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Yann Tiersen

______________
Les Deux Pianos
Oeuvre pour Quatre Mains,
2

Les Deux Pianos


Transcription | Gaylor Morestin

Yann Tiersen

           


                    
                                      
        

Piano I

                                        



     
Piano II

     

6              
                                                
                                     

                                             


            
      

      

2008 © Damasius Music
3

12          


                                         
      

         
      
                

    

                          
                        
  

16  
              
 
                             
  

                              


  

    
             
                               
 

3
                  

4

20   
     
  
              

         
           

                                 

    
            
                                     
3 3
  

24       


                                     
       


          
                        
 
    
   
     

3
  
      
        
      
       
3
              
  
5

28      
         
  
              

         
    
                                


        
 
         
3
           3      
                                 

3
          


32    
   
            
          
                      
    
                                


         
          
3        3
              
                               
3 3
          
6

36       


                                     
       
          
                        
 
      
    
    
 
3
   
                  
 
3
                             
  

 
40  
            
              

         
    
                                

        
 
         
3 3
                  
 
                                       
3
    

7


44       
                              
   
                        

       
        
3
3      
      

   
                        
3 3
 


47   
                    
      

                 
 morendo
   
   
    
    3 

    
                 
3
   

Les Deux Pianos
Transcription | Gaylor Morestin
Yann Tiersen

  

                                                  
                     
 
Piano I

                              
           
6      
                        
                               
        

                                        

       
11   
                                         
 
     
          
            

                      
                      
16          
                                       
   

  
                              

2008 © Damasius Music


2

20        
                               
     

                
                 

24       


                                        
       


      
                           
    

28        
                  
                   
         
  
          
                      

32      
                                  
      
     
                                

3

36            


                                          
       

                         


      

40
 
       
                  
                 
       
     
     
       
                     


44   
                               
      

                        




47   
                    
     
 morendo
                 

Les Deux Pianos
Transcription | Gaylor Morestin
Yann Tiersen



Piano II 

13

    

  

   


  


   


   

   
17

    
                     
        
 
  
21

    
           
          

     
 
 
V.S.

2008 © Damasius Music
2

25          
         


  

   
   
 

   
 

    
  
   

29       
  
          
     
                
          
 
  

33       
  
               
                   
      

     
 
  
37          
         

 

  

   
 

  
 

   
 

    

   
3

41      
   
         
 

                 
 
   
     
 
 

45    
     


      
 
     
 


47  
   
     

 morendo