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Hirt, Ryann
ColWrit R1A
Professor Grover
Oct. 15th, 2017
Gateway to the Drug Business
With living in the hood comes a constant struggle for minority boys and men against
drugs and the incarceration system. It seems like there is this circle of life that is happening in
the neighborhoods, where men are removed from the lives of boys, leaving the boys to fend for
themselves and teach each other how to be a man. With no older male role models, the boys
crave for ways to prove how masculine they are. And in these attempts to prove themselves, they
wind up in this endless cycle of drugs and time in jail. As mentioned in Raising Cain, a research
paper on the culture of cruelty within boy groups by Dan Kindlon and Michael Thompson, boys
reach a certain age where they are searching for male role models to develop their own
masculinities behind. But in the hood, where the men are gone, who do the boys turn to? They
end up turning to each other to police their masculinities. Policing of masculinity is a social
construct that has been observed in a case study on adolescent boys. In this case study,
Consequences, by Christopher Reigeluth and Michael Addis, POM is deemed as the monitoring
of the appropriate ways to act like a true male and that boys and men who stray from those ways
will be punished. In the film Moonlight, the main character goes through three stages, childhood,
adolescence, and manhood, where the audience sees young boys teach each other how to be
masculine and police each other to ensure no one is digressing from those norms. Within the
movie, the main character Chiron (also referred to as Little in his childhood years, and Black, in
his adult years) often faces this monitoring by his peers, but the monitoring isnt gentle, it is
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harsh and can be considered bullying. But the monitoring, in the end, does shape him into a man.
However, he isnt the only boy facing the social construct of policing of masculinity; the same
policing is seen to affect his friend, Kevin, and his bully, Terrell. Because of POM, the boys face
emotional damage, just like Kindlon and Thompson warn. This emotional damage of attempting
to prove his masculinity leads to Chiron falling down this cycle of violence and drugs. This cycle
of men from minority neighborhoods being killed or sent to jail, because of violence and getting
involved in the drug business is all due to the culture of cruelty and the policing of masculinity
have been incarcerated or killed. The boys are left to figure out how to be male and what being a
man means by themselves; as they turn to each other for aid in this discovery, they end up
With every lesson in dominance, fear, and betrayal, a boy is tutored away from trust,
empathy, and relationship. This is what boys lose to the culture of cruelty. What they
learn instead is emotional guardedness, the wariness with which so many men approach
relationships for the rest of their lives. (Raising Cain, 4)
The boys learn from each other how to act, but this will affect their relationships in the future.
The audience sees that as Little becomes Chiron and Chiron becomes Black, there are lessons
that shape Little into Black. When Little first meets Juan, it is clear he is wary of this stranger,
scared of trusting, he doesnt speak to Juan for a long time; this is because a scene before
meeting Juan, he is chased into an abandoned apartment by a group of boys, calling him fag and
throwing things at him and perhaps because Juan is a man, Little is afraid of being harmed by
him too. As he gets older, Chiron becomes more emotionally guarded; he only has one friend
Kevin, but even with his friend, he does not reveal any emotions. And when Black is introduced,
we see a strong, stoic man who barely speaks. Black no longer has the innocence that Little once
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carried and that happened as he transitioned from being Little to Chiron and once again with
Chiron to Black.
The first theme of POM is masculine norm enforcement, where the boys will test,
challenge, or urge the boy to improve his performance and toughen up (Adolescent Boys
Experiences with Policing of Masculinity: Forms, Functions, and Consequesnces, 78), can be
applied to Chirons relationships with his mentor and with his friend. With no men around other
than the drug dealers who havent been killed or placed in the prison system, Little/Chiron, ends
up befriending a drug dealer named Juan. For Little (the nickname for Chiron in his childhood
years) Juan will become the role model he so desperately needs. As Kindlon and Thompson
wrote:
Boys are desperate for role models as they head into this uncertain age, and in most cases
the dominant image of masculinity is one that requires strength and stoicism. Among
themselves boys engage in continuous psychological warfare. Older boys pick on
younger boys - dominating them by virtue of their greater size - and younger boys mimic
them, creating an environment that pits the strong against the weak, the popular against
the unpopular, the power brokers against the powerless, and the conformity driven "boy
pack" against the boy who fails in any way to conform with pack expectations. (Raising
Cain, 2)
Little was too little to be considered a member with power in his group of male peers, so he ends
up outcasted and powerless, pitted against. He, desperately searching for a role model, finds
Juan, who does indeed become a father figure to Chiron, but will also be his gateway experience
into the business of drugs. Going back to policing of masculinity, it is within the beach scene,
Little experiences the pressure, applied by his role model, to act more masculine. In the beach
scene where Juan is teaching Little how to swim, he tells Little to be more athletic with his
strokes. This was Juan using the first theme of POM: Masculine norm enforcement; he was
urging Little to improve his performance in the water. Reigeluth and Addis support this from
Many participants discussed using POM to apply pressure to other boys with the intent
to promote hegemonic masculine behaviors, such as perseverance through a difficult
emotional experience, or demonstrating power and strength. (78)
Other boys recognize that they put pressure on other boys to act more masculine, whether it is
through showing little emotion, or toughening up and becoming stronger. Now, when older
males put this pressure of acting more masculine on younger males, a bond forms as the older
becomes a mentor to the younger. Juan was a drug dealer and it is probably because of his
relationship with Chiron that in his adult stage, Chiron would end up copying Juan and become a
drug dealer himself. This is the endless cycle of drugs in Chirons life. Juan knew his business
was what was ruining Littles life at home; Juan was the one supplying Littles mother addiction,
but he did nothing to stop that. Little is aware of this damage too, but even he, knowing the pain
drugs caused in his life, ends up a drug dealer as well. Juan does takes Little under his wing, and
this action, though it was Juan trying to help, ended up putting Little in even more exposure to
the drug world. He even teaches Little how to sit in a room because he must always be on guard
and aware of everything. This was the drug business, always know the surroundings of the room,
never put your back to any entrances. Littles first taste of the drug business begins with Juan and
will continue to grow as he comes of age. Another time Little is reminded to improve his
performance and strength is within the scene where he and Kevin end up wrestling in a field.
Kevin reminds Little to not be soft and Little replies that he isnt soft; the boys wrestle each other
and then Kevin stands and says, See Little, I knew you werent soft.. In this scene, Kevin is
testing Little to improve his performance of masculinity. By fighting back and wrestling Kevin,
Little proves himself to not be soft. This need to prove that he is strong enough to stand up for
himself comes up again during the fight seen between him and Kevin in their teenage years.
Chiron refuses to stand down, showing his physical and emotional strength. He returns to school
to get revenge on his bully, Terrell, by knocking him unconscious with a chair. This action leads
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to Chiron getting put in jail, his last exposure to the world of violence and drugs before he
decides to join as a drug dealer. We see that this simple action of throwing a chair at his bully
and only harming him once, lands Chiron in jail, despite that, as far as the audience knows, this
is Chirons first offense. In addition, Chiron is seen policing himself in Black in his drug dealing
role; he works to keep up his strength and power by using the weights and by owning a gun for
protection. Both being physically strong and capable of wielding a weapon are things deemed to
be manly and Black uses them to prove he is a man. His physical strength and stoicism as an
adult allows him to stay in power as a drug dealer. He shows no weakness or emotion; he
maintains his reputation as manly, you would never think a man like this was gay. Kevin also
polices himself; in the knock down game, Kevin is forced to keep hitting Chiron until he stays
down on the floor. Despite Chiron being his friend, Kevin continues to hit him, but also is almost
begging that Chiron stay down. Kevins agreeance to participate in the game was most likely to
prove to Terrell, the other boys, and himself that he is still strong and masculine. So, through
violence both Terrell and Kevin attempt to prove that they are masculine enough to remain at
their statuses.
The second theme of POM, status elevation, is seen within the boys as they become
adolescents, as well as in the drug dealing business. During the lunch scene, beginning in the
high schools cafeteria, Terrell approaches Kevin and it is clear Terrell is the one in power
between the two boys. He asserts his dominance by shoving Kevins lunch tray and taking his
juice box. Terrell is already at the top of his social pyramid, now he must maintain that status he
a culture that offers no security. Some boys are more frequently targeted than others,
some more often lead the assaults, but all boys know they are vulnerable. As a self-
possed and popular boy confided: "Everybody thinks you've got it so easy when you're on
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top, but being on top just means that you have to worry all the time about slipping or
somebody gaining on you. All it takes is one mistake or a bad day, and all sorts of people
are waiting to take you down. (Raising Cain, 4)
Terrell is the one on top, but now, he has to maintain his status. He does this by pressuring Kevin
to prove his strength and masculinity by beating whomever Terrell chooses for Kevin to beat up
at the knockdown game. Chiron does the same attempt at status preservation when he is older as
Black. He owns a gun and barely talks or shows emotion while dealing with his drug business.
By him owning a gun and having an underling do the drug and money exchanges, he shows that
he is the one in power with weapons and a minion. In the scene where he is recounting the
money from drugs, he tells his underling, Travis, that the count is off and the amount is short. He
first asserts his dominance by telling Travis to move out of his spot and by saying, Give me my
fucking money. You sayin Im a liar? All right.. This scene was Black testing Traviss ability
to handle the streets, but also it was Black showing he is at a higher status than Travis as his boss
and as his mentor. Again, the drug business comes into play; Black has reached his status, now
he must use POM and the culture of cruelty to maintain his status. He will police himself and his
underling to ensure he remains where he is at. His actions also teach Travis how to act if he
wants to be at the top of the drug business too. Lessons he was taught by Juan and by being in
prison, Black ends up passing along to Travis. It is all a cycle, because it is almost impossible to
In his anti-prison rap, Kanye is angered by the racist incarceration system; he claims the
war on drugs, started by President Nixon is a failure. The only people benefitting are the ones
continuing to gain money from the minority men trapped within the prison system. Wests
conclusion that the CCA and the DEA are purposefully locking up black and Latinos is
reinforced by statistics:
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While the entire U.S. population is only 13.6 percent black, 40 percent of its vast prison
population (over 2.5 million) is black. In 2010, black males were incarcerated at the rate
of 4,347 inmates per 100,000 U.S. residents of the same race and gender, compared to
678 inmates per 100,000 for white males the majority of those held in U.S. prisons are
guilty of minor drug offenses. (The truth in Kanyes anti-prison rap)
Chiron was a part of that 40% prison population. He was sent to jail as a teenager, but tried as an
adult, for a minor offense of harassing his bully. Kevin, too, ends up in jail during his adult life.
Jail is a common topic within minority neighborhoods. Jail takes away fathers, leaving sons to
rely on other male figures to act as their role models. We dont know what happened to Chirons
real father, but we can assume it was either violence or jail that took him from the young boys
life. The same thing happens with Juan. We dont know how he died but because of his dealings
within the drug business, we assume he was probably killed because of his work. Institutional
racism is a big reason why there are so many minorities in comparison to whites that are placed
in the incarceration system. However, couldnt POM be a factor as to why black males continue
Culture of cruelty and policing of masculinity led to this cycle of violence and drugs in
Chirons life; we can also assume that Kevin and Terrell were also stuck in this cycle too from a
young age as well. Chiron follows Juans footsteps and becomes a drug dealer, but that is after
being put in jail. The incarceration of Chiron was the final step to becoming a member of the
drug business. And from then on, all Chiron had to do next to continue the cycle was to take on
an underling and teach him the ropes, so the underling can repeat it all later on.
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Works Cited
Kindlon, Dan, and Michael Thompson. Culture of Cruelty. Raising Cain: Protecting
of Men & Masculinity, vol. 17, no. 1, 2016, pp. 7483., doi:10.1037/a0039342.
Productions, 2016.
The War on Drugs: From Prohibition to Gold Rush. The War on Drugs: From
www.youtube.com/watch?v=HSozqaVcOU8.
www.salon.com/2013/05/20/the_truth_in_kanyes_anti_prison_rap/.