‘Works ay Tow SrorraRD PUBLISHED BY GROVE PRESS vey Good Boy Deserves Favor aud PrefnionalFoul ungrs | ‘The Re Inspector Hound aud Other Pays Rosenrants and Guldntrn Are ed reer The Iventon of Love TRAVESTIES TOM STOPPARD GROVE PRESS, ‘New Yorkcre Pe CH 2695 33.63. Gobt 116 7 WS Copyright 91978 by Toe Str Aight No pr fick may trap no by fy tlecrons ome mens orc tare one ‘Sema iow pemision etme few the ple exe 9 ‘Shenley wstiy to Hhomopy pate al ft Ho ‘Stewart pelos wie wel tet ohn ete ence th Brody See Yor RY 10 ” CCAUTON Profesional nd anes by ware ht Det snhectio sy ra fy pod drei te Ustad ‘Sil CL nace kino ma al sia Commons car ‘Beco covered ty he Inet Copy one Pane ‘Coot Cornu sd te Una Coppht oer Al eh tree potest oten pie necon pu rea ‘abo tetsaing ews,‘ sund upg all Sek a trtanalo eaton route, kw fern tee ‘pau ploscyng en of maoe wo fen imu e Seay sce Fre-spfeioal plains fer poise te perm a hse ‘rh sed above, ate mae sone oP Pr & Duo, SOs the Chae: Ce ator endo IDOE, Egan ‘Sek and enue apis 1 pr ian hose ts st iol aay tle ath Sel Fa Pomel he Und Se of tre Lea of Congest slog Cad Nate 513582 roe ree Newt NY S00 For Olver, Rarmby, ‘William spd Edmundtit pxfomance of Teva tok plist be Trees was revved byte Royal Shakespeare Company athe Aklayeh Thestre, Londen on 1 Jus 1974 in production by Barbican, London, on 16 October 1993 with the flowing cst: ‘he Royal Shakespeare Company. The cast as follows duewny cam Antony Sher uuexy cane Joh Wood ‘TRISTAN TzARA David Westhead ‘rerstax tzaRa John Hurt ames jorce— Loyd Hutchinson sases jovee Tom Ball LENIN Georey Freshwater LENIN Frank Windsor cecity ‘Amanda Hares BENNETT John Bore ‘GwENDoLEN Rebecca aie Gwexpouey Maria Aitken ‘Trevor Martin cecnty Beh Moris Darlene Johnson NaDea Barbars Leigh Huse Aen te chard Hodson ‘The ply was directed by Peer Wood, and designed by Carh, roms wd Jennifer Tipton, ‘Toms wit lighting by Robert Ombo. haweal ‘Tees rnin i in inoeprt revo mae ‘the author for the above production. ”Characters tunwny canx appearsasa shabby and very od manuals as his youthel elegance. "THISTAN TZARAb the Dadaist ofthat mame, He wasa short, ark ired,verybovih-ooking young man, and charting (hi word) He wears a monoce. ‘sases soveb se Jomes Joven in 1917/8, ape 36. He wears a jacket and trousers from two diferent suis, ‘uenas is Lenin in 1917: ge 47 [BENNETT Is Car's manserant Quite weighty presence. ‘GWENDOLEN is Carr's younger sister; young and attractive bat also personality tobe reckoned wth cretL. rao young and ateactive and even more tobe seckoned ‘with, Also appens as er lds sapyais Nadezhda Kropshaya, Leni’ wife aged 4. Henry Wilfisd Car, 1834-1962 “Thereader of play whose principal characters inlude Lenin, James Joye and Tristan Tara may not elze hat the figure of Henry Carr islikewise akon from history, But thi io Tn March 19¢8( take the allowing information fom Richard ‘llmana’s James Joyce, Claud Sykes, ev actor tempore Living in Zucich, sugested to Joye that they form a theatrical ompany topaton plays in Engi, Joyo agrecd and became the business ‘manager af The English Payers, the fis production co be tha of The Imporanc of Being Bares, Actors were sought. roferonale were wo recsvea token fe of 3 francs and amateurs tomake do with 1 francs for tram fare to rehearsals. Joyce ‘became ver active and visited the Consul General, A Petey Bennet, in oder o proce ofc approval er the Player. He suceeded inthis, despite the fact that Bennet "was annoyed With, Joye for not having reported to te Consulate official to offer ‘ig servioes in wartime and was perhaps aware of Joyees work forthe neutrals Fnomational Review nd of hi openniference tothe wars outcme. He may even have heard of Joyee's version ‘of Mr Dooley, writen abou this time "= Tquot from Ellmana's superb biography, whose companionship was not the least pleasrein the woting of Tree. ‘Meanwhile, Sykes was icing roger acest... “An importan find was Tristan Rawson, handsome man who had ‘ang baritone oles for four years inte Cologne Opera House but had never ated ina play ter mc coaxing Rawson agred to take on the role of John Worthing. Sykes recruited Cecil Palmer ‘asthe bute, and founda woman named Ethel Turner to play Miss Prism. leading ole of Algernon Moncrieff In an unlucky moment Joyce sominsteda ll, goodlooking young man named Henry Cait, ‘whom he had see inthe consulate, Car, invalid from the service hada smal job there. Sykes eared that he had acted in some amateur play in Canada, aed decided risk hi.” (Cats performance turned outta be asmall triumph He had iven inhis enthusiasm, bought some trousers, ast nd pair of loves towearas Algernon. Bur immediately ater the performance the actor andthe busines manager quarele, Joyce handel each member of the cast 9083 ras, 8 pre- turanged, bat succeeded in pigung Carr, who ter complained to Sykes that Joye bad banded ove the moa ike ip, "The upshot was dispreportionate and drawn ot. Joyce and Carr ended up going to lin two separate ations, Carling. | ‘reimbursement forthe cos of the trouser et. or serntively 2 Share ofthe profi, and Joyce countercuming for he price of five kes sold by Care and also suing for lander These enters werenot seed until February 1919. Joyce won aa the money dnd lneon the slander, but he reserved his all bution for Uist, where healed punishments as srupulosly and inexorably as Dante... Orginal Joyer intended make ‘Canaul General Bennet and Henry Carte two drunken, blasphemous and obscene soldiers who knock Slephen Deals oven inthe "Cice” eps but he eventually decided that ‘Bennet should be the sergeant-majr, with authority over Private | (Cae, who, however, refer to him with utr disrespect.” From these meagre facts about Henry Cartan being ble o ump (Delaining: Rely ifthe lower orders don't se 2 ‘pond example what on earth she wse of them?! They seem {4 elas to hae absolutely wo sense of moral responsiblity! ‘Tolose one revolutions unfortunate. To lose two would Took Eke carelessness! (OLD caRR enter, erasing contin attr book.) ‘ovo cann Enerng: No, steady on ~sorey~ did you notice? OF ‘soars you did Hallo, el, you though, he's doi ‘pun, Right~ well nevermind. here’ the picture. pit 16, Leinin St Petersburg, yours truly holding the ba. ‘Pag prety close to him, had a stoke ofuck with certain Iie ad and Tl gota prety go ides of hisntntions in fact Tight ave topped the whole Bolshevik hing nis tracks, but~bere's the pint aston: On the one hand, the forte of the vised world On the other hand, my fesings for Cel. And, do’ forget he a’ Lenin thn! ‘mean, oh ae he? ant were. These Twas, the bres of rlions of people hanging on waich way Pd move or ‘whether moves lanier man might have cracked — Sorry about dst muffin basines, nie. Beats ‘may, there were we? Ah yes. CAR ope i ook, searching ‘ndt)= Lenin on Literature and Ant (aterm nage withthe Bok. LENIN makes fresh Han) ‘Lenn Today, literature most become pay literature, Down ‘with on-parsn iterature! Down wit terry supermen! Litrstare must became part ofthe exmmen cause ofthe proletariat cog inthe Social democratic mechanism 8 Publishing and dsrbuting ene, bookshops and ‘acing roms, libraries and similar establishments stall Ieunder party conto. We want o establish and we shal ‘enable pes, re not imply fom the plc, but ‘ko from capa, from careers, al what more ee rom bourgets anarchist nda (Genoa erst copy of the sme Bok.) ‘xxpva (Entomng) lye wrote those remarks in 1905 during the ‘rst Revolution Lenin (Coninuing): Bveryone is fre to writeand say whatever be Hes, without any eststoas. Bur every voluaary sssociaton, inching the party, is alo ee o expel ‘members who use the same ofthe party advocate ani= party views, Second, we must sy to You bourgeois Individuals that your lk about absolute freedom is sheer hypocrisy. There can be no ela effete fresiom ina society based on the power of money, Socal iterute and fre wile free beets the eso socialism and sympathy tithe working people instead of greed an carerism, will, bring ever new forees ois ranks! (The igh ges out on LENT.) ‘cnx: And loc more ike that, butcher's bit somewhere about ‘bos and nonsense hung on fe searches trough hbo.) aps Uvich wrote very te boat at and terture, generally, ‘buthe enjoyed it. We sometimes wet to concerts apd the ‘theatres even thems hl he nughed alot atthe clowns — tnd he was moved to tears when he sw Le Dome out Ganaiasin London ia 197. ‘cana Sentimental) Oh... Le Dame aur Cameos ‘abva: Tyish admized Tolstoy, especially War ond Peace, but he puttin an atic in 1968 on Tolstoy's eghtieth birthday (LENIN er join WADA) ‘LENIN (Emerg: On the one band we ave the ges artis the oter hand we hve the landlord obsessed wih Christ ‘On theane hand the strong and sincere protester against social inutice, and on the other hand the jaded hysterical “vel known eth Rosin intellectual eating his bresst 9{in public and wailing, Tam a bad wicked maa, but Lam practising moral seltperfecton, Ion eat meats [now eat rice cutlets, Tolstoy reflected the stred-up hutred andthe eadnes fora new farure~and tthe same time the ‘mature dreaming and politcal fabbines which was one ‘of the main causes forthe fare ofthe 1903 revolution.” ‘cann (Finding the place): Here we ae, ‘abya: Homever, he respected Tolstoy’ tadional rales, Tae ‘nw art serned somehow alin and incomprehensible to ‘im. Clara Zetkin, in her memoirs, remembers him bursting out ‘cana & LENIN: Bosh and nonsentet [LENIN: We are god revolutionaries but we sem tobe somehow obliged to keep up with mdern at. Well, as forme 'm 2 barbarian. ‘nk & LENIN: Expresonism, frum, cubis... I don't ‘understand them and I get no peasare frm them ‘cana: Thats my pout. There wat nothing wzong with Lenin ace his polis, ‘unin: September 15, 199, 10 A. M, Goth, Dear Alexeh Marimych ..'Precalla remark of youre daring our talks it London, on Capri, nd ater ~ namely: "We artists are irresponsible people." ‘cans & LENIN Siolansou) Exactly! ‘Lenin: "You utr incredibly angry words ~about what? About * fev dozen or perhaps even a fee hundred) Cadet and ‘eae Cadet gentry spending few dys in jalin order to prevent plos which thtaten the lve of tens af thousands ft workers and peatints, A calamity indeed, What an Injustice! A few days, or even weeks, in jai for intellectuals In onder to prevent the massacre of tens of thousands of ‘workers and pesans. "Arts are responsible people!” ‘cana: Tn other words chi from mutron {tn oth on Capri and afterds, [tol you — you allow yourself be surrounded bythe very worst element of bourgeois inteligensia and succumb to their whining No, really, you will go under ifyou doe ear yourself away ‘rom these bourgeois intelectual With ll my att wish 6 ‘thatyoudoshis quickly. Allthebest. Yours, Lenin. PS. For ‘youare nt writing anything!” ‘apva: Oncei 1919 we wenttoaconcetinthe Kremlin andan acres started decaiming vomething by Mayakovsky. ‘Mayakovsky was celebrated even before the revouten, when ‘beused wo shouthistraturedlinesina yelow blazer with ue roses punted onhischeck. Thich was inthe ronrow and he nearly jumped out of his skin testy: Memo to. V. Lupacharsky, Commissar for Education — "Aren't youashamed fe printing s,oocopiesaf Mayakovsky’s new book? Itisnonsense, stupidity, double- ‘dyedstupaty and affectation, ‘Cann Simuloneras) Nonsense, tupiitydoubledyed ‘topiityandaffecaton. Lupin: Mayakovsky should be whipped fr his Futurism.” ‘CARR: Mayakovsky shothimselfinr930. Tara got fatanddiedin Prsin 196. Withmoderart yousee, you avetopckyour ‘ime and place. ‘sana: emember when wewerein London is 1903 how sch longed toto the Moscow Art Thetretosee The Lower ‘Depth. Wedd after be revolution. Wel, the over acting Jentatedhim. After ecing The Lower Depths he avoided the *heateforalongtine-Buronce ne wen tose Uncle Vasa which beliked sry¢much, And nally the ast time we wen to {he thetrin 923, west astage version of Chale Dickens's rick onthe arth After he fsa ich ound ‘tdull. Tasaccharne sentimentality gotoahisnerves, and ‘during the conversation beeen theo toy-maker ard his ‘blind daughter be could sandicoolonger and welet (Thea ppassimara Sonata ofBethooen is qt invoice, ‘cannclows hi Bookand sight) ‘caRK: Yes, would baveenjoyed crack with Ol Vind Hie ~alkingabouter and teraturein he cafes, svoling along ‘the Buhnbofsrasse discussing Testy and Dowty —the other ‘one ween’ the same with TrarsandJopce~neverhititol wth them, never sw eye eye. But Leinandl..ifosly {Paknownl Buthehadatisiato catch and thenit was tools, Py. eave upton.) 6"NADY A: But Izemember him on eveniag, aren’ bout in ‘Mosc, stening toa Beethoven Sonata ‘upwrn: I on't know of anything grester than the Appasinat, ‘Amazing, supeshuman musi, Ialvays makes fel, pethope naively, itmakes me fel proud ofthe miracle that ‘human beings can perform. But Ica’ lien o music often, affects my nerves, makes me want wos nice stupid tings and pt the heads af those peopl who wile ving in this ile ‘ellcan create such beauty. Nowadays we ant pe heads or we'llget our hans bite off, We've got oi heads, hit them without mere, though ealy We're gains doing violence people. Hin, one's dye infernal bard. (cane lees he Roam, LENIN Les he Library, The mie fonts) "apy: Once when Vladimir wasin prison —i St Petersburg ~ he wrote to me and asked that at certain time fda T should ‘goand sand ona parcuar quareof pavement on te Shpaleraya. When te prisoners were aken out for exercine itrasposibe through one ofthe windows i the corridor «uch a momentary limps ofthis spo. Iweat for several ays and stood a log wile onthe pavement here, Bute ever saw me Something wen wren, ort what (The Appasionaa nls dark) (Phe Roem: GWEN is sated Thr are ta hing onthe table The Appassinata degenerates awry it'Mr Gallagher and Mr Shea’. weNNECT os, fllaoed by C5CILY. There Scheme o th songs fly edo. Tovrea often nee each, the fin being noyming primer) beynerT: Miss Caruthers cect: cily Carruthers ‘owen: Cecily Caruthers! What prety name! According tthe Cons "Round the fashionable font you often hearth Css delimed, (Ob dear Miss Carr, oh dear Miss Cre, Pleasure remain actly wiere you ste ~ Teg youdon' gecup~ cron: on Gowan: (To mENWET?) I chink well need another cup ~ Pray sit down, Miss Crrthers, ere: Sokind of you, Mis Car, Exisewnerr) ewan: Miss Caruthers, ob Mis Carruthers. hope hat you wil cll me Gweadeles. fel 'vekaowm you long And Tm never ever wrong — Something tellsme that wer going to be grest ends xcILY: (Upper clas) Oh Gwendolen! Ob, Gwendalel Isounds ce prety cea mendolea! hope that you'l fee fee tocalme Ceiy. Gown: Absolutely, Cells. erent: ‘Then tha’ seed Gnendoen CECILY: OhGrendolen, Oh, Gwendolen ica you dot remember where we me. Tmnot mo picturesque when seen behind a desk — Gowen: Ofcowse, my dear~ hoo cou forget? b, Ceiy, Ob, Ceci, ‘Accept my sincere apology! [Nowe absotely fel, fathers roubles the bak? cceeny: Atthe Libery, Guendolen ‘owes: Atthe Lib, Cecily! ‘ceciLy: Oh Gwendolen, Oh Gwendolen [dread to state the resto form cl, land the Fnuh Time for Jane 190, ‘owen: OnCecly, hn Ceiy,Since Ocober, Gwendolen, On ny dick, Cecy! :NNETT with eap. Theis etn moun of tea Powrng and esipping cme, na mento tee adel lined doom on thse, ond all hat Bu dracon hi ‘fect are ote). ‘Ob Cail, Oh Ceci. Aen" youth gil who bas that Russian fend? {pas him very day bbyEconamic Ato K— (Saal 1s never going tobe the same ena, ‘Ot Gwendolen, Oh Gwendolen! “Hele eis afteraon on the tree ten, {ve us come fom the tain. But wellher of him again (sincere) Absolutely, Cesly ‘Posto, Gwendolent (Esironxerr) Oh Gwendolen, Oh Gwendolen ‘The Library is ing to seem saad. Apartfrom Mr Tiara alltheBalshevi are ‘boar that special choo-choo bound for Petrograd Excuse me, Ocly, dear Cuily This Mr°Tzara, doeshe spelt witha T? TLARA? A Batshevik, you say? Absotly, Gwendolen ‘You surprise me, Cely On Casi, ob Cail 1 mustadnit you've taken me aback. {shall eerainy nse oo| atdtedstéte ith Test — ‘With Titan? No, mean bis brother Jack, Oh Gwendolen, Oh Gwendolen! ‘rita’s quite another thing sain, Brother Jacks news tome= 6 ceo: “They kept tin the fay — Relatively, Cail Imminent, Gwendoen, (Ob Gwendolen, Oh Grendaten Tlie you abe the frst know. “risan’s hanging p bis at forthe proletariat. Webavean understanding — (sing) Justamo- (Sinn) men, Cecily, dear Cecily, “ristan's understanding with What he wets or dra) ‘sno concem of your. Relatively, Gwendolen — Absolut, Cet (Oh, Cealy...O8 Ceity out ave mad an unfortunate mistake, Forgive me it say (Producing her dary) Tristan mentioned yesterday hs deletes his ar forts wn sake, (Gh Gwendolen, Ob Gwendolen ‘Clearly he bas changed his mind since hen. (Producing er dian) “Today bead, My bear nolonger inthe arts ‘exceping,Ceiy, 2s ameans towards an end.” (rig) On Cecily, Ob Cecty To say this gives me phys dsres Dbucone of Joyce's chapters, sot Tristan nt repares ‘nthe subject ofthe stream of consciousness. ‘Oh Gwendolen, Oh Gwendolen, inharrows me conrad rend, ‘but his consciousness of clase isthe one thats going toast 6‘owes: Lonermiddle, Cecily? cerca: ‘Are yourelly, Gwendolen? CowEN: (Rising) Miss Caruthers, cee: (Dit) Yes, Miss Car ‘Swen To not wish to respasson your time. (eeIL¥: hope that wllsee youat he Library ould you ever gecaround to pay your fie. Miss Cae. Bows.) (othedeor) own: Miss Caruthers, fone to wish you Tuck withall the thers? Tmnotevtlly wiait swith manners down your way cxeiLy: And up yours Mis Carr Triton! (Cann has entered. Pte) owes (Cenarion) frcity: Your brother? CGwaN: Yes My brother, Henry Carr CECILY: Doyou mean tht hes ot Tristan Tzara the artist? (GWEN: Quitethe contrary Heis the British Cons (CARR has froze ik aig dog. Hes alin the older fom oh by CECILY nh Libary. ENSETY opens the oor) ene Me Tas (ORISTAN en. BENNETT res, TZARA cos isle) ‘ewes Tristan! My Trista ‘cectuy: Comrade Jack! ‘GWEN: Comrade Jak? ‘CeciLy: Yes. Th geademan who has his arm round your waists ‘luminary ofthe Zmmervald Let ewan: Ave they Bolsheviks? Ceci: Wel they dine with GWEN: A gross deception hasbeen practised upon ws, My poor ‘wounded Cecily! cxc1L¥: My sweet wronged Grendolen! (Thy are making forthe door.) % ‘That's my brother ‘CEOMLY (Halting) Thee ijt one question I shoul ike wo ase Me Care, ‘ewes An admirable idea Mr Taara, here isa question I should ket put to you. “ceca; What in rth ue your opinin ofthe esas T gave you to read? ‘owe: What indeed did you thik ofthe chapter I showed you? ‘cana Cindy: Very well writen. Interesting syle "Teans (Tidy): Very =. well ead. Rich material. ccecnvy:Burasa sci ertigue 7 “owe: Butaart for ar'sske? ‘cann (ining ip): Rubbih! Hosa madman! ‘ana: Big! W's unreadable! ‘wi & cECILY: Oh! Hypocrites! ‘canis Pon sore! "Tras for lvel ‘ewan & CECILY: For love? ‘own: That iste. ccremyy: Yes itis. (Un ion they ce tocard th mn, the in aio change thir minds) lowew & cect: But our intellectual differences arean insuperable barrier! (Th dor loshin ch.) (anmond Ana sink nt che ro main has) ‘can: By the wy, hear that Beanet hasbeen showing you my ‘private coespondence. (Exner exes with champape for ao on a ay. He Beis tdupeneit) ‘reana: Heh aia sympa. ‘Gans Theres noone aa as manservant whos freedom ‘ofthe champagne bin has ben interfered with saana:Sol believe. cana: Wal, ve puta stop tot ‘Teana: Given him notice? ‘Chk: Given him mee champagne, ‘Teana: We Romanians have gach to learn from the English ‘Cauh: Lexpect youl be missing Sof. "Tanna: Youean Gwendolen. o‘can (Foun; lars: Bachar. ‘T2ana: Oh, es. Ye. The Pais ofthe Balkans ‘cana Silly place to put realy (iu) Is this the Perser. pabercny arwiter: Noy ‘cana He ha rade etn om heal Allgone. 2 sewwrrr placa) mfr vo, sir ‘Cann: Very well, Bennet BENNETE: Ihave pute newspapers nd telegrams onthe ‘idcboerd, si, ‘cana: Anything olinerest? (BENNETT: The Neue Zach Zing ad the Zurich Pose announce respectively te cultura high alow point of he theatrical season atthe Theater fur Kalleuten yesterday ‘evening. The Zeiagsingles you out Tora persona ramp inademanding le. The Miniter telegraph ‘ongrtulations and als thanks you fr Your telegrams to hime He urges you wo prevent Me Ulsan esving Swatedand tallest (srwnerT leaves. PAUSE.) ‘cann:Inahlont ‘aaRa: Russian | ‘cana: No- whaisname Deidre, "ean: Bridget. (pe) ‘cana: Joye! ‘raane: Joye! ‘caRK: Lou. Quadsi-culat Irih it. Came round to the resin oom and handed me ten francs ike =~ body nerve Sponger~ (Cause ens) sapwnerr: Me Joye, (Gover ener in ated sate.) sox: Whereis your ster? ‘cana: Her moneys intra 40YGr: Thare ony one request wo make of ou — ‘cana: And Thave only one request o make of you shy for God's ‘sth camer you courie itn eer the ache his sage by your rosers?? Uti inde te case hat yore tno caring th athe haloes ofthe cuit erin Act One) |0¥CE (With dgnip) I could doe once, Levu do icevery time. My wardrobe got ou of tp in Teese, andits reciprocal members pus each ote endlessly in the igh [Now could you let me hve the teny-five race, ‘car: What twenty-five france? JOYCE: You wore ive eight tickets to sell five fans per ticket. My books indicate ha onl teen Fane bas been received from you. cai Thave spent three hundred and fifty rans of iy own, ‘money s0tst your off he-peg production should beast one character who looked site was acquainted with ile. IE Yyouopeto ges further twenty ive anes out of me you Wil have to drag me through the sours, (Deira) You ‘rvasindov anda cad! ‘Tanna (Handing JOYCE his olde): Furthermore, your book hat ‘much common with your des. Asap aringement of ‘words it isgraceless without being random; asa marae it lacks charm or even vulgarity; aan experince itis ike sharing ae with fanatic in seach of «mani (GWEN and CECILY ee. JO¥CE scone manip) sovce: Who gave you this manuscript to read? cern dit JOYCE: Miss Carr, did Tr dd not iv you to type chapter in ‘which Me Bloom's adventures correspond 0 the Homer episode ofthe Oxen of the Sun? ‘owen: Yes, you did! Andie was wonderfull J0YCe: Then why do you return vo me altered thesis. ‘urportng to prove, amongst other things that Reosay ‘MacDonald iss bourgeois icksptle pentleman’s sealeman? ‘owen: (Anat) ‘Fauna: (OMAN) ‘ceca.y: Oops!) ‘cane: (Aaah) s0Ycr (Thode: Miss Car, where i the ising chapter? ‘cana: Excuse med you sy Bloom? &sovce: Idi ‘CaN: Andisit chapter inordinate in length and eatin ‘le remotely connected with midwifery? Joyce: Its achapter which by emiracleof compression, uss the ‘sumut of English iteratre fom Chaucer to Crile ‘scribe events taking place in ying-n hoxpt n Dublin, can (Holding ot i fold) Tis obviously the same work. (GWEN ond CECILY swap folders eth cies of cogiton. ‘Gane and rzaRa close. A nap but formal imax ith ‘appropriate ries of Cecily! Gwendolen! Henry! Tristan!" ond ‘appropriate embrace.) (Bu, sppropiat tthe prod. Light change. A forma, shot ance seuence. 124K dace with CWI, CARR Hh {CECILY JORCK and BENNETT dane adapt. The efit ‘sof cows compl dilecaton of the lay. CARR and CECILY nce tof ie. The hrs contin and th t,o, dance ‘oftage ut OL CARR dancer back on ge th O19 {OLD CecaLy is about 80 of oe, like Olé Ca. They dance a ea deceit st.) ‘Ln ceciLy: No, no, no, not’ pathete hough here was court ‘ase T admit, and your trousers came into Edn’ day, tbat younever ot clove to Viimir Uyich, and I dont remetber the other one. Ido remember oye, yes yu are ‘uiteright and he was Ish wit lasses but hat was the year Mier ~ 1918 ~and che wai ad long gone fom the stato! T ‘waved 2 ed hanks erie ong lve the revolution asthe erage ook him away in his bvlr hat and yes, Ti yes ‘when you asked me, bute was the leader ofmlions bythe time you di your Algernon cnx: Algernon that ws hin, SOLD cueiL Yel sid hat wa he yar fter— ARK: After what? foun crit: You never evens Lenin, ‘ak: Yes id Sa him in the aes. new them all, Part of the jb. ‘Lo cc: And you were neve the Cos ‘aka: Never std Iwas, p oun cectty: Yes you di ark: Should we have cup of ea? ‘LD CECILY: The Consul was Perey somebody. cara: Bennet.) oupcxcuty: Whar? ‘caRx (Pest Tid the Consuls name was Benet! (OLD cEcIEY: Ohya. Bennett... That's nother thing — ARR: Aree going hae wep of or a fupcectty: AndT ever helped him write Imperition, the “Highest Stage of Coptisn. That was the year bear, 0. 1916. ‘crx: Ob, Cail. wish I'd known then that you'd tur out 10 "bea pedant! (Gating angry) Was dhs ~ ida’ do tha 1916-1917 -Whet oft? Twas here. They were ere. They swentonTwenton. Weall went on ‘um cecity: No, we dia’ Westayed. Sophia marie hat ast. I martied you. You played Algernon. They all went (Bost of he fading ight som ca no) ‘cara: Great ays, «Zatch daring the war. Refages, spies, ‘les, punters, poets weer, dias fell ds. Few ‘hem ll. Used to argu fa into the night... atthe Odeon, ‘the Terrase... earned hve things in Zurich during the var. wrote them down, Firstly, you's ether ‘evolutionary of you're so: and ifyou're not you might well bean ats as anything ee. Secondly, ifyou cant bean ts, you might aswell be a evolutionary get the tid hing (suackour) n