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3HoDV&XUWDV

Para Violão
Caderno IV - Coletânea de Peças Curtas

Paulo Porto Alegre


Eis aqui "98 Peças Curtas" divididas, conforme sua concepção, em 4 volumes:
Peças Fáceis, Pequenos Estudos, Afinações e Coletânea de Peças Curtas.
Estas Peças podem ser tocadas como estudos ou obras de repertorio, podem
ser agrupadas em suítes ou servir como base para improvisações ou
variações.
Junto com as outras “52 Peças Fáceis” formam uma coletânea de 150 músicas
de dificuldade baixa-média.
Dedico estas "98 Peças Curtas” ao querido mestre e amigo Henrique Pinto, in
memoriam.

Here you will find “98 Short Pieces” broken down into 4 volumes based on each
of their individual characteristics: Easy Pieces, Small Studies, Tuning, and
Collection of Short Pieces.
These works can be played as studies or repertory works, can be grouped in
suites or as themes for improvisations or variations.
Along with the other "52 Easy Pieces" they bring together a collection of 150
works of low-medium difficulty.
I dedicate these "98 Short Pieces" in memoriam Henrique Pinto, a beloved
master and friend.
98 Peças Curtas 1
Caderno IV - Coletânea de Peças Curtas

LXIX 
 1.
Paulo Porto Alegre

          

 4                       
Moderato
 4 1 0
 1  3
3
  
  
 
 4   
4


     2  1        4    4     1
2.

  0 

  3 
 
4

 3  
1
 2
3
2

          D.C. a  com  2 


1. 2.
    

   
    
repetição
1 3


LXX
    
  3  2     3 1     3  1     2       
Lento
4 4
4 4
3

     
1 2 2  
2 3 4  3 4 2
1
5

3 2    
4 2      
                   2      
4 4 3
3 2

     

1 1

 
1 1
1

4 3    4 2


9
4 3 

      3 4 
    4 3 

        2       2       
3 4

  2         D.C. a 
13 1 2 1 com repetição

4 2   
 3      3        4
2

       1
1

LXXI

Moderato
    4    
5

     4 
  1
  
             
   
4 4 2 2
 4 3
 3 

1 1 4
2 2 1


2

     
5
 
  3   1    2 3  1  3   4  3      4 2 3 4
 2  4  
1 2 1   4  1 0   2

1

   
9

                       
         
Copyright 2017 by Paulo Porto Alegre-São Paulo-Brasil
Todos os direitos reservados em todos os paises-All rights reserved
 

13 1.
  
3

  3  1 3  4    4  3 4 2   4    


2
3

  1   2   1  3   1 
 1  2 1
 4
 3
17 2.

 
   3 4  2
1 

LXXII

Movido Paulo Porto Alegre
    
i a i m

p i p m

        3 
  
    1
3
1 2

         
5

           
  
  1        
9 3 4

    1        
   
4

D.C. a 
3 2 1 0
4
2  com
4 
3


13 repetição

   
 

LXXIII
   
  3         
Lento 4

0       
2   
 
5
4
        2     
       
   3 

9

               2        
     1
3
  
 
13

   2              
 4 0   

 

 
3
17

              
   
D.C. a
 
LXXIV


Moderato Paulo Porto Alegre 3

   p p m i 
      


 3  4 1  3  4 1    4 1    
 2 
 
 

    2
0
2 3  2 
4 2
2 3 3

  
5
          4  1 2 
1.
  4 1 4   4   


 2  3   3  

2 
4 2 4 1

1 
2
2 2 3
1 3


3

   
1

    
9

     De  a  com
2. 3

  4
2 1  1  3 repetição
  
2 4

 
2

 3
1


13


    2
3 2
3


Movido LXXV

      4               2           4   4 
p p p p

  1
2 1
 2 1 4 3 0 2   2 1

      
5

2
6
        1 

 4 14 1 4 2  2  0 4 
D.C. a com
4
1 1 3 repetição


Moderato LXXVI
  
p a
  
i m
  
p i p i

 4
  4 3      4   2     2
    2  4   2

3

 4  
2 2 3 1


5
         
 2  4  4     4   1   4  3     
3
4 4

 1  1
 2  4 2  3  1  1 D.C. a 
3 2
2


9

    4   4        
1     

 1 3 2  3  2
 3   3 1
0 4
1 2
2 1

LXXVII 
  
 
    
Movido
 
      2 3   4 1       
 2
 3 
2

 1

5
       

 0 1 3 4  1 3    1 
 4  1    4 1 4 -4 1 1 4 

  1 
0

2 4
2 2
3
3 1
3
2  
3 3
10
   
 
4

  41 -4
   4 2   Do  a   
   0
1
2 1 0 3 1 3

3 1

LXXVIII

     4  3          
Lento Paulo Porto Alegre

     1 4


1  2
1 
 
2


3 2 2 0
1 3
3 0

 2 
    0 1   3 1   
1
5

            
   2   
2 4


D.C. a 
4
1 2 
9 
2      
 2        
 1 
3 
   3   
4 2 2

3
       
1 1 3 3 2 1 2

LXXIX
  
Moderato a m i m i a m i
    
3


   
p

i m
   
 2         1 3  
 

1

 1 4 
4 -4 4 2

   
4


 2

  2    4    
5

         

4 0 D.C. a 
4   2  1
3 3
 1   2

2 1

   
3

   2    4   
10
 
      3 1 4 3 1 4    4 4 0 
    
 
1 3
3

3
1

   4      4  23


13


   0      
  4  4        4  
3   
      

3 0
2
2
1

LXXX  
   4 3
Moderato
 4 2         -4  
 
4

         
 2 2        
3  1  
2
 2     32
 4 1 0 2 0 4 1  3
1


9

              



1

 3 
     34
1

D.C. a 
1 3
4




 
5

    2   4  
2
17

       4 0  4  2  2


1 
3 3

    
         
1
1
3 3 3 1
  
25
, 
    3      
3 5

 3   12
3 4


 2
1
  4  3 3
2

LXXXI Paulo Porto Alegre

 4  4   4 4 3
Moderato

   3  3 
    
1

      
3 3

       
2 1 2

   
3 
2 2 2 2

     
8
    
4 
  
   
2
 
    3  1
  
4


 

1

          
15


   1 3   
   
     

D.C. a 
4
3
4 1    
2 5
21

3 4 2
  
 1    3 1  D.C. a 
 4
0
2

LXXXII
    4   
Moderato
4  4  
      2 0      
4

  1     
      

 2 0 2 2  1
4 
4
4    
 4     4
 2           
 2 0 2        2 0

4


 

1 0
 1
 1
   1


4

7
   2 4 

  
 
        
     
    
 repetição   

D.C. a  com

 

 1 0 0

 LXXXIII  
  2 2 
Moderato

         3   1
   
4

 2         2  1 
1 3

3
2 4


0
4
  3  4 2
  
 3 1  1 3   2      2    3   2  3 3 2  
   
2 4

2 3 3 0
1  0 1

4

 4 3  3  2
    1 0
7

       3 1  3    
   3  2
3
4  1 2
0 4 2 2
4 4 2
9

 2   1          1   2  3  2  1 3  2
6

  
1

0 3 2
3
  3
3 
 
4 1

  
11
              3 2   
     
1

 1   3  2
3 3  3 1 1 
4 0
2 4 2 

 
LXXXIV  Paulo Porto Alegre

      

Lento
     4 
  3 4   1 3    4     
1 
4

     3
4 3

    1

1 2
 2  2

           
5 Poco più
  
       0 3             
 
 
   
9

 2  4   3 42 1 4 3 4  3



 3 2
1 3
   rall 1 
2
3 2
1 1

Moderato LXXXV
 3
  41 3 4  43
 1  2
 2          

2
1

0  2 3 4
5

  2  0  2

1       3    
3

 
9
    4
1
   34
  
 

    2 3
1
2    
5
6


13

  
 

 
   

mesmo dedilhado dos acordes

  
17

    
   
      
 
21

  
 
 


             4
   31
25
     
7

           
  2

LXXXVI Paulo Porto Alegre

 3    
Lento
 
  32  
 3   
    
 1   
     1  
   
1     
2
20 4 5

   43  
5

     6 1       


1. 3 3

   
4

2 3       1  2   
1
3

     
9
  
            
2.

           
  

      
13

        


 
                 

LXXXVII
4 4   4

 
Moderato
    0 1  0
  3  1 
 
  1 2  3 
0 4

  3 2      
3

3 
1

  2  
4


1

 1.
2

  1 4 1  4 4    4  


3 
   
5

  2  0 3          
        
2  
  
 3


2 2

9
 
   
         4   4 2
2.

  4 0   


 5    

0 0 1 1 3 3 3
2 2
5 5
13 3 4 3 4

4 3
  4   2 1        44 5         
4

5  3
1


17
  
         
5

           1 Do  a 
4 4

  
3 2

 

 2   1  
0 2


1

 
21
 
3

  1 
 0
 
   3   2  2  4           
3      

0

   
    

2
4 3 1
2
LXXXVIII
   0     0 
Moderato

Paulo Porto Alegre 8

   1 4 0 4 1 4 3 2      1 4 0 4 1 4 3    


4

  1      

   4     
5

  1         3  1     4 3 2 3  


 3      4  
   
2 1

  
2

    
 4 0 4 1 3 2  4 3 4 1 4 3
9

 1 2 0 3 0 1 3 Do  a 
4 4 4 0 0

  
1


1
 
3

 
1  4      4      4 0
12
    4  3 0 1 3 32
  2   0  0   
  
      1

1 2


Moderato LXXXIX
   
p m i p m i a i p m i p m i a

m i p m p p i m i p m i p m i

                              
m m

5 p m i m p m i m p m i

                                 


p i m i m p m i p m i p m i p m p m i

9
 
simile...

                                



   
13

                               

XC
Lento
    2
 4 2 1  1
         
              
2 1 4 2 2
 1 

0

  
 3 3 4  3

1
  
2 1


5

 3 4  4 1   4   3            32
3
1 0
2 2



2
  D.C. a  com     1
3 1 repetição
XCI
  4 1
Paulo Porto Alegre

  243   1 -1
4 
9

     3 1  4 2        


Moderato

 1  
   1   3 2   2
1 3

 4   4
1

 4   42  
2

   0 3    3  


9
     4 1
 3    4       
      2   4
  3    3


2
   3    4   
2

4  
1

  3  0 1    4
17
0
4 3

  
4

2  1
3

 4       
  
2

  3    3   1
  1
2    3
  
2 2

1  3
2 2


25

 3 0    



 4  1 4-1 3 1 0  D.C. a 
0

 0     3   
   3    5
4 4 4


2 2 1 5
32
         1    1
   42  3  
 

       


  3
XCII

Moderato a m
         
m i

 
p i m i p

0 2      
p i p
  2    
  0 1     1 3

4

          
3

    2 1      4 1      com
D.C. a

     2 4  repetição
 3 


4 0


6

 p  p
0
1
1
  3                             


2
8
  0

0
1
 1 0 1
                              
1

   
10

 0   1 D.C. a com



 


repetição
p i

Movido XCIII
    
i

                    
m

    

0 2

4 a
     
i m 10

                
             
  

3
8

     
 
        2  
          2  
           
   1  3

12 

   
     
    
   
  
                

     
2 2 2
1 3 1 0

3
   
16 1


            

           
     
       

i a

   
20
    
p m

                            
  2 4  

XCIV

Paulo Porto Alegre

Movido

  1    3    4   3  2  1    3    4  3 2  1  
0

5 i m p i m i
p i p m p p i

     
 1    3                    2    
p i p m
i m

 


D.C. a 
2 2
com

a  
9 i p m repetição

 
m
  
p i p i

  

  XCV
   
34 21    3 4 42  0 2 
Lento
 4 3
     4 4 
    4 5     2      1  

1

   1 
 
1 4 2

4 3     4
1


    4   1 3   1   2
8

   2    2   3
1 3 4 4

  1 3
 1 0  2 3 2  3
3

    
1 
2

 1
 4
1 2 1 3
2

  
5


5 2 2

0
14

 31  3  3  42  2  3  0 0


1     4 1 
    1 3 4    3 
4 1  4  3 
3 2

2   2   4   4 2
 2    2

XCVI

  2  
Moderato Paulo Porto Alegre 11
     
m
  

  4 i  3 3  1
    
     
     
 4

 2 
1

  

p
  
 
0 3
p
1

m p
a
0 1. 4 
6

       
2.
  
    
p i p
 43   0  
0 3 0 
 3 1      -2     
1

D.C. a  com

   45    3
2
1 2 2 repetição

11 a

 
m

  4          
 2 

   
 1 3
i

p
   
p
Movido XCVII
 
a i a
       
m p p

      
m

   
      
   
     
 
    
       
  
4

                 p  p    p   


 

  p i p i p i p  p i i i p


i p

  
7
 
a m a
      D.C. a 
1. 2.
     com 
  
        
   i p i      
       p i m p  
repetição e segue

10


1.
                                  

                      
      
   
12
a 
                 D.C.  
2.

  
 com
          
repetição e segue

   
   
14

    
     
                   

 dim.   
 pp

Moderato
XCVIII
   4 2  1
  4                  
 1   4
   
3


3 4 3 3

   1 3
4

   3 4  1 
4 2
  4   3 4  1    2 
      3
3

2
       3 1 2

2
 
  0 
     
7

        2 4  2   1  
4 12

  2

0 4 

 3 
0 2

3
2     1    
 
1 
10
 4     4   2    0
   0 
4

 3 1   
0

      

  4  1 44
3 2

   
2
 1


1

0

3

4 2   0
13

 3   0  1 3     2 3       


3

  2 
   
 3

 
      3     3 4   
16

 0  2 4  2  
4

      
2

  
  1     1      Do a 3
 
 

1 2 1 1

4
19

1    
