PSEUDO-CAGEAN SUM

RE: ENTRIES AND EXITS

(in reply to Cage's "themes and variations")

Multiplicity of intentions and non-intentions diversifying artephysis -

nothing leaves nor returns from artephysis - renouncing the
renunciation of control, accepting controls, uncontrols and non-
controls as something spontaneous

Each activity is centered dispersing and dispersing centering —

composing, drawing, performing, dancing, writing, meditating, etc.
are the same (non-) diversifying activity itself

The artephysis is instantaneous, spontaneous, unpredictable,

endless, endurable — the allnothing is accomplished through
artephysical things — our body is in excellent shape

Artephysis in its multiple modes of self-imitation, in its mimetisms, in

its modous operandi, etc.

The joy of comedy is divination freeing the unpredictable from action

Affirmation of the pleasure of living

Assumed confluence of intentions from unintentional processes

Art ≠ / = nature — the artephysis imitates itself, either in the most

obscure appearances, in the modes of operation, or in the
relationship of relations - in imitating it diverges from itself by
metsmorphosis

Plurality of centers pulverizing fragmentations, unbalanced

coexistence of dissimilar, erotic desire of a totality

Heteronomy and co-authorship in the relativization of attachment to

work (self-expression, anti-expression, spontaneity, acceptance of
chance, enthusiastic hybridisation)

Works that are isolation and welcoming of the environment —

propensity for the unknown through the activation of multiple series
overlapping that interact

Static, pregnant, relational, clear, expansive (the nature of the image)

Available head

Many ideas of order and disorder, of organization and

disorganization

Many narrative lodes without middle principle or end (everything

can be traced back to multiple sequences)

Relative clearing and some interpenetration - cartography of the

metamorphic as cause-effect

Indeterminate multidetermination
Opposites ≠ / = non-totalities

Condensing expansions and expanding condensations

Adventurous appetite — how to remove certain habits?

If the mind is spontaneous, why discipline it? All emotions free!

Everything can proceed all

Influence comes from outside by interiorization - the more influences

the better

Multiplicity of uses of chance

Letting yourself be carried away by people, books, dreams, films,

music, etc.

Trust (if the suspicion is not more than obvious)

Neither right nor wrong

Multi-rhythm time and space

Processes going through things and giving feedback on the things

they have been through.
There is a climate conducive to clandestine and shared
experimentation

Pluriverses pluralizing

The story is also re-written in each new work of art

The zero as excess (peacock zero) - we move with the peacock zero

All visible, audible, tactile, palitative, smellable, thinkable phenomena

are material

To accept mistakes, defeats & failures as something to polish

Primitive, classic, mannerist, baroque, rococo, romantic — go

through the natural cycle of styles as if they were seasons

Possibility of helping and being helped in stillness

A work of art is not a work while it does not interact with anyone
who sees

All art disciplines together (from any one)

Get rid of any religious labels

Allow space beyond the structures

The interesting arising from inattention or repeated attention

Questions from chance flowing into the myths that question us

Transcommunication (that which continues to communicate after

communication)

The nine permanent emotions, but also the transient ones

Change the thought even if it does not change society already

Transmitter of the pleasure of giving

Intermittent-fiction

Things happening - why not join them to ideas, symbols or

allegories?

Poetry is to let yourself go saying, having something or nothing to say

Open expectations for the future to surprise us

Trash recycling order and disorder of images

To know = leisure

Counter-education as a response to education

The endless feedback of everything that was really creative

More than revolution or happiness — a deep joy even in the tragic

moments

The paradisical is the spontaneous

Strolling, daydreaming, contemplating, sleeping, waking up

Substitute the purposes for the willingness to give and receive

Our antiquity begins before we are men and gets rid of all the lines
that divided the homelands

Flow between the inside and the outside (to introvert/ to extrovert)

Matter and thought are the same seen from different perspectives

The importance of maybe, perhaps, and perplexities - between good

sense and unpredictability

Create a counter-environment (MacLuhan) so as not to be disturbed

by the shadows

Theatricality in the other arts is more alive than theater theatricality

Generosity, admiration, participation (distrust of devotion as a

thanatic propensity)
Learning = discovering

Inventing rules and maybe breaking them

Generous value judgments (convey empathy in words)

Let's all go in directions that diverge without going too far

The importance of occasionally multiplying certain jokes

Starting from extremes

Flashes of melancholy on the path of enthusiasm

Semi-anarchy

There is no ultimate meaning — meaning is what we are feeling

Thinking recycles the thanatic ring of revolutions.

Do because you fancy without worrying about the work or posterity

Be attentive and enthusiastic to welcome the kairos (the right

moment)

We think through the interface between our body and the

environment
The "art" without being Art is an act that descriminalizes

Love = giving wants space and attention to everything we love

Create ways to program and adapt and not stipulate strict policies

Generosity for oneself contaminates social generosity

Produinge when you feel like it without job

Places of affection to use

Not only the society of men, but also to include plants, animals and
minerals

Receptivity (instead of religiosity) and creativity (rather than

skepticism)

Both more and less (a few days more yin, others more yang, some
more maximalist, others more minimalist)

Works of art that flicker at times

Creating programs (games) for the invention to emerge

We can not separate things from thought flows

Deal with the elementary numbers and understand their
relationships

Become a forest of open thoughts

Multi-inclusive, semi-exclusive

Intersubjective subjectivity by expanding the multiple views

Language that welcomes the solecisms, orthographic deviations, and

that which reduces the syntax (a well-tempered governability)

Unprepared thinking (antifonte), ill-considered execution (beat

generation)

Wind in the face and dirt on the feet (M. Vieira)

Investing in the perheaps that puts to hover

"Art" is hetero-self-altering

Diversify as much as possible the actions, keeping a certain memory

of them

Complexity of artephysis - multiplicity of intermittency and opinions

rather than a "pure soul" or "coherence"

Multiplicity of abductive and interpretive lodes

The problems of "art" are solved only by trans-menipey, after
everything has been parodied, and after the parodies and refutations
are already exhausted, as well as the "foundations of art" — the
problems of "art" are solved only giving space far removed from
resemblance to being art

Surprise others by giving them what can transform them, not just
what they would like to receive

Invent solutions that complement those that exist - do a litle bit of

everything!

Some days active, others inactive

The goal is to give opportunity to other goals

THE CELESTIAL CAGE

(first cagean variations) or on "undetermination"

Istantantaneas attention

Affirmation of nothing

Desillusion, not the object, is what disappears

Men are differences that derive from the base

The plot is always the experience itself, not the works

The story is heartha (heart + artha)

Detachment itself is changing Zen, men and moksha

Imposed parts = the foregoing study

An object is a joining response (and an effect)

Nothing becomes plot (did nothing become the plot?)

Trials = parts of silence

No beginning, no spring, no summer, no fall, no winter: interrupted
study

The study is not to be a book (it is where the book disappears)

Does art transform litle nothings and become them?

Right of advance: anger, fall, "winterest"

Anything in between, before studying music, until there is possession

Effective activity is the ninth person

Structure: nature, resignation and performance by joining

Our ears are distinctly confused — and then? no difference

Imitation = heart

Nothing = adventure

Clearing = work (no ideas)

The possibility of centered work includes its environment (what is

oppressed)

The chance of silence before the story is always experimentation

It is considered that the mountains are now in their environment,
related, obscure (renunciation = nature)

He quickly flees from fear — and then? No cause for tactical actions

What springs (the spring): listening

The adventure of change is not work, neither symbol, nor object

(jesus)

Move yourself! (Eckhart).

Interpenetrations are mountains

If there is structure, there are no ideas

History is responding along with its dissimilar

Multi-disciplinary body

The study can take anything to nature, to the rhythmic structure, to

renunciation

Being = not knowing how to work

Boredom + attention = dance: not leading to objects

The anonymity is to have been dragged by the writing, by the sky
(Eckhart)

The activism of working without mistakes

No idea of centrality

Boredom of the plurality of nature (novelty rather than dissimilarity)

Mountaininess, or non-mind experience

Opposition = distrust of the listener

The world includes expressing oneself

Music is not self-expreservation (self-expreservation is distrust of

music)

Evil is the cause of difference, always leading to experimentation

An object is a cause for poetry

What leads can follow anything

Society derives from zero

If men are men, let the mountains be sound (suzuki).

If there is no zen at the beginning: there will be no evil in the
development (Ramakrishna)

Move from zero

All sound phenomena = musical companions, tranquility or

experimentality = unknown.

Opposites = questions = nature question = rhythmic structure

The jovial thing is jesus

The comedy is jesus (joyce)

If the unit is working a person, nothingness can arise from anything

The obscure is disciplined

If the way of working is to prolong then there will be other ways of

being

Principle of the oppressed: to change = to know.

History is the story of sound (suzuki)

If we did not, we still have the possibility to give

Communications are now the environmental

God is no composite

Adequate and unpredictable; no work (i.e. nothing, knowing

nothing);

The anonymity of silence comes from outside it

If it does not measure, includes it

Uncertain = men in moksha

The boredom of plurality is the erotic

Our ears are now in a state of heroic destruction

The object is excellent, centering

This is the cause of the history of the future.

Affirmation = wishing a lot of comedy

The experience (pregnant) is the joy of silence between or before

studying society

The world? Is it the world?

"Split the activity"

In music there are zen, men, moksha

Coexistence together is in itself expreservation

Anonimity of order

Feet are useful means

The music is actually not zenish

Art = imitations and celebrations of nature

If men are men, mountains become society

The need to play nothing

An interrupted world

To process creativity instead of the arts of changing zen?

Our ears are now in the setting of education

What is acceptance?

Study the nothingness in experimentation (the joy!)

The uncertain are the mountains

Underlying the zen there is the practical = becoming non-
communication

Anonymity of operations

Comedy is the wonderful

Coexistence: only joy

Anything inter-media

Fluency between and before the history of the interpenetrations of

the worlds

If god is the activity, it does not work

Change leads by doing and saying wrong

Everything in music is casualness: sadness, fear and hate

Effective action of education = permanent emotionality

The possibility of gifts (return = what is known in advance)

To experience all the sounds is the wonderful

Adventure (nature, rhythmic structure, pressure)

Affirmation (the basis)

The story is the erotic, and our ears are there

America has a climate of joy, Europe of melancholy

Without beginning, only half, or playing with something (offering to

prolong the questioning)

In possession there is no escape from unity (and then?)

No cause = listen to the dissimilar

Divide the possibility (or experience), taking their responses to

nature

Spring simplicity (springciplicity)

Unimpededness

Every action de-structurs

Plurality of the activations originating order

Now men are enjoying excellent emotions

What is jesus? The coexistent, what is in the middle, or self-
expression?

Boredom added to attention (working for a permanent comedy) is

the non-differentiated mind

Influential, related, obscure (the nature of renunciation)

Men are the control mountain range — the sounds before the study
are jesus

Opposites questioning = pregnancy

Acceptance leads the whole order

No idea of objects, such as a Zen village

Nothing is the mind

Actions are the mountainousness of nature

America does not have a non-differentiated mind

Music is what stays instead of objects

History can chase anything

Anonymity between silences

Not a book, but rather the arts of sound (suzuki)

To be able to follow anything = to know

The world is the heroic, the base

America does not escape the desires

Useful means: multiplicity; Plurality of the odious

Disinterpenetration (joy)

Joyce: composition of centers: moksha.

Art quickly transforms a state of mistrust into an environment

The de-indetermination (misindeterminacy)

History is the center (creative acceptance out of action = becoming

interactors; multiplicity; more attentions)

Fraternity of the marvelous: what gives effectiveness

Not knowing in itself, that is, nothing is the sky (Eckhart)

The practicality of nature = novelty

The anonymity is jesus

The being can follow anything in its setting

Is history the accompanying possibility of each personal world?

The impossibility of joviality is the greatest comedy

Studying some possibility is not much different from being confused

It is not possible to escape self-acceptance of participation

The uncertainties are mountains, the mountains are men (as

possessors of effectiveness).

To coexist is poetry

Go without beginning, without music, to the dispossession of oneself

The tedium of the plurality of operations is now in advance, leading

to Zen

Music is in advance of nature

Fluent = unity

Interrupted world
Boredom plus the answer, that's artha's way

Every thing that activates the operations of silence = question (the

practicability of silence)

Art transforms tranquility out of the hateful

The work itself must be in different states

Sadness is the fear of love

The mountains lead to the mountainousness of carelessness, to the

plurality of the object

Imposed = parts of the change = self-negation of the unit

Does clearance get confusing? and then? There is no reason for error

Actions do not change the world

Not working with the heart = imitation of chance

Boredom is the plurality of silence

Lead = to know

The non-self, that is, no book = artha

What it is is cause for joy

It's good that someone is working the erotic

Our ears are mountains, the mountains are music

Fear that joins in the mind is a disciple of the oppressed

Being is the nothingness-intermediate

Things are now in your self-expression

The influence is the set of gatherings

Art does not address a book

Art has a climate conducive to the joy of the dissimilar

A society of coexistence derives from the most liberating education

Boredom is just another response to love (Eckhart)

The mentality is what joins an instantaneous response

The noises (what oppresses) are changing the zen

To answer together is the greatest song

After studying it we ask

The erotic is the tranquility of the sound

The anonymity is listening

The joy of change can turn anything into nature

If art is imitation, the desire is jesus

All audible phenomena = material of joy

Noises (underlying creation, in permanent action)

The empty mind gives answers to love

Study is led by poetry

Centered breaking

Joyce: do we do because we do not participate in the world?

Empty de-indetermination

Opposites = questions arising quickly from our work (not knowing?)

Our ears are now in an advanced process (vanguard)

Possibility of a disciplined body (also): mountainousness to change
anything

The story is jesus: the story is excellent, it is the change of the

simultaneous possibility of interests

Impossibility or disinterest?

Move in unit

America has a climate of joy in order, the country has a climate of

apathy in disorder

Art transforms tranquility into non-mind

All the generations have useful means

History is the sky (Eckhart)

Joyce: if comedy is the basis, the possibility is Jesus (empty mind

includes it)

When they change Zen, men become in advance

Art quickly turns into her own

Second cagean variations

Study ≠ / = moksha

The influence of having nothing

The obscure nature of physis

Waiving the attention to be able to renounce the resignation

Disciplined statement of the repressed

Changing nothing rhythmically

The flashes of the future

History is evil

The world studies things - after the objects

A work are many differences together — what differences do we put

together?

Change the thought to preserve it

The nine emotions ask us

Purpose of accepting the parties

Distrust of the arts

Change of zen, change of fashion

To know = non-thought

The free being derives from nature and not from the possibility of a
good god

Surrend yourself to the erotic; renouce to education

Things possess us in joyful plots

The original emotions derive from nothing

We asked to improve the annoyance

Does anonymity unstructures?

Pseudo-Joyce: "comedy is in the study of the book, not in the book"

The underlying principle centers love

Anonymity = end
The possibility = pregnant of relationships

The Unknown drags multiplicities

The self-expressive = / ≠ nothing

The experience of experiencing errors

The influence of education can be rhythmic

Noises (the heroic, the hateful)

Constellation of meanings to repeat actions

Make everything float in the inactive (pseudo-Duchamp)

Rules break

Music is the loss of sounds

Mobility in stillness

Love = give anarchy

Anarchy in an inner place

Shadows of the beloved = no rules

Uses all other senses

Does unemployment generate art? Does art generate employment?

Use all solutions that do not occur to you

The nonsense of life likes preplexities in immobility

Know = give to society

Unpredictability is the inability to go in various directions

Anarchy untangles

The re-spring of quiescence

Anarchy is a place to walk questions

We are all crazy: throwing the spirit away

The wonderful are the others helping

Interrupting can change the joy

Love = know = non-communication

To quiet the space with the beloved as the basis

Get rid of the agreements

Impossibility replaces it’s use

The nonsense as a basis

EJECT CAGE

he believes
that is totally bad
any Society Project

I'm happy to air

I am life
& I am a dog
(grasp society:
she is the air)

"I translated because it was simply the power"

& Transportation?

realizing the fleeting concern

I am in total action

people seem forced to Music:

global change, interpenetrations?
automation? Agreements?

Norman O. Brown is the one who interrupted someone,

and said: thank you for letting yourself be interrupted

"when writing the form, are we eating bread?"

the glocal village can replace the global city
slowly

Science: a computer and a composer

are they critical agents?

what burns is still invisible:

something for inattentive intent
& intent desintention

are they angry?

suggest art:
it is necessary to reorganize laws
to unlearn thoughts

do the inventory of the meaningless

until it becomes mainstream

the mind finds its home

in the discourse on what does not exist?
and on the carpets of the comprehensive?

GLORY INSTRUCTIONS?

Ethics is at bottom a lover’s art:

the lover constitutes himself as a fiction
intoxicating himself with nothingness
a debate in which there is no disorder
it's like a canoe loaded with a thousand artists

to get rid of structures and organizations

& turn the answer into a sound
in a living example

the unquestionable becoming furious

why do you not like audiences?

the chance to be the banks

and the inexorable center vortex

non-non-inactive

system of nodes and disinformation:

iIs man the fusion of everything at once?

mobile homes looking for communal palaces

WHY SO NATURALLY?

now this addition? to make other additions?

art is above all a way of telephoning

populations of energy
the less is the purpose and practicality
the more is the unpurpose and the uselessness

Barnett Newman is a village

whose name is the Now Man

the artist without extensions

uses adhesives:
are you interested in scratching him

they are organized in utilitarian powers

isn’t it?

anything:
wall to wall
or sliding around?

the polymorphous perversity

likes Wittgenstein's Disciplines

I want to die literarily

outside the political-economic womb

the spoken idea, in writing, forces us to go out into the street

and talk about global feelings

knowing-seeing the wise folly of Utopia

I do not know why we are moving forward?

circumstances are mushrooms at war

see how
life covers the lack of utopia

VIBRATING INTO COMPLEXITY

APHRODISIAC FAITH

about conflict: translucent dome

crawling around the beauty,
in large scale
over nothing
& sitting cross-legged

when flies have good ideas ...

influence changes a lot

through the passage to India

even organizations
need cities
to drain the echoes of the disorder

to prevent aesthetics from becoming static

causes anxiety
welcome to the museum that looks after you

Lake Schwitters:
Nature is a collage
with little sense of humor

we're going to talk before any drownings happen

all memorable men

seek copyright

I also like to put disorder

in devotion

the mind is the global canoe:

academies disengaging vanguards

I am a perverse polymorphic tragedy

with abrupt monologues

I'm in self-protection when lunch

UTILITIES FOR GLOCAL INVOLVEMENT

it does not come back to what it seems

because he went to the Ganges
the state suggested that we get rid of God
but we do not get rid of God until we get rid of the state

the UNCONSCIOUS is very needy

obsolete ads are better

refuse to respond with generosity

the food is ONLY the question of how

the syntax is what allows the experience

psychoanalysis ads for the needs?

sticky gods

is the self-protection of the land unquestionable?

 MEZZO STICKS

the telegram has arrived

as an issue?
— a utility
to hang as advice
since what we get
it's misunderstanding

the bridge that I am

so you can grab
the unoportunities
before laughter
it's worth crossing
even if all you get
be the not going back

swimming and dying are the new pains

trumpeting aspects
that find us
and refresh
when we have beach

the next day

 the atoms arrived
crushed
to change
life

leading other
differences
before pouring out the laughter
he stopped
peeling potatoes

the interior
intention
he said
it is the self
not being able to recognize
what is available
to the museum

still composing?
the cross thunders
in behavior
of control
 do not give up the effort
of any of the ideas —
questions can
unstrech
repeated actions

the accumulation of memory

separates
to avoid collisions —
the time
does not give advice
to the corroded of attempts

catch up, say

but it gets underneath —
then accumulate
instead of relating
or de-relating
solutions

the disease
it's what you find the next day
going
is so simple
 he shuts
he says he phoned
to the interior —
he could not leave
without having me
since the others were gone
in death speach

if ihe is caused
he does too much —
he always stays
what I am

an important thing
is going home
since the behavior
and control
were considered useless

the time
it is the loss of what was said
under a possible breath
deflected
what house was put in the thought?
how the hell did we wait?
everything we get
is this important thing
of intimate problems
that even disappear
with us

intention?
put it together -
arrived was sent
without warning
for an intimate run

what you get

are social occasions —
the bridges change
and the differences become other
more simple

the time
it's the men to do
art
and policies for all of them
 he said: do not touch it
spend your life playing chess
and use the new pains
productively

what I am
we remember
to change
the behavioral
animal

everything important
we get in music
that's when the rules
disappear
in our uses

the impossibility has arrived

with the new things
secretly
put on a discussion
The loss of an opportunity
is followed by replicas -
increasingly
you get rid of the sensation
of property
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