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Shahīdī Qumī migrated to India after the death of his patron Sultan Y'aqūb, traveling across Gujarat and the Deccan region. Shahīdī Qumī and Lisānī Shīrāzī are considered the founders of the "realist school" of Persian ghazal poetry, focusing on erotic love for an earthly beloved rather than Sufi love for a divine Beloved as was typical in classical Persian poetry. This realist style was later developed by other poets such as Sharaf-e Jahān Qazwīnī, Wahshī Bāfqī, and Muhtasham Kāshān
Shahīdī Qumī migrated to India after the death of his patron Sultan Y'aqūb, traveling across Gujarat and the Deccan region. Shahīdī Qumī and Lisānī Shīrāzī are considered the founders of the "realist school" of Persian ghazal poetry, focusing on erotic love for an earthly beloved rather than Sufi love for a divine Beloved as was typical in classical Persian poetry. This realist style was later developed by other poets such as Sharaf-e Jahān Qazwīnī, Wahshī Bāfqī, and Muhtasham Kāshān
Shahīdī Qumī migrated to India after the death of his patron Sultan Y'aqūb, traveling across Gujarat and the Deccan region. Shahīdī Qumī and Lisānī Shīrāzī are considered the founders of the "realist school" of Persian ghazal poetry, focusing on erotic love for an earthly beloved rather than Sufi love for a divine Beloved as was typical in classical Persian poetry. This realist style was later developed by other poets such as Sharaf-e Jahān Qazwīnī, Wahshī Bāfqī, and Muhtasham Kāshān
Shahd Qum (d.935 AH/1528-29 CE), a poet at the court of Sultan Yaqb (d.
896 AH/1490-91 CE)
migrated to India after the Sultans death, traveling across Gujrt and the Deccan. Shahd Qum and Lisn Shrz (d. 941-2 AH/1534-36 CE) are held to be the inaugurators of the literary movement known as the maktab-e wuq, the realist school of Persian ghazal poetry, later developed by poets like Sharaf-e Jahn Qazwn (d. 968 AH/1561 CE), Wahsh Bfq (d. 991 AH/1583 CE) and Muhtasham Kshn (d. 1588 CE). This school indited realist topoi of erotic love for a profane beloved contra f-anagogic love for a divine Beloved, the dominant topos of classical Persian ghazal poetry.