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“I prefer
f drawing
d i to
t talking.
t lki Drawing
D i iis faster,
f t
and leaves less room for lies.”
LLe Corbusier
C b i (1887-1965),
(1887 1965) b born Ch
Charles
l
Edourad
Jeanneret, played the most central role in the
development of modern architecture.
Corbusier
Co bus e was as as a
an a
architect,
c ec , u urbanist,
ba s ,
theorist, painter and writer.
Villa Savoye
• Designed in 1931, is to be considered
an architectural icon.
• Also said to be one of the last purest
Villas built with a reinforced concrete
frame. This structure is based on his
new architectural five point system.
• The Entire volume is raised on pilotis,
sheathed by simple planes
disengaged from the columns within.
• A single, elemental window dominates
each side of the facades.
• The Free plan culminates in the roof
plan He considered this to be an
plan.
object- type villa refined and
standardized for the elite.
Five Principles for a New Architecture:
• Cubical concrete
structure with
separate kitchen
bl k
block
• It is a horizontal
building in which the
interior and exterior
flow with each other.
Mill Owner's Association Building - Ahmadabad
• The building is located on Ashram
Road, in the western part of the city,
overlooking the river Sabarmati
• A ceremonial ramp makes for a
grand approach into a triple height
entrance hall, open to the wind.
• Arrival is on the first floor, where (as
per the original design) the
executives’ offices and boardroom
are located.
• Its many walls (with windows in It was the textile industry which gave Ahmedabad
between) slant, and there are trees its economic, and consequently, political
importance and in housing the business activities
importance,
actually growing out of the side of it
of the captains of the textile industry, the
• the drainage system is built into the architecture of the Mill Owners’ Association
handrails of the balconies Buildingg is a tribute to this notion.
• The east and west facades are in the form of
sun breakers or brise-soleil, one of Corbusier’s
many formal inventions, which, while avoiding
harsh sun, permit visual connection and air
movement.
• While the brise-soleil
brise soleil act as free facades made
of rough shuttered concrete, the north and
south sides, built in rough brickwork, are almost
unbroken.
unbroken
His concepts of an international style of
architecture responsive to local
climate and culture,
culture and the honest
expression of materials, were most
subtly expressed in his India projects.
projects
Le Corbusier and Post
Modernism
• Charles-Edouard Jeanneret-Gris was designing his most powerful work in the
1920’s, after he took on his pseudonym Le Corbusier.
• At this time he took his p
place among
g one of the most infamous post-
p
modernist architects in Europe.
•During the 1930’s and 1940’s Le Corbusier was highly disliked for his stark
forms and radical cubed shapes.
p
• Postmodernism was the return to classical architecture which at the time was
very unpopular with many critics and underwent severe persecution.
Le Corbusier as a Purist
• Le Corbusier was deeply involved in the purist movement which focused on
seeing objects in the world and rendering them exactly as they appear in their purest
forms.
• At this time the purist movement went hand in hand with the post-modern style
of architecture and suited Le Corbusier for a short period of time while he developed
his theories on the layout of urban dwelling known as Unite d’habitation.
• This was the architects way of rationalizing his unique style of housing. Much of
his radical design was centered on the basic shape and form of the cube.
The effects and influences of Le Corbusier’s work
• Le Corbusier has influenced many by the use of manipulating light and his
concept of Unite d’Habitation, a large housing complex in Marseille.
• His influence with light can be found in a church he designed in Ronchamps
and in the work of Joost van Santen.
Technological Innovations
• Le Corbusier Revolutionized the world
of Architecture by applying The
G ld S
Golden Section
ti iinto
t hi
his Work.
W k
• By using varieties of vertical and
horizontal planes and arranging them
according to human proportions,
proportions he
brought Architecture closer to
humans .
• Also all of his work is mounted on to a
flat ground plane keeping a certain
distance from all nature elements to
emphasize the significance of human
in Architecture.
Architecture
• He also introduced a technique of
building without using load-bearing
walls but jjust simple
p dividers to
created the separation between
spaces.
Non-Architectural work of Le Corbusier
• Le Corbusier was an artists as well as a sculptor in edition to being an
architect. From a young age, Le Corbusier was involved in the arts, working as a
clock painter in the local clock shop.
• He soon attended art school where he developed his own personal
styles Le Corbusier’s
styles. Corbusier s ideas expressed in his art are Purist in nature utilizing
geometry and sketch as tools of conveying space and form.
• While studying at art school, he permutated ideas of looking to nature
for inspiration into ideas of looking at nature as a source of patterns as well as
utilizing certain governing rules as systems of applying order as well as variety
variety.
• Subdividing his work allowed him to organize his work according to
the elements in the subject of the work; a practice he began in in 19191.
La Femme a L’Accordeon
Une Biche Nature Morte Images from 35works of Le corbusier et le Coureur
Furniture of Le Corbusier
• Le Corbusier is perhaps some of the most influential work of the early
nine-teen hundreds. Unlike other furniture from the period or prior to, Le
Corbusier designed his furniture with the general framing systems as
metal and on the exterior.
• The cushions are free of any type of connection to any other element
of the whole. Le Corbusier also incorporates Golden Section into his
armchair and Grand 2 seat sofa
sofa, a practice also evident in his
architecture.2
Table
Resting Chair
Images from
www.sunsetsettings.com and
Arm chair www.modernliving.com
Works Cited
1 35 Works by Le Corbusier. Sotheby. London: 1987. 429. 420, 412, 414
Baker, Geoffery H
Baker H. Le Corbusier – The Creative Search
Search, The Formative Years
of Charles-Edouard Jeanneret. Van Nostrand Teinhold, New York:
1996 247 – 263
Gans Deborah.
Gans, Deborah The Le Corbusier Guide.
Guide Princeton Architectural Press,
Press
New York: 1987.
2 <http://www.sunsetsettings.com/furniture/cassina/corb_grand_armchair.html>
accessed on 3/17/2004
Work Cited (cont.)
http://westworld.dmu.ac.uk/architecturenew/express/express.
Html accessed on 2/17/04
http://home.wanadoo.nl/
htt //h d l/~jjoostvansanten/RONCHAMP/roncha
t t /RONCHAMP/ h
.htm accessed on 2/17/04
http://www.bbc.co.uk/bbcfour/audiointerviews/profilepages/l
ecorbusierc2.shtml accessed on 2/17/04
http://www.bwk.tue.nl/architectuur/dmw/group4/le%20corbu
sier%20unite.htm accessed on 2/17/04
http://www.chbooks.com/online/eastwest/046.html accessed
on 2/17/04