Académique Documents
Professionnel Documents
Culture Documents
This style works best with pop/dance progressions, with chords like:
| Em | | Em/G | |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Dm | F | Bb | C |
|F | G | F | Bb |
| Dm | F | Gm9 | A7b9 |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Am | C | G | D D...bdgs |
| Am | C | G | D D...bdgs |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| C | C/G | C/Bb | C |
| Am | | Em.d | Em.ds |
| C | C/E | C/G | C |
...but will also work very well with ANY chord types, in ANY key.
| D | A | E | D |
| Bm | E | G | Bm C |
| D | A | C G | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| F | Bb | F | C |
| Am F | Am | C | G C |
| F | C | Bb | G C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| F | Bb | F | C |
| Am F | Am | C | G C |
| F | C | Bb | G C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | A | E | D |
| Bm | E | G | Bm C |
| D | E | A G | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Folk/country progressions, with chords like:
| C G | Am | C G | Am D |
| C Am | C | C G | Am D |
| C G | F G | C | G C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Folk/country progressions, with chords like:
| Am G | Am C G | Am G | Am C |
| Am F | G F | Am F G | Am D |
| Am G | Am G | Am D | Em Am |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Folk/country progressions, with chords like:
| G | A | D | G |
| G | Em | Bm | C |
| G F | Em | G C | C G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Folk/country progressions, with chords like:
| E | A | D A| E|
| E | C#m | D | A |
| A E | D | A | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Em | | Em/G | |
...but will also work very well with ANY chord types, in ANY key.
| F#m | D | A | E |
| F#m | D | E A | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Dm | F | Bb | C |
|F | G | F | Bb |
| Dm | F | Gm9 | A7b9 |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| C | G | C | G |
|C | G | C | G.s G.sb |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| F#m | D | A | E |
| F#m | D | E A | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| C | G | C | G |
|C | G | C | G.s G.sb |
...but will also work very well with ANY chord types, in ANY key.
| D | G | D | F |
| D | G | D | F G C D |
| D | G | F | F.b D.b |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Rock/Country progressions, with chords like:
| E | A | B | E |
| C#m B | A | E F#m | B |
| E | B | F#m | B |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Rock/Country progressions, with chords like:
| G | A | C | D |
| Em | Am | Bm | D |
|G A | G C | F | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Rock/Country progressions, with chords like:
| E | | A | |
| E | | B | A E |
| E | A | E | A |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Rock/Country progressions, with chords like:
| G | | | |
| C | | G | |
| D | C | G | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Rock/Country progressions, with chords like:
| E | | A | |
| E | | B | A E |
| E | A | E | A |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Rock/Country progressions, with chords like:
| C | | G | F |
| C | G | F | C |
| C G | | C F | C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| C | | Eb | |
| C | | Am | |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Am | C | G | D D...bdgs |
| Am | C | G | D D...bdgs |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Am | C | G | D D...bdgs |
| Am | C | G | D D...bdgs |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Dm | F | Bb | A7b9 |
| Dm | F | Gm | C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Am | C | G | D D...bdgs |
| Am | C | G | D D...bdgs |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Am | C | G | D D...bdgs |
| Am | C | G | D D...bdgs |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Am | C | G | D D...bdgs |
| Am | C | G | D D...bdgs |
...but will also work very well with ANY chord types, in ANY key.
1942
Synth, Rhythm, EuroDance HousePianoA-B Ev16 120
2 synth patches playing single notes in A-B style: heavy handed synthetic piano
synth playing root note octaves during A, rich synthetic piano synth playing single
notes during B. The main playing is staccato 16ths on beats 1 & 2 & 3 followed by
three pushed 16ths. Try resting instruments in the song by placing a period and the
the first letter of the tracks you would like to include to break down the rhythm
and build it back up again.
This style works best with pop/dance progressions, with chords like:
| Am | C | G | D D...bdgs |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Dm | F | Bb | A7b9 |
| Dm | F | Gm | C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/dance progressions, with chords like:
| Am | C | G | D D...bdgs |
| Am | C | G | D D...bdgs |
...but will also work very well with ANY chord types, in ANY key.
This style works best with jazz progressions, with chords like:
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| G | Em | C | D |
| Am | | Em | |
| G C | D | Am D | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| E | C#m | A | B |
| F#m | | C#m | |
| E A | B | F#m B | E |
...but will also work very well with ANY chord types, in ANY key.
| G | C | F | C |
| Em | D C | G | Am |
| G | C D | F | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Blues/Rock progressions, with chords like:
| A | D | A | A |
| D | D | A | A |
| E | D | A | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Blues/Rock progressions, with chords like:
| A | D | A | A |
| D | G | A | E |
| E | D G | A | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| E | C#m | A | B |
| F#m | | C#m | |
| E A | B | F#m B | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| E | A | E | |
| E | B A | B | E |
| B | A | B | A E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| E | A | E | |
| E | B A | B | E |
| B | A | B | A E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
| Fm7b6 | | Bb7 | |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
| Am7b5 | D7 | Gm7 | C7 |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
| Gm7 | F7 | BbMaj7 | D7 |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
| Ab7 | | Eb7 | |
This style works best with Jazz progressions, with chords like:
| Cmaj7 | | G7 | |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
| Ebmaj7 | | Bb7 | |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
| Gm7 | D7 | Gm7 | G7 |
| C7 | F7 | Bbmaj7 | D7 |
| D7 | | Gm7 | |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz or Pop progressions, with chords like:
| F | Fmaj7 | F7 | Bb |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz or Pop progressions, with chords like:
| C | Cmaj7 | G | Gmaj7 |
| C | F | G F | C |
| Gm7 F | C Am7 | F G | C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz or Pop progressions, with chords like:
| C7 | D7 | G7 | Em7b5 A7
...but will also work very well with ANY chord types, in ANY key.
This style works best with Rock/Pop progressions, with chords like:
| E | | A | |
| E | B | A | E |
| E | A | B | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz/Pop progressions, with chords like:
| Cmaj7 | D | Gmaj7 | C7 |
| C | Am | C | D |
| Am7 | Fmaj7 | G | C |
...but will also work very well with ANY chord types, in ANY key.
Tempo Range: 80 - 115 bpm
1997
Piano, Acoustic, Rhythm SmoothJazzCool Sw16 100
This Smooth Jazz Cool RealTrack is played with a swinging sixteenth feel. There is
a bounce to the playing and the phrases vary from 16th note based to whole chords
being held. The acoustic piano has a mellow tone and sounds bright in the high
end.
This style works best with Jazz/Pop progressions, with chords like:
| Cm7 | | Gmaj7 | C7 |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| C | F | G | C |
| Am | Em | Dm | C |
| C D | G | Em | C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| C | F | G | C |
| Am | Em | Dm | C |
| C D | G | Em | C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| C | G | F | C |
| Em | | Am | |
| C | F | G | F G C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| C | G | F | C |
| Em | | Am | |
| C | F | G | F G C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| E | A | B | E |
| E D | B | C#m F#m | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| E | A | B | E |
| E D | B | C#m F#m | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| E | A | B | E |
| E D | B | C#m F#m | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | E | A | D |
| Bm | F#m | E | D |
| D E | A | G | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | E | A | D |
| Bm | F#m | E | D |
| D E | A | G | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| C | G | F | C |
| Em | Am | F G | C |
| C G | F | C D | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| C | G | F | C |
| Em | Am | F G | C |
| C G | F | C D | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| A | F#m | D | E |
| Bm | | F#m | |
| A D | A | Bm E | A |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| A | F#m | D | E |
| Bm | | F#m | |
| A D | A | Bm E | A |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | F | G | C |
| Em | D | F | G |
| G | D Em | F | C G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | F | G | C |
| Em | D | F | G |
| G | D Em | F | C G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | D | C | G |
| Em D | Em | Bm C | D |
| C D | G | C D | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | D | C | G |
| Em D | Em | Bm C | D |
| C D | G | C D | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | C | D | G |
| G Em | D Am | C | F |
| D | G C | F | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | C | D | G |
| G Em | D Am | C | F |
| D | G C | F | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | C | D | G |
| G Em | D Am | C | F |
| D | G C | F | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | C | D | G |
| G Em | D Am | C | F |
| D | G C | F | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | C | D | G |
| G Em | D Am | C | F |
| D | G C | F | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | | A | |
| G | C | F Em | D |
| C | D | C D | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| C | Am | F | G |
| Am | Em | G F | C |
| C | F | Dm G | C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| A | F#m | D | E |
| Bm | | F#m | |
| A D | A | Bm E7 | A |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | D | C | D |
| Em | G C | D | G |
| G | A | C | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| G | Em | C | D |
| Am | | Em | |
| G C | G | Am D7 | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| D | A | G | D |
| D Bm | A | G Em | D |
| G | A | D | G D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| D | A | G | D |
| D Bm | A | G Em | D |
| G | A | D | G D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | Bm | G | A |
| Em | | Bm | |
| D G | A | Em A | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | Bm | G | A |
| Em | | Bm | |
| D G | A | Em A | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | Bm | G | A |
| Em | | Bm | |
| D G | A | Em A | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| C | G | F | C |
|C G | C | Am G | C |
| F | G | C | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| C | G | F | C |
|C G | C | Am G | C |
| F | G | C | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| A | F#m | D | E |
| Bm | | F#m | |
| A D | E | Bm E | A |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| A | F#m | D | E |
| Bm | | F#m | |
| A D | E | Bm E | A |
...but will also work very well with ANY chord types, in ANY key.
Tempo Range: 110 - 140 bpm
2037
Mandolin, Soloist CountryAndy Ev 120 [Double-Time]
This Double-Time RealTrack Mandolin style possesses a very warm, chime-like tone.
The style consists of mostly single note playing in 8th and 16th note rhythms. Some
chording is also present in the style. The rhythm has an even 8ths feel. This
Realtracks style could be used in many pop/country/folk situations.
This style works best with pop/country progressions, with chords like:
| A | F#m | D | E |
| Bm | | F#m | |
| A D | E | Bm E | A |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | Bm | G | A |
| Em | | Bm | |
| D G | D | Em A7 | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | Bm | G | A |
| Em | | Bm | |
| D G | D | Em A7 | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| G | Em | C | D |
| Am | | Em | |
| G C | G | Am D | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| G | Em | C | D |
| Am | | Em | |
| G C | G | Am D | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| G | Em | C | D |
| Am | | Em | |
| G C | G | Am D | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| G | Em | C | D |
| Am | | Em | |
| G C | D | Am D7 | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| G | Em | C | D |
| Am | | Em | |
| G C | D | Am D7 | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| C | G | Am | Dm |
| F | G | Am | G |
| C | Am Dm | F G | C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | A | E | D |
| D | F#m G | C D | A |
| A | E | A | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| G | C | G Em | D |
| F | C | Em G | F |
| G | F | Am F | G |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Rock/Pop progressions, with chords like:
| E | | A | |
| E | B | A | E |
| E | A | B | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
| Fm7 | Gm7 | C7 | |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
...but will also work very well with ANY chord types, in ANY key.
This style works best with R&B progressions, with chords like:
| Cm7 | | Dm7b5 | G7 |
...but will also work very well with ANY chord types, in ANY key.
This style works best with R&B progressions, with chords like:
| Cm7 | Ab Bb | Cm7 | Bb |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| F | Dm | Bb | C |
| Gm | | Dm | |
| F Bb | C | Gm C | F |
...but will also work very well with ANY chord types, in ANY key.
2117
Piano, Acoustic, Rhythm CountryWaltzJohn Sw 085
This RealTrack Country Piano style plays with a warm tone. The playing is subdued
rhythmically, mostly utilizing eighth and quarter
notes. The style tends to stay in the middle register of the piano allowing any
solo instruments to shine. This RealTracks style is a
strong backing instrument for any slow country/pop 3/4 arrangement.
This style works best with pop/country progressions, with chords like:
| F | Dm | Bb | C |
| Gm | | Dm | |
| F Bb | F | Gm C | F |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| D | G A | D | G |
| G | Bm A | G Em | D |
| D | Bm | G | A |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| D | Bm | G | A |
| Em | | Bm | |
| D G | A | Em A | D |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| E | C#m | A | B |
| F#m | | C#m | |
| E A | B | F#m B | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/country progressions, with chords like:
| E | C#m | A | B |
| F#m | | C#m | |
| E A | E | F#m B7 | E |
...but will also work very well with ANY chord types, in ANY key.
This style works best with pop/rock/country progressions, with chords like:
| G | C | D | G |
| Em | Am D | F | G |
| G F | C | D G | C |
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
...but will also work very well with ANY chord types, in ANY key.
...but will also work very well with ANY chord types, in ANY key.
This style works best with Jazz progressions, with chords like:
| Gm7 | C7 | Cm7 | F7 |
...but will also work very well with ANY chord types, in ANY key.
2134
Sax, Baritone, Background BluesShuffleGary Sw 130
Deep, resonant baritone sax, playing swing 8ths blues licks. Features many
baritone staples, like low growls and honks. The playing is purposefully simple,
making it perfect for using at the same time as a singer or soloist.
Tempo Range: 110-165
2135
Sax, Baritone, Soloist BluesShuffleGary Sw 130
Deep, resonant baritone sax, playing swing 8ths blues licks. Features staple blues
licks, as well as many sophisticated phrases.
Tempo Range: 110-165
2136
Sax, Baritone, Soloist BluesStraightGary Ev 120
Deep, resonant baritone sax, playing even 8ths blues licks. Features staple blues
licks, as well as many sophisticated phrases
Tempo Range: 105-140
2137
Sax, Baritone, Background BluesShuffleGary Sw 130
Deep, resonant baritone sax, playing swing 8ths blues licks. Features many
baritone staples, like low growls and honks. The playing is purposefully simple,
making it perfect for using at the same time as a singer or soloist.
This double-time variation treats the style as 65 bpm, which will work at tempos
between 60 & 80 bpm.
Tempo Range: 60-80
2138
Sax, Baritone, Soloist BluesShuffleGary Sw 130
Deep, resonant baritone sax, playing swing 8ths blues licks. Features staple blues
licks, as well as many sophisticated phrases.
This double-time variation treats the style as 65 bpm, which will work at tempos
between 60 & 80 bpm.
Tempo Range: 60-80
2139
Sax, Baritone, Soloist BluesStraightGary Ev 120
Deep, resonant baritone sax, playing even 8ths blues licks. Features staple blues
licks, as well as many sophisticated phrases.
This double-time variation treats the style as 60 bpm, which will work at tempos
between 55 & 70 bpm.
Tempo Range: 55-70
2140
Sax, Alto, Soloist BossaPhil Ev 140
Alto sax with a soft, mellow tone, playing sophisticated, melodic swing 8ths lines.
Tempo Range: 125-160
2141
Sax, Alto, Soloist JazzPhil Sw 140
Alto sax with a soft, mellow tone, playing sophisticated, melodic even 8ths lines.
Tempo Range: 125-160
2142
Sax, Baritone, Soloist BossaGary Ev 140
Cool, sophisticated melodic ideas, straight 8ths with a slight swing. The tone of
the baritone sax is warm, with a slightly gritty texture.
Tempo Range: 125-160
2143
Sax, Alto, Soloist BossaPhil Ev 140
Alto sax with a soft, mellow tone, playing sophisticated, melodic swing 8ths lines.
This double-time variation treats the style as 70 bpm.
Tempo Range: 65-80
2144
Sax, Alto, Soloist JazzPhil Sw 140
Alto sax with a soft, mellow tone, playing sophisticated, melodic even 8ths lines.
This double-time variation treats the style as 70 bpm.
Tempo Range: 65-80
2145
Sax, Baritone, Soloist BossaGary Ev 140
Cool, sophisticated melodic ideas, straight 8ths with a slight swing. The tone of
the baritone sax is warm, with a slightly gritty texture. This double-time
variation treats the style as 70 bpm.
Tempo Range: 65-80
2146
Sax, Alto, Soloist BossaPhil Ev 140 (Bluesy)
Alto sax with a soft, mellow tone, playing sophisticated, melodic swing 8ths lines.
This 'Bluesy' variation treats all major chords entered into the chord chart as 7th
chords.
Tempo Range: 125-160
2147
Sax, Alto, Soloist JazzPhil Sw 140 (Bluesy)
Alto sax with a soft, mellow tone, playing sophisticated, melodic even 8ths lines.
This 'Bluesy' variation treats all major chords entered into the chord chart as 7th
chords.
Tempo Range: 125-160
2148
Sax, Baritone, Soloist BossaGary Ev 140 (Bluesy)
Cool, sophisticated melodic ideas, straight 8ths with a slight swing. The tone of
the baritone sax is warm, with a slightly gritty texture. This 'Bluesy' variation
treats all major chords entered into the chord chart as 7th chords.
Tempo Range: 125-160
2149
Bass, Electric, NewOrleansBoogie Ev 165
Basic root-five pattern, with 8th-notes played on the offbeats. Its an even 8ths
groove, but there is a slight swing to the 8ths, giving it a characterful
looseness. There is frequent 8th-note embellishment. The bass has a warm tone
with a sharp attack.
Tempo Range: 140-200
2150
Guitar, Electric, Rhythm NewOrleansBoogie Ev 165
Funky, even-8ths-based groove played with a slightly gritty tone. Bluesy voicings
are used throughout. Full chords & muted chords are alternated to give a
syncopated feel.
Tempo Range 150-200
2151
Piano, Acoustic, Rhythm NewOrleansBoogieKevin Ev 165
Fast boogie piano with an intense attack. The Piano has a bright tone and features
the left hand playing the boogie rhythm pattern and the right hand playing a lead
rhythm, but subdued enough to not get in the way of a singer or soloist.
Tempo Range 140-180
2152
Piano, Acoustic, Soloist NewOrleansBoogieKevin Ev 165
Fast boogie piano with a hard hitting blues edge. The piano has a bright tone and
features a constant left-hand boogie rhythm pattern, while the right-hand plays
intricate, bluesy lines.
Tempo Range 140-180
2153
Piano, Rhythm NewOrleansBoogieKevin Ev 165
Fast boogie piano with an intense attack. The Piano features the left hand playing
the boogie rhythm pattern and the right hand playing a lead rhythm, but subdued
enough to not get in the way of a singer or soloist.
Tempo Range 140-180
2154
Piano, Rhythm NewOrleansBoogieKevin Ev 165
Fast boogie piano with a hard hitting blues edge. The piano features a constant
left-hand boogie rhythm pattern, while the right-hand plays intricate, bluesy
lines.
Tempo Range 140-180
2155
Piano, ElectricClav, Rhythm FunkyGroovin70sJohn Ev16 100
Classic electric clav sound playing a rhythmic, 16ths-based funky groove. The part
alternates between very short staccato notes and longer held chords. A simple
version is available by selecting the simpler checkbox in the RealTracks picker.
Tempo Range: 90-120
2156
Guitar, Electric, Soloist JazzBalladPat Sw 060
A slow jazz ballad style from the finger tips of Pat Martinos electric guitar,
directly incorporated into Band-in-a-Box. With a mixture of sixteenth and eighth
notes played with a swing feel, this RealTrack has the solid playing and amazing
tone that you would expect from Pat Martino. Use this style the next time you want
to add an amazing solo section to a ballad song. A direct input version is
available by enabling the "Direct Input" check box in the RealTracks Picker window.
2255
Piano, Rhythm CountryJohn Ev 085
This MIDI SuperTrack piano has a laid back, country feel. Playing with an even 8
feel, the style never gets overly busy, and stays with in the same range on the
keyboard. This creates consistency between phrases. This MIDI SuperTrack style is
perfect for slower country ballads with a laid back groove. Playing mostly triads,
some simple eighth note runs are added as well.
Tempo Range: 65 - 110 bpm
2256
Piano, Rhythm CountryJohn Ev 165
MIDI SuperTrack piano played in a rapid, even 8ths feel. Active bass lines, in the
left hand, accompany the slick playing in the right hand.
Tempo Range: 150 - 190 bpm
2257
Piano, Rhythm CountryRockJohn Ev 120
MIDI SuperTrack piano playing a steady, even 8ths feel. Played with a walking
pattern in the left hand and melodic accents in the right. The piano attack is
consistent throughout.
Tempo Range: 110 - 150 bpm
2258
Piano, Rhythm CountryShuffleJohn Sw 120
This swinging MIDI SuperTrack piano is played with a classic country shuffle feel.
The phrases are eighth note based with some quarter note and triplets added as
well. The piano rarely varies from the middle range of the piano keyboard. The
phrases all blend well together and this RealTrack will fit well with a medium
tempo swinging country tune.
Tempo Range: 95 - 155 bpm
2259
Piano, Rhythm CountryWaltzJohn Sw 085
This MIDI SuperTrack Country Piano styles playing is subdued rhythmically, mostly
utilizing eighth and quarter notes. The style tends to stay in the middle register
of the piano allowing any solo instruments to shine. This MIDI SuperTrack style is
a strong backing instrument for any slow country/pop 3/4 arrangement.
Tempo Range: 75 - 110 bpm
2260
Bass, Electric, FunkyGroove60s Ev 100
Laid back electric bass playing repeated 8th notes with a funky feel, with shorter
notes played on the beat, longer notes on the off-beats. It features a warm,
classic tone and is useful for funk, pop, rock or country tunes. Occasional 16th-
note embellishments are used. You can also choose to use a DI [Direct Input]
version which is recorded directly from the bass, bypassing the amp and effects.
Tempo Range: 85-130
2261
Piano, Acoustic, Rhythm BossaSlowKenny Ev 085
A slow tempo Bossa groove on acoustic piano from Kenny Barron. Playing a
combination of quarter notes and eighth notes, the acoustic piano has a warm,
natural tone which gives this RealTrack set its distinct feel. You can pair this
RealTrack with older Bossa RealTracks as well as the available Bossa soloists.
Tempo Range: 70 110 bpm
2262
Piano, Acoustic, Rhythm 80sPopBallad Ev 085
Pop ballad acoustic piano played with a steady even feel. The main playing is
broad chord voicings that emphase a pulse on each beat with some 8th melodic fills.
This RealTrack works well with slash chords and some jazz chords in II-V-I
progressions.
Tempo Range: 70-100
2263
Piano, Acoustic, Rhythm 80sPopMedium Ev 120
With flowing melodic phrases, this Acoustic Piano RealTrack is played in the style
of 80s Pop. Played at a medium tempo, this RealTrack has a warm acoustic tone, and
the attack on the keys is light. Playing mainly eighth note phrases, there are a
few 16th note accents added. Use this RealTrack next time you want a Pop feel in
your next composition.
Tempo Range: 100 - 140 bpm
2264
Piano, Acoustic, Rhythm 80sBubblegumPop Ev 140
This is a fast tempo pop acoustic piano playing a steady even style. The main
playing is steady 8th arpeggios over held root notes in a lower register. The
arpeggios are often expanded with double stops. This RealTrack works well with
slash chords and some jazz chords in II-V-I progressions.
Tempo Range: 110-160
2265
Synth, BellPad, Rhythm 80sPopMelodic Ev 085
A bright Bell Pad synth playing arpeggios in a high register. There is some
melodic embellisment, but generally the monophonic lines are simple enough to make
a good background style.
Tempo Range: 75-100
2266
Synth, BellPad, Rhythm 80sPopMelodic Ev 120
A bright and cheerful Bell Pad synth playing simple arpeggios with some melodic
embellisment. The main playing is steady 8ths played in a high register, but may
slow down to 4ths when the chord progression is simple.
Tempo Range: 100-150
2267
Synth, BellPad, Rhythm 80sPopPads Ev 085
A slow ballad tempo Bell Pad synth playing simple held chords in a high register.
The notes usually arpeggiated, but always held until the next chord transistion.
Tempo Range: 75-100
2268
Synth, BellPad, Rhythm 80sPopPads Ev 120
A upbeat Bell Pad synth playing arpeggiated chords in a high register. Each note
is usually held for the duration of the chord. This style works well with pop
chords, slash chords, sus chords, and some jazz chords.
Tempo Range: 120-160
2269
Synth, BellPad, Rhythm 80sPopPads Ev 140
A upbeat Bell Pad synth playing arpeggiated chords in a high register. Each note
is usually held for the duration of the chord. This style works well with pop
chords, slash chords, sus chords, and some jazz chords.
Tempo Range: 120-160
2270
Bass, Synth, DiscoOctavesA-B Ev 120
Synth slap bass that plays a even syncopated octaves during A, and steady 8th root
notes during B.
Tempo Range: 100-130
2271
Bass, Synth, DiscoOctaves Ev 120
Synth slap bass that plays an even syncopated pattern. The main playing is steady
8th root notes with beat 4 pushed using a held octave note, or a 7th for advanced
chords.
Tempo Range: 100-130
2272
Bass, Synth, DiscoPulse Ev 120
Synth slap bass that plays steady even 8th root notes.
Tempo Range: 100-130
2273
Synth, Rhythm DiscoDigiLead Ev 120
Retro sawtooth synth that plays sustained notes. Usually plays root or fifth,
holding for the duration of every chord.
Tempo Range: 100-130
2274
Synth, Rhythm DiscoDigiBell Ev 120
A rich and bright percussive synth that plays simple partial chords. The main
playing is root and fifth notes struck on the downbeat, sustaining until the next
chord with heavy reverberation. For advanced chords a more significant note is
played instead of the root.
Tempo Range: 100-130
2275
Synth, Rhythm DiscoElPianoA-B Ev 120
Two different electric pianos playing held chords in A-B styles. 'A' is slightly
gritty held chords in a low register. 'B' is bright partial chords held in a high
register.
Tempo Range: 100-130
2276
Synth, Rhythm DiscoElPianoHigh Ev 120
Crystal clear electric piano playing partial chords in a high register. This
instrument's attack is percussive with a very synth-flavoured sustain. The main
playing is held partial chords usually using fifth and root or a more significant
note for advanced chords.
Tempo Range: 100-130
2277
Synth, Rhythm DiscoElPianoLow Ev 120
Slightly gritty electric piano playing held chords. The main playing is gently
struck chords in a low register using narrow voicings.
Tempo Range: 100-130
2278
Synth, Rhythm DiscoShakuhachiA-B Ev 120
Two different Shakuhachi synths playing partial chords. 'A' is a plain patch
playing held root and fifth, and 'B' is a pulsing patch playing held root and
fifth. More advanced chords replace the root with a more significant note.
Tempo Range: 100-130
2279
Synth, Rhythm DiscoShakuhachiHeld Ev 120
A Shakuhachi synth playing partial chords. The main playing is root and fifth,
held for the duration of every chord. More advanced chords replace the root with a
more significant note.
Tempo Range: 100-130
2280
Synth, Rhythm DiscoShakuhachiPulse Ev 120
A pulsing Shakuhachi synth playing partial chords. The main playing is root and
fifth, held for the duration of every chord. More advanced chords replace the root
with a more significant note.
Tempo Range: 100-130
2281
Synth, Rhythm DiscoSynthGuitDelayA-B Ev 120
A synthesized funky electric guitar with auto-wah and heavy delay playing staccato
power chords in a high register. More advanced chords replace the root with a more
significant note. Only plays on beat 3 for 'A', and plays a busier continuous
pattern for 'B'.
Tempo Range: 100-130
2282
Synth, Rhythm DiscoSynthGuitDelaySync Ev 120
A synthesized funky electric guitar playing staccato power chords in a high
register. The main playing is staccato notes struck on beat 3 and a pushed beat 4.
Auto-wah and heavy delay are used to rhythmically expanded the groove. More
advanced chords replace the root with a more significant note.
Tempo Range: 100-130
2283
Synth, Rhythm DiscoSynthGuitDelayStraight Ev 120
A synthesized funky electric guitar playing staccato power chords in a high
register. The main playing is staccato notes struck on beat 1 and a pushed beat 2,
and repeats this pattern for beats 3 and 4. Auto-wah and heavy delay are used to
rhythmically expanded the groove. More advanced chords replace the root with a more
significant note.
Tempo Range: 100-130
2284
Bass, Acoustic, BossaRon Ev 140
Lively acoustic bass by Ron Carter playing a bossa style at a medium tempo.
Features standard bossa figures, with lots of inventive embellishment.
Tempo Range: 120 165 bpm
2285
Bass, Acoustic, JazzSwingRonA-B Sw 140
This medium-tempo Jazz acoustic bass style offers a busier alternative to our
original 140 bpm Jazz acoustic bass style. In the A substyle, the player
alternates between a half-note and quarter-note groove. In the B substyle, a
walking quarter-note bass line is made elaborate with occasional swung eighth-note
pushes. Tempos of 120-160 beats per minute are ideal.
Tempo Range: 120 - 160 bpm
2286
Bass, Acoustic, JazzSwingRonIn2 Sw 140
This medium-tempo Jazz acoustic bass style offers a busier alternative to our
original 140 bpm Jazz acoustic bass style. In this style a walking quarter-note
bass line is made elaborate with occasional swung eighth-note pushes.
Tempo Range: 120 - 160 bpm
2287
Bass, Acoustic, JazzSwingRonWalking Sw 140
This medium-tempo Jazz acoustic bass style offers a busier alternative to our
original 140 bpm Jazz acoustic bass style. In this style, the player alternates
between a half-note and quarter-note groove.
Tempo Range: 120 - 160 bpm
2288
Piano, Acoustic, Rhythm BossaKenny Ev 140
Mid-tempo Bossa Nova piano with pleasant tensions to create a melodic flow
throughout while maintaining an overall laid-back playing style.
Tempo Range: 120 - 160 bpm
2289
Piano, Acoustic, Rhythm JazzSwingKenny Sw 140
This medium-tempo Jazz piano style offers a brighter and slightly more harmonically
complex alternative to our original 140 bpm Jazz piano. The player uses pleasant
tensions to create a melodic flow throughout while maintaining an overall laid-back
playing style that has an underlying syncopated swung eighth-note rhythm. Tempos
of 120-160 beats per minute are ideal.
Tempo Range: 120 - 160 bpm
2290
Horn Section, Rhythm SlowPop Ev16 065
Slow 4-part pop horn section with alto, baritone, & tenor Saxes and trumpet. The
parts played are a combination of long held chords as well as more complex melodic
& rhythmic ideas. Will work well with 16ths or 8ths based rhythm section
instruments. There is a simple version with more held chords available by
selecting the simpler checkbox in the RealTracks picker.
Tempo Range: 55-90
2291
Horn Section, Rhythm SlowPopPads Ev16 065
Slow 4-part pop horn section with alto, baritone, & tenor Saxes and trumpet. The
parts played are mostly long held chords, with occasional slightly more rhythmic
melodic ideas. Will work well with 16ths or 8ths based rhythm section instruments.
Tempo Range: 55-95
2292
Horn Section, Rhythm Pop Ev 130
Medium tempo 4-part pop horn section with alto, baritone, & tenor Saxes and
trumpet. The parts played are a combination of long held chords as well as more
complex melodic & rhythmic ideas. Will work well with 8ths based rhythm section
instruments. There is a simple version with more held chords available by
selecting the simpler checkbox in the RealTracks picker.
Tempo Range: 110-180
2293
Horn Section, Rhythm PopPads Ev 130
Medium 4-part pop horn section with alto, baritone, & tenor Saxes and trumpet. The
parts played are mostly long held chords with occasional simple melodic phrases.
Will work well with 8ths based rhythm section instruments.
Tempo Range: 110-190
2294
Sax, Alto, Rhythm SlowPop Ev16 065 (1TrackHornSection)
Bright sounding laid back alto sax, playing simple background melodic phrases.
Works well with a singer or even another soloist playing simultaneously.
Tempo Range: 55-100
2295
Sax, Baritone, Rhythm SlowPop Ev16 065 (1TrackHornSection)
Mellow sounding baritone sax playing a simple backing style. It plays long held
notes and some quarter notes. Has a classic sound and can be used to fill out the
low end if your song is missing that.
Tempo Range: 55-85
2296
Sax, Tenor, Rhythm SlowPop Ev16 065 (1TrackHornSection)
Tenor sax playing simple quarter notes and longer held notes. The sax has a mellow
tone with a crisp edge and fits in nicely as a backing instrument. Will work well
with 16ths or 8ths based rhythm section instruments.
Tempo Range: 55-85
2297
Trumpet, Rhythm SlowPop Ev16 065 (1TrackHornSection)
Clear trumpet playing simple, long notes with quarter note phrases interspersed
throughout. This RealTrack is useful as a simple melodic addition over which a
singer or soloist can play.
Tempo Range: 55-85
2298
Bass, Synth, DanceRockBuzzBass Ev 120
A crispy sharp saw-tooth synth playing an even syncopated root note pattern. The
main playing is heavily syncopated 8th notes using just the root, and often plays a
rhythmic octave fill at the end of the bar.
Tempo Range: 100-130
2299
Bass, Synth, DanceRockBuzzBassQuarter Ev 120
A crispy sharp saw-tooth synth playing that plays steady staccato 4ths. The main
playing is just root notes.
Tempo Range: 100-130
2300
Bass, Synth, DanceRockBuzzBassWhole Ev 120
A crispy sharp saw-tooth synth playing held root notes. The notes are very legato
and on-beat, creating an almost seamless background.
Tempo Range: 100-130
2301
Bass, Synth, DanceRockBuzzBassWholeSyncA-B Ev 120
A crispy sharp saw-tooth synth that plays A & B substyles. 'A' plays seamless held
root notes, and 'B' plays heavily syncopated 8ths with some octave fills.
Tempo Range: 100-130
2302
Bass, Synth, DanceRockBuzzBassQuarterSyncA-B Ev 120
A crispy sharp saw-tooth synth that plays A & B substyles. 'A' plays steady
stacatto 4ths, and 'B' plays heavily syncopated 8ths with some octave fills.
Tempo Range: 100-130
2303
Bass, Synth, DanceRockBuzzBassWholeQuarterA-B Ev 120
A crispy sharp saw-tooth synth that plays A & B substyles. 'A' plays seamless held
root notes, and 'B' plays steady staccato 4ths.
Tempo Range: 100-130
2304
Synth, Rhythm DanceRockKoto Ev 120
A synthesized Koto with heavy delay playing even syncopated arpeggios. The main
playing is notes on beat 1, pushed 3, and 4. The last note is usually sustained
for the duration of the chord.
Tempo Range: 100-130
2305
Synth, Background DanceRockTensionPad Ev 120
A very rich strings synth that plays held notes with a very slow attack. Plays a
significant note for each chord type, or in some cases holds a common note over a
series of chords.
Tempo Range: 100-130
2306
Synth, Rhythm BubblegumPopAccentSynth Ev 140
A very bright percussive synth playing simple monophonic lines with heavy reverb
and some tremolo. The main playing is 4ths usually resting the 4th beat.
Tempo Range: 120-160
2307
Synth, Rhythm BubblegumPopKoto Ev 140
A bright synthesized Koto with light delay playing simple arpeggios in an uptempo
even groove. The main playing is 8th based descending arpeggios falling on various
beats, with a lot of rest in between riffs.
Tempo Range: 120-160
2308
Synth, Rhythm BubblegumPopPluckySynth Ev 140
A rich timbred percussive synth with heavy reverb and a phase shifter. The main
playing is steady 8th arpeggios, usually holding the last note of each riff.
Tempo Range: 120-160
2309
Synth, Rhythm BubblegumPopSynthBells Ev 140
A heavy sustaining percussive synth with reverb. The main playing is chord shots
on syncopated beats, and often playing 8th arpeggios between riffs.
Tempo Range: 120-160
2310
Synth, Rhythm BubblegumPopSynthPads Ev 140
A synthesized string section patch playing held chords. The main playing is held
chords on the downbeat using simple narrow voicings that sustain until the next
chord.
Tempo Range: 120-160
2311
Bass, Acoustic, JazzBalladRonA-B Sw 085
Jazz Poll winner Ron Carter plays a slow ballad style on the acoustic bass with a
simple 2 beat pattern in the A section and a walking 4 beat pattern in the B
section. The bass has a natural acoustic tone which compliments the superb playing
of Ron Carter. This RealTrack works great with other Jazz Poll winner RealTracks.
Tempo Range: 70-110
2312
Bass, Acoustic, JazzBalladRonIn2 Sw 085
This ballad style RealTrack features just a 2 beat pattern. Some eighth notes are
played but if you would like to choose a basic version with no embellishment then
choose the simple option in the track menu.
Tempo Range: 70-110
2313
Bass, Acoustic, JazzBalladRonWalking Sw 085
This RealTrack plays a walking quarter note pattern throughout. Eighth notes are
played on some beats. You can also choose the simple option in the track menu to
play a basic walking pattern with eighth notes removed.
Tempo Range: 70-110
2314
Piano, Acoustic, Rhythm JazzSwingSlowKenny Sw 085
This slow rhythm swing style is played by Jazz Poll winner Kenny Barron. Playing a
combination of long held notes and simple flowing melodic passages, this RealTrack
is a unique alternative to the existing piano ballad RealTracks in Band-in-a-Box.
Also select a simple version of this RealTrack under the track menu to have a
version that removes the more elaborate riffs.
Tempo Range: 70-100
2315
Piano, Acoustic, Rhythm JazzFastKenny Sw 190
This fast swinging rhythm RealTrack is played by Jazz Poll winner Kenny Barron.
Here we get a unique comping style playing a combination of whole notes and quarter
notes with a soft acoustic piano sound. This style also features a simple option
which can be selected from the track menu.
Tempo Range: 175-220
2316
Bass, Acoustic, JazzWaltzSlowRonA-B Sw 085
This RealTrack features Jazz Pollwinner Ron Carter playing a waltz style on
acoustic bass. In this style we have two variations which can be used. In the A
section half notes are played with some quarter notes played on the pick up as
well. The B section plays a walking pattern which gives a feeling of increased
intensity in the performance. This RealTrack also includes RealCharts which allow
you to view the exact notation of what Ron Carter is playing. You can also choose a
simple version of this RealTrack from the RealTrack menu and you will hear a
simpler performance.
Tempo Range: 70-100
2317
Bass, Acoustic, JazzWaltzSlowRonHeld Sw 085
A slow waltz acoustic bass RealTrack from Jazz Pollwinner Ron Carter, playing a
held style which consists of half notes and a quarter note on the pickup. This
RealTrack also includes RealCharts which allow you to view the exact notation of
what Ron Carter is playing. You can also choose a simple version of this RealTrack
from the RealTrack menu and you will hear a simpler performance.
Tempo Range: 70-100
2318
Bass, Acoustic, JazzWaltzSlowRonWalking Sw 085
This slow waltz acoustic bass RealTrack from Jazz Pollwinner Ron Carter plays a
walking pattern throughout. A walking pattern on the bass means a note is played
on each beat of the bar. This RealTrack also includes RealCharts which allow you to
view the exact notation of what Ron Carter is playing. You can also choose a simple
version of this RealTrack from the RealTrack menu and you will hear a simpler
performance.
Tempo Range: 70-100
2319
Bass, Acoustic, JazzWaltzRonA-B Sw 140
This medium tempo acoustic bass RealTrack from Jazz Pollwinner Ron Carter is
played in a waltz. The acoustic bass has a thick and full tone and is played
expertly by Ron Carter. In the A section half notes are played with some quarter
notes played on the pick up as well. The B section plays a walking pattern which
gives a feeling of increased intensity in the performance. This RealTrack also
includes RealCharts which allow you to view the exact notation of what Ron Carter
is playing. You can also choose a simple version of this RealTrack from the
RealTrack menu and you will hear a simpler performance.
Tempo Range: 125-170
2320
Bass, Acoustic, JazzWaltzRonHeld Sw 140
This acoustic bass waltz from Jazz Pollwinner Ron Carter plays a held style that
consists of a half note with a quarter note pickup. The tone of the acoustic bass
is thick and warm, a classic sound. This RealTrack also includes RealCharts which
allow you to view the exact notation of what Ron Carter is playing. You can also
choose a simple version of this RealTrack from the RealTrack menu and you will hear
a simpler performance.
Tempo Range: 125-170
2321
Bass, Acoustic, JazzWaltzRonWalking Sw 140
Here we have a RealTrack from Jazz Pollwinner Ron Carter playing a medium tempo
walking style on the acoustic bass. A walking pattern on the bass means a note is
played on each beat of the bar. This RealTrack also includes RealCharts which allow
you to view the exact notation of what Ron Carter is playing. You can also choose a
simple version of this RealTrack from the RealTrack menu and you will hear a
simpler performance.
Tempo Range: 125-170
2322
Piano, Acoustic, Rhythm JazzWaltzSlowKenny Sw 085
With this RealTrack you can hear Jazz PollWinner Kenny Barron play a slow waltz
style on the acoustic piano. With a rich, full tone, the playing on this acoustic
piano is superb with long held chords combined with short, melodic fills. This
RealTrack also includes RealCharts which allow you to see the exact notation of
Kenny Barron. You can also choose a simple version of this RealTrack from the
RealTrack menu and you will hear a simpler performance.
Tempo Range: 70-100
2323
Piano, Acoustic, Rhythm JazzWaltzKenny Sw 140
This RealTrack is an acoustic piano from Jazz Pollwinner Kenny Barron playing a
medium tempo waltz. With a natural acoustic sound, the subtle and unique playing
of Kenny Barron is truly on show. This RealTrack also includes RealCharts which
allow you to see the exact notation of Kenny Barron. You can also choose a simple
version of this RealTrack from the RealTrack menu and you will hear a simpler
performance.
Tempo Range: 125-170
2324
Synth, Rhythm Rock80s Ev 120
Bright sawtooth synthesizer playing fat held chords. Meant for even pop/rock
styles, but will work for swing as well because the playing is always right on the
beat.
Tempo Range: 105-140
2325
Bass, Synth, Rhythm JazzFunkFat Ev 110
Very funky monophonic synth bass playing melodic bass lines with lots of emphasis
on rhythm in an even feel.
Tempo Range: 90-130
2326
Synth, Background JazzFunkLead Ev 110
Bright square wave lead synth playing monophonic melodies meant for even styles
such as JazzFunk, but will also work for pop/rock styles. This is a background
style, but the playing can be busy at times which works as more of a soloist.
Tempo Range: 90-130
2327
Koto, Synth, Rhythm NewAge Ev 110
Realistic sounding Koto synth playing humble melodic phrases between pauses in an
even feel. Works best with new age styles, but may complement any even groove.
Tempo Range: 90-130
2328
Shakuhachi, Synth, Background NewAge Ev 110
Realistic sounding Shakuhachi synth playing very simple monophonic background
melodies with an even feel.
Tempo Range: 90-130
2329
Synth, Rhythm Rock80s Ev 120
MIDI SuperTrack with a Bright sawtooth synthesizer playing fat held chords. Meant
for even pop/rock styles, but will work for swing as well because the playing is
always right on the beat.
Tempo Range: 105-140
2330
Bass, Synth, Rhythm JazzFunkFat Ev 110
Very funky monophonic synth bass playing melodic bass lines with lots of emphasis
on rhythm in an even feel.
Tempo Range: 90-130
2331
Synth, Background JazzFunkLead Ev 110
Bright square wave lead synth playing monophonic melodies meant for even styles
such as JazzFunk, but will also work for pop/rock styles. This is a background
style, but the playing can be busy at times which works as more of a soloist.
Tempo Range: 90-130
2332
Koto, Synth, Rhythm NewAge Ev 110
MIDI SuperTrack Koto synth playing humble melodic phrases between pauses in an even
feel. Works best with new age styles, but may complement any even groove.
Tempo Range: 90-130
2333
Shakuhachi, Background NewAge Ev 110
MIDI SuperTrack Shakuhachi synth playing very simple monophonic background melodies
with an even feel.
Tempo Range: 90-130
2334
String Quartet, Rhythm PopChamber Ev 085
This RealTrack includes 4 instruments, a cello, a viola and two violins which
combine to make a String Quartet. Here they play a pop chamber style at a slow
tempo with an even feel. All four instruments have a classic acoustic tone which
has blended sow well together over the years. Also included with this RealTrack are
RealCharts which allow you to see exactly what each instrument is playing.
Tempo Range: 70-100
2335
String Quartet, Rhythm PopHall Ev 085
The Sting Quartet RealTrack played with a Hall style means the feel is more open
and the sound is if it was being played in an open hall. This RealTrack combines 4
instruments, the cello, the viola and two violins. Recorded all together to make
sure that the separate instruments are all playing as one. Also included with this
RealTrack are RealCharts which allow you to see exactly what each instrument is
playing.
Tempo Range: 70-100
2336
Viola, Background, Pop Ev 085 (1TrackStringSection)
A single instrument RealTrack, this viola has a warm, mellow tone and is played
with an even pop feel. This RealTrack was created as a background RealTrack which
means it is used best to give atmosphere to a composition. As a single track you
can combine this RealTrack with many different styles to create your own unique
sound. Also included with this RealTrack are RealCharts which allow you to see
exactly what each instrument is playing.
Tempo Range: 70-100
2337
Violin, Background, PopHigh Ev 085 (1TrackStringSection)
With just one Violin playing a pop style in the higher register, this even feel
RealTrack can be utilized in a variety of different musical styles. This style
fits into the background to give a composition an open, classical feel. Also
included with this RealTrack are RealCharts which allow you to see exactly what
each instrument is playing.
Tempo Range: 70-100
2338
Violin, Background, PopLow Ev 085 (1TrackStringSection)
This Violin is played in the lower register, with an even feel. Just a single
instrument,this RealTrack can take a song and add a layer featuring the unique
timbre and tone of a Violin. This style fits into the background to give a
composition an open, classical feel. Also included with this RealTrack are
RealCharts which allow you to see exactly what each instrument is playing.
Tempo Range: 70-100
2339
Piano, Rhythm BossaKenny Ev 140
Mid-tempo Bossa Nova piano with pleasant tensions to create a melodic flow
throughout while maintaining an overall laid-back playing style. Also select a
simple version of this MIDI SuperTrack under the track menu to have a version
that removes the more elaborate riffs.
Tempo Range: 120 - 160 bpm
2340
Piano, Rhythm BossaSlowKenny Ev 085
A slow tempo Bossa groove on piano from Kenny Barron. Playing a combination of
quarter notes and eighth notes, this MIDI SuperTrack has lots of creative
opportunities. You can pair this MIDI SuperTrack with older Bossa RealTracks as
well as the available Bossa soloists.
Tempo Range: 70 110 bpm
2341
Piano, Rhythm JazzFastKenny Sw 190
This fast swinging rhythm MIDI SuperTrack is played by Jazz Poll winner Kenny
Barron. Here we get a unique comping style playing a combination of whole notes
and quarter notes. This style also features a simple option which can be
selected from the track menu.
Tempo Range: 175-220
2342
Piano, Rhythm JazzSwingKenny Sw 140
This medium-tempo Jazz piano style offers a brighter and slightly more harmonically
complex alternative to our original 140 bpm Jazz piano. The player uses pleasant
tensions to create a melodic flow throughout while maintaining an overall laid-back
playing style that has an underlying syncopated swung eighth-note rhythm.
Tempo Range: 120 - 160 bpm
2343
Piano, Rhythm JazzSwingSlowKenny Sw 085
This slow rhythm swing style is played by Jazz Poll winner Kenny Barron. Playing a
combination of long held notes and simple flowing melodic passages, this MIDI
SuperTrack is a unique alternative to the existing piano ballad MIDI SuperTrack or
RealTracks in Band-in-a-Box. Also select a simple version of this MIDI
SuperTrack under the track menu to have a version that removes the more elaborate
riffs.
Tempo Range: 70-100
2344
Piano, Rhythm JazzWaltzKenny Sw 140
This MIDI SuperTrack is a piano from Jazz Pollwinner Kenny Barron playing a
medium tempo waltz. We can hear how the subtle and unique playing of Kenny Barron
is truly on show. This MIDI SuperTrack also includes RealCharts which allow you to
see the exact notation of Kenny Barron. You can also choose a simple version of
this MIDI SuperTrack from the RealTrack menu and you will hear a simpler
performance.
Tempo Range: 125-170
2345
Piano, Rhythm JazzWaltzSlowKenny Sw 085
With this MIDI SuperTrack you can hear Jazz Pollwinner Kenny Barron play a slow
waltz style on the acoustic piano. Select any piano synth you like to get the
sound you desire. The playing on this piano is superb with long held chords
combined with short, melodic fills. This MIDI SuperTrack also includes RealCharts
which allow you to see the exact notation of Kenny Barron. You can also choose a
simple version of this MIDI SuperTrack from the RealTrack menu and you will hear a
simpler performance.