rears Al Save Band Auton Eades sharp. Keep the throat open in this register and resist the urge to tighten up your body anc embouchure. Practice your C-sharp minor scale slowly so that the key signature becomes, second nature to your fingers and you can focus on playing clear phrases with beautiful expression. Book - Editor Publisher Edition W. Ferling, Revised by Andraud Southern Music Company B103 Select 1 Page(s): 5 Key: tpt Etude Title: Vo. 10 ‘Tempo: Quarter Note = 100-116 Play from Beginning to end. Performance Guide: ‘This piece (in F-major) greatest challenge is maintaining consistent finger/tongue (articulation) coordination throughout its entirety. Players should be cautious to not play this etude too fast or technique/articulation clarity and style will get inconsistent or lost, Properly clipping the last slurred sixteenth note before consecutive staccatos or lifting off of the dated eighth/sixteenth notes to set up a light articulated staccato note will add clarity and a finesse style to this etude, Accents should be played to bring out arrival notes within a phrase or syncopation without being too harsh. It is worth noting that the places in this elude that involve trills are places where tempo/rhythm will tend to get lost and practicing subdivision with a metranome will help keep consistency in both areas. It is recommended that Bis 8-Flat fingering be used throughout most of this piece unless going to a B-Natural in which Side B-Flat fingering may be the better choice Middle C-Sharps can be played using the "Covered C-Sharp" fingering for better tuning and technical purposes -- although certain places playing "Open C-Sharp" may be a better option due to smaller intervals and/or faster note values involved, From a dynamics perspective -- this piece has clear dynamic markings throughout but performers shauld be careful not to use too uch contour dynamics where there are long phrases that start at "p" and sustains su dynamic level until crescendos are marked. Although this etude is upbeat and has its technical passages --it lends itself to being very musical with the use of vibrato on longer value notes. Selection 2 Page(s): 2 Key: Etude Title: No. 3 ‘Tempo: Eighth Note = 88-100 Play from Beginning to end. Performance Guide: Executing a wide range of dynamics combine with changing the intensity (width and speed) of vibrato from the beginning to the end of phrases (including the choice to not use vibrato when phrases end softly) -- can make this piece, in the key of A minor, very dramatic throughout, All of the grace notes in this piece should be played before the beat and trills should be played with little to no rubato -- otherwise, the piece can lose its meladic direction. Staccata notes should be mea argitwstons-regiensibaraution materiales‘Tempo di Polacea (10§:4) = set eet aSAndantino (100-)) ting (10022) _ Allegro moderato (1204) Faceslo | “ik (an Sfebeteteehe ———_—Larghetto (7-0) , _ ~ (BRED p= = “ Zz $d — —= — cS Batt 2 ee Pee eg eee “ie - ll! US =— AI? furioso (132-4) - — see biek EE EDS }) a