pianto che
n-j
ti
e
non
sorrow, time will re - store,_give o-ver thy sorrow, time will. re -
m
ti non d, lic ti - non - d, che ti non
will re store, time will re - store, _ lime >will re -
^\ i 'i y ^^^ ^ ^
^
ti nnn d, ra sciu - gaîl pian
will re store, time time will
^^
will,
n=^^fi=2:
t'i
~^'l
non
^ mt r^m^Tin
d, ra - sciuga il pianto che

t
d*
- non
will re store, give o-ver thv sorrow, time will re
11400
18S
nho! Vo-lea fug--gir - la, non ho p tu fo,_ dal

dor Vain-ly to fly her when I en deav or'd, ah,

ra - SCIU-
d,
siore, give o'er _
pp
^m vr; io so
1Si
che Fa
/
-
P f
ma, che glie
F B=
f - del,
more, Oh yes, she loves, him, her heart is true.
>-
A a-,
pri_
^'
a que -
^'
sta
L-
do-na
p
^' ^'
la- tro-ce
^'
in -
I
ar
sul-to
P^^ qui tut - ti of
sure,_ I wilL have vengeance both swift and speed-y, wher-ev- er I
^'
^F -^f i
'^^^'i.
a"
d;,
^'
ahi
LTT
quan
^'
to
e;
pe-ni!
p
ma pur fa co - re,
J'
qui sof-fre<,-
>
store. the friends that love thee shall re - as sure thee, give - ver thy
'^'i\
LIT J'
ahi
^
quan
^'
to
n; r
pe-ni!
^'
ma
^
pur_ fa co-
H re,
1'
qui
^^
sof-fre
d; o
store. the friends that love thee shall re - as - sure thee, give o - ver thy
PP.
l't'iOO
.
183
i Dio
^ s
fi sai - vijil -
P
liir, speli - tajui
m thou. tho' thou
-
I'
g;ijl
thv
for -
pian
sor
get,
;>
-
-
;.
tu
row,
i
oh my
k.
spili - to_ SDII qui ve or che lo sde - giio ho di - sfo

heart wouid not be_ sev-er'd! when I with ha - tred fain would pur
m gajl
thy
pian
sor

-
- to
row,
I
che
time
^^ e f - del,
'
. [^[.
ep-pur cru - de -
LT t'
le
P sfe
ta - cer do
she is true, yettheymust pari. now for ev - er
^'1,
CTF
f - se,
i'
ma
^
non _
J'
i
l
"
[ ;p
niil-to fia
i'C/P
tan-to
^'
&F
ol-trag-gio, pr- var
^'
US vi
meet thee, my sword is read-y, wher- ev- er I meet thee. my sword is
^ 1:
i\
I > f^m-^
Cfp
gnuno
j'
del
5^p
fu - o
i>
do -
i "^p
lo - re, fra
m
ea-ri a -
^^^
mi - ci fu
s s
se - i
s
sol
m^r^' ^ sorrow, and time will
gnuno
re
^'
do
- store thee. the friends that
!
''
/ r
i-' /'
ca-ri
i-'
love thee shal!
&
mi-
r
i'
re
l'
as
^
del tu - o - lo - re, fra a - ci fu se - i sol
sorrow, and time will re - store thee, the friends that love thee shall re - as
m fe#^^=
mi -
t
CI
fe
sei,
*E S
ah! Si, fra
1 il '/
share thy woe, the friends
^
that
mi^' mi -
i,^
CI
-t.
sei
Ee
ah!
^fe^
Si, tra
share thy the friends that
14400

184
ga to, me ri - mor-so
sue ber, ber s\\ eet remeni - brance \tt I a - Oh my re
*F=F
ti non do,
will re store.
m,s
vro,
i^
ep-pur cru-del,
more, I must be stern,
M. flTF
î' ^^' > L'F J^
^ >-J^ P -^
*
'^
vo-glio, che tan - fo or - go-glio fiac-car sa - pr,_ pr - var vi

read-j-, tbou soon shalt be punish'd, of that_ be sure, mj' sword is
^n'-i. ^
^Mi' -g^' j. :f M' -^ }' "-?^ p -IP
tan-fo, ra sciu-ga il pian-fo clie t'i - non d, fra ca riji - -
sure thee, give - ver thy sor-row,time \\ill_ re store,_ tbe friends that
M. fg
tan-to, ra
^J'
sciu-ga
^.^' }
il
Q^
pian-fo che f'i
>
-
^ }
non
i
ii^
d,
r
fra
J7
ca -
^
rj^ -
sure thee, give - ver thy sor-row,time \\ill_ re store,_ tbe friends that
^ *i
-
f-/
>-
J:/
/ S
^^7 ^ ^^
^^-7
ea rij - mi ei sei, ra
love thee share thy WG e. give
^1. bi
ea
.>, f
n a
Ê^
-
m
mi
s
E^
ci
7
sei,
7 ^
ra
^
-
love th> share thy woe. give
11400
^ ^^ ah
al -
spcn
thoug-h
- -
^^
""^r-
ta
thou
an
for
-
-
co
get,
ra,
tho'
speli
thou
- tajin-
for
185
hk
^ tra
Ah! give
sciu
o'er
^
thy
^'MiJ'
n'ho,
' H hF
ri-mor-so n'ho! or che lo sde
?-p [j p r
"f
gno
,-p fl
di-sfo-ga
ho
p*r
morse! oh my re - morse! when I with ha tred would fain pursue
M ^
^
ra scili - - ga il
give - - ver thy
W^^l
s
^ r
-^
f f
"^
f
ep-pur cru-del ta - cer, ep - per cru
I must be stern, and they must part for
i\ ^^%
vo-glio, che
Lcr
fan-
F
toor -
v^^[
go - glio
^
fiac -
^car
^ ^F
sa -
m
pr,_
^
pr -
W
,n\
var
^F
vi
read-y, thou shalt be pun-ish'd, of that_ be sure. njy sword-
m
is
^l'i. -p^^
mici tu sei
^F
love thee shall re -
sol
as -
- tan-to, ra
sure thee, give
^
-
^^'^'
sciu-ga il
o - ver thy
^^'
pian-to che
sor-row, time
^ ^
will
^
fi
ti -
^^
non-
ne
re
^^
S &F^P
mi -ci tu
love thee shall re
gp
sei^
-
sol
as
-
-
i^
tan-to, ra
i>
sure thee, give

^
-
^JgJ'V
sciu-ga il
o - ver thy
^^^
pian-to
sor-ro\\-,
f^
che
time
^^
will
fi - non-
re
.tri;
i V\, qj;/
som
o'er
7 jy
f-/
^ J'
to
row,
>^
che
^
time will
fi -
i^^rnon
re -
-15400
-
186
pian - to che fi - non - d, che fi non - do, ah!,
^ sor
fo,
her,
- row, tinic will
X ^^
^
ri -
^
ro - store
her sweet
mor - so
re meni
n'iio,
tinie ^w'ill
--_
ri
brance
M.
-

mor
I
re
?
so
a
- store,
dor,
fr\n
n'ho!
^^r^
;ih!-
me scia-
las!
gii
her re
# P
:^
:E
^S
pian
sor
1^
de
ev
-
.
lo
p
le,
er,
f
clici
row, time will
M'
ep
fi
pur cru - del

-
yes, they must part

- non
re
^'
-
- d,
store,

cne
time
ta
for
-
^
ti
w ili
cer
ev
- non
ilo
re

do
er
-
-
-
- ra-sciu-ga il
d, s,
store, ah gi\'e o - ver thy
It ^l
che Fa - ma, che
vr; so
more, ah she loves him, she
m
^:
m j)i^
vo-glio, che tan - to
J1J.
or- go-glio fiac-car
p jjj' F jjj Mp'^
sa - pr, e clic
n
tan-to
r
or-
read-y, thou soon shalt be punish'd, of that be sure, yes,thou soon shalt be
# MI
v^h'u^j F /]j' P n^ t= s P y^f^-P
ra-sciu-ga pian-to che fi non ra-sciu-ga
^
d, il - - d, s, il
_ give o ver thy sor- row, time will ah give o - ver thy
Mp ^^
store, - re - store,
^ ^^^
45-
d^
F
ra - sciu-ga
store,- give o - ver
ni) r^^F
il
thy
pian-to che
sor- row, time
JT]
t
wilL
non
re
^
-
-
store,
d, s, ra-sciu-ga il
"h giv e o-ver_thy
^ :
,IA ..1,.. '*'; ,, ,i.\ .1... '; T., 'i; <^^^

d, che fi - non - d, che fi non - d,
^m
^-|]i!
store, time will re - storo, time Mvill re - store, ,jh[ _
SE
d,
store,
ra
time
- - Sem
will,
:ajl
time
pian
will -
&Ei
^Q
EE?;
si,
''h f 've o
^m
ra-sciu-ga
- ver
'il
thy
,
re stor,
gg î^-ni'
d, ra - sciu-ga
F
il
njV :^
pian-to che t'i
F
non -
\ /\VA
d, S, ra-sciu-ga il
store, give o - ver thy sor- row, time wwil re - store, ,ih give o -ver thy
1*400
--
187
t a - me - r, io speiitajin-cor, pur f'a-me-ro, pur fa -ine

oh iny love, thouiihtlioutbr-j;et, stili I ain thine, thine ev-er-
la cor, (lui
(jui sol-fre_o-giiun,
sol-Ire o-triiun, (jui sotlrc o-ciuui del tuo
(lui soflrc_o-a;iuui d
do-
rive oVr, tiniewill re-store, tiinewill restore, tiraewill re
PPP
MJ-i' V
ri-mor-so
P \ H
ri-nior-so nho, ri-mor-so
^
^ ^^=
ra-to! ri - luor - so io u'Iio. ii'lio,
menibraiice I stili must a dor, oh HIV. re -morse, oh my remorse, oh niy re
PPP. ' ^= VP
n p p
n i'
^ J I
jn P P r I
p \^ \' ^
pianto che t'i - non - d, qui soffre_o-gnun del tuo do-
sof-fre_o-gnun, qui sol
sor-row, and time will re store, time will re-store, time will restore, time will re.
PP
V\ ^ P
Ta-nia, che
g
loveshim,biit
P
gli_
yi't
i
f
they must
^^ M M del,
part,
PPP.
che
.
gli_
but they must
.
f - del,
^
1^
i)art,
;> ? r
ep-pur crudel,
F
but they must part

r ^^ V
ta - cer
l'or ev -
V
do-
er
PP
'H\ U' ^
go-glio fiac-car
r> Cf
sa
I
pr,
pup
PPP
p
fiac-car sa -pr,
P l F-^-^P F
fiac-car
F T. J^
sa-pr, fiac-car sa-
punish'd, of that be. sure, of that be sure of that be sure, of that be
PPP PP
f P
pian-fo
P
che
P
t'i -
PP
non
I
pÔ'
d, fa
J'
cor,

fa cor, qui sof-freo-gnun del tuo do-
sorrow, and time will re store, time will re-store, time will restore, time will re-
PPP PP
pian-to clie t'i - non d, fa cor, fa cor, qui sof-fre_o-gnun del tuo do
sorrow, and time will re store, time will re-store. time will restore, time will re-
a f i^
^^^^llJl^ ^
a
^
cor,
o'er.
P P
l'in fn
pian-to
P
i.lm
^:
rhe tti - i
ti
non
ir\i '
d,
sor-row, and time wiil_ re store.
Pw ^m
pian-to
itz
che t'i - non - d,
^^
sor-row, and time will re - store,
fe 53E
- a-
^ *=i
PPWU,.
5S
uino

T=i I
E ÊE^
a
.
188
ro, ah t'a - me ro, 10 spen-tajin-

more, ah, oh my love ,
though thou l'or
n'ho, me sciagu - ra - fo, ri - mor-so io nho, n - mor so

morse, a his! her re-membrance I stili must a dor, oh iny re -
JL VPP.
l^
*^
\ ,
P
lor,
F
s,
F P F
ra-sciu-ga
p
il
pp
pian-to
p
che
i'
t'i - non
f J
^-
I
JM
d,
do,
?
qui
qui

:?
sor- f re_o -
store, ah srive o - ver thv sor - row, and time w ili re store, tirne will re -
^ fl M vr, so che l'a -

^
ma, che Fa -
5
ma, che
e
gli le - del,
F
\=r=f=T ^c=?
PPP
n
che gli^ fe-

1
^
more, ah she loves him, she loves him, but yet they must part, but they must
PPP
B pr,
aro
E
e
E-
che tan - fo
F r F
or -
F
go -
fT
glio
F
liac-ca
F
-
P
re
ff
sa -
1
pr, l'iac-car sa-

yes, thou soon shalt be pun-ish'd, of that be thou sure, of that be
sure,
ir*jL^^^^:-^^
%\ p
IV-iT.
lor,
store,
E
c^\
s,
ah eive
ti
vo ertili
ra-sciu-ga
F
rrn
o -
M n n
ver
il
il
thy
p
.inn i
pian-to
sor -
r\ nVxa
che
row, and time
p
'!
t*i -
"^=^
Vi/^n
non
\\ ili
'
re
-
-
I
p.
{\r\
d,
store.
M
PPP
>
tu
fa
time will
>
rTiV
cor,
re
PPP
Sg^ lor, s,
t
ra-sciu-ga
F r F
il
p"
^
pian - fo che fi - non
p^fE^
- do,
^ ^ } }
fa cor,

fa
store, ah give o - ver thy sor- row, and time will re - store, time will re
Si,
ah
ra - sciu-ga
giva o - ver
il
F
pian fo che ti - non
thy sor- row, and time will
p
^
n -
re
d,
store,
'^^'i. :
#:
1 1 l
ah
s, ra-seiu-ga
give o -
^=^m
ver
il pian - fo
I
*
che fi - non
thy sor- row, and time will
i
fft
m^ "^
re -
d,
store,
E E
i
n . f^ k^
^m
I PP Wind
14400
fi M.
. '
^ ^
1 ^ ^ ^
m
:E
^==^
189
^ pp
m
*^
g p
cor
get,
/
p
pur
sti li
F
fa
I
-
g
me
am
-
^p
r,
thi ne,
^ ^?
pur
thine ev
^'
fa
^^^^
-
-
me
er- more,
- ro, pur
tliiue
PP
~^ eiiun.
giiun, qui
(iiii sof-freô-gifun
sof-fre o-ffifun del tuo do - lor, la
re time will re store, time
^
store, tim e will - s tore, -
t^ k k \'
i ^
P p MP
n'ho, ri - mor - so n'ho, ri - mor- so n'ho, ah si, che le - ci! ne seni cor-
morse, oh my re - morse, oh my re - morse, oh 1 have lost her! hopeless of
PP
In gilun, qui
store, time will
sof-freo
;of-fre gnun
-giiun
re - store,
del
aei tuo
time will
do
re -
- lor,
loi
store,
la
time
PP
i=i
del, ep - pur cru - del, ta - cer do - vro, ta .
part, but tlicy must part, for ev er - more. for

PP
:y\i'u f'
pr,
1-
Vm'
fiac-car
P
sa -
F
pr,
T F F
fiac-car
h lI;
sa - pr,
J'
che
Ci^
tan - to or-
^^'^l,
sure,
J' " i|Ji

cor,
store,
of that
qui
time will
J>
sof-freô-gnun
be
J^
re -
sure,
J' ^
store,
pp.
of that
J>
del tuo
time will
J>
be
J>
do
re-
\
-
sure,
1 ^
lor,
store,
thou
J>
ra
give
soon_ shalt
Ci
sciu
-
-
^
ga
ver
be
il
thy
\f
cor,
store,
J)
qui
time will
J'
sof-freô
Ji
re -
=
gnun
store,
.
i' ^
PP
J'
del tuo
time will
J> J'
do
re -
i
iu'
- lor,
store,
ra
give
-
^sciu
o -
- ga
ver
m
il
thy
(Vllo &C.U.
14400
j
190
da lei pcr-ao-iio pi non a - vrb!)

pardon, deatliwonlilbewelcouie, allhope is -AfoVr^
BE i i
cor, fa cor'._
will rf storel-
^^^ cer
:j:
^
d(. - VT!)
ev er -
h\ Q
go -
r
glio
^^"^
fiac - car^ sa - pr!
t
^ ^^ pun
pian - to
- ir-li'd, ot'
S^
die
that.
f
ti
P
be
non -
351
sure!.
d!
ôr - row, tiine wilL re - store!.
f U
(Oermont leads ~off his son,foUowed by the Baron. The Doetor and Flora eonduet Violetta a-
disperse. way; the resi
^
w 1
1*400
* =5=
End of the Second Act.

Act III.
[
19i
Volefti's brdroniii. curtains half-drawn at the baok; windowoloscd by shuttcrs; oi' a smal) fable
A bed with
by thf bed are a decanter with wafer, a ^dass, and various medieines. In the eentre of the stage is a toilet-table,
and beside it a sof; other furniture; a nightlight is burning. There is a door L. IL; fire is in tlie grate.
N9 16. "Addio del passato.,,

Recit. and Aria.
Andante. (J; 66.
i^^^^^ bf H^î d J J
^ '^^
^^ i I *g
pp
Piano.
^w
l-:'vi.s.4o.
s ?, OJffl
XL
r ? '
r-r
l rj
^m
\0_ E=
to-
S; i # i=g
dolente
g-|,i'i.
tr. pi//.
T W' T
Jh tî^'f
t|
? I
p ^
Ai
T T
p 7 p 7 1 p 7 f^r^*
V ^ F P HJ >
4' ^ -J''
^
m -o-
JU l?EES ^
1
n\ h l^^h
P 7 J 7
i
'7
J^^ P7^7P
"7J) 7 1^^
1
^W 7 i 7 P 1^^
S ^ f y- ^ff- ft' "g %
divin. pp
^ ^ j'7 I fai i-iJ:=

7 ' 7 ^^ / w / ;
7'W7 iHiil
14400
ZWM f ^ftYf t
assai
jT.
ff
r .
^fHfgj
i.
fi ^t
pp
i>
(Violetta discovered asieep on fhe bed, Annina seated by the fireplaee, also asleep.)
o
WSe
i
m
dn.
ppp morendo
m U
o
^ ,
Violetta ^waKing.
vioieiia (wakine:.)
An-ui-iia!
^ t 7 t)
F F F
^ JU> I J^ ^fe
Dor-mi- vi? p- ve - ret-ta!
An-ni-na!
Poor maid-en! you were sleeping!
Annina (rousin^ herself.)
^^
/O
I
Co -man- da- te? S, per- do -

Did you cali me? Yes, pray for-
a
r^ Recit.
(
m
(Annina obeys.)
4' 4 - [
p ^^
d'ac- quaun sor- so.
Dani-mi d'ac-qua
Let me bave some wa-ter.
- i ^
Os-
Look
j-)
fe m EEE
^
m
na- te.
give me. I
Ti
^^
^ f f
f f _
^
SeS
14400
* i -e-
O" 42-^
9^
^
193
Annina. Violetta.
ser-va! {jie-nqjl gior- un? Son set - t'o - re. D ac-ces-sojijjn po' di
yon-der, is it not luorningV Eiglit has sound-ed. Letme liave the \\iii - dow
ffi
i
(Anilina oprns the shutter.s, and looks out on the strrct.)

Annina Violetta.
^ .''l1.
- V ' }i i' J^ fei'
hr ' P
^'
P
lu - ce. Il -gnor di Gren - vii.
si Olijl ve - roa-
- pen. 'Tis the Doc-tor be - low. Oh friend true-
%^-- % j i
m \ \
\r?
u ^ 19
9
P-
9-
(She essays to rise, but fails- then, supporfed

by Anninaj n;nes slowly to the sof; the Doe-
h ^\î t^^
mi -
hearted!
co!_ Al -zar
I
\
\i.ish
-
Ili'
mi
to
p^;
Vo
rise.
ma
r
oh
-
ip
i
lielp
-
^ ta.
me!
tr enfers m time to assist her to se;it herself.)
Doctor (feolinij her pulse.) Violetta.
t! pen-sa-stea me per fem-po! S! Co-me vi sen-ti-fe?

sen-ti-te? Sof-fre_il mio
mi
friends! ah, do you bring me com-fort! Yes. Doyounot feel better? Yes, spite of
S :i -
m
121400
12^21

194
ih })i.h }i ;i
r.
^'
1
^^'^' ' ^ ^ ^ p*"? i
v~tt^^^
cor- p, Jiui tranquil-lajio Tal-ma. Mi con - for- t ier se - ra un pio mi-
faintness, for niy mind is tranquil. A heavn-ly con-so - la - tion hathdawnVl up-
PP
S fe i ^
^'} J-
ni-stro, ali!
on me, ah!
re
P
n;iup;ht else
-
j
li - gi - o-ne soUie-voai sof-
but prayereanrelie\>' the suff ring
J^' ff-hJi i
i.J'jir^^^^
f - ren-ti.
sjirit.
Doctor.
E
^que-s(a
Have you been
'
^
p P~0-
\t
S^ S
0-
Violetta. Doctor. ,
not - f? Eb - bi tran-quii - lojl son - no. Co - rag-gioa - dun-que_

sleep-ing? Yes, I this night slept sound - ly. Then have good cour-age;
^^:
S Se
^M la
now
#

con -va
n-
be sure your
-
:t
le - scen-za
- za non
lion
ill-ness will soon
lon
fon
be
- ta - na.
fa
con-quer'd.
^^ Violetta.
Oh!
Ah, tho'
la
my
bu-gia
^m
case
pie
were
ft
S fe
fe flrlr
%
fo - sa
hope-less,
ni^
7 ^^'
ai
you
me
stili
^^
J'
-
J^
tf/'
would
di -
,J'
jfJ;
eie
trj^
î^
J,.
con
to
I
-
\r
ces - sa!
eheer me!
i iJ'
"--^^^
Ad
Good-bye,
^
Doctor. (presses her band).
- di - o,
now,
^^2
fc
a
till
ft
pi
this
^
l't'lOO
tei:
19S
(Exit Doctor, Annina goes oiif wifli him.
Annina (in a rapid whisjuT.i Doctor.
Violetta. ,
^-^
:^=ft
:?==2
tar-di! Non vi scor-da-te. Co-nie va, si - gno-re? La ti - si non lejic-
evenins;! Do not foraet me. Is she really bet-ter? It can but be a
O
S
iKxif) Annina.
n. T r
cor - da
F
che
rp -
^>
che o re.
3E5:
; ^
l
- Vi'
Or
i' liJ'
fa - te
few hoiirs ere ali is o ver. Be of iiood
{ ^^
m rZit.
-M^
^
7?~^
m iiij
^-
4. KM
=^
Violetta. Annina.
cor. Gior-no di le-sta_

le -sta questo? Tut-ta Pa-ri-K
Pa - ri - giim-paz-za _ carne-vaie,
im-ijaz-za_ car
cheer. Do I not bear re - joicing;? Yes, 'tis the time of inasking, Paris is crazy.
iSE m^
i^
S tm-
Violetta.
SE
\h nel co-mun tri-pu-dio,
Ah sa
sal-lojd-
P^P
di-o quantijn-fc-li - ci soffron! Qua - le
Ah,mid thethrong of pleasure,manj/ji mournersi-lently bears bis -bur-den! How uiurh
fe UE ^ 3rr
\
\m fe
-o-
^1^
J'ilii_;i'[^
j^'l.
sonmia vh;un quello sti-po? Die
p.
- ci
p
ne
P' p,^
re - caji' p - ve-ri
P f^ tu
money is in my drawer? Ten thou shalt pive thy-self un-to the
Ânnina (njii'ns and coiints.)
^ 7*
Ven-ti
0^
^^
lu
J> l
-
J)jW
i -gi.
^
But twenty lou-is.
^
196
con dolore
-y ^J^
I
I
j)
stessa. Oh mi sa-ran ba - stan-til Cer-ca p -scia mie

need-y. Oh, 'twin be ali - suf - ficient! Go and see if a
'
P p-
P P F I
i;<
Po - co ri - maii-\i al- lo- ra.
Lit-tle will then be left thee.
SE 3^^S
^ p
(Exit Annina)
i'p- Ji j'7 : j- i'^J) | J t''p p-

^ p ^f |i'~r < Ite
let-te- re. Nul-l'oc-cor - r, sol -le - ci - ta, se pu - i.
i
^^^= T
let-ter's come.
j)
xMa

voi?
I shall be
\
safe, ah hast-en, as thou lov'st me.
^
^
But you?
i h -
'^-l!\. i ^ -
^f
^
W
(Draws a
Andantino.
Ictfer
()= 88.)
Il
from her bosom and reads.)
VI.
(In a
but intime.)
low voice,
'
Teneste la pr -messa La disfida ebbe
}o//hnie ki'pf iju/ir promise- the diiel took
V^ 2^ VI., 2Vio
i'ChIIo, 1 C.b. fi
^ luogo
jjfiiee-
Il
ffie
barone
Baro/i
fu ferito,
iriis
per migliora
irninuled,hitf ke l's recor'ring:
Alfredo
Alfred
in
l's
stranio suolo.
in a foreigit land.
Il vostro saeri-
I hnre myself
14400
^ l'izio io
rcri-dled
stesso gli
i/mir
ho svo
snrr/ficf
- lato-
la liiiii.
Egli a voi
Ile iril r>'
tome- rea
-
pel suo perdono;
tu ni In iiiqJurc ijdiir /iurdaii.
io pur ver
I tao
-
197
r;
slnill
(in a hollow voice.)

^^
ss Cura+evi
ciinif.
....
Tdkr
mertate un avve
curi iif ydiir licdl Ili-
- nir migliore.
(Uidlnist in
tiorgo Germnnf.^,
a ///y;y ///A/ /v'._ George Germont!'
^te
// is
tardi!
lutt!
(rises) (looking at herself in the mirre
r h J ^^y, j)
At-ten-do, at
I
J ^J)'/r ii ii i^
ten-do,
- iiâ me
giun-gon nia-i!
J) I
J' li -
\
\\ p
Oh co-me son
^j niu-
iVe trusted, and waited, but a-las, he comes not! Oh,can I be so
TT- ee:
xr
i
S -o- ^
^- w^- 3
ta - ta! Ma il Dot-to-re
Majl Dot - to - re
a spe-rarpu-re
s'pe-rar pu - re m'e -
i t=i:
sor-ta!
ir 1
Ah, con
^m tal
al-ter'd! But the Doi'tor said that soon I should re - cov - eri Ah, but this
4 f3. tf
3
Adagio. Andante mosso. fJ- = BO ) dolente e pp
i 'i h\
^
mor-bo
lor-bo - gni
e:ni ^peranzae
speranza mor - ta! Ad-
faintness tells plainly ali is hope - less. For
^
14400
# ^ 1
^ f y^n f ^- S: litit
.
198
legato e dolce
i} pJ^-^ i
p r" ?:L' i
r r~r^î^-^'is
di- o_ del pas - sa - to, bei so - gni ri dea - ti, le
ev- er. I_ must leave tliee, tbou fair world of sor - row, Mv
m s ^^f^
ii=t ^^
3 ^ ^^p ^ -^^^r ^ y *
s
P r p iffl
I
p r ? &a' I
F r r
U
j*^^^ Ê
ro-se del vol-to- gi so - no jjal - leu - ti,- l'a-
W
roses ali fad-ed no sun-light can bor - row, The
^m ^ *
"mi \)
y y y y
m ^
(?o e'i'jo.
i ^^ * ^ y y ^ y y
nio - re

d'Ai - fre -
r r 1
do_ per - fi
1
r-
r r
^
no_ mi man - ca,

m coii-for - to, so-
hope that sus-tain'd me, a - las, now" hath per - ish'd, In vain are the
Fl.Ob.&fl. ^ ^
m
2V
i^
dolc/'ss.
t=ii
JL M.
F
U
Ct^tJ^
il! i
^^
l- i} \
/ /
i
u=M
OJ OJ
ste -
ine
gno
:t
dcl-l'a
^=P=F=
ni -
E^
ma stanca,
^P con -
I'm_
^
dreams that so fond ly I eherish'd,^
ttA
|>f|
^^ T^
# ^ ^ i
| :
p
F^^^F pp
t<e
i=li It A * w-
3
IMOO
^
199
M
do
lent
-
-
na,
less,
tuac
there's
S
- co
mer
^^
gli-hij3
ty in
Di
He;iv-en!
- o!
h
^ , i.r fdr^rTg^
gS
M^
i
I*
p ^m ^^ J-^
y y |) y ^^ 1
allarg. e
P
7 ^
morendo ppptin
fr[fv rrr r li'

r rfr
Ah!_ tut- to,^ tut-fo- fi_ 111, or tut - to, tut - to fi
Ali!_ for me now all_ is- o'er, for^ me, for me now ali is
J-l g% 7 j;^7 7|jj;7 7 ^-r ^ 7 7

^ 7 T ^ T
I | l
I co//fl' parte
[
I
S
I^HOO
y y p ^ y
-
^^ y y r r r= 1 f f -
f
-r-r- y y
-
?00 /;/ di voce

dolente e pp
^ ^
legato e dol.
^
l
''
> 1 j -
' ' ' j I
r
Le gio-je, i_ do
^' *
rrrr'^^ ^
tt f
With
5=t
plea-sure
m and with
*! 1
7 j)f i^n y l tei 7 7

pp
^^ ^^
P
Io - ri
T'f &îp
fra p -
r
co.
ptfj?-^
a - vran
i ^^'F
fi ne;
i^'
la tom-ba
i
^
ai_ mor-
r"p

^^
sor- row a like I_ now bave end ed, The grave \\ ili soon dose
i
yt r- y *i
*
f
m fr^^
^
)
ttt tn
I
-y r-
y y
m w^ y y
o'er
pr
ta-li
me,
"~T
p&j'i
y^
di
un
p^^_;;;
tilt -
wept and
to.
un -
con
be -
-
i
j.
fi
friend
/^p
PIA ne!
,]
,
''
Non
.
i r
la
cross
Fl.ob.ri.
-
n
con espress.
gri -
or
ma_p
a
fio re a vra la mia fos sa! non ero ce col

flow'r shall not mark where they lay me, No sign to the
\ A Al*
fssa
* *
J/uLfiJJ H LU iSJ
t-^t
no
scorn
me_
of_
m che
the
co
world
-
s
pra_ qua
shall be
- st'os - sa!
- tray
tt
me!
7 y
\ *
i\' . .[1j \
\-
,
llf
s y=ii
14100 ##
201
^
-^
r^
-^1-^r-
^^
Non
No
ero -ce,
flov\-er,
i ^ y ^ E/' I
r
fior!
cross!
^r-
Ah!
Ah!
^w
!
| >: . f f r U
e
?I
del - la Tra
5
via- fa-
P rrrr
sor -
M'f
- n -
F
di
^^ al_ de
yoii - cUt niy- er - rors inay_ Vft bf. for
r
203 ^1
NO 17. Largro al quadrupede.,,
Bacchanal Chorus.
Allegro vivacissimo.
SOPRANO.
^^
A
TENOR
Lar-fi'cTal
Lo, wfipre
S
qua- dru
tlie pride
-
^
pe-de
of the
air
i=3?
del - la
peo-ple ad
fr
vane
-
-
sta,
es,
^^
di
Crown
fio -
hirn
ne
with
Chorus.
toutside.)
S3=t
or ?rT-7
Lar-goâl qua -
^^^^
dru - pe-de
^^
S^
sir del - la f - sta, di
P^
~zr.
110 - n_e
RASS.
^t
Y"
Se^
1
ff
Lo, -where the
^
AlleH"ro vivacissimo.
% k k
pride
^^^y
of the
^ ^^ ?^
peo-ple ad- vane - es. Crown him with
Piano.
J4400
203
1
if '
" 8
gi - ni,
^^
ri-sians, quit
da - ta
r F
pas-so
yoiir lious-es,wliilp
r
al
ff
tri
tlie
i rp
-on-fo
r
del
fnt-ted bull
p
Bue gras
is pass
r
=fc:
-
-
rr p
on-fo
soâl tri
iug', the
f^ del
faf-ted bull
Bue
is
r^w gi -ni,
ri-siaiis,quit
da - ta
your
^^ m
pas-so al tri - on-fo del
^
Bue gras
pass
-
-
#:
soâl tri
ing, the
^^ !
on-fo del Bue
fat-ted bull is
m
it^
"'
f==f
vi- dell
t
can boast a
J i
^
pi Quel-Io,
fi -
^m ^t ^m^^ i m^
ner.
i
van - toed or - go - li - o
^^
do-gni ma
Pride of the slaugh-ter-rer, Joy of the
^ i
SE
rei -lo. Al -
di- ner. Come,
^ >
le -
mer-ry
\-
gre
vi -de il pi Quel-Io, van-toj'd Or- go - li - o do-gni ma -lo. Al - le - gre

cali boast a fi - iier. Pride of the slaugb-ter-rer. Joy of the ner. Come, mer-ry
9ES ^^^ ^^ ^^
F^ ^ ^=H V V
laE^
=
m m
7
^ :^
o ?^
14400
r r
i^M
i m ^ pp
^4^=U,
>
204
m niasdie
masked throne
- re, paz - zi gar
come, lads and
- zu - ni,
lass- es,
*
tut
r
;ut -
Fraise
M
ti plau
ITdi
-
^
him with dance and song-,
-
i' J
te - Io con
^
shout
canti_e
as he
m t
=9=
E ^^^ = ^^ ^ ^^ ^î
masche - re, paz - ZI par zo - ni, tut - ti plau - di - te - lo con cantile
^
masked throng, cme, lads and lass- es, Fraise him with dance and song, shout as he
^-trîT ^m ^f=M
-li
^^
^^ ^3E* f ^ l
't - rr
s ^
l
^ ^
ii (T
gî^
suo
pass
ni.
es!
^
^^# ^
^
Pa-ri
Come, Fa
'/
^ r
gi-ni,
F r
da -te
F I
pas-so al tri
r
risians,quit your houses,While the

F r M -
r
on-fo
r
fat-tedbull
del
p
Bue
is
mi suo ni.
^^ Pa-ri
Ff
ni, da -te
gi-ni,
ffir
pas-so al tri
p r piron
on-fo
- f
- IO del Bue
pass es! Come,Pa risians,quit your houses,While the fat-ted bull is
m 3E5 m f Tf fif f f ^ f f f f
2z:
il m i
/ir--
^ i
i P e* ^PF# $ fct ffUi'

i'i
''*'^
gras - soâl tri on - IO del Bue grasso, al tri on Bue
-fo del grasso!
^^
pass - ing-, the fat-tedbull is passing. whiJe the fatted bull is passing!
$ so^l
ing, the
tri on del
Ipdel
- IO
fat-tedbull

Bue
is
r^
al
while the
tri
^^
on-fo 1
del Buegtasfeo!
fatted bull is passing!
vi i
^^S i
14400
velociss. scivolato
m % U i yji
/O
y
-
- ^
i
'
M !J f ^ dm -
i T i \
i i
205
^
Lar-fâl
_ qua - pe -de sir del -la f - sta, di fio-rij pam -pi - ni
p^
Ia, where
i.'here the
Lar-go_al qua
Lo, where the
'pride
dru
pride
-
mi
of
pe-de
the
of the
peo
sir
- pie ad
peo-ple ad-vanc-es,
^=2^
dei-la
- vane -
f - sta,
es, Cro^'n him
di
wju fcar-lands,sur
im wjth
[pam-pi - ni
fio-rij^
Crown him with gar-lands, sur
^^ ^^ i 1^ f^
^^ m
?S^ E5
is
i ^# M ^
m^ fcs^
rt 1
I
#=# t
g # #
m M=tE
(in - ta la te- sta;
round him with d.inc -es,
HN^ ir
lar-gojil qua
rome,lads and
^
dru -pe-de
lass-es Ali,
del -la
sir
shout as he
fe^ *=i
f - sta, lar - go,
pass - es, F raise the

411 j
ein-ta la
^>j-
^m^^m m^m
te - sta;
round him with danc-es.
Xf
lar- qua
g-q_âl
Come, lads and

dru-pe-de sir del
ss-es AH, shout as
- la f -
pass
sta,
i
lar - p,
Fraise the
'J^h J }J>
Mî '^
f HK
he - es.
^m
fj \
14400
206 N9 18. Parig"!, o cara, noi lasceremo.,,
Recit. and Duet.
Allegro assai vivo, (n = 108.) Annina (with hesitation. Violetta.
Voice.
4E
(Enter Annina hastily.
^ ^p
Si
Oh
I
-
r
gno-ra.
Madam
r i
H
Che tac-
What has
^ ^S K^ i=
if: ^:
^r > q* -^
Piano. -
^ ^m PP^r
1=3=?
0-0-0-
f^T^
m rm i
:fEF ! ^ [lELJ
Annina.
f i
--F
i r r ^ ^'MT r -i
I
.
b-
^
[
-1^
cad-de? Que - st'og-gi, ve - ro? VI sen - ti - te
happen'd? I left you this moming strengtli-en - ing and
n\ r*h ^ r^ w
^^
l
3
P- '
P-00-^
Violetta. Annina.
r < i r
ijie-glio? Si, che?
3er-ch?
per- D'es-ser cai - ma pr m
- iet
^^
hope-ful? Yes, \^hy so? Will you prom - ise to be
:^
rr?1
^^ ^^fe *
K
-y-'^ ^ ^^^\@^ & m \
\
tete?
Violetta.
r
S,
' r'
che vuoi
t'
dir
5
-mi?
^
Annina.
Pro - ve - nir

vi
^
tranquil? Yes, v\hy, I praythee? Ah, I carne to
^
m^-t* =!
*-
*}
\
^-
r"^
s .H-r\\
*
S r^ r^ \
^ ^ S1^ \
'
liif di
* J J i J-')|J- J- J- J' i
Violetta
r g r r i W
^
I
vol-li_ u-na gio - ja im-prov - vi - sa. U - na gio - ja! di -
teli you ofan un - ex-pect- ed plea - sure. Of a pleasure! what
? r^^ m .
m SS} S!-S^J^
J4'400
\
di^ mcl^
207
Annina. Violetta. (Anilina nods afi'irmatively)
F r r rpfr r ' ^p i
''r r 'p p pi"r r
^^=^
ce - sfi? S, si-giio - ra_ Al - fre - do! Ah tini ve - de - sti! Ei
say youV Ali,dearest la - dy_ 'Tis Al-fred! Andthouhastseen him! He
ii*:-
At:Mt:Af: M.'^f: f^' ft' ft:
vien, ei vien! t'af-fret - ta_ Al - fre - do? A - ma-to_/\l

Comes, he Comes, oh has-ten_ 'Tis Al - fred !
dearest
Alfred.
P P P-
Oh mia Vio
Oh my Vio
j**- M- M # %
f^-ff' f^' ff ff f ,Jr ff' ff'ff' f
J^ Ls
'''ll^^^ \
SH^\î^ \
3em
r r^riif i
t'
r r^^ r 'r
i j' ^^ '
t @
doâ-matoj\l-fre-doâ-ma-to_Al-fre-dqjphgio
fred, oh my lo\e, my love, my dearest Al
3r^^f t
i^
^
rT^ri^r j^ r-fi i^ ^
faôlimiaVio -letta, oh mia Vio-Iet-ujJh

-let-i^j gio
- ta, oh my love, my own belov'd Vio-let
3SEE; e
t
Str. S

g=?=^ m
t
'Tis
Io
s
so che al-
ali fo~r-
'^~j i .;>;) J'htJ p- p.
i^
^
ja! Col-pe - voi so - no, so tut - toj3 ca - ra-
^^ ^
ta! Oh love, for - give me, what hast thou suf-fpr'd_
:tf
pp^< V T l" jT'-f-j>-'J'- ^ \î'ti' i

mi.
-m p^ M p -^
p ^
p ^F ^ p ^ F^ p^ J^^ ' ^'
14400 p
208 r
Alfred.
*ft
m J''
|1
p
I
^ J ' J' J J' l il^- ff r-
f! F
'
fi - ne re - so mi se - i! Da iiue-sto pai - pi - to, s'io t'a-mi_iiii-

got no\\", in thy re - tnrn - infi:! Oh, by this beat - inti-heart, learn ho\v f
T^ 7 j) y y
^ y JH h J^^ j) ^ ^ j) J)^ ^
J'
f r^^ J^ 1
P
^
*
J)

'/
A
m^. p
^ J^^
p
^^ p r ^ ? p r [^ ;t ^^^
^
Violetta.
î"^ ''r
pa -
f
ra,
ff^Ti f^
sen-za te_e - si - ste-re

pi non p - tre - i.
m^ Ah s'an-cojn
love thee, no powV in Ileav'n orearth from thee shall move me. If I was
gg^
ftV-f Ji. ^):
^^ I
V
^1
, ^>. j' V
j^ I
,
j>
:
I r^
V-"/ ff
T
i'-'J^ y \
y jiyy II -
f^^^
^ vi -
f
ta
p
m'hai
p
ri -
M
fro - va
I
'
-
^^
ta,
î==:i
cre-di ciiejic - ci - de
i - re
^^
nonpuMldo
sjjard till this blessed nieet-ing, l'il not be - lieve that now I am to
jV ^^j'-j'^ p
r^ ^5
^^ jn^ '
^^
'^
i ^
;
'i-% j)^ P - ;;
^ T^ j) ^ ;^

^
Alfred.
lor. don-na a - do -ra

Scor-da Taf - fan - no, don-na_a - ta, a me per-do-na ealce
per-do-na_ej}lge - ni-
ni-
die. A-way with fears, love, that \\ ere but fleet - ing:. And oh, thy pardon not de-
A k k
j^^ "w^m
k.
^^^44^n ->h ih
#
,
1^ J>'^ J) ^ d' I 4^
J)f4)f^)
y4''î>
itti
^ yMf)
% >Pr ^
7- Ji^= >r^y j) ,
y
1
%i
I i^l'yj) y P J>[^> >/ [^-/
m ^
Violetta.
TT-n^ ^^fc
P? -hrh
tor. Cliio ti per-do - ni? la rea son i 0; ma so-lo_a-mor tal mi ren-
^ ny.
j)rj,'rj'
Si)eak not of par
r
Jl-'j'-/J^/
- don, I err'd in lov
j^
'
j^hjV^^L^
ine, none w as to blame but on
IjUJ^-zJ) ^g5
- ly
y % >Fr> ^ ^yy P 7 ^ ; y ^ ^n p 7 j; P 7 >p7 >p7

l'tlOO

b 209
n r^^^ ^
Alfred.
e j^ r- r I
E^
"T r ^
de. Niil-luo - mq_o de - mon, an - gio mio, mai pi di - vi-der-mi po-tra da

I. No fieiid 01^ an - gel shall have pow - er, oh my on-ly love, to part iis
4 '''j"j'' '
i'^V'i^^ '
'jY t t ' '^t ^VH 't t^^
y^v
'-
Cor. &
p
7[)t
F:i<. .-u.,*.ii]
I
J>[7 7
J-j?;) S M
y-^^ j) y J)7 Jj f ^^
jj
Violetta.
I
:
1 Mf pf p l
?p j ? r r
mai
Nul-Fuo - mqj) de - mon,an - gio mio, mai pi di- vi-der-mi,
No fiend or an - gel shall have pow - er,oh my on-ly love, to
^^
:tf
Alfred.
te. Mai pi,_ no,

now. To part US,
FI. Oh.
&rl.r. tr
# # *:_
1^ it .
|B_tJ
:E ;_
J^^l
^^
:t
i
m^^ ^
î)f KJ^Mf
rf^4?rtf ##w ê fe
^ no,
pili.,-
part US,
^1=^
!
ah,
10,
ff f np
no,
no, no,
no, no, no,
no,
no,
no,naught ean
F
mai pi
f =^
])art us
da
^
now.
te.
ii
'f^ i r [j
-^^
^m ^m ,o
it
1^
mai pi,_ uo, no, no, no, no, no, mai pi da te.
to part_us, no, no, no, no,naught can part us no\\-.
t^^1 # ^ m. \ I *xn i *v-

:t=4B

m
^ ^# ^ TiiHi
S-Sfi-
*s
^ ^ Andante mosso.
K
(J)=ii2.)
mm
^ m
PP Woorl
^s^m
te
fete ^Sh''i>;i ,
m m
J
s^=^ .V Pst.
^H
pi../.
L O.
^W^
l't'imi
"n~ lmr -y-^r-
-
; y y i -y^-r-
t r r
210
dolcissimo a me^za voce
'a- ri-gijO ca - ra, noi larsce-re- nio, la vi-ta_u-ni- ti tra-scor-re-

Fariromthe bu - sy throng' Iwill guide thee, Naughtt'romtiishourfrom thee shall di -
;*^^ stncc. sempre^

11:5=
^ ^ ^fe M ^P
pagf
B *y ? -T-r v' 7 /
i r-*^- ^
-"?
-h-^
p "7r-
re
vide
- nio,,
me,
PP S sijif - fan
cor-sijit-
de' cor-
Pastdays of sor
s
-
-
=^
ni
row
^
coinpen-soâ- vra
no more re- inem
2:
-
- ber,
i, la sa-
tua
tU
Thyhealth re-
n
^
w=^ t^ t ^r^ m
7-\)'& P / 7 ^ g -T-r-
:/.
;
î
7 ?
P -T-T- p 7 7
s feSE
lu -
p'd/Tp J.-'^r^H
te ri - fio-ri -
i
r. So-spi-r(e lu - ce
i
r v 'fp
tu_nii
i
F
sa - ra -
m 1,
turn-ing, ne\v-ly shall dawn Life,homeand trea-sure are_\viththee on - ly,
tut-toil fu - tu-ro nejirri-de . r. a-ri-gijP ca - ro, noi la-sce-

Radiant the morrow beckonsus on. Farfromthe bu - sy throngthouwilt
^^^nra -7
i M
i
^& ff^ - r 1
**
i2=5: I -f7- I
**
i5=2i ^
S
fa^^^
re - mo,
no, la tau - ni
vi - t<yi - ti fra- scor- re - re - me,
mo, del_J5or-
del_J5or siaf-
^
guide me Naughtfromthis hour from theeshaJldi vide me, Pastdays of
m
-
Alfred.
-r-T- i
Yes,
^
B>^=r
m iW m jr^r
7-\i\y p 7 / ? ?
itdt
p ? ?
"?-r S y 7
H'iOO
211
fan - ni compen-soa-vra - i, la_ mia sa - lu - te n

ri - Ho
fio - ri
ri
m^m m
sor row no more re - mem - ber'd, My health re- turn - ing, new-ly shall
m
-
^p
^^ -^^-r- i V y
p -^^-r-
i y y y y *! y
ra.
dawn.
A fr ed
f<
\^
So - spi - ro_e lu
Life.homeand trea
P iMfrtQ-p
-
-
ce
sure
tu _ sa - ra
nii
are with thee on
P i
Q -
- i
ly,
,
l ^g^p pT
tut-toil fu
radiantthe
I
- tu
morrow
- ro
E^
l .
-y-^ -tr- S
\ri-y-^y-
^m m ^ m i m m
So - - spir, lu .'e sa rai.
With thee on with thee.
pfff
F ? F-^
I
m m i y y y -^-^y-
leggero e stejit_
^^'ir^p
neâr-ri
beck-ons us
- de -
II .J'
r.
on.
^ ^
^^ De'cor-si^f-
Mydays of
w Pa - ri - gijp
eri.o ca - ra, noi la - sce - re - nrrtio,
Far from the bu sy throng I will guide thee,
coi anivia
\
i ^\}
fan
^''p
- ni
^p p
compen-soji - vra - i,
'ip
tm
tut-toil ere- a - tonear-ri - de- r.
^p p \ ^^ '? ^p ^p p I
J) y y
sor - row no more re- mem-ber'd, my health re- turn- ingshalldawna-new^
14400
1
213
vra - j, tut-toil fu - fu - ro nejir-ri- de . ra, de' cor_ si af-

mem-ber'd,myhealthre - turn. ing^ shalldawn a - new, my days of
^ "
fan
sor
U' -
-
r
tu
row
'
\
y'
no more

^'^-J"^ -M'^ F7
coni-pen-so a vra
re
mia
-
\
- - i,
mem-ber'd,myhealthre
la
p
sa
l
-
-
-
i-^'i-
lu - te,
^y
la mia sa-
turn-ing-,myhealthre-
k
j h''i> ^ l^ 7 1
kM \ ^ \^ \i ^ I -Li' ? P ^M
com - peu-soa - vrai, ali s, tua sala - lu - te, tua
la sa-
shall be for - g-ot, ah yes,thyhealth re - turn-ing,thyhealtlire-
S^ i\^h fjfp M^Ê^

1
'
I
i
i r i
^^^ ^
i
14400

23
e
fc 7 7
lu - f fi- r;
ri- fio- ri - ra, ri -fio - ri
turn-ing shall dawna-new.shalldawn a- new^^-
&kr a^nYlu - te ri- fio -ri- ra.

7
Pa - ri - gijp
f p |rlr>
ca - ra,
I F'^P
i
la - sce
noi
P
tiim-ing shalldawn a- new, Far from the hu - sy throng I will
m '
p îf ?^ g
leggero e stent
de' cor-sijif- fan - ni com-pen-sqa - vra - i, tut-tojl ere - a - fo near-ri-de
Mydays of sor-row no more re - mem-ber(i,myhealthre - turn-ing shalldawn a
^^^
ra;
new;
y r
P^ de'
My
cor- siaf-
days of
# r
la
M
vi - taji
I
cTlpp
ni - ti
I r^ JP^
tra -
'
scor- re - re -
^
nio,
Naught from this hour from thee shall di - vide_ me,
14400
214
t *f
fan - ni compensqa-vra - i, fut-fojl fu - near- ri - de

tu - ro nejir- ae-r;
^ ^^
sor- row nomorere-mem-ber'd,myhealthre - turn- ing shall dawn a - new,
mfe* noi tra - scor-

-re re-
=
-mo, de' cor- si_af-
naught from thee di vide me, thy daj's of
m^r^ fan
sor
de'
-
cor
my days of_^
ni
row
- si af
com
shall
-
^p ^p
pen-so^
be for
-
-
i f
com-pen-soa
no
vrai,
got,
more re -
- vra - i,
mem-ber'd,
ah
ih
-^

s,
^
la
la
mia
my health
^
tua
yes, thy health re-
sa-
re-
--
sa-
lu - te, la mia sa - lu-te ri - fio-ri-r, ri - fio- fi-ra, ri-fio-ri-

turning,myhealthre-turningshalldauna-new,shallda\\na-ne\v, shall dawn a-
PP
lu - tua sa - lu-te ri - f io
te, la ri - fio - ri-
turning,thyhealth re -turning shall dawn a-new,shalldawn a-new, shall dawn a-

Oh.&fl.
14400
. ^
815
p
ra.
-, \ jpfr^^m
Del
PPP
corsijiffanni, de' cor-si_af-fan

t^'^ pp
competi -so_&-vra - i,
- ni
"g ^ o
^
new My_ .daysofsorrow,mydaysof sor-ro^^ no more re-mem-ber'd,
PPJl -^^
\^m^.P
\}Pm F-F-ft
PR
f^PPP.
^ P
^ p p m
ft p
ff
l\
-^
ra. De' corsijffanni, de' cor-si^f-fan - ni compen-so_a-vra - i,
npw. Thy days of sorrow,thydays of sor-row no morp re-mem-ber'd,
r\
M!*
fi jvjajUiiihJîiJ|J'''^'V! ^k^^'^ i*
de' cor-sijif-fan-ni compen-sqji-vra-i, la mia sa-lu-fe, ah si, ri - fio-ri-
mydays of sor-row no more re-member'd, myhealthreturning,ah,yes,shalldawna-
p])' TffJhjna Ji jzj>

^^7J^^,
^ P Jhi'
^
compen-soa-vra-i,
de' cor-si^f-fan-ni la tua sa-lu-te, ah si, ri - fio- ri-
thydays of sor-row no more re-member'd, thyhealthretuniing,ah,j'es,slialldawna-
& fei
ra._
new.-
s
Alleer.
Ah,
Ah
J)J .J)| J >
non pi_ ajin tem-pio. Al- fre-doân-
no more, oh come, love, and let us
ff
^
O
m ra._
E
14400
#
216
(falterinff.) Alfred. Violetta.
-mo,dl
dia -Ilio, iJel tuo no grazieren-dia - mo.
ri - ter- rio 'Au"iP''Wi
'Ai inipal-li - di-soi!
di-sTî!
Eiui
nul-fa,
bothrendertliiinksto Ileav-enfortliy re- turn- ini;-. Ali,\\hy so j)ale,love? 'Tisnotliinp
inr ^^ i iiiii 1 i iiiwi ^

^^ >J=
^ ^t g
sa- i!
,i ,j ^
iiio-i;i_iiiijjrov-vi-sa
notbing;t\\as of-tpn tollnie,
5
non
1,11 lin-fl-.l
eii-tra
that un- ex
KlTl
nia-i i
sbi-za +..
C-T.., ri..
tur- !,.. 1
bar-lo,
^
,-i.
in
*
me-sto
- jjfitert Joy after sor-row ean scane-lie
m^^
I
l?!?:
fi iwiti =<L=|: J iii
^
fiitii 9~
^
^m
*$t *pt=t
B
M-f-M-
^
m 0LJL
(Vii)li'tta sinks exhausted on a fouch.)

^ ^ '
^
=fe ?^
:p p p 1
co - re. KJlniionia- Io-re! fu de-bo

de -DO - lez-za.
berne Nay, be not anxious,'tis but my weakuess,
^ I
^
(with aiarm,
Alfred, \v,-nn
Miireg. alami, siisTaimiig; ner.)
.sustaiiiinp:.her.)
Gran Di - o! Vio-let-ta!
#^' ti ii
Oh Heaven! Vio-let-ta!
i-tWP 4 ^ m l i ti f jf i lif
"fW^
M ff
^^^^ rrrrrr r r b ^rrrfrn^
Violetta.
cDmmxrm/
!4400
!
Alfred. Pi mosso. 217

(with fffort.) 'dcspairiiiKly.) Violetta.
'],'
f-
di"
fui
i -ri'P'
sor- ri
and smil
^ -
-
nJ
do_
iiig;
-igr ' i^'h^T
(Alii cruda
(Ali,cruf'l
sor -te!)
|,j
for-tuiit'!j
! 7JiJ;ji
Fu
'Tis
nul-la!
over!
i -/ji
An-
An-
\f. h (V
^^^ ri^ft,>- mm s :^^^
S N V
t t t t t t t
\'
m liJJ-^
\^.
i 1 i -
Alfred.
s
^^^m
I ll'.& Vtt,. -îi^t..
:
-r?-z
ih^ A:
JiJii
3** -(T^î |
J !
>
|
.j.iaJ.' )jii|
t 7
ni- Ila, daruniia ve - sti - re. A -des- so? At - ten di!
ni
1
-
^
na,
^j ? j)
vi
)
g=
lit-lp me to dress now.
? =^
- ^
tm^^ti'iWWW^
;7 J )f
^ ^rrjT-Y
^
Not yet, love,
^
I pray the e.
1
V'
Violetta,
K 7 [
</..
(risini;.)
7?
h*? j
'''
k. 7 K*/,
P^ 5=t5-=v5-f^
rp 7 K7 ,
f^
,
^g-b!
-
^5 ii
J >
! n'n-r
No! vo - - glioj-sci - re.
No! I ani we ll now.
^M
w^
V'
r*^^ k 7
l.\iinina fiives hi-r

[1 ^ K7 J)^ ^,y,v^.j,7j-4|,^^
-arment, -A-hi 'li sn- Vi-îns Ti_. put on, but from
^Tyr i
faiiitn<'ss is
/^J-'JJ^7
obliged to de-
7
^^
;i
sist; she j i 'ts it fall- l

and cxclaims de s pairinKly-)
i Gran
i
^ i ^ M m^m^m^S ^
ItV^VWgj
î^îte
i -^ wJffJ *
h^<
*-^
^
g
mi ^^
i-JV
ge^^ lj ^J^J^/ ^ -!>[[; rTi^r p^tll
f*^
Violetta.
/O'f'ills back on the seat (td Aiinina.J ( to Anilina.)
F=# T^
i Di - o!nonpos so!*'(Cie-o!
so!*-'(Cie-o! che
clie ve - do!)
<ô!i Va pel
pel/lot- Ah
/tot- to-re! ^.\h !
iiHeav ,. en! I can not! (Heaven! vhat sor-row!) Go forthe Doetor. AJi!
C1.& Kmc
m^"^^' J. I J-|J :'

VrTT^ w- ikc
Tutti Pstr
14400
(2 r\
'j)..r.rj).,
m m- "f*
"rj
'Collo.
j^ 0-0-
.
218
ppi '
J'p fp* ^pF P r p pii^f Cip' vp #=F
^f^t l i i
di-gli, di-gliche^.'Ufre-do ri-tor. na - to, ri-tr-na-to al-la-mor

tellhiiu, tellhinitliat Al-fred hascoiiiPto eoin - tbrt,hascoineto saveme, saythathe
at
m ^^5=
^
asili
S ^
e ^ P
:^
r
mi
loves
pp'pf
0, di-gli che
me,andthat I
i r
vi
now
-
^
ve-rLân-cor,che vi - ve - re
would live, oh teli l'itn tliat
M^^^
i
au-cor vo
I
i
tJ
now would
J
.
i
(Exit Anilina.)
jg
gl'i-o.
live
TT-^ zr-
Ma se tor- nan-do nonmhai-sal -va-to, a niu-iioin ter- rx sai - var- mi_p
If thy re - turn-ing cannot r^- cali me, no pOM'y on earthcanpre - vept my
(rising impetuousljv
^^ da -to.

Ali!
W^
gran
Aiilirreat
*
dy - ing.
=^m^.
tv pgg ggjpj
ffrnyr..
Allee-ro.(J = iio)
^^ leccate con espressi mi e
PE
W
Dio!
''Str pi//.
^
mo-rir
Heav'n! and must
si
I
gio-vi-ne,
die

so young,
io
I,
^^
che pe-na- tQ,ho tan- fo! mo - rir
P -
-
s presso_a
that haveknowTibut sor- row?rheflow"rst!iat on my
:cz:t
14400
^g #
219
dii.
s -p
PVP
I-
ter-ge-re il
s
mio s lun-go pian- to! Ah! dun-que fu de - li - rio la
pathhavesprung-Sballseenoblooimng- nior - row! De - lu - siveliope my heart be:uil'd,But
^ ^ - ^ î^^
^ i ^^
l \
^ % f
P
P ^M t ^ftiltJ f f =4M
^ ^ ^.
/^ -i^
Alfred.
i
p=^
^ I
r
cre-du-la
cre-au- spe-ran-za! in va- no di co- staii/ajirnia-toji-vrb, a-vrjiniio cor. Oh
m ^m^ ^ ^
-
fatehathprov'd re - lentless! No hope forme re-mains onearth.Despairing I must die. Oh

:
^
a
^!
ff *fi /=
ftr?
fr=*
g ^ #
legato espressiv o^
/
wm
^^^^f
E Jij j I
J a ^rr irr^ r
mio so-spi-roe pai-pi -to, di del cor mi - o! le miecol-le tue
_ let - to la-gri-me c'on-
mybelovd,my on-lj'one,Mytearswithtbinearefall- ing'.For me ali joy in life isgone.And
wmm
i
/-

fH ^m m m M^
t^ 5~r t ^
P
#
:n
P
#
:Ere
j FPM m jj J l
-I 1
fon-de-re deg-gi - o! Ma
hope ispast re-cali- inglBut
f
j;
m^
pi chemai,deh! ere- di-lo,m' d'uo-po
:2=
di co -
ah! letnot thy con-stan-cy De-sertthee inthis
nL
> I
p
stanza_ ah
tri-ai;
r^
Fate
i
M*
"
^
(11. li e
M^ tf t 5 * * ^Tf
>: t M ? ? 1*=^ S
I
Oh Al
g^^ cru - do
X
^ ^
- fre - dOjil
.js:
i^ (Jb my love, and is it
#=^
tut-tojil-la spe ran- za
i ZZI
m
ra nonchiu-de- rei! tuo cor!
wijlbaveno de
eie - ni - al: Ab! tbat webotbmight diel_
=il
i^ I hittt
S ^m
^ rmt ^
m^
14400
f=^
w :K=e
rm-u m
-
Z20
f
ter
thiis
-
\\

mi -ne!
I- partV
1
m ^
Al - ffe-(l<ijl crn-(io
Oh love, and is it
i
P
fs^
Ah Vio let - ta, mia, deh! ma
cai - -ti!
FI. Ah! Vio Ir4 - ta, l'ul -n t ;v trou'ole.l h/art!
ter- mi - ne ber- La-tojiliio-stroji-mor!

thus \\e part? wh^nh.ip-pi-nf sswas nigh!
creKc.
L
a-^' F
s:
t -'lJ' f '
p P P
p f
Vio-let-ta,mia, deh! cai- ma- fi, inuc-ci-de_Lltiio do
Vio4et-JacalTi_iJ.'iv tnub-l-d heart, 'tis I.tliy love.a in
-4 iifM^
E? ^5
^
): p r
^ twi r j r j
"
^m m h
B
* ^ r r I
r p
<^ ^
jillarg.-.
^
^
Oh Al- fre-doîl cru-do ter-mi-ne ser ba-tqjii nosTroa-inor!
ine
a tewpo
Oh niy love,aiiil is it thus we p;irt,\\hen hap - pi'iesswiis nigh
f^f^ j- J- l'ir; 4fi

1
lor! ;\liVio - let- tamia, deh cai -ma- ti, m'uc - ci- dejltuo do- lor, m'ii c-ci-dciltuo do-
nigli. ')h!\'io - let - ta,cahnthy troub-ledheart,'tis I, thyljve'iam nigh, tis l,thy love,tis
m ^^
^=^=^ i
PP
Ah!

gran Dio! mo-rir s

m
t^ gio-vi-ne,
JH
io
J
che pe - na - tojio tan - to!
m mo.
Ah! greatHeav'n.andniust I, He sO-ilSHM ! that haveknow n but sor- row? The
Wm
lor,deh! cai- ma - ti,
jm
^ dolci
cai ma
zz:
ti!
I, thy love, ani nigh, Oh tny love!
i^^ > , #
pp
f
3 - -
14400
4
^
i
*-'
/
rir pressoa
si
tluw 'rsthat on niy
-i^Clfi
ter- re
fû -
patii b;ul spruii;:
E
u mio
SbaU see
li^'^
si
r
lun - go
^
no bloo ni-in^
r
s
^
pian-to! Ali
niorrow De !
/
-
duui|ue
g f^
ln-sivebope
fu de
my
221
Cai ma ti, Vio -let - ta mia!

Calili tby troubledbeart, Vio - letta!
li n- la cre-du - la spe - ran - za: iu - va - no di co

beart bi'pniilU, I5ut l'atebatb])rov'd re - leiit - less, N*j liope t'or me re
^^ê
I Vio-let-ta mi- a!
1^''
J' J' J
deh cai-ma- ti!
i \ \
niuc-ci

Ob mv Vio-let-ta! 'tis I, tliv live 'tis 1, tby
* mi'i^ f

fi

^ i-îi j ji
^m Sf^r
staii-za_cir-ma - t(j a - vr,

mains on eartb, /Jes-pair-ing
# ^n-.
f '-.
^
a-vrlulmio
.
iiust
Pi mosso.
cor!
die!
^
Al
Ab
- fre
must
- do
1
,A ^ ^^
i
il e il tuo
1
do-
*
lor,
*
il
KJ
tuo do
"ir
- lor!
?
P p p '^^
Violet-ta,mia, deh! cal-ma-ti!

jm J- JO
lo\'e/tis I, 'tis l| tbj- love, am nigb! Vif ir-t-ta.m l'ii tby troubledbeart!
m'uc^ci- ilt!JItuo do - lor! di m'uc-ci - de, m'uc-

'Tis I , tby l ove,am nigh! di, 'tis I, ah, 'tis
FI.i< I
I '1 1 K
2ZZ
ter mi-ne ser-ba - tq_al no - strrwimor! ser-
^
thus
^m
is it anti is it thus \\e j)iirt! des-
i 5 t
lor, ah si, n/uc-ci - de tuo
il do-lor!
nigh, 'tis I, 'tis I, tliylove, ani iiki!
14400
^
N9l9.''Pi'endi,quest' lmniag-ine.,,
Finale.
Alfred.
Violetta.
Allegro assai vivo.
^
Violetta,
tf
Voi
'i^>
si
\ ^
-gnor!
i i ^
Mio
(Bnter Anilina, Germont ami the Doetor.) W^^ tliy sire! Mj'
Germont. "
Germont. m f-
Ah. Vlo
f-
-
jj
let-ta!
Allep;TO assai vivo.'Jz9-J) Ah, Vio - let-ta!
Piano.
Violetta.

Wi^n
pa dre! Non mi
p m-
scor-da-ste?
fa ther! Theii you rP-iiieniber'd?
^ K- ^ r f fr
La promes - saji-dem - pio a
Yes, I gave a prom - ise, and
r-r ^r r^ r ^-tiT
' rrn rf 0^m ^ tfpj^ I
creso.
*
^^

^f
fj^ -J .J^^J
Violetta.
^:r ff t fr'l Tp i
Ô rp | g^ 5:
stringervi qual fi - glia ven-goal se-noôge-ne - ro - sa! Ahi-ni!
now I come to elaimthee,genrous heart,to be my daugh-ter! A-las!
i
~n-
ZE^Z -TT"
=
^ p fr r rrr rr
^
^ o
^ *r.,p.,^,f.,
(embracing him.)
?^
far di ginn -g- ste! pii- re,gra-ta ven so - no.
too late, to save me! TO'.n myhe
[nyhearts
art stili I thankthee.
i ^SS
^
i ^-nj t i '
r-|Hf
t i5=Jf5
#-
^P -,f -, ^, P Kf -r.,p., ^.uhr.

14400
224
l it i.H P I
Greiivil, ve - de
Or - f?
i h
fra
i

g
lebracci;uospi - ro fdi quaii - 1f
fi ca-rihjil
. Ahsee,
Aiisee, popclDoc
pooaiJoc - tnr,
tnr. al]
ali oiifartutliatsdear
ontNirtlitliiit'sdf'ar - est is near me at ~thT
the
'y.^.^J,^ ) ^ P
Germont
> *r
P
P Vr'-I- ^p 7F7P7P ^7^7?7ff
(gazing' at Violetta.)
^^
^^^;^^r^
^^M ^ P i
^r
^
rar mi,troppo ri - nior - so l'al-mami di - vo - ra, qua - SI
more donotreiulmy lieart with un - a-vail - iii^- an - guish; 'tis as
Cello & I .11.
ii'too
.
'y^TPr
a casket
P-m
and takcs a
.\li!iialcau-fo
fti
p-
p
,
nii-dallicm out
ri
ve- a;liardo!
lU-advisf (liiLj' prt'-cau-ti Jiis!
|B
^ il
tao
of
.
it
ri-
mal
late-
eh io
I
fc - ci,
feel it,
ra
l\etbul
-
-
^m
sol ve
ly\\roiig'dlier!
-
Z-i5
do!
^
*^"r
iS
lzi.:
f*
15-
^t:
-
m I
^
m -^^^^ i
ami.
J"jfJ^^ 4|MJ^:^jjj4-4^^ f
)
Violetta.
r^ r p
ZZI
;
? I r <
^f'
I
i
"y ^
^p T"
p ^
m^ ^
Piiui me t'ap - pres-sa, a-scol-ta, a-riiu-f o_,Al-fre - do ;
Alicome,(li-a\\ iiear-er, ani bear ine olihow 1 love the e!

-VTV
m
i^ ^
m
P st?~ colla parte.
? P ^
ii^
j^g=a
Alliiailte sostenuto. (Jz56)
^
<wilh a
Prendi,
Al-fred,
h(jllo\v vciice.
I-
(luesf e l'im - ma
J:
r^-reive tliis part

ii
I
J-)
-
-
i'
gi
iiig'
_ ne
i'
gitt,
> - i
de'
Th''
;i ^
i^
3:
rj
'Ê^
1î ^
PPPP\
^^ r -7
Sit
i
'
^l
-vv -*
^^ ^
for - ni Co che si f'a-nio. No, non nior-rai, non
^m niov'd me My iin - age'twill re-eall.

Tliouslialtnot die!
i
G e rmont.
i
^
:a=
âh
.^fe^
'
te^y 53E
S ^ '^ j)7 ^
^^ÊE,
---
Ca-ra, su
Oliheartof
=^
14400
îiî w*: T
Z26
bbi
=^
p\K '?-
p p p p F r p a:
:S:
f dir - iiio-lo, di vi- ver, a mor mi 0, a stra-zio s ter -
turn to me, ohlove.thoutmine

-"'i'J'
)
' ,1. for pv fr, I fiin-nnt bf.ai 4Jiis
i ffi
r .p p T I
P' P P' P P fe^
bli - me, su-bli - me vit - ti -ma d'un di-spe-ra- tqa-
wo - man, sublime in sac - ri -tice, a - las, I share tlie
te
i *
^ "
il ^19# --
^
^^
7^ *
j 1 1 3;
-#
-'
a=i:
^*
S^ ^ -
*r
^ *-4-
vV
#-
ri - bil qui non mi tras - se_Id - di 0, qui non mi tras sejd-
,an sev
& ^
- auish.frointhee I will lot er,fronithee I will not
^T r ^^p
r r p P
-):j>,h
mo - re, per- do-na-iiii lo stra - zio

^'r^
re-ca-toal tuo bel
r ^K
an-sniish. a - las I sharethe an - gnish, theirtenderheartsmust
: i'hiio a ( .b
Poco pi ani malli. (J = 76 1
Violetta.
P^^ ^^ r ir r
n
S^-na pu - di - ca ver - gi - ne, de-fjliân-ni suoi sul
If e'er thou meet a gen - tle niaid, Ho-lj- and pure aiid
VSind.
* V W
11J00
. -
m |J J J ^^
287
^
i 1
^
fio re, a te do - nas - seîl co - re, spo-sa ti
der, If she her lieart sur- render, Alithen, I
^ 1^
V -r S # ^
')'Vti Svi i I
j^râ m=^
Il - _
\î i |C77
i^ ^^

ra^^n
'

' :
Hii.a. i .
Wind.
V
A
ir
^=f %K^ f>n

si - a, spo
p - sa fi
ti si -
SI a, io vo'. Le por- giquest'cf-
ask thee,tliiitthouv\ilt tnake licr thy wife. Tlien^ve tohertliis
m fi
te
-
-
gie,
ken,
J t
Vf
rr
dil
tt'll
rrrsr.
-
#

le elle
lierwliosegiftit'
m
accentato con passione
do-noel-1'
is,
.
ff^
di
that
chi
one
m
nelcielfra
inyonder
gli_ange-li pre-ga perlai, per f.
i^m k^
shining sky prayeth forher, for the e.
T=f
Annina.
^
Fili- che
^
a-
^
te
So long'
A lf r ed. |
S
So
pre - stOj^h
soon, ah
as
^^ Germont.
FinchavT.xil ci-glio la-gri-me io pian- g

A-lasj^ so long as fronimineeyesthetearecan
14400
1
Z28
1
ft^ J ^ i ^5 J) J) I
J) J'- ^ Ê^
vra il ci - glio la - gri - me
from iiiin t^ eye s the tears can flow,
^ S;
PPg ^ ^^
no, ah no, ah no di vi - der - ti
^
no, iih no, I cannot part iirom thee,

m: f^Pl^P m^
i
!

ro,_ io pian- g - r per te, per te; vo - laa' be - a - ti
^ flow,
vra

the tears
<
can
I
flow,
> \J'
ll
il
weep
J'
ci- glio
Ibr
J' I
thee,'tis
r'
la - gri -
g
Hev-'n
p
me
that ualls thy
' '
^^
from eyes the tears can flow,
^m
inint^
^
i ^9=^
I
^ m^
1
^ ^ i i
m^
:^:
10 pian g ro per
m
i ^ d*
mor
thou
^te
shalt
non
not
weep,
pu,
(he,
no,
na,
111 weep
no,
no, ah
for
m
non pu da
live for
>:, ,h i
f P HH
spi- ri - ti, Id - lio ti
I
cJr
cliia -
M
ma, Id -
^n
dio ti
I
rTrM"VF
chia - ma, ti chia-ma_a
spir-ithome,froin earth-ly sor - rou, troni earthly sor - rowthou shalt be
l't*0
229
t
p3 7 r r F p
Le gie,
^
jjor - gi (luest' ef fi
to li'T this ken,
m
'flieii Livi- ti)
t^ t
=^ T=^^
te. Vo-hiâ' be - <i- ti
thee. 'TisHeav'nt'iat c;ills thy
m
Mp
r
.ne.
i i^ n
Ah vi - vijO
: n
so-lojin
ine. Or if the anêTs
SS
m ^=r jr
Vo - hijC he - a -
r t^-f-
se. ti
tre e. 'Tis Heav'n that calls thy
SS
^
te.
^^ ? w
\'o la a' -
J>
be - a - ti
J^ JW)
#''''-
thee.
MM^ ^ 'Tis H.îvh tliat caUs thy
=i^=^
I ^
^^
-'jjjii
^ ^
r^
-?
i i -^h^T
t t t
i^^fei
^^ êS
/ g p- n ir

Lf-H
dil - - le che donoêl - 1'^' ili chi_ fra
teli h r\\hosegil't it is,. that Glie. in
i KJ
i \
^ jrr I I
>
J' J' i^' .'' J' zuz
spir - ti, M-dio ti chia-i!i;iâ se, Id

spir - 'avii lat eaUs thee honie^ from
Mk
it, 'tis - t
SSe
'p
p F j^_^ P F P P ^
f - re - tro ni'acco - glie - r con te, con
cali thee home, oh l't me die \\ i;h thee, A\ith
E^
'y-M p
spir
Pi
ti,
i I
, n
Id-dio
r
ti
p
chia-niaji
r^
1
s,
^
Id
^ sfcerr
spir
spir
spir
it,
B
ti,
it,
? ! .
'tisHeav'n
J' J-
Ili-dio
'tis Ileav'ii
tliat
ti
that
J-
caUs thee
J
chia-maa
cali s thee
J ^ home,
se,
home,
troni
Id
from
di \
j j
ê^
^^^- 1-^"; /^j^y'''"|j^
14400

^
230
o_
m^ ^s
u n-
^ Andantino.
M^ rt^
^
i^
t=^ -^
l h"iiV^
lijin geli pre - ga per lei, per te.
^
on der sky

prays for h^r,
f^
and thee
^Wfe^
^ f ll ii p.^^ IhV^g
dio ti chia se.
grief thou shalt be free.
^^ -A
te,
p
ni'ac -
p^
co-glie -
1^'
r,
pf H:
mac-co - glie-ra con
P i ii!^^
te.
ihV ^
^ thee, oh, let me die, oh let me die with thee.
^
ffi r
dio ti chia - ma, ti chia-maa
W
se
\
^ ^
HV .
earth sor - row thouwhalt b^ free
ÊS :^
dio ti crua
\y-
nia_a
il
se.
^'''
m^slm
^
grief thou shalt be free.
Andantino.
\ ^ E?:
/i
<-
n I
tm^
s
*--
< T---
^K ^m '-444
o
_^^
4
VPPP
Vl.S. lo.
Me
g^
tl
i^
^ ^^^ ^î ii
4
revivintr.)
H
(speaking.)
M:
-r-r-
E strano!
^?-T- ? ^- vi s
^r-^
/i ^1 ^ I
Ces-sa-ro-no
^
^^ S
^. < ? ?
gli
^
'Tis wondrous! Thedeadly pains that
ii
F
=^^^^^
Che!
^ WhatV
^ ^h^
^ Che!
Wliat?
^
Che!
S Wtiat?
P ?
Che!
What?
?
4 2d V. &2 Viole.
14400
^ L. }] j\ > -^
-7
i^t i^ I
> > Ul > I
J.' ^ r }^\^î^^ -T ^
231
spa mi
- SI - del do - lo - re, la me ri - na-sce, ri -
Lonquer'd me, and the faintness, are gene my pulses are
y^
M
S
f^ $ *^ .^
^
tt/b!
n
m na-sce,
beating
8-
5
fc:si^-^ iti i^.-fi|^ feil. JiJJ'lJ-'
m'a-gi-ta
herewithin
l
in
I
.
feel
i
so - li-to vi -
renewing
gor!
lite!
-, , l
CM'SC.
'jr, yJl
ah!
ah!
ma
I
Û''l::^
i ^ ^
f=
'
t^ 3 W'M
'>m=^
"t. \ =<r ^S
w
p Tutti
creso, a poco
Str.& U.h1.
poco
^m w^ h^r
\^M i -
f I.
il'
10,
1 1
w^w
ah!
agtatssmo.
ma io -
rrrfi
ri - tor - no a vi ver!
Ê oh
feel, ah, I friel my life T^' - tum ing! what
y&^r -A
/i r fe i ^T^'r^
U > Il b I I
I ^g

< -
Il
r
â^ Allegro.
^(faUs back on the sof. Annina.
^ E
w^
'(^=iP
gio
"V o etta.
i l
^
muor!
3^
ja!
^
*'^''<*
rap ture! Annina. Death!
k^
^ r ff i r r ^3 I
Oh eie - lo!
GreatHeav- en! Germont. Vio-
^^ Germont.
^^==^
Oh
^#=#
eie - lo!
i
muor!
^
(reatlleav- en! Death!
D oct or. -r-# 0- D o ctor.
14400
v
23 2
i % i r p f F i
p'
pr
Dio, soc-cor - ra-si!
(J help, thougracious Heav'n!
M
m^
let - ta?
let - ta?
'y-^\y. i r r i^ i
f ff
ODio, soc-cor - ra-si!
help, thougracious Heav'n!

fAfter feeling her pulse.
73 rr T} -a
14400
End of the Opera.

Traviata

Transféré par

Informations du document

Copyright

Formats disponibles

Partager ce document

Partager ou intégrer le document

Options de partage

Avez-vous trouvé ce document utile ?

Ce contenu est-il inapproprié ?

Droits d'auteur :

Formats disponibles

Traviata

Transféré par

Droits d'auteur :

Formats disponibles

THE LIBRARY OF THE

borrowed on the LAST DATE stamped below unless

it is recalled sooner. If not on hold, it may be renewed

bv brineina it to the library from which it was borrowed.

loini \(i M'I

Characters of the Opera,

VIOLETTA VALRY, . Soprano . . SALVINI-DONATELLI

" The La Traviata we bave alread)' given to our readers. It is simply

its notes to have dramatic breadth or eloqiience. A

2. Introduction. Chorus and Scena Dall' invito trascorso gi l'ora .

7^ Recit. and Aria . De' miei bollenti spiriti (Alfred) . 70.

16. Recitative Annina 1 Dormivi ? (Violetta) 191

fW* fcS; iBi^nfi /lin/1?

N9 2. "Dell'invito trascorsa gi l'ora,,.

Allegro brillantissimo e molto vivace.

^^^t^ &M 1 ili

Gio-cammo da Flo-ra, e gio - can - do quel-l'o - re vo-lr.

forward to reeeive them.)

This night. let ali be_ mirth - fui

Hastthou health for en-joyment?

$ S, I \i - fa sad - dop - pia aitilo- ir

9^ ^ with BASS. ^^'

'-H^^ f Sii l#f^^f

plea - sure a - Ione we are sure. Gaston (entering with Alfred.)

^lJ444 JiiiTO ^^fl^

Sl- -mi- -li so- -no.

("The servants mt-anu-hilf bave completed serving the table.)

nen di - ce - ste, le cu- re se-f,Te-te_ fu - j,'-a sempre la- mi - co li- cor.

Ben di - ce - ste, lecu-re se-f,'-re-te

Ben di - ce- ste, le cu- re se-f^re-te

n"f frfrfr f rf ^1^ l

E al con- vi - to clie s'a - preognicor.

TENOR. At this ca-rou - sai ali hearts shall di-late.

door^waylie hov-er'd.No further. I can be naughtto him. What an er-ror!Sayslie

tru-ly? Was it so? Teli, ah teli me! Yes, it is true.Frommyheart,then,I

(to the Baron.)

^ e- -ste^al - tret - tan - to.

tan - to M ei so - lo da qual - che mi - nu - to.

(asidf to the Baron.)

Gaston. (to Alfred.)

Marquis (to Violetta.;

via- -nio, be - via- -mo, be-viani!

^mm brin - di-

brin- di- si.

Si. Si, at - ten-ti^l can - tor!

Dun-queat-ten- ti, at - ten-ti^I can- tor!

We will list to thy song!-

Si, at - ten-tijil can- tor!

S, at - ten-tjjd can - tor!_

iJt tt Aj* t-t

Alfred. co7i grazia leggierissimo

mo, li - bia-mo ne'

g - voi 0- - ra s in ne - brii_ a. vo - luf -t.

e - qua! this? The n quaff we the wine - cup when

pr - de -re tem-po mio gio - con - do; tut

dream of ec sta-sy, By joy-ous friendssur - round -ed. Give_

cer. jO - diam, fu - ga - ce;_e ra - pi - do3 il gau - dio del - 1 a

Ah! go - dia mo, la taz-za, la taz - zaejl

Baron, Doctor, 8t Marquis with BASS.AhL en - joy_ mirth _ are

can - - ti. co la not-te^ab-bel- la_ejl_ sto, in

m ,beck - on- iIle.^^'hiIe love and wine yet_ in

p > '> I M^S\^^

ivay with this

vi- taj! nel