Académique Documents
Professionnel Documents
Culture Documents
Craig Bakalian
Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Performance Recommendations . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Performance Forward . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
8) Bleeeeeep! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
6) Kung Fu Kats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
2) Four Axes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
1) Computer Duck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
3
Foreword
Top Ten Video Game Music Slap Down is a satirical mocking or imitation of
music that accompanies computer video games. There are ten pieces of music
in this series with each one prepended by a short poem. Music alone cannot
project satire or sarcasm. The poem provides context for the satire of the music
which is an imitation of the banality of video game music. Often, the poems in
and of themselves, become a satire of video game narratives. This series, being
a top ten count down, is numbered ten to one, with number one being the top
of the list and the best. The titles, poems, music and subject matter are purely
fictional, meaning none of these video games exist. Any reference to an existing
video game is by coincidence.
The instrumentation of flute, cello, double bass, and voice is not arbitrary.
This formation came about because of a call-for-scores contest from a chamber
group called Project Trio in New York City. During the composition of this work
I imagined myself reading the poetry and singing the vocal part of the last
piece. Writing this work was pure pleasure for me. It was written during the
snows of January, February, and March where each week was devoted to the
composition of a single movement and the writing of its partner poem. It was
fun to play the role of a snooty academic composer who looks down upon trivial
forms of musical expression... I am joking of course! Slapping out one of these
pieces a week was extremely fun! Composing music, gardening and family are
the only things that keeps me sane.
Craig Bakalian
March 23, 2015
5
Performance Recommendations
The most difficult task for the performers of this music series is to create
the banal electronic midi small paper cone speaker sound from acoustic
instruments. I strongly recommend that the performers of this music
familiarize themselves with the world of video games music and the culture
surronding it. This is easily done via internet search engines. The echo
chamber of the internet has freely distributed vast ammounts of video game
music along with blogs of people proclaiming its glory.
Bleeeeeep!
This piece requires the flutist to play only the flute headjoint and altering
pitch using his or her pinky or finger to slide inside the open end of the
headjoint, like a slide whistle. Measure 32-33 is an example of a full seventh
trill which is produced by using the palm of your hand to open and close the
end of the flute headjoint. There are plenty of glissandos required to imitate
that bleeping sound of the most primitive of video games; that traveling thing
that munches other things to get points. The flutist should not attempt
intonation precision on this piece. Go with the flow and do your best. A finger
slide in a headjoint is not going to be precise. I do have concerns as a composer
about some of the double stops in this work. Please play the bottom note if the
double stop is not possible. The second time of the Da Capo, do not perform
repeat bars.
Kung Fu Kats
This piece is a pentatonic expression, the beautiful five tones. The flutist
should familiarize him or herself with Dizi performance. The cellist should
familiarize him or herself with Erhu performance. The Very Fast, Lively section
needs to flow like water. Do not underestimate the difficulty of this music
because of the pentatonic tonality. Breathing is difficult for the flutist in this
piece. The bass needs to articulate pizzicato glissandi.
7
Computer Duck
The humor is dark in this music. I, as a composer, am mocking that sugary
sweet sound of children's music cranked out by our dominant contemporary
music industry, all the while I had fun playing with this style. The instruments
should perform as basic accompaniment; primarily being in the background of
the vocalist. The texture at measure 39 is wild and should sound awkward and
crazy. The vocalist needs to create a hissy cratchity sound out of the side of his
or her mouth; it is a hissy duck sound at measure 54. I am insecure about
some of the triple stops in the cello. Please remove any tones that are
unplayable. If possible, roll the triple stops. The music in tonality and phrasing
is very simple. Even though it has a popular sugary quality to it, it still has its
expressive merits. This quality of expression is explained in the forward; I hope
to serve comfort food with a flavorful culinary art. The lyrics explains the piece,
the selection of the best video game music leads to a religious identity crisis
along with the making of a god in a inter-connected network experience of lost
physical presence. Our physical presence is lost in the remote signals of
telphone wires.
9
Top Ten Video Game Music Slap Down!
it is important to know who is the best
"ya' know god is dog spelled backwards" Harold Flubart, Jenkintown Elementary School, 1969
Fast (
q = 120)
Flute
Cello
f
q q q q q q q q q q
Bass
q q q q q q q q q q q
f mf
4
q
qq
q q q q
q q
q q q q q
q q
q q q q q q q q q q
7
q q
q q q q q
q q
q q
q q q
mf q q
q
q q
q q q
q q q q q
q q
q q q
q q q q q q q q q q
q q
12
q
10
q q q q q q q q
q q q q
q q
q q
q q q q q
q q
q q q q q q q q q q
q q
13
q q q q q q q q q q q q qqq
q
qq q qqq
q q q q q q q q q
q q
q q q
q q q q q q q q
16
q q q q q q q q q q q q q q q
ff
q q qqq q q qqq q qqq q
q q
ff
q q
q q
q q
q q
q
q
q q q q q q q q q q q
ff
q q q q q q q q q
13
q
19
q q q q q q q q q q q q q
p cresc.
q
q
q q q
q
q
q q
p cresc.
q
q
q q q q q
q
q
p cresc.
q
22
q q q q q q q q q q q q q q q q q q q
q q q
q q q q
q
q q q q
q q
q q q
q q q
q
q q q q q q q q q q
q q q q q q q q q q q
q q
25
q q q q q q q q qq
qq
q
q
q q q q
q
q
q q q q q q q q q q q
14
q q q q q q q
q
q
q
q q q
q
28
q q
qq q q q
q q q q q
q q q q
q q
q
q q
q q q q q q q q q q
q q q q q q q q q q q q q
31
q
q q q q q q q
q q q q q q q q
q q
q q q q q
q
q
q
q q
qq qq qq
q q q q q q q q q
q q q q q q q q q q
34
ff ff decresc.
q q
q q q q q q
q q q
q q
ff ff decresc.
q
q
q
qq
ff ff decresc.
q q q q q q q q q q q q q q
15
36
q q q q q q q q
q
q q q q q q q q q q q q
q q q q
q q q q q q q q
q q q q
38
q q q q q q q q q
q q q q q q q
q q q q q
q
q qq q q qq q q q q q q
q q q q q qq qq q q q
40
q
p decresc.
q q q q q q q q q q q
p decresc. q
p decresc.
16
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
42
qqqqqqqqqqqqqqqq qqqqqqqqqqqqq
44
pp
pp
pp
q q q
47
q q
mf
f
q q q q q q q q q
q q q q q q q q q q q q
f mf
17
q
q q
q q q
50
q q q q q q q
q
qq
q q q q q q q q
q q
q q q q q q q q q q q q
q
q q q q
q q
q q q
53
q q q q
q q
q q q
q q q
q q q q q q q q q
q q q q q q q q q q q q
q q q q q q q q q q
q q q q
q
56
q q
f
q qq q q q qq q q q q
q
q
qq q q qq q q
q q
q q
q
q q q q
q q q
q q q q
f
18
q q q q q q q q q q
q q q q qqq
q
q q
59
ff
q q q q q q q q q q q q q
q q q q q
q q
q
ff
qq qq q q q q q
q q
q q q q q
q q q
q q q q
ff
q q q q q q q q q q q q q q q q
q
63
q q q q q q q q q q
q q q q
q q q
q q q
q q qq q qq q
q
q q q q q q q
q q q q q q q
q q q q q q q q q q q q q
q q q q q q q q q q
66
sp ff
q
q
q q qq q q q qq q q
q
q
q q
q
q
sp ff
q
q
q q q qq q q q qq q
q q q
q q q
q q q
sp ff
q q q q q q q q q q q q q q
q q q q
19
q q
q q q q
69
sp
q q q q q q q q q q q q q
q
q q q q q q
q q q
sp
qq q q q qq q q q q
q
q q q q q q q q q q q q
q q q
sp
ff ff decresc.
q
q q
q q q q q q q q
ff ff decresc.
q
q q
ff ff decresc.
q q q
q q q q q
75
mf
q q q q
mf
mf
20
Peanut Butter Pony Goes Undercover
a galloping expose into cloak and daggar
q q =q 120)
q q q q q q q q q q q q
q
q
q
Fast (
Flute 86
f
q q q q q
q q q q q q q q q q
6 q q
Cello
8
mf q
6 q
q
q
q
q
q
q
Bass
8 q
mf
6
q q q q q q q q q q q q q q
q q q q q q
q q q q q q
q
q q q q q q
q q q q q q
q q q q q q q q q
q
q
q
q
q
q
q
q
q
q
q
q
q q q q q q q q q q q q q q q q
q qqqq qqqqqq
12
p q
q q q q q q q q q q q q q q q q qq q qqqqqq
q
q q q q
qq
q
sf p
q
q
q
q
q
q
q q qq
q
q
q
q
sf p
q q q q
q q q q q q q q q q q q q q q q q q
qqqqqq q q q q
19
p q f
q q q q qf
q q q
q q q q q q q q q q q q q q q q q q
q qq q q
f p f
q
q
q
q q q
q
q qq
q
q q
q
q q q
f p f
q q q q q q q q q q q q
22
q q q q q q q q q q q q q q q q q q q q
25
p f p
q q q q q q q q q q q q q q q q q q q
q q q q q q q q q q q q
q
p f p
q
q qq q
q q q q
q
q q q
q
q q
q q
p f p
q q q
q q q q q
q q q qq q
q q
q q
31
ff
q q q q q q q q q q q q q q
q q q q
q qq q
q q
q q
q q
ff
q q q
q q q
q
q
q q qq
ff
q q q q q
q q q q q q
q q q q q q q
q
38
q q q
q
p
q q q q q q q q q q
q q q q q
q q q q q q q q
q q q q q q q q q q
p
q
q
q
q
q
q
p
q q
q q q q
23
q q q q q q q q q q q q
q
q q q q q q q
q q
44
ff
q q q q q
q q q q
q q q q q q q q
q q q q q q q q
q
q q q q
ff
q q q
q q q
q
q
q
q
q q q q
ff
qq q q q q
q q q q
q q
q
51
q q q
p mf
q q q q q q q q q q q q q q q q q q q q q q q
q q q q q
q q
q q q
p
q
q
q
q
q
q
q q
q
q q q q
57
q
q q q q
f mp
q q q q q q q q q q q q q q q q q q q q q q q q q
q q q q q q q
f mp
f mp
24
63
q
q
q
q
q
q
q q q q
f
q q q q q q q q q q q q q q q q q q q q q q q q q q
q q q
q q q
f
f
q q q q q
q
q
q
q
q q q q
69
q q q q q q
mp ff
q q q q q q q q q q q q q q q q qqq
q
q q q
mp ff qq
q q q q q qqqq
q
mp ff
q
q
q
q
75
p
q q q q q q q
q
qqqqqq
q q q q q q
p
qq
q q q q q q q
q q q q q q q q q q q
qq qq q q q
q q q q q
mp
25
81
q
qqq
q
qqq
q
qqq
mf
qq q qq q qq q qq q q qq q q qq q q qq q
q q q q
mp
q q q q
q
q q
q q qq
q q q q q q q q q q q q q q q qq qq qq qq
88
f
cresc.
q q q
q q q
q q q q q q
qq q qq
q
q q q q q q
q
95
p f q q
q q q q
f q
q
q
q
mf
q q q q q q
q q q q q q q q q q q q q
q q q q q q q
103
q
q q q q q q
q q q q q q q q q q q q q q q q q q q
q
q
q
q
q
q
q
q
q
q
q
q
q q q q q q q q q q q q q q q q q q q q q
26
109
q q q q q q q q q q q q q
q q
q q q q q q q
q
q
q
q
q
q
q
q
q
q
q
q
q
q q q q q qqq q qqq q
qq
q q
qq
q
115
q q q q q q q q
p cresc.
q
q q q q q
q q
q q qq
q q q
q
q q q
p cresc.
q
q
q
q
q
q
q
p cresc.
q q q q q q
121 q qqq q qqq q q q q
qqq q qqq
q q q q q q q q q
f p cresc.
q q qq
q
q qq
q q q q
f p cresc.
q
q
q
q
q
q
q
q
f p cresc.
q q q q q q q q
27
qq qq q q q q q q
127
q q q q q q q
q q q q q q q q q
f
q
q
q q
q
q
q q q
q q q
q
f q
q
q
q
q
q
q
f
q q q q q q q q q q q q q q q q q q q q q q q
Slower (q = 90)
133
q q
ff q
q
q
q
q
q
q q
q q qq
q
q
q q q
q
ff p
q
q
q qq
q
q
q
q
q q q
q
p
ff
q
q
qq q
139
qq q
mf
q q q q qq
q q q qq q q qq q qq q q qq q q qq q
q
q qq q q qq q q qq q q qq q qq q qq q
q q q
qq q
q
qqq
146
f p
q q q q q
q
q
q
mf p
q q q q q
q
q q
mf p
28
Bleeeeeep!
simple does not mean easy!
Fast ( q = 240)
Flute 8
16
8 q q q q q q q
q q
q q q q q q q
q q
q q q q
Cello
16 q
p sfz p sfz f
q q q q
8 q q q q q
q q q q q
q q q q q q q q q
Bass
16
p sfz p sfz f
q
q q q q
Play with headjoint only.
q
q
6
f
q q
q q
q q q q q q
q
p
q q q
q q q q q
q q q q
q q q q q
q
q
p mf
q
q q
q
q q
q q
q
q
q
q q
q
12
fp
fp
q q q q q q
q
q
q
q q
q
q
q
fp
q
q
q
q
q q q
30
18
ff f
qq
qq qq
ff
q
q
q q
ff
q q
24
q q q q q q
fp ff fp
q
q
q q q q q q
q
q q
q
q
q
q
fp ff fp
q
q
q q q q q q
q
q q q q
q
q
fp ff fp
q q
q q q q q q q
È
q
30
ff p
pp q
q q
q q q q q
q q
f
ff
q qqq q qqq
q q qq q q qq
q q q q q
ff mf
31
36
q q
q q q q
q q q q q q q
qqq qqq
q q q q q q q q q q q q
qq q q q qq q q q q q q q q q q q q q
q q
41
q q q
q qq
qq qq
q q q q
q q q
q q q
f
q q q q q q q q
q q q qq
qq qq q q q q
qq
q
q
q qq
q
f
48
q
q q
q q
q
mf
q q q q q q q q q q
q
qq q q q qq
q
q
32
54
q q q q
q q
q q q q
Da Capo al Coda
3 3
pp
pp
p
È
q
q q
59
q
q
q
ff
q q q q q q q q q q q q q q q q q
q
q q
q
q
f q q q qq q
q q q q
q q q q q q q q q q q q q q q q q q q q q q
q q q q
q
f
64 q
q
p
q
q
p
q q qq
q q q
q q q q q
p
33
Enter the Mystic Labyrinth of the Mental Abyss
the world identity crisis cannot be solved
Flute
pp cresc.
q q q q q q q q q q q q
accelerando
q
q q q q q q q q
q
sul C pont
q q
Cello
pp cresc.
q q q q q q q q
accelerando
q q
q q q q q q
sul E pont
Bass
q
q
pp cresc.
accelerando
q q q q q q q
accelerando
q
q
sul D pont
q q q q q q
sul G pont
q q q q
q q
q q q
q q q q q
accelerando
q q q q q q q
q q q q q q
sul A pont
sul D pont
q q q
q
q q
accelerando
6
4
q q q q q q q q q q q q q q q q
accelerando
q q
sul A
q q q q q 6
q
4
q q q q q q q q q q q q
accelerando
q q q q q q q q 6
sul G pont
q
q q q 4
35
q q
q
Fast ( = 180)
q
q q q q q q q
46 q q
flutter
q
fff
qq qq sp fff
6 q
ord
qq qq q q q
4 q q
fff
6 ord
q q q q q
4 q q q q
fff
pp cresc.
q q q q q q q q q
q q q
accelerando
q q q q
sul G pont
q q q q
q q q q
pp cresc.
q q q q q q q q
accelerando
q q
q q q q q
q q
sul E pont
q
pp cresc.
accelerando
4
q q q q q q q
accelerando
q
q
sul D pont
q q q q q q
sul G pont
q q q q
q q
q q q
q q q q q q
accelerando
q q q q q q q q
sul A pont
q q q
q
sul D pont
q q q
q
q q
36
accelerando
4
q q q q q q q q q q q q q q q q
accelerando
q q
sul A
q q q q q
q
q q q q q q q q q q q q
accelerando
q q q q q
sul G pont
q q
q q
q q q
qFast
q
q q q
( = 180)
4 q q q q flutter
q q q q
4
q 4
fff
qq qq sp fff
qq
qq qq
q
4
q q q 4
fff
q q q
4
q q q q q q 4
fff
q
Slow ( = 55)
7
44 q q q
q q q q q q q q q q q q q q q q q q q q q q
mp 3 3 3
4
q
sul pont
ord
q q
q
4 ppp q q q
p
sul pont
q
4 ord
4 ppp q q
mp
37
q
q
q q q q q q q q q q q q q
q q q q
10
q
q q q q q q
p f p mf
q q
sul pont
qq
q q q
q ppp
f p
q
sul pont
q q q
q
q q
p f ppp
12
q q q q q q q q q q q q q q q q q q q q q q q
3
3
q q
q
ord
q
q q q
q
p
ord
q
mp q
q q
q
14
q
q q q
q q q q
q q
q q q q
p f p
q q
q q
q q q q q
f p q
q q q q q
p
38
q q
15
q q q q q q q q q q q q q q q
q q p f p
q q
q q q
q
p q q q
q
q q q
mf p
q
q q
16
q q q q q q q q q
q q q q q
p f p
q q q
q q
q q q
mf p
q
q
q q q
q q
mf p mf
q q q q q q
q
17
q q
q q q q q q q q qq q q q q q q q q q qq
p f p p 6
f 6
p
qq
qq q q q q
q q q q q
q q qqq
mf p mp pp
q q q
q q q q q
q q q q q
p pp
p mp
39
q q 4
p pp
q q q
q q q q q q q q q q q q q q q q q
q q q q q q
3
q 4
pp
f
sul pont
q 3
ppp 4
q q q q q q q q q q q q q q
Faster
q q q q q q
43 q q q
23
q q q q q q q
p
pizz gliss
q q q
3 q q q qq
4 q q
q q
f
3
pizz gliss
q
4
q
f
q q qq q q q q q q qq q q q
28
q q q qq
f
q q q
ord
q qqq q
qq qq q q q q
q q q
q q q
qq f
q
ord
q q q
q qq qq
f
q q
40
q q q q q q q q q
33
mp f mf
q q
q q q q
q q q q q qq q q q q q q q q q q q q q q q
q q q q q q
mf f mf
qq qq q q
q
q
mf
q q q q q q q q q q q q q q q q
q
39 Slower, Calm
q q
p
qq qq
pizz gliss
q
q
f
q
pizz gliss
q
Very Slow, Unmeasured ( = 60)
46
q q q q
ppp pp cresc.
q q q q q q q q q
q
q q q
q q q q q q q q q q
sul C pont
q
pp cresc.
sul E pont q q q q q q q q q q q q
q q q q q
q q q q q q q q q q q
q q
pp cresc.
41
q q q q
q
Fast ( = 180)
47 q q q q q q
q q
sul G pont q q q q q fff
q q
q q q q q q q q qq
q q q qq
sul G pont
q q q q q q
qq
qq
qq
q q q q
fff
q q q q q q q
q q q
q q
q q q q q q
q
q
q
fff
49 Very Fast ( = 160)
p p cresc.
q q q q q q q q q q q q q q q q q q q q q q q q
p cresc.
q q q q q q q q q q q q q q q q q q q q q q q q
p cresc.
55
q q
q q q
q q q
q q q q q q q q q q q q q q q q q q q q q q q q q q q
q
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
qqqqq q
q q q q q
42
q q q q q q q q q q q q
q q q q q
q q q
60
q ff ff
q q
q q q q q q q q q q
q q q q q
q q q q q q q
q q q q q
q ff ff
q q q q
q q q q q q q
q
ff
ff
q
q q
qqqqqq q q q q q q q q
66
q
p fff
q q q q q q q qq
qq q q q q q q q
qqq q q q q q
p fff
q q q q q q q
q q q q q
q
p fff
q
72
q
43
Kung Fu Kats
a shoalin adventure of the dao
6 q q
q qq qqqq
q
q q q q q q
q
q q q
f mf f mf
q q
q q
q qqqq qq qq qqq
q qqqq qqqq
mf p f p
q q q qqq
q
p
mf p f
q q q q q q q q q
q q q
11
q q q q
f mf f
q q q q q q q q q q q q q q q q q q
q q q q
mf p mf p
mf p mf p
q q
q q q q q q
45
q q qq q q qq q q q
q q q qq q q
qqq
15
mf f p 10
f
q q q qq q qq
f p f
q qq q
q
f p f
q q q q qqqqq q qqq q q
qq
19
qqq qqq q
10
f
q
q q q q
q q
qqq
p cresc. f
p f
q q q q q q q q q q q q q q q q q q q q q
q q q q q q q q q q
Very Fast, Lively ( = 60)
23
q ! q
q
p f f
qq
q q q q q q q q q q q ! q
q q
p f
q
qq qqqq !
q q
q
q q
p f
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q qqq q
q qq q q q qq qq q
q
46
27
p
q
q q q q
q q q q
q q q q q q q
q q q q
q q q
f q q
q q q q
q q q q q
q
q q q q
q q q q
q q q
f
q qqq q qqq q q q q q q q q q q
q q qqq qq q q q qqq q q q q q q q q q q q q
30
q
q q q q q f
q q q q q
q q q
q q q
p q q f
q
q q q
q
q
q
q q q q q q q q
p f
q q q q q q q q q q q q qq
q qqq qq q q qqq qq q q q
33
p f fp
q q q q
q
q
q
qq
q q q q q
p q q q q f fp
q q q q q q q q qq
p f fp
47
q q q q q
q q q q q q
37
q
q
q
q
fp f p
q q q q q q q q q q
fp f f
q q q q q " " " "" " " " " "" "" "" "
col legno battuto
fp f p
q q q q q q
q q q q q q q q
q q
42
f p f
q
q q q q q q q q q q q
q q q
p f f
" " " " " " " " " " " " " " " " " ord
q
q
q q q q
f
q
q q q
46
q
q q q q
q q q q q q
f
q qqq q qq q qqq q qq q qqq q qq q qqq q q q qqq
q q q q q q qq qqqqqq qq q
p
pizzicato glissando
q q
f
q
q q q q q
48
q
q q q q
q q q q q q
49
q q
p
q qqq qq q qqq q q qq q q q q q q qqqq qqq qqqq qqq
qq qq qqq qq qqq q q
p
q q
q q q q q
ord.
p
q q q q q q q q q q q
q q q q q q
q
52
f p f fp
q q q q q q q q q q q qqq q q q q q q
qq qq q q qqq qq q q q q q
f p q q f fp
q q q q q q q
q q q q q q q q q q
f p f fp
q q q qq q q q qq
56
fp f
q q q qq q q q q q cadenza
qqqq qq
qqq q q
qq qqq
fp f
q q q q q q q q qq
fp f
49
61
qqq
qqqqq qqq
qqqqq q qqq q qqq
q q
p
65
q
Slow, Calm ( = 60)
q
q q q qq q q q q q q
qq q qqq qq q qqq q q
q q q q q q spp cresc.
f p f
12 13
q q q q
68
mp cresc.
q q q q q q q q q q
q q q q q q q q q q
tutti
q q q q q q q q
q q q q q q
q
q q q q
q q
mp cresc.
50
q q q q
q
72
q q q q q q
ff
q q q q q q q q q q q q q q q q q q
q q q q q q q q q
q q q
ff
q q
q q
q
q q q q
q q q q q
q
ff
q q q q q q q q q q
q q q q q
76
q
p f p f
q q q q q q q q q q q q q q q q
q q q q q
q q
p f p f
q
q
q q q q
q q q q q
p f p f
80
p
p
p
51
King Monitor Lizard, our Royal Highness
headhunters capitalistic paradise
q
Intense,
q = 130)
Rapid, and Driving (
Flute
f
Cello # q q q q q q q q q q q q q q q q q q
f
# q q q q q q q q q q q q q q q q q q
Bass
f
q q q q q q q q q
q q
q q q q
q q
q q q q q q q q q q q q q q q q q q q q q q q q
mf
#
q q q q q q q q q q q q q q q q q q q q q q q q
mf
6
q q
q q q q
1.
q q q q q
p cresc. q q
# q q q q q q qqq q q q q q q qqq q q q q q q
p cresc.
# q q q q q q qqq q q q q q q qqq q q q q q q
p cresc.
53
q q q q q q q q
9
q q q q q q q q q q
q q q
q q
q q q q q
q q
q q
12
f
# q q q q q q q q q q q q q q q q q q q q q q
q
f
# q q q q q q q q q q q q q q q q q q q q q q
q
f
2.q q q q q q q
q q q q q q q q q q
15
p cresc.
# qqq q q q q q q qqq q q q q q q qqq q q qqq q q
p cresc.
# qqq q q q
q q q q q q
p cresc.
q
q
54
18
q q q q q q q q q q q q q q q q
# qqq qqq q q q qqq q q qqq q q qqq qqq q q q q
#
q q q q q q q q
q q q q
qq
q
q q q
q
q flutter
q q q q q
21
f 3 3
# q q q q q q q q q q q q
q q q q q q
f 3 3
# q
q q q
q q q q
q q q q q q
f 3 3
flutter
q q q q q
flutter
6
24
3 3
8
# q q q q q q q q q q q q q q q q 6
8
3 3 3 3 3 3
# q q q q q q q q q q q q q q q q 6
8
3 3 3 3 3 3
q
55
6 q q q q q q q q
q
q q q
Wild ( = 150)
q q q q
27
8 q q q
p f
# 6 q q q q q q q q q q q q q q q q q q q q q
8
p f
# 6 q q q q q q q q q q q q q q q q q q q q q
8
p f
q q q q q q
q q
q
q q q q q q q q q q q q q
31
p f
# q q q q q q q q q q q q q q q q q q q q q
q q q
p f
# q q q q q q q q q q q q q q q q q q q q q
q q q
p f
q q q q q q q
q q q q q q
36
q q q q
2
p cresc.
# q q q q q q q q q q q
q
q q q
p cresc.
# q q q q q q q q q q q
q
q q q
p cresc.
56
3
4
5
6
7
8
41
#
q q q
q q q
q q q q q q q q
#
q q q
q q q
q q q q q q q q
q q q q q
47
q
2
3
4
# q
q
q q q q q q q q q q q q q q q
# q
q
q q q q q q q q q q q q q q q
q
Breathing Frenzy ( = 130) q
2
51
4 q q q q q q q q q q q q
ff
# q
2
4
ff
# q
2
4
ff
57
58
q q q q q q q q
#
#
67
Faster ( = 84)
# q
q q q
q q q
q q q q q q
f
# q q q q q q q q q q q q
f
73 Remove headjoint and play flute body like a trumpet.
# q q q q q q q q q q q q q q q
58
78
# q q q q q q q q q q q q q
qq q
qq q
qq
# q
q q q q q
q q q q q q q q q
84
q q
q q
q q
# q q q q q
q q q q q q q q q q q q q q q q
# q q q q q q q
q q q q q
q q
Shake flute for pitched vibrato.
90
pp
# q q q
# q q q
59
NYPD Bull Dogging
every bone needs to be stopped, frisked, and chewed
Only the master is spared, the master that abuses captain dog.
Can't blame the dog, then the master, no! the master blames the dog
blame the shamer that shams the blammer shamming the sha-master.
it works so well during the enforcement of killing the poor.
60
NYPD Bull Dogging
every bone needs to be stopped, frisked, and chewed
q q
Craig Bakalian
q q q q q q q q
Fast q q q q q
Flute 3 + 43 + 2 q q q q q
ff decresc.
q q q q q q q
3+3+2 q q q q q q q
q q q q q q
Cello
4
ff decresc.
3+3+2
Bass
4 $ $
ff decresc.
3 q q q q q
q qqq qq
q q q q q
p mf
q q q q q q q q q q qq qq
q q q q q q q q q q
p mf
q
$
p f
q q qq q q q q qq qq qq qq qq qq qq q q
qq qq q q qq qq qq qq qq qq qq qq q q
q q q q q q q q q
q q
61
qq q q q q q q q q
8
qq qq qq q q q q
qq qq f
qq qq q q q q
f
q q qq qq
sfz sfz
1.
q q
q q q q q q q 2.
q q
q q q
11
q q q q q q q q
q q q q q q
q q q q q q
q q q q q q q q q q q
qq q
ff q q q
q q q q q q qq q q q q q q q q q qq q q
q q q q
ff
q q q q q q q q q q q q
q q q q q q q q q q
ff
q q
62
$
q q q p
q
q q q q q q q q q q q q q q q q q q q
q q q q q q q q q q q q q
decresc.
q q $
q q
$
p
$
%
18
mf
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
p q q
q q q q
q q
mf
q q q q q q q q
q
20
q q q q q q q q q q q q q q q q q q q q q q q q
q q q q q q q q
q q q q q
q q q q q
q
63
q q
22
q q
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
q $
q q q q
q q q q q
q
24
f
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
q q
f
f
q q q q q q q q q q q
q q q q q
q q
26
q
p ff
q q q
q q q q q q q q q q q q q q q q q
p ff
$
ff
q
64
q q q q
q
q q q q q
29
sp ff
q q
q q q
sp ff
sp ff
% % %
32
% % %
cadenza
q q q
q q q q
q q q q q
q
q q q
% % %
36
% % %
8va
q q q q q q q q q q q qq q q qq q q q
q q q q q q q q q q q q q
65
% % % %
39
% % % %
q q q q
q q
q q
q
q q q q q q q q q q q q q q q q
8va
q
q q q q
q q q q
% % %
43
ff
q q qq qq qq
% % % q q qq qq qq
ff
q q q
q q
q
q
q q
q q
q q q
q q q q q q
q
q
q q q q
ff
q q q q q q q q q q
q
q q q q q q q q q q q q q
p f
qq qq qq qq qq qq qq qq qq qq qq qq qq qq qq qq qq qq qq qq qq qq
q
q
p f
q q q q q
q q q q q q q q
q q q q q q q q q q q
p f
66
q q qq q q q q q q qq qq qq qq qq qq q q q q q q
50
mf
qq qq qq qq q q qq qq qq qq qq qq qq qq q q
mf
q q q q q q q q q q
f
qq qq qq qq
q q q q q q
3
53
4
f
qq qq qq qq q q q q q q q q q q q
q q q 3
4
f
q q qq q qq q
q q q q 3
4
sfz
Very Fast
q q q q
43 q
56
p cresc.
3 q q q q q q q q q q q q q q q q q q q
4 q q q q q
p cresc.
3
q q q q q q q q q q q q q q q q q q q q q q
q
4 cresc. q
p
67
q q q q
q q
q q q
64
f q
q q q q q
q q q q q q q q q q q q q q q q q
q
f q q
q q q q q q q q
q q q q q q q q q q q q q q
f
q q q q q
q q q q q q q
72
sp
q q q q q q q q q
q q q
q q q
q q q
sp
q q q
q q q
q q q
q q q q q q q q q
sp
q
q q q q q q q q q q
q q
80
ff
q q q q q q q
q q q q q q q q
q q q qq q q q q
q
q qq q
ff q q q
q q q q q q q
q q q
q q q q q q q q q q
ff
q q q q q q
68
q q q q q q q q q q q
88
sp ff decresc.
q qq qq qq qq qq qq qq qq qq
qq q q q q
q q q q q
q q q
sp ff decresc.
q q q q q q q q q q q q q q q
sp ff decresc.
97
p
q q q q
q
q
q
q
q
q
q
q
q
p
p
107
69
Ms. Rhinoceros Teaches the ABCs
she is the strangest teacher, but loved by all
q q qq qq q q qq q qq qq q qq qqq qq q q
qqqq
Fast
q q q q q q q
p 6
Flute
6 6 6
q
q
6 6
q q q q q
q
q q
3
q q q
Cello
q q q
f qq q qqqq q qqq
q q q q qq qq q
q q q q q q qq qqq qqqq q
Bass
p 6 6 6
6 6
6
q qqqq
q qq qqq
qq q qq qqqqqqqq q qqqq q
q q
4
mf
6 3 6 6 6 3
q
q q
q q q
q q q
q q q q
q qq q
q qqq qqqqq
qqqqq q q q q q
qqqq qqq
q
q 6
f3
6
6
6
q
q qq qq qqqq qq q qqq qqq q q q q
7 qqq
q q q q q q q q
p f p mf
6 6 6
qq qq qq qq q q
6
q
q q q
q q
q q q qq
q q q p
q
qq q q qq q q qqqq q q
q q q q qq
q q q q q q
6
p f
6
6 6
q q qqqqq
71
q q q q
q q q q q
Hold Back, Slower
q q q q
q q q q
11
f p mf f
q
q q q q q
qq
qq q
q q
qq qq
f p p mf
p
q
q q q q q q
q
f p p mf p
q q q q
16
q q q q
q q
q q
q q
q
q p mf mf
q q q q q qq
qq
q
q q
q q q
q p mf mf
f q
qq q q q q q q
q q qqq q q q
qq
f mf
qq q q q
q
q q qq q
q q q q q q q
q q
20
mf
q ff p
q q q q q q q q q q
q q
mf ff p
q q q q q q q q q q
q q
qq q q q q q q q q
q q
ff p
72
q q q
qqq qq
q q q
q
qq
Intense, Faster
q q q
qq qq q
25 3
q
f 3 3
6 6 6 6
qq qq qq qq qq qq
6 6
q q q q q q q q q q q q q q
q q qq qq q q q q
mf
mf
q
q q q
q q qq q
28 3
qqq
q q q q q q
6
q
6 6
q q q
6
q q
6
q q q qqq q q qq q q q q qq q q
qq q
q q q q q q q q q q
q
q q q
q qq
31
ff
6
qq q qq qqq qq qqq qq q q q q q
q q
3
qq q q q
6
q qq
ff
6 6 6
q q q q q
6
q
ff
q q q q q q q
73
q q q
Slower
q q q
34
mf f
6
q q q q q q q q q q q q q q q q qqq
q q q q q 3
qq q q
q q q q
pp f
6 6 6 6
q q q q q
q
mf f
q q q q q q q q q q q q q q q q
q q
q
38
mf
qq q q q
q q q
q q q
p q p f
f q
p q
q qqq qq qqq qq
Fast
q
qq q q
Fast
q qq
44
p ppp f
6 6
qq q qq
6
q q
pp p ppp f
qq q qq
q q q q q
mf p ppp f
qqqqq q qqq qq qqq qq qqqqq
74
q
qq q q q q q qq qqqq q
50
6 6 6 6
6 6
qq q qq
qq q q q qq q
qq q qq
qq q q q qq q
ff
6 6 6 6 6
6
qq qq qq qq qq qq q q q q q
q q q q q q q q
ff
qq qq qq qq qq qq qq q q q q
q q q q q q q
ff
q q q q Faster q q q q q q q q q q q q q q q q
57
f
qqqqqqqq qq q q qq q q q q q
qqqqqqqq q q q q q q q
q q
f q q
qqqqqqqq
qqqqqqqq
q q
f
q q q q q q q q q q q q q q
75
q q q q
63
q q q q q q q q q q
q q p f
q q q q q q
q
q q q q q q q
q
p
f
q
fp f
q q q q q q q q q q q q q q q q q q q q q
q q q
q q q q q q q q
67
qq qq q q qq qq qq qq q
q q q
qq q qq qq
q
71
qq qq
76
Four Axes
destroy to become god
q
q
Moderate ( = 96)
Flute 45 q q q q q q q q q q q
q q q q q q q q q q q q
ff
5 qq qqq qqqqq q qqqqq qqqqq q
Cello
4 qq q q q q q q q q q q q q q q q q q q q q
ff
5
Bass
4 qq q q q q q q q q q q q q q q q q q q q q
ff
3 qq q q q q q q
q q
qqqqq qq q q q q
sp
qqqqq qq qqq q qq qqqq qqq qqq qqq qq
q q q q q
qqqqq qq q q q q
p
qqqqq qq qq q q q q q q q
p
qq q
q
q q q q q q q q q q q q q q q q q q q q q q q q
qq
5
qq
ff p q
qqqqq qqqqq q qqqqq qqqqq q qqqqq qqqqq
q qq
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
ff p
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
ff p
q q q q
78
q q q q q q q
q q q q q
q q
8
f
q q q q q q q q q q q q q q q q q q q q q q q q q
qq q qq q qq q qq q qq q qqqqqqqqq qqqqqq qqqq
q
mf
q q q q q q q
q
q q q
q
q q
mf
q
q
q q q q q q q q q q q q q q
q
q
q q q q
11
q q q q q q q q q q spq mf
q q q q q q q q q q q qq qq qq qq qq qq qq q q qq
q
q q q q
q
sp f
q q
q
q
q q q q q q q
q
q q
sp mf
q q q q q q q q q q q q q q q q q q q q
14
q q q q q q q q q q
sp
q qq qq q q q q q q
q
q q q q
qq qq q
q
q q q
q q
sp
q q
q
q q q q q q q q
q
q
q
sp
q q
79
q q
ff p
q q q q q q q q q q q q q q
q q q q
!
ff qqq qqq p
q q q q q q q q q q q q q q
q q q q q q q !
q q
ff p
q
March
q q q
q
( = 84)
q q q q
q
qq
! q q q q
25
! qq qq qq qq qq qq qq qq qq qq qq qq
q q
q q
first time pp second time ff
q q q q q q q q q q q q
!
q q
q q
first time pp second time ff
q q q q
q q qq q qqq qq
80
30 1.
q
2.q q
q q q
qq qq qq qq qq qq qq qq qq qq qq qq
q q q q q q
q q
q q q q q q q q q q q
q
q q q q q q
q q
q q q q
qq q q qq
qqqqq
35
q q
mp
q qq qq qq
q qq qq qq qq qq qq qq qq
qq
p
q q q
q q q q q q q q q q
q q q q q
q q
p
q q q
q q q q q q q q q q q q q q q q q q q q q q
q q q q
q
1. 2.
40
f q q
q
q q q q q q q q q q q q q q q
q q q q
q
q
f q q
q q q q q q q q q q q q q
q q
q q
q q q q
q q q q
q
f
q q q q q
81
q q q q q q q q q q q q q q q
q q q
q
44
3 3 3 3
q q q q
q q q q q
q
q q
q q q q q q q q q q q q
q q q q
mf
q q q q q q q
q
q q q q q q
q q q q q q q
qq q
qq q
q
48
3 3 3 3
3
3 3
q q q q
q q q q q qq qqqqqqqq
q q q q q q q q q
q q q q q q q
q q q q q q q q
q q q q
q
q q
52
q
q q q q q q q q q q q q
82
q q
57
q q
q q q q
q q q q
q q q q
f p f p f
qqqq
qqqq
qqqq
f p f p f
q
Moderate ( = 96)
q q q q
6
q
q
61
q
4 qqqqq q q q q q q q q q q q q q q q
pp ff
6 qqqqq qqqqq q qqqqq qqqqq q
pp 4 qqqqq q q q q q q q q q q q q q q q q q
ff
6
4 qqqqq q q q q q q q q q q q q q q q q q
pp ff
q qq q q
64
q q q q q q q q q q
q
q q q qq
p
qqqqq qqqqq q q q qq q qq q q
qq qq qqq qq qqq qq q
q
q q q q q q q q q q
qq
p
q q q q q q q q q q q q q q q
q q
p
qqq q q q q q q
83
q q q q
66
qqqq qq
qqqq q q
q
ff
qqqqq qqqqq q qqqqq qqqqq q
qqqqq qqqqq q q q q q q q q q q q q
ff
qqqqq qqqqq q q q q q q q q q q q q
ff
q q q q
q q q q q q q q
q q q q
q qq
68
qqq
sp
qqq qqq q q q q q q qqq q
qqq q qq q qq q qq q qq q qq q qq
qqq qqq q q q
p
qqq qqq qq q q q q q q q q
p
q q q q q q
q
q q
q q q q
q q
70
f
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
qqqqqq qqqqqq qqqqqqqqqqqq qqqqqqqqqqqq
mf
q
q
q
q q q q
q
q q q q
q
mf
qqqqqqqq q q q q qq q q q qq qq q q
84
q
73
q q q q q q q q q q
sp mf
q q q q q q q
q q q qq qq qq qq qq qq qq qq q q qq q q qq
q
sp f
q q q q q q q q q
q
q q q q
q
q q qq
sp mf
q q q q q q q q q
qqqq
q qqq q q
q q q q q q
Very Fast (q = 140)
15
76
8 q q
qq qq qq q qq spq q q q q q q q q
ff
q
q q q q 15
8 qq q qqq
sp ff
q
q
q q q q q q q q 15
8 qq q qqq
sp ff
q q
q q
79
q q
q q q q q q
q q
q q q
q q q q q q
q q
q
q q q
q q q q q q
q q
q
q q q
85
q q q qq qq qq qq qq qq
qq qq q q qq q q q q q q q
18
81
8
fff
q q q q
q q q qq q
18
8
fff
q q q q
q q q qq q
18
8
fff
qq qq qq
q q q q q q q q q q q q q
83
q q q q q q q q q q q q q q q q
q
q q q q q q
q
85
q q q
q q
mp fff
q q q q q
mp fff
q q q q q
mp fff
86
Computer Duck
you cannot hide, ducking does not work
mf
Moderate ( = 86)
!
q q q q
Voice
(8)
With wings of gold en yel low
6
q q
(8)
q q
bright webbed feet of jui cy or ange
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
q q q q q q q
q q q q q q q q q
88
10
q q q q q q
(8)
q q
q q q q q q qq q q q q q q q q q q q q q q q q q q q q q q q q
up to those dark eyes of black oil
q
q q q q q qq q q q q q q q q q q q q q q q q q q q q q q q q
q q q q q q q q q q q q q q q q
14
q q
q q q q q q q
(8)
shine to a beak for songs of in the mud in
q q q q q q q q q q q q q q q q q q q q q q q q q q
q q
q q q q q q q q q q q q q q q q q q
q q q q q q q q q q
q q q
q q q q q q q q q q q q q
f
89
q q q q q q q qq
q
18
q q q
(8)
q q q q q
my mind it is not not is it lost to ev ry where
q qq q q q q q q q q
q q qq
q
mf
qqq
q q q q
q
mf
q q q q
q q q q q
q q q q q
mf
23
q q q q q q q q q
(8) I am not not am I, I have chos en my god
q q q q q q q q q q
q q
q
q q q
q
mp
90
f
q
q q q q q
28
q q q q q q q
(8) oh; com pu ter duck, there is no trace com pu ter duck is
q
q q
p p
qq qq qq
qqqq qq qq
qq qq qq qq qq
p p
q q q
q q q q
q q q
p q q
p
q q q
q
q q q q
q
q q
34
q q q q q
(8)
in your face it is not here, I can not find It's ev ry where but
q
q
q q q
qq qq qq
qq qq qq
qq qq qq qq
qq qq qq qq qq
q
q
q q
q q q q
q q q q
q q q q q
f
91
q q "
38
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
(8)
in my mind click
f
q q
q q q q q q q q
f
q q
q q q q
q q
f
"
" " " " " " " " " "
41
(8)
q q q q q q q q q q q q q q q q q q q
here click there click click y click y click y Quack!
q q q q q q q q q q q q q q q q
q q
qq q q q q q q q q q q
q
q q q q q q q q
q q
92
q q
(8)
com pu ter duck wants you to click
q q q q q q q q q q q q q q q q q q q q q q q qqqq q
q
q q q q
q q q q q q q q q q
q
q q q q q
q q q q
" " " " " " " " " " " " " " " "
47
q q q
(8)
needs you to watch screen name pass word log in log out duck up duck down
q q q q q q q q q q q
qqq
decresc.
q q q q q q
q q q q q q q q
qqq
q q q
decresc.
q q q q q q q q q q q
decresc.
93
quack swishy mouth sound out of the side of cheek
mf
" " " " " " " & & q 3
52
4
(8)
no one can tell who I am. qwash.... I
q q q q q q q q q q q q q q q q q q 3
4
pp
q q q q q q q q q q q q q q q 43
q q q
pp
43
pp
43 q q
q q
q q q
57 = 86
q q q q
qq q
(8)
duck in my mind I'm not with a self I hide from the
q q q q q
43 q q
p
qq q qq q q q qq q qq qq q q q q qq
q q q q q q q q q
3
4 p
q
3
4 p
94
q
cresc.
q q q
62
q q q
qq
(8)
world to be free no ones here nor am I just
q q q q q
q qq qq
qq q qq q q q
qq q qq q qq q q qqqq q q
q q q q q q
q
q q
q qf
mf
q q q
q q q q
68
q q
q q q
(8)
hy per text trans fer pro to col I lie to my
q q q q q q q q q q q q q qqq q q
q q q q
q q q q q q q p
mf q q q q q qq q qq
q q q q q q q q
p
q
q
q q
mf p
95
q q q
q q q
74
q q q q q
q qq q q
q q q q q q q q q
q
qq q qq q qq q q qq qq qqq q qq qq q qq q qq q
q q q q q q q
q q q q q q q q
q q q q q q
q q q q
cresc.
q q qf q
q q
80
q q
q
q q
(8)
you nor I can ev er know an art i fi cial in
q q q q q q
q q q q q q qq q q q qq
q q q q q q q q q q qq
q q q q mf
q
qq q q q
q
q q
mf
q q q q q q q
q q q q q q q
q
mf
ff
96
q
q
q q
86
qqqq q q q q q q q q
qqq q q q q q q
q q
f
q q q q q q q qq qq qq
q q q
q q
q q
q q
q q
q q
q
f
q
q
q
q
q q
q
mp ff
q q q q q
92
q
(8)
not heard lost, gone, ig nored Sing, I
q q q q q q q
q q q q
q q
q q q q q q q q q q
q
p f
qq
q q
q q q qq
q q q q
q q q q q
p f
q
q
q q q q
q
p f
mp
97
q q q
q q q
98
q q
q qq qq qq q
(8)
am not found to the eyes of the
q q
q q q q q q q q q q q q q q
p
q q q q qq qq q q q q q q q
q q q q q
q q q q q q p
q
q
q
q
q
q
q q q q
105
q q q
(8)
world to the ears of the earth con nect
q q q q q q q q q q q q q q q q q
decresc.
q q q q q q q q q q q q
q q q q q q q q
decresc.
decresc.
98
q q q
112
q
(8)
in ter net
q
q
pp mf f mp
q q q q q q
q q q q
q q q q q
q q q q
pp mp f mp mp
pp mp
f mp
mf
Moderate ( = 86)
!
120
q q q q
q q
Flat
(8)
screen that run neth
q
! qqqqqqqq qqqqqqqq
f p p
q q q
q q q q q q ! qqqqqqqq qqqqqqqq
f p p
q q q q q q q q
!
f p p
99
126
(8)
q q q q
o ver pro cess meg a bits da ta
q q q
qqqqqqqq qqqqqqqq qqqqqqqq qqqqqqqq qq q qq
q q q q q q q q q q q q q q q q q q q q
131
q q q q
(8)
q q q q
q q qq q q q
stored on my hard drive that goes no where fast, a
q q qqqqqq qqqqqqqq qqqqqqqq qq q q qq q qq
q q q q
q q q
q q q q q q q q q q q q q
f
100
q q
q q q q q qq
136
q q q q
q q q q q
(8)
q q q q q q q q q q q q q q q q q q q
mouse with out a head vir tu a ly here it is not
q q q
q qqqq
mf
q q q q q q qqq q q qqq
q q q
q q qq q q q q q q
mf
q q q q q q q q q q q q
q q q q q q
q
mf
141
q q q q q q q q q q
q
q q q q q q q q q q q q q q q q q q q q q q q
(8) not is it lost to ev ry where I am not not am I I have
qq
q q q q q q q
q q q q q q q q
mp f
101
q q q q q
q q q
q q q
147
q q q
(8) chos en my god oh; com pu ter duck, tech fu ture cue com
q
q
p
qq qq qq qq q q q q
q q q
q
p
q q q
q q q q
q
p
q q q q q
q
q q q q q q
q q q
154
q q q q q
q
q
(8)
pu ter duck, for me and you what does it do, need not to know but ev ry desk top
q q
q
q
qq qq q q q q qq qq qq qq qq qq qq qq qq qq qq q
qq qq q q q
q
q q q q q q q
q q q q
q q q q
q q q q q
f
102
q q q " " " " " "
159
q q q
(8)
it must show I don't know what it does
q
q
f
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
q
f q
q q q
q q q
q
f
" " " " " " " " " " " " " "
162
(8)
q
and the mu sic is ba nal stick y stick y stick y tune
q q q q q q q
q
q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q
q q q
q
q q q q q q q q
q q
103
" " " " " " " " " " " " " "
"
165
q
(8)
q
squish y song squish y song cher ished by ev ry one but wait, what
q q q q q q
q q q
q q q q q q q q q q q q q q q q q q q q q q q q q q q q
q
q q q q q
q q q q
mf
" " "
" " " " " " " " " q 3
168
4
(8)
is the duck sup posed to do so cial net work? what? I
q q q q q q q q q q q q q q q q q q q q q q q q
q q q q
3
4
q q q q q q q
q q q q 43
q q q q q q q q q q q 43
104
q q q q q q q
43
172 = 86
q q q q q q q
wor ship my god I'm not with a self I hide from my mind to be
q q q qq q q q
(8)
q qq q qq q q qqq q q q q q qq q q q q qqq q qq
43
p
qq q q q q qq q q q q
3 q q q q
4 q q
p
3
4
q
q
p
q q
178
q
q q q
q
q
(8)
free all are ducks not goose or snake
q q qqq q q qqqq q q q
q q
q
qqq qq qq qqq
q
qq q q
q q q qq qq q q q
f
105
q q q
q q
184
q q q
q q q
(8) in ter net rou ter con nect I spread the
q q q q q
q q q q q q q q q qq q
q q q q q
qq
mf p mf
q q q q q qqqqqq
q q q q
q q q
mf p mf
q
q q
mf p mf
q
q q q
q
189
q
q q qq q q q q
word, we make it true more tongues bring the
q q q
(8)
q q q q q
qqqqqq q qqqqqq q q q q qq
qqqqq qqqqqq
q q q q q q
q q q q q
q q q q
mf
106
q
194
q
q q
q q q
(8) mean ing back con gre gate for arm ies
q q q q q q q q
q q q q q q q
q q q q q q
p
q q q q q q q q q q q q q q
q q
p
q
q q q
q q q q
q q q q q q q
p
q qf q
q q q
199
q q
(8)
sake en hanced us er da ta base Sing,
q qq q q q
q q q q q q q q q
q q q q q q q q
q q q q q q
mf
q q q q q q q q q q
q
q
mf
q q q
q
q
mf
ff
107
q
204
q q q q q
(8)
I'm not heard lost, ig
q q q q q q q
q q q q q q q q q q q q
qq qq qq qq qq qq
f
qq qq qq qq qq qq
q q q q q q q q
q q q q q q q q qq qq qq qq
f
q
q
q
q
q
q
q
q
q
q
q
q
q q q q
210
q q q q q q q q q
nored too man y Sing, I'm not seen
qq q q q
(8)
q q q q q q q q q q q q
qq qq qq qq qq
q
qq qqqq qq qq qq qq
q
q q
q q qq qq qq qq q
q
q
q q
q q
q
q
q
q
q
q
q
q
q
q
q
q
q
108
q q q q q q q q q
216
q
(8)
lost, a speck of dust on a speck of dust on a
q q q q qq q q q q
q q q q qq qqqqq q q q q
qq qq qq qq qq
q
qq qq qq qqqq qq q
qq
q
q
q q
q q
q q
q q
q q
q q qq qq q q
q
q
q
q
q
q
q
q
mp
q
222
q
(8)
speck of dust like me?
q q
q q q
qq q
p
q q q
q
qq
q q q q q q q q
q q q p
p