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1. 1. Chinese and Japanese Literature were the most famous East Asian Literature.
2. 2. Chinese and Japanese Literature were written (periods of B.C).
3. 3. The earliest layer of the Chinese Literature was influenced by oral traditions.
4. 4. There is a wealth of early Chinese literature dating from the Hundred Schools of
Thought that occurred during the Eastern Zhou Dynasty (770- 256 BC)
5. 5. The Confucian works in particular have been a key to the importance of the Chinese
Culture and History.
6. 6. The introduction of woodblock printing during the Tang Dynasty and invention of
movable type printing during the Song Dynasty, has rapidly spread written knowledge
throughout China.
7. 7. The earliest known narrative history of China was the Zuo Zhuan, which is compiled
not later than 389 B.C.
8. 8. The oldest extant dictionary in China was Erya, dated to the 3th Century B.C.
9. 9. Although court records and other independent records existed beforehand, the
definitive work in early Chinese historical writing was the Shiji, or Records of the Grand
Historian written by Han Dynasty court historian Sima Qian (145 BC-90 BC).
10. 10. Sima Qian was often compare to the Historian Herodotus.
11. 11. During the Song Dynasty, the compilation of the Four Great Books of Song (10th
century 11th century), begun by Li Fang and completed by Cefu Yuangui, represented a
massive undertaking of written material covering a wide range of different subjects.
12. 12. In northern China, the Shijing or Classic of Poetry (approx. 10th-7th century BC)
comprises over 300 poems in a variety of styles ranging from those with a strong
suggestion of folk music to ceremonial hymns.
13. 13. Confucius is traditionally credited with editing the Shijing.
14. 14. Shi It is the basic meaning of poem and poetry.
15. 15. Classical Chinese poetry composition became a conventional skill of the well-
educated throughout the Ming (1368 1644) and Qing (16441911) dynasties.
16. 16. The late Qing also saw a "revolution in poetry" , which promoted experimentation
with new forms and the incorporation of new registers of language.
17. 17. Japanese Literature was greatly influenced by Chinese Literature and Buddhism.
18. 18. Classical Japanese literature generally refers to literature produced during the Heian
period, referred to as the golden era of art and literature.
19. 19. Many genres of literature made their dbut during the Edo Period, helped by a rising
literacy rate among the growing population of townspeople, as well as the development
of lending libraries.
20. 20. The Meiji period marks the re-opening of Japan to the West, and a period of rapid
industrialization. The introduction of European literature brought free verse into the
poetic repertoire. It became widely used for longer works embodying new intellectual
themes.
21. 21. He is one of the most controversial Japanese Authors His genre-defying, humorous
and surreal works have sparked fierce debates in Japan over whether they are true
"literature" or simple pop- fictionHis genre-defying, humorous and surreal works have
sparked fierce debates in Japan over whether they are true "literature" or simple pop-
fiction
Chinese literature
1. 1. CHINESE LITERATURE Created by: Angie Anders Presented to: Mr. Daryl Gates
World Literature Southern University of Shreveport
2. 2. INTRODUCTION To many Westerners, Chinese literature remains a hidden seam in
the rich strata of Chinese culture. As a matter of fact, it is a treasure of a very
considerable number of brilliant and profound works as each dynasty, in the long history
of China, has passed down its legacy of magnificent events and works.
3. 3. Historical Treasure For 3500 years, the Chinese have woven a variety of genres and
forms encompassing poetry, essays, fiction and drama; each in its own way reflecting the
social climate of its day through the high spirit of art. Chinese literature has its own
values and tastes, its own reigning cultural tradition and its own critical system of theory.
4. 4. Famous Works Tao Te Ching The Art of War Tang Poems The Analects Doctrine of
the Mean The Great Learning Classic of Filial Piety
5. 5. Tao Te Ching ~ Lao-tzu Always without desire we must be found, If its deep mystery
we would sound; But if desire always within us be, Its outer fringe is all that we shall
see. ~ Tao Te Ching
6. 6. Art of War ~ Sun Tzu Now, when your weapons are dulled, your ardor damped, your
strength exhausted and your treasure spent, other chieftains will spring up to take
advantage of your extremity. Then no man, however wise, will be able to avert the
consequences that must ensue.
7. 7. Tang Poems How beautiful she looks, opening the pearly casement, And how quiet
she leans, and how troubled her brow is! You may see the tears now, bright on her cheek,
But not the man she so bitterly loves. Li Bai, A Bitter Love
8. 8. The Analects ~Confucius Section 3 Part 12 Yen Yuan asked about perfect virtue.
The Master said, "To subdue one's self and return to propriety, is perfect virtue. If a man
can for one day subdue himself and return to propriety, an under heaven will ascribe
perfect virtue to him. Is the practice of perfect virtue from a man himself, or is it from
others?" Yen Yuan said, "I beg to ask the steps of that process." The Master replied,
"Look not at what is contrary to propriety; listen not to what is contrary to propriety;
speak not what is contrary to propriety; make no movement which is contrary to
propriety." Yen Yuan then said, "Though I am deficient in intelligence and vigor, I will
make it my business to practice this lesson."
9. 9. The Doctrine of the Mean ~ Confucius While there are no stirrings of pleasure, anger,
sorrow, or joy, the mind may be said to be in the state of Equilibrium. When those
feelings have been stirred, and they act in their due degree, there ensues what may be
called the state of Harmony. This Equilibrium is the great root from which grow all the
human actings in the world, and this Harmony is the universal path which they all should
pursue.
10. 10. The Great Learning ~ Confucius Things being investigated, knowledge became
complete. Their knowledge being complete, their thoughts were sincere. Their thoughts
being sincere, their hearts were then rectified. Their hearts being rectified, their persons
were cultivated. Their persons being cultivated, their families were regulated. Their
families being regulated, their states were rightly governed. Their states being rightly
governed, the whole kingdom was made tranquil and happy.
11. 11. I Ching, The Book of Changes This famous system of 64 hexagrams plus their
commentaries and trans-for-mations is at the root of Chinese thought. ~ Tr. Wilhelm(en,
fr).
12. 12. Reading Chinese Literature The main disadvantage of written Chinese is the great
number of characters it contains: Even basic reading and writing require a knowledge of
more than 1,000 characters. This has often made it difficult to spread the skills of reading
and writing into certain areas of the country. But even with this disadvantage, Chinese
has been a potent factor in shaping and maintaining a cultural continuity for millions of
people.
13. 13. The Splendor of Chinese Literature Chinese literature can be used as an escape into a
beautiful world and time, a guide to virtuous living, and a historical map through images
and philosophy.
14. 14. References Compton's Living Encyclopedia (2005) Chinese Literature. Retrieved
from http://academic.brooklyn.cuny.edu/core9/phalsall/texts/chinlit.html Rick Harbaugh
(2010) Chinese Classical Literature. Retrieved from http://zhongwen.com/gudian.htm
Lao-tzu (1891) Tao Te Ching, translated by J. Legge, Retrieved from
http://www.sacredtexts.com/tao/taote.htm Li Bai, A Bitter Love, Tangshi VII. 1. (234),
Retrieved from http://wengu.tartarie.com/wg/wengu.php?l=Tangshi&no=234 Confucius,
The Analects, (500 B.C.E.) Retrieved from
http://classics.mit.edu/Confucius/analects.3.3.html Confucius, The Doctrine of the Mean
(500 B.C.E) Retrieved from http://classics.mit.edu/Confucius/doctmean.html Confucius,
The Great Learning, (500 B.C.E.) Retrieved from
http://classics.mit.edu/Confucius/learning.html Yi Jing, I Ching, the Book of Changes,
Retrieved from http://wengu.tartarie.com/wg/wengu.php?l=Yijing&no=6
. Japanese Literature
2. Brief History of Japan Heavy cultural influence from China and Korea (Buddhism, ways of
farming, art, language / letters) 12th to 19th centuries: Samurai ruled (Shogun), emperor was
only figure head.
3. 1853: American Commodore Matthew Perry (with four warships) requested Japan to
begin trading. 1868: After civil war, Shogun resigns and Emperor restored to power; once again,
he is truly in charge of Japan. Emperor begins modernization of country, abolishes samurai class
and feudal system.
4. Oldest (formalized by 1400s) Stories are spiritual in nature (ghosts, demons, possessions)
Masks are worn Audience is aristocratic/upper class Elegant & refined Noh
5. Noh Simple sets, little or no props Stage has three sides for audience, connects to dressing
room (separated by curtain) Accompanied by music / chorus
6. A TRADITIONAL NOH THEATER
7. Developed around 1600s Stories based on folklore, history Highly stylized make up
Appeals to middle class audience that often yells during performance Bountiful and exaggerated
Kabuki
8. K a b u k i Elaborate sets, often using special effects Extensive use of props, especially the
fan Stage has one side Accompanied by music / chorus Omnagata: males performing as
females
9. Contemporary Influence of Kabuki & Noh Japanese anime (cartoons) and manga (comic
books) Costume / make up design for modern movies (such as Star Wars)
10. Haiku A form of minimalist Japanese poetry Theme: Nature or Seasons Attempts to be
deep or compare two unlike things Consists of 3 lines and a certain number of syllables per line
Haiku has 5-7-5 syllabic structure.
11. Japanese Haiku the first cold shower even the monkey seems to want a little coat of straw.
old pond (fu/ru/i/ke ya) a frog jumps (ka/wa/zu to/bi/ko/mu) the sound of water (mi/zu no o/to) --
both by Matsuo Basho (1644-1694)
12. PERIOD OF JAPANESE LITERATURE:
13. Yamato/Kofun Period 300-710 Yamato : Great Kings Kofun: giant tomb mounds
Military aristocracy Imported Chinese culture Via Korea: Writing Confucianism Buddhism
14. Prince Shotoku Kamukara Period 573-621 Prince Shotoku Prince Shotoku Kamakura
period, early 14th century Kamakura period, early 14th century gild bronze gild bronze Regent
during reign of Empress Suiko (r. 592628) Wrote the Seventeen Article Constitution, the earliest
piece of Japanese writing and basis for Japanese government throughout history. Led Japanese
court in adopting Chinese calendar and sponsoring Buddhism.
15. Asuka Period 645-710 Capital in the Asuka District Establishment of Imperial Power
under Taika Reform Edict Temple building and sculpture introduced with Buddhism -heavily
influenced by Korean and Chinese models Relief Tile with Buddhist Triad Relief Tile with
Buddhist Triad Asuka period, 7th century Asuka period, 7th century Metropolitan Museum of
Art Metropolitan Museum of Art
16. The Naiku The most respected of all shrines, the Naiku, is located at Ise. The Naiku
preserves Amaterasu Omikami, the ancestral goddess of Japan's imperial house and the great
ancestral holy being of the Japanese people.
17. Amaterasu Omikami Utagawa Kunisada (1786-1865). Amaterasu Emerges from the Light.
Utagawa Kunisada (1786-1865). Amaterasu Emerges from the Light. (colored woodcut, no
date). (colored woodcut, no date).
18. Nara Period: 710-794 First permanent capital established at Nara Emperors embraced
Buddhism leading to its rapid and dramatic expansion Rise in political power of Buddhist
monasteries led to capital being moved to Nagaoka.
19. Nara Fashion During the Nara and the previous Asuka periods, techniques for During the
Nara and the previous Asuka periods, techniques for dyeing silk were developed. Clothing
consisted of many pieces dyeing silk were developed. Clothing consisted of many pieces
including upper and lower garments, jackets, aafront skirt, and aa including upper and lower
garments, jackets, front skirt, and back skirt. back skirt.
20. Nara --Temple Horyu-ji Nara Temple Horyu-ji 7th century 7th century Nara --Temple
Chugu-ji Nara Temple Chugu-ji 7th century 7th century Buddha Sculptures
21. Earliest Japanese Literature The Kojiki (Record of Ancient Matters) -- an anthology of
myths, legends, and other stories The Fudoki (Records of Wind and Earth), compiled by
provincial officials describe the history, geography, products, and folklore of the various
provinces. Nihon Shoki (Chronicle of Japan) -a chronological record of history.
22. The Kojiki Japan's first book. It was written in 712 by the noble Ono Yasumaru (? - 723) at
the order of Empress Gemmei (661-721) and is in three volumes. It recounts the history of Japan
from its mythological origins to the era of the Empress Suiko (554-628). Kojiki (Record of
Kojiki (Record of Ancient Matters) Ancient Matters) album cover album cover
23. Izanami and Izanagi, Izanami and Izanagi, The Creator Kami The Creator Kami
24. The Manyoshu (Collection of Ten Thousand Leaves) 759 Anthology of over 4500 poems
Includes wide variety of poems: courtly, rustic, dialectical, military, travel Identified and
anonymous poets Syllabic poetry: 5-7-5(Haiku) Choka: indeterminate number of lines
culminating in a 7syllable (mora) couplet Tanka: 31 syllable poem: 5,7,5,7, 7
25. Heian Japan (794-1185) Capital at Heian: present-day Kyoto Highly formalized court
culture Aristocratic monopoly of power Literary and artistic flowering Ended in civil wars and
emergence of samurai culture
26. The Kokinshu (Collection of Ancient & Modern Times) Anthology commissioned by
Emperor Daigo (897-930 ) 1111 Tanka poems in 20 books Books divided by subject: love,
seasons, felicitations, parting, travel, names of things, etc. Renga(linked verse): pairs or groups
of poets would compose jointly, with one poet supplying the initial 5-7-5 of a verse and another
the concluding 7-7, A confused array A confused array of redleaves in the leaves often building
up to hundred of redcurrent in the current of Tatsuta River. of Tatsuta River. verse sequences.
Were I Ito cross, Were to cross, I Iwould break the fabric of would break the fabric of aarich
brocade rich brocade
27. Kokinshu Poets
28. Lady Ise
29. Ono-no-Komachi
30. Fun'ya-no-Yasuhide
31. Ki-no-Tsurayuki
32. Ariwara-no-Narihira
33. Otomo-no-Kuronushi
34. Heian Fashion
35. Today, 1200 years later, the Imperial household still uses the costumes of the Heian period
Today, 1200 years later, the Imperial household still uses the costumes of the Heian period for
the formal occasions of coronations and weddings. To protect against high humidity, for the
formal occasions of coronations and weddings. To protect against high humidity, buildings had
elevated floors made of tatami mats. The convention of sitting on the floor buildings had
elevated floors made of tatami mats. The convention of sitting on the floor became an important
part of the life style. Clothing became stiffer and more voluminous. became an important part of
the life style. Clothing became stiffer and more voluminous. This layered dressing is called
"juni-hito" which literally means "12 layers." The layered This layered dressing is called "juni-
hito" which literally means "12 layers." The layered color pattern reflected many things
including seasons, directions, virtues, and elements of color pattern reflected many things
including seasons, directions, virtues, and elements of the earth as they related to spirits of
nature. the earth as they related to spirits of nature.
36. Heian Style A culture more independent of Chinese influence Emphasis on the exquisite
and evanescent Literary: poems, letters, pillow books Extreme sensitivity to nature Nocturnal
Importance of convention and fashion
37. Heian Painting: Yamato-e
38. Onna-e style from Genji-monogatari
39. Otoko-e style
40. Heian Literature Men continued to write Chinese-style poetry. Women began to write in
Japanese prose. First novel: Genji Monogatari by Lady Murasaki Shikibu Diaries: The
Pillowbook by Sei Shonagan As I Crossed a Bridge of Dreams by Lady Sarashina
41. Adapted from Chinese calligraphy, but a totally different language. Kanji: ideogrammatic
use of Chinese characters. Manyo-kana: ideogrammatic and syllabic Kana: syllabic Hiragana
(womens writing)- cursive, doesnt require knowledge of Chinese Katakana- cursive, derived
from Chinese Japanese Writing
42. Murasaki Shikibu From aaseries of the 36 From series of the 36 Immortal Poets Immortal
Poets Katsukawa Shunsho 18ththc. Katsukawa Shunsho 18 c.
43. The Tale of Genji Lady Murasaki Picture of life at the 10th c. Heian court. Relates the
lives and loves of Prince Genji and his children and grandchildren. Unesco Global Heritage
Pavilion: The Tale of Genji
44. Artist Unknown, Chapter 12 Suma, Genji Monogatari (Tale of Genji). Artist Unknown,
Chapter 12 Suma, Genji Monogatari (Tale of Genji). About mid-18th century, Color on Paper
About mid-18th century, Color on Paper
45. The Tale of Genji The Tale of Genji has 54 chapters and over 1,000 pages of text in its
English translation. The novel has three gradual stages: 1. The experience of a youth (Chapters
1-33): Love and romance 2. The glory and the sorrow (Chapters 34-41): A taste of power and the
death of Genjis beloved wife 3. The descendants (Chapters 42-54): After the death of Genji The
Tale of Genji depicts a unique society of ultrarefined and elegant aristocrats whose vital
accomplishments were skill in poetry, music, calligraphy, and courtship. The novel is permeated
with a sensitivity to human emotions and the beauties of nature.
46. THANK YOU!