42

THE PARTY GOES WITH YOU

from 35mm: A Musical Exhibition
Music and Lyrics by
RYAN SCOTT OLIVER
Andante (q =100) # #
B G m B G m
- - - - - -
- -
? ### # 44
# J J
J J

p espressivo
? ### # 4 . j
. j . j j
# 4 .
B G# m B G#m
## THE BROAD:
& # ## j j j
j

j
j

We don't speak of names and fa - ces. (Why should we?)
- -
? # # # #

J

# J J

J

? ### # . j
j . j
. j
# .
B G# m C # m7 F#
### #
& #

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

j j j j j j j
. . .
We don't speak of hus - bands or homes. (Or work, or wives: un-hap-py lives.)
-
? # # # #

J

J
# J J

? ### # j j j j
# . . .
.
B G#m B G#m
### #
&
j j j
# j j jj j j . .

All we've got are lips on fa - ces, (mov-ing flaw-less-ly)
- -
? ### # J
# J J

J
? ### # j j j j
# . . . .
Music and Lyrics 2010 by Ryan Scott Oliver. 2012 ARESSO MUSIC PUBLISHING.
"The Party Goes With You" - 1 All rights reserved. www.ryanscottoliver.com
 43

F #7 B
### #
& # j j

j
.
j

j
w

Hold-ing se - crets in - our clothes.

? ### #
J
# J

? ### # j
# w .
.
J
G# m B G# m
### #
& #
w

- -
? # # # # J
# J J
? ### # j j
j
# . . .

G#m G# m
# # # # B B

& #
j j
j j j j j j j

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

On the nights I catch you stand - ing (are you wait-ing for me?)

- -
? ### #

J

# J J

J

? ### # . j
j j
j
# . . .

G# m C # m7 F#
# # # # B
& #
3

j j j j j
. .

At the coun - ter of this bar. (Speak-ea - sy, hole - in-the-wall.)

-
? ### #

J

J

# J J

? ### # j j j
# . . . j
.
"The Party Goes With You" - 2 www.ryanscottoliver.com
44
G# m G# m
# # # # B B

& # j
j j j j
j j j j j j n j
#. .

We min- u - et to ci - ga - rette and bran - dy (Your fav-'rite Ar-ma -
- -
? # # # # J

# J J J

? ### # . j
j j
. j
# . .

F #7 B G# m
### #
& # j j j j
j
. w
gnac.) Pro-hi - bi - tion, but there's no - harm. But

-
? ### #
J &
# J
J

? ### # j
# w . . j
.
J
E F# G#m C#
### #
& # j j j j

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

n
. .
when you strike your good - bye pose, Ev'-ry - bo-dy knows, Ev'-ry - bo-dy knows,
### #
& # j . ww
w
j

j
#
. > >
F J > >
? ### # j .
j
#
. .> . . .
>
F# C#
### # E G# m
& #
j j j
j . j
. .
The par-ty, well... It goes too. And damn it all, Dar-ling.
### #
& # j . ww j

j
#
. w
J > > > >
? ### # j j
# .
. . .
. .> >
"The Party Goes With You" - 3 www.ryanscottoliver.com
 45

E F# B G# m
### #
& # j j
n .
j
.
The par - ty goes with you.

### # -
&
j ?
# j . .. J
J
. .
J >
? ### # j j
. j
# . . .
. . > >
G# m G# m
# # # # B B

& # j j j j
j
.
And I'm left with all the mess - es. (La di da.)
- -
? # # # # J
# J J J

? ### # . j
j j
j
# . . .
G#m C# m F#
# # # # B
& # j j j j j j

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

. . . . .

Clean-ing up for vows in gold (Our fraught af - fair turned so - li-taire)
-
? ### # J
# J J J

? ### # . j j j j
# . .
.
B G#m B G#m
### #
& # j j j j j j
.

Wish-ing to take back mere-ly one one my 'yes - es' (Ach-ing to be
- -
? ### #



# J J
J J

? ### # j j j j
# . . . .
"The Party Goes With You" - 4 www.ryanscottoliver.com
46

F# B G# m
### #
& # j j j j j j
. w
yours) And have my sto - ry all re
- - told. But
j
? ### #
-
#
J

J &
J

? ### # j
# . . j
w .
J
E F# G# m
### #
& # n j
.
j

when you strike your good - bye pose, Ev' - ry - bo-dy knows,
### #
& # j . ww
w
j

.
> >
F J
? ### # j
# . . .
. . > >
C# E F#
### #
& # j j j j j j

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

.

Ev' - ry - bo - dy knows, The par - ty, well... It goes
### #
& # # j

j
.. ww
w
> >
J
? ### # . j
#
. . . .
> >
G# m C# E
### #
& # . .
j j j
n
.
too. And damn it all, Dar - ling. The par - ty goes
### # j
& #
j
#
j
..
> >
> >
J
? ### # j
j
# . .
. . . .
> >
"The Party Goes With You" - 5 www.ryanscottoliver.com
 47
F# G#m C#
### #
& #
.
j j
w .
with you. And

### #
&

& j
# . j ? ww
..
w
>
? ### # j j # w .
# . J
E F# G# m
### #
& # n

j



when we're danc - ing nose - to nose, Dar - ling, d' - you s'-pose?

### #
&
j
# j .. ww
w





J > >
? ### # j
# . . .
. . > >
C# E F#
### #
& # j j j j j j j
J

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

Dar - ling, d' - you s'- pose? This par - ty could be just us two?

### # j
& #
#


j .
.
ww
w
> > J
? ### # . j
#
. . . .
> >
G# m C# E F#
### #
& # .
# j n.
j j j j j


And I your wife... Oh, The gay-est par - ty is sad, but true:

# # # # j j
& # j ..
#
w
w
> > > > J
? ### # j
j
# . .
. . . .
"The Party Goes With You" - 6
> >
www.ryanscottoliver.com
48
G# m C# E F#
### #
& # . w j j n .

It's true: The par - ty goes with

# # # # j j j
& # # j .. ..
.


> > > > J >
? ### # j j
# .
. j
. . . .
> >
B G# E F#
### #
& # w j j n .

you. The par - ty goes with

### # j
&
j j
# j .. ..
.


>
> > > > J
? ### # j j j j
# j j j

j

j
. . > . .
>
B G# m B G# m
### #
&
3
# w j

For exclusive use by Elliott Mitchell Defensive7@hotmail.com

w

you. The life of the
- - - - - - - -
# # # # ?
& #

J J
J J

? ### # j
. j j
. j
# . .
Non rit.
E F# B
### #
& # j
.
j
.


par-ty in the par - ty of my life. - w
j
.. w
? # # # # J J J &
#
J
? ### # j j j

j

# . .
<
"The Party Goes With You" - 7 www.ryanscottoliver.com