U8 Sonate, Vioton ef Pian u ’ t ADAGIO, ALLEMANDE ET GIGUE ies cuassioues ov Saxoruone J. M. LECLAIR Gier7, 1768) SAXOPHONE ALTO MIb dae Adagio: . of hi L Gs 7 J s aa A RE, — Ela So eae P Finvfoor VAdnglo tet t eB ~ = el ] Aulegro J: 108 Allemande ae f eetee? ef: ee SS Sees diminnenda SEE EE at kame Me pyright by ALPHONSE LEDUC » cl 1051 ove dais jos Bslenles, 178 rue Sulnt-Honoré, Pars A, 2oges Copan a exaapisf lea Soa lye me eeepeteee tlhe Koi apht ie Se -Tininaende i a ome . tr —¥E: > fo a ae de need al a . = = othe Hi ete eee eibeealeeee ope 3 dopo he ee Se eee = Jee a sles eS = eS RS re Trice SS as 4 4 Z. . aoe ct | seep t RS Cat Gees Sapp ee See = == reso. ~ 7 ~ fa , 7 A Creveende Fale * ateroae ‘Antegro (4:2 120) Gigue notes whet ft Gescento F rorescento =p? créscendo wrescendo altars. 1 af 20 naY »ADAGIO,, ALLEMANDE ET ee : I Sonate, Violon et Piano Me MULE eee Fim EBguaTs N° 104 Adagio i Adagio (272) rm ws ay “prAno ¥ as crescendo peace right by ALPHONSE LEDUC & cl 1051 ous rate deste lone Musleale, 175 rue Saint-Honoré, Parle At 20086 Cripion at dada! +®, ; sant diminuento oreseendo 7 q { Grescendo —~ 9° Fi Les palites notes: Fin pour VAdegio seul Allemande Allegro (J 2108) A F diminuendodiminuendoaan Daanhasan crescendocrescendo’ cee F attery erescendo oyAllegro (J::120) erescendo erescendo crescendo igh ope ee SSS = 7 Fim al ip oT Ty ae reser eee eee A aS T = oocreitends erescendo crescendo brescenda‘orescendo ted Jedd yd” — tdimin, (Pp eresoentdo ‘ aT OT Por Fine a t Tt . deme yd fi ——— At coma ‘ '