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Keyboard/Melody - Page 1 of 7 (B)

Sweetly Broken
Words and Music by
(q = 90-93) JEREMY RIDDLE

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1. To the cross I look, and to the cross I

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cling. Of its suf - f’ring I do drink.

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© 2005 Mercy/Vineyard Publishing (admin. by Vineyard Music global worldwide)
All Rights Reserved. Used by Permission. CCLI# 4514635

wordmusicnow.com
Sweetly Broken - Keyboard/Melody - Page 2 of 7 (B)

####
14

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Of its work I do sing. On - ly my Sav -

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- ior, both bruised and crushed,

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show that God is love and God is just.

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Sweetly Broken - Keyboard/Melody - Page 3 of 7 (B)
CHORUS
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25

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G #m7(4)
At the cross You beck - on me; draw me gen - tly

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28

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to my knees. And I am lost for words, so lost in love. I’m

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1st time: Go on

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2nd time: take REPEAT

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3rd time: to CODA

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31

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sweet - ly bro - ken, whol - ly sur - ren - dered.

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33 B

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Sweetly Broken - Keyboard/Melody - Page 4 of 7 (B)

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37 E

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40
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2. What a price - less gift, un - de - serv - ed life,

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43

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have I been giv - en through Christ cru - ci - fied.

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47

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You called me out of death.

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Sweetly Broken - Keyboard/Melody - Page 5 of 7 (B)

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50

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F #sus F# G # m7
You called me in - to life; and I was un - der Your wrath,

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54 D.S. al CODA

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(to meas. 25)

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now through the cross I’m re - con - ciled.

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BRIDGE

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57

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In awe of the cross I must con - fess:

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Sweetly Broken - Keyboard/Melody - Page 6 of 7 (B)

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61

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“How won - drous Your re - deem - ing love, and how great

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63

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is Your faith - ful - ness.”

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FINAL CHORUS

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65 Sing first two times

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At the cross You beck - on me; draw me gen - tly
1st time: electric guitars only
G #m7(4)
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2nd time: full band
B 2 3-4: instrumental (vocals ad lib.)

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Sweetly Broken - Keyboard/Melody - Page 7 of 7 (B)

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68

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to my knees. And I am lost for words, so lost in love. I’m

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repeat as desired

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71

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sweet - ly bro - ken, whol - ly sur - ren - dered.

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(B)
Worship Leader - Page 1 of 3
Sweetly Broken
Words and Music by
JEREMY RIDDLE
(q = 90-93)

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simile

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Gtr.

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VERSE 1
8
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1. To the cross I look, and to the cross I

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####
11

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œ œ. œ œ œ œ œ œ œ œ. œ œ.
cling. Of its suf - f’ring I do drink.

####
14 E2 B

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Of its work I do sing. On - ly my Sav - ior,

F #sus F#
####
18

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j
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both bruised and crushed, show that God is love

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21 E2

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and God is just.

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% CHORUS
F G #m7(4)

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25 B2
œ Œ Œ Œ œ œ
At the cross You beck - on me; draw me gen - tly

© 2005 Mercy/Vineyard Publishing (admin. by Vineyard Music global worldwide)


All Rights Reserved. Used by Permission. CCLI# 4514635

wordmusicnow.com
Sweetly Broken - Worship Leader - Page 2 of 3 (B)

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28

œ œ œ œ œ Œ œ œ œ Œ
to my knees. And I am lost for words, so lost in love. I’m
1st time: Go on

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2nd time: take REPEAT

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3rd time: to CODA

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31 E2

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sweet - ly bro - ken, whol - ly sur - ren - dered.

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####
33 B

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37 F E

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VERSE 2
40
#### Ó P B

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2. What a price - less gift, un - de - serv - ed life,

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####
43

& # Œ Ó Œ ‰ j j Ó Œ ‰ j
œ œ œ œ œ œ œ. œ œ œ œ œ
have I been giv - en through Christ cru - ci - fied.

####
47 E2 B

& # Œ Ó Œ ‰ j Ó
œ œ œ œ œ œ œ œ ˙
You called me out of death.

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####
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50

& Ó Œ ⋲ Ó
œ œ œ œ œ ˙ œ œ œ œ œ œ œ. ˙
You called me in - to life; and I was un - der Your wrath,

####
54 D.S. al CODA
E2

# ‰ j Œ Ó ∑
(to meas. 25)

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now through the cross I’m re - con - ciled.
Sweetly Broken - Worship Leader - Page 3 of 3 (B)
BRIDGE

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57 C m7

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In awe of the cross I must con - fess:

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59 E

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61

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“How won - drous Your re - deem - ing love, and how great

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63 E

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3

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is Your faith - ful - ness.”

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FINAL CHORUS

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65 B2

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At the cross You beck - on me; draw me gen - tly

F #43
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68

& # Œ œ œ œ œ œ Œ œ œ œ Œ
to my knees. And I am lost for words, so lost in love. I’m

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repeat as desired

œ œ œ
B

œ œ œ œ .. |
71 E2

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sweet - ly bro - ken, whol - ly sur - ren - dered.
Keyboard/Melody - page 1 of 4 (Bb)

Word of God, Speak


Words and Music by
PETER KIPLEY
q = 68 to 70 and BART MILLARD

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1. I’m find - ing my - self at a loss for words, and the
(2. I’m find - ing my - self) in the midst of You, be-yond the

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œ œ œ. œ
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mu - sic, be- yond the noise. All that I need is to be with

Bb E b69 Bb E b69 Bb B bsus


Eb Eb
b
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© 2002 Wordspring Music, LLC, Songs From The Indigo Room and Simpleville Music.
(All rights on behalf of itself and Songs From The Indigo Room admin. by Wordspring Music, LLC/
Simpleville Music admin. by Fun Attic Music.)
All Rights Reserved. Used by Permission. CCLI #3912788

wordmusicnow.com
Word of God, Speak - Keyboard/Melody - page 2 of 4 (Bb)

10
b j œ
&b ˙ Œ œ œ œ œ œ œ œ ‰ œ œ
‰ J
heard, but to hear what You would
You, and in the qui - et, I hear Your

Bb B b2(no3) Bb E b2(no3)
Eb
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? bb ˙. œ. œ w
w

12 F % CHORUS
b œ Œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ
&b ‰ œ œ
say. Word of God, speak. Would You pour down like rain, wash - ing my eyes
voice.
Bb Bb
Eb Fsus F Gm7
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&b œœ œœ œ œ œ œ œœ œœ œœ
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15
b œ œ œ œ ≈ œ œ œ œ œ œ ‰ œj œ œ œ
&b œ œ œ œ Œ œ œ œ

to see Your maj - es - ty, to be still and know that You’re in this place?

A b2(no3) Eb Bb
b
&b
b œœœ œœœ œœœ œœœ œœœ œœœ œœ œ œœ œ œœœ œœœ œœ œ œ
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? b
b b˙ œ œœ œ ˙ ˙ œ œ
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Word of God, Speak - Keyboard/Melody - page 3 of 4 (Bb)

18
3rd (last) time to Coda fi 1. Repeat to VERSE

b œ œ œ œ œ œ œ œ ‰ œj œ œ
&b œ Œ œœ œ œ‰ œ œ œ œ œ
J
Please let me stay and rest in Your ho - li - ness. Word of God, speak.

Fsus F Gm7 A b2(no3) Eb


b
&b
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? b j
b œ. œ œ œ bw w

21
b
&b w ∑ ∑

Bb B bsus Bb B b2(no3) Bb E b2(no3)


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24
(to meas. 5) 2. Repeat to CHORUS
f (D.S. to meas. 13)

b ‰. .. œ œ œ œ ‰ œ œ œ œ
&b Œ r œ œ œ œ
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2. I’m find - ing my - self - li - ness. Word of God, speak.

Bb E b69 Eb
Eb
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Word of God, Speak - Keyboard/Melody - page 4 of 4 (Bb)

26
fi CODA
b
& b œ œ œ ˙. Ó œ œ œ œ œ w
- li - ness. Word of God, speak.

Eb Bb B bsus
b
&b ww œœ œœ œœ œœ
www w œ œ œ
p
? b œ w ˙. œ œœ
b ˙.

29
b rit. U
&b Ó œ œ œ œ œ w ∑

Word of God, speak.

Bb B b2(no3) Bb E b2(no3) Bb
Eb Eb
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Piano Vocal Our God Reigns Pg. 1 of 2
MM=72 www.praisecharts.com Jon Thatcher, Martin Smith, Stuart Smith
(based on the Passion CD 'Everything Glorious')
Stuart Garrard & Tim Jupp
Pad only arr. Mark Cole
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© 2005 Curious? Music UK With a CCLI license, the original purchaser of this chart
(Admin. by EMI Christian Music Publishing) may make only the copies necessary for his/her local
All rights reserved. International copyright secured. Used by permission. ministry needs. Any further duplication is illegal
Piano Vocal Our God Reigns Pg. 2 of 2
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⁄ ## ) ! ) - )7
17
) ) ) ' ) )
ev - er Your King - dom reigns _____________________ Our God

# #
⁄ )) )) ) )) )) ) )) )) )) )) ) )) )) ) )) )) ) i
¤## ( ( ' ' i·
Eb
2
F Gm
⁄ ## '
20

) ) ) )7 ) ! ) - )7
reigns Our God _______ reigns for -

⁄ ## )) )) ) )) )) ) )) )) ) )) )) )) )) )) )) )
¤## ' ( ) ) '
#
⁄ ) ! ) - )7
23
#
F/A
) ) ) ]' Bb Big ending! opt Reprise

)
D.S. to 1

ev - er Your king - dom reigns ___________


)
Our God

⁄ ## )) )) ) )) ]
)) ) '' ''
¤## ( ( ' '
Piano Vocal
MM=116
Shout Your Fame Pg. 1 of 4
www.praisecharts.com Jonas Myrin, Natasha Bedingfield,
Driving Rock
E-gtr cue Gio Galanti, Paul Nevison
E-gtr lead in Drum feel arr. Mark Cole
G
(no 3)

1
@
⁄ T@ íí ííííí ííííí í í íí C G
(no 3)
Am F C
í í ím ! ím í í ím í í í ím í! m í m í ím í w w w w w w w w
simile...
G
(no 3)
Am F

mm mmmm
Sn fill m m m m mm m m simile...

⁄ @@ )) ) )) ) )) ) )) ) )) ))) ) )) ))) ) )) ) )) ) ))) ))) ) )) ) )) ) )) ) )) )


¤ @@ ( ( ( ( ( ( ( (
G
(no 3)
C G Am F C Am
(no 3)
F
6

⁄w w w w w w w w w w w w w w w w
⁄ )) ) )) ) ))) ) ))) ) )) ) )) ) )) ) ) ) )) ) )) ) ))) ) ))) ) )) ) )) ) )) ) ) )
¤( ( ( ( ( ( ( (
⁄ £§i ) ) )
1 C G Am F C G
10

) ) ) )2 ) ! , - íì ) ) ) ) ! )
S 1. Some
2. Some
say You're
say You're
just a good
just a pro -
man
phet
Some
Some
say
say
You
You
were kind
were wise

⁄ £i ))!! )2 ((
3. I know You're the Mes - si - ah You gave Your life for me

))!! ) ) )) ) ) ) (( ((
¤ §i ( ( ( ( ( (
Am F Am G F
13

⁄ )! ) ) ) ) ) ) ) ) ) ) ) )! , - )2
________ Some say You ___ are in the grave ________ but
________ Some say You ___ were just a man ________ but
________
I know You're ___ the on - ly way ________

⁄ ))!! ) ) )) ) ) ) )) ) ) (( )!) ! 2) )!))!! )2


¤( ( ( ( '
© 2002 Jonas Myrin, Natasha Bedingfield, Gio Galanti, Paul Nevison/Hillsongs Publications 
(admin. in the US and Canada by Integrity's Hosanna! Music) /ASCA With a CCLI license, the original purchaser of this chart
c/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695 may make only the copies necessary for his/her local
All rights reserved. International copyright secured. Used by permission. ministry needs. Any further duplication is illegal
Piano Vocal Shout Your Fame Pg. 2 of 4
1. Dr. fill
To 1
Am G F C G Am F C G Am F
(no 3) (no 3)

16

⁄) í í
) ) ) ) )2 )! ( í í í í í í í í í í
E-gtr
í í í í w w w w w w w
simile
w i ‡
I say You're a ___ live

⁄ (( (( )! ( ) ) ) ) ) ) ) ) ) )
))!! )2 ( ) )) )))) )))) ) ) )) )) ))) ) ) )) )))) )))) ) ) ) ) )) ))) ) i
¤( ( ' ( ( ( ( ( ( ( ( i·
2.
Am G F ˜ G
(no 3)

22

⁄) ) ) ) ) ) ) , ) ! ) ) ) m)7 m) ! m m m, ) )
(2.) I say You are ____ God You are my God I will
(3.) Je - sus You are ____ God You are
˜ ,my God

⁄ )) )) ) )) )) (( )) ) )) )) )) )) )) ))
¤( ( ' ) ) ))) ,
2 W F C G
(no 3)
Am F C G
25

⁄ )) )) )) )) )) )) ))2 )) ))2 - )2 ) )) ))2 )) ))2 )) )) )) )) )) , - )2 ) ))


shout Your fame to all
))
the
earth I will lift Your Name on _ high And the world
(3rd x) I will show

⁄ )!) ! )2 )) )) ) )) )) ) )) )) ) )) )) ) )) )) ) )) )) ) ))!! )2
¤( ( ( ( ( ( '
F C G Am Bb
2
29

⁄ )) )) )) )) - )) ))2 )) )) )) ) ) ) )
____ will know Your great ______ ness You are my God
____ the world Your good ______ ness As I live a

⁄ )) )) ) )) )) ) )!)! )2 (( ))) ))) ) )) ) )) )


¤( ( ( ( #'
Piano Vocal Shout Your Fame Pg. 3 of 4

1.
G
(no 3)
C G
(no 3)
Am F C G
(no 3)
Am F to 1
32

⁄) ) )) )) ))
E-gtr
í)) í í í í í í í íííííííí w w w w w w w w i‡
simile..

I will shout Your fame

⁄ )) ) )) ) )) ) )) ) ))) ) ))) ) ))) ) )) ) )) ))) ))) ))) ) )) ))) )))) ) )) ) )) ) )) ) )) ) ) ) i


¤' ( ( ( ( ( ( ( ( i·
2. D.S. to 2 3.
G G Am
(no 3) (no 3)
Bb
2
37

⁄ ) ) )) ) ) ) ))
)
) w w w w
)) w w w w w)))) ) )
Je - sus I __ will life that shouts Your fame As I live a

⁄ ))) ))) ))) )) ) ))) ))) ) !


)) ) )2 ) ))
) ) ! )2
) )! ) ) )) ) )! ) )) ))) ) ((( ))) ) ))) )
¤' ' )! )2 ( )! )2 ( #'
Kc on 2 & 4
G C G/C Am/C F/C C G/C Am/C F/C
(no 3)
42

⁄ ) ) )) )) )) )) w w w w w w w w w w w w w w w
life that shouts Your fame

⁄ (( (( ))!! )2 (( (( (( (( (( (( ((
S
¤( ( ( ( ( ( ( ( ( (
Build each time.. 1,2,3.
3
47 £ C
⁄ §i ) ) ) ) ) ) ) ) ) , )
G/C Am/C F/C C
i ‡ G /C
(no 3)
Am/C F/C

Je - sus _ I
) ) ) ) ) ) )) )) ))
⁄ £i (( ((
de- cide to live Live a life that shouts Your fame (Shouts Your fame)

(( (( (( (( (( (( i
¤ §i ( ( ( ( ( ( ( ( i·
Piano Vocal Shout Your Fame Pg. 4 of 4
4. E-gtr.. simile..
F
2
Am/C F /C
2
Tag C G
(no 3)
Am C G
(no 3)

51

⁄ )) )) )) T í í í í í í í í í í í í í)) í í)) )) í w w w w
Shouts Your fame Shouts Your fame

⁄ (( (( )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) )
¤( ( ( ( ( ( ( (
Am F C G Am F C G
2 (no 3) 2 (no 3)
55

⁄ )) )) )) w w w w )) )) )) w w w w
Shouts Your fame Shouts Your fame

⁄ )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) ) )) )
¤( ( ( ( ( ( ( (
Am F
2

Ì
Am Ì Ì Ì G
(no 3)

Ìw ]pÌ !
F
2

59

⁄ )) )) )) - w7 w7 - - w7 w7 - - 7
Shouts Your fame

- 2 ˜ - ˜ - ]
⁄ )) ) )) ) )) ) ) ) )) )) ) ) ) 2 ) ))2 (!((!!
¤( ( - )2 ) - )2 ) - )2 (!
Piano, Vocal PraiseCharts Worship Band Series
Key: F-G

Search Me Know Me
(based on the recording from the Hosanna! Music album "Alive Forever" with Travis Cottrell)

Mildred Rainey and Kathryn Scott

B b2
4 œ.
Thoughtfully q = 84

j
Arr. by Dan Galbraith

j
F ma7
œœ ˙˙ œ œ
4 œ. œœœ œ œ œ .. œ œ œœ œ œ œœ œœ ..
F C sus C C sus

& b
D

œ ˙ œ ˙˙ .
œ ˙ .. œœœ œ
P
?b 4w
4 w w w

B b2
œ j
& b œ œ œ œœœ ˙˙˙
F ma7

œœœ œ œœ ˙˙ œ œ œ.
F C sus C C sus C

œ w˙
D

˙
œ
?b w œ œ œ ˙
w œ w

j j j
1 2x - add

& b .. œ œ Ó œ œ œ Ó œœ .. œœ œœ œœ œœ
Tenor duet

Search me, know me; Try me and see

B b2

j
& b .. œ
F ma7
œœ ˙˙ œ œ. œ œ œœ œ œ œœ œœ ..
F C sus C

œœœ
D

œ œ œ ˙ œ œ. œ
P œ œ
? b .. w w w

j j
& b Ó Œ œ œ œ œ ˙ œ œ œ œ œ Ó œ. œ œ œ j
œ
ev - 'ry worth - less af - fec - tion hid - den in me;

B b2
F ma7
œœ .. j
œ œ œœœ ˙˙˙ œ ˙ œœ ˙˙
C sus C F C sus C

& b œœ œ œ ˙ œœœ œ œ ˙
D

œ œ œ
?b ˙ w œ œ œ ˙
w œ
˙
© 2003 Vertical Worship Songs
c/o Integrity Media, Inc., 1000 Cody Road, Mobile, AL 36695 All rights reserved. Used by permission.
With a CCLI license, the original purchaser of this chart may make only the copies necessary
for his/her local ministry needs. Further duplication is illegal.
Piano, Vocal Search Me Know Me - page 2
Key: F-G

j
2x - add

& b ∑ œ œ œ œ œ j Ó Œ œ œ
Tenor duet

œ œ œ
All I'm ask - ing for is that

Bb
F F
C sus C G m7

& b œœ
A A

˙ œœ œ
œ œ œ ˙˙ œ œ œ œ ˙
œ œ œ œ œ œ œ
?b w ˙ ˙ ˙ ˙

j j j j
1x - W.L., Tenor duet

& b œj œœ œ œ œ œ œ. œ ˙ Ó œœ œœ œœ œœ
2x - All (Tenor solo on cues)

œ œ œ œ œ œ. œ ˙

˙
You'd cleanse me, Lord. Cre - ate in me

Bb
œœ
F
G m7

& b œ œ œ œ œ œ
A

œ œ œ
œ œ œ
œ œ
?b ‰ j
.
˙ ˙ w œ ˙ w
P-F
j j j
2
j
& b œœ œ œ œ œ œœ Ó œœ œœ œœ œœ œ œ œ œ œ œœ
œ œ œ œ œ œ œ œ œ

B b2
a heart that's clean; Con - quer the pow'r of se - cret shame;

œ œ œ
& b œœ œœ œ
F C sus C

œœ œœ ˙˙ œ œ
D

œ œ ˙ œ œ
P-F œ
?b w w w

j j j j
& b Ó œœ œ œœ œ œ œ œ œ œ œœ Œ œ œ œ œ œ ∑
œ œ œ œ œ œ œ
Come wash a - way the guilt - y stain of all my sin;

œ. œ ˙
Bb
œ.
G m7
œ œ.
F C sus C

& b œœ ˙˙ œ œœ ˙˙ œœ œœ œœ œ œ J
œ
J
J œ œ œ œ
œ œ ˙
?b w œ œ
w w
Piano, Vocal Search Me Know Me - page 3
Key: F-G

j j
& b Ó œœ œ œœ œ œ œ œ œ œ œœ Ó œœ œœ œœ œœ
œ œ œ œ œ œ œ
Clothe me in robes of right - eous - ness, cov - er my na -

œ œ œ. œ œ. œ
G m7
œœ œœ .
F C sus C

& b œ œ œ œ. j œ œ . j œœ J
œ œ œ œ œ
œ ˙
?b œ ˙.
œ œ œ œ w

j j j j
& b œœ œ œ œ œ œœ Ó œœ œœ œœ œœ œ œ œ œ œ œœ
œ œ œ œ œ œ œ œ œ
ked - ness with grace; All of my life be - fore You now

B b2
œ j j j j
œ œ œ œ.
G m7 F

& b œ œ. œ. œ œ. œ
D

œœ ˙˙ œ. œ œ.
œ ˙
œ œ œ ˙
?b œ œ ˙.
w œ

œ œ œœ ..
1

& b Œ Œ Ó ∑
to 1
œ œ œ œ
W.L.

I hum - bly bring.

B b2
j
œ ˙ ‰ œ œ œ œ œ œ œ ..
C sus C

& b œœ ... œ ˙ w
œ
. œœ ..
?b œ œ ˙ ww œ œ œ œ ..
w œ. J

j j
2 Instr.

& b Œ œ œ œ œ œ ˙. Œ ∑ ∑
I hum - bly bring.

B b2 œ œ œ ˙
j œ œ. œœ
G m7

‰ œœ
C sus C

& b œœœ ... œœœ œœœ œ œ œœœ œ œ œ œ


J œ œ œ
F
?b ˙ ˙ ˙
œ
˙. ˙ œ œ œ
˙
Piano, Vocal Search Me Know Me - page 4
Key: F-G
Eb
œ œ œ œ œ œ œ œ
& b œ œ œ œœœ j j œ
F G m7

œ œ œ œ œ œ œ œ œ œ . œœ œœ œœ œœ œ
œ œ œ œ œ.
œ œ
?b ˙ œ œ œ œ
bœ œ œ ˙. ˙. œ œ œ

f
œ n œ œ œœ n#
All (melody)

& b ∑ ∑ Ó
Tenor solo on cues

Cre - ate in me

Eb
œ j n#
F D sus

& b œ œ œ œ œ œœ œ œ œ œ ˙ œ œ œ œ œ œ œ œ

?b œ œ œ œ œ œ œ
bœ œ œ œ.
j
œ œ œ œ
œ n#
œ œ

# j j j
2a
j
& œœ œœ œœ œœ œœ œœ œœ Œ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ
a heart that's clean; Con - quer the pow'r of se - cret shame;

# j j
G
G D sus

& œ œ œœ œ œ œ œ œœ œœ
C

œ œ œ œ œ œ œœ œ œ œœ œœ œœ .. œœœ ..
. œœ œ
f
?# j œ. j œ
˙ œ. ˙ œ
œ ˙ œ œ

# j j j j
& Ó œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ Œ œœ œœ œœ œœ œœ
Come wash a - way the guilt - y stain of all my sin;

# j j
A m7 G D sus

& œœ .. œ œ œ œ œ œ. œ œ
œ œ œœ œœ œœ œœ œœ œ
œ. œ œ. œ œ ..
?# œ œ œ
˙ œ j œ œ
˙ œ œ. œ œ œ
Piano, Vocal Search Me Know Me - page 5
Key: F-G

# j j
& ˙˙ .. Œ Ó œœ œœ œœ œœ œœ œ œœ œ
œ œœ œœ
Clothe me in robes of right - eous - ness,

# ‰ œœ .. œ œ œ œœ
A m7

œœ œœ œ . j œœ
C2 G

& œœ œ œ œ œ œœ œ. œ
J J œ. œ. œ œ
?# œ
j œ j œ œ ˙ œ
œ. œ œ œ œ œ. œ

# Ó j j j
& œœ œœ œœ œœ œœ œœ œœ œœ œ œj œœ Œ œœ œœ œœ œœ œœ œ œœ œœ œœ œœ
œœ œ
cov- er my na - ked - ness with grace; All of my life be - fore You now

#
C2
D sus A m7 G

& œœ œ œœ œ œ œ œ œ œœ œ œ ˙ œœœ
E

œ œ œ œ ˙ œœ

?# œ œ
˙ œ ˙ œ
˙ œ ˙ ˙ œ

j P
#
œ œ œj œ
j œ j
Œ œ œ Œ Ó œ œ œ œ
Tag
& œœ œ œ œœ œœ ˙. œ
W.L.

˙.
I hum - bly bring. All of my life be - fore You now

# œ ˙
œœ œ
C2 G

œ œ ˙
D sus

& ˙˙˙ œœ œ œœ œœ œœ .. œ ˙
˙˙ œ œ œ ˙ œ œ
P
?# œ
˙ ˙
˙ ˙ œ œ œ
w ˙
Piano, Vocal Search Me Know Me - page 6
Key: F-G

# p
& Œ ‰ œj œ œ Œ œ œœ˙ ∑ œ œ Ó
I hum - bly bring; Search me,

# ww œ œ œ œ œ ˙ œ ˙
œœ œ ˙
C2

œ œ
D G

& ‰ œ
œ œ œ
œ œ
p
œ œ œ œ ˙ ww
?# œ w
Rubato to end

w w

# j U
& œ œ œ Ó œ. œ ‰ œ j ∑ ∑
œ
know me, try me and see.

# œœ .. j œ œ. U
C2 G

œ ˙ œœ œ œ
D D sus D

& œœ œ œ œ w
œœ œ œ œ œ œ www
E

œ ˙ œ J

?# œ œ ˙. Uw
Rit.

w w ww
Ú 78
Oceans Will Part
Words and Music by Ben Fielding

#
G m7 #
D m7 E G m7 # #
D m7 E
11fr. 6fr. 7fr. 11fr. 6fr. 7fr.

####
# c .. ’ ’ ’ ’ Œ œ ..
no rpt on DC

& ’ ’ ’ ’ ’ ’ ’ ’ Ó
œ
V1: If my

#### . œ œ œ œ œ œ .. œ œ œ
œ . œ œ œ œ œ ‰ œœ œœ œ œœœ œœ œœœ œœ œ œ Œ ..
& # c . œ œ œœ œœ œ œ œœ . œœ
‰ œ œ œ œ
œ œ œœ
? # # # # c .. ˙ ˙ w ˙ ˙ w ..
# ˙ ˙
B B sus4 B B sus4
A 7fr. 7fr. 7fr. 7fr.

#### ‰ œ œ
& # œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
heart has grown cold, there Your love will un - fold. As You
V2: suf - fering may pass, Lord Your mer - cy will last. As You

#### ‰ œœj ‰ œjœ


& # œœ
œ œ œ œ œœœ œ œ œ œ œœœ œ œ œ œœœ œ
œ œ

? #### œ
# ‰ œj ˙ œ ‰ œj ˙

#
G m7 #
D m7 E F #
11fr. 6fr. 7fr. 9fr.

####
& # œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
o - pen my eyes to the work of Your Hand. When I'm
o - pen my eyes to the work of Your Hand. And my

#### œœ
& # œœœ œœ œœ œ œœ œ œ œ œ
œœœ œ œ œ
œ œ
? #### ˙ ˙ ˙
# ˙
© 2006 Ben Fielding / Hillsong Publishing
PO Box 1195 Castle Hill NSW 1765 Australia
Ph: 61 2 8853 5353 Fax: 61 2 9899 4591
Email: publishing@hillsong.com

1
B B sus4 B B sus4
7fr. 7fr. 7fr. 7fr.

#### ‰ œ œ
& # œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
blind to my way, there Your Spi - rit will pray. As You
heart will find praise, I'll de - light in Your way. As You

#### j
œœ .. œ œ j
& # œœœ œ œ
‰ œ
œœ œ œ œœœ

œœœ œœœ
œ
œ. œ œ œ œœœ
? ####
# œ ‰ œj ˙ œ ‰ œj ˙

#
G m7 D m7# E F #
11fr. 6fr. 7fr. 9fr.

####
& # œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ
o - pen my eyes to the work of Your Hand. As You
o - pen my eyes to the work of Your Hand. As You

####
& # œœœ œ œœ œ œœ œ œ œœ
œ œ œ œ œœ œ œœœ œ

? #### ˙ ˙ ˙ ˙
#

#
G m7 D m7 # E F sus4
11fr. 6fr. 7fr. 8fr.

#### j
& # œ œ œ œ œ œ œ œ ‰ œœ œœ œœ
œ œ œ œ œ œ œ œ œ
o - pen my eyes to the work of Your Hand. C1: O - ceans will
o - pen my eyes to the work of Your Hand.

#### œœ
& # œœœ œœ œœ œœœ œ œ œ œœœ
œ œ œ œ œ œ œ œ œ
? #### ˙ ˙ ˙ œ. œ
# J

2
B #
F sus4 F # E F #
B % 7fr. 9fr. 9fr. 7fr. 9fr.

#### j j j j
& # ˙˙ ‰ œœ œœ œœ œœ Œ ‰ œœ œœ œœœ œœ
œ œœ œœ œœ œœœ œœœ
˙ œ œ œ œ œ œ œ œ œ
part, na-tions come, at the whis - per of Your call.

#### œ
& # œœœ œ œœœ œœ œœ œœ œœ œœ œ œ œœœ œ œœ œœ œœ
œœœ œ œœ œ œœ œœ œ œ œœ œ œ œœ œ
? #### j œ ‰ œJ ˙ œ. œ œ œ. œ
# œ ≈œœ œ ‰ œ J

# # #

B F sus4 B F sus4 F
7fr. 9fr. 7fr. 9fr. 9fr.

#### j j j
Last to

& # ˙˙ ‰ œœ œœ œœ œœ Œ ‰ œœ œœ œœ œœ Œ ‰ œœ œœ œœ œœ
˙ œ œ œ œ œ œ œ œ œ œ œ œ
Hope will rise, glo - ry shown. In my life,

####
& # œœœ œ œ œœ œœ œ œœ œ œ œ œœ œœ œœ œ
œ œ œœ œœ œ œ œ œœ œœ œ œœ œœ œœ œœœ œ œœ œœ

? # # # # œ . œjœ œ. œ œ ‰ œj œ œ. œ
˙ œ œ. œ
#

E #
F sus4
1
G m7# D m7# E
7fr. 9fr. 11fr. 6fr. 7fr.

####
& # œœ œœœ œœ œœ œœ œœ œœœ œœœ ˙˙ Ó ’ ’ ’ ’
œ œ œ œ œ ˙
Your will be done.

#### ‰ œ œ œ œœœ œ œœ œ œœœ œ œ œ œ œ œ œ


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3
#
G m7 #
D m7 E
2
B #
F sus4 D %
11fr. 6fr. 7fr. 7fr. 9fr.

#### .
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J
V2: Pre - sent O - ceans will

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3.
#
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D m7 E F #
C 11fr. 6fr. 7fr. 9fr. 11fr. 6fr. 7fr. 9fr.

####
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Inst:
As You

#### œœœ œ œœœ œœœ œœœ œ œœœ œœ .. œœ œ œœœ œ œœœ œ œœœ


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D 11fr. 6fr. 7fr. 9fr.

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o - pen my eyes to the work of Your Hand. Je - sus

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4
Piano Vocal
MM=74
From The Inside Out Pg. 1 of 4
www.praisecharts.com Joel Houston
Light Drums & A-gtr (based on the Hillsong CD 'Mighty To Save') arr. Mark Cole
1-Intro Bass in 2nd & 3rd x 1. 2.3.
1
$ $ $ @ £i íj í ëD
í í
Ld gtr cues A
⁄ @ §Rí í í í í í í í í í í í í í ·í í íj í í í ) ) )
íjí ë E
í í i ‡
D A E A E

1. A thou - sand
$ $ $ @ £i
⁄ @ (!( ! ) ( )2 ) )2 (!( ! ) ( )2 )! ( )2 ) i ‡ 2. Your will a -

(! ) ) ( ) ) ) (! ) ) ( ) )! ( ) ) ))2
¤ $$$ @@ §i ' ( )2 ) ! ' ( )2 ) ! i ·( )2 ) )2
6 $ $ D
⁄ )2 ) )2 -! )3 ) ) ) ) ) ) -! )3 ) ) ) ) ) ) ) -! )3 ) )
$ A E D

times I've failed stillYour mer - cy re- mains And should I stum-ble a - gain still I'm caught
$ $ $
⁄ ( ) ) (
bove all else my pur - pose re- mains The art of los - ing my - self in bring -

($ )) ) ) ( ))2 )) )2 (!!((!!!! )2
¤ $$ ' ( )2 ) ! '
9
$ $ A
⁄ ) ) ) )2 - ) ) ) ) ) - )2 ) ) ) ) ) ) )2 - ) ) )
$ E Gbm D A E

in Your grace Ev - er - last - ing Your light will shine when all else fades Ne - ver end -
$
⁄ ( $ $ ing You praise

( )
) 2 )
) )2 )
)!! )2 )2 )
) )2 (
( )
)2 )!)!
¤ $$ $ ( )2 ) ! ( )2 )! ( )2 ) !
2-Pre Ch 1x bass out-light cymbals
12 $ $ F#m
⁄ $ ) ) - )2 ) ) ) ) ) ) ) , , - )2 ) ) ) ) )
D W A E D
3rd x a-gtr & pad only

my __ soul
$
⁄ ( $ $ ing Your glo - ry goes be - yond all fame. My heart and

( )
)2 )!
)
)!! (
( )
)2 )
) )
)2 (
( )
) ) )
) )
¤ $$ $ ( )2 )!
© 2005 Joel Houston/Hillsongs Publications
( )2 ) )2 '
(admin. in the US and Canada by Integrity's Hosanna! Music) /ASCAP With a CCLI license, the original purchaser of this chart
c/o Integrity Incorporated, 1000 Cody Rd., Mobile, AL 36695. may make only the copies necessary for his/her local
All rights reserved. International copyright secured. Used by permission. ministry needs. Any further duplication is illegal
Piano Vocal From The Inside Out Pg. 2 of 4

$ $ A
⁄ ) - )2 ) ) ) ) ) )2 - - )2 ) ) )
$ F#m E
) ) ) )2 - )
15

$
⁄ (!$ $ soul I give You con - trol Con - sume me from the in - side out, Lord

(! )
) ) (
(!! )) ) (!(! ))
$
¤ ' $ $
' (! )
$ $ D
⁄ , - )2 ) ) ) ) ) ) - )2 ) ) ) ) )
$ F#m E
) - )2 ) ) ) )
18

$ $ $
⁄ ( ) )
Let jus-tice and praise be - come my em - brace to love You from the

($ ) ) ) ) (( )) ) )) ) (( )) ) )) )
¤ $$ ' ' (! )
1. 2.3.
D.C. to 1
21 $ $ $
⁄ ) ) (
Bm
w w w w ) Bm
) )2 - )) )) ))
in - side out in - side out. Ev - er - last -
$ $ $
⁄ (((!!! ))) ) ''' ((( ))) ) ))) )
¤ $$ $ ' ' '
3-Ch
F#m D A E F#m D
24 $ $ $
⁄ )) )) - ))2 )) )) )) )) )) )) ))2 - )) )) )) )) )) - ))2 )) )) )) ))
$ $ $
⁄ )! 2 2 )
ing Your light will shine when all else fades Nev - er end - ing Your glo - ry goes be -

)! ) ) ) )2 (
( )
)2 )) )2 (( ))2 )) )2
¤ $$ $ ( )2 )! ( )2 ) ! ( )2 )!
Piano Vocal From The Inside Out Pg. 3 of 4

A E A D E F#m
27
$ $
⁄ )) )) ))2 - )) )) )) )) )) )) )) - ))2 )) )) ))2 - ))
$ )) )) )) ))
$ $ $
yond all

⁄ ( )2 ) 2 (
fame And the cry of my heart is to bring You praise from the in -

($ )) ) ( ) )
) ) ) ) )) )) ) )) )) )
¤ $$ ( )2 ) ! ( ( ( (
$ D
$ E \
2nd x to Coda
D E 4 Inst DFree Worship... A
30

⁄ ))2 - )) )) )) )) )) ))2 - )) (( w w w w
$ w
E-gtr solo (or brass solo)
w w w
$ $ $ side out Lord

⁄ ) ) ) ) ) ) )) )) ))
my soul cries out

)$ ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )) )) ) )) )) )
¤ $$ ( ( ( ( ' '
34 $ $ $
F#m
⁄ w w w w w w w w w w w w w
E D F#m
w w w
$ $ $
⁄ )) )) ) )) )) ) ) ) )) )) ) ) ) ) ))
) ) ) ) ) ) ) ) ) ) )) ) )) )) )
$
¤ ' $ $
' ' '
D.S. to 2
38 $ $E$
⁄ w w w w p pBm

$ $ $
⁄ ) ) )) ) ''
)$ ) ) ) ) ) (!
( ! )
))
¤ $$ ' ' '
Piano Vocal From The Inside Out Pg. 4 of 4
\ $
Coda D E 5-Ch F#m D A E
$
⁄ $ ))2 - )) ))2 - )) )) )) )) )) - ))2 )) )) )) )) ))2 - )) ))2 - )) )) ))
41

cries out Ev - er- last - ing Your light will shine when all else fades. Nev - er end -
$ $ $
⁄ )) )) ) ) ) )) )) ) )2 )
) ) ) ) )2 )) )) ) )2 )) )2
¤ $$ $ ( ( ( )2 )! ( )2 ) !
F#m D A E A D
$ $
⁄ )) )) - ))2 )) )) )) )) )) )) ))2 - )) )) )) )) )) )) )) - ))2 )) ))
44
$
ing Your glo-ry goes be - yond all fame And the cry of my heart is to bring
$ $ $
⁄ ) ) 2 ) 2 ) ) 2 ) )2 ) ) )) )) )
)$ ) ) ) ) ) ) ) ) ) ) ) ) )
¤ $$ ( )2 )! ( )2 ) ! ( (
E F#m D E D E D E
$ $
⁄ ))2- )) )) )) )) )) ))2- )) )) )) )) )) ))2- )) )) )) )) )) ))2 - )) )) )) )) ))
47
$
You praise from the in - side out Lord my soul cries out from the in - side out Lord my soul
$ $ $
⁄ )) ) ) )) ) ) )) ) ) ) ) ) )
)$ ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
¤ $$ ( ( ( ( ( ( ( (
D E D E D E D
$ $
⁄ ))2 - )) )) )) )) )) ))2 - )) )) )) )) )) ))2 - )) (( ]''
51
$
cries out from the in - side out Lord my soul Rit... cries out __________
$ $ $
⁄ ) ) ) ) ) ) ) ) ) ) ) ) ]''
)$ ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
¤ $$ ( (
Rit...

( ( ( ( '
Piano Vocal
MM=72
Mighty To Save Pg. 1 of 5
www.praisecharts.com Ben Fielding, Reuben Morgan
Med. Rock (based on the Hillsong CD 'Mighty To Save')
arr. Mark Cole
Light hi-hat
1
$ $
⁄ @@ £§iRí í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í í i ‡
$ A E-gtr cue

$ $ $ @ £
⁄ @ i (((!!!
2nd x pad fade-in 2nd x drum groove start.. 2nd x

))) ) (((!!! ))) ) (((!!! ))) ) i


¤ $$$ @@ §i ' ' ' i·
Intro
4 $ $ $ £i { { { { D Band
{
⁄ § , mj m - mó . mò -{ { {
in-gtrs 16ths

{
bass rhy
{ j w w w w w w w A
w w w w w i ‡ F#m
7
E

Sn.

$ S simile..

⁄ $$ £i (!( ! )) ) (((!!! ))) ) (((!!! ))) ) ((!! )) i


¤ $$$ §i ' ' ' ' i ·
1-V 1x-bass out-all lightly..
8 $ $ £ D 2x-full band, lighty
⁄ §iR,-! ííî )í )í )í )í )í )í )í )í -! )íî )í )í )í )í )í )í )í , , - )íì
$ A F#m
7

1. Ev -'ry- one needs com- pas - sion A lovethat's nev - er fail - ing Let
2x add cued notes

$ $ $ £
⁄ i (!( !
2. So take me as You find

)) ) ((( ))) ) ))) ) ((( ))) ) ))) )


me all my fears andfail - ures

¤ $$$ §i ' ' '


11 $ $ E
2
D
⁄ )í )í )íj! )í )í )í )í -! )3 )í )í )í )í )í )í )í )í -! )3 )í )í )í )í )í )í
$ A

mer- cy fall on me Well ev -'ry - one needs for - give - ness the kind - ness of a Sav -

$ $ $
⁄ ((!!( !!!!
Fill my life a - gain I give my life to fol - low ev -'ry- thing I be - lieve

2) (( ) )) ) (((!!! ))) )
¤ $$$ ' ' '
© 2006 Hillsongs Publications With a CCLI license, the original purchaser of this chart
(admin. in the US and Canada by Integrity's Hosanna! Music) /ASCAP may make only the copies necessary for his/her local
All rights reserved. International copyright secured. Used by permission. ministry needs. Any further duplication is illegal
Piano Vocal Mighty To Save Pg. 2 of 5

$ $ F#m
7
E
2

⁄ )í )í , , - )íì )í )í )í )í (më m m wm m wm w w w w
14
$ 1x bass back in..
D E D E

Sn
Kc
Sav - ior the hope of na - tions __
$ $ $lieve in

⁄ ((( ))) ) ))) ) ((!( !!


Now I sur - ren - der _____

)) ) )) )) ) ))) )) ) )) )) ) )) )) )
¤ $$$ ' ' ( ( ( (
2-Ch
$ $W A E D A F#m
7
E
⁄ )) ))2 -)) )) )) )) )) )) - ))2 )) )) )) )) )) )) ))2 -)) )) )) )) )) )) )) - ))2
18
$
$ $ $Sav- ior He can move the moun- tains, My God is might-y to save

⁄ ))) ))) ))) ) ))) ) )) )) )) ) )) ) )) )) ) ))) ))) ) ))) ))) ) )) )) )


He is might-y to save For -

¤ $$$ ' ' ( ( ( ( 1.


A E D A F#m E
7

$ $
⁄ )) ))2- )) )) )) )) )) )) - ))2 )) )) )) )) )) )) ))2- )) )) )) )) )) )) ((
22
$
$ $ $ ev-er Au- thor of sal - va-tion He rose and con-quered the grave

⁄ )))))) ))) ) ))) ) )) ))))) )) ) )) )) ) ))) ))) ) ))) ))) ) )) )) )


Je-sus con-quered the grave

¤ $$$ ' ' ( ( ( (


2.
to 1 D.S. to 2
D A F#m E F#m E
7 7

26 $ $ $
⁄ ,w wmjm -w mó .w mò - w w w w w w w w w w w w i ‡· )) )) )) )) ((
$ $ $ Sn.

i ‡ con-quered the grave

⁄ )) )) )) ))) ) ))) ))) ))) ) ))) ) ))) ))) ))) ) ))) ) )) )) ))) )) ) ))) ))) ) )) )) )
¤ $$$ ' ' ' ' ·( i (
Piano Vocal Mighty To Save Pg. 3 of 5

3. 7 7 7
F#m E Inst D A E F#m D A E F#m
31$ $
⁄ )) ))
$ ))
)) (( w w w w w w w w w w w w w w w w
E-gtr solo..

con-quered the grave

$ $
⁄ ))) $
) )) )) ) )) )) ) ))) ))) ) )) )) )) ) ))) )) )) ) ))) ))) ) )) )) ) )) ) ))) )
)))
¤ $$$ ( ( ( ( ( ! ) ( ( (! )
3-Br D A E F#m
7
D A
$ $ £
⁄ §i - ))
36
$ )) )) )) - )) )) )) )) ))2 )) !!-! ))3 )) )!) ! - )) )) )) )) - )) )) )) ))
Shine Your light and let the whole world see We're sing-ing for the glo - ry of the ris - en

$ $
⁄ i ))$ £ )) ) ))) ))) ) )) ))))) ) ))) )) )) ) ))) ))) )
¤ $$$ §i ( ( !( ) ( (
1. 2.
E F#m E A E
7
4-Ch
39
$ $ )2 ) ! , ) ) i ‡ )2 ) ! ) , £
⁄ ) ) ! ) ) · ) ) ! ) §i )) ))2 - )) )) )) )) )) )) - ))2 )) ))
$
$ $ $ King
‡Je - sus
£ King Sav - ior

⁄ )) )) ))) ) ))) ) )) )) ))) ))) ) i )))!!! )2 ))) ) ))) ) )) )) )) ) )) )


i
He can move the moun - tain My God is

¤ $$$ (! ) i · ' §i ' '


D A F#m E A E
7

$ $
⁄ )) )) )) )) , )) )) )) )) )) )) )) - ))2 )) ))2 - )) )) )) )) )) )) - ))2 )) ))
43
$
1x-full drums..

$ $ $ might-y to save He is might-y to save

⁄ )) )) ) ))) ))) ) ))) ))) ) )) )) ) ))) ))) ))) ) ))) ) )) )) ) )) )) )


For - ev - er Au - thor of sal - va - tion He rose and

¤ $$$ ( ( ( ( ' '


Piano Vocal Mighty To Save Pg. 4 of 5
1. 2.
D 1x- add gtrs.. A F#m add bass.. E F#m E
7 7
to 4
47 $ $ $
⁄ ) ) ) ) ) ) ) ) ) ) ( · )) )) )) )) ((
) ) ) ) , ) ) ) ) ) ) ( i ‡
con-quered the grave Je - sus con quered the grave con- quered the grave
$ $ $
⁄ )) )) ) ))) ))) ) ))) ))) ) )) )) ) ))) ))) ) )) )) ) i ‡
¤ $$$ ( ( ( ( ·( i (
5a-Br
D A E F#m D A
7

50 $ $ $ £i - ) ) ) ) - ) ) )
⁄ § ) ) ) ) ) ) ) ) ) )! ) ) )! ) ) ) ) ) ) ) ) ) ) 2 ) ! -! )3 ) )! - ) ) ) ) - ) ) ) )
ShineYour lightand let the whole world see. We're sing- ing for the glo - ry of the ris - en

$ $ $ £
⁄ i )) )) ) ))) ))) ) )) )) ))) ) ))) )) )) ) ))) ))) )
¤ $$$ §i ( ( !( ) ( (
1. 2.
E F#m E F#m D A
7 7
5b
53
$ $ ) 2 ) , ) ) i ‡ )2
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$ ! ) ! , ) ) £
King Je - sus King Je - sus Shine Your light and let the whole world

$ $ $ ‡
⁄ )) )) ) )) ) ))) ) )) )) ) )) ) ))) ) i ((
i £ (((
¤ $$$ ( ! ) i · (! ) §i ( (
1.
E F#m D A E F#m
7 7

56 $ $ $ ) 2 ) ! -! )3 )
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see. We're sing - ing for the glo - ry of the ri - sen King Je - sus

$ $ $
⁄ ((!! ))) (( ((( (( )) ) ))) ) i
¤ $$$ (! ) ( ( !( ) i·
Piano Vocal Mighty To Save Pg. 5 of 5

2.
E F#m D A E F#m
7 7
5c
59
$ $ $ )2
⁄ ) ) ! ) )) §i - ))
) ! , ) £ )) )) )) - )) )) )) )) ))2 )) !! -! ))3 )) )!) !
King Je - sus ShineYour light and let the whole world see. We're sing - ing
$ $ $ £
⁄ ))!! )2 )) ) ))) ) i )) )) ) ))) ))) ) )) )) ) )) ) ))) )
¤ $$$ ( ! ) §i ( ( (! )
1. 2.
D A E F#m E
7

$ $ )) )) ))2 )) !! ‡]
⁄ - )) )) )) )) -)) ))
62
$ , )) )) i ·''
for the glo - ry of the ri - sen King Je - sus King

$ $ $ ‡
⁄ )!) ! )2 ))) ))) ) )) )) ) )) ) ))) ) ]'' i
¤ $$$ (
2x-molto rit.

( (! ) · i '
Empty Me
Words and Music by
Moderately q = 76 JOHN MARK COMER
and GENE WAY
Capo 2 (E)

Keyboard F Csus Dm Bb2

  
(Guitar) (E) (Bsus) (C#m) (A2)

            

   
 
        
Ho - ly fi - re, burn a - way
   
         
 
 

F Csus Dm Bb2


(E)

(Bsus) (C#m) (A2)
 
         
            
 
my de - si - re for an - y - thing that is

   
         

F Csus Dm Bb2
   
(E)
 (Bsus)

(C#m)
  (A2)

    
         
      

not of You and is of me. I want

  
      
 
  

F Csus Dm Bb2
   
(E)
 (Bsus)

(C#m) (A2)

    
         
        

more of You and less of me, yeah.

  
       
 
 
Copyright © 2003 Thirsty Moon River Publishing/50 Miles/Gene Way (Designee)
Administered by EMI Christian Music Publishing. All rights reserved. Used by permission.
Empty Me - 2

F Csus Dm Bb2 F Csus


  
(E) (Bsus) (C#m) (A2) (E) (Bsus)
   
           
    

Emp - ty me, emp - ty me,

    
      
 
      

Dm Bb2 F Csus
(C#m) (A2) (E) (Bsus)

   
       

    
      
    

yeah. Fill, won't You fill me
    
      


Dm Bb2 F Csus
(C#m) (A2) (E) (Bsus)

    
      
      

with You, with You,
  
    
      

1. 2.
Dm Bb2 Dm Bb2 F

          
(C#m) (A2) (C#m) (A2) (E)

      

      
yeah. yeah.

 
    
   
 
   
Chords Used in This Song
Eb Cm

Bbsus Ab2
Mighty Is the Power of the Cross
Words and Music by
Capo 2 (E) q=69 CHRIS TOMLIN, SEAN CRAIG
F Dm and JESSE REEVES
Keyboard (C#m)
(Guitar) (E)
  
                             
           
What can take a dy - ing man and raise him up to life a - gain?
What re - stores our faith in God, what re - veals the Fa - ther's love?

 
        
Bb C/E
(A) (B/F#)
    
                 
        
         
What can heal a wound - ed soul, what can make us white as snow?
What can lead the way - ward home, what can melt a heart of stone?


    
   
F Dm
(E) (C#m)
 
                          
             
What can fill the emp - ti - ness, what can mend our brok - en - ness,
What can free the guilt - y ones, what can save and o - ver - come,


        
Bb C
(A) (B)
  
        
             
brok - en - ness?
o - ver -come?
    
    
Copyright © 2004 Ariose Music/Praise Song Press/worshiptogether.com Songs/sixsteps Music (adm. by EMI CMG Publishing).
All rights reserved. Used by permission.
Mighty Is the Power of the Cross2-

 Bb2 C F F/A Bb F/A

 
(B) (E) (E/G#)

(A2) (E/G#) (A)
            
          
     

   
Might - y, awe - some, won - der - ful is the ho - ly cross

          

C Csus C Bb2 C F F/A
(B) (Bsus) (B) (A2) (B) (E) (E/G#)
           
           
  

  
where the Lamb laid down His life to
     
       
3rd time to CODA
Bb F/A C Bb2 Dm7
(A) (E/G#) (B) (A2) (C#m7)

            
   

       
  


lift us from

the fall.
 Might - y is the

        

1.
C/E F Bb
(B/D#) (E) (A)
 
                   
                  


pow - er of the cross.

    

2.
C/E Bb
(B/D#) (A)
         
            
 


pow - er of the cross. Itís a mir - a - cle to me,

    
Mighty Is the Power of the Cross3 -

F/A Bb
(E/G#) (A)
  
               
          

   
itís a mir - a - cle to me, and itís still a mys - ter - y,

  
       

F/A Bb
(E/G#) (A)
        
  
                  
 
and itís still a mys - ter - y. itís a mir - a - cle to me,

  
       

F/A Gm7 C/E


(E/G#) (F#m7) (B/D#) D.S. al CODA 
 
                       
       
the pow - er of God, for those who be-lieve.

   
          
 CODA (B/D#)
C/E F
(E)
  
     
 

pow - er of the cross.

  
  
Chords Used in This Song
D# Cm G# A#/D G#2 A# D#/G A#sus Cm7 Fm7
He Reigns
Words and Music by
PETER FURLER
Joyfully, with praise and STEVE TAYLOR

  
D A/C#

                     
1. It's the song of the re - deemed Ris - ing from the Af - ri - can plain.
(2. Let it) rise a- bove the four winds, caught up in the heav - en - ly sound.
         
   
     

 
    

 
E

          
It's the
Let prais - es ech - o from the

           

     



 
D A/C#

                      
song of the for- giv - en Drown-ing out theAm - a - zon rain.
tow - ers of ca - the - drals to the faith - ful gath - ered un - der- ground.

                


            

 
E

  
        
The song
Of all the songs sung from

                 


               

Copyright 2003 Ariose Music/Soylent Tunes.


Ariose Music admin. by EMI Christian Music Publishing.
All rights reserved. Used by permission.
He Reigns - 2

 
D A/C#

               
A - sian be - liev - ers filled with God's ho - ly fire.

                


dawn of cre - a - tion, some were meant to per - sist.

            

 
E

          
It's ev - 'ry tribe, ev - 'ry

               
Of all the bells rung from a

    

 
D A/C#

        
          
tongue, ev - 'ry na - tion; a love song born of a grate - ful

               


thou - sand stee - ples, none rings tru - er than

               

 
E

         

choir. It's all God's chil - dren sing - ing,

               
this:

              

 D
   
A

           
      
"Glo - ry, glo - ry, hal - le - lu - jah! He reigns,

   
   
  

He Reigns - 3

     
E

             
   
It's all God's chil - dren sing - ing,
 
He reigns!"

   
      

3rd time 
. to CODA
D A
    

     
        
 

 
"Glo - ry, glo - ry, hal - le - lu - jah! He reigns,

   
      
2.
 
E 1.
   
                 
 
He reigns." 2. Let it And all the

        
         

  
A/E D/F#

                

                
pow - ers - trem - ble

     
of dark ness at what they'vejust heard,

          

 
E

  
    

                 
'cause all the

 

He Reigns - 4

  
A/E D/F#

              

pow - ers of dark - ness can't drown out a sin - gle

            
               


D.S. al CODA

 
E

         

word. It's all God's chil - dren sing - ing,

       


        
 


CODA

 
A E

      

     
hal - le - lu - jah! He reigns,

   
  

Chords Used in This Song


D A/C# E A A/E D/F#
Not to Us
Words and Music by
With a strong rock beat CHRIS TOMLIN
and JESSE REEVES
A

    
(A)
   
             
  
 
1. The cross be - fore me the world be - hind,
2. Our hearts un - fold be - fore Your throne,

  

       

F#m7

   
(F#m7)
  
        

   
 
no turn - ing back, raise the ban - ner high.


the on - ly place for those who know.

        
Esus D2

  
(Esus) (D2)

      


 
   
It's not for me, it's all for You.
It's not for us, it's all for You.


        
A Asus A

 
(A)
 
(Asus) (A)

     
   


       

Copyright © 2002 worshiptogether.com Songs/Six Steps Music.


Administered by EMI Christian Music Publishing,
All rights reserved. Used by permission.
Not to Us - 2

     
           
  

 
Let the heav - ens shake and split the sky,


Send Your ho - ly fire on this of - fer - ing,

       

F#m7

  
(F#m7)
  
           
  

 
let the peo - ple clap their hands and cry.
- ship

let our wor burn for the world to see.

        
Esus D2

  
(Esus) (D2)

           

 

It's not for us, it's all for You.
It's not for us, it's all for You.


        
A Asus A

 
(A)
      
(Asus) (A)

      
   
Not to us,


           

G/D D

   
(D)

(G/D)

            


    
but to Your name be the glo -


       
Not to Us - 3

G/D D A

        
(G/D) (D) (A)
      
       
  
- ry. Not to us, but to Your name


            
1.
G/D D G/D D A

 
(G/D) (D) (G/D) (D) (A)

              


        
be the glo - ry.


            
A2 Dmaj7 D G/D D
  
       
(A2) (Dmaj7) (D) (G/D) (D)

       
             

 

           
2. A
G/D D (A)

          
(G/D) (D)

             
 

- ry. The earth is shak - ing, the

 
        
D6 D
       
(D6)
 
(D)

          


  
 
moun - tains shout - ing, it's all for You.



       
Not to Us - 4

D6 D F#m7
(D6) (D)

 
(F#m7)

   
      
          
   
The waves are crash - ing, the


        
Esus D

  
(Esus)

(D)
      
           
 
sun is rag - ing, it's all for You.


        
A
(A)

    
             
  
        
The u - ni - verse spin - ning and sing - ing,


            
D6 D D6 D

    
(D6) (D) (D6) (D)

       
    
   
it's all for You. Your


        
F#m7 Esus

    
(F#m7) (Esus)

        


  
 



  
 


 
chil - dren danc - ing, danc - ing, danc -


        
Not to Us - 5

D Asus A

     
(D) (Asus) (A)

             
       

it's all for You, it's all for You,

 
            
Asus A D6 Dmaj7 D6 Dmaj7

  
(A) (D6) (Dmaj7) (D6)

(Asus)

  
(Dmaj7)

    
   
     

my all for You.



           

F#m7(4) F#m7 Esus D6 D

 
(F#m7) (Esus) (D6) (D)

   


(F#m7(4))

        


     


            
1. 2.
D6 D D6 D A

 
(D6) (D) (D6) (D) (A)

               
      

My all for You. My all for You.

 
         
Chords Used in This Song
G Em7 F/C C Cmaj7 C6
2fr

Dsus C2 Gsus G2 Em7(4)


My Savior, My God
Words and Music by
AARON SHUST

Steady  = 80
D A D
xxo xo o xxo


  44   
     
      

 
 

 





  4 
4      

   

    
D
x xo


              
5



  
I am not skilled to un - der - stand what God has willed, what God has


              
 


 

  
  
        

Bm A
x xo o

       
8





planned. I on - ly know at His right hand


 
      
 





  


   
             

 Copyright 2006 Bridge Building, a division of Zomba Enterprises, Inc. (BMI)


(Administered by Brentwood-Benson Music Publishing) / White Spot Publishing (BMI).
All Rights Reserved. Used by permission.

 Authorized for use by Nate


2
D
x xo

        
11

       

  
stands One who is my Sav - ior. I take Him at His word and

     
  
     


 
   

   
       


D Bm
x xo x

    
14

     

deed. Christ died to save me: this I read.


bring my strength, my sol - ace from this spring:


          

 

 

 



    
             

Asus
xo o

   
17

        

   
And in my heart I find a need of Him to be my
that He who lives to be my king once died to be my


   
        
  
 

 



  
            

 Authorized for use by Nate


3
D G
xxo ooo

        
20

   

Sav - ior.
That He would leave His place on high
Sav - ior.

   

  
     


 

 



  
            
D
xxo

        
23

        



and come for sin - ful man to die. You count it strange, so once did

    

      

        
  

 
  
            
Asus D
xo o xxo

    
26

 
  
       
I be - fore I knew my Sav - ior. My Sav - ior loves,
     
  
 
 
        
   

  
        
Bm G D A
x ooo xxo xo o


                    
29

my Sav - ior lives. My Sav - ior’s al - ways there for me. My God, He was.

                    
  
   
   
     

 Authorized for use by Nate


4
Bm G D A
x ooo xxo xo o

      
              
31


My God, He is. My God is al - ways gon - na be. My Sav - ior loves,

          
             
 
   
     
Bm G D A
x ooo xxo xo o


                    
33

my Sav - ior lives. My Sav - ior’s al - ways there for me. My God, He was.


                   
 
   
   
     
Bm G D A
x ooo xxo xo o

          2      4

35


4 4
My God, He is. My God is al - ways gon-na be.
  
           24     44    
   
    24 44  
        
1. 2.
A D
xo o xxo


           
38


2. Yes, liv - ing, dy - ing: let me
  
                
  


  


 Authorized for use by Nate


It Is You
Words and Music by
PETER FURLER
With adoration

    
Bm G A

   
            
  
As we lift up our hands, will Youmeet us here?

  
    
      

 
Bm G A
     
         
  
As we call on Your name, will Youmeet us here?


   
      

 
Bm G A

      
         
  
We have come to this place to wor - ship You.


   
      

 
Bm G A

      
         
  
God of mer - cy and grace, it is You

    
      

Copyright © 2001 Dawn Treader Music.


Administered by EMI Christian Music Publishing,
P.O. Box 5085, Brentwood, TN 37204-5085.
All rights reserved. Used by permission.
It Is You - 2

      
D G D
 
              
   
we a - dore, it is You prais -es are for,

  
   
      
  

    
G D G

  
          
        
 
on - ly You the heav-ens de -clare, it is You,

 
    

        

 
D G

   
         

it is You.

 

           
A G D
   
          
      
  
And ho - ly, ho - ly is our God Al - might - y,


 
            
  
A G D
   
          
     

and ho - ly, ho - ly is His name a - lone, yeah.


               

It Is You - 3

A G D
   
          
     
  
And ho - ly, ho - ly is our God Al - might - y,



            
  
3rd time to CODA  1.
A G D
   
          
      
  
and ho - ly, ho - ly is His name a - lone. It is You



            
  

      
G D

     
         
    
we a - dore, it is You, on - ly You.

   
      
  
2.
G G D
     
        
 

name a - lone. As we lift

 


          
A G D

            
              
up our hands, as we call on Your name, will You meet



            
  
It Is You - 4

A G D
 
                
    

us in this place by Your mer - cy and grace? As we lift


               

A G D

  
                
    
up our hands, as we call on Your name, will You meet


               

A G D
        
               
us in this place by Your mer - cy and grace? It is You



            
  

  
D G

        
     
   
we a - dore, it is You,

 
  
      
D.S. al CODA 
 
D G
 
      
     
it is You.

 

   
       
It Is You - 5

 CODA
G D

     
           
    
name a - lone. It is You we a - dore,



          

 
G D
  
         
   
it is You prais - es are for,


 

     

  
G D
   
          
   
on - ly You the heav - ens de - clare,

  
   
  

 
G D G

     
    

  
  

 
it is You, it is You.


 

      

Chords Used in This Song


Bm G A D
BE UNTO YOUR NAME
“To him who sits on the throne and to the Lamb be praise and honor
and glory and power, for ever and ever!” Revelation 5:13 NIV

Words and Music by


LYNN DESHAZO and GARY SADLER

 = 109



C G Dm Am


 
 34           
   
  

3
4   
       

F C Gsus G

    


 
     

             

Verse:
1st time Worship Leader
2nd time All

                
1. We are a mo - ment, You are for - ev - er,
2. We are the bro - ken, You are the heal - er,
C G Dm Am

     
    
  
     
         
      


             
Lord of the a - ges, God be - fore time;
Je - sus, Re -deem - er, might - y to save;

F C B Gsus G

       
    
       
          
        
 1998 Integrity’s Hosanna! Music
c/o Integrity Media, Inc., 1000 Cody Road, Mobile, AL 36695


All Rights Reserved International Copyright Secured Used by Permission. CCLI #2177476

Authorized for use by Nate


2
1st time W.L.
2nd time - Parts

                
            
We are a va - por, You are e - ter - nal,
You are the love song we’ll sing for - ev - er,
C G Dm

Am
 

        
  
  
 
 


         
     


           


     
Love ev - er -last - ing, reign -ing on high.
bow - ing be - fore You, bless - ing Your name.

F C/E B Gsus G

        


   
      
  
 
        

   
    
   
Chorus:
All

  
        
    
Ho - ly, ho - ly Lord God Al - might - y,

Am F C/E G

          


   
                
     

      


   
wor - thy is the Lamb Who was slain;
Am F C Gsus G

            


  
  
        
  

     
   
 
 Authorized for use by Nate
3

  
        
    
High - est prais - es, hon - or and glo - ry
Am F C/E G

 
               
 

 
 
   
              
   

         


 
be un - to Your name, be un -
Dm Am Gsus G Dm

          
   
 


 


   
 

            
      
1. 2.


     

to Your name. name.


Am Gsus G Gsus Asus

                    
 
 

  

     

     

   
         


   
        
    
Ho - ly, ho - ly Lord God Al-might - y,

Bm G D/F  A

   
       
  
                 
    

 Authorized for use by Nate


4

  
   
  


wor - thy is the Lamb Who was slain;

Bm G D Asus A
     
            
 
          
  

     
    


   
      
   
High - est prais - es, hon - or, and glo - ry

Bm G D/F  A

            
         
 
  
 
                
  


       

be un - to Your name,

Em Bm Asus A
  
        
   
 


  
 
  
 
 
      
   


1.

      



be un - to Your name.


Em Bm Asus A

              


 
  
    

   
          
   

 Authorized for use by Nate


5

 2.

   
    

name. be un - to Your

 
Asus A Em Bm

             



 
   



  

       
     


Repeat as desired

    
name.


Asus A D

         
 
 
  


 
     
 

 Authorized for use by Nate


Who Am I
MARK HALL CASTING CROWNS

Capo 2 (A)

In a slow two h = 66
G D/F#
Keyboard

  
(A) (E/G#)
(Guitar)

       
       
   
1. Who am I, that the Lord of all the earth
(2. Who am I,) that the eyes that see my sin

     
    

Em7 D C2

 
(F#m7)
 
(E) (D2)

          
       
would care to know my name, would
would look on me with love and

      

D/C C
  (E/D) (D)
  
       
     
    
care to feel my hurt? Who am I,
watch me rise a - gain? Who am I,

      
G D/F# Em7

 
(A) (E/G#) (F#m7)

       
      
      
that the Bright and Morn - ing Star would
that the voice that calmed the sea would


      
Copyright © 2003 Club Zoo Music (adm. by EMI Christian Music Publishing)
All rights reserved. Used by permission.
Who Am I - 2

D C2 D/C

 
(E) (D2) (E/D)

                  


    
choose to light the way for my ev - er wan - d'ring heart?


call out through the rain and calm the storm in me?

      
C G/B C

   
(D) (A/C#) (D)

       


      
  
Not be - cause of who I am,


      
Dsus Em7 D/F#

   
(Esus) (F#m7) (E/G#)

        
           
  


but be - cause of what You've done. Not be -

      
Em7 D/F# C

    
(F#m7) (E/G#) (D)

             


      


cause of what I've done, but be - cause of who You are.

      
D C/D G D/F#
(E) (D/E)
 (A) (E/G#)

      
 
    
      


I am a flow - er quick - ly fad -

  
   
Who Am I - 3
Em7 D C
(F#m7) (E) (D)

   
                
       


- ing, here to - day and gone to - mor - - row; A

      
D C D

    
(E) (D) (E)

                 


  
   
wave tossed in the o - cean, a va - por in the wind.

      
G D/F# Em7

    
(A) (E/G#) (F#m7)

              


    
Still You hear me when Iím call - ing. Lord, You

      
D C D
(E) (D) (E)

     
                   
    
I'm

catch me when fall - ing. And You've told me who I am:

      
3rd time to CODA
1.
C G C2
  (D)
  
(A)

(D2)
 
   
        
I am Yours, I am Yours.

       
Who Am I - 4

Em7 D G

    
(F#m7) (E) (A)

          
     
      

      

C Em7 Dsus

         
(D) (F#m7) (Esus)

            


       
 
2. Who am I,
 
     
2. Em D/F# C G/B Am
(F#m) (E/G#) (D) (A/C#) (Bm)
C D
  (D)  
    
(E)

   
   
  

I am Yours.
      
 
      
G C/E D/F# C G/B Am

  
(A) (D/F#) (E/G#) (D) (A/C#) (Bm)

  

       
  
  

  
    

        

G/B Am G Em D/F# F

   
(A/C#) (Bm) (A) (F#m) (E/G#) (G)

  
 

              

 
   

 
  

  
Who Am I - 5

C/E Cm/Eb Dsus

  
(D/F#) (Dm/F) (Esus)

      


    


 
Not be -

     
C Dsus Em7
(F#m7)
 
(D) (Esus)
    
 
               
  

cause of who I am, but be - cause of what You've done.

   
D/F# Em7 D/F#

   
(E/G#) (F#m7) (E/G#)

    
           
  
be -

Not be - cause of what I've done, but

     
D.S. al CODA
C D/F# G G/B C

 
(D) (E/G#) (A) (A/C#) (D)

       


     
      
  
    
cause of who You are.

   
   

 CODA C D Em7 Dsus


   (D) 
  
(E) (F#m7) (Esus)

    
  
 

I am Yours,

      
Who Am I - 6

C Dsus G

   
(D) (Esus) (A)

  
      

 

I am Yours.

  
    

Chords Used in This Song


F C/E Dm7 C C/Bb Bb F/A

Bb2
Bb/C Gm Bb/D Dm Eb Bbm/Db

Csus
Much of You
Words and Music by
John 3:30; Galatians 6:14 STEVEN CURTIS CHAPMAN

qk = 50
  Bbsus Bb

       
   
       
How could I stand here and watch the sun

   
      

 Cm7  
Gm7
 
      
         
rise? Fol - low the moun - tains,


             

F Bb/F Eb Fsus7
      
          
 
         
where they touch the sky. Pon - der the vast -

  
         

 Bbsus Bb

Cm7

     
               

ness and the depths of the sea.

       

    
Gm7 Bb/F
   
 
      

       
          
  
And think for a mo - ment, the point of it all was to make much of


              

Copyright © 2004 Sparrow Song / Peach Hill Songs / BMI. (adm. by EMI CMG Publishing).
All rights reserved. Used by permission.
  Eb   Gm7

                      


 
whis - per

  
me. 'Cause I'm just a

    
       
Gb

   
Ab
                 
                   
  
and You are the thun - der. And I want to make

      
 
        
Bb F Gm7
                  
       
much of You, Je - sus. I want to make much of Your love.


     
 
Eb Cm7 Bb/D
         
                
I want to live to - day to give You the praise


         
Eb Gm F Eb F Bb
                 
             
   
that You a - lone are so wor - thy of. I want to make much of Your mer -

    
         


F Gm Eb
       
              
    
cy. I want to make much of Your cross. I


          

Cm7 Bb/D Eb2
 
                       
 
give you my life. Take it and let it be used to make

 
            
2nd time to CODA Ø
3rd time to CODA ØØ
F/Bb
  
Gm F Bbsus Bb

             


     
much of You.


    
   
  Eb2 Bb/D Eb

Bbsus Bb

             


          
And how could I kneel here

     
     

    
Cm7
  
      
            
      
and think of the cross? The thorns and the whip

   
        
  Gm7 F

Eb

          
  

            

and the nails and the spear the in - fi - nite cost

  
           

  Eb  Bbsus Bb

             
       

to pur - chase my par - don and bear all my


    
    
 Cm7 
Gm7

                     


       
shame. To think I have an - y - thing worth boast - ing in


          

Gm7
  
F Eb2
                 
3

         
3

    



 
ex- cept for Your name. 'Cause I am a sin -


    
      
Gb Ab D.S. al CODA 
                   
  
3

      

ner. And You are the Sav - ior. and I want to make

  
            

fi CODA
  Gb Db Eb

                    
(you.) This is your love, oh, God. Not to make much of me.

 
     
       

  Bb    
Gb
   
    

   
But to send Your own Son so that
 
        
   


D.S. al CODA 
Db Eb F Eb
             
          
we could make much of You For all e - ter - ni - ty. And I want to make

  
             
fifi CODABbsus Bb Bbsus Bb F/Bb Eb
          
          
 
You.

 

      

Gm F Bbsus Bb
    
          3    
I want to make much of you,

         
        

Eb2 Bb/D
         Eb
 
Bb/D Eb
  
Bb/D
   
Eb2

      
  
much of you Je - sus

     





 
   
     

Chords Used in This Song


Csus C Dm7 Am7 G C/G F

Gsus7 Ab Bb C/E F2 G/C Eb


3fr
These Hands Words and Music by
JEFF DEYO
Driving four q=116
F C Csus C Dm

   
            
     
              
        
mf

  

            

Bb F C Csus C

                    


    
  
            
                    
    

G7sus Dm7/G G7sus/Bb G7sus/F

      


         
           
      

Bbmaj7 C6 Bbmaj7

                 
mf

    
The sun and moon and ev - ry star Are there to show

               


           
   
 

  
C6 Bbmaj7 C6

         
       
      
me who You are. I can be sure Your fin - ger - prints

             


                 
  
 
 
Copyright 2000 Emack Music/Sonicflood Music.
Administered by EMI Christian Music Publishing.
2
Bbmaj7 Bb2 Bbmaj7

    
          
   
are ev - 'ry - where 1.My ev - ry move,
2.A ten - der thought,

  
              


 


          
    
       
    


C6 Bbmaj7 C6

                  
 
my ev - ry breath Were meant to point to Your great - ness.
a car - ing deed, A gift of love to one in need.

         


   


 

       
  
            
  

 
Bbmaj7 C6 Gm7

       
  
 
  

     
  
There's noth - ing made that was not made to show Your pow'r.
Bring - ing hon - est acts of wor - ship to You, Lord.

  
   


 

              
 
        
    
 
F
      
Asus C

    
f

     

    
These hands were made to praise You

        


         

f

        
 
             
3

    
Dm Bb F

           
  
 
These lips were made to lift You up. I give to

  
 
   

  
   
       

  
               
     

C/E Gm F/A Bb

            

 
You my life in wor - ship.

   
 
  



   
   
     
      
       
            

    
F C Dm

              
These feet were made to serve You This tongue to

         
     
               
    
       
  

          
Bb F C/E

2nd time to Coda

           
sing of Your great love I give to You my life in wor -

         
    
    
       
    
        
  
4
1. Gm 2.
F/A Bb Gm F/A Bb

           

   
ship. ship.

   

 
  
     

  
        
 
          
             

   
G F/Bb F

             
   
  
  
Lift - ing ho - ly hands in wor - ship to You,

     
  
  
  
    
  
         
           

        
C G F/Bb

         
 
  
  
Lord. God, re - ceive this hum -ble sac -

       




   
    
                   
F D(no3)

    

  

   
- ri -

fice of praise.

 
    
 

    

    
       
5

    
F C Dm Bb

                 
mf
      
These hands were made to praise You, These lips were made to lift You up.

   
 

 
  







    
mf

   


F C/E Gm7 F/A

               

I give to You my life in wor - ship.

 
 
   

   






            
    

  
Bb F C

        
f

     

   
(Oh, ) These feet were made to serve You,

    
           
  
 
 

f

      
          

                    
Dm Bb F

 
This tongue to sing of Your great love. I give to

  
            

          
  
    
     
     
6
C/E Gm F/A Bb 
        
D.S. al Coda

    
 
You my life in wor - ship.

         

   
   
        
  
        
           
CODA

       
Gm F/A Bb Gm G(no3)
   
A(no3)

     
 
ship. I give to You my life, My

     



    
         
        
      
          
           


Bb Bb(no3) Gm G(no3) A(no3) Bb(no3) Bb

 
Bbmaj7
         
mf

    

 
life to You in wor - ship, in wor - ship.

             
    
                
           
mf

       
    


Bb
1. 2.
C F

F

    

   
   
           



      
           
  
Healing Rain
Words and Music by
MARTIN SMITH,
MICHAEL W. SMITH
and MATT BRONLEEWE
Capo 1 (C) q = 76
Keyboard N.A. Bb5


(Guitar) (N.A.) (A5)
        
   
         
        
Heal - ing rain is com - ing down. It’s com - ing near -
is com - ing down. It’s com - ing clos -

 
 
  
 
 
Eb5(9) Bb5
(D5(9)) (A5)
        
       
  
               
er to this old town. Rich and poor, weak and
er to the lost and found. Tears of joy and tears of

 
  


 

 
Bbmaj7
(Amaj7)
       
       
        
 
strong, it’s bring - ing mer - cy; it won’t be long.

 
shame are washed for - ev - er in Je - sus’ name.

   

 
1. 2.
Bbsus Bb5 Bb/D

       
(Asus) (A5) (A/C#)

   
 

          
       
Heal - ing rain Heal - ing rain,
 
      
   
  
F Gm
% (E) (F#m)

         
         
         
   
it comes with fire. So let it fall

   
       

Eb Bb Bb/D
(D) (E) (A/C#)
       
             
      
   
and take us higher. The heal - ing rain,

   
    
 

F Gm Eb 2nd time to CODA 


(E) (F#m) (D)
    
      

       
       
 
I’m not a - fraid to be washed
   
       

Bb/F F Bbsus
(A/E) (E) (Asus)
      
  
           
          
in heav - en’s rain. Lift your
  
     
 

 
Bbmaj7/D Eb2 Bbmaj7/F Eb2


(Amaj7/C#) (D2) (Amaj7/E) (D2)
       
         
        
 
heads, let us re - turn to the mer -
  
       
  
Bb Bbmaj7 Eb5(9)
(A) (Amaj7) (D5(9))
    
            
         
   

cy seat where time be - gan. And in your eyes
   
    
  

Bbmaj7/D Eb2 Bbmaj7/F Eb


(Amaj7) (D2) (Amaj7/E) (D)
        
       
        
  
 
I see the pain come soak this

    
     

Bb Bbmaj7 Bb Bb/D
(A) (Amaj7) (A) (A/C#)
      
    

      
         
   
dry heart with heal - ing rain. And on - ly You,

   
     
   

F Gm
(E) (F#m)
              
    
       
   
the Son of Man, can take

 
                 

Eb Bb Bb/D
(D) (A) (A/C#)
        
             
       
     
a lep - er and let him stand. So lift your hands,

 
         
     
 
F Gm Eb


(E) (F#m) (D)
             
     
       
     
they can be held by some

   
       

Bb/F F Bb Bb/D D.S. al CODA 


(A/E) (E) (A) (A/C#)
     
    
           
      
  
great - er, the great I AM. Heal - ing rain,

     
  

fi CODA
Bb/F F Gm Eb Bb/F F
(A/E) (E) (F#m) (D) (A/E) (E)
      
      
         
       
         
in heav- en’s rain, to be washed in heav - en’s rain.
    
          

Bb F Gm

  
(A) (E) (F#m)
                
            
    

  
   
                 
       
Eb Bb F

                 
(D) (A) (E)
  
                
          
Heal- ing rain is fall - ing down. Heal- ing rain is fall - ing down.

 
                 
       
Gm Eb
(F#m)
 (D) 
                
        
      
I’m not a - fraid. I’m not a - fraid.

 
                 
Bb/D F


(A/C#) (E)

                   
        
      

Heal - ing rain is fall - ing down. Heal - ing rain is fall - ing down.

 
                 


Gm Eb
(F#m)
 (D)
              
 

       
     
I’m not a - fraid. I’m not a - fraid.

 
                 

Bb/D Eb F
(A/C#) (D) (E)

        
                
   
   
Heal - ing rain is fall - ing down. Heal - ing rain is fall - ing down.

 
                 

Gm Eb/G Eb
(F#m)
 (D/F#)  (D)
                
         
    
I’m not a - fraid. I’m not a - fraid.

 
                 
Bb Gm F
(A) (F#m) (E)
        
     
             
    
 
Heal - ing rain is fall - ing down. Heal - ing rain is fall - ing down.

 
         
       
Bb/D Eb
(A/C#)
    
(D)

            
       
     

I’m not a - fraid. I’m not a - fraid.

 
                 
Bb F
(A) (E)

         

               
     
     
Heal - ing rain is fall - ing down. Heal - ing rain is fall - ing down.

 
         
       
Gm Eb Bb

 
(F#m) (D) (A)
                       
         
      

I’m not a- fraid. I’m not a- fraid. I’m not a fraid.

 
                  

Chords Used in This Song


A5 D5(9) Amaj7 Asus A/C# E F#m
2fr 2fr 2fr

D A A/E Amaj7/C# D2 Amaj7/E D/F#


YOUR LOVE IS EXTRAVAGANT
Words and Music by
Moderately slow DARRELL EVANS
E/G  Asus2 C m7 B
x oo xo oo x x

 4         
         
  
 4
p
 
  4   
 
4 
E/G  Asus2 C m7 B7
x oo xo oo x x o

      
           
      

   
 




E/G  Asus2 C m7 B
x oo xo oo x x


4

       
Your love is ex -



     
 
     
   
 

E/G  Asus2 C m7 B7
x oo xo oo x x o


4

      
   
trav - a - gant. Your



  
     

   
       
   
 




 1998 Integrity’s Hosanna! Music/ASCAP
c/o Integrity Media, Inc., 1000 Cody Road, Mobile, AL 36695


All Rights Reserved International Copyright Secured Used by Permission

Authorized for use by Nate


E/G  C m7
2
Asus2 B
x oo xo oo x x

  

    
friend - ship is
 
     
    
   
 

E/G  Asus2 C m7 B7
x oo xo oo x x o


     
 
in - ti - mate.
  

           
       
   
 




E/G  Asus2 C m7 B
x oo xo oo x x


                       
I feel like mov - ing to the rhy-thm of Your grace. Your frag - rance

                       
  

   

   


E/G  Asus2  C m7 B
x oo xo oo x x


          
        

’cause
is in - tox - i cat - ing in a se - cret place,
and
        
 
         
 
  

   
     


 Authorized for use by Nate


E/G  E/G 
3
Asus2 C m7 B Asus2
x oo xo oo x x x oo xo oo


4

          
Your love is ex - trav - a - gant.

 
 
       
     
     
   
   

 
C m7 B B(add4)
x x x o


4

          
Spread wide in the
        
               
   
   

 
F m9 E/G  E/A
xx x oo xo oo
2

 
          
 
     
arms of Christ is the love that cov - ers sin.

 
             
       
    
 
  

   
B
x

            
  
No great-er love have I


  
       
     
      
     

   

 Authorized for use by Nate


4 1.
F m9 E/G  E/A
xx x oo xo oo
2

               
   
ev - er known; You con - sid - ered me a friend
 
               
       
    
 
  

   
B(add9) E/G 
xx x oo
7


    3
           
 
And cap - ture my heart a - gain.
 3

           
  
 
    


2.
C m7 B E/A
x x xo oo

     
4

       
You con - sid - ered me a friend.

              
      

 
     

     

B(add4)
x

              
  
Spread wide in the
                
     
    
   

 

 Authorized for use by Nate


F m9 E/G 
5
E/A
xx x oo xo oo
2

               
   
arms of Christ is the love that cov - ers sin.
           
         

 
  

   
B
x

            
  
No great-er love have I


    
       
     
      
     

   
F m9 E/G  E/A
xx x oo xo oo
2

 
          
 
     
ev - er known; You con - sid - ered me a friend.
 
               
       
    
 
  

   
B(add4) E/G Asus2
x x oo xo oo


  
3
            
Cap- ture my heart a - gain.


 

3
        
 
 
    



 Authorized for use by Nate


C m7 E/G  C m7
6
B Asus2 B7
x x x oo xo oo x x o

4 4

          
     
     

       
     
 


E/G  Asus2 C m7 B E/G  Asus2
x oo xo oo x x x oo xo oo

 
4

   
   
 
Your love is ex - trav - a - gant.

   
 
                   
   

   
   

 
C m7 B7 E/G  Asus2
x x o x oo xo oo


4

       

Your friend - ship

 
       
   
   



 
 


C m7 B E/G  Asus2
x x x oo xo oo


4

   

     

is in - ti - mate.


       
        
 


     



 Authorized for use by Nate


Voice Of Truth
Words and Music by
MARK HALL and
STEVEN CURTIS CHAPMAN
Moderate Rock q = 82
Capo 1 (E)
Keyboard C Am7
(Guitar) [B] [G#m7]
  
                        
Oh, what I would do to have the kind of faith it takes to climb out of this

                   
  

F2 Bb F
[E2] [A] [E]

   
          
boat I'm in, on - to the crash - ing waves. To

               


    

C Am7
[B] [G#m7]

            

          
step out of my com - fort zone in - to the realm of the un - known where

          
       

F2 Bb F
[E2] [A] [E]

   
            
Je - sus is, and He's hold - ing out His hand. But the

                 
      

Copyright © 2005 SWECS Music / Club Zoo Music / Sparrow Song / Peach Hill Songs 2 / BMI
(adm. by EMI CMG Publishing) All rights reserved. Used by permission. CCLI Song No. 4196620
G F C
[F#] [E] [B]
   
                 


          
waves are call - ing out my name and they laugh at me, re -
gi - ant’s call - ing out my name and he laughs at me, re -

      
         
    
G F C
[F#] [E] [B]

                     



      
mind - ing me of all the times I’ve tried be - fore and failed. The
mind - ing me of all the times I’ve tried be - fore and failed. The

       
     


  
G F G Am
[F#] [E] [F#] [G#m]

                        

      
waves they keep on tell - ing me time and time a - gain “boy, you
gi - ant keeps on tell - ing me time and time a - gain “boy, you’ll

         
     
F Gsus
[E] [F#sus]

       
    

   
       

nev - er win! You nev - er win!”
nev - er win! You’ll nev - er win!”

                   


        
C G

 
[B] [F#]

             


(D.S. only)

                   
    
But the Voice of Truth tells me a dif - f’rent sto -

          
       

 
    

Am F
[G#m] [E]

     
               

     


- ry, the Voice of Truth says: “Do not be a - fraid!”

               
          
C G/B
[B] [F#/A#]

                    
         
     
And the Voice of Truth says: “This is for My glo -

       
                 
 
Am F
[G#m] [E]
To CODAØ
 
          
        

       
- ry.” Out of all the voic - es call - ing out to me,

                
            
Am F
[G#m] [E]

         


       
       

  
I will choose to lis - ten and be - lieve the Voice

             
      
1. C Am7
[B] [G#m7]

   
          
of Truth.

 
     


           
  
F2
[E2]



               
    
   
         

C Am7
[B] [G#m7]

          
                  
Oh what I would do to have the kind of strength it takes to stand be - fore a

            
            
  
F2 Bb F
[E2] [A] [E]

      
           

gi - ant with just a sling and a stone. Sur -

         
        


         
C Am7
[B] [G#m7]

                       
 
roun-ded by the sound of a thou - sand war - ri - ors sha - king in their ar -

             
             
 
F2 Bb F
[E2] [A] [E]

      
           

 
- mor, wish- ing they'd have had the strength to stand. But the

          
    
           
2. Ab Bb
[G] [A]

                
        

  
of Truth. But the stone was just the right size to put the gi - ant on the ground,

  
   

   
   
 
 


     
Ab Bb
[G] [A]

    
     
    
        

         

And the waves they don't seem so high from on top of them look-ing down.

  
    

 

      
        

Ab Bb
[G] [A]

    
     
      
      

         

I will soar on the wings of ea - gles, When I stop and

  
   

  
       
       
Fm Gsus D.S. al CODA
[Em] [F#sus]
 
                       
  

    
lis - ten to the sound of Je - sus sing - ing o - ver me.

                 


            

 CODA
Am F
[G#m] [E]

         


           

         
I will choose to lis - ten and be - lieve,

                
           
Am F
[G#m] [E]

                



       
I will choose to lis - ten and be - lieve

              
         
(6 times, last 2 times instrumental)
C
[B]
   
        
      
the Voice of Truth.

           
      

 
Am7 F2
[G#m7] (Ad lib vocals on repeats) [E2]

  
              

           
I will lis - ten and be - lieve, I will lis -

        
               
     

1-5. 6.


                  

   


- ten and be - lieve the Voice

                 
         

Chords Used in This Song


B G#m7 E2 A E F#
2fr

G#m G/B F#sus G Em


Key: B b
Piano, Vocal

And Now My Lifesong Sings (based on the recording from the Casting Crowns album "Lifesong") Mark Hall
Arr. by Charlie Sinclair

Freely, with emotion q = 66

4
Intro B b Bb
E b2
bb 4
C m7 Gm

& œœ œœ œœ œ œœ
D

œœ œœ ˙˙ œœ œœ œ œœ œ œœ œ œ œœ ˙˙
˙ wœ
P
? bb 4
4 ˙˙ ..
˙.
œœ ww
w
ww w
w

E b2 E b2
bb
F sus F Gm F

& œœœ œœœ œ œœ


œœ œœ œ œœ œ œœ œ œœœ œœœ ˙˙˙ œ œ œœ œœ ˙˙

? b w j j
ww j
œ œ œ j
œ œ
b w ˙ œ ˙
5

U
1 Verse
b .. ‰. r
& b ∑ Ó ‰ j Œ
œ œ œ
œ œ œ œ
1. I was once lost, but now I'm
(2.) blind, but now I

Bb
U Bb
F

b ..
& b œ
C m7 F sus C m7

˙˙ œœ œœ œ
D

œ œœ œ œœ œœ œœ œœ ˙ œœ œœ
œ œ ˙
P
? b j œ U ..
b
˙ ˙ œ œ J ˙ ˙˙ .. œœ
9 ˙.

CCLI # 4578884
© 2005 Club Zoo Music (Admin. by EMI Christian Music Publishing)
SWECS Music (Admin. by EMI Christian Music Publishing). All rights reserved. Used by permission.
With a CCLI license, the original purchaser of this chart may make only the copies necessary for his/her local
corporate worship needs (this does NOT include choral performance). Duplication outside of this purpose is not allowed.
Key: B b
Piano, Vocal And Now My Lifesong Sings - page 2 of 5

b
& b œj œ . ‰. r œ ˙ œ œ œ œ œ j
œ œ. ‰. r œ
œ œ œ œ
found. I once was lost, but now I'm found. So far a -
see. I once was blind, but now I see. I don't know

Bb
E b2
bb
Gm

&
D

wœœ
œœ œœ ˙˙ œœ œœ œ œœ œ œœ œ œœ ˙˙

? b w
b w ww w
w
12 w

b j œ. j
& b ˙ ‰ œ œ œ œ œœ œœ . œ ‰. r œ œ œ œ œ. œ
œ œ
way, but I'm home now. I once was lost, but now I'm
how, but when He touched me, I once was blind, but now I

E b2
bb
F sus F Gm F

& œœœ œœœ œ œœ


œœ œœ œ œœ œ œœ œ œœœ œœœ ˙˙˙ œ œ

? b w j
ww j
œ œ
b w ˙ œ
15

2 U 4
1 - to verse 2 2

b ‰. r œ œ œ ‰. r .. Œ ‰ . œr
& b ˙ Œ
œ œ ˙ 4 œ œ œ 4
found; and now my life - song sings. 2. I once was And

2 4
see;
Bb
E b2
U
bb
F

..
4 4
C m7 F sus F

&
D

œœ œœ ˙˙ œœ œœ œœœ œœœ œœœ œœœ


œ œ ˙˙

? bb j j 2 U
.. œ . j 4
4 4
Very Freely

j œ œ˙. œ ˙˙ œ
œ œ œ ˙ œ œ.
18 œ œ
Key: B b
Piano, Vocal And Now My Lifesong Sings - page 3 of 5

b 4 j ‰ œj
j
& b 4 œ. œ œ œ œ œœœ Œ œ. œ œ œ
now my life - song sings. And now my life - song

4
Bb
Eb
bb 4
Cm F

&
D

œœ œ œ œœœ œ œ œœ œ œ œœ œœ œ œ œœœ œ œ
œ œ œ œœ œ œ
? b 4
b 4 ˙
˙
˙
˙
ww ˙˙ ˙˙
22

b ‰ . œr œ ‰ . œr œ
2
œ ˙ œ œ œ œ œ œ. œ
& b ˙ J
sings. I once was dead, but now I live. I once was

Bb
bb
Gm F F sus F

& œœœ œ œ œœœ œœœ œœ


œ œœ œ œœœ œœ œ œœœ œœ œ œœ œ œœ œ
f
? b ˙ ˙ ˙˙ ˙˙
b ˙ œ œ
25 ˙ œ œ ˙ ˙

b j
& b ˙ œ œ œ œ œ œ. Œ œ œœ ˙ œ œ œ œ œ
dead, but now I live. Now my life to You I

Eb
bb
Gm F

& œœ
œœœ œ œ œœœ œœœ œ œœ œ œœœ œœ
œ
œœ
œ
œœ
œ
œ
œ
œ
œ
? b
b ˙ œ ˙ ˙ ˙ ˙
28 ˙ œ
Key: B b
Piano, Vocal And Now My Lifesong Sings - page 4 of 5

b
& b œJ œ . Œ œ œ œ ˙ œ œ œ œ œ œ œ.
J
Œ œ œ
give. Now my life to You I give. Now my

E b2
bb
F F sus F

& œœœ œœœ œœœ œœœ œ œ œ


œ œ œ œ œœœ œœœ œœœ œœœ

? b
b ˙ ˙ ˙ ˙ ˙ ˙
31

b ˙ œ œ œ œ œ œ œ ˙. œ œ œ œ
& b Ó Œ
life to You I give. Hal - le -

Eb
U
& bb
F sus F

œœ œœ œœ œœ œœœ œœœ
œ œ œ œ ˙˙ ww

? b U
b ˙ ˙ ˙ ˙ w
34

3 A little slower q = 56

b
& b .. œ œ. œ œ œ œœ œ œ. œ œ œ œ œ œ œ œ
‰. r
œ
lu - - - jah. Hal - le - lu - - - jah. Let my life - song sing to

Eb Bb Eb
b
& b .. œ œœ
Gm F F Gm

œœ œœ œœ œœ œœ œ œ œœ œœœ œœœ
œœ œ œ œ œ œ
P-F
? b b .. œ . j j
œ . œ ˙ œ. œ ˙˙ œœ œœ ˙
37 ˙ œ. ˙
Key: B b
Piano, Vocal And Now My Lifesong Sings - page 5 of 5

b Œ œ œœ œ.
& b ˙ œ œ. œ œ œ œœ œ œ œ œ œ œ
You. Hal - le - lu - - - jah. Hal - le - lu - - - jah. Let my

Eb Bb
bb
F sus F Gm F

& œœ œœ œœ œœ œœ œœ œ œ
œœœ œœœ œ œœœ œœœ œ œ œ œ œ œ

? bb j j j
˙ œ. œ œœ .. œ ˙˙ œ. œ ˙˙
40 œ.

1 to 2 2

b œ ‰ . œr œ œ œ œ œ œ .. ‰.
& b œ œ Œ œ œ œ r
œ
life - song sing to You. Hal - le - life - song sing to

Eb Eb
bb ..
F Gm F sus F F Gm

& œœ œœ œœœ œœœ œœ œœœ œœœ


œ œ œœœ œœ œ œœœ œœœ œ œœœ

? bb œ œœ œœ . j ..
œ ˙ ˙ . œ œ œ ˙
43 ˙ ˙

b U
& b œ œ. œ œ œ Ó ∑ ∑
You.

b
Eb
U
F

& b
F sus F F Gm F sus

œœ œœ œœ œœœ œœœ œœœ œœ œœ


œœ œœ œ ˙˙
U
? b ˙ j
b ˙ ˙˙ ˙ œ˙ . œ ˙˙
œ œ
46 ˙
If We Are the Body
Music by Music by
MARK HALL CASTING CROWNS

q = 126

  
Em Em
       
               
         
1. It’s crowd - ed in

   
        

   
C2
    
                
 
wor - ship to - day as she slips in

   
         

 
A7sus A7 C2

          
           
 

 
try - ing to fade in - to the fac -

   

        

  
A7sus Em
      
    
             
      
es. The girls teas - ing laugh - ter is

   

        

Copyright © 2003 Club Zoo Music/SWEC Music (admin. by Club Zoo Music/BMI
All rights reserved. Used by permission.
  
Cmaj7 A7sus A7
    
            
          
 
car - ry - ing farth - er than they know,
   
         

  
C2 D7sus D7

      
             
  
  
    

farth - er than they know. But if

  

        

        
G Em
     
    
  


we are the bod - y, why aren’t His arms reach - ing?
   
         

 
         
 
    
    


     

Why aren’t His hands heal - ing? Why aren’t His words
   
         

    
C2 G

      
         

teach - ing? And if we are the bod - y,
   
         
              
Em

  

    

 
why aren’t His feet go - ing? Why is His love
   
         

    
C2

            
      
not show - ing them there is a way?
   
         

   
Em
    
 
       
         
 
There is a way.
  
       

 
Em
      
 

 
         
   
  
2. A trav - ’ler is
   
         

  
C2
 
          
  

     
 
far a - way from home. He sheds his coat
   
         
 
A7sus A7 C2

          
           
 

 

and qui - et - ly sinks in - to the back

  

        

  
A7sus Em
      
                
      
row. The weight of their judg - men - tal
   

        

   
Cmaj7 A7sus A7
          
         
    
      

glanc - es tells him that his chanc - es are

  
         
C2 D7sus D7
            
     
            

  
But if

bet - ter out on the road

  

        

    
C2 D Em C2
      
           

Je - sus paid much too high a price
   
           
 
D

    
              
   
for us to pick and choose who should come And we are the bod -

   
         

   
  
Em C2
      
     
   
y of Christ If

  
       

  
A7sus C2 Em

                      



            
Je - sus is the way.

   

          

Chords Used in This Song


Em Csus2 A7sus A7 Cmaj7 D7sus D7 G
3fr
1

KEEP MY HEART
Words and Music by
JEFF DEYO
Slowly
C Am7 Fsus2 C

      


                     
mp
 
      
           

Am7 Fsus2 C Am7 Fsus2

        


     
             

  
        
    

Cmaj7/E Am9 Fmaj7

              
     
Noth - ing left but these piec - es and noth - ing here ex - cept
No one here but Your spir - it. No one here to hear

                 
         


  
    
        

C Gsus Em7 Am[add2]

        
             
my bro - ken life. All I of - fer is all I have. I
just how I feel. Just to know how I long
 for

You to

                
         



 
   
 
© 2003 EMACK MUSIC and WORSHIP CITY MUSIC
Admin. by EMI CHRISTIAN MUSIC PUBLISHING
All Rights Reserved Used by Permission
2

F G Gsus Am

  
         
        


lay my life be neath Your throne. Keep my heart; I give it to You,


teach me just to trust Your hand.

                 
        



      
    

F[add2] G C Gsus

  
           
       
Lord. As I of - fer mine, will You give me Yours? Keep my heart

  
           
        
    



      
    
Am F[add2] G

             
           
’til the clo - sing of time and I’ll wor - ship You for all of my life.

             
     
           


 
    
   

C G F C

  
    
         
Keep my heart, keep my heart.

   
   
  


   
    

       



    

  
       
Delivered by http://www.sheetmusicdirect.us
3

Am7 Fsus2 C Am7 Fsus2

    

     
        
            



   
        
    
C Am7 Fsus2 Dm

         

I don’t know if I told

       
           
           


 
 
    
            
F Dm F

    
       
You how I long for Your heart.

    
                
    



                       

Dm F

       
    
I’ve just got to be like You.

       
          


    



               

Delivered by http://www.sheetmusicdirect.us
4

        
    
I’ve just got to be Yours. Oh!

            
       
  




               

Dm F

       
    
I don’t know if I told You

        
        
         



  
       
 
Dm F

      
  
how I long for Your heart.

         
         
    



  
       
 
Dm F

       
    
I’ve just got to be like You.

       
           




       
       
Delivered by http://www.sheetmusicdirect.us
5

G G5

       
3fr

      
I’ve just got to be Yours. Keep my heart;

                     


  



         
 

         

Am F[add2] G

 
                    
    
I give it to You, Lord. As I of - fer mine, will you give me Yours?

 
                    
         


 
     
    
C Gsus Am F[add2]

        
             
Keep my heart ’til the clo - sing of time and I’ll wor - ship You

      
                  


      
       
  
1 2
G C C G

                
     
for all of my life. Keep my heart; Keep my heart

 
           
            



   

       
 

Delivered by http://www.sheetmusicdirect.us
6

F C G F

   
         



      
for all of my life. Keep my heart for all of my

  
      
  
 
 


      


 
 
   
Am7 G F

  
  

        
life. Keep my heart, keep my heart.

   
   
 
        
   



       

C Am7 F C

      
     
Keep my heart,

 
     
             
      


 
 
     
           
Am7 F C Am7 F C


        
keep my heart.

      
                    


 

   
              
Delivered by http://www.sheetmusicdirect.us
God of Nations
Words and Music by
PETER FURLER and STEVE TAYLOR
q = 120

j
F
 b 44 œœ  j œœ  j
& œœœ œœœ œœ œœ ˙˙ œœ  œœœ œœœ œœ
œ J œ œ œJ ˙ œ J œ
1. God of all na - tions, Lord of cre -
2. God of all na - tions, Lord of cre -
? 44
 b
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
j
Dm
 b œ j j j j j j j ‰ j
& œœ  œœ œ˙  œ œœ  œ œœ œ˙ œ œ œœ  œ œœ œ˙ œ
 œJ ˙ J œ œJ ˙
a - tion, it's in the bonds of love we meet, We
a - tion, Your pur - pose is our hope, our bread,
?
 b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
C F
 b j j j j j Œ j
& œœ œ œœ œ˙ œ œ œœ  œ j œœ  œœ œœ œœ
œ  œJ ˙ œœ œ˙ œ J œ
come to - ge - ther at Your
Jfeet. E - qual in
All You've planned and all You've said. Lord of the
?
 b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
 b œ j j j j
& œœ  œœ ˙˙ œœ  œœ œœ œœ œœ  œœ œ˙  œ
 œJ ˙ œ J œ œ œJ ˙
Your sight, Made one by Your might, You've
hea - vens, Lord of the a - ges, The
?b

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Dm C
 b j j j j j j ‰ j j j j j
& œœœ  œ œœ œ˙ œ œ œœ  œ œœ œ˙ œ œœ  œ œœ œ˙ œ œ
J œ œJ ˙ œ œJ ˙
called us to re - store Your lands, And place them back with - in
church You build shall nev - er fail, No gate or bor - der will
?
 b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Copyright © 2004 Ariose Music (ASCAP) Admin. by EMI CMG Publishing.


Soylent Tunes (SESAC). All rights reserved. Used by permission.
F Bb
j j
j œ  œœ ˙˙˙ œœœ  œœœ œœœ œ 
 b j œœ œœ
& œ œ j j j ˙˙˙
œ œœ œ˙ œ œ œŒ  J J J œ
Your
J
hands.
pre - vail. So to - night, be glo - ri - fied,

?b
 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Dm C

 b œ j j j œ œ œ œ œj œ j j j
& œœ  œœ œœ œœ œœ œœ  œ œ˙  œ œœ  œœ ˙˙ œ œ œ œœœ ˙œœ
œJ œ œ œJ œ œJ ˙ œœ  œœ
J J
be mag - ni - fied, as eve - ry na - tion lifts You high.

?b
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

F Bb

 b Œ ‰ j j œ  œ ˙˙ œœœ  œœj œœ b œœ œ ˙  ‰ j


& œœ  œ œ
œJ ˙ œ œ œ œ
Œ œJ ˙ œJ œ œ œœ  œœ ˙˙ œ
 J
Oh, Fa - ther, to - night, it's our de - sire. to

?b
 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

j j j
C
 b œ œ œ œ œ j œœ  œœ œ˙ œ j
& œœ  œœ ˙˙ œ ˙œœ  œœ ˙˙ œ œ œ  œJ ˙ œ
J  J
see Your king - dom shine, on earth as in Heav

?
 b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
Bb 3rd time to CODA fi 1.F
 b j j j
& œœ œ œœ œ˙ œ  j j
 J œœ  œœ œœ œœ œœ  œœ œœ œœ
- en to - night.

?
 b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ

 b
& j j 
œœ  œœ œœ œœ œœ  œœ œœ œœ
?
 b œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
2.
F
 b
& j j j j
œœ  œœ œœ œœ œœ  œœ œœ œœ œœ  œœ œœ œœ œœ  œœ œœ œœ œ
To

?
 b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

F G
 b j
&  w œ œœ œœ œœ œ n œw 
œœ  œœ ˙˙ œœ  œJ œ œ œ œœ ˙˙
night, J be glo - ri - fied, J
(3.) night, it's our de - sire,

? j j j
 b œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ

Bb
j j j j
œœ œœ œ œ œj
 b j
& œ œ œ œ œœœ wœ  œœ 
nœ  œJ œ  œ œœ œœ œœ œ œJ œ œ
lift - ed up
J
high, J It's our de - sire.
You're mag - ni - fied, Lift - ed up high.
? j
 b œ œ œ œ œ œ j j
œ œ œ œ œ œ œ œ œ œ œ œ
F