FRencH teen ~ Packee Page 5 Swing 8th Notes Sound Different Than They Look 6. SWING. 8TH NOTES sing the scat sylables ofeach exercise before you play it Trdienal swe A A Bt aS SSeS Se eo reese eee eerie a z= Tah Tah Tah Tah Tah Toh Tah Tah Tah Tah Doo Bah Doo Bah Dot Doo Bah Doo fh Dot Quarter Notes Quarter notes in swing style ae usually played detached (staccato) with accents on beats 2 and 4 7. QUARTERS AND 8THS A A A A Dit Dot dit Boo Bah Doo Bah Dot Dit Dot oft 29 ah Doo Bah Dot 8. MORE QUARTERS AND 8THS A Dk Dot Dit Dot Dao Bah Doo Dot Dit Det oe Bah Doo Bah Doo Bah Doo Dot Important Tip: Notsatthe ends of phrases ar usualy played short and accented oe : > 7 > 4 Jazz Articulation Review f f f f “Thase ate the four basic articulations ae ae ies ace aera plea in jazz and the related scat syllables {full value) (short, unaccented) (full valueaccented) _—_(short, accented) bed beieed Doo Dit Bah Dot Quarter Notes pen Swing 8th Notes A A. legato 8th notes in swing style jazz are usually 2-3 played gato. Dit’ Det DIE Dot Doe Bah Doo Bah Doo Bah Doo Bah Quarter notes in swing style jazz are usually played staccato.6 Perc Hoew Practice Pouge 9. SWINGIN’ THE SCALE SSeS Pee Sszy ee? Sana 1 Bah Da Beh Doo Sch Doe Bah continue sin. Dee Bah Doe dah Dao 10. MOVIN’ AROUND A peers HE se ee ee Saeco eee ae: . See: > DR Dot Doo Bah Doo Bah Doo Bah Doo Bah Doo Dit Dot Deo Bah Doo Bah Doo Bah Doo Bah Doo A A A > psa > Feel kk Det Boo Bah Doo Bah Og0 Bah Doo Bah Doo Doo Bah Doo Bah Dt Dat Doo Bah Dot Doo 11. RUNNIN’ AROUND A SS SSS Sores eee oer: Dit Dot Doe Bah Doe Beh Doo Bah Doo Bah Doo Dit Dot Doo Bah Doe Bah Doo Bah Doo Bah Doo A > A > = du aS ES Dit Dot Dao Bah Boo Ba Doo Bah Doe Bah Doo Dow Bah Dao Bah Doo Bah Doo Bah Doo Bah Dot Ooo 12. TRADIN’ OFF Tumpets Sarophones See peepee ses Sade eae ea aS ee = = f= oa ey Paaaes Pann) co oo fan Doo Bah Dt Dot Doo Bah O00 Bah Co a0 Bah Don Gah DK Det Doe Bah Doo Bah Doo AilSectons it pean > A ; Sa zeae SSae= aaa = = ae SES oe Bah Doo Bah Dit Dot Doo Bah Doo Bah Doo Doo Bah Doo Bah Doo Bah Doo Bah D0 Bah Dot Doo eae : 0b Carleton A = Bt oo Dk Doo Doo Hah Doo Bah Dit Dot Dat Dit Doo Bit Deo > > Doo Bah Doo Bah Dt Dot Dat Doo Bah Doo Bah Ot Dot Doe Hah Dot Doo > > ee Doo Gah Doo Beh Dt Dot Doo Bah OR Doo ot Deo Bt deo sememerene, 4 AA SaaS SS = Ss Se | Paeaa 3S 3 Boo Bah Doe Bah Dk Dot Doo Bah Doo Bah Dit eo Bah Doo Bah Dit Dot Dot10 Swingin’ With Jack 28. RHYTHM WORKOUT sometimes quarternotesre ons. A A Fence teen - Packer Page Sirens ite! Seen ‘b00 Hah Doo Bah Dt Det De Doo Dot ‘Doo Bah Doo fah Dk Doe Bah Doo Doo Dot HHA A A 5 aS) aS Sore ace 3 Doo Bah Doo Bah Dit Doo Bah Doo Dit Dot Doo Bah Det Boo Bah Dot 00 Bah Doo Bah A A A A 3S oo Bah Doo Bah Dk Dot Doo Dit Bah bit Dot Dt Dot so me 7 29, MELODY WORKOUT Style Review - Swing + Use a soft“doo' attack rather than aah" attack = Play quarter notes detached (staccato) unless otherwise marked + Play notes followed by a rest staccato and accented + Play ath notes connected (legato) unless otherwise marked + Play ath notes with a triplet subdlviston + Accent Sth notes on the upbeats (the and"of the beat) + Accent quarter notes on beats"2" and"4" + Use the scat syllables doo'"baht"ditand “dot” to suggest the sound of ezch jazz articulationae Pecok THIS Prec 2 In bebvcen beactets SATIN DOLL DUKE ELLINGTON By i HORN Arranged | by ‘MICHAEL SWEENEY i i ft | Hie il I = wad +s Gon) aS i Cn? #7 Ont? 7 Bhs? on? 67 On? 67 tHe i y oneso. I A T.REPERT POR MORE SOLOS a ay zs > > =H CCopyigh © 1959 Renewed 1981} and Assigned to Faraus Mute LC inthe USA | Fr ranger Cop ahaa ofFaneia Mate Kein he US.k Rights forthe world oultie fhe UTA. Controlled by fempa Musi, Ie. c/o Musi Solas Corporation : ineational Capyigh Scied PAN fase me