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AP Literature
Mrs. Flather
September 16, 2013
Lost Innocence
One’s childhood is often remembered as a time of carefree joy and imaginative adventures, but
what if this is not the case? What if these memories, rather than enhancing one’s view on life, only serve
to condemn the future? This idea of a dysfunctional childhood and its consequences is evident in Ian
McEwan’s Atonement, in which he presents the story of a young girl, Briony Tallis. Briony learns the
dangers of such an innocent childhood through her own devastating mistakes, which come to impact
many people throughout her life. While sitting in the nursery, Briony observes a mysterious scene take
place by the family fountain between her older sister Cecilia, or Cee, and Robbie Turner, a family friend.
Caught up in her own skewed perspective of the situation, Briony finds herself questioning the innocence
of the life she has known thus far. The misperceived encounter by the fountain precipitates Briony’s
moral and psychological journey as it causes her to question the innocence of childhood, enter the
complexity of the adult world, and make a decision that will continue to haunt her throughout her life.
The dangerous vulnerability of childhood and the power of misperception are revealed throughout
Briony’s naive understanding of human interactions first begins to shatter after she views a scene
contrary to her fairy tale standards. The beginning of the novel highlights Briony’s love of the imaginary,
characterizing her as being an innocent and impressionable girl. In preparation for her older brother’s
return home, Briony composes a play entitled The Trials of Arabella, a romantic drama exhibiting the
features typical of a classic fairy tale. Socially removed, Briony is able to express herself through her
writing which enables her to fantasize about topics such as love and loss and to believe that she fully
understands these adult complexities. This misconception is a significant factor with regards to the
fountain scene’s effect on Briony’s outlook. The romantic filter which Briony seems to apply to her
everyday life is introduced through the fanciful language which surrounds Briony, both in the textual
descriptions of her character as well as in her character’s own life as a young writer. The narrator notes
how “there were moments in the summer dusk after her light was out, when [Briony] burrowed in the
delicious gloom of her canopy bed, and made her heart thud with luminous, yearning fantasies” (McEwan
4). The image presented of a young girl wrapped up in the folds of her imagination is enhanced by the
whimsical word choice incorporated through vocabulary and phrases such as “delicious gloom” and
“luminous, yearning fantasies” (4). Although clearly a romantic, Briony’s sense of understanding and of
being aware of the world is threatened when she sees Cee and Robbie by the fountain. While looking out
through the “nursery’s wide-open windows,” Briony witnesses an unfamiliar scene taking place (47).
Seemingly in response to an order from Robbie, Cee appears to remove her clothes in submission and
enter the fountain. Observing this strange and unusual encounter, Briony is shocked by the illogical
nature of the scene before her, mentally noting that “the drowning scene, followed by a rescue, should
have preceded the marriage proposal” (49). The evident contrast between what is “meant” to happen and
what “is” happening, forces Briony to realize that “this [is] not a fairy tale” but rather “the real, adult
world in which frogs [do] not address princesses” (50). The construction and inclusion of this scene is
extremely important as there are various underlying messages, the most significant of which revolves
around the location and position of the nursery windows. The nursery windows are symbolic of
childhood, perception, and transition. Wide open, the windows reflect Briony’s simplistic view on life as
she initially believes that everything is as transparent as her childhood fairy tales. However, the
observation of this seemingly immoral confrontation though the nursery windows demonstrates the power
of this scene as Briony is made aware of her own naivety and is introduced to the complexities of life she
has remained ignorant of thus far, those existing outside the boundaries of the nursery. Briony’s
innocence is quickly debased by the scene she observes, her realization that life does not model fairy tales
prompting her to question all that she knows and to suspect that convoluted intentions exist beyond her
innocent world.
The conflicting feelings which arise from the mysterious fountain-scene between Cecilia and
Robbie thrust Briony into the complexity of the adult world, her childish misperceptions prompting
disastrous decisions indicative of her progressing transformation. After observing the fountain scene,
Briony finds herself captured by the idea of transcribing the scene and her newfound “revelation” into
words (52). The more she contemplates the possibilities and explores her new perspective, Briony begins
to fantasize about the potential causes of the interaction to the extent that “the truth [becomes] as ghostly
as invention” (52). The mysterious and translucent connotation of the word “ghostly” implies the
unreliability of Briony’s imaginative witness. This idea of unreliability is advanced further in the midst
of a tumultuous evening consisting of Briony’s intercepting Robbie’s sexually explicit letter to Cee-a
letter which Briony describes as being “brutal” and “perhaps even criminal” (145). The negative
connotation of the language Briony uses to describe Robbie clearly exhibits the change in her perception
of his character. The letter is followed by Briony’s interruption of a consensual sexual affair taking place
in the library between Cee and Robbie, which she understands to be an attack on her sister, and later of an
attack on her cousin Lola by a mysterious figure cloaked in darkness, a figure Briony assumes to be
Robbie. In the events following the fountain scene and leading up to Robbie’s condemnation, the idea of
misperception is key. First introduced through the image of the nursery windows, the contrast between
light and dark is now representative of the disparities of Briony’s transforming perspective as well as the
more literal idea of perception and misperception. Both of the “attacks” which Briony witnesses take
place in the shadows, the details of each interaction obscured by the darkness. Although her
understanding of the intricacies of adulthood have expanded somewhat, Briony continues to be inhibited
by the strength of her imagination which seeks expression. Despite her realization that the “truth [is]
strange and deceptive,” Briony is still inspired by the desire to transform reality into another of her
melodramatic stories (202). Therefore, when Briony only sees the outline of a male figure by her cousin,
she is quick to assume that the attacker must be Robbie. If Robbie “the maniac” were the villain, it would
only serve to enhance the drama of the events that unfolded in the library (212). When Briony asks Lola
for confirmation, she does not wait for a response but says simply, “Robbie” (213). Lola, clearly shocked
and confused, seems to latch onto Briony’s certainty whereas Briony simply ignores the doubt emanating
from Lola as “the dark disk of Lola’s face” is hidden in shadow (213). The motif of light and dark is
representative of the transition that Briony seems to be undergoing. Although she seems to be moving
closer towards the light, the knowledge of worldly affairs, the fact that each event occurs in the darkness
demonstrates that Briony’s childish perspective has not yet been overcome. Thus, when she has the
opportunity, she does not hesitate to accuse Robbie, ignoring the fact that literally, the darkness prevented
her from knowing the truth, and figuratively, that she is still ignorant of the many nuances of adulthood,
despite her own self-perception. The repeated contrast between light and dark highlights the power of
misperception and the dangerous nature of childhood innocence as the culmination of the two factors
The fountain scene and all its ramifications culminate in Briony’s sincere search for atonement
after a life haunted by the repercussions of naivety and misperception. It is only after the false accusation
that Briony is able to reconsider her past actions and recognize her error. Later in her life, while
reflecting on the fateful day that she condemned Robbie, Briony remembers how even at the time she
made her accusation, there were still doubts in her mind. She realizes that “whenever she was conscious
of them...she was driven back, with a little swooping sensation in her stomach, to the understanding that
what she knew was not literally, or not only, based on the visible” (215-216). She is plagued by guilt
knowing that she did not make the effort to explain the nuances of her accusation to the investigators –
the fact that it was intuition that allowed her to “see” in the darkness and not simply the light of the moon.
Employing a simile, McEwan describes the situation, stating that Briony “was like a bride-to-be who
begins to feel sickening qualms as the day approaches, and dares not speak her mind because so many
preparations have been made on her behalf” (217). At thirteen years old, Briony remained a naïve child
searching for attention and praise underneath her own sense of having entered adulthood. Thus, when
she duly received attention and praise, she was reluctant to say anything that might change others’
perceptions of her. However, despite her childish refusal to address the potential truth, it is clear that the
memories and the guilt have severely impacted Briony’s life, Briony having become a nurse rather than
attend university when she reaches eighteen years old. Briony seems to comfort herself with the
anonymity of being a nurse and the “stripping away of identity” as the strict schedule prevent her from
delving too far into the past (353). Cutting herself off from her family, Briony begins a journey of self-
discovery and atonement. Although the duties of nursing help to distract Briony from the past, she
realizes that “whatever skivvying or humble nursing she did…she would never undo the damage” and
even refers to herself as being “unforgiveable” (366). The word unforgiveable has an extremely powerful
connotation as it implies that whatever action or thought it refers to is beyond the scope of absolution.
This realization, along with the threat of coming war, appeals to Briony’s sense of guilt as she fears that
“the war might compound her crime,” forever separating the innocent Robbie from Cecilia if he is to be
recruited for the military. With the “memories, the needling details, like a rash, like dirt on her skin,”
Briony takes a significant step towards atonement, writing a letter to Cecilia explaining her desire to
recant her past evidence (417). Despite her efforts to forget the past, Briony’s guilt is overwhelming and
eventually forces her to disregard her pride and take the steps necessary to right her wrongs.
In life, retrospective thinking often enables one to better understand the self. The mistakes made
in childhood seem blatantly obvious and the individual is forced to reevaluate his or her past and present.
This is evident in Atonement as demonstrated through the character of Briony Tallis. The novel is
separated into three parts, the first being Briony’s childhood and “unforgivable” act, the second being
Briony’s search for atonement, and the third being Briony’s introspective reflection on her life from the
perspective of an elderly woman nearing the end of her life. The novel follows the transformation of
Briony’s character as she learns of the consequences of the childhood pride and confidence that made her
place extensive faith in her own intuition and ignore her outright misperceptions. Briony’s much
considered reflections are interjected throughout the novel to highlight her change in perspective. She
certainly matures as a result of her childhood and her condemnation of an innocent man. Having
subjected Robbie to prison and harsh societal judgment, Briony inflicts similarly harsh criticism upon
herself. Although it is a lifelong lesson, by the end of the novel, it is clear that Briony recognizes the
shadows that will always permeate one’s life, the shadows that harbor secrets and obscure fact.