Paper Marbling Record in East Asia

An intriguing reference which some believe can be a sort of marbling is present in a compilation concluded in 986 CE entitled
???? (Wen Fang Si Pu) or "Four Treasures from the Scholar's Study" edited through the tenth century scholar-official ??? Su
Yijian (957-995 CE). This compilation incorporates facts on inkstick, inkstone, ink brush, and paper in China, which can be
collectively known as the 4 treasures in the research. The text mentions a kind of ornamental paper called ??? liu sha jian
indicating “drifting-sand” or “flowing-sand notepaper" which was designed in precisely what is now the area of Sichuan.

This paper was produced by dragging a bit of paper by way of a fermented flour paste blended with a variety of hues, making a
absolutely free and irregular style and design. A 2nd style was manufactured by using a paste prepared from honey locust pods,
mixed with croton oil, and thinned with h2o. Presumably each black and coloured inks were being employed. Ginger, possibly
inside the form of an oil or extract, was used to disperse the colors, or “scatter” them, according to the interpretation supplied by
T.H. Tsien. The colours had been stated to assemble jointly whenever a hair-brush was overwhelmed over the design, as
dandruff particles was applied to the design by beating a hairbrush over leading. The finished patterns, which ended up thought
to resemble human figures, clouds, or traveling birds, had been then transferred to the surface of the sheet of paper. An
example of paper embellished with floating ink has never been found in China. Whether or not the above mentioned techniques
used floating colors stays to become decided.

Su Yijian was an Imperial scholar-official and served as the main on the Hanlin Academy from about 985-993 CE. He compiled
the do the job from a wide range of earlier sources, and was acquainted with the subject, offered his occupation. Nevertheless
it's important to take note that it's unsure how individually acquainted he was using the numerous techniques for generating
ornamental papers that he compiled. He most likely noted information offered to him, with no acquiring an entire comprehension
on the strategies applied. His authentic source could possibly have predated him by many hundreds of years. Until eventually
the initial sources that he estimates tend to be more specifically identified, can it be feasible to ascribe a organization date to the
creation of the papers described by Su Yijian.

Suminagashi (???), meaning "floating ink" in Japanese, is often a Japanese variant; the oldest instance seems during the
12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Creator Einen Miura states that the oldest
reference to suminagashi papers are from the waka poems of Shigeharu, (825-880 CE), a son in the famed Heian period poet
Narihira (Muira fourteen). Several claims are designed concerning the origins of suminagashi. Some consider which will have
derived from an early form of ink divination. One more idea is always that the procedure could have derived from the sort of
popular entertainment for the time, during which a freshly painted sumi painting was immersed into water, and also the ink
slowly but surely dispersed from your paper and rose to the area, forming curious layouts.

A person particular person has often been claimed given that the inventor of suminagashi. In keeping with legend, Jizemon
Hiroba felt he was divinely influenced to generate suminagashi paper immediately after he presented non secular devotions in
the Kasuga Shrine in Nara Prefecture. It is actually said that he then wandered the region wanting with the finest h2o with which
to create his papers. He arrived in Echizen, Fukui Prefecture where by he identified the water especially conducive to creating
suminagashi. So he settled there, and his relatives carried on using the tradition to at the present time. The Hiroba Spouse and
children statements to have manufactured this way of marbled paper since 1151 CE for 55 generations.

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