SCORE

A FI LM M U SIC DOCU M E NTARY

ANSWER KEY
WORKSHEET A

# Answer (Reference time in film.)

1.   Malibu. (0:38)

2.   Wind. (0:50)

3.   Wurlitzer. (3:50)

4.   New Haven, Connecticut. (5:35)

5.   “To have a dialogue with the composer that you’ve probably been
postponing.” (7:15)

6.   Beethoven. (11:40)

7.   The Pink Panther/James Bond. (15:00)

8.   Vertigo. (18:10)

9.   Violin/guitar. (22:45)

10.   Air molecules. (28:15)

11.   Orchestral scores. (32:38)

12.   A jazz pianist. (35:10)

13.   Darth Vader theme/Imperial March. (39:40)

14.   Chairs. (47:30)

15.   Los Angeles. (54:00)

16.   Synthesizer. (1:03:00)

17.   Hans Zimmer. (1:10:10)

18.   Waves. (1:15:00)

19.   French horns. (1:22:30)

20.   “They might disappear.”/”It will be such a loss to humanity.”

(1:27:00)
 SCORE
A FI LM M U SIC DOCU M E NTARY

ANSWER KEY
WORKSHEET B

# Answer (Reference time in film.)

1.   The wires. (1:41)

2.   Surprise/uneasiness. (4:50)

3.   Son/father. (6:00)

4.   Spotting session. (6:50)

5.   A change of direction in the scene. (10:30)

6.   Jazz. (14:30)

7.   Dramatic radio/radio. (17:45)

8.   Rugrats. (21:00)

9.   Rhythm/melody/tempo. (27:10)
Note to instructors: Dr. Tan specifically mentions these two aspects
as examples in our film. However, you may choose to accept other
elements of music such as speed or tempo, beat, soft/loud dynamics,
harmony, etc. for full or partial credit.

10.   The music mirrors the movement of the balloon cart. Music (pitch)
and cart rise and fall together. (32:00)

11.   Jerry Goldsmith. (34:40)

12.   Steven Spielberg and George Lucas. (38:50)

13.   “Very triumphant.” (45:30)

14.   Engineer/ProTools/Music Editor/Orchestrator (52:00-53:30)

15.   “Half a billion dollar roll”/”Top 20 of all-time box office.” (1:01:20)

16.   Alfred Newman. (1:08:45)

17.   The Dark Knight. (1:13:30)

18.   “Mixing, and the more technological part of the production.” (1:21:00)
19.   Paul Walker. (1:23:30)

20.   Bathroom stall. (1:25:35)

 SCORE
A FI LM M U SIC DOCU M E NTARY

ANSWER KEY
WORKSHEET C

# Answer (Reference time in film.)

1.   The wires. (1:41)

2.   Lotion. (2:43)

3.   “It made it frightening.” (5:15)

4.   Spotting session. (6:50)

5.   John Williams. (9:40)

6.   The relationships in the story/the story. (12:00)

7.   Africa. (13:30)

8.   Guitar. (17:00)

9.   Psycho. (19:00)

10.   Mad Max: Fury Road. (24:50)

11.   Remember The Titans. (30:00)

12.   “Metal mixing bowls and rubber balls being bounced into a bowl.”
(33:30)

13.   Fox/20th Century Fox. (35:25)

14.   Raiders of The Lost Ark/Indiana Jones. (41:30)

15.   “Up to 100.” (49:40)

16.   None/0. (57:55)

17.   “Seeing your child for the first time being born.” (59:40)

18.   Thomas Newman. (1:06:00)

19.   The guitar. (1:12:30)

20.   Cello/Violins/Violas. (1:18:00)

 SCORE
A FI LM M U SIC DOCU M E NTARY

ANSWER KEY
ALL QUESTIONS

# Answer (Reference time in film.)

1.   Malibu. (0:38)
2.   Wind. (0:50)
3.   The wires. (1:41)
4.   Lotion. (2:43)
5.   Projector noise. (3:20)
6.   Wurlitzer. (3:50)
7.   Surprise/uneasiness. (4:50)
8.   “It made it frightening.” (5:15)
9.   New Haven, Connecticut. (5:35)
10.   Fox/20th Century Fox. (6:14)
11.   Son/father. (6:00)
12.   Spotting session. (6:50)
13.   “To have a dialogue with the composer that you’ve probably been
postponing.” (7:15)
14.   “What their insecurities are.” (8:35)
15.   John Williams. (9:40)
16.   A change of direction in the scene. (10:30)
17.   Beethoven. (11:40)
18.   The relationships in the story/the story. (12:00)
19.   Africa. (13:30)
20.   Jazz. (14:30)
21.   The Pink Panther/James Bond. (15:00)
22.   Ennio Morricone. (16:30)
23.   Guitar. (17:00)
24.   Dramatic radio/radio. (17:45)
25.   Vertigo. (18:10)
26.   Psycho. (19:00)
27.   A forest. (20:00)
28.   Rugrats. (21:00)
29.   Violin/guitar. (22:45)
30.   Mad Max: Fury Road. (24:50)
31.   Goosebumps. (26:20)
32.   Rhythm/melody/tempo. (27:10)
Note to instructors: Dr. Tan specifically mentions these two aspects
as examples in our film. However, you may choose to accept other
elements of music such as speed or tempo, beat, soft/loud dynamics,
harmony, etc. for full or partial credit.
33.   Air molecules. (28:15)
34.   Remember The Titans. (30:00)
35.   21,000. (30:50)
Note to instructors: The estimate based on eye-tracking studies of
shorter sequences of film is 21,600 eye movements for a 90-minute
 feature film, and is cited on p. 167 in Tim J. Smith’s chapter in the
book Psychocinematics (Oxford University Press 2013).
36.  
37.   The music mirrors the movement of the balloon cart. Music (pitch)
and cart rise and fall together. (32:00)
38.   Orchestral scores. (32:38)
39.   “Metal mixing bowls and rubber balls being bounced into a bowl.”
(33:30)
40.   Four. (34:15)
41.   Jerry Goldsmith. (34:40)
42.   A jazz pianist. (35:10)

43.   Fox/20th Century Fox. (35:25)

44.   John Williams. (37:00)
45.   Star Wars. (38:00)
46.   Steven Spielberg and George Lucas. (38:50)
47.   Darth Vader theme/Imperial March. (39:40)
48.   Raiders of The Lost Ark/Indiana Jones. (41:30)
49.   E.T. The Extra-Terrestrial. (43:50)
50.   “Very triumphant.” (45:30)
51.   Chairs. (47:30)
52.   “Up to 100.” (49:40)
53.   Star Wars prequels/Lord of the Rings. (51:00)
54.   Engineer/ProTools/Music Editor/Orchestrator (52:00-53:30)
55.   Los Angeles. (54:00)
56.   None/0. (57:55)
57.   “Seeing your child for the first time being born.” (59:40)
58.   “Half a billion dollar roll”/”Top 20 of all-time box office.” (1:01:20)
59.   Synthesizer. (1:03:00)
60.   Pee Wee’s Big Adventure. (1:04:00)
61.   Thomas Newman. (1:06:00)
62.   Alfred Newman. (1:08:45)
63.   Hans Zimmer. (1:10:10)
64.   Lisa Gerard’s voice/vocals. (1:11:30)
65.   The guitar. (1:12:30)
66.   Hans Zimmer. (1:13:00)
67.   The Dark Knight. (1:13:30)
68.   Waves. (1:15:00)
69.   Nine Inch Nails. (1:16:00)
70.   Cello/Violins/Violas. (1:18:00)
71.   “Mixing, and the more technological part of the production.” (1:21:00)
72.   French horns. (1:22:30)
73.   Paul Walker. (1:23:30)
74.   Avengers 2: Age Of Ultron. (1:24:25)
75.   Bathroom stall. (1:25:35)
76.   “They might disappear.”/”It will be such a loss to humanity.”
(1:27:00)